September 18, 2024 • 41 mins
On todays' podcast, Stace shares another epic Wiki of Waiata and Hip-Hop Mystery. Stan Walker joins us to talk about his new Waiata, Ki Taku Awa. Plus, kids' snacks are elite, do you have a favourite?
For more, follow our socials:
Instagram: Flava Radio
Facebook: Flava Radio
Tik Tok: Flava Radio
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's the Flavor Podcast Network Flavor Breakfast Podcast with Stace,
Azora and Charlie.
Speaker 2 (00:07):
On today's podcast, you will get an ipo wiki and
hip hop mystery from.
Speaker 3 (00:11):
Stace, Stan Walker's and talking about his brand new way
at that.
Speaker 4 (00:15):
And that's right. I said it. Kids next are elite.
It's the best. Hear it all here on the podcast.
Speaker 5 (00:22):
In Staces and Charlie with you this morning.
Speaker 3 (00:26):
Fun mona their cot the how you guys doing maybe
better than the people who are at their workplace?
Speaker 5 (00:33):
And they're not allowed to heat up their food?
Speaker 3 (00:35):
Nah, this is a Wellington airport. They have suspended taxi
drivers for using the parents room inside the Wellington Airport
to heat up their dinner.
Speaker 5 (00:46):
I feel like it's not a big deal. It's really
not a big deal. It's not a big deal.
Speaker 3 (00:50):
So five taxi drivers have been banned or suspended from
using the taxi rank because they use the parents room
to heat up their dinner. And they told them two
months ago that they went allowed, but it wasn't passed well,
it wasn't passed on to taxi stuff.
Speaker 4 (01:06):
Okay, do you think like, is there like a certain
rule around warming up foods? Like it needs to be
certain foods because some foods you could like stink up
the whole place, you know.
Speaker 2 (01:15):
Yeah, I know, Well, we we have like a rule
here in our office you're actually not allowed to reheat
fish because really stinks and it stays with it. But
I mean, nothing really happens if you do actually do it,
you just probably shouldn't. But what I want to know
is what is like what is appearance room? What's an
appearance room? Just bottles and things like that.
Speaker 3 (01:35):
You know, Well, the airports is it's a privacy and
hygiene isstry. But I'm not going to go in there
when there's like appearance there, you know.
Speaker 5 (01:43):
I don't know.
Speaker 3 (01:44):
You know, in airports though, you have, especially around the
baggage area, you have times when there's absolutely no one
there because there's no bags, and then then people come in.
I mean they wouldn't be doing it when people are
come in because they're about to wait for it.
Speaker 5 (01:55):
Well, maybe someone get a ride.
Speaker 2 (01:56):
Maybe they did because being a mum and you want
to go say you wanted your own privacy to breastfeed
in it. So you're walking in, so Mu's just heading
up their lunch, and.
Speaker 3 (02:04):
I feel like they're not doing that we need more details.
I'm team taxi driver. You're doing ten hour shift?
Speaker 1 (02:12):
Yeah, true, that man, they gotta eat.
Speaker 5 (02:15):
It's a put of a stink.
Speaker 2 (02:16):
Even if you say like uber, there's no offers, there's
no home base.
Speaker 5 (02:19):
A bit of a stink. Yeah, there's your part.
Speaker 4 (02:22):
You know what, man, this is. I don't know if
this is a secret or am I the only one
that does this When I'm making my kids lunches. When
I do get the opportunity to make the kids lunches,
that is, I find myself snacking on their little snacks.
And the thing is, if I go to a shop
or stop at a gas station, I'm not buying these
big packets of twisties or burger rings or anything like that.
(02:45):
But when I'm packing their lunches and you have those
little like the little snack size, kid size, the kid
size chips, I find myself smashing those back. And I
say this all the time to say any my wife,
it's everybody else they packed their kids lunches. The kids
snacks are really they are the best. They're way better.
Speaker 3 (03:07):
Also baby snacks like toddlers snacks, so like those funny
little wafer cracker things. That's got an animal in the
front or something, and you know, go on a little
day trip and.
Speaker 5 (03:17):
Get this is for the kids, you go, but they're
actually really yummy, like how comes home?
Speaker 3 (03:21):
Just mesh them and and you know, like I would not,
like you say, I would not go out this is
what I want to eat, But when it's there, you go, okay,
to revert to being a baby again. I also thought
that the baby rusks like those teething.
Speaker 5 (03:35):
No I thought that in my.
Speaker 3 (03:37):
Memory that were really good, and then I tried one
when the kids were little Like.
Speaker 4 (03:40):
This, it's not exactly horrible, because this is what I
this is what I find when I'm going on a
day trip. I find myself packing my own little snacks,
you know, the strings, the strings, the gummy ones.
Speaker 1 (03:54):
I'm like, bro, I gotta have. You got the watch
ones as well, like you.
Speaker 4 (03:59):
Know, they fancy ones, and I get like little oreos,
the little the little wheels and shapes.
Speaker 2 (04:07):
You were always like rich if you had all of
the packet snacks when you were in school.
Speaker 5 (04:12):
That's what I remember.
Speaker 2 (04:13):
Anyway, And you know even now and again we'd get
an Elsie in bar thing is that they weren't safe
in our house. You know, no matter how much we
got told no, don't eat their school lunches. I don't
know what comes over you. It's like I don't think
our parents understood. Like for me anyway, it was like
someone else had taken over my body. I hate to
go and eat LCM after school.
Speaker 4 (04:33):
It's not my fault.
Speaker 1 (04:34):
It's not my fault.
Speaker 3 (04:36):
And I can have judgment on these and oh, you know,
I shouldn't have packety things. But I'm not there in
the morning, so you can just just.
Speaker 5 (04:42):
Let alone like I let it do with you.
Speaker 2 (04:44):
It's normalized having snacks like that when we're adults.
Speaker 5 (04:47):
Like what are the kids get all the good stuff? Anyways?
Speaker 1 (04:49):
But that's the awkard thing.
Speaker 5 (04:51):
I had exampleiches at school. They can have that. I
don't have the stringies.
Speaker 4 (04:54):
No, but when your friends hop in your candy and
you've got some.
Speaker 1 (04:57):
Rubber sho.
Speaker 4 (05:01):
Speak to me, tiny, talk to me.
Speaker 2 (05:04):
Well, that's what we want to know, is what what
snack of the kids is the best snack?
Speaker 5 (05:10):
Like the golden one?
Speaker 2 (05:11):
For me, it's ol see for that kid, mine's an
now seeing bar.
Speaker 1 (05:16):
I'm going to lock that in.
Speaker 5 (05:17):
Is that that's the best kid snack? I'm here for
the tiny.
Speaker 3 (05:19):
Titties because okay, yeah, tiny titties is up there.
Speaker 1 (05:24):
I have to lock it in tiny titties.
Speaker 5 (05:25):
So you guys are both choosing tiny titt.
Speaker 4 (05:27):
Okay, okay, I'll be different.
Speaker 1 (05:30):
Roll ups.
Speaker 5 (05:31):
No one box does what roll ups are. I don't
think they didn't.
Speaker 6 (05:38):
Know.
Speaker 5 (05:38):
You're joking.
Speaker 4 (05:39):
Yeah for you tomorrow, Bro's sitting in my pantry straight up,
and then your boys.
Speaker 1 (05:45):
Will be like we say, roll up.
Speaker 5 (05:48):
Blame it on zero sun.
Speaker 2 (05:50):
But we want to know what is the ultimate snack
from your kids lunchbox that you you know, guilty little pleasure.
Speaker 3 (05:57):
For that kid.
Speaker 2 (05:58):
Yeah, one for the lunchbox, one for you when you're
pecking you two double?
Speaker 5 (06:02):
Can we talk about your kids snacks? Okay? Because you
pay for them, what does that mean you don't get
to eat them? That's what I have to say.
Speaker 2 (06:10):
You listen to flavored breakfasts, and clearly we feel quite
strongly about our snacks.
Speaker 5 (06:14):
Tellie you actually you're the one that brought us up.
Speaker 4 (06:16):
Yeah, man, because I must admit, kids snacks are the best.
And you're right, you know what, You've made a good
point here or that since you buy the kids school
lunch snacks they're actually yours that are actually mine. So
like if I'm eating them, because like dad, why are
you eating white?
Speaker 3 (06:33):
We hold war wall, rethink the situation that you are
explaining the pad bro.
Speaker 1 (06:39):
That's it.
Speaker 2 (06:40):
So we've shared, you know what we think is the
most elite. Mine was an Alci and bar that for me,
oh you know what, even thinking about it actually makes
me a little bit like and yours was tiny titty stace.
Speaker 3 (06:52):
Yeah, because no, no, no, I won't have any. And
then they're just so small. And then if you get
a multi pay then the kids don't like the honey ones,
the plain ones.
Speaker 5 (07:03):
I like those like that, Like, oh well I have
to eat it.
Speaker 4 (07:06):
Somebody's got to do it.
Speaker 5 (07:07):
Yeah, yeah, take one for the team.
Speaker 2 (07:09):
Well, the thing is the only downside to kids snacks
is that they just they're too small, you know, like
think about their little chips and stuff like or like
you said, all these roll ups and stringy's. Yeah they're delicious,
but why is there like one string in them? That's
the issue that I have. But we wanted to know
what is your most elite kids snacks? You know that
you've got with it so many texes, someone said, quite
(07:32):
a few people actually have said iced animals.
Speaker 3 (07:34):
Oh, my son discovered them, and I'm like.
Speaker 4 (07:40):
These are around.
Speaker 5 (07:42):
If we still get them. They're like four dollars. They're
good values. Why they come in a big box.
Speaker 2 (07:46):
They aren't the only snacks they're out in those stupid
little little mini Paslie's like, that's me today, Papa jacks.
Speaker 4 (07:54):
They're nice fun sticks.
Speaker 5 (07:55):
I don't know what those are.
Speaker 3 (07:56):
They're basically like pockey, like those Japanese kind of snacks,
and it's sort of savory, but it's got chopped on the.
Speaker 4 (08:03):
Like different flavors. You've got chicken, you have sour cum
and chimes.
Speaker 5 (08:07):
Cookie times made the list. Someone else said, oh my gosh, my.
Speaker 2 (08:11):
Kids to roll ups, chop chip, musli bars, oreos, potato sticks,
kettle chips, so spoiled and unhealthy. I've given up low.
And my son is literally being asked for as lunch.
Speaker 5 (08:22):
Yeh, that's what happens. So when you're killed with the
good lunch, everyone's asking well. Also, we have Jessica on
the line, more than.
Speaker 7 (08:27):
A Jessica, good morning.
Speaker 3 (08:30):
What's your elite kids neck? I mean it's for their kids.
Speaker 8 (08:35):
Yep.
Speaker 7 (08:35):
So as a child I had this and I was
buying this for my own children as well. Lee Snacks
as all the mums were just continued from New Zealand.
