August 13, 2024 • 57 mins
A jam packed episode with a lot to process and questions left unanswered.
From Toni Marchette's tragic death, to Ray Pruits constant threats!
How did we feel when Brandon read that letter from Brenda Walsh?
WHY did Luke Perry leave the show so early in the season??
We are just not okay in every way.
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's nine O Gen one Engine with Jenny Garth and
Tory Spelling. We are here for a very sad episode.
Speaker 2 (00:15):
Like happy, non smost be sad.
Speaker 1 (00:20):
They played with our emotions. You guys, you're happy, you're sad.
Speaker 2 (00:27):
It was a lot and it's Luke's last episode for
now eight for now, right now.
Speaker 1 (00:34):
This is the middle of season six.
Speaker 3 (00:37):
It's early middle. We're only on episode what ten ten? Yeah,
it's one of our three.
Speaker 1 (00:43):
Most important characters is leaving the show just like that,
Like that.
Speaker 2 (00:49):
That must be like TV history, except for like Susanne Summers,
which she suddenly just wasn't there in three's Company.
Speaker 1 (00:54):
But I hated that. Yeah, I have so.
Speaker 2 (00:58):
Many usual main character like if they're wanting out or
to move on or like it's the next season, come
back and they're not there. But like middle, it's not
even middle of the season, right, Like how is that? Even?
I don't know. I wish they had just like kept
Tony on longer and he would have left like mid season.
Speaker 3 (01:18):
Okay, this is weird to say because it's so sad,
but he got a very dramatic, like real departure episode,
which we didn't get with Shannon because you know whatever
was going on behind the scenes, but it's like this
is a full just Luke episode that you and that
(01:40):
one scene by the car is just viral, like it's
on TikTok all the time.
Speaker 1 (01:45):
And it leaves you wanting to see him more because
this episode was so good. He was so good in
this episode, and then he's leaving. It's just not computing
with my brain.
Speaker 3 (01:56):
Who could have been a two parter? I had a
like would have been like I was watching it and
there's only twelve minutes left and she's alive. Still, It's like,
why did they not make this like a two hour
you know, nine oh two one zero special episode or
a two parter. It's like it's like they shoved so
much into one episode.
Speaker 1 (02:18):
Right, Like there was a point in them in like
the three quarters of the way through, like the most
traumatic moment when I thought, oh, this is the end
of the episode and I need to go and watch
the next one immediately, But then it came back after
a commercial and showed more.
Speaker 3 (02:33):
Just packed so much. They packed his departure there, the
funeral all into twelve minutes. I'm like, that's not enough
time for me.
Speaker 2 (02:41):
To like, it's not fair for the audience. So this
it was in November, so it was sweet.
Speaker 3 (02:48):
Jenny. I have a serious question for you right out
the gate, did you have any and I, because I
did have any sort of a hm that it was
Brandon and Dylan do that sort of real goodbye scene
and not you and Dylan.
Speaker 1 (03:05):
Well, I felt like they were best friends, like even
though they had had ups and downs and it felt
weird for us as as yours sometimes like that they
didn't really love each other. But it felt natural to
me that it was Brandon. But I definitely feel like, wow,
(03:27):
you know, I feel like Kelly and Dylan had their
kind of like almost closure in the last episode. Yeah,
at the peach pit, but certainly not a goodbye. Oh
wait you guys.
Speaker 2 (03:40):
And but you have to I wanted it. I wanted
you wanted it to. I really did I want it.
I want to bolind and those twelve minutes left, I
wanted Brandon and Dylan, and I want it Kelly and Dylan.
Speaker 3 (03:51):
I agree. I could have used an extra scene of
Kelly going over to the house and having like a
real some sort of a real mon and like a
whole thing, and then we could have still had that
goodbye with the car and take care of the house,
and Brandon watching as he rode off on the motorcycle. Anyway, Sorry,
we've just got to the end. See you guys later.
Speaker 1 (04:12):
Oh my god, No, we have to go back. We're
going back from the beginning and we're gonna do it next.
Speaker 3 (04:18):
Oh, Jenny, excuse.
Speaker 1 (04:21):
Just came out? Do you like that?
Speaker 4 (04:23):
Yeh?
Speaker 1 (04:24):
I don't know what are in me?
Speaker 3 (04:26):
Are you a Savannah and Hoda?
Speaker 4 (04:29):
Now?
Speaker 1 (04:30):
I do watch a lot of Savannah iHeart podcasts. Listen
on the iHeartRadio app. All right, this is It? Season six,
Episode ten, one, Wedding and a Funeral Air November eighth,
nineteen ninety five.
Speaker 2 (04:49):
Synopsis. Dylan and Tony are preparing for their private wedding
when Brenda sends him a loving letter from London. But
after their beautiful beachside ceremony, Bruno discovers his boss has
this sinister plot. Marchhett's Marshad's hitman makes a terrible mistake
and sadness sweeps across Beverly Hills when Dylan's bride pays
the ultimate price for her father's actions.
Speaker 1 (05:11):
Directed by James Whitmore Junior, written by Steve Wasserman.
Speaker 3 (05:16):
Tony marshetk kills so many people like that guy needs
to stop.
Speaker 1 (05:20):
What is his malfunction?
Speaker 3 (05:23):
Seriously, what's wrong with that?
Speaker 1 (05:25):
Very weird intro like that. I was very scared by
the beginning of this episode, Like I thought, what show
am I even watching? With all these guns and weird
following people shots. I don't know, it just felt very
scary from the very beginning.
Speaker 3 (05:42):
Yep.
Speaker 2 (05:43):
Do you think it's odd that just Steve Washerman wrote
this episode, not just so they usually why their partnership.
Speaker 3 (05:49):
Yeah, he wrote a good episode though it's very dramatic.
Speaker 1 (05:55):
Mm hmm. And as we mentioned before, this is Luke's
Luke Perry's life fast episode until now he returns later
later later, thank goodness. He res.
Speaker 3 (06:08):
So how did it start? Why am I blocking it out?
Speaker 1 (06:10):
You're it started at the bridle shop with the girls.
Speaker 3 (06:13):
Yeah.
Speaker 1 (06:13):
Yeah, Tony pick out her wedding gown.
Speaker 3 (06:16):
Which we don't see like she's just like okay, I
got it.
Speaker 2 (06:19):
And then we see it go.
Speaker 1 (06:22):
That was Yeah, that scene was like felt like a
lot of trouble for not a lot of importance.
Speaker 2 (06:29):
Yeah, it's even more that they cut, like we couldn't
have gone all the way there for that, right, No.
Speaker 3 (06:35):
They just had to set up. It's the wedding, it's happening.
Speaker 2 (06:38):
We've only known her a couple months and.
Speaker 1 (06:40):
We're her only her best friends.
Speaker 3 (06:42):
Yeah, it's like kind of weird. Yeah, why you could
say she started college. I don't know, maybe she didn't
know anyone that went to see you. She immediately meets Dylan,
so I don't know.
Speaker 2 (06:56):
Yeah, I can handle him, sure, And.
Speaker 1 (06:58):
Then we find out that the that the hit is
still on from last week and they're really cooking up
a plan to kill Dylan. Like so the whole the
whole episode has that like tension in it, like when
something bad is going to happen. Because you know something
bad's about to happen.
Speaker 2 (07:17):
You can even get excited about the wedding.
Speaker 3 (07:21):
Taking murder so lightly.
Speaker 1 (07:23):
I'm so nervous the whole time, Sar. But we there
was some levity and they tried to do you know,
like when the game comes over and kidnaps Dylan and
Tony and they throw them their bachelor and bachelorette parties.
Speaker 2 (07:39):
I sucked.
Speaker 1 (07:41):
I mean they were went through it through.
Speaker 3 (07:43):
Because I want to talk about it. Everything we've had
go in order, going.
Speaker 1 (07:46):
Order, Okay, well, Steve. First of all, we're going to
see uh Kasa Walsh, where Steve gives a toast and
tells Dylan that he has never seen him so happy,
which I ain't see.
Speaker 5 (07:58):
You, guys.
Speaker 1 (07:59):
When he's I've never seen you so happy? I was like,
is this him happy?
Speaker 3 (08:05):
Right?
Speaker 2 (08:06):
My mind went, I'm like, he's been happy with two girls,
and of course I immediately went to you, So I'm like,
he was really happy with Kelly, Like I got here
he was, you know, but yeah, and then his face
like he could.
Speaker 1 (08:20):
Have felt like they were just building Tony up, building
Tony up. Everybody was like love Tony so much and
supporting her, and that's saying how amazing she was. Yeah,
that a really.
Speaker 2 (08:34):
Interesting choice though in that scene, Like why do you
think Luke was so somber? Why do you play Dylan
so he didn't seem happy?
Speaker 3 (08:43):
Mm hmmm because of all the drama getting to her,
like he finds out that who killed his father, like
he's grappling with all this. But can I really fast
tell you guys something that is that you might find interesting?
When I remember all of these episodes perfectly from when
they aired the first time, and I remember believing Dylan
(09:07):
and Tony were fully in love right Like, I was
like they they were Poppel's goals. It's love, it's real,
this is love. Now watching it, I'm like, this has
not been enough time. I don't see it. It's so weird.
It's so weird how and I'm like tripping out at
thirty years later whether I have different eyes, And I'm
(09:28):
so curious what other fans think. But it seems just
too quick, too rushed, And all I can think about
is they had to do this because Luke is leaving
the show. That's like all I can think of.
Speaker 2 (09:39):
But if you didn't know now what you knew then,
like you know, you might go into it because you
knew he was leaving, you knew she's going to die,
you knew. I don't know. I definitely wanted to see
more of them.
Speaker 1 (09:52):
Yeah, we all said it felt very rushed, the whole
thing from the leader. We probably felt that way in
real life.
Speaker 2 (09:59):
We were like, oh, hi, hi.
Speaker 1 (10:00):
Wait what huh? Okay?
Speaker 3 (10:14):
Brings me to your point, Jenny, that they're building her
up so much because it's like they're having to try
to get the audience to be in on this, so
thank you know, thank you for pointing that out. I
think that's why, like, oh, we love her. I've never
seen you so happy. Oh this is the real thing.
Oh my god, you're like so that. We're like, oh
my god, they are the real thing. They're getting married. Ah, tragedy,
(10:35):
Like I don't know, it was a lot.
Speaker 2 (10:37):
What if there was some like mix up and they
had to like push this episode up.
Speaker 1 (10:41):
What do you know, Tor, what was the either the
catalyst or the impetus for for Luke to leave right then?
Do you remember, because like we said, Randa Jane, it's
I don't know if he will. It's odd, like have
it happened in the middle of the season like this,
and then also to create the storyline, this big dramatic
(11:03):
build up and this love affair so fast to get
it to happen by episode ten.
Speaker 6 (11:10):
Well, what I don't know, But what I actually don't
understand is how he was able to leave because he
came onto the show late. Everybody signed six year deals.
