December 31, 2024 • 9 mins
From happy moments to times of reflection, here are a few of the biggest moments from Elvis Duran and the Morning Show.
Intern Ava type casts the morning show based on their personalities.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Happy holidays. Here's one of our favorite moments of twenty
twenty four. In turn, Ava is here, High, Ava, good morning.
Speaker 2 (00:08):
I know you have to put the headphones on.
Speaker 3 (00:10):
Ava.
Speaker 1 (00:10):
Oh yeah, she can't hear it.
Speaker 4 (00:11):
I don't think I have headphones.
Speaker 1 (00:13):
Oh that's not good.
Speaker 3 (00:14):
Thank you.
Speaker 1 (00:16):
All right, here's some headphones we love. Ava. Of course,
Ava was here when we talked about the cockroach problem
in her apartment. Yeah, we're still not over that conversation.
All of a.
Speaker 2 (00:26):
Sudden, I can hear Okay, yeah, okay, let's move on
beyond the cockroach thing.
Speaker 1 (00:31):
Ava. So do you do a lot of auditions for
parts in film?
Speaker 4 (00:36):
And I jose I do, yes.
Speaker 1 (00:39):
What's that like living in New York City and hitting
the pavement and going to these auditions and and what's
it like?
Speaker 4 (00:46):
It's not the same anymore.
Speaker 3 (00:48):
I think we all got to watch like the gorgeous
little interviews of people like being found on the street
at fourteen and then like being who they are now.
Now it's like self tapes. You're like in your close
is it your roommate's reading for you? Everything's online. It's
all a little bit like what do you look like?
Do you look the part? Okay, got it go. There's
(01:09):
no kind of It's not about like bringing your personality
into the room as much as it used to be
until you get like the callback or the second callback
to finally get to be yourself. But the first two
are pretty much like do you look the part? Do
you live nearby?
Speaker 4 (01:25):
Are you union? Do you have an agent?
Speaker 5 (01:28):
So?
Speaker 1 (01:29):
Have you had offers to some some comeback offers?
Speaker 3 (01:34):
Few?
Speaker 1 (01:35):
And what? This is kind of funny because Gandhi was
telling me, you told the story. What makes it so
unique about the parts that you get callbacks for?
Speaker 3 (01:43):
Well, there's a range between like Charlie Chaplin's daughter and
like singing girl in Woods. But the main thing I
get the callback for tend to be either foster children
or drug addicts.
Speaker 4 (01:56):
Okay, and I don't I don't have I don't know.
Speaker 3 (02:01):
If I don't know, if it looks vulnerable, I must
look like like small.
Speaker 4 (02:07):
I'm five to two. I don't know. People maybe see
me and are like, oh no, I don't know.
Speaker 3 (02:13):
My agent told me I have sad eyes, which I
don't know. Apparently they're sad and maybe it's like the
tragic beauty or like right brooding.
Speaker 1 (02:25):
Yeah, I don't know. I mean, I don't know what
a foster child will look like, because it's a whole
rainbow of looks. I was told by Gandhi that the
most things you're called back for are crackheads and runaways.
Speaker 4 (02:38):
Yep, yep, that sounds about right.
Speaker 3 (02:42):
I recently did a self tape where I had to
be well, like, I'm sitting obviously in my closet in
my apartment in New York City, but I meant to
be on a train to nowhere, running away to like
and it's like the self tape is calling my parents
and being like, don't look for me. I'm gonna be fine.
I just I have to go my own way. And
now he's like, what is happening right now?
Speaker 4 (03:04):
Also, the girl was like sixteen. I like, I don't know,
I'm doing my best here with what I got.
Speaker 1 (03:11):
I could kind of see it, well, hold on the
crackhead or the runaway. The runaway.
Speaker 5 (03:18):
I could see you, like, you know, give you a
denim jacket, a pack of smokes, maybe a little malmourished.
Speaker 1 (03:22):
Yeah, And I'm I think you got yourself?