I had a trip to Australia a couple of years back,
so I had to stock up to kind of appease
the children. But yeah, they've kind of forgotten about it
(08:56):
now at the dupes that they have at the moment
just don't taste the same for me.
Speaker 3 (09:01):
Yeah, that cheese is so processed. But for some reason,
like I know people women who would eat it to
help their morning sickness.
Speaker 5 (09:10):
I don't know. There's like nuclear stuff in the you.
Speaker 1 (09:12):
Know what I hate.
Speaker 4 (09:14):
I hate the being my little cracker thing into the
cheese because it always breaks the biscuit, you know what
I mean. I'm like, yeah, right, so they're always having to.
Speaker 1 (09:22):
Use my finger.
Speaker 5 (09:22):
Yeah yeah.
Speaker 2 (09:23):
But if you didn't look, if you didn't look the
plastic get the then you didn't have a least next
you know what?
Speaker 5 (09:29):
Just you you're so right, some piece of Lea snacks.
That's all I have to say, bringing.
Speaker 3 (09:32):
Back the French be going.
Speaker 5 (09:37):
We love a Lee snack.
Speaker 2 (09:38):
Thank you, Jessica oh man, who's hungry?
Speaker 5 (09:42):
There's always we can't talk about food. It should be bad.
Speaker 3 (09:46):
Not that they're hooky, they're way muddy. Then they Stan
Walker no May and stay Walker's here to release a
new way of But can I just quickly say, Stan,
I really.
Speaker 5 (10:02):
Admire your deal journey.
Speaker 3 (10:08):
Because you have grown so much and then you've really
stepped into it and you released these beautiful wayata, the anthems.
Speaker 5 (10:14):
For all of us.
Speaker 1 (10:16):
Killed. I am just trying to my best.
Speaker 5 (10:18):
Yeah, that's what it is about. I just got to
give it a go.
Speaker 4 (10:22):
Yeah, let's go home.
Speaker 3 (10:27):
So tell us about your new wayata and what inspired it.
Speaker 8 (10:31):
So I wrote this originally in dad el Baka last year.
It was the same time that I wrote I Am
and Mary. It's a trilogy, so it's this is actually
the prequel two I Am.
Speaker 5 (10:46):
Wow, you're so.
Speaker 3 (10:47):
Marty and you're thinking you're going backwards and fording.
Speaker 8 (10:51):
Like in terms of the journey, because I Am didn't
just come out of nowhere. Mary Kit didn't come out
of nowhere. It's part of a journey of my own
personal journey. Keith hour is the place where you go
back to healing. There always has to be a time
of healing, and something has to die for something to
be born again.
Speaker 1 (11:09):
You know into a new season.
Speaker 8 (11:10):
It's a very like for card or Mildy, but I
think just in my own self as well, which is
for Cardle Mali.
Speaker 1 (11:17):
But like that's been my journey.
Speaker 8 (11:20):
I've had to come back to my hour, come back
to my home which is my wife, which is back
to her hour, which is the hour Supua and yes,
and it's just been a beautiful journey of my myself,
my wife, my kids. But Keith Tka, even though I
wrote it in English last year, in the last month
(11:44):
we had my bro Towers Gona come and translate and
help basically rewrite this way at not it's not like
a translation because it's taken on a new meaning because
when I wrote back to the River, that was the
beginning of a new season and a new journey. Coming
back now listening to the Kupoo that I've written, it's
(12:05):
hit me all again to close off the season and
this journey, this season in my life, and it was
like was listening to the song Me and Loom, which
is kind of cryed or just it literally was like
the relationship that I have with my dad and the
passing on my dad. So we've taken that and it's
become its own new thing, so.
Speaker 1 (12:26):
It's more personal for you.
Speaker 8 (12:27):
Yeah, and like it's buzzy because I wrote the song,
but now the song is singing to me and.
Speaker 5 (12:32):
It's a different.
Speaker 8 (12:34):
And a whole different part of my life from when
I wrote the song. So it's you've got the English
who has opened this news, you know, gone into this
new season, and then our Mildi version is closing off
the season to go into new territory and new life.
And it's Oh, it's been a buzzy journey and I'm
(12:56):
and it's my own songs that are kind.
Speaker 5 (12:58):
Of teaching you.
Speaker 2 (13:01):
I guess now we could say you almost know how
it feels to be us in a way listening and
receiving the music in that way.
Speaker 5 (13:07):
And for anyone that needs to hear it, come on
now track Stan Walker.
Speaker 2 (13:28):
Oh it is beautiful, and we're going to be back
right after Mariah Carey, because I want to know exactly
where you and Lou were when you heard the song
and it made you.
Speaker 1 (13:36):
Christ Stay, sid Zora and Charlie.
Speaker 5 (13:41):
We did you and Lou first listen to it that
made you cry?
Speaker 2 (13:44):
Because obviously listening in the car is different to listening
in the studio to listening with the AirPods, and like.
Speaker 8 (13:49):
We were I was editing the video and I was
going back and forth just with some final edits, and
we were in the car and just no sorry. We
were in the lounge, I think, and we just played
the song and we were listening to the English version
and I was like, oh my gosh. The first words
are like it's been too long, so long away from
(14:12):
being home. I'm just not myself no more. I want
to start again. Where did I go wrong? And it
was talking like I was like, oh my god, this
has been my dad, and we just like broke down,
like because that was our relationship and we had come
back to a full circle before he had passed away.
And I filmed the video clip for the English version
(14:35):
the whole weekend that and he passed away, so the
last shot and we had forgotten when ty and then
he had passed away like a few hours later. So
it was like this whole thing, it's just been this
emotional like journey that has so many different stories, and
it started out with me and Lou and then it's
finished with me and my dad, and so like it's
(14:57):
been a.
Speaker 4 (15:00):
Healing all over again. It's like when they say, you know,
when words fail, music speaks, and it's definitely talking to
you and Bro, the timing of the song the release
is it's pretty good, like yeah, it's the timing is perfect.
Speaker 1 (15:16):
Yeah.
Speaker 8 (15:17):
And like usually when we do like a and we
do it a real Maldi version, it's always the English
that comes out. And the English has been done since
last year. Videos done, everything's done. But it just felt
right to put out the real Maldi version out first
for my own statement. It's got nothing to do with
(15:38):
anybody else. It's just that's how I feel, just the
focado or Maldi that you know, in the depth of it, yes, well,
even just hearing you speak like I'm just in my
mind playing out like the evolution of Stan Walker.
Speaker 2 (15:50):
Like it's not even just like like you said, from
that song to this song. I mean, it's even just
your entire career. It's it's been incredible and it's it
feels like you just keep giving.
Speaker 8 (16:00):
Bro.
Speaker 1 (16:02):
I'm trying to I'm.
Speaker 8 (16:03):
Ain't getting any young girl.
Speaker 5 (16:05):
I'm looking around.
Speaker 8 (16:05):
I'm a little bit of a little around here.
Speaker 5 (16:12):
No, I don't know if I got it, dare on it.
Speaker 3 (16:16):
It's like, you know, really anti stul journey, but also
you bring them back for us as well.
Speaker 8 (16:23):
Honestly, I really feel blessed being able to do what
I do in this current climate. Was having a quarteror
in the car about you know, music has kind of changed.
Everybody makes two minute songs that for now then you
know there. And I was listening on the way because
I drove to fund a back to hear it all
(16:43):
yesterday and I was just listening to Eda James and James,
Sam Cook and all these old school Bob Marley listening
to the one takes they did, the koopoo that they had.
Speaker 1 (16:55):
You could hear the cracks.
Speaker 5 (16:56):
And the cries, and I was like, I want to
be there. I want to be timeless.
Speaker 8 (17:01):
I don't know if it's going to happen, but I
want to share stories from my heart and I don't
want to be the same. I don't want to do
it for now because now never last, you know, I
want to be everlasting in terms of my music, timeless
say I love it.
Speaker 5 (17:15):
Took the copa. I think you've already done that. Brother,
stand we who to me?
Speaker 3 (17:22):
And it's time for Wiki of Wayata.
Speaker 5 (17:25):
So it's the week with El Mahdi Mahdi Language Week.
Speaker 3 (17:27):
So we thought we'd look at wayat that because you
know some of these way out that people start singing
and you're like, ah, do I know this one?
Speaker 5 (17:34):
And I want to give you a bit of a
background on it.
Speaker 3 (17:35):
So today we're going to look at some of the
number one hits that have hit the top of the charts,
and they are in Thedel Marty. So I said to you, okay,
if I say, what is the first number one hit
in thed El Marti, Okay, can you guys guess or
do you know it?
Speaker 6 (17:50):
No?
Speaker 5 (17:51):
I have no idea for you. Maybe that's what.
Speaker 3 (17:53):
People think, but no, it was actually in nineteen eighty
one Dean Way. It's called the Bridge sare this old school?
Speaker 9 (18:06):
Well?
Speaker 3 (18:07):
It was based on an Italian song called Celendzai and
it was actually translated by George Tait at work Coomartswa
for Dean wad It's any and it's still a classic,
still a classic. But then in nineteen eighty three, Prince
Toui Teka number one and this is with his beautiful
(18:27):
love song Airpril. This one was written by Prince Toeteka
and White Pea Fe Doney and it was actually based
on a traditional Indonesian folk song as well. Then, of course,
finally we get to nineteen eighty four and the big
(18:48):
parthol Maudi club hit Poier Roy pe Fighting as a
writer in there as well as Dalvanius Prime and Dalvanius
was the character the charisma Riz Guy original and he
(19:09):
really sold it. Then in twenty fourteen, actually some people
were going, we need another number one hitting third El Mahdi,
and that came from Stanwalk Area Hall, Troy King and
Macy Dicker. Actually maybe number two, but number one in
our hearts. I want to give a quick shout out
(19:32):
in twenty sixteen to my Mortia by Pukana the TV
show and Fano because it was specially for.
Speaker 5 (19:38):
Through we Killed El Mahdi.
Speaker 3 (19:49):
Translated as well by the Homi he at the Mason
who was also involved in Aladua. See these strong, amazing
women behind the scenes are really really leading. And then
I also want to mention and this great song Way
to Our from may More. This came out in twenty
and seventeen or eighteen I think it was, and it
was a great huge hit. Numb actually went a million
(20:12):
views on YouTube, was really unusual and this one is
all about following your instinct, following your spirit, your way.
Speaker 4 (20:26):
Do I remember seeing them perform this at one Love
Life bro. The whole crowd were seeing this. I think
that's the best part. You know, if you're to write
music in Tedi or Maldi, you know, and having a
whole crowd singing in, you've done your job.
Speaker 3 (20:40):
I know when I've seen people singing along to Camoki
do k. Paul was six sixteen and at just Everything's
going to be okay.
Speaker 5 (20:48):
El Mahdi.
Speaker 1 (20:52):
Mysteries.
