From the wreckage of mid-'90s indie rock hype victims Jonathan Fire*Eater, the Walkmen rose at the turn of the century as major players in the New York City circle of post-punk/new wave-inspired bands (also including Interpol, the Strokes, Yeah Yeah Yeahs, and others). Setting the Walkmen apart from the outset was a heavy reliance on piano and organ, and a preference for atmospherics over garagey antics, courtesy of their self-built Marcata Studios. The band already had two acclaimed albums and a number of EPs under their belt when 2004's Bows + Arrows broke big and made them ...