Imagine what Sonny Stitt might have sounded like had he embraced free jazz after mastering bebop, and one can probably conjure a pretty good mental impression of Jimmy Lyons. Like Stitt, Lyons was enamoured of Charlie Parker's style, particularly in terms of phrasing. Lyons' slippery, bop-derived rhythms and melodic contours lent his improvisations a Charlie "Bird" Parker-like cast, even as his performance contexts were more harmonically free. Lyons made his reputation playing with pianist Cecil Taylor, with whom he became inextricably linked. He was a near-constant presence i...