Speaker 3 (20:53):
And today we look at a great girl band from
the nineties formed in nineteen ninety. In fact, it's Escape
and they were initially called Escape three. So that's Candy Burris,
Tamara Couggins, to meek A Tiny Cottle, LaTosha Scott and
Tamika Scott. The year after that, actually Tamara left, so
(21:17):
it became a quartet and the others became what we
know as Escape. And they had great, big songs. Of course,
some of them that you know so well, who Can
I Run Tracker and one that we will play today
just kicking it dud.
Speaker 1 (21:36):
Some good songs actually.
Speaker 3 (21:37):
So the first album actually sold over one million copies
in the United States that sold ten million in total,
and they were discovered by Jermaine dupri He had the
initial vision for them. But then as things go, they
had a second album, went pretty well, and then they
broke up. Why did they break up, Well, this is
Jermaine Dupree's version.
Speaker 10 (21:56):
Well, when Escape came to me, they were singing songs
that involved everyone.
Speaker 5 (22:00):
The way I was writing the songs was pulling.
Speaker 10 (22:02):
The group apart because Candy started looking like the leader
to y'all, but Tasha was back here like I'm the leader,
you know, and in groups that's a problem.
Speaker 3 (22:13):
So there are varying versions of it, and one of
them includes that there was tension over Candy actually having
a relationship with Jermaine depress and they did attempt to
come back after a while about two thousand and five.
Six didn't really go so well, but they had a
big moment at the BAT Awards in twenty seventeen, their
first performance together in eighteen years, and the crowd loved it,
(22:43):
still sounding good. So in twenty eighteen they put on
the Great Escape to it and they performed also all
around and did well, and they got the Black Music
Awards Honors, and then in twenty twenty two they won
the Lady of Soul Award at the Soul Train Awards.
And as she can and the fullness of time, they've
forgiven Jermaine Deprerie as well.
Speaker 9 (23:03):
You are to say thanks to Jermaine because you know,
like you said, he had a vision when a lot
of people didn't. And you know, for that, we are
forever grateful to be able to still be here on
this stage because you open the door.
Speaker 3 (23:17):
So LaTosha Scott has officially departed the group. She's having
a solo career. There are a couple of appearances on Housewives,
all of those things, but basically, the true, the enjoyable,
the most definitive escape moments are from the nineties, and
we celebrate one of them right now because that is
you have mystery, because if you don't.
Speaker 5 (23:35):
Know, no, you no.
Speaker 2 (23:38):
Okay, So, something happened to me yesterday, which I would
I'm going to say, is the worst possible thing to
happen to someone who is renting.
Speaker 5 (23:47):
Uh, worse possible.
Speaker 2 (23:50):
Maybe not worse possible what happened, but in my mind
I was horrified by this.
Speaker 5 (23:53):
Okay.
Speaker 2 (23:54):
So I I was at May and one of my
flatmates said that the owner of the house, the property
manager of our house, and a trade was coming over
to look at the bathroom.
Speaker 5 (24:10):
We need some stuff done on the bathroom.
Speaker 2 (24:12):
And I went, oh, I hope you closed my door,
because I doubt my partner made the bed and picked
us close up off the ground, and in fact, I
left my pajamas on the ground.
Speaker 5 (24:21):
And I don't like that.
Speaker 2 (24:23):
I don't want the owner of the house as well
as the property manager. I want to seeing must see
in my room, like when I'm unprepared. And she went
on to say, oh, actually they had to.
Speaker 5 (24:34):
Go into your room because your wardrobe, bathroom.
Speaker 4 (24:41):
You know what, Sorry, this is giving me target, you
know back in the day.
Speaker 2 (24:46):
The thing is is, of course, you know my flatmate,
she knew about about them coming. But if an owner
and a property manager were to just show up when
you weren't prepared and that, it's not okay, and it's
not okay. And that's how it felt for me. But
because it was new for me, I can't believe.
Speaker 5 (25:02):
That the owner of the house was in my bedroom.
It kind of makes me. It gives me the crawlies.
Isn't it a bit weird? Not on their part. But
I'm just like, damn.
Speaker 2 (25:11):
It, well weird because we're on the ground man, and
that's what I'm saying.
Speaker 4 (25:16):
Or in the bathroom now, like you know what I mean, Like, yeah, okay,
because you're not like like Us Island as we we
hang out undies in the on the on the shower.
Speaker 3 (25:26):
It wasn't an inspection as such, was it. The inspections
are stressful too.
Speaker 5 (25:31):
Yeah, at least you're prepared for that. At least you
got the heads up and they're looking at our undies.
Speaker 2 (25:36):
Oh, coming up as a hip hop mystery that'll be
in the next twenty minutes, yep.
Speaker 5 (25:41):
And nineties group that you don't you dare forget about.
Speaker 1 (25:47):
Stace, Zora and Charlie.
Speaker 2 (25:49):
Let's remember the time of something iconic. This time it's
an iconic Kiwi woman from an iconic voicemail Karen, guys,
okay en went viral.
Speaker 5 (26:01):
We need to know more about it, but we need
to hear it again. Wow guys, wow music.
Speaker 2 (26:06):
Yeah, embrace yourself because it just wouldn't be right if
we didn't play the full Karen wants her twenty bucks back.
Maybe this is your first time hearing it?
Speaker 11 (26:16):
Hello, this is Karen Rachel fixed, she can ignore me
and hide from me for her twenty lousy dollars that
she owes me from like over will over three months
ago she won six hundred dollars at the Pokes at
the Stokes Belly Bar, and she said to Jade and Dion,
(26:40):
don't tell Karen you've seen me because I I were
twenty bucks. I'll tell you what. I'll get my twenty
bucks or she's going to get twenty wax teen wax,
not my box. He's a mental crazy lady. We wanted
to go up with a lesbian that's now with a
(27:00):
not my fault, your daughters all okay, not my oh,
I want my money.
Speaker 1 (27:08):
And see wow yes Karen woo.
Speaker 2 (27:13):
So what you may not know about that call is
Karen actually misdialed number, so it was a different couple
that ended up with.
Speaker 5 (27:22):
The voicemail didn't get to the person it was intended for.
Speaker 3 (27:25):
I'm sure she's heard it though from the Stokes Valley
exactly exactly.
Speaker 2 (27:31):
So Karen is from Lower Hut and she thought she
was leaving a message for the associate Rachel. She shouted
some profanities on the phone, as you should.
Speaker 5 (27:41):
Yeah, and the message you.
Speaker 2 (27:43):
Know got viewed over seventy one thousand times basically in
the first couple months, which is.
Speaker 5 (27:48):
Pretty big numbers for here and Old theed Are.
Speaker 2 (27:50):
It wasn't until years later that guy Williams, for his
show New Zealand Today, Great show, by the way, he
actually went back to go and see Karen who wanted
her twenty bucks back, and asked, why why on earth
did you leave the voicemail?
Speaker 1 (28:07):
Why did Rachel owe you twenty dollars?
Speaker 5 (28:11):
This is self incriminating.
Speaker 1 (28:13):
Who means self incriminated?
Speaker 3 (28:14):
It was for some marijuana, okay, So.
Speaker 4 (28:18):
I don't buy it to sell it. I buy it,
spoke it.
Speaker 1 (28:21):
When you listen back to the call, do you feel embarrassed?
Speaker 4 (28:24):
Sometimes because they never did. It was the intention of
the rest of the world just.
Speaker 5 (28:28):
Singed to it.
Speaker 2 (28:31):
It's doing that entire episode of New Zealand Today. Karen
actually kind of seems cool. Guy even tries to get
it a sort of business where she leaves voicemails wanting
you know, if people are Karen, would you know Karen
would ring them up and leave a voicemail.
Speaker 5 (28:45):
Did she get him money? No, she didn't. Freaking Rachel
want six hundred bucks because she you know, she's spotted it.
Speaker 4 (28:54):
Literally, Karen bro every guy that counts break, She's coming
for you, Wax.
Speaker 2 (29:02):
There's been remixes, but there's been no one like Karen.
So we remember the time Karen has claimed she's not
actually embarrassed by the thing.
Speaker 5 (29:10):
Obviously she ended up getting some good coverage. So go on,
Karen from Lower Hart.
Speaker 4 (29:15):
I'd love to have a Karen in my like Rugby
lea tea mate.
Speaker 5 (29:17):
Get those fees, yeah yeah, yeah.
Speaker 1 (29:22):
You get and wax.
Speaker 5 (29:25):
Straight from the archives.
Speaker 2 (29:27):
Someone has found the nineteen eighties Pizza Hut menu. I
guess people started to dig into it right because they're
bringing back there Pizza Hut buffet, but only for like
four days. It's already sold out. It's up here in Tamakimikado, Auckland.
Speaker 5 (29:41):
That's annoying.
Speaker 3 (29:41):
And for anyone who lives outside of Auckland, I just
want to say I have empathy and out't have for you,
because so annoying when things only come to Auckland.
Speaker 2 (29:51):
Yeah, one hundred percent. And the thing is, don't ask
us why that only happens, like.
Speaker 5 (29:55):
It's just population for him.
Speaker 3 (29:56):
But anyway, the pizza Hut back in the days. I
remember about what they look like, sort of like a
faded red color and little pizza hat logo on the
left hand side.
Speaker 2 (30:04):
So what I'm gathering from reading the nineteen eighties menu
is Pizza Hut was like a fancy placement. Like it
was you would go like, come on, little Jimmy, we're
going to.
Speaker 5 (30:16):
Yeah, because to me, yes, there's some things.
Speaker 2 (30:19):
That are very cheap in what you would expect, like
French fries a dollars sixty.
Speaker 11 (30:25):
O.
Speaker 3 (30:25):
The French fries, by the way, we're cring call cat.
Speaker 4 (30:28):
Yeah, but they're the good ones, not the little you know,
not the McDonald's.
Speaker 2 (30:32):
Yeah, that's how it should be. But then you know
they were selling shrimp cocktail.
Speaker 3 (30:36):
Yeah, and a little fancy little glass.
Speaker 6 (30:40):
Yeah.
Speaker 5 (30:40):
But even the pizzas they're not even they're not even cheap.
Speaker 2 (30:45):
Men, I feel like it's cheap in now, like standard
serve one to two adults eleven dollars forty five.
Speaker 4 (30:50):
You know why it's really big?
Speaker 5 (30:52):
No, they were bigger, yeah, exactly.
Speaker 4 (30:54):
And not only that, no one else was doing it
like Pizza Hut. You know, this was the this was
top tier. And like you said, as a like if
you had a birthday twenty first, or you know, you
graduated of some sort. Yeah, you know, this is the
place to go.
Speaker 5 (31:07):
The school year.
Speaker 2 (31:08):
Eleven dollars forty five they would translate to what pretty
much double or triple these days, it's like paying it
almost forty bucks.
Speaker 3 (31:14):
No, but it actually feed two people, like.
Speaker 5 (31:18):
What rather than one person? Yeah?
Speaker 2 (31:20):
Yeah, true, But then again I'm looking at the cheesecake
and it's like four bucks.
Speaker 5 (31:25):
I don't care. What's amazing, it's a whole cheesecake, I think.
