SoundWaves with The Florida Orchestra

This episode brings together three composers shaped by place, identity and tradition. In Augusta Holmès’s Irlande, pastoral beauty and mourning give way to a spirit of resilience, reflecting Ireland’s long struggle and enduring hope. Dvořák’s Violin Concerto follows, a richly lyrical work rooted in folk rhythms that ends the with a spirited dance, the Czech furiant. The program closes with Brahms’s Symphony No. 4, a work of strikin...

This episode traces a path from nature to Beethoven’s first hint of the heroic ideal to a sense of national identity. In Einojuhani Rautavaara’s Cantus Arcticus, recorded birdsong merges with orchestra to create a soundscape that feels both organic and otherworldly. Beethoven’s Piano Concerto No. 3 follows, capturing a young composer in transformation — and the first clear signs of his heroic voice. The journey concludes Jean Sibel...

Had Beethoven composed only one symphony, and it happened to be the music contained in his Seventh Symphony, he would still be idolized today. Its hypnotic rhythm is irresistible – as is the haunting allegretto movement, one of Beethoven’s greatest creations. Another rare treat is the U.S. premiere of Thierry Caens TribonesConcerto for Three Trombones, brimming with soaring melodies, dance rhythms andepic climaxes. The program begi...

This episode explores the final symphonic works of two iconic composers, Mahler and Beethoven – specifically his triumphant Symphony No. 9. The adagio from Mahler’s unfinished Symphony No. 10 sets the stage for the program. It evolves into an intense crescendo that would be Mahler’s final word as a composer. Then comes the bigger, bolder Mahler arrangement of Beethoven’s Ninth – an attempt to bring Beethoven into the modern era by ...

In this episode, we explore Mozart’s stellar Symphony No. 41, “Jupiter.” Says The Florida Orchestra Music Director Michael Francis: “In this symphony, Mozart looks at everything in life. Then he takes you to a point where he says ‘now, let’s look at the universe.’ ’’ In Shostakovich’s Cello Concerto No. 1, the soloist plays an unaccompanied cadenza for the entire third movement, while the orchestra remains silent. The concert begin...

This episode explores Max Bruch’s Violin Concerto No. 1, Prokofiev’s Symphony No. 5 and Brian Raphael Nabors’ Pulse. The German composer Bruch left a rich library of works, but he lived and died under the shadow of one piece, his Violin Concerto in G Minor. Optimistic and bold, Prokofiev’s Symphony No. 5 – his 100th published work – was embraced by Soviet censors as a symbol of freedom and stands today as a virtuosic, concerto-like...

Beethoven Meets Bruckner
In this episode, we explore two very different kinds of musical journeys. First, Beethoven’s Triple Concerto, often described as “basically a cello concerto with violin and piano,” where the cello sings in a high register, leading to music that’s elegant, playful and deceptively simple. Then, we shift to the vast sound world of Bruckner’s Symphony No. 4, “Romantic,” opening with a legendary horn call me...

Charles T. Griffes’ The Pleasure Dome of Kubla Khan is an American masterpiece that captures the dreamy quality of Samuel Taylor Coleridge’s poem. Then comes a French masterpiece, Ravel’s Piano Concerto, a lighthearted romp with an air of American jazz and an homage to George Gershwin. Paul Dukas may be a one-hit wonder with The Sorcerer’s Apprentice, but it’s a doozy. Forever immortalized in Disney’s Fantasia, the whimsical work t...

Enjoy Siegfried’s Rhine Journey, a digestible nugget from Wagner’s massive Ring of the Nibelung. This arrangement by Engelbert Humperdinck preserves the work’s atmosphere, the awakening at dawn and the love themes of Brünnhilde and Siegfried. In Mozart’s Piano Concerto No. 21, this stellar work stands out for its iridescent andante in F major, arguably one of the composer’s most captivating creations. The program ends with Shostako...