Speaker 4 (03:25):
Are you telling her she looks malnurse?
Speaker 1 (03:27):
I'm saying, maybe, well, you're very very well. What you're saying,
Oh my god, you are you saying? Are you saying
she needs to lose a few pounds if she wants
to play the runaway? I'm not saying that.
Speaker 3 (03:44):
Maybe a little you know the eye liney yeah, yeah, yeah, Dothy.
Look all right, I have freckles in the summer. Does
that make me less white?
Speaker 4 (03:52):
I think it makes me more No, I.
Speaker 1 (03:54):
Think freckles make you look more bougie.
Speaker 4 (03:58):
What do you think?
Speaker 5 (03:58):
Okay, so and so somebody that tried acting as well
and had an agent, you do get I don't want
to say type cast a certain parts when you haven't
gotten any roles yet. And frankly I was because I
got called in for every police officer, military guy. I'm like, fine,
I don't care. You give me a job yeah back
in the day.
Speaker 1 (04:18):
Yeah, No, I see you like a member of the
village people, documentary docuies.
Speaker 4 (04:24):
Or a serial killer.
Speaker 1 (04:25):
I'll tell you what. So, Ava, not only are you
intern Ava, but your actress Ava actor or AVA will
call you could go ahead look at us and type
cast us. You be the you be the casting director
for us.
Speaker 4 (04:38):
All right, I've already done.
Speaker 3 (04:40):
Gandhi, Gandhi CEO who needs to have an eat pre
love moment. So like she's in her office, she's like,
I'm just not happy anymore, and then she goes on
an adventure.
Speaker 1 (04:51):
Wow, Danielle, I do see that, daniel What do you
see with Danielle?
Speaker 4 (04:57):
Cheerleading coach?
Speaker 3 (05:00):
Yeah, but like one of the inspiring ones, you know,
like like it's you know, but like you have to
be like a coach of something like something. But I
feel like cheerleading is creative and like beautiful but also
really difficult, and people judge it not knowing the work
that goes.
Speaker 4 (05:14):
Into straight see. Now I don't see the militant.
Speaker 3 (05:22):
But that's because you're wearing like a hoodie and you're
like military.
Speaker 2 (05:27):
I'm sorry, that's true.
Speaker 4 (05:30):
That's true. That's that's actually very true. Uh you are.
I can see you as a writer, like a struggling writer.
Speaker 5 (05:39):
Always struggle, struggling, not a success, cabaret not a success.
Speaker 3 (05:46):
Yeah, I feel like I feel like writer in Brooklyn
apartment that like is it like your it was your
grandma's apartment and you're like and your grandma was like
wanted to be a writer, but and now you're like
fulfilling the dream. For both of you and have a
pot or something.
Speaker 4 (06:02):
Yeah he's allergic to Yeah.
Speaker 3 (06:04):
Okay, well actually even better, you like ourself like like
a masochist writer'.
Speaker 1 (06:09):
I'm sleeping lady to pay the rent and.
Speaker 3 (06:12):
Then you actually love and then you guys start like
a coffee shop or something.
Speaker 1 (06:18):
Eva. Not only is she typecasting, especially's writing the play.
The screenplay. Yeah, gandhi, what do you think so far?
Speaker 2 (06:23):
So when we were trying to typecast Nate, somebody I
won't say who said he might be able to do
the like the the basketball or football coach who hung
out with the kids a little too much.
Speaker 1 (06:33):
Yes, I forgot about Wow who was always monitoring the
soaps in the shower? Can we move on? Probably the
same thing? Hold hold on, hold on, hold on, hold on,
actor Ava, go ahead, typecast.
Speaker 3 (06:53):
It seems I feel like Scary has so many options,
like but they're all very like niche, but they all
fit within the Okay, I'm thinking middle school principal, also baseball. Also, oh,
the cop actually could be fun. But NYPD like NYPD.
Speaker 1 (07:11):
I would think copy.
Speaker 3 (07:17):
I can see you writing about Dega, and I can
see you.