Speaker 4 (31:30):
No, surely not honestly, Like I said, man, this this
is going to bring back so many memories, and I do.
Speaker 1 (31:37):
I'm with you Stace on this one.
Speaker 4 (31:38):
I first say, for those that are not living in Auckland,
but if I do get a ticket to this place,
I could sell you a ticket.
Speaker 1 (31:46):
Can I can help you?
Speaker 4 (31:47):
I can help you.
Speaker 5 (31:47):
Fine, How can you sell it when you've got it
for free?
Speaker 4 (31:49):
I'm just what I'm saying, like, Bro, if I'm not
going to go, someone else deserves the spot.
Speaker 5 (31:53):
Just between your Charlie A. It would probably work.
Speaker 3 (31:57):
It would probably we what I'm saying, Yea's Brownish man
with a bed.
Speaker 1 (32:06):
The latest celebrity goss from around the world favor breakfast.
Speaker 3 (32:10):
Oh mcalm, excuse as Charlie says, breaking everything in the studio.
You can probably hear that in the background, just a
quick one.
Speaker 5 (32:19):
P Diddy.
Speaker 3 (32:20):
He has pleaded not guilty and his team has suggested
a fifty million dollar bail. This is he's trying to
get released for all of the charges. Well, I don't
even have time to name all the charges. They have
basically a whole lot, and he just wants to.
Speaker 5 (32:36):
Pay fifty million to get out of jail.
Speaker 2 (32:38):
And in other news, well, it's going to be a
woman's World for the October Victoria's Secret Show.
Speaker 5 (32:43):
I was surprised to see.
Speaker 2 (32:44):
That they are going again. There's been a lot of backlash,
but it seems like they're trying to tune it around.
So headlining the show will be Sheer And one of
the only other women that have been announced as the
performer for Victoria's Secret Show is Tyler and you'll know
her from.
Speaker 5 (33:04):
South Africa. Let a word for Victoria's Secrets.
Speaker 3 (33:08):
And finally, there is a copyright case out against Miley
Cyrus for the song Flowers.
Speaker 2 (33:14):
Hugging varas Flower saying.
Speaker 3 (33:18):
That it wraps off the song when I Was Your
Man by Bruno Mars should have.
Speaker 1 (33:22):
Bodil Flower, I reckon.
Speaker 4 (33:31):
Flower, Like that's there.
Speaker 5 (33:35):
You know.
Speaker 3 (33:36):
The whole thing is based off the Bruno Mars song
Oh I don't know. It references all of the lyrics.
Speaker 5 (33:43):
Oh my gosh, my mind is blowing, yeah no, and
the tune.
Speaker 3 (33:47):
But actually it's not Bruno Mars who's putting their copyright
case out there. Tempo Music Investments they reckon. They own
a share of the copyright of that song. They're the
ones going Miley with Comanachia, give me my money.
Speaker 5 (34:00):
That is your om gos.
Speaker 2 (34:03):
The gen Zs they have to, you know, get a
round of applause from from me because.
Speaker 5 (34:08):
Snaps to that. Snaps snaps because they've really done something
with marketing.
Speaker 1 (34:15):
Now.
Speaker 2 (34:16):
It's not the kind of marketing you would expect, but
it seems to be working. The gen Zs in companies,
and these are just any old companies couldin companies, you know,
furniture companies. I saw one for a printing company as well,
where they are getting the older generation to say sayings
that they commonly say.
Speaker 3 (34:37):
Okay, so you think gen Z should get the props
for this. What about the you know, millennials or boomers
who are doing it or the gen x is I
think that's what makes it cute.
Speaker 1 (34:47):
It's different.
Speaker 5 (34:48):
Yeah, true, you are right.
Speaker 2 (34:49):
It's the fact that they are saying the words with
absolutely no meaning because they don't understand them.
Speaker 5 (34:56):
So this guy, this guy here is it'd be what no. Seventeen? Yeah,
listen to this.
Speaker 12 (35:02):
We hope you've enjoyed your girl summer besties? Are you
fed up with your fuggly blinds? You understood the assignment?
Say this. Shutters are giving me life. These blackout blins
are surfing saving pop off queen.
Speaker 5 (35:28):
It makes it weird.
Speaker 2 (35:29):
He's a fop off queen, but it sounds a good
robot robot. Yeah, I think you know. These videos are
blowing up online. This is literally just a blind shop.
It's called Airshire Blinds over in Scotland.
Speaker 5 (35:44):
As you could tell. When you get.
Speaker 2 (35:47):
Like three hundred thousand likes and two million views, people
are even saying do any couldn'ts know? Am I going
to shop there? Years? Simply because watching it is?
Speaker 3 (35:57):
So You're right, Stace, it's it's cuteing off.
Speaker 5 (36:02):
And hey, his blinds are serving.
Speaker 4 (36:06):
You know, one of the things that I don't like
is losing a sneeze, and because I just love to sneeze,
especially when you get like maybe two or three in
there in a row. That's the feeling is just phenomenal.
Speaker 5 (36:17):
But there's a reason for that. Tell you that soon.
Speaker 4 (36:19):
But anyway, yep, okay, I'm looking forward to that stays.
Speaker 1 (36:22):
But when you're driving.
Speaker 4 (36:23):
Okay, I was driving to work and I was switching lanes,
but then you can feel that a sneeze brew it's brewing,
it's coming, and you're like, I am looking forward to this.
I haven't had a sneeze and a wee while. But
then you know, I had the indicators on and I
was switching about to switch lanes, but then I'm committed
to the sneeze. You know what I'm saying, Okay, this
(36:45):
is this is you guys. Don't do this right, don't
try this at home. I was committed to the sneeze
more than my to my driving. So then indicators were on.
I was about to switch lanes, but you know, you
can't open your eyes when you're sneezing, so I was
just going to do the whole sneeze and switch lanes.
But then I was like, no, don't do this, just
stay on your lane. And this is why I lost
(37:06):
my sneeze.
Speaker 5 (37:07):
Because you decided to be a safe driver.
Speaker 4 (37:10):
Because I decided that safety was more important than the sneeze.
Speaker 2 (37:13):
I have to but it's pretty freaky when a sneeze
is brewing while you're driving, because it is impossible to
keep your eyes open while you sneeze.
Speaker 5 (37:20):
You would, you would let your eyes would pop.
Speaker 1 (37:22):
Out of here.
Speaker 8 (37:22):
Yeah.
Speaker 3 (37:22):
I know someone who used to be a police officer
and they said, if you made a mistake in the
CRASHY said, just say you sneezed because you can't keep
your eyes open.
Speaker 5 (37:29):
It's physically impossible.
Speaker 3 (37:31):
But it's endorphins. You get endolphins when you sneeze, do you.
Speaker 5 (37:35):
Yeah, that's why it feels so good. It feels so
good when you let a big one outday Like you said,
You're like, You're like, what I love is that much? You?
You know how they went and they did the touring.
(37:57):
It's smaller places around at all six sixty yes, yes, yes, yes, yes,
what did I say?
Speaker 12 (38:04):
Not?
Speaker 4 (38:04):
Oh?
Speaker 5 (38:05):
Well, guess what the match here?
Speaker 2 (38:07):
He's jumped on a podcast and he shared one of
the funnier moments from being on tour. You know, when
you go to some of these places, you've got people
that aren't afraid to say.
Speaker 1 (38:17):
What they're thinking. Good Heaven on the coast, that was special.
Speaker 6 (38:21):
It was wild, it was hearty, how I explained it,
and just so isolated.
Speaker 1 (38:25):
People showed up to the show on horseback.
Speaker 6 (38:26):
The pub had like a two for one purple guana.
One of my favorite moments actually from that show. So
we get up maybe three point fifty maybe four hundred
people packed into this tiny little pub, and so we
can get up on stage and it's ready to go,
ready to start this performance. It's two aunties at the
front and two the purple guanass.
Speaker 1 (38:45):
She looks up to me and she goes, we've been
waiting for.
Speaker 5 (38:47):
Ye yeah, fair enough.
Speaker 3 (38:51):
So then chokumdu Bay and the Pooka Tevin and fair
enough they're on the coast and go look that made
me go through two purple guanas, right.
Speaker 2 (39:00):
I just love the like there was a sale and
a deal for the purple grunds.
Speaker 5 (39:04):
I haven't even seen one of those. And yeas man,
be man, you gotta go to a couple. I have
to bring this up.
Speaker 2 (39:11):
But you both don't know what I'm about to say,
but it needs to be said. What the heck is
up with Stan Walker appreciating your back muscles again?
Speaker 5 (39:21):
Does he remember he's already done this?
Speaker 1 (39:23):
I remember?
Speaker 5 (39:24):
Yeah, yeah, what's up with gifts coming in studio? And
they're like, bo, really are strong back?
Speaker 11 (39:31):
Well?
Speaker 5 (39:31):
Once he hugs him?
Speaker 2 (39:33):
Yeah, well, even Nigel know he said, oh you know
he made a reference to your chest being really big.
Speaker 5 (39:39):
Oh no, that was a joke that I'll take it.
Speaker 1 (39:43):
Yeah, yeah, yeah, I'll take it.
Speaker 3 (39:44):
What is it duding out?
Speaker 4 (39:48):
I mean I could say the same because I felt
that on Scotti's back room.
Speaker 1 (39:52):
I said this.
Speaker 3 (39:52):
Before, so it's an acceptable thing to compliment again, and
you got to remember it's boys can do this boys. Yeah.
Speaker 4 (40:00):
I think that's how we're saying, bro. Yeah, yeah, I appreciate.
Speaker 5 (40:02):
What I see what you do. The work, the work, Yeah,
I don't know.
Speaker 2 (40:06):
Weirdly, for me, like when if I go to hug
someone that has a strong back, I don't feel like
you need to say it. I can't like, no, no,
definitely not say. I definitely wouldn't say, but I'm not
even thinking about that. But I feel like the hugs
I did even say they kind of feel a bit
worse because it's like hard.
Speaker 5 (40:23):
I'm like I'm heading a wall.
Speaker 12 (40:25):
You know.
Speaker 5 (40:25):
When I hug one one of one of my friends,
it's always like, oh, it's gushy, you know, saying about
your boyfriend.
Speaker 2 (40:34):
He's also got hard shoulders, and it's kind of like
especially especially if you go to reask your head on them,
like you know, use them as like a pillow while
you watch TV.
Speaker 5 (40:42):
My pillow is better. My pillows better because it's like
lying on a rock. It's just like, no, I'm your many.
Speaker 7 (40:49):
Years years of training.
Speaker 2 (40:52):
It's tally years a marriage for you, right, She's like, no,
I like my man, how are you talking out?
Speaker 1 (41:02):
Relate. Thanks for listening to The Flavor Breakfast Podcast. Catch
a new app here tomorrow, or listen live every weekday
from six
It's the Flavor Podcast Network Flavor Breakfast Podcast with Stace,
Azora and Charlie.
