Soon after he first emerged in the mid-'50s, pianist Cecil Taylor was considered one of the most radical and boundary-pushing improvisers in jazz. Although in his early days he used some standards as vehicles for improvisation, Taylor is largely known for his often avant-garde original compositions. To simplify describing his style, one could say that his intense atonal percussive approach involved playing the piano as if it were a set of drums. He generally emphasized dense clusters of sound played with remarkable technique and endurance, often during marathon performances.
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