Even if he came on when you guys did, this
would be in the middle of the sixth year, so
he would still be under contract. So somehow he got
(11:31):
them to let him out, let him out of his contract.
I was going to ask you, Tori, if you knew
what the background was, because I don't remember.
Speaker 3 (11:41):
Another very personal question to ask you guys. You all
were not like the Friends cast, right, everybody was paid differently? Correct?
Speaker 2 (11:50):
Correct?
Speaker 3 (11:52):
I just don't know. And Randy, you could chime in,
like why did they not just offer him a truckload
of money to stay through the season.
Speaker 6 (11:58):
I think that and I'm not one hundred percent sure,
but I think this corresponded to when his movie eight Seconds,
when he did it, or when it was coming out,
and I think maybe can.
Speaker 3 (12:13):
We fact check that looking that up?
Speaker 1 (12:15):
Yeah, it's being it was nineteen ninety four when that
movie came out.
Speaker 3 (12:20):
What year is it now, nineteen ninety five? I don't know.
Maybe he was tired, maybe he was having a baby.
Was he having a baby? No, this has got to
figure out the timeline.
Speaker 6 (12:31):
When did Buffy come out the movie?
Speaker 1 (12:35):
Oh that's a good question.
Speaker 2 (12:36):
I was before though, right, wasn't that like A.
Speaker 3 (12:38):
Said, that was ninety two? Buffy was ninety two?
Speaker 1 (12:41):
Sorry, you guys, we will work this out.
Speaker 3 (12:42):
Yeah, we're figure this out going through the IMDb, like, oh.
Speaker 2 (12:46):
You guys, there's a movie I haven't seen since it
came out, basically, and I'm trying to show my kids
movies from that made an impact on me from my childhood,
from the eighties, from the nineties, and we're looking. We
watched like the Goonies and like things like that, and
something Fifth Element came up and I was like oh,
(13:07):
and they're like, oh, we don't want to see sci
fi and I was like, yeah, I'm not big into SCIPI,
but I remember really liking this movie. It's very beautiful
and visual and there's comedy in it.
Speaker 3 (13:17):
We should watch it.
Speaker 2 (13:17):
I didn't remember, but it popped up for some reason.
I was like, Okay, let's just go with it. I
didn't remember that Luke is in it Fifth Element. Luke
is in Fifth Element. He's the opening scene and it
plays with this, which is why I'm like, oh, maybe
I should bring it up, because his look is exactly
how his look is here.
Speaker 3 (13:38):
Well, that came out ninety seven, so maybe he was
shooting it, and Jenny was right. His kids were not
born till ninety seven, so it wasn't that.
Speaker 2 (13:49):
Maybe that's like a big deal lucasoon movie and he's
like opening like, I feel like Luke.
Speaker 1 (13:55):
Made up his mind, and one Sluke makes up his
mind about something, there's no real changing that. So they,
you know, they accommodated him because they loved him.
Speaker 2 (14:07):
I feel hearing when Rebecca Gayheart came on. Maybe I
don't know, I'm just thinking this that she was coming
on for the whole season, Like.
Speaker 3 (14:19):
I don't know, I feel like they knew this was
going to be the end.
Speaker 2 (14:22):
They must have, but it's I don't know.
Speaker 1 (14:24):
All right, let's jump back in because I really really
want to get into the beach bachelorette parties. Yeah, because.
Speaker 3 (14:33):
Shorty Shorts.
Speaker 2 (14:38):
How many parties we have had on this show?
Speaker 1 (14:42):
How many bachelorette parties have we had it on?
Speaker 2 (14:44):
Now?
Speaker 3 (14:44):
I don't remember.
Speaker 1 (14:47):
I can't remember between our real bachelorette parties or our
real baby showers. They are all like mixed together with
the Kelly and Donn's so funny.
Speaker 3 (14:59):
That is so many do you ever, you guys, ever
tell a story and think it's real, but then realize
you just told a story that was a storyline.
Speaker 1 (15:07):
No, but this one reminded me of of I guess
it was a bridal shower that I had at Tiffany's
house and we had there was a stripper there. Do
you remember?
Speaker 3 (15:17):
Sure?
Speaker 2 (15:17):
Do you do? You remember what I made for you?
Speaker 1 (15:21):
Something in the shape of a man's you know, duh? Okay,
that's really cute. Was that before or after you gave
me the cat? No, that was after you gave me
the cat. That was a wedding present. That was the
wedding number one.
Speaker 3 (15:38):
Yeah cat. I know we talked about it, but who
does that?
Speaker 2 (15:44):
Sorry?
Speaker 1 (15:46):
Okay, So the girls are smoking cigars? Hello what You were.
Speaker 3 (15:52):
Way too good at it, Tori. You were way too
good at it. It made me think of your dad.
Speaker 2 (15:58):
Oh my gosh, I feel like what girls smoked cigars?
Speaker 3 (16:02):
I mean, why is fun?
Speaker 6 (16:04):
No?
Speaker 1 (16:05):
Goss? And those were some of the worst strippers I've
ever seen in my life. They just stood there and
just did nothing moved. They just jiggled their little LeMay
booties and that was it.
Speaker 2 (16:16):
Should have just had Iron come over.
Speaker 3 (16:20):
I do want to not forget to talk about all
the sunglasses in this episode, but we will do that
as well.
Speaker 1 (16:25):
Yeah, I said, ooh to the cigars.
Speaker 2 (16:27):
Yeah gross, She said.
Speaker 3 (16:29):
Great bachelorette party though, because it was so like you
never moved off the couch.
Speaker 1 (16:34):
No really, we just sat on the couch and then
we had tea and there was no like evidence of
why we were all acting so silly. Maybe the bottle
of champagne for one split second, but there was no
explanation as to your third bottle. Why everybody was so
good that.
Speaker 2 (16:53):
You weren't.
Speaker 1 (16:54):
You are the best when you play drunk like that.
Oh my god makes me laugh.
Speaker 2 (17:00):
Ray had like a little bit of a cringe moment
because I was like, Wow, what is the time jump
till afterwards where Tony's gonna sleep over? And then Ray
comes because I was like, Donna's way too suddenly sober
because she was sober.
Speaker 1 (17:14):
Yeah, AnyWho wasn't a very lively party. But going back
to the guys party, did you guys feel like Steve
looked hot?
Speaker 5 (17:25):
You know?
Speaker 3 (17:26):
I always do.
Speaker 1 (17:30):
I don't know. I I'm having I'm having some wardrobe
issues with Brandon Walsh in this episode.
Speaker 3 (17:40):
It's just those sneakers.
Speaker 1 (17:41):
I just can't in the suit that's like a like
a zoot suit. It's like so long and big, just.
Speaker 2 (17:48):
His shirt big like sleeves. I feel bad, but well,
like whatever, I didn't think anything could distract from Jason
Priestley's eyes, but his shirts do you can't.
Speaker 1 (18:01):
You guys watch the break dancers in the Oh my god,
off topic.
Speaker 3 (18:06):
It reminds me of his baggyess of his.
Speaker 1 (18:10):
I don't wish it was that negative. But wasn't that
a one and done? There's no more break dancing in
the Olympics.
Speaker 3 (18:17):
I think they should bring it back because we're all
talking about it. And I watched that one.
Speaker 1 (18:21):
The one with the latesror but basically.
Speaker 3 (18:26):
Bless her heart, let her out there and do her thing.
But it's the funniest memes of like that's me.
Speaker 1 (18:34):
Anyway, Sorry, that's so off topic. Anyways, we go to
the Marshette mansion. Now we find out that Bruno doesn't
have anything. He doesn't have any idea of the hit
that Tony has put out on Dylan, and I left
my I was left wondering, is Bruno in love with
Tony in some sick weird is he like a second
father figure or Dyl he's supposed.
Speaker 3 (18:56):
To be a second father. But you're not wrong, Jenny.
There's a hint of crewe creepy when he walks her
down the aisle.
Speaker 1 (19:02):
I'm like, oh, too much, too close, I don't like you,
Walsh House. Brandon warns Dylan to drop his vendetta against
Tony Marshatt, and Dylan thanks Brandon for being the best
friend he has ever had.
Speaker 2 (19:20):
This whole episode, I wanted, I wanted that friendship of Dylan.
I know a lot has happened that friendship, like Cliff whatever,
what season was that season one when he's falling, like yeah, yeah, yeah,
but there's like I don't know that. It made me
feel like youth, you show so much like you love
(19:44):
each other so much, and this is like you cut
forward and things have happened in life and you love
each other, but it's just different, and I don't know,
I want that old friendship back, and I just feel
like they don't like each other.
Speaker 1 (19:55):
I wanted that glimmer of like something, the happiness for
ship in the eyes. Yeah, it's so angsty still even
when he's nobody the best friend I ever had.
Speaker 3 (20:05):
And nobody's mind did what mine did that was like,
you're the best friend I've ever had and I stole
your girlfriend.
Speaker 2 (20:13):
I mean, I guess that's the build up under the bye.
I don't know. I just kept feeling like this episode
and I know this isn't true, but it's how I felt.
I was like, are they mad at each other in
real life? Like is this coming through? Is there something
like Jason bummed Luke's leaving.
Speaker 1 (20:30):
I don't know he was leaving, I know, but I
feel like they were never mad at each other like that,
Like I don't feel like Luke or Jason's like anything
in their personal lives ever was bad. Never, Like they're
so not girls. There was so no drama ever ever
hurt the guys.
Speaker 2 (20:49):
This is true, so true. Men don't ever have drama.
It's so nice. But it's like, I don't know, I
don't feel anything between them.
Speaker 3 (21:00):
Is there any chance they're doing the same thing with
Brandon and Dylan that they're dealing with Tony telling the
audience so much how we should feel. Tony's so great,
She's the best thing that ever happened. And it's the
same thing here, like you're my best friend, because they
ran out of time to actually build it back properly,
so it's like you're my best friend, I love you, buddy, or.
Speaker 1 (21:23):
Like bot on this show, like they like you just said,
like they tell us how they we should feel, and
then you're like, oh, Okay, yeah, that's how I feel.
Speaker 3 (21:32):
But wwany I build the actress.
Speaker 2 (21:34):
We hold sry still the actress said no, no, But the
actors still have an opportunity to convey what they want
to convey. Something something I didn't see. I saw something
at the end from Loup Jason.
Speaker 1 (21:53):
Yeah, I've yeah, I.
Speaker 2 (21:54):
See what Brandon's Maybe Brandon's just like taking it real hard,
so he's showing nothing, repressing it all.
Speaker 4 (22:00):
Mm hm.
Speaker 1 (22:01):
Back at the beach house, Ray shows up unannounced once
again and literally threatens Donna once again because says, you
gonna make your life miserable. He did look cute.
Speaker 4 (22:13):
I like you.
Speaker 2 (22:13):
He just got the hair right on points. Now he's.