Speaker 2 (00:07):
On today's podcast, you will get an ipo wiki and
hip hop mystery from.
Speaker 3 (00:11):
Stace, Stan Walker's and talking about his brand new way
at that.
Speaker 4 (00:15):
And that's right. I said it. Kids next are elite.
It's the best. Hear it all here on the podcast.
Speaker 5 (00:22):
In Staces and Charlie with you this morning.
Speaker 3 (00:26):
Fun mona their cot the how you guys doing maybe
better than the people who are at their workplace?
Speaker 5 (00:33):
And they're not allowed to heat up their food?
Speaker 3 (00:35):
Nah, this is a Wellington airport. They have suspended taxi
drivers for using the parents room inside the Wellington Airport
to heat up their dinner.
Speaker 5 (00:46):
I feel like it's not a big deal. It's really
not a big deal. It's not a big deal.
Speaker 3 (00:50):
So five taxi drivers have been banned or suspended from
using the taxi rank because they use the parents room
to heat up their dinner. And they told them two
months ago that they went allowed, but it wasn't passed well,
it wasn't passed on to taxi stuff.
Speaker 4 (01:06):
Okay, do you think like, is there like a certain
rule around warming up foods? Like it needs to be
certain foods because some foods you could like stink up
the whole place, you know.
Speaker 2 (01:15):
Yeah, I know, Well, we we have like a rule
here in our office you're actually not allowed to reheat
fish because really stinks and it stays with it. But
I mean, nothing really happens if you do actually do it,
you just probably shouldn't. But what I want to know
is what is like what is appearance room? What's an
appearance room? Just bottles and things like that.
Speaker 3 (01:35):
You know, Well, the airports is it's a privacy and
hygiene isstry. But I'm not going to go in there
when there's like appearance there, you know.
Speaker 5 (01:43):
I don't know.
Speaker 3 (01:44):
You know, in airports though, you have, especially around the
baggage area, you have times when there's absolutely no one
there because there's no bags, and then then people come in.
I mean they wouldn't be doing it when people are
come in because they're about to wait for it.
Speaker 5 (01:55):
Well, maybe someone get a ride.
Speaker 2 (01:56):
Maybe they did because being a mum and you want
to go say you wanted your own privacy to breastfeed
in it. So you're walking in, so Mu's just heading
up their lunch, and.
Speaker 3 (02:04):
I feel like they're not doing that we need more details.
I'm team taxi driver. You're doing ten hour shift?
Speaker 1 (02:12):
Yeah, true, that man, they gotta eat.
Speaker 5 (02:15):
It's a put of a stink.
Speaker 2 (02:16):
Even if you say like uber, there's no offers, there's
no home base.
Speaker 5 (02:19):
A bit of a stink. Yeah, there's your part.
Speaker 4 (02:22):
You know what, man, this is. I don't know if
this is a secret or am I the only one
that does this When I'm making my kids lunches. When
I do get the opportunity to make the kids lunches,
that is, I find myself snacking on their little snacks.
And the thing is, if I go to a shop
or stop at a gas station, I'm not buying these
big packets of twisties or burger rings or anything like that.
(02:45):
But when I'm packing their lunches and you have those
little like the little snack size, kid size, the kid
size chips, I find myself smashing those back. And I
say this all the time to say any my wife,
it's everybody else they packed their kids lunches. The kids
snacks are really they are the best. They're way better.
Speaker 3 (03:07):
Also baby snacks like toddlers snacks, so like those funny
little wafer cracker things. That's got an animal in the
front or something, and you know, go on a little
day trip and.
Speaker 5 (03:17):
Get this is for the kids, you go, but they're
actually really yummy, like how comes home?
Speaker 3 (03:21):
Just mesh them and and you know, like I would not,
like you say, I would not go out this is
what I want to eat, But when it's there, you go, okay,
to revert to being a baby again. I also thought
that the baby rusks like those teething.
Speaker 5 (03:35):
No I thought that in my.
Speaker 3 (03:37):
Memory that were really good, and then I tried one
when the kids were little Like.
Speaker 4 (03:40):
This, it's not exactly horrible, because this is what I
this is what I find when I'm going on a
day trip. I find myself packing my own little snacks,
you know, the strings, the strings, the gummy ones.
Speaker 1 (03:54):
I'm like, bro, I gotta have. You got the watch
ones as well, like you.
Speaker 4 (03:59):
Know, they fancy ones, and I get like little oreos,
the little the little wheels and shapes.
Speaker 2 (04:07):
You were always like rich if you had all of
the packet snacks when you were in school.
Speaker 5 (04:12):
That's what I remember.
Speaker 2 (04:13):
Anyway, And you know even now and again we'd get
an Elsie in bar thing is that they weren't safe
in our house. You know, no matter how much we
got told no, don't eat their school lunches. I don't
know what comes over you. It's like I don't think
our parents understood. Like for me anyway, it was like
someone else had taken over my body. I hate to
go and eat LCM after school.
Speaker 4 (04:33):
It's not my fault.
Speaker 1 (04:34):
It's not my fault.
Speaker 3 (04:36):
And I can have judgment on these and oh, you know,
I shouldn't have packety things. But I'm not there in
the morning, so you can just just.
Speaker 5 (04:42):
Let alone like I let it do with you.
Speaker 2 (04:44):
It's normalized having snacks like that when we're adults.
Speaker 5 (04:47):
Like what are the kids get all the good stuff? Anyways?
Speaker 1 (04:49):
But that's the awkard thing.
Speaker 5 (04:51):
I had exampleiches at school. They can have that. I
don't have the stringies.
Speaker 4 (04:54):
No, but when your friends hop in your candy and
you've got some.
Speaker 1 (04:57):
Rubber sho.
Speaker 4 (05:01):
Speak to me, tiny, talk to me.
Speaker 2 (05:04):
Well, that's what we want to know, is what what
snack of the kids is the best snack?
Speaker 5 (05:10):
Like the golden one?
Speaker 2 (05:11):
For me, it's ol see for that kid, mine's an
now seeing bar.
Speaker 1 (05:16):
I'm going to lock that in.
Speaker 5 (05:17):
Is that that's the best kid snack? I'm here for
the tiny.
Speaker 3 (05:19):
Titties because okay, yeah, tiny titties is up there.
Speaker 1 (05:24):
I have to lock it in tiny titties.
Speaker 5 (05:25):
So you guys are both choosing tiny titt.
Speaker 4 (05:27):
Okay, okay, I'll be different.
Speaker 1 (05:30):
Roll ups.
Speaker 5 (05:31):
No one box does what roll ups are. I don't
think they didn't.
Speaker 6 (05:38):
Know.
Speaker 5 (05:38):
You're joking.
Speaker 4 (05:39):
Yeah for you tomorrow, Bro's sitting in my pantry straight up,
and then your boys.
Speaker 1 (05:45):
Will be like we say, roll up.
Speaker 5 (05:48):
Blame it on zero sun.
Speaker 2 (05:50):
But we want to know what is the ultimate snack
from your kids lunchbox that you you know, guilty little pleasure.
Speaker 3 (05:57):
For that kid.
Speaker 2 (05:58):
Yeah, one for the lunchbox, one for you when you're
pecking you two double?
Speaker 5 (06:02):
Can we talk about your kids snacks? Okay? Because you
pay for them, what does that mean you don't get
to eat them? That's what I have to say.
Speaker 2 (06:10):
You listen to flavored breakfasts, and clearly we feel quite
strongly about our snacks.
Speaker 5 (06:14):
Tellie you actually you're the one that brought us up.
Speaker 4 (06:16):
Yeah, man, because I must admit, kids snacks are the best.
And you're right, you know what, You've made a good
point here or that since you buy the kids school
lunch snacks they're actually yours that are actually mine. So
like if I'm eating them, because like dad, why are
you eating white?
Speaker 3 (06:33):
We hold war wall, rethink the situation that you are
explaining the pad bro.
Speaker 1 (06:39):
That's it.
Speaker 2 (06:40):
So we've shared, you know what we think is the
most elite. Mine was an Alci and bar that for me,
oh you know what, even thinking about it actually makes
me a little bit like and yours was tiny titty stace.
Speaker 3 (06:52):
Yeah, because no, no, no, I won't have any. And
then they're just so small. And then if you get
a multi pay then the kids don't like the honey ones,
the plain ones.
Speaker 5 (07:03):
I like those like that, Like, oh well I have
to eat it.
Speaker 4 (07:06):
Somebody's got to do it.
Speaker 5 (07:07):
Yeah, yeah, take one for the team.
Speaker 2 (07:09):
Well, the thing is the only downside to kids snacks
is that they just they're too small, you know, like
think about their little chips and stuff like or like
you said, all these roll ups and stringy's. Yeah they're delicious,
but why is there like one string in them? That's
the issue that I have. But we wanted to know
what is your most elite kids snacks? You know that
you've got with it so many texes, someone said, quite
(07:32):
a few people actually have said iced animals.
Speaker 3 (07:34):
Oh, my son discovered them, and I'm like.
Speaker 4 (07:40):
These are around.
Speaker 5 (07:42):
If we still get them. They're like four dollars. They're
good values. Why they come in a big box.
Speaker 2 (07:46):
They aren't the only snacks they're out in those stupid
little little mini Paslie's like, that's me today, Papa jacks.
Speaker 4 (07:54):
They're nice fun sticks.
Speaker 5 (07:55):
I don't know what those are.
Speaker 3 (07:56):
They're basically like pockey, like those Japanese kind of snacks,
and it's sort of savory, but it's got chopped on the.
Speaker 4 (08:03):
Like different flavors. You've got chicken, you have sour cum
and chimes.
Speaker 5 (08:07):
Cookie times made the list. Someone else said, oh my gosh, my.
Speaker 2 (08:11):
Kids to roll ups, chop chip, musli bars, oreos, potato sticks,
kettle chips, so spoiled and unhealthy. I've given up low.
And my son is literally being asked for as lunch.
Speaker 5 (08:22):
Yeh, that's what happens. So when you're killed with the
good lunch, everyone's asking well. Also, we have Jessica on
the line, more than.
Speaker 7 (08:27):
A Jessica, good morning.
Speaker 3 (08:30):
What's your elite kids neck? I mean it's for their kids.
Speaker 8 (08:35):
Yep.
Speaker 7 (08:35):
So as a child I had this and I was
buying this for my own children as well. Lee Snacks
as all the mums were just continued from New Zealand.
I had a trip to Australia a couple of years back,
so I had to stock up to kind of appease
the children. But yeah, they've kind of forgotten about it
(08:56):
now at the dupes that they have at the moment
just don't taste the same for me.
Speaker 3 (09:01):
Yeah, that cheese is so processed. But for some reason,
like I know people women who would eat it to
help their morning sickness.
Speaker 5 (09:10):
I don't know. There's like nuclear stuff in the you.
Speaker 1 (09:12):
Know what I hate.
