Between his work with the pioneering industrial group Cabaret Voltaire and his myriad solo and collaborative projects, Richard H. Kirk remained impossibly productive for nearly 50 years. While the Sheffield-based Cabaret Voltaire began in the 1970s as an electronics-and-tape-loops outfit with similarities to other experimentalists like Throbbing Gristle, Einstürzende Neubauten, and Chrome, the group eventually penetrated a pop group context while retaining the edge of dystopia and isolation at the core of their earlier work. Kirk's solo work evolved along similar lines, althou...