Speaker 3 (22:18):
He's so threatening. It's like he can't take a hint
and just gets so threatening.
Speaker 1 (22:23):
Gosh, what what kind of turmoil muss that guy? Ben?
Speaker 3 (22:28):
He must have been Jamie Walters must have been so mad,
like why are they writing this rap for me? This sucks?
Speaker 2 (22:37):
Got to just keep on going, you got to get through.
Speaker 3 (22:40):
It just gets worse too.
Speaker 1 (22:42):
We've seen this scene though, like three times now, like
Donna says, I've heard it all before.
Speaker 2 (22:47):
Yeah, so if we see him tune or whatever.
Speaker 1 (22:49):
Yeah, he's been singing the same song. So Kelly gives
Tony her blessing basically and tells her her advice, her
sage advice to move far, far away and never look back.
Speaker 2 (23:10):
I mean, but that's going to happen.
Speaker 1 (23:12):
Like oh, back at Dylan's house, Brandon reads a telegram
to Dylan from Jim and to have remember what were
the options back then? It acts they could have texted him.
Speaker 3 (23:26):
No, well that would have been I don't know.
Speaker 1 (23:29):
Now for sure, I guess no.
Speaker 3 (23:32):
But it was a email.
Speaker 1 (23:33):
I'm like, you know those like.
Speaker 3 (23:38):
It was a separator. No, maybe could have emailed alough
I didn't get emailed till ninety seven and we're only
in ninety five.
Speaker 1 (23:44):
Yeah, nobody really checked it back then, like if you
had a million, aren't like I gotta check every emails
two weeks, right, But it's interesting that scene, very forced.
Speaker 3 (24:00):
The letter just didn't seem like what she would say
and Jim and Cindy would have said more. It was
like weird.
Speaker 1 (24:10):
I know the people that were like Brandon, I mean, sorry,
I know that people that were Dylan Brenda really were like,
oh that's the best letter I've ever heard, you know,
they were so excited to have that connection back between
those two characters. Let's move on, okay. Brenda says she
(24:40):
will love him forever. Back at the beach house, Tony
pops in, Tony Dad, Yeah, Tony's dad. Tony pops in
to see his daughter getting ready for the wedding. It
was so odd for me to see him in the
beach apartment, Like they two just did not go together,
(25:02):
mister fancy pants.
Speaker 3 (25:04):
Really good face acting, though, Jenny, really good eye acting,
because you're not down with that guy.
Speaker 1 (25:10):
Oh, that's the thing with me and with Kelly, Like
I cannot hide my true emotions most of the time.
And if I and I'm also like a thing about
Kelly too, it's like super loyal. Like if somebody's hurt,
somebody that I love, there's no chance I'm going to
be fake with that person. And Kelly's the same way.
Speaker 3 (25:28):
He did a good job. You did a good job
because you are very clear that you hate that guy.
You gave him one nary a smile, like a smirk smile.
As you leave the scene, You're like, he's a killer.
Speaker 1 (25:43):
But anyway, He says that their marriage is made in hell,
which is pretty graphic and then Bruno steps in and
says that he's going to walk her down the aisle.
Where was he was he at the car? What happened?
Speaker 3 (26:00):
He bopped in out of nowhere.
Speaker 1 (26:02):
I guess he's the driver of Tony, but he was
just on the deck putting out pumpkins or something.
Speaker 3 (26:08):
No, how did Tony evil Tony get home? If Bruno?
It was like, but that was the.
Speaker 2 (26:18):
Like the framing of the face with her curls were
just perfect.
Speaker 1 (26:23):
Yeah, she's always had the most amazing hair.
Speaker 3 (26:26):
She's straight up gorge.
Speaker 1 (26:28):
We go right into like literally it was just too
fast for me and we're getting married, you know, like
the beach wedding is happening. There was no I didn't
feel like there was enough build up to that big,
huge moment where she comes around the corner in her
wedding dress with Bruno on her arm.
Speaker 2 (26:48):
Like as an audience member, you needed that build up
almost to like really be into it emotionally and it
just be like, oh, okay, here we go.
Speaker 1 (26:58):
But I they did take their time with like the
close ups and the you know looking back at Brandon's
almost quivering lip, and you know, I felt like I
was like, is he going to cry his first of all,
his lips looked so luscious in that scene. Did you notice, Yeah.
Speaker 2 (27:18):
I did.
Speaker 3 (27:19):
His face, His face was just good.
Speaker 1 (27:21):
We're talking about Brandon, this is we're to be talking
about Dylan. But I did believe that they loved each
other on the altar. That felt very real to me.
Speaker 2 (27:33):
And they were really close. Luke and Rebecca were they
were good together.
Speaker 3 (27:38):
Yeah, yes, I just needed twenty more episodes to really
believe it.
Speaker 2 (27:43):
But whatever.
Speaker 1 (27:44):
Then the wedding reception also comes. Everybody's just stready there,
Like I don't feel like there was enough time spent.
And I looking back on this, when we filmed this episode,
I can remember we had to go all the way
out to Malibu. Everybody was in the scene. It was
a big prep. Everybody had to get hair and make
up for so long because it was the wedding. We
(28:05):
got to get back to that in a second. But
it just felt like it flew by so quickly, agree
and without really anything super exciting happening other than them
getting married.
Speaker 2 (28:17):
I remember it being super We were like there and
high up on the cliff and it was super windy,
and between takes the boys were all putting their jackets
on us because it was freezing.
Speaker 1 (28:29):
And I remember helicopter popped by way Oh yeah, no way,
he was trying to see that before it was out.
Speaker 3 (28:37):
WHOA. Why the choice to have the wedding private, Like
it was so weird because in my mind, I'm like, oh,
Dylan made that choice. But then I'm like, wait, this
is a TV show. I have to like have that moment.
Why the wedding with just the small amount, Like why
not do a big old wedding like you still plaid
the money. Nobody's there exactly, Like it wasn't product costs.
(29:00):
So that was weird, very weird.
Speaker 1 (29:04):
Very weird.
Speaker 3 (29:05):
I would have loved a shot of your face during
the ceremony, Like I don't know, I just feel like
there was so much this. First of all, this should
be two episodes.
Speaker 2 (29:12):
It didn't make sense to do it.
Speaker 1 (29:13):
Make it makes sense. Brandon gives a toast in front
of everybody, and Tony explains to Dylan that her dad
had a change of heart, that's why he wasn't there. Yeah,
and we never even see Kelly's face. We only see
her she's wearing sunglasses in that scene, which I thought
(29:35):
was weird.
Speaker 3 (29:37):
It was dumb Collin.
Speaker 1 (29:38):
There, Dumb Colin was there, Susan what's her name is Susan?
Speaker 2 (29:45):
So windy and so I don't know. I feel like
everyone puts sunglasses on them.
Speaker 1 (29:51):
Here's your chance to talk about the sunglasses.
Speaker 2 (29:53):
Amy.
Speaker 3 (29:54):
The the sunglasses in this episode, Like Steve's got sunglasses
on a lot, and they're all like pra and they're
really pronounced sunglasses. Brandon's got the niceties brown ones. I
got the best nineties back. And then at the funeral,
which we'll talk about, there's a lot of sunglasses. And
I felt like Kathleen doesn't wear sunglasses because she could
(30:15):
cry on cue. But the people that maybe warren't has
got crying sorry toy, we're wearing.
Speaker 1 (30:21):
That has anything to do with the sunglassing of the actors.
Speaker 3 (30:26):
So they really zoom in on Kathleen's face with her tears,
and I was like, oh, maybe that's because she can cry.
It really went down, do you.
Speaker 2 (30:34):
Think so maybe she just didn't like the choices they
had for her. So she said yeah, but they would
come amazing sunglasses weren't. It was props, not wardrobe, which
still doesn't make sense to me. But they would like
put them out to you. So were rings were props weird?
And so most likely it wasn't like your character choice.
(30:55):
You weren't like, oh I love this like it was yeah,
not always great ones.
Speaker 3 (31:02):
He does look amazing in this whole episode. Every single person.
Speaker 1 (31:06):
Well, just take a moment for the hairdooes, Well that's
anyone for the wedding. You barely see it because she's
kind of just there. VAL's hairdo at the wedding.
Speaker 3 (31:22):
Oh, you're right, it was kind of like mom hair.
Speaker 1 (31:26):
It was a Walter special and you know what I
mean by that tour. Yeah, And the Donna's zig zag
part was not remember those like where you had to
have the I didn't hate that one, but I just tried.
Speaker 2 (31:41):
I just tried to do one of those the other day.
It doesn't work so well when you're older.
Speaker 1 (31:47):
It's a lot more work. And then Kelly's hairdoo was
like mom wind blown teased. I don't even know what
was happening up there.
Speaker 2 (31:56):
Yeah, I think that there was all that wind they
had to keep coming in. Nothing was working. There's probably
a lot of sprain teasing.
Speaker 3 (32:02):
Oh, I liked all the looks.
Speaker 2 (32:05):
Did you ever.
Speaker 1 (32:06):
Wonder I think it was at the wedding, you at
the wedding ceremony or the reception, But Dylan and Tony
were making out in one of the shots in slow motion.
Did anybody notice that? That's just maybe maybe I fell asleep.
Then we go back to Cassa Walsh where Joe is
(32:28):
there with Donna, and Brandon is there with Susan, and
Kelly is there with Colin. It's like in every room
there's a couple making out. It's so Weirdcasa Cathouse. But
we go back to to Tony and Dylan's house because
(32:50):
that's you know, he brings her through the door and he's.
Speaker 3 (32:54):
Carrying the threshold.
Speaker 1 (32:55):
She looks light as a feather and there's candles everybody
everywhere that his friends, I guess did they did?
Speaker 3 (33:03):
Very like a fire hazard but beautiful. Yeah, who leaves
those all those candles going? You know, very shingled.
Speaker 1 (33:11):
How did they know what time they were going to
be there too? How did that work out? I don't know?
But then the next morning and they wake up in
bed and all I could think was, at least he
got new sheets for his bride.
Speaker 3 (33:24):
I thought the same. But it's four pm. All of
a sudden when they wake up, it's four pm.
Speaker 1 (33:31):
They had a good night, what do you kisses were
really good? Yeah, good kissing definitely yea. Then the doorbell
their kisses me Amy, Amy.
Speaker 3 (33:46):
I remember them being this super couple. Then now I'm like,
didn't we just meet her?
Speaker 2 (33:55):
Right? But like the kissing, like there's the actual making out.
Speaker 3 (34:00):
Did you they were a huge super couple, Like, oh
my god, Dylan and Tony.
Speaker 1 (34:05):
You're not answering the question yet at all.
Speaker 3 (34:07):
I remember all of it, that their kisses.
Speaker 1 (34:10):
Did you feel the feels when you saw them?
Speaker 2 (34:12):
Kisses when they were in bed and this time this
time not as much as writing in the room.
Speaker 3 (34:19):
Really then then I was in and I don't know
if it's because I'm older, and I know I'm being annoying.