Speaker 4 (09:14):
I hate the being my little cracker thing into the
cheese because it always breaks the biscuit, you know what
I mean. I'm like, yeah, right, so they're always having to.
Speaker 1 (09:22):
Use my finger.
Speaker 5 (09:22):
Yeah yeah.
Speaker 2 (09:23):
But if you didn't look, if you didn't look the
plastic get the then you didn't have a least next
you know what?
Speaker 5 (09:29):
Just you you're so right, some piece of Lea snacks.
That's all I have to say, bringing.
Speaker 3 (09:32):
Back the French be going.
Speaker 5 (09:37):
We love a Lee snack.
Speaker 2 (09:38):
Thank you, Jessica oh man, who's hungry?
Speaker 5 (09:42):
There's always we can't talk about food. It should be bad.
Speaker 3 (09:46):
Not that they're hooky, they're way muddy. Then they Stan
Walker no May and stay Walker's here to release a
new way of But can I just quickly say, Stan,
I really.
Speaker 5 (10:02):
Admire your deal journey.
Speaker 3 (10:08):
Because you have grown so much and then you've really
stepped into it and you released these beautiful wayata, the anthems.
Speaker 5 (10:14):
For all of us.
Speaker 1 (10:16):
Killed. I am just trying to my best.
Speaker 5 (10:18):
Yeah, that's what it is about. I just got to
give it a go.
Speaker 4 (10:22):
Yeah, let's go home.
Speaker 3 (10:27):
So tell us about your new wayata and what inspired it.
Speaker 8 (10:31):
So I wrote this originally in dad el Baka last year.
It was the same time that I wrote I Am
and Mary. It's a trilogy, so it's this is actually
the prequel two I Am.
Speaker 5 (10:46):
Wow, you're so.
Speaker 3 (10:47):
Marty and you're thinking you're going backwards and fording.
Speaker 8 (10:51):
Like in terms of the journey, because I Am didn't
just come out of nowhere. Mary Kit didn't come out
of nowhere. It's part of a journey of my own
personal journey. Keith hour is the place where you go
back to healing. There always has to be a time
of healing, and something has to die for something to
be born again.
Speaker 1 (11:09):
You know into a new season.
Speaker 8 (11:10):
It's a very like for card or Mildy, but I
think just in my own self as well, which is
for Cardle Mali.
Speaker 1 (11:17):
But like that's been my journey.
Speaker 8 (11:20):
I've had to come back to my hour, come back
to my home which is my wife, which is back
to her hour, which is the hour Supua and yes,
and it's just been a beautiful journey of my myself,
my wife, my kids. But Keith Tka, even though I
wrote it in English last year, in the last month
(11:44):
we had my bro Towers Gona come and translate and
help basically rewrite this way at not it's not like
a translation because it's taken on a new meaning because
when I wrote back to the River, that was the
beginning of a new season and a new journey. Coming
back now listening to the Kupoo that I've written, it's
(12:05):
hit me all again to close off the season and
this journey, this season in my life, and it was
like was listening to the song Me and Loom, which
is kind of cryed or just it literally was like
the relationship that I have with my dad and the
passing on my dad. So we've taken that and it's
become its own new thing, so.
Speaker 1 (12:26):
It's more personal for you.
Speaker 8 (12:27):
Yeah, and like it's buzzy because I wrote the song,
but now the song is singing to me and.
Speaker 5 (12:32):
It's a different.
Speaker 8 (12:34):
And a whole different part of my life from when
I wrote the song. So it's you've got the English
who has opened this news, you know, gone into this
new season, and then our Mildi version is closing off
the season to go into new territory and new life.
And it's Oh, it's been a buzzy journey and I'm
(12:56):
and it's my own songs that are kind.
Speaker 5 (12:58):
Of teaching you.
Speaker 2 (13:01):
I guess now we could say you almost know how
it feels to be us in a way listening and
receiving the music in that way.
Speaker 5 (13:07):
And for anyone that needs to hear it, come on
now track Stan Walker.
Speaker 2 (13:28):
Oh it is beautiful, and we're going to be back
right after Mariah Carey, because I want to know exactly
where you and Lou were when you heard the song
and it made you.
Speaker 1 (13:36):
Christ Stay, sid Zora and Charlie.
Speaker 5 (13:41):
We did you and Lou first listen to it that
made you cry?
Speaker 2 (13:44):
Because obviously listening in the car is different to listening
in the studio to listening with the AirPods, and like.
Speaker 8 (13:49):
We were I was editing the video and I was
going back and forth just with some final edits, and
we were in the car and just no sorry. We
were in the lounge, I think, and we just played
the song and we were listening to the English version
and I was like, oh my gosh. The first words
are like it's been too long, so long away from
(14:12):
being home. I'm just not myself no more. I want
to start again. Where did I go wrong? And it
was talking like I was like, oh my god, this
has been my dad, and we just like broke down,
like because that was our relationship and we had come
back to a full circle before he had passed away.
And I filmed the video clip for the English version
(14:35):
the whole weekend that and he passed away, so the
last shot and we had forgotten when ty and then
he had passed away like a few hours later. So
it was like this whole thing, it's just been this
emotional like journey that has so many different stories, and
it started out with me and Lou and then it's
finished with me and my dad, and so like it's
(14:57):
been a.
Speaker 4 (15:00):
Healing all over again. It's like when they say, you know,
when words fail, music speaks, and it's definitely talking to
you and Bro, the timing of the song the release
is it's pretty good, like yeah, it's the timing is perfect.
Speaker 1 (15:16):
Yeah.
Speaker 8 (15:17):
And like usually when we do like a and we
do it a real Maldi version, it's always the English
that comes out. And the English has been done since
last year. Videos done, everything's done. But it just felt
right to put out the real Maldi version out first
for my own statement. It's got nothing to do with
(15:38):
anybody else. It's just that's how I feel, just the
focado or Maldi that you know, in the depth of it, yes, well,
even just hearing you speak like I'm just in my
mind playing out like the evolution of Stan Walker.
Speaker 2 (15:50):
Like it's not even just like like you said, from
that song to this song. I mean, it's even just
your entire career. It's it's been incredible and it's it
feels like you just keep giving.
Speaker 8 (16:00):
Bro.
Speaker 1 (16:02):
I'm trying to I'm.
Speaker 8 (16:03):
Ain't getting any young girl.
Speaker 5 (16:05):
I'm looking around.
Speaker 8 (16:05):
I'm a little bit of a little around here.
Speaker 5 (16:12):
No, I don't know if I got it, dare on it.
Speaker 3 (16:16):
It's like, you know, really anti stul journey, but also
you bring them back for us as well.
Speaker 8 (16:23):
Honestly, I really feel blessed being able to do what
I do in this current climate. Was having a quarteror
in the car about you know, music has kind of changed.
Everybody makes two minute songs that for now then you
know there. And I was listening on the way because
I drove to fund a back to hear it all
(16:43):
yesterday and I was just listening to Eda James and James,
Sam Cook and all these old school Bob Marley listening
to the one takes they did, the koopoo that they had.
Speaker 1 (16:55):
You could hear the cracks.
Speaker 5 (16:56):
And the cries, and I was like, I want to
be there. I want to be timeless.
Speaker 8 (17:01):
I don't know if it's going to happen, but I
want to share stories from my heart and I don't
want to be the same. I don't want to do
it for now because now never last, you know, I
want to be everlasting in terms of my music, timeless
say I love it.
Speaker 5 (17:15):
Took the copa. I think you've already done that. Brother,
stand we who to me?
Speaker 3 (17:22):
And it's time for Wiki of Wayata.
Speaker 5 (17:25):
So it's the week with El Mahdi Mahdi Language Week.
Speaker 3 (17:27):
So we thought we'd look at wayat that because you
know some of these way out that people start singing
and you're like, ah, do I know this one?
Speaker 5 (17:34):
And I want to give you a bit of a
background on it.
Speaker 3 (17:35):
So today we're going to look at some of the
number one hits that have hit the top of the charts,
and they are in Thedel Marty. So I said to you, okay,
if I say, what is the first number one hit
in thed El Marti, Okay, can you guys guess or
do you know it?
Speaker 6 (17:50):
No?
Speaker 5 (17:51):
I have no idea for you. Maybe that's what.
Speaker 3 (17:53):
People think, but no, it was actually in nineteen eighty
one Dean Way. It's called the Bridge sare this old school?
Speaker 9 (18:06):
Well?
Speaker 3 (18:07):
It was based on an Italian song called Celendzai and
it was actually translated by George Tait at work Coomartswa
for Dean wad It's any and it's still a classic,
still a classic. But then in nineteen eighty three, Prince
Toui Teka number one and this is with his beautiful
(18:27):
love song Airpril. This one was written by Prince Toeteka
and White Pea Fe Doney and it was actually based
on a traditional Indonesian folk song as well. Then, of course,
finally we get to nineteen eighty four and the big
(18:48):
parthol Maudi club hit Poier Roy pe Fighting as a
writer in there as well as Dalvanius Prime and Dalvanius
was the character the charisma Riz Guy original and he
(19:09):
really sold it. Then in twenty fourteen, actually some people
were going, we need another number one hitting third El Mahdi,
and that came from Stanwalk Area Hall, Troy King and
Macy Dicker. Actually maybe number two, but number one in
our hearts. I want to give a quick shout out
(19:32):
in twenty sixteen to my Mortia by Pukana the TV
show and Fano because it was specially for.
Speaker 5 (19:38):
Through we Killed El Mahdi.
Speaker 3 (19:49):
Translated as well by the Homi he at the Mason
who was also involved in Aladua. See these strong, amazing
women behind the scenes are really really leading. And then
I also want to mention and this great song Way
to Our from may More. This came out in twenty
and seventeen or eighteen I think it was, and it
was a great huge hit. Numb actually went a million
(20:12):
views on YouTube, was really unusual and this one is
all about following your instinct, following your spirit, your way.
Speaker 4 (20:26):
Do I remember seeing them perform this at one Love
Life bro. The whole crowd were seeing this. I think
that's the best part. You know, if you're to write
music in Tedi or Maldi, you know, and having a
whole crowd singing in, you've done your job.
Speaker 3 (20:40):
I know when I've seen people singing along to Camoki
do k. Paul was six sixteen and at just Everything's
going to be okay.
Speaker 5 (20:48):
El Mahdi.
Speaker 1 (20:52):
Mysteries.
Speaker 3 (20:53):
And today we look at a great girl band from
the nineties formed in nineteen ninety. In fact, it's Escape
and they were initially called Escape three. So that's Candy Burris,
Tamara Couggins, to meek A Tiny Cottle, LaTosha Scott and
Tamika Scott. The year after that, actually Tamara left, so
(21:17):
it became a quartet and the others became what we
know as Escape. And they had great, big songs. Of course,
some of them that you know so well, who Can
I Run Tracker and one that we will play today
just kicking it dud.
Speaker 1 (21:36):
Some good songs actually.
