Meet the Artist

Dune VFX Supervisor Paul Lambert—winner of his fourth Oscar for Dune: Part Two—shares his approach to the sequel, collaboration workflows, and more.

'Conclave' Director Edward Berger speaks on recreating the Vatican, editing, VFX and much more.

Kelly Lyon won an Emmy for cutting 'John Mulaney Presents Everybody's in LA.’ Here she talks about working in Portland, collaborating with comics, and offers up some best practices.

In addition to executive producing this Netflix show, Ted Humphrey directed Episode 10 of Season 3. 

After starting making car videos at an early age, Bleyer knew that creating and editing would be his path. These days he can be found in a variety of precarious positions in order to get the right shot.

This Marvel Animation series revisits the iconic ’90s show with a retro-fresh look and more tales of this band of mutants who use their special gifts to protect a world that hates and fears them.

We talk about his workflow on the Netflix series as well as his involvement in mentoring other editors.

This editor and producer on the Hulu docuseries walks us through his workflow - telling the 40-year story of the band.

Listen to our chat with frequent Alexander Payne collaborator, editor Kevin Tent, about his Oscar-nominated work on 'The Holdovers' as well as his role as president of the American Cinema Editors (ACE).

This veteran colorist, a regular collaborator of Clint Eastwood and many others, talks about her path to the color suite, the blend of technology and creative and what inspires her.

This Oscar-winning Swedish cinematographer walks us through his shooting process and working with director Emerald Fennell.

Jason Diamond joins us to discuss the brothers’ latest VR concerts: ‘Doja Cat: The Scarlet Tour’ and ‘BlackPink: A VR Encore’

Editor Kirk Baxter, a long-time collaborator with director David Fincher, discusses his process and how he works with the celebrated director. 

Tanya talks about her journey to 'The Late Show with Stephen Colbert', including her time on Comedy Central’s 'The Colbert Report,' which included a trip to Iraq during the war.

Helming three out of the four ‘Hunger Game’ films, including the newest ‘The Ballad of Songbirds and Snakes’, Frances Lawrence talks to us about the shoot, the edit, and the challenges of making the main character — who everyone knows turns bad — compelling.

We spoke with Dan Dome, a veteran of late night comedy, about his post career and how his experience informed his current workflow for 'Late Night with Seth Meyers.'

This episodic director has a long list of credits, including 'NYPD Blue,' 'The West Wing,' Sons of Anarchy' and 'The Watcher.' He talks to writer Iain Blair about his process on while directing 'Dahmer — Monster: The Jeffrey Dahmer Story.'

We spoke to this long-time VFX supervisor about her work on Amazon Prime's 'Maisel,' how VFX and workflows have changed over the years, and her new Amazon project, "Étoile".

‘The Chi’ Editor Sean Linal joins us to talk about this path to episodic television, editing ‘The Chi’ and ‘Queen Sugar’ and giving back to the community.