I want other people to say if they're experiencing the
same thing, because now it's just like these two are married.
I'm not even feeling it. It's so weird, like it's
just I'm feeling it a little bit like I'm okay.
Speaker 1 (34:37):
It's like a little like there's part of me that's like, wait,
what huh, And then there's part of me that's like, oh,
I want Dylan to be happy. And if this makes
him happy and they can just walk around without shoes
on in the house, that's they must be close, you know,
like they must really love each other.
Speaker 3 (34:53):
That thing is very odd.
Speaker 2 (34:55):
I just didn't feel the chemistry the entire season that
much with them, but they also didn't give them much.
And I did feel it with the mid scenes, like
after they were married. I was like, oh, the physical chemistry.
I finally kind of felt it.
Speaker 3 (35:09):
I think that's a very your observation is accurate. It's
all just a little hmhm and then you're like, oh, yeah,
I see it. No I don't, Yes, I do, No,
I don't.
Speaker 1 (35:20):
I felt it more after they got married, Yeah.
Speaker 2 (35:22):
Like yeah, and then yep, so Steve.
Speaker 1 (35:28):
And Nat show up with a fancy breakfast and tuxedos on.
Speaker 2 (35:32):
I was so pissed if like, it's my after my wedding,
Like it's the next day and I'm with my bride
and my friends show up, like I.
Speaker 3 (35:43):
Gotta eat, but you know, it was four o'clock.
Speaker 2 (35:47):
I know, but like, get us in the day.
Speaker 1 (35:50):
How did how did Nat and Steve know to come
at four pm with breakfast?
Speaker 2 (35:55):
Thank you?
Speaker 3 (35:55):
I wondered that too, fully wondered that too.
Speaker 1 (35:59):
Heiss bread us all day, I don't know, preakfast all
day at the peach bed, I guess.
Speaker 3 (36:06):
Where she tries to find the cat because that was Czar.
Speaker 1 (36:09):
Well the things, and it's Tony Marchett and he's asking
for Dylan to come over so he can give the
happy couple a big surprise. But he asks Dylan only
to come over great, which is a red flag, yeah,
because he he says, can you come over? I have
something I want to give Tony.
Speaker 3 (36:32):
He's also a known murderer, so Dylan doesn't.
Speaker 1 (36:36):
Want to go. He's like, no, thank you. But then
the Tony and Tonia, she says, you know, she's always
I'm thinking, oh, she's always going to do this, and
there the rest of their relationship, she's always going to
be trying to, you know, get what she had with
(36:57):
her dad back, never going to work for them.
Speaker 2 (37:02):
Mm hmm.
Speaker 3 (37:03):
And he's a known murderer that hates.
Speaker 2 (37:07):
Dylan maybe and himm are so good.
Speaker 3 (37:09):
He's like, who's not going? You know, I don't think.
Speaker 2 (37:13):
So she shouldn't. She should have told Dylan.
Speaker 3 (37:17):
Course, and Dylan should be like, I'm absolutely not going.
This guy murdered my father and hates me.
Speaker 1 (37:22):
Yeah, and the cat is missing?
Speaker 3 (37:26):
Can I just for one moment touring green guys when
they're eating breakfast and then they can't find the cat
And all she does is walk two steps and say here, kitty, kitty, kitty, kitty,
kitty kitty for a half an hour, like it was
so I was like the cat.
Speaker 5 (37:41):
In trouble, like this the trouble, but also is that
the universal call for a cat?
Speaker 1 (37:52):
I was wondering, you're kitty, kitty kitty.
Speaker 2 (37:55):
I think where'd that?
Speaker 1 (37:59):
You don't say here, doggy, doggy, doggy, dog you doggy?
Speaker 2 (38:02):
What do you do with the dog?
Speaker 3 (38:03):
Wasn't with the cat? Was also forced same thing that's
you're my best friend, You're they're meant to be, Tony's
the greatest woman on earth. This cat symbolism is like
it's all just a little hashtag trying too hard.
Speaker 2 (38:16):
But something else you could have done besides a cat
missing to connect all of this to get.
Speaker 1 (38:24):
Like also because yeah, Dylan don't give a you know
what about that cat, and so but then he ends
up saying you go, you go get talk to your
dad without me in the pouring rain in on your
wedding dock down poor to drive the Porsche.
Speaker 2 (38:46):
Why would you ever let your woman go out so
you can rain storm and look for the cat.
Speaker 3 (38:53):
There's no need to wear clocks in.
Speaker 2 (38:56):
His T shirt because he's a little wet and just
sends her out in her raincoat.
Speaker 3 (39:00):
Like, no one needs to wear the raincoat up with
the hat on while you're driving. You get in the car,
you take that down.
Speaker 1 (39:07):
It's not raining in the car.
Speaker 2 (39:09):
Yeah, I know, but I had a flash to Urban Legend,
which Rebecca Gayheart is in and she ends up being
the murderer and she wears the raincoat.
Speaker 1 (39:18):
So maybe you just gave away the whole plot of
that movie.
Speaker 2 (39:23):
Now I can't have Urban Legend.
Speaker 1 (39:25):
She's the killer. Thanks a lot, like.
Speaker 2 (39:28):
You were ever gonna watch it?
Speaker 1 (39:32):
Okay, so this is none of this is making sense
to any the three of us. So it had to
be confusing to the people that watch are watching it
back with us, because yet in the moment back in
the nineties, it all felt so scary and right and
you were in it, But now looking back, you're like, wait,
what holds the old.
Speaker 3 (39:51):
Phone off the hook? The phone's off the hook, so
Bruno can't get through because she's taken the phone off
the hook.
Speaker 1 (39:58):
At the same time, there was this bi building like
mystery in this building, like I was getting more and
more on the edge of my sea, kind of feeling
true Ruth. But then, uh, what happens? Bruno calls the
peach Pit looking for Brandy because they know each other,
and what.
Speaker 3 (40:18):
Because that's what you would do, like nobody has cell phones.
They do have cell phones. And also he's calling the
peach pit Nat and says, can I talk to Brandon?
And then he's like this is Bruno, Like why is
it Brandon? Like Bruno, who like who?
Speaker 6 (40:31):
What?
Speaker 1 (40:31):
Why are you calling me? But then he tells them
that there's a hit out on Dylan. Any races out
of there.
Speaker 3 (40:37):
It's also no big deal that there's a hit out
on him, Like.
Speaker 1 (40:41):
What who's ever heard that in their life? Like I
have a hit out on me?
Speaker 3 (40:46):
That does?
Speaker 6 (40:46):
This?
Speaker 1 (40:46):
Not realistic? That's not I guess that's why this is
it if you.
Speaker 2 (40:50):
Hear that you're in trouble. But like, I mean, they've
watched every movie. I'm sure Brandon, Yeah, what would you
have heard him say?
Speaker 3 (41:00):
He's also not worried about there's men with guns but
I'm gonna run to the guy that has the hit out.
It's just very no one's.
Speaker 1 (41:11):
Over, no Brandon, No, because why they don't. I don't
know why. Brandon races over and gets Dylan and they
rush out, but not soon enough because Tony is driving
with her hood up in the Porsche.
Speaker 2 (41:26):
Wait, I have a question, but go back for a second. Sorry,
because you're right, Okay, okay, Why why do you think
maybe there's no reason here? When Brandon's pulling out and
leaving to race over there to Dylan. I thought it
was a clue they like zoom in on a license plate.
Speaker 3 (41:43):
I don't know.
Speaker 2 (41:43):
I just heard the back of his car like I
was like, is it going to be I thought like
there was going to be a mistake of cars or something.
I don't know.
Speaker 1 (41:52):
Oh no, I was just worried he's going to run
over the people in front of him, like they were
crossing on the store to racing and it's raining and
never know if your breaks are gonna work, be careful now.
Speaker 3 (42:02):
I throw a strange theory out, but I would love
to know. And Jenny, I don't know if you need
to plug your ears. Why isn't Jack McKay or the
FBI helping, Like, would they not like keep tabs on
Tony Marshette and know that he's planning to kill Jack
McKay's son, like it's of.
Speaker 1 (42:23):
Course, were they not like investigating him actively at this point.
Speaker 3 (42:27):
You would think they would be that's.
Speaker 2 (42:29):
Why what's your name?
Speaker 3 (42:30):
What's your christ blond lady Christine? Yes, well, and if it.
Speaker 1 (42:36):
Turned into a cold case.
Speaker 3 (42:40):
Okay, I don't want to run anything, but if Jack
McKay is in witness protection, then they have him in
witness protection to protect him from Tony Marshette, So they
would the FBI would always have eyes on Tony marchhett
as they're trying to catch him. It's fair, You're good.
Speaker 1 (42:57):
Is Jack McKay is dead? So I don't know.
Speaker 3 (43:00):
Banging on my door, I'll be right back.
Speaker 1 (43:02):
Okay, pause.
Speaker 5 (43:03):
Hello?
Speaker 1 (43:04):
Did you just think she was wearing underwear? Amy just
got up in the middle of our podcast ends her
door and we it looked like she was just in
a T shirt and undies, which is kind of hot.
Speaker 3 (43:19):
Yeah, it was.
Speaker 1 (43:21):
Are you wearing pants?
Speaker 6 (43:23):
Me?
Speaker 5 (43:24):
Yeah?
Speaker 2 (43:24):
I am?
Speaker 6 (43:25):
Are you?
Speaker 1 (43:26):
I am? There're sweatpants that I would never want anyone
to see me in, but I am wearing pants.
Speaker 6 (43:36):
I am not.
Speaker 1 (43:42):
Thanks for sharing that, mister Joviz. I really appreciate that visual.
Speaker 3 (43:46):
Do you have underwear please say us always?
Speaker 4 (43:50):
Yes.
Speaker 3 (44:03):
I'm so sorry guys like banging on my door and
then he's trying to sell me bug Patrol. I'm like, bro,
I'm in a zoom.
Speaker 1 (44:10):
What if I'm busy? We were just talking about you
and your panties.
Speaker 2 (44:15):
Go away, there's mud happening.
Speaker 1 (44:19):
Okay, wait, go get back into this. First of all,
Like I just said, you guys don't know what you're
talking about because Jack McKay is dead. Amy, You're what
you're saying is not making any sense to me.
Speaker 3 (44:30):
It is to me.
Speaker 1 (44:32):
Okay, well, Cory, is it to you?
Speaker 2 (44:34):
Let her keep living the dream because it's not good
because then it's new to her and it's great.
Speaker 3 (44:39):
I'll let Jenny the first years later.
Speaker 2 (44:43):
But here's the.
Speaker 1 (44:44):
Thing about my memory. I can I'm watching I watch
Breaking Bad from beginning to end when it came out.
I'm watching it again now and it's like it's the
first time I ever saw it. So that's the same
thing that's happening with this show. Never heard of any
of these things happening before. But Dylan and Brandon pull
up and Dylan drags her out of the car and
(45:09):
starts streaming, screaming and crying. Brandon, lik, what they did
to her? Look what they did to her.
