With a voice that sounds like the reincarnation of a gospel preacher from the 1920s, and possessing a fitting fascination with sin, death, and redemption, William Elliott Whitmore's songs are steeped in the raw, naturalistic sound of country-blues, gospel shouts, and field hollers as documented by musicologists with portable recording gear in the '30s and '40s. His songs are delivered with the raw energy and emotional immediacy of punk, which befits an artist who cut his teeth on the fringes of the hardcore movement. Beginning with his 2003 debut, Hymns for the Hopeless, Whitm...