Basses are not typically the superstars of the operatic world, but Samuel Ramey is an exception to that rule. Though his voice does not have the sonority of a Nicolai Ghiaurov or a Boris Christoff, his instrument is remarkable for its easy flexibility -- dealing effortlessly with long runs, ornaments, and leaps -- and its brilliant intensity. His stage presence (particularly when portraying "devil" figures) is vivid and lively, aided by an attractive physique and a dancer-like grace. He and the various stage directors have tended to emphasize these aspects, giving rise to the ...