Speaker 2 (45:15):
There's no life of all the way they shot her,
you guys. I was like, her face wouldn't be recognizable totally.
I feel they were like right through the like wow,
Like I was kind of hoping they would have done
it from the side and she still looked beautiful. But
it's like, what does that other side look like?
Speaker 3 (45:34):
No attempt to resuscitate. It's like Brandon stands there frozen.
No one's calling nine to one one. It's just like
they all just stand there.
Speaker 2 (45:43):
They annihilated her.
Speaker 1 (45:44):
They shot her, right, Yeah, that was like godfather shit
right there.
Speaker 3 (45:49):
Yes, the ran guy in the car behind is just like, like,
wouldn't that completely freaked.
Speaker 2 (45:58):
Out one of them?
Speaker 1 (45:59):
Would you know them?
Speaker 3 (46:00):
No? Nope, he is not hard.
Speaker 1 (46:03):
He was the haughty guy that was in the passenger
seat earlier.
Speaker 3 (46:06):
I don't think so.
Speaker 2 (46:07):
When they when they kidnapped and like where are they going?
And the car pulled up Dylan's and there were the
two guys.
Speaker 1 (46:12):
And it's you know, the random hitman we'd never seen
before all of a sudden, was there in headlines.
Speaker 2 (46:17):
That because they both hinder in me, why didn't he
jump down and help her before Brandon and Dylan arrived.
That if it's not the case, that dude just sat there, Okay, correct,
So here's what I understood it.
Speaker 3 (46:30):
They were supposed to murder him earlier the night of
the but then they got the Bachelor Bachelorette prty, so
that threw it off, so they had to rejigger the hit.
And now it's just the one dude who knows that
she's going to become that he pardoned me, that Dylan's
going to become driving down the hill to go to
(46:51):
see Tony and they're going to cut him off or
he and pow pow pow. But that random other car
is just a random guy that happened to be driving behind.
Speaker 2 (47:03):
Why did he sit there.
Speaker 3 (47:05):
Erect and then of course like Brandon and Dylon come
driving up right at the very moment. I mean, it's
all very crazy. And also get the license plate of
the hit the car the random guy could have been,
Like I saw the driver's license. It was a blue
you know whatever about ever or.
Speaker 2 (47:23):
Like if you're gonna I don't know if you're gonna
sit there after something like that happens, like get the
hell out of there. Then like someone just shot the
person in front of you multiple times, back up and
get like go save yourself. What if they're going to
come around and get you because you were there, you
witnessed it. There shouldn't be any witnesses.
Speaker 1 (47:42):
I feel like we've gotten over our skis with this storyline.
I feel like there's so many holes. Yeah, but it
had to happen, and it had to happen. It all
had to happen in this episode for some mysterious reason.
Speaker 3 (47:56):
Squashiest episode of all time, squshiest. It's just so squashed
in everything.
Speaker 2 (48:05):
Russia just out a word now too, I know.
Speaker 1 (48:08):
I thought the same thing. Okay, at the funeral, Oh
that was rough, awful, awful, awful.
Speaker 2 (48:18):
I could have done without the funeral.
Speaker 1 (48:21):
I couldn't have what.
Speaker 3 (48:23):
No, we had to have the funeral.
Speaker 1 (48:25):
It was because no real feeling, Like didn't it feel real?
Speaker 2 (48:29):
Yes?
Speaker 3 (48:29):
And then you get that dramatic scene between Dylan and
Tony Man Tony.
Speaker 1 (48:36):
And it's like it's like he wanted Dylan to shoot him,
to kill him. He did, but thank god Dylan didn't
take the bait.
Speaker 2 (48:47):
That's a major line.
Speaker 1 (48:50):
My father's gone, your daughter's gone, were even.
Speaker 3 (48:52):
Although it doesn't feel even, because it feels like Dylan
got two terrible.
Speaker 2 (48:58):
Things exactly, you would go to beach or the hells
like I forget, but never forget.
Speaker 1 (49:06):
So true.
Speaker 3 (49:07):
This is where I felt that you all had sunglasses on,
but yet Kathleen didn't so they could zoom in on
her team. Yeah.
Speaker 2 (49:13):
Sorry, I was like, I think we did this scene already,
but yeah, and then he's like, the killing stops here
were stops? Now, what do you say?
Speaker 6 (49:22):
Then?
Speaker 1 (49:22):
Of course the gang all goes to the beach bit
and everyone is very They don't.
Speaker 3 (49:27):
Keep it slightly right like they seem without that scene. Yeah,
they don't seem to be taking this as seriously as
you would think they should. Like their friend wife was murdered.
They're essentially all in danger, like right, and then they're
like she's leaving, and boy, are we gonna miss it?
Speaker 1 (49:47):
Why are they in danger?
Speaker 3 (49:48):
Because they all know that it's Tony Marchette, like one
plus one.
Speaker 1 (49:53):
Is two, So Tony doesn't know that they know.
Speaker 3 (49:56):
I mean, you don't have to be a rocket scientist
to figure this.
Speaker 1 (50:03):
That's what I thought the only rocket scientists watched Beverly
Hillside like what Oh? And then you guys back at
Dylan's house when he finds trouble. The kiddy comes back
and Dylan starts to cry. I lost my ship.
Speaker 3 (50:20):
That was good. The smelling the dress was not as
good for me. I'm just saying I don't want to
be judging because I love the whook.
Speaker 1 (50:29):
I cried, we both. I cried even with the watching dress.
It was a little weird. The smelling other dress. I
hear what you're saying, but that's what you do when
someone dies, you want to smell them again.
Speaker 2 (50:43):
So for me it worked.
Speaker 3 (50:45):
The cat really worked.
Speaker 1 (50:47):
And then when he was crying like yeah, that was
too much, just too much, I was like, what is happening?
This is just too much for it.
Speaker 3 (50:56):
He went.
Speaker 2 (50:59):
Back to wait tea shirts when you're happy.
Speaker 3 (51:02):
The motorcycle is just so malicious.
Speaker 2 (51:05):
He's so hot, Yeah.
Speaker 1 (51:07):
He's packed, he's ready to leave. That poor cat is
strapped on the back of that motorcycle. The fuck that
is not normal. Well, no, that cat is going to
be traumatized and very wind blown, but he's taking the
cat with him, which is so sweet.
Speaker 3 (51:27):
Gott he put his helmet onto.
Speaker 1 (51:30):
And then he says he doesn't know if he'll be
coming back or not. And then he rides away and
Brandon is sad to see the car.
Speaker 3 (51:41):
The shake hands, but then they held on. Did you
guys know that? I thought, I want to make shaking hands.
Speaker 2 (51:47):
To part Brandon go back to the car, and then
them to look at each other, and I know that's
a chick moved to be like run it and embrace,
but like I want.
Speaker 1 (51:58):
I didn't want to stop to each other.
Speaker 2 (52:01):
Fine, not that, not that after the handshap at least
of each other like you like to do that.
Speaker 1 (52:06):
It was a meaningful handshake because it was hand hug.
Speaker 3 (52:11):
It was more it was it was a hand hug.
It went from shake never let this. It was I.
Speaker 1 (52:17):
Really wanted more. I wanted more. I wanted more in
this more.
Speaker 3 (52:21):
Like these are these are the it?
Speaker 2 (52:23):
Guys like, I want more. If this is all we're
going to get as an audience member, and we don't know,
and this is all we're going to get because Luke
comes back with Jason, doesn't I know that's right. This
is it.
Speaker 1 (52:34):
Really wanted Kelly and to have a goodbye there too.
Now I'm saying feeling what you were feeling.
Speaker 3 (52:39):
I did pay and I also had a little bit
of like this is may I swear this is.
Speaker 6 (52:47):
It?
Speaker 2 (52:47):
Yeah?
Speaker 3 (52:48):
I was like I don't want him leaving. Why sorry Tory,
but your dad couldn't solve this and be like, Okay,
we're gonna pay you a ton of money and you
come back each season for ten. Like it's just I'm
not happy at all. Right now, I'm not happy. I'm bummed,
and I know Brandon's leaving suit. It's just like I'm like, oh,
the shark is swimming.
Speaker 2 (53:09):
To don't you say that word?
Speaker 1 (53:11):
Don't you say it?
Speaker 3 (53:14):
Take it back on.
Speaker 2 (53:16):
You know what. To be honest, let's say if they
did have the Brandon Dylan scene and a Kelly Dylan scene,
I actually would would prefer the Kelly Dylan scene after
Brandon Dylan, Like that would have meant I would have
been like, oh, this is so good. That would have
just taken it home.
Speaker 4 (53:32):
Yeah.
Speaker 1 (53:32):
I would have wanted him to just see him hugging
someone and having that breakdown. Wow, what do you guys
think what do you give it? What do you give
this episode?
Speaker 3 (53:43):
I just need to watch it, like a lot more times.
Speaker 1 (53:45):
And I don't believe you have to think like I
thought for sure you.
Speaker 3 (53:48):
Say, oh no, I'm a ten. I'm a ten plus.
This is like one of the best episodes of the
whole series. But at the same time, I'm so like
man mad and upset and like and then I'm like,
I want Luke Perry back, Like I'm just so there's
(54:09):
so many things that I have the episode feelings, and
then I have like all my feelings like it's just
a mess.
Speaker 1 (54:15):
I'm a mess.
Speaker 2 (54:18):
I was way more into it until you hold it
up like you you dissected it. Now I'm like, oh, yeah,
like it should have been better.
Speaker 3 (54:30):
I was very sad, bordering on like depressed. Yeah, I mean.
Speaker 2 (54:37):
I know it had to be done, and I know
he was leaving, But if I knew he was leaving,
I would have wanted I don't know, because a little
more of one scene to see his like flirty sexiness
and his eyebrow.
Speaker 1 (54:51):
Wait, Chuck, why why why.
Speaker 3 (54:55):
Why wasn't this two episodes?
Speaker 2 (54:56):
Didn't let's get send a text to Chuck?
Speaker 3 (54:58):
Why why why? Why? Like Why Why wasn't he there
the whole season? Why wasn't this multiple episodes?
Speaker 5 (55:05):
Like?
Speaker 3 (55:06):
What the help?
Speaker 1 (55:07):
We need him on? We need to bring him in.
Speaker 3 (55:09):
Yeah, I do think you're right, Jenny. We do.
Speaker 1 (55:12):
We need answers me, Lauren.
Speaker 3 (55:14):
Can you emails see if you can come on next week?
Speaker 2 (55:17):
You can help us.
Speaker 1 (55:18):
I don't need like a whole episode breakdown. I just
wanted to do why why Luke left? Why it was
so like rushed?
Speaker 2 (55:26):
Yeah?
Speaker 1 (55:26):
And why was just a storyline?
Speaker 2 (55:28):
Can you make a shippen right now?