Speaker 4 (07:23):
I don't I'm trying to think about your story.
Speaker 1 (07:28):
I look how you're painting with such a vivid brush,
like this isn't just like you're this, You're that. She's
like giving like like scene.
Speaker 3 (07:36):
You need it because otherwise how are you meant to
fulfill your destiny?
Speaker 4 (07:39):
This is your moment.
Speaker 3 (07:41):
I have something it's like on the tip of my
tongue and I can't think about it for you.
Speaker 2 (07:45):
Help me.
Speaker 4 (07:45):
Guys think beyond.
Speaker 3 (07:49):
Whatever.
Speaker 1 (07:50):
They was mall cop, but he has to have a
sandwich while he's writing his scooter.
Speaker 4 (07:53):
A dedicated owner of summer camp who loves.
Speaker 2 (08:01):
These kids, that takes the kid the.
Speaker 1 (08:08):
Kids, he would teach them how to smoke. You know what?
What you did do was scary. Half of those roles
were people in some sort of uniform.
Speaker 4 (08:18):
I thought, that's a good point.
Speaker 1 (08:20):
Now what should I do? What should I do? I
want to be an actor? Now, Ava, what should I do?
Cast me?
Speaker 3 (08:27):
I want you to be like the wizard of oz.
I feel like you're like a wizard. You have a
fantasy to you. I feel like you should do like
some kind of wizardly thing.
Speaker 1 (08:38):
Okay, I'll do it. Iman, you are a.
Speaker 2 (08:41):
Very wizard of Ozzy. You're definitely a man behind the
curtain exactly. There's a magic but also a humanness, you
know how.
Speaker 1 (08:49):
You know the wizard actually turned out to be a
very vulnerable, interesting character. You know, he actually showed his
true side when they figured out how to open the curtain.
I love that, So Ava, let us know if you
get some more offers for anything other than crackheads and runaways,
and let's let's watch your career blossom, because I totally
believe in You're fabulous. You're right, Thank you, he'd welcome.
Speaker 2 (09:12):
My agents think the same thing, Inns and actor Ava,
everyone
Happy holidays. Here's one of our favorite moments of twenty
twenty four. In turn, Ava is here, High, Ava, good morning.
Speaker 2 (00:08):
I know you have to put the headphones on.
Speaker 3 (00:10):
Ava.
Speaker 1 (00:10):
Oh yeah, she can't hear it.
Speaker 4 (00:11):
I don't think I have headphones.
Speaker 1 (00:13):
Oh that's not good.
Speaker 3 (00:14):
Thank you.
Speaker 1 (00:16):
All right, here's some headphones we love. Ava. Of course,
Ava was here when we talked about the cockroach problem
in her apartment. Yeah, we're still not over that conversation.
All of a.
Speaker 2 (00:26):
Sudden, I can hear Okay, yeah, okay, let's move on
beyond the cockroach thing.
Speaker 1 (00:31):
Ava. So do you do a lot of auditions for
parts in film?
Speaker 4 (00:36):
And I jose I do, yes.
Speaker 1 (00:39):
What's that like living in New York City and hitting
the pavement and going to these auditions and and what's
it like?
Speaker 4 (00:46):
It's not the same anymore.
Speaker 3 (00:48):
I think we all got to watch like the gorgeous
little interviews of people like being found on the street
at fourteen and then like being who they are now.
Now it's like self tapes. You're like in your close
is it your roommate's reading for you? Everything's online. It's
all a little bit like what do you look like?
Do you look the part? Okay, got it go. There's
(01:09):
no kind of It's not about like bringing your personality
into the room as much as it used to be
until you get like the callback or the second callback
to finally get to be yourself. But the first two
are pretty much like do you look the part? Do
you live nearby?
Speaker 4 (01:25):
Are you union? Do you have an agent?
Speaker 5 (01:28):
So?
Speaker 1 (01:29):
Have you had offers to some some comeback offers?
Speaker 3 (01:34):
Few?