This Masterworks program celebrates Baroque and beyond with music by Handel, Haydn and Mozart. Handel’s Water Music — commissioned for King George’s 1717 Thames celebration — sparkles with regal pomp, innovative use of horns and vibrant dance movements. Mozart takes audiences on an irrepressible romp in the Overture to The Marriage of Figaro, which perfectly captures the opera’s comic energy. It's a different feel from his ele...

Experience two monumental works that bridge centuries. Beethoven’s Choral Fantasy, a dazzling precursor to his Ode to Joy, blends virtuosic piano, orchestra and chorus in a joyful, triumphant finale that echoes through his Ninth Symphony. Written for a legendary concert and featuring Beethoven himself at the piano, this piece captures the raw energy of genius in motion. In contrast, Leonard Bernstein’s Symphony No. 3 “Kaddish” conf...

Experience the emotional sweep of Tchaikovsky’s Violin Concerto, a fiery showcase of virtuosity and lyricism once panned by critics but now cherished as one of the greatest violin concertos ever written. From its bold opening to the folk-inspired finale, this 34-minute masterpiece brims with Russian flair and heart-racing brilliance. Then, dive into the sonic whirlwind of John Adams’ Harmonielehre, a modern American classic that fu...

Explore three lush, evocative works that celebrate nature and the power of storytelling through music. Start with a day-long mountain hike in Richard Strauss’ An Alpine Symphony, a grand tone poem with a massive orchestra — including wind machine and thunder sheet — to portray everything from sunrise to a thunderstorm. Vaughan Williams’ The Lark Ascending offers a serene contrast: a pastoral 13-minute piece where the solo violin so...

Art comes to life. The great orchestra showpiece Pictures at an Exhibition started out as an extended piano suite in 10 movements by Mussorgsky. That is until a half-century later, when Maurice Ravel had the good sense to see its true potential for a full orchestra. His orchestration has been a showstopper ever since. With a heady, cinematic feel, Korngold’s Violin Concerto pulls from his career as a staff composer for Warner Broth...

Is it possible to find someone who cannot hum a bit of Vivaldi’s The Four Seasons -- arguably one of the most enduring works of all time? Vivaldi presents a musical travelogueof spring, summer, autumn and winter, complete with bird songs, shimmering creeks, a thunderstorm, peasant’s dance and a freezing ice storm. It’s exuberant and captivating every time. Another masterpiece on the program is Mozart’s Symphony No. 39, one of three...

This program spotlights an unusual instrument for a classical program: the saxophone. For Prokofiev’s Romeo and Juliet, the tenor saxophone makes a rare appearance in a symphony orchestra with the theme representing Juliet. Of Prokofiev’s nine ballet scores, this is his finest – even though he originally wrote a happy ending to Shakespeare’s tragedy. An “altered” version was performed, however. The saxophone is front and center for...

Beethoven composed his Violin Concerto in 1806, when he was deaf. From the onset, the music unfolds with a sense of spaciousness, its character more graceful than frenetic. This work is not about power and bravura but poise and spirituality. At nearly 45 minutes, it also requires a lot of stamina for the soloist. Also on the program are Šárka and Die Moldau from Smetana’s Ma Vlast, a set of six tone poems depicting life and nature ...

For some listeners, Tchaikovsky’s evergreen Piano Concerto No. 1 is overplayed and overwrought. For others, it never fails to thrill with its embraceable tunes and striking rhythmic flourish. No, Tchaikovsky wasn’t subtle, and this piece is supercharged with pulsating sentiment. Meanwhile, the music of English composer William Walton is seldom heard in American concert halls, so a performance of his Belshazzar’s Feast is a treat. T...

A concert immersed in the sea. It opens with Garth Neustadter’s Seaborne, a film with stunning images of the sea set to music, performed by the Percussion Collective. The work explores water from the air, surface and underwater vantage points. Then the concert flows to Sibelius’ The Oceanides, which has been described as “the finest evocation of the sea that has ever been produced in music.” In Debussy’s La Mer, he pays tribute to ...