Speaker 4 (55:29):
Though?
Speaker 2 (55:29):
I don't think you so's deconstructed for the Hee says,
we need Larry Mullen.
Speaker 3 (55:35):
Yeah, you need Larry because I think Chuck is gone
at this point.
Speaker 1 (55:37):
Correct, All right, let's have Larry.
Speaker 3 (55:40):
Let's have Larry. Yeah, I'm not happy today.
Speaker 1 (55:43):
I can just I give it a ten too, but
it's a sad face ten.
Speaker 3 (55:47):
Yes, a sad face ten. Thank you, Jenny.
Speaker 2 (55:49):
Yes, Now, I just feel like I have to fit
in with you guys and give it a ten because
it's Luke's last episode.
Speaker 1 (55:55):
You didn't feel like it was a ten?
Speaker 2 (55:57):
Yes?
Speaker 1 (55:58):
Did you feel like it was a nine?
Speaker 2 (56:00):
I give it like a nine point seventy.
Speaker 1 (56:02):
Okay, okay, Well, I just don't know what's going to
happen next week, how about you, guys. I mean next
week is season six, episode eleven, Offensive Interference.
Speaker 3 (56:13):
I have a beef about next week, but I'll say.
Speaker 2 (56:15):
That I have a feeling what this is about?
Speaker 1 (56:17):
You do fall football?
Speaker 3 (56:19):
Yeah, and it involves I can tell you, guys, because
your class ex boyfriend Ray Prue it decides to press
charges against your darling new boyfriend and it's bend it
off the team. It's just a massive.
Speaker 1 (56:35):
You go from Dylan and Tony to Dylan leaving with
the cat to that thank you, I mean, where you'd.
Speaker 3 (56:42):
Come back and the day I had no problem, damn it,
the show had to go on, I guess. Yeah.
Speaker 1 (56:52):
Well, I hope you guys loved this episode as much
as we didn't. I mean did mm hmmm we did,
but we didn't. Yeah, tell us how you felt. We
need to hear some more comments from our omg ors
because we're all three of us are feeling all these
(57:12):
so many layers of feelings right now.
Speaker 3 (57:15):
And if the thirty years it has changed how you
see it, because for me, I'm having a real problem
with that.
Speaker 1 (57:21):
Mmm. Interesting?
Speaker 3 (57:22):
Really?
Speaker 1 (57:22):
Yeah, probably talk to us, tell us, tell us everything.
That's it for this week. You guys, we'll see you
next week.
It's nine O Gen one Engine with Jenny Garth and
Tory Spelling. We are here for a very sad episode.
Speaker 2 (00:15):
Like happy, non smost be sad.
Speaker 1 (00:20):
They played with our emotions. You guys, you're happy, you're sad.
Speaker 2 (00:27):
It was a lot and it's Luke's last episode for
now eight for now, right now.
Speaker 1 (00:34):
This is the middle of season six.
Speaker 3 (00:37):
It's early middle. We're only on episode what ten ten? Yeah,
it's one of our three.
Speaker 1 (00:43):
Most important characters is leaving the show just like that,
Like that.
Speaker 2 (00:49):
That must be like TV history, except for like Susanne Summers,
which she suddenly just wasn't there in three's Company.
Speaker 1 (00:54):
But I hated that. Yeah, I have so.
Speaker 2 (00:58):
Many usual main character like if they're wanting out or
to move on or like it's the next season, come
back and they're not there. But like middle, it's not
even middle of the season, right, Like how is that? Even?
I don't know. I wish they had just like kept
Tony on longer and he would have left like mid season.
Speaker 3 (01:18):
Okay, this is weird to say because it's so sad,
but he got a very dramatic, like real departure episode,
which we didn't get with Shannon because you know whatever
was going on behind the scenes, but it's like this
is a full just Luke episode that you and that
(01:40):
one scene by the car is just viral, like it's
on TikTok all the time.
Speaker 1 (01:45):
And it leaves you wanting to see him more because
this episode was so good. He was so good in
this episode, and then he's leaving. It's just not computing
with my brain.
Speaker 3 (01:56):
Who could have been a two parter? I had a
like would have been like I was watching it and
there's only twelve minutes left and she's alive. Still, It's like,
why did they not make this like a two hour
you know, nine oh two one zero special episode or
a two parter. It's like it's like they shoved so
much into one episode.
Speaker 1 (02:18):
Right, Like there was a point in them in like
the three quarters of the way through, like the most
traumatic moment when I thought, oh, this is the end
of the episode and I need to go and watch
the next one immediately, But then it came back after
a commercial and showed more.
Speaker 3 (02:33):
Just packed so much. They packed his departure there, the
funeral all into twelve minutes. I'm like, that's not enough
time for me.
Speaker 2 (02:41):
To like, it's not fair for the audience. So this
it was in November, so it was sweet.
Speaker 3 (02:48):
Jenny. I have a serious question for you right out
the gate, did you have any and I, because I
did have any sort of a hm that it was
Brandon and Dylan do that sort of real goodbye scene
and not you and Dylan.
Speaker 1 (03:05):
Well, I felt like they were best friends, like even
though they had had ups and downs and it felt
weird for us as as yours sometimes like that they
didn't really love each other. But it felt natural to
me that it was Brandon. But I definitely feel like, wow,
(03:27):
you know, I feel like Kelly and Dylan had their
kind of like almost closure in the last episode. Yeah,
at the peach pit, but certainly not a goodbye. Oh
wait you guys.
Speaker 2 (03:40):
And but you have to I wanted it. I wanted
you wanted it to. I really did I want it.
I want to bolind and those twelve minutes left, I
wanted Brandon and Dylan, and I want it Kelly and Dylan.
Speaker 3 (03:51):
I agree. I could have used an extra scene of
Kelly going over to the house and having like a
real some sort of a real mon and like a
whole thing, and then we could have still had that
goodbye with the car and take care of the house,
and Brandon watching as he rode off on the motorcycle. Anyway, Sorry,
we've just got to the end. See you guys later.
Speaker 1 (04:12):
Oh my god, No, we have to go back. We're
going back from the beginning and we're gonna do it next.
Speaker 3 (04:18):
Oh, Jenny, excuse.
Speaker 1 (04:21):
Just came out? Do you like that?
Speaker 4 (04:23):
Yeh?
Speaker 1 (04:24):
I don't know what are in me?
Speaker 3 (04:26):
Are you a Savannah and Hoda?
Speaker 4 (04:29):
Now?
Speaker 1 (04:30):
I do watch a lot of Savannah iHeart podcasts. Listen
on the iHeartRadio app. All right, this is It? Season six,
Episode ten, one, Wedding and a Funeral Air November eighth,
nineteen ninety five.
Speaker 2 (04:49):
Synopsis. Dylan and Tony are preparing for their private wedding
when Brenda sends him a loving letter from London. But
after their beautiful beachside ceremony, Bruno discovers his boss has
this sinister plot. Marchhett's Marshad's hitman makes a terrible mistake
and sadness sweeps across Beverly Hills when Dylan's bride pays
the ultimate price for her father's actions.
Speaker 1 (05:11):
Directed by James Whitmore Junior, written by Steve Wasserman.
Speaker 3 (05:16):
Tony marshetk kills so many people like that guy needs
to stop.
Speaker 1 (05:20):
What is his malfunction?
Speaker 3 (05:23):
Seriously, what's wrong with that?
Speaker 1 (05:25):
Very weird intro like that. I was very scared by
the beginning of this episode, Like I thought, what show
am I even watching? With all these guns and weird
following people shots. I don't know, it just felt very
scary from the very beginning.
Speaker 3 (05:42):
Yep.
Speaker 2 (05:43):
Do you think it's odd that just Steve Washerman wrote
this episode, not just so they usually why their partnership.
Speaker 3 (05:49):
Yeah, he wrote a good episode though it's very dramatic.
Speaker 1 (05:55):
Mm hmm. And as we mentioned before, this is Luke's
Luke Perry's life fast episode until now he returns later
later later, thank goodness. He res.
Speaker 3 (06:08):
So how did it start? Why am I blocking it out?
Speaker 1 (06:10):
You're it started at the bridle shop with the girls.
Speaker 3 (06:13):
Yeah.
Speaker 1 (06:13):
Yeah, Tony pick out her wedding gown.
Speaker 3 (06:16):
Which we don't see like she's just like okay, I
got it.
Speaker 2 (06:19):
And then we see it go.
Speaker 1 (06:22):
That was Yeah, that scene was like felt like a
lot of trouble for not a lot of importance.
Speaker 2 (06:29):
Yeah, it's even more that they cut, like we couldn't
have gone all the way there for that, right, No.
Speaker 3 (06:35):
They just had to set up. It's the wedding, it's happening.
Speaker 2 (06:38):
We've only known her a couple months and.
Speaker 1 (06:40):
We're her only her best friends.
Speaker 3 (06:42):
Yeah, it's like kind of weird. Yeah, why you could
say she started college. I don't know, maybe she didn't
know anyone that went to see you. She immediately meets Dylan,
so I don't know.
Speaker 2 (06:56):
Yeah, I can handle him, sure, And.
Speaker 1 (06:58):
Then we find out that the that the hit is
still on from last week and they're really cooking up
a plan to kill Dylan. Like so the whole the
whole episode has that like tension in it, like when
something bad is going to happen. Because you know something
bad's about to happen.
Speaker 2 (07:17):
You can even get excited about the wedding.
Speaker 3 (07:21):
Taking murder so lightly.
Speaker 1 (07:23):
I'm so nervous the whole time, Sar. But we there
was some levity and they tried to do you know,
like when the game comes over and kidnaps Dylan and
Tony and they throw them their bachelor and bachelorette parties.
Speaker 2 (07:39):
I sucked.
Speaker 1 (07:41):
I mean they were went through it through.
Speaker 3 (07:43):
Because I want to talk about it. Everything we've had
go in order, going.
Speaker 1 (07:46):
Order, Okay, well, Steve. First of all, we're going to
see uh Kasa Walsh, where Steve gives a toast and
tells Dylan that he has never seen him so happy,
which I ain't see.
Speaker 5 (07:58):
You, guys.
Speaker 1 (07:59):
When he's I've never seen you so happy? I was like,
is this him happy?
Speaker 3 (08:05):
Right?
Speaker 2 (08:06):
My mind went, I'm like, he's been happy with two girls,
and of course I immediately went to you, So I'm like,
he was really happy with Kelly, Like I got here
he was, you know, but yeah, and then his face
like he could.
Speaker 1 (08:20):
Have felt like they were just building Tony up, building
Tony up. Everybody was like love Tony so much and
supporting her, and that's saying how amazing she was. Yeah,
that a really.
Speaker 2 (08:34):
Interesting choice though in that scene, Like why do you
think Luke was so somber? Why do you play Dylan
so he didn't seem happy?
