What’s Wrong With This Picture?

Orson Welles' 1959 noir masterpiece sees his racist cop Hank Quinlan dispense his own kind of justice in a one-horse border town. But there's a new type of policeman in Charlton Heston's Vargas, a straight-shooter who's not going to stand for frame-ups and rough handling. Top-notch script, non-stop brilliant camera work and added Marlene Dietrich. Unbeatable. 

Sex and cake and rock'n'roll in Sofia Coppola's post-punk take on the pleasures and perils of being a queen in18th century France. Gorgeous to look at, and another of Kirsten Dunst's masterful performances, ably supported by almost everyone you can think of. Head off to watch this immediately. 

What's bugging them? Mostly alone in a  desert motel room, Ashley Judd and Michael Shannon fall headlong into madness and paranoia. Are they under surveillance? Are insects living under their skin? Is any of it real? And where did that microscope come from?  A true one-off from director William Friedkin. 

A ripe slice of British 80s horror - daddies, daughters, dogs, driving and a date with destiny. Don't miss it.  

Mads Mikkelsen (army guy, taciturn and traumatised) meets three socially-awkward nerds (equally traumatised but far from taciturn) who persuade him they can help him get revenge for the death of his wife. Action/comedy/all the feels ensue. 

"The bleakest film ever made" according to one critic. And he wasn't wrong. Wrongly accused of robbery, Jim Allen (Paul Muni) endures degradation and violence on a depression-era Southern chain gang. Escape offers brief hope but it can't last... Made in 1932 and still packing an enormous and brutal punch to the gut almost 100 years later. 

Three women, strangers to each other, wordlessly agree to murder a man. Are they insane, or is a silent refusal to explain  a rational response when no-one is listening anyway?

Marleen Gorris's 1982 Dutch feminist classic is a truly wonderful film. Pass it on. 

What would happen if filmmakers gave the gangsters who carried out state-sponsored murder in Indonesia's dark history the chance to re-enact their crimes? The result is this jaw-dropping documentary by Joshua Oppenheimer (and Indonesian filmmakers, anonymous for their own safety).  Unbearable stories with incredible images, shocking brutality with unforgettable surreal beauty. Watch it and weep. 

THE INCREDIBLE SHRINKING MAN vs X: THE MAN WITH X-RAY EYES - two fantastic films about what it means to be a man and being careful what you wish for. What happens when powers aren't super? 

It's a man's world in 1950s South America, when Yves Montand is tasked with transporting dangerously explosive nitro-glycerine across rough terrain. It's a job that only the poor and desperate will take on, and not everyone will make it. This is a thrill-a-minute intense journey, with Montand in a vest and neckerchief making this like riding the queerest roller-coaster French cinema can provide. Sacre bleu - this is a blast. 

Conwoman meets a chump, and they fall in love, not once but twice, because everything's bigger and better in this dynamite screwball comedy. Barbara Stanwyck pretends to be someone else, but looks exactly the same. Henry Fonda falls over every bit of furniture. They're both smoking hot and funny as hell. All the cast are brilliant. There's a bit with a horse. Honestly, why are you still here? Just watch it already. 

Herzog's epic-feeling but actually pretty spare take on one man's mad quest to travel downriver and find the fabled city of gold El Dorado in 16th century South America. And if you're looking for the one man with the maddest mad quest credentials, there is only Klaus Kinski, at his insane best here both on- and off-screen.  Come for the history, stay for Kinski as King of the Monkeys.  The wildest fo wild rides. 

The worst Christmas holiday ever. Teacher John Grant is travelling from his no-horse outback town to Sydney to meet his girlfriend,  but drunkenness, gambling and the worst of macho humanity conspire to stop him. A horror movie where Australia is the monster. 

Not long after the Columbine school massacre, Gus Van Sant and his group of amateur youngsters reimagine a school shooting by playing with time and perspective.  What could have been a technical exercise is instead an extremely moving picture of random violence and young lives cut short. A one of a kind. 

The master of perviness and his famed one-location, "one-shot" thriller (not really), with James Stewart unravelling the mystery, and John Dall and Farley Granger being one of the outest gay couples in 1950s Hollywood. Follow that nosy camera around the room and marvel.