Speaker 1 (01:35):
And what? This is kind of funny because Gandhi was
telling me, you told the story. What makes it so
unique about the parts that you get callbacks for?
Speaker 3 (01:43):
Well, there's a range between like Charlie Chaplin's daughter and
like singing girl in Woods. But the main thing I
get the callback for tend to be either foster children
or drug addicts.
Speaker 4 (01:56):
Okay, and I don't I don't have I don't know.
Speaker 3 (02:01):
If I don't know, if it looks vulnerable, I must
look like like small.
Speaker 4 (02:07):
I'm five to two. I don't know. People maybe see
me and are like, oh no, I don't know.
Speaker 3 (02:13):
My agent told me I have sad eyes, which I
don't know. Apparently they're sad and maybe it's like the
tragic beauty or like right brooding.
Speaker 1 (02:25):
Yeah, I don't know. I mean, I don't know what
a foster child will look like, because it's a whole
rainbow of looks. I was told by Gandhi that the
most things you're called back for are crackheads and runaways.
Speaker 4 (02:38):
Yep, yep, that sounds about right.
Speaker 3 (02:42):
I recently did a self tape where I had to
be well, like, I'm sitting obviously in my closet in
my apartment in New York City, but I meant to
be on a train to nowhere, running away to like
and it's like the self tape is calling my parents
and being like, don't look for me. I'm gonna be fine.
I just I have to go my own way. And
now he's like, what is happening right now?
Speaker 4 (03:04):
Also, the girl was like sixteen. I like, I don't know,
I'm doing my best here with what I got.
Speaker 1 (03:11):
I could kind of see it, well, hold on the
crackhead or the runaway. The runaway.
Speaker 5 (03:18):
I could see you, like, you know, give you a
denim jacket, a pack of smokes, maybe a little malmourished.
Speaker 1 (03:22):
Yeah, And I'm I think you got yourself?
Speaker 4 (03:25):
Are you telling her she looks malnurse?
Speaker 1 (03:27):
I'm saying, maybe, well, you're very very well. What you're saying,
Oh my god, you are you saying? Are you saying
she needs to lose a few pounds if she wants
to play the runaway? I'm not saying that.
Speaker 3 (03:44):
Maybe a little you know the eye liney yeah, yeah, yeah, Dothy.
Look all right, I have freckles in the summer. Does
that make me less white?
Speaker 4 (03:52):
I think it makes me more No, I.
Speaker 1 (03:54):
Think freckles make you look more bougie.
Speaker 4 (03:58):
What do you think?
Speaker 5 (03:58):
Okay, so and so somebody that tried acting as well
and had an agent, you do get I don't want
to say type cast a certain parts when you haven't
gotten any roles yet. And frankly I was because I
got called in for every police officer, military guy. I'm like, fine,
I don't care. You give me a job yeah back
in the day.
Speaker 1 (04:18):
Yeah, No, I see you like a member of the
village people, documentary docuies.
Speaker 4 (04:24):
Or a serial killer.
Speaker 1 (04:25):
I'll tell you what. So, Ava, not only are you
intern Ava, but your actress Ava actor or AVA will
call you could go ahead look at us and type
cast us. You be the you be the casting director
for us.
Speaker 4 (04:38):
All right, I've already done.
Speaker 3 (04:40):
Gandhi, Gandhi CEO who needs to have an eat pre
love moment. So like she's in her office, she's like,
I'm just not happy anymore, and then she goes on
an adventure.
Speaker 1 (04:51):
Wow, Danielle, I do see that, daniel What do you
see with Danielle?
Speaker 4 (04:57):
Cheerleading coach?
Speaker 3 (05:00):
Yeah, but like one of the inspiring ones, you know,
like like it's you know, but like you have to
be like a coach of something like something. But I
feel like cheerleading is creative and like beautiful but also
really difficult, and people judge it not knowing the work
that goes.
Speaker 4 (05:14):
Into straight see. Now I don't see the militant.