Speaker 3 (08:43):
Mm hmmm because of all the drama getting to her,
like he finds out that who killed his father, like
he's grappling with all this. But can I really fast
tell you guys something that is that you might find interesting?
When I remember all of these episodes perfectly from when
they aired the first time, and I remember believing Dylan
(09:07):
and Tony were fully in love right Like, I was
like they they were Poppel's goals. It's love, it's real,
this is love. Now watching it, I'm like, this has
not been enough time. I don't see it. It's so weird.
It's so weird how and I'm like tripping out at
thirty years later whether I have different eyes, And I'm
(09:28):
so curious what other fans think. But it seems just
too quick, too rushed, And all I can think about
is they had to do this because Luke is leaving
the show. That's like all I can think of.
Speaker 2 (09:39):
But if you didn't know now what you knew then,
like you know, you might go into it because you
knew he was leaving, you knew she's going to die,
you knew. I don't know. I definitely wanted to see
more of them.
Speaker 1 (09:52):
Yeah, we all said it felt very rushed, the whole
thing from the leader. We probably felt that way in
real life.
Speaker 2 (09:59):
We were like, oh, hi, hi.
Speaker 1 (10:00):
Wait what huh? Okay?
Speaker 3 (10:14):
Brings me to your point, Jenny, that they're building her
up so much because it's like they're having to try
to get the audience to be in on this, so
thank you know, thank you for pointing that out. I
think that's why, like, oh, we love her. I've never
seen you so happy. Oh this is the real thing.
Oh my god, you're like so that. We're like, oh
my god, they are the real thing. They're getting married. Ah, tragedy,
(10:35):
Like I don't know, it was a lot.
Speaker 2 (10:37):
What if there was some like mix up and they
had to like push this episode up.
Speaker 1 (10:41):
What do you know, Tor, what was the either the
catalyst or the impetus for for Luke to leave right then?
Do you remember, because like we said, Randa Jane, it's
I don't know if he will. It's odd, like have
it happened in the middle of the season like this,
and then also to create the storyline, this big dramatic
(11:03):
build up and this love affair so fast to get
it to happen by episode ten.
Speaker 6 (11:10):
Well, what I don't know, But what I actually don't
understand is how he was able to leave because he
came onto the show late. Everybody signed six year deals.
Even if he came on when you guys did, this
would be in the middle of the sixth year, so
he would still be under contract. So somehow he got
(11:31):
them to let him out, let him out of his contract.
I was going to ask you, Tori, if you knew
what the background was, because I don't remember.
Speaker 3 (11:41):
Another very personal question to ask you guys. You all
were not like the Friends cast, right, everybody was paid differently? Correct?
Speaker 2 (11:50):
Correct?
Speaker 3 (11:52):
I just don't know. And Randy, you could chime in,
like why did they not just offer him a truckload
of money to stay through the season.
Speaker 6 (11:58):
I think that and I'm not one hundred percent sure,
but I think this corresponded to when his movie eight Seconds,
when he did it, or when it was coming out,
and I think maybe can.
Speaker 3 (12:13):
We fact check that looking that up?
Speaker 1 (12:15):
Yeah, it's being it was nineteen ninety four when that
movie came out.
Speaker 3 (12:20):
What year is it now, nineteen ninety five? I don't know.
Maybe he was tired, maybe he was having a baby.
Was he having a baby? No, this has got to
figure out the timeline.
Speaker 6 (12:31):
When did Buffy come out the movie?
Speaker 1 (12:35):
Oh that's a good question.
Speaker 2 (12:36):
I was before though, right, wasn't that like A.
Speaker 3 (12:38):
Said, that was ninety two? Buffy was ninety two?
Speaker 1 (12:41):
Sorry, you guys, we will work this out.
Speaker 3 (12:42):
Yeah, we're figure this out going through the IMDb, like, oh.
Speaker 2 (12:46):
You guys, there's a movie I haven't seen since it
came out, basically, and I'm trying to show my kids
movies from that made an impact on me from my childhood,
from the eighties, from the nineties, and we're looking. We
watched like the Goonies and like things like that, and
something Fifth Element came up and I was like oh,
(13:07):
and they're like, oh, we don't want to see sci
fi and I was like, yeah, I'm not big into SCIPI,
but I remember really liking this movie. It's very beautiful
and visual and there's comedy in it.
Speaker 3 (13:17):
We should watch it.
Speaker 2 (13:17):
I didn't remember, but it popped up for some reason.
I was like, Okay, let's just go with it. I
didn't remember that Luke is in it Fifth Element. Luke
is in Fifth Element. He's the opening scene and it
plays with this, which is why I'm like, oh, maybe
I should bring it up, because his look is exactly
how his look is here.
Speaker 3 (13:38):
Well, that came out ninety seven, so maybe he was
shooting it, and Jenny was right. His kids were not
born till ninety seven, so it wasn't that.
Speaker 2 (13:49):
Maybe that's like a big deal lucasoon movie and he's
like opening like, I feel like Luke.
Speaker 1 (13:55):
Made up his mind, and one Sluke makes up his
mind about something, there's no real changing that. So they,
you know, they accommodated him because they loved him.
Speaker 2 (14:07):
I feel hearing when Rebecca Gayheart came on. Maybe I
don't know, I'm just thinking this that she was coming
on for the whole season, Like.
Speaker 3 (14:19):
I don't know, I feel like they knew this was
going to be the end.
Speaker 2 (14:22):
They must have, but it's I don't know.
Speaker 1 (14:24):
All right, let's jump back in because I really really
want to get into the beach bachelorette parties. Yeah, because.
Speaker 3 (14:33):
Shorty Shorts.
Speaker 2 (14:38):
How many parties we have had on this show?
Speaker 1 (14:42):
How many bachelorette parties have we had it on?
Speaker 2 (14:44):
Now?
Speaker 3 (14:44):
I don't remember.
Speaker 1 (14:47):
I can't remember between our real bachelorette parties or our
real baby showers. They are all like mixed together with
the Kelly and Donn's so funny.
Speaker 3 (14:59):
That is so many do you ever, you guys, ever
tell a story and think it's real, but then realize
you just told a story that was a storyline.
Speaker 1 (15:07):
No, but this one reminded me of of I guess
it was a bridal shower that I had at Tiffany's
house and we had there was a stripper there. Do
you remember?
Speaker 3 (15:17):
Sure?
Speaker 2 (15:17):
Do you do? You remember what I made for you?
Speaker 1 (15:21):
Something in the shape of a man's you know, duh? Okay,
that's really cute. Was that before or after you gave
me the cat? No, that was after you gave me
the cat. That was a wedding present. That was the
wedding number one.
Speaker 3 (15:38):
Yeah cat. I know we talked about it, but who
does that?
Speaker 2 (15:44):
Sorry?
Speaker 1 (15:46):
Okay, So the girls are smoking cigars? Hello what You were.
Speaker 3 (15:52):
Way too good at it, Tori. You were way too
good at it. It made me think of your dad.
Speaker 2 (15:58):
Oh my gosh, I feel like what girls smoked cigars?
Speaker 3 (16:02):
I mean, why is fun?
Speaker 6 (16:04):
No?
Speaker 1 (16:05):
Goss? And those were some of the worst strippers I've
ever seen in my life. They just stood there and
just did nothing moved. They just jiggled their little LeMay
booties and that was it.
Speaker 2 (16:16):
Should have just had Iron come over.
Speaker 3 (16:20):
I do want to not forget to talk about all
the sunglasses in this episode, but we will do that
as well.
Speaker 1 (16:25):
Yeah, I said, ooh to the cigars.
Speaker 2 (16:27):
Yeah gross, She said.
Speaker 3 (16:29):
Great bachelorette party though, because it was so like you
never moved off the couch.
Speaker 1 (16:34):
No really, we just sat on the couch and then
we had tea and there was no like evidence of
why we were all acting so silly. Maybe the bottle
of champagne for one split second, but there was no
explanation as to your third bottle. Why everybody was so
good that.
Speaker 2 (16:53):
You weren't.
Speaker 1 (16:54):
You are the best when you play drunk like that.
Oh my god makes me laugh.
Speaker 2 (17:00):
Ray had like a little bit of a cringe moment
because I was like, Wow, what is the time jump
till afterwards where Tony's gonna sleep over? And then Ray
comes because I was like, Donna's way too suddenly sober
because she was sober.
Speaker 1 (17:14):
Yeah, AnyWho wasn't a very lively party. But going back
to the guys party, did you guys feel like Steve
looked hot?
Speaker 5 (17:25):
You know?
Speaker 3 (17:26):
I always do.
Speaker 1 (17:30):
I don't know. I I'm having I'm having some wardrobe
issues with Brandon Walsh in this episode.
Speaker 3 (17:40):
It's just those sneakers.
Speaker 1 (17:41):
I just can't in the suit that's like a like
a zoot suit. It's like so long and big, just.
Speaker 2 (17:48):
His shirt big like sleeves. I feel bad, but well,
like whatever, I didn't think anything could distract from Jason
Priestley's eyes, but his shirts do you can't.
Speaker 1 (18:01):
You guys watch the break dancers in the Oh my god,
off topic.
Speaker 3 (18:06):
It reminds me of his baggyess of his.
Speaker 1 (18:10):
I don't wish it was that negative. But wasn't that
a one and done? There's no more break dancing in
the Olympics.
Speaker 3 (18:17):
I think they should bring it back because we're all
talking about it. And I watched that one.
Speaker 1 (18:21):
The one with the latesror but basically.
Speaker 3 (18:26):
Bless her heart, let her out there and do her thing.
But it's the funniest memes of like that's me.
Speaker 1 (18:34):
Anyway, Sorry, that's so off topic. Anyways, we go to
the Marshette mansion. Now we find out that Bruno doesn't
have anything. He doesn't have any idea of the hit
that Tony has put out on Dylan, and I left
my I was left wondering, is Bruno in love with
Tony in some sick weird is he like a second
father figure or Dyl he's supposed.
Speaker 3 (18:56):
To be a second father. But you're not wrong, Jenny.
There's a hint of crewe creepy when he walks her
down the aisle.
Speaker 1 (19:02):
I'm like, oh, too much, too close, I don't like you,
Walsh House. Brandon warns Dylan to drop his vendetta against
Tony Marshatt, and Dylan thanks Brandon for being the best
friend he has ever had.
Speaker 2 (19:20):
This whole episode, I wanted, I wanted that friendship of Dylan.
I know a lot has happened that friendship, like Cliff whatever,
what season was that season one when he's falling, like yeah, yeah, yeah,
but there's like I don't know that. It made me
feel like youth, you show so much like you love
(19:44):
each other so much, and this is like you cut
forward and things have happened in life and you love
each other, but it's just different, and I don't know,
I want that old friendship back, and I just feel
like they don't like each other.
Speaker 1 (19:55):
I wanted that glimmer of like something, the happiness for
ship in the eyes. Yeah, it's so angsty still even
when he's nobody the best friend I ever had.
