1349

Musically and visually, Oslo's 1349 have roots deeply implanted in the second wave of Norwegian black metal. Their sound, complete with buzzing (rather than roaring) guitars, abundant blastbeats, Satanic lyrics, unclean vocals, etc., is appended by ghastly corpse-paint, leather, spikes, fire breathing, and more, on-stage. Early recordings, such as Liberation and Beyond the Apocalypse, were drenched in lo-fi production, but won fans due to a sometimes-overwhelming physicality and aggression. Though hardly prolific -- they've issued less than ten albums in 22 years -- they are o...