Speaker 3 (05:22):
But that's because you're wearing like a hoodie and you're
like military.
Speaker 2 (05:27):
I'm sorry, that's true.
Speaker 4 (05:30):
That's true. That's that's actually very true. Uh you are.
I can see you as a writer, like a struggling writer.
Speaker 5 (05:39):
Always struggle, struggling, not a success, cabaret not a success.
Speaker 3 (05:46):
Yeah, I feel like I feel like writer in Brooklyn
apartment that like is it like your it was your
grandma's apartment and you're like and your grandma was like
wanted to be a writer, but and now you're like
fulfilling the dream. For both of you and have a
pot or something.
Speaker 4 (06:02):
Yeah he's allergic to Yeah.
Speaker 3 (06:04):
Okay, well actually even better, you like ourself like like
a masochist writer'.
Speaker 1 (06:09):
I'm sleeping lady to pay the rent and.
Speaker 3 (06:12):
Then you actually love and then you guys start like
a coffee shop or something.
Speaker 1 (06:18):
Eva. Not only is she typecasting, especially's writing the play.
The screenplay. Yeah, gandhi, what do you think so far?
Speaker 2 (06:23):
So when we were trying to typecast Nate, somebody I
won't say who said he might be able to do
the like the the basketball or football coach who hung
out with the kids a little too much.
Speaker 1 (06:33):
Yes, I forgot about Wow who was always monitoring the
soaps in the shower? Can we move on? Probably the
same thing? Hold hold on, hold on, hold on, hold on,
actor Ava, go ahead, typecast.
Speaker 3 (06:53):
It seems I feel like Scary has so many options,
like but they're all very like niche, but they all
fit within the Okay, I'm thinking middle school principal, also baseball. Also, oh,
the cop actually could be fun. But NYPD like NYPD.
Speaker 1 (07:11):
I would think copy.
Speaker 3 (07:17):
I can see you writing about Dega, and I can
see you.
Speaker 4 (07:23):
I don't I'm trying to think about your story.
Speaker 1 (07:28):
I look how you're painting with such a vivid brush,
like this isn't just like you're this, You're that. She's
like giving like like scene.
Speaker 3 (07:36):
You need it because otherwise how are you meant to
fulfill your destiny?
Speaker 4 (07:39):
This is your moment.
Speaker 3 (07:41):
I have something it's like on the tip of my
tongue and I can't think about it for you.
Speaker 2 (07:45):
Help me.
Speaker 4 (07:45):
Guys think beyond.
Speaker 3 (07:49):
Whatever.
Speaker 1 (07:50):
They was mall cop, but he has to have a
sandwich while he's writing his scooter.
Speaker 4 (07:53):
A dedicated owner of summer camp who loves.
Speaker 2 (08:01):
These kids, that takes the kid the.
Speaker 1 (08:08):
Kids, he would teach them how to smoke. You know what?
What you did do was scary. Half of those roles
were people in some sort of uniform.
Speaker 4 (08:18):
I thought, that's a good point.
Speaker 1 (08:20):
Now what should I do? What should I do? I
want to be an actor? Now, Ava, what should I do?
Cast me?
Speaker 3 (08:27):
I want you to be like the wizard of oz.
I feel like you're like a wizard. You have a
fantasy to you. I feel like you should do like
some kind of wizardly thing.
Speaker 1 (08:38):
Okay, I'll do it. Iman, you are a.
Speaker 2 (08:41):
Very wizard of Ozzy. You're definitely a man behind the
curtain exactly. There's a magic but also a humanness, you
know how.
Speaker 1 (08:49):
You know the wizard actually turned out to be a
very vulnerable, interesting character. You know, he actually showed his
true side when they figured out how to open the curtain.
I love that, So Ava, let us know if you
get some more offers for anything other than crackheads and runaways,
and let's let's watch your career blossom, because I totally
believe in You're fabulous. You're right, Thank you, he'd welcome.
Speaker 2 (09:12):
My agents think the same thing, Inns and actor Ava,
everyone
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