Speaker 3 (21:37):
So the first album actually sold over one million copies
in the United States that sold ten million in total,
and they were discovered by Jermaine dupri He had the
initial vision for them. But then as things go, they
had a second album, went pretty well, and then they
broke up. Why did they break up, Well, this is
Jermaine Dupree's version.
Speaker 10 (21:56):
Well, when Escape came to me, they were singing songs
that involved everyone.
Speaker 5 (22:00):
The way I was writing the songs was pulling.
Speaker 10 (22:02):
The group apart because Candy started looking like the leader
to y'all, but Tasha was back here like I'm the leader,
you know, and in groups that's a problem.
Speaker 3 (22:13):
So there are varying versions of it, and one of
them includes that there was tension over Candy actually having
a relationship with Jermaine depress and they did attempt to
come back after a while about two thousand and five.
Six didn't really go so well, but they had a
big moment at the BAT Awards in twenty seventeen, their
first performance together in eighteen years, and the crowd loved it,
(22:43):
still sounding good. So in twenty eighteen they put on
the Great Escape to it and they performed also all
around and did well, and they got the Black Music
Awards Honors, and then in twenty twenty two they won
the Lady of Soul Award at the Soul Train Awards.
And as she can and the fullness of time, they've
forgiven Jermaine Deprerie as well.
Speaker 9 (23:03):
You are to say thanks to Jermaine because you know,
like you said, he had a vision when a lot
of people didn't. And you know, for that, we are
forever grateful to be able to still be here on
this stage because you open the door.
Speaker 3 (23:17):
So LaTosha Scott has officially departed the group. She's having
a solo career. There are a couple of appearances on Housewives,
all of those things, but basically, the true, the enjoyable,
the most definitive escape moments are from the nineties, and
we celebrate one of them right now because that is
you have mystery, because if you don't.
Speaker 5 (23:35):
Know, no, you no.
Speaker 2 (23:38):
Okay, So, something happened to me yesterday, which I would
I'm going to say, is the worst possible thing to
happen to someone who is renting.
Speaker 5 (23:47):
Uh, worse possible.
Speaker 2 (23:50):
Maybe not worse possible what happened, but in my mind
I was horrified by this.
Speaker 5 (23:53):
Okay.
Speaker 2 (23:54):
So I I was at May and one of my
flatmates said that the owner of the house, the property
manager of our house, and a trade was coming over
to look at the bathroom.
Speaker 5 (24:10):
We need some stuff done on the bathroom.
Speaker 2 (24:12):
And I went, oh, I hope you closed my door,
because I doubt my partner made the bed and picked
us close up off the ground, and in fact, I
left my pajamas on the ground.
Speaker 5 (24:21):
And I don't like that.
Speaker 2 (24:23):
I don't want the owner of the house as well
as the property manager. I want to seeing must see
in my room, like when I'm unprepared. And she went
on to say, oh, actually they had to.
Speaker 5 (24:34):
Go into your room because your wardrobe, bathroom.
Speaker 4 (24:41):
You know what, Sorry, this is giving me target, you
know back in the day.
Speaker 2 (24:46):
The thing is is, of course, you know my flatmate,
she knew about about them coming. But if an owner
and a property manager were to just show up when
you weren't prepared and that, it's not okay, and it's
not okay. And that's how it felt for me. But
because it was new for me, I can't believe.
Speaker 5 (25:02):
That the owner of the house was in my bedroom.
It kind of makes me. It gives me the crawlies.
Isn't it a bit weird? Not on their part. But
I'm just like, damn.
Speaker 2 (25:11):
It, well weird because we're on the ground man, and
that's what I'm saying.
Speaker 4 (25:16):
Or in the bathroom now, like you know what I mean, Like, yeah, okay,
because you're not like like Us Island as we we
hang out undies in the on the on the shower.
Speaker 3 (25:26):
It wasn't an inspection as such, was it. The inspections
are stressful too.
Speaker 5 (25:31):
Yeah, at least you're prepared for that. At least you
got the heads up and they're looking at our undies.
Speaker 2 (25:36):
Oh, coming up as a hip hop mystery that'll be
in the next twenty minutes, yep.
Speaker 5 (25:41):
And nineties group that you don't you dare forget about.
Speaker 1 (25:47):
Stace, Zora and Charlie.
Speaker 2 (25:49):
Let's remember the time of something iconic. This time it's
an iconic Kiwi woman from an iconic voicemail Karen, guys,
okay en went viral.
Speaker 5 (26:01):
We need to know more about it, but we need
to hear it again. Wow guys, wow music.
Speaker 2 (26:06):
Yeah, embrace yourself because it just wouldn't be right if
we didn't play the full Karen wants her twenty bucks back.
Maybe this is your first time hearing it?
Speaker 11 (26:16):
Hello, this is Karen Rachel fixed, she can ignore me
and hide from me for her twenty lousy dollars that
she owes me from like over will over three months
ago she won six hundred dollars at the Pokes at
the Stokes Belly Bar, and she said to Jade and Dion,
(26:40):
don't tell Karen you've seen me because I I were
twenty bucks. I'll tell you what. I'll get my twenty
bucks or she's going to get twenty wax teen wax,
not my box. He's a mental crazy lady. We wanted
to go up with a lesbian that's now with a
(27:00):
not my fault, your daughters all okay, not my oh,
I want my money.
Speaker 1 (27:08):
And see wow yes Karen woo.
Speaker 2 (27:13):
So what you may not know about that call is
Karen actually misdialed number, so it was a different couple
that ended up with.
Speaker 5 (27:22):
The voicemail didn't get to the person it was intended for.
Speaker 3 (27:25):
I'm sure she's heard it though from the Stokes Valley
exactly exactly.
Speaker 2 (27:31):
So Karen is from Lower Hut and she thought she
was leaving a message for the associate Rachel. She shouted
some profanities on the phone, as you should.
Speaker 5 (27:41):
Yeah, and the message you.
Speaker 2 (27:43):
Know got viewed over seventy one thousand times basically in
the first couple months, which is.
Speaker 5 (27:48):
Pretty big numbers for here and Old theed Are.
Speaker 2 (27:50):
It wasn't until years later that guy Williams, for his
show New Zealand Today, Great show, by the way, he
actually went back to go and see Karen who wanted
her twenty bucks back, and asked, why why on earth
did you leave the voicemail?
Speaker 1 (28:07):
Why did Rachel owe you twenty dollars?
Speaker 5 (28:11):
This is self incriminating.
Speaker 1 (28:13):
Who means self incriminated?
Speaker 3 (28:14):
It was for some marijuana, okay, So.
Speaker 4 (28:18):
I don't buy it to sell it. I buy it,
spoke it.
Speaker 1 (28:21):
When you listen back to the call, do you feel embarrassed?
Speaker 4 (28:24):
Sometimes because they never did. It was the intention of
the rest of the world just.
Speaker 5 (28:28):
Singed to it.
Speaker 2 (28:31):
It's doing that entire episode of New Zealand Today. Karen
actually kind of seems cool. Guy even tries to get
it a sort of business where she leaves voicemails wanting
you know, if people are Karen, would you know Karen
would ring them up and leave a voicemail.
Speaker 5 (28:45):
Did she get him money? No, she didn't. Freaking Rachel
want six hundred bucks because she you know, she's spotted it.
Speaker 4 (28:54):
Literally, Karen bro every guy that counts break, She's coming
for you, Wax.
Speaker 2 (29:02):
There's been remixes, but there's been no one like Karen.
So we remember the time Karen has claimed she's not
actually embarrassed by the thing.
Speaker 5 (29:10):
Obviously she ended up getting some good coverage. So go on,
Karen from Lower Hart.
Speaker 4 (29:15):
I'd love to have a Karen in my like Rugby
lea tea mate.
Speaker 5 (29:17):
Get those fees, yeah yeah, yeah.
Speaker 1 (29:22):
You get and wax.
Speaker 5 (29:25):
Straight from the archives.
Speaker 2 (29:27):
Someone has found the nineteen eighties Pizza Hut menu. I
guess people started to dig into it right because they're
bringing back there Pizza Hut buffet, but only for like
four days. It's already sold out. It's up here in Tamakimikado, Auckland.
Speaker 5 (29:41):
That's annoying.
Speaker 3 (29:41):
And for anyone who lives outside of Auckland, I just
want to say I have empathy and out't have for you,
because so annoying when things only come to Auckland.
Speaker 2 (29:51):
Yeah, one hundred percent. And the thing is, don't ask
us why that only happens, like.
Speaker 5 (29:55):
It's just population for him.
Speaker 3 (29:56):
But anyway, the pizza Hut back in the days. I
remember about what they look like, sort of like a
faded red color and little pizza hat logo on the
left hand side.
Speaker 2 (30:04):
So what I'm gathering from reading the nineteen eighties menu
is Pizza Hut was like a fancy placement. Like it
was you would go like, come on, little Jimmy, we're
going to.
Speaker 5 (30:16):
Yeah, because to me, yes, there's some things.
Speaker 2 (30:19):
That are very cheap in what you would expect, like
French fries a dollars sixty.
Speaker 11 (30:25):
O.
Speaker 3 (30:25):
The French fries, by the way, we're cring call cat.
Speaker 4 (30:28):
Yeah, but they're the good ones, not the little you know,
not the McDonald's.
Speaker 2 (30:32):
Yeah, that's how it should be. But then you know
they were selling shrimp cocktail.
Speaker 3 (30:36):
Yeah, and a little fancy little glass.
Speaker 6 (30:40):
Yeah.
Speaker 5 (30:40):
But even the pizzas they're not even they're not even cheap.
Speaker 2 (30:45):
Men, I feel like it's cheap in now, like standard
serve one to two adults eleven dollars forty five.
Speaker 4 (30:50):
You know why it's really big?
Speaker 5 (30:52):
No, they were bigger, yeah, exactly.
Speaker 4 (30:54):
And not only that, no one else was doing it
like Pizza Hut. You know, this was the this was
top tier. And like you said, as a like if
you had a birthday twenty first, or you know, you
graduated of some sort. Yeah, you know, this is the
place to go.
Speaker 5 (31:07):
The school year.
Speaker 2 (31:08):
Eleven dollars forty five they would translate to what pretty
much double or triple these days, it's like paying it
almost forty bucks.
Speaker 3 (31:14):
No, but it actually feed two people, like.
Speaker 5 (31:18):
What rather than one person? Yeah?
Speaker 2 (31:20):
Yeah, true, But then again I'm looking at the cheesecake
and it's like four bucks.
Speaker 5 (31:25):
I don't care. What's amazing, it's a whole cheesecake, I think.
Speaker 4 (31:30):
No, surely not honestly, Like I said, man, this this
is going to bring back so many memories, and I do.
Speaker 1 (31:37):
I'm with you Stace on this one.
Speaker 4 (31:38):
I first say, for those that are not living in Auckland,
but if I do get a ticket to this place,
I could sell you a ticket.
Speaker 1 (31:46):
Can I can help you?
Speaker 4 (31:47):
I can help you.
