Akifumi Nakajima's Aube project has amassed a lengthy discography, most entries realizing the maximum capacity for audio variation from a minimum of sampled input (in many cases, a single sound source). Influenced by space rock and musique concrète, Nakajima began recording in 1980 but released nothing until a decade later, when he produced music for an art installation given by a group of friends. Since the installation involved water, he decided to use appropriately watery sounds for the music. Nakajima's first Aube release came in 1991, when the Japanese noise label Vanilla...