Speaker 5 (31:47):
Fine, How can you sell it when you've got it
for free?
Speaker 4 (31:49):
I'm just what I'm saying, like, Bro, if I'm not
going to go, someone else deserves the spot.
Speaker 5 (31:53):
Just between your Charlie A. It would probably work.
Speaker 3 (31:57):
It would probably we what I'm saying, Yea's Brownish man
with a bed.
Speaker 1 (32:06):
The latest celebrity goss from around the world favor breakfast.
Speaker 3 (32:10):
Oh mcalm, excuse as Charlie says, breaking everything in the studio.
You can probably hear that in the background, just a
quick one.
Speaker 5 (32:19):
P Diddy.
Speaker 3 (32:20):
He has pleaded not guilty and his team has suggested
a fifty million dollar bail. This is he's trying to
get released for all of the charges. Well, I don't
even have time to name all the charges. They have
basically a whole lot, and he just wants to.
Speaker 5 (32:36):
Pay fifty million to get out of jail.
Speaker 2 (32:38):
And in other news, well, it's going to be a
woman's World for the October Victoria's Secret Show.
Speaker 5 (32:43):
I was surprised to see.
Speaker 2 (32:44):
That they are going again. There's been a lot of backlash,
but it seems like they're trying to tune it around.
So headlining the show will be Sheer And one of
the only other women that have been announced as the
performer for Victoria's Secret Show is Tyler and you'll know
her from.
Speaker 5 (33:04):
South Africa. Let a word for Victoria's Secrets.
Speaker 3 (33:08):
And finally, there is a copyright case out against Miley
Cyrus for the song Flowers.
Speaker 2 (33:14):
Hugging varas Flower saying.
Speaker 3 (33:18):
That it wraps off the song when I Was Your
Man by Bruno Mars should have.
Speaker 1 (33:22):
Bodil Flower, I reckon.
Speaker 4 (33:31):
Flower, Like that's there.
Speaker 5 (33:35):
You know.
Speaker 3 (33:36):
The whole thing is based off the Bruno Mars song
Oh I don't know. It references all of the lyrics.
Speaker 5 (33:43):
Oh my gosh, my mind is blowing, yeah no, and
the tune.
Speaker 3 (33:47):
But actually it's not Bruno Mars who's putting their copyright
case out there. Tempo Music Investments they reckon. They own
a share of the copyright of that song. They're the
ones going Miley with Comanachia, give me my money.
Speaker 5 (34:00):
That is your om gos.
Speaker 2 (34:03):
The gen Zs they have to, you know, get a
round of applause from from me because.
Speaker 5 (34:08):
Snaps to that. Snaps snaps because they've really done something
with marketing.
Speaker 1 (34:15):
Now.
Speaker 2 (34:16):
It's not the kind of marketing you would expect, but
it seems to be working. The gen Zs in companies,
and these are just any old companies couldin companies, you know,
furniture companies. I saw one for a printing company as well,
where they are getting the older generation to say sayings
that they commonly say.
Speaker 3 (34:37):
Okay, so you think gen Z should get the props
for this. What about the you know, millennials or boomers
who are doing it or the gen x is I
think that's what makes it cute.
Speaker 1 (34:47):
It's different.
Speaker 5 (34:48):
Yeah, true, you are right.
Speaker 2 (34:49):
It's the fact that they are saying the words with
absolutely no meaning because they don't understand them.
Speaker 5 (34:56):
So this guy, this guy here is it'd be what no. Seventeen? Yeah,
listen to this.
Speaker 12 (35:02):
We hope you've enjoyed your girl summer besties? Are you
fed up with your fuggly blinds? You understood the assignment?
Say this. Shutters are giving me life. These blackout blins
are surfing saving pop off queen.
Speaker 5 (35:28):
It makes it weird.
Speaker 2 (35:29):
He's a fop off queen, but it sounds a good
robot robot. Yeah, I think you know. These videos are
blowing up online. This is literally just a blind shop.
It's called Airshire Blinds over in Scotland.
Speaker 5 (35:44):
As you could tell. When you get.
Speaker 2 (35:47):
Like three hundred thousand likes and two million views, people
are even saying do any couldn'ts know? Am I going
to shop there? Years? Simply because watching it is?
Speaker 3 (35:57):
So You're right, Stace, it's it's cuteing off.
Speaker 5 (36:02):
And hey, his blinds are serving.
Speaker 4 (36:06):
You know, one of the things that I don't like
is losing a sneeze, and because I just love to sneeze,
especially when you get like maybe two or three in
there in a row. That's the feeling is just phenomenal.
Speaker 5 (36:17):
But there's a reason for that. Tell you that soon.
Speaker 4 (36:19):
But anyway, yep, okay, I'm looking forward to that stays.
Speaker 1 (36:22):
But when you're driving.
Speaker 4 (36:23):
Okay, I was driving to work and I was switching lanes,
but then you can feel that a sneeze brew it's brewing,
it's coming, and you're like, I am looking forward to this.
I haven't had a sneeze and a wee while. But
then you know, I had the indicators on and I
was switching about to switch lanes, but then I'm committed
to the sneeze. You know what I'm saying, Okay, this
(36:45):
is this is you guys. Don't do this right, don't
try this at home. I was committed to the sneeze
more than my to my driving. So then indicators were on.
I was about to switch lanes, but you know, you
can't open your eyes when you're sneezing, so I was
just going to do the whole sneeze and switch lanes.
But then I was like, no, don't do this, just
stay on your lane. And this is why I lost
(37:06):
my sneeze.
Speaker 5 (37:07):
Because you decided to be a safe driver.
Speaker 4 (37:10):
Because I decided that safety was more important than the sneeze.
Speaker 2 (37:13):
I have to but it's pretty freaky when a sneeze
is brewing while you're driving, because it is impossible to
keep your eyes open while you sneeze.
Speaker 5 (37:20):
You would, you would let your eyes would pop.
Speaker 1 (37:22):
Out of here.
Speaker 8 (37:22):
Yeah.
Speaker 3 (37:22):
I know someone who used to be a police officer
and they said, if you made a mistake in the
CRASHY said, just say you sneezed because you can't keep
your eyes open.
Speaker 5 (37:29):
It's physically impossible.
Speaker 3 (37:31):
But it's endorphins. You get endolphins when you sneeze, do you.
Speaker 5 (37:35):
Yeah, that's why it feels so good. It feels so
good when you let a big one outday Like you said,
You're like, You're like, what I love is that much? You?
You know how they went and they did the touring.
(37:57):
It's smaller places around at all six sixty yes, yes, yes, yes, yes,
what did I say?
Speaker 12 (38:04):
Not?
Speaker 4 (38:04):
Oh?
Speaker 5 (38:05):
Well, guess what the match here?
Speaker 2 (38:07):
He's jumped on a podcast and he shared one of
the funnier moments from being on tour. You know, when
you go to some of these places, you've got people
that aren't afraid to say.
Speaker 1 (38:17):
What they're thinking. Good Heaven on the coast, that was special.
Speaker 6 (38:21):
It was wild, it was hearty, how I explained it,
and just so isolated.
Speaker 1 (38:25):
People showed up to the show on horseback.
Speaker 6 (38:26):
The pub had like a two for one purple guana.
One of my favorite moments actually from that show. So
we get up maybe three point fifty maybe four hundred
people packed into this tiny little pub, and so we
can get up on stage and it's ready to go,
ready to start this performance. It's two aunties at the
front and two the purple guanass.
Speaker 1 (38:45):
She looks up to me and she goes, we've been
waiting for.
Speaker 5 (38:47):
Ye yeah, fair enough.
Speaker 3 (38:51):
So then chokumdu Bay and the Pooka Tevin and fair
enough they're on the coast and go look that made
me go through two purple guanas, right.
Speaker 2 (39:00):
I just love the like there was a sale and
a deal for the purple grunds.
Speaker 5 (39:04):
I haven't even seen one of those. And yeas man,
be man, you gotta go to a couple. I have
to bring this up.
Speaker 2 (39:11):
But you both don't know what I'm about to say,
but it needs to be said. What the heck is
up with Stan Walker appreciating your back muscles again?
Speaker 5 (39:21):
Does he remember he's already done this?
Speaker 1 (39:23):
I remember?
Speaker 5 (39:24):
Yeah, yeah, what's up with gifts coming in studio? And
they're like, bo, really are strong back?
Speaker 11 (39:31):
Well?
Speaker 5 (39:31):
Once he hugs him?
Speaker 2 (39:33):
Yeah, well, even Nigel know he said, oh you know
he made a reference to your chest being really big.
Speaker 5 (39:39):
Oh no, that was a joke that I'll take it.
Speaker 1 (39:43):
Yeah, yeah, yeah, I'll take it.
Speaker 3 (39:44):
What is it duding out?
Speaker 4 (39:48):
I mean I could say the same because I felt
that on Scotti's back room.
Speaker 1 (39:52):
I said this.
Speaker 3 (39:52):
Before, so it's an acceptable thing to compliment again, and
you got to remember it's boys can do this boys. Yeah.
Speaker 4 (40:00):
I think that's how we're saying, bro. Yeah, yeah, I appreciate.
Speaker 5 (40:02):
What I see what you do. The work, the work, Yeah,
I don't know.
Speaker 2 (40:06):
Weirdly, for me, like when if I go to hug
someone that has a strong back, I don't feel like
you need to say it. I can't like, no, no,
definitely not say. I definitely wouldn't say, but I'm not
even thinking about that. But I feel like the hugs
I did even say they kind of feel a bit
worse because it's like hard.
Speaker 5 (40:23):
I'm like I'm heading a wall.
Speaker 12 (40:25):
You know.
Speaker 5 (40:25):
When I hug one one of one of my friends,
it's always like, oh, it's gushy, you know, saying about
your boyfriend.
Speaker 2 (40:34):
He's also got hard shoulders, and it's kind of like
especially especially if you go to reask your head on them,
like you know, use them as like a pillow while
you watch TV.
Speaker 5 (40:42):
My pillow is better. My pillows better because it's like
lying on a rock. It's just like, no, I'm your many.
Speaker 7 (40:49):
Years years of training.
Speaker 2 (40:52):
It's tally years a marriage for you, right, She's like, no,
I like my man, how are you talking out?
Speaker 1 (41:02):
Relate. Thanks for listening to The Flavor Breakfast Podcast. Catch
a new app here tomorrow, or listen live every weekday
from six
Popular Podcasts
40s and Free Agents: NFL Draft Season
Daniel Jeremiah of Move the Sticks and Gregg Rosenthal of NFL Daily join forces to break down every team's needs this offseason.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
Las Culturistas with Matt Rogers and Bowen Yang
Ding dong! Join your culture consultants, Matt Rogers and Bowen Yang, on an unforgettable journey into the beating heart of CULTURE. Alongside sizzling special guests, they GET INTO the hottest pop-culture moments of the day and the formative cultural experiences that turned them into Culturistas. Produced by the Big Money Players Network and iHeartRadio.