Speaker 3 (20:05):
And nobody's mind did what mine did that was like,
you're the best friend I've ever had and I stole
your girlfriend.
Speaker 2 (20:13):
I mean, I guess that's the build up under the bye.
I don't know. I just kept feeling like this episode
and I know this isn't true, but it's how I felt.
I was like, are they mad at each other in
real life? Like is this coming through? Is there something
like Jason bummed Luke's leaving.
Speaker 1 (20:30):
I don't know he was leaving, I know, but I
feel like they were never mad at each other like that,
Like I don't feel like Luke or Jason's like anything
in their personal lives ever was bad. Never, Like they're
so not girls. There was so no drama ever ever
hurt the guys.
Speaker 2 (20:49):
This is true, so true. Men don't ever have drama.
It's so nice. But it's like, I don't know, I
don't feel anything between them.
Speaker 3 (21:00):
Is there any chance they're doing the same thing with
Brandon and Dylan that they're dealing with Tony telling the
audience so much how we should feel. Tony's so great,
She's the best thing that ever happened. And it's the
same thing here, like you're my best friend, because they
ran out of time to actually build it back properly,
so it's like you're my best friend, I love you, buddy, or.
Speaker 1 (21:23):
Like bot on this show, like they like you just said,
like they tell us how they we should feel, and
then you're like, oh, Okay, yeah, that's how I feel.
Speaker 3 (21:32):
But wwany I build the actress.
Speaker 2 (21:34):
We hold sry still the actress said no, no, But the
actors still have an opportunity to convey what they want
to convey. Something something I didn't see. I saw something
at the end from Loup Jason.
Speaker 1 (21:53):
Yeah, I've yeah, I.
Speaker 2 (21:54):
See what Brandon's Maybe Brandon's just like taking it real hard,
so he's showing nothing, repressing it all.
Speaker 4 (22:00):
Mm hm.
Speaker 1 (22:01):
Back at the beach house, Ray shows up unannounced once
again and literally threatens Donna once again because says, you
gonna make your life miserable. He did look cute.
Speaker 4 (22:13):
I like you.
Speaker 2 (22:13):
He just got the hair right on points. Now he's.
Speaker 3 (22:18):
He's so threatening. It's like he can't take a hint
and just gets so threatening.
Speaker 1 (22:23):
Gosh, what what kind of turmoil muss that guy? Ben?
Speaker 3 (22:28):
He must have been Jamie Walters must have been so mad,
like why are they writing this rap for me? This sucks?
Speaker 2 (22:37):
Got to just keep on going, you got to get through.
Speaker 3 (22:40):
It just gets worse too.
Speaker 1 (22:42):
We've seen this scene though, like three times now, like
Donna says, I've heard it all before.
Speaker 2 (22:47):
Yeah, so if we see him tune or whatever.
Speaker 1 (22:49):
Yeah, he's been singing the same song. So Kelly gives
Tony her blessing basically and tells her her advice, her
sage advice to move far, far away and never look back.
Speaker 2 (23:10):
I mean, but that's going to happen.
Speaker 1 (23:12):
Like oh, back at Dylan's house, Brandon reads a telegram
to Dylan from Jim and to have remember what were
the options back then? It acts they could have texted him.
Speaker 3 (23:26):
No, well that would have been I don't know.
Speaker 1 (23:29):
Now for sure, I guess no.
Speaker 3 (23:32):
But it was a email.
Speaker 1 (23:33):
I'm like, you know those like.
Speaker 3 (23:38):
It was a separator. No, maybe could have emailed alough
I didn't get emailed till ninety seven and we're only
in ninety five.
Speaker 1 (23:44):
Yeah, nobody really checked it back then, like if you
had a million, aren't like I gotta check every emails
two weeks, right, But it's interesting that scene, very forced.
Speaker 3 (24:00):
The letter just didn't seem like what she would say
and Jim and Cindy would have said more. It was
like weird.
Speaker 1 (24:10):
I know the people that were like Brandon, I mean, sorry,
I know that people that were Dylan Brenda really were like,
oh that's the best letter I've ever heard, you know,
they were so excited to have that connection back between
those two characters. Let's move on, okay. Brenda says she
(24:40):
will love him forever. Back at the beach house, Tony
pops in, Tony Dad, Yeah, Tony's dad. Tony pops in
to see his daughter getting ready for the wedding. It
was so odd for me to see him in the
beach apartment, Like they two just did not go together,
(25:02):
mister fancy pants.
Speaker 3 (25:04):
Really good face acting, though, Jenny, really good eye acting,
because you're not down with that guy.
Speaker 1 (25:10):
Oh, that's the thing with me and with Kelly, Like
I cannot hide my true emotions most of the time.
And if I and I'm also like a thing about
Kelly too, it's like super loyal. Like if somebody's hurt,
somebody that I love, there's no chance I'm going to
be fake with that person. And Kelly's the same way.
Speaker 3 (25:28):
He did a good job. You did a good job
because you are very clear that you hate that guy.
You gave him one nary a smile, like a smirk smile.
As you leave the scene, You're like, he's a killer.
Speaker 1 (25:43):
But anyway, He says that their marriage is made in hell,
which is pretty graphic and then Bruno steps in and
says that he's going to walk her down the aisle.
Where was he was he at the car? What happened?
Speaker 3 (26:00):
He bopped in out of nowhere.
Speaker 1 (26:02):
I guess he's the driver of Tony, but he was
just on the deck putting out pumpkins or something.
Speaker 3 (26:08):
No, how did Tony evil Tony get home? If Bruno?
It was like, but that was the.
Speaker 2 (26:18):
Like the framing of the face with her curls were
just perfect.
Speaker 1 (26:23):
Yeah, she's always had the most amazing hair.
Speaker 3 (26:26):
She's straight up gorge.
Speaker 1 (26:28):
We go right into like literally it was just too
fast for me and we're getting married, you know, like
the beach wedding is happening. There was no I didn't
feel like there was enough build up to that big,
huge moment where she comes around the corner in her
wedding dress with Bruno on her arm.
Speaker 2 (26:48):
Like as an audience member, you needed that build up
almost to like really be into it emotionally and it
just be like, oh, okay, here we go.
Speaker 1 (26:58):
But I they did take their time with like the
close ups and the you know looking back at Brandon's
almost quivering lip, and you know, I felt like I
was like, is he going to cry his first of all,
his lips looked so luscious in that scene. Did you notice, Yeah.
Speaker 2 (27:18):
I did.
Speaker 3 (27:19):
His face, His face was just good.
Speaker 1 (27:21):
We're talking about Brandon, this is we're to be talking
about Dylan. But I did believe that they loved each
other on the altar. That felt very real to me.
Speaker 2 (27:33):
And they were really close. Luke and Rebecca were they
were good together.
Speaker 3 (27:38):
Yeah, yes, I just needed twenty more episodes to really
believe it.
Speaker 2 (27:43):
But whatever.
Speaker 1 (27:44):
Then the wedding reception also comes. Everybody's just stready there,
Like I don't feel like there was enough time spent.
And I looking back on this, when we filmed this episode,
I can remember we had to go all the way
out to Malibu. Everybody was in the scene. It was
a big prep. Everybody had to get hair and make
up for so long because it was the wedding. We
(28:05):
got to get back to that in a second. But
it just felt like it flew by so quickly, agree
and without really anything super exciting happening other than them
getting married.
Speaker 2 (28:17):
I remember it being super We were like there and
high up on the cliff and it was super windy,
and between takes the boys were all putting their jackets
on us because it was freezing.
Speaker 1 (28:29):
And I remember helicopter popped by way Oh yeah, no way,
he was trying to see that before it was out.
Speaker 3 (28:37):
WHOA. Why the choice to have the wedding private, Like
it was so weird because in my mind, I'm like, oh,
Dylan made that choice. But then I'm like, wait, this
is a TV show. I have to like have that moment.
Why the wedding with just the small amount, Like why
not do a big old wedding like you still plaid
the money. Nobody's there exactly, Like it wasn't product costs.
(29:00):
So that was weird, very weird.
Speaker 1 (29:04):
Very weird.
Speaker 3 (29:05):
I would have loved a shot of your face during
the ceremony, Like I don't know, I just feel like
there was so much this. First of all, this should
be two episodes.
Speaker 2 (29:12):
It didn't make sense to do it.
Speaker 1 (29:13):
Make it makes sense. Brandon gives a toast in front
of everybody, and Tony explains to Dylan that her dad
had a change of heart, that's why he wasn't there. Yeah,
and we never even see Kelly's face. We only see
her she's wearing sunglasses in that scene, which I thought
(29:35):
was weird.
Speaker 3 (29:37):
It was dumb Collin.
Speaker 1 (29:38):
There, Dumb Colin was there, Susan what's her name is Susan?
Speaker 2 (29:45):
So windy and so I don't know. I feel like
everyone puts sunglasses on them.
Speaker 1 (29:51):
Here's your chance to talk about the sunglasses.
Speaker 2 (29:53):
Amy.
Speaker 3 (29:54):
The the sunglasses in this episode, Like Steve's got sunglasses
on a lot, and they're all like pra and they're
really pronounced sunglasses. Brandon's got the niceties brown ones. I
got the best nineties back. And then at the funeral,
which we'll talk about, there's a lot of sunglasses. And
I felt like Kathleen doesn't wear sunglasses because she could
(30:15):
cry on cue. But the people that maybe warren't has
got crying sorry toy, we're wearing.
Speaker 1 (30:21):
That has anything to do with the sunglassing of the actors.
Speaker 3 (30:26):
So they really zoom in on Kathleen's face with her tears,
and I was like, oh, maybe that's because she can cry.
It really went down, do you.
Speaker 2 (30:34):
Think so maybe she just didn't like the choices they
had for her. So she said yeah, but they would
come amazing sunglasses weren't. It was props, not wardrobe, which
still doesn't make sense to me. But they would like
put them out to you. So were rings were props weird?
And so most likely it wasn't like your character choice.
(30:55):
You weren't like, oh I love this like it was yeah,
not always great ones.
Speaker 3 (31:02):
He does look amazing in this whole episode. Every single person.
Speaker 1 (31:06):
Well, just take a moment for the hairdooes, Well that's
anyone for the wedding. You barely see it because she's
kind of just there. VAL's hairdo at the wedding.
Speaker 3 (31:22):
Oh, you're right, it was kind of like mom hair.
Speaker 1 (31:26):
It was a Walter special and you know what I
mean by that tour. Yeah, And the Donna's zig zag
part was not remember those like where you had to
have the I didn't hate that one, but I just tried.
Speaker 2 (31:41):
I just tried to do one of those the other day.
It doesn't work so well when you're older.
Speaker 1 (31:47):
It's a lot more work. And then Kelly's hairdoo was
like mom wind blown teased. I don't even know what
was happening up there.
Speaker 2 (31:56):
Yeah, I think that there was all that wind they
had to keep coming in. Nothing was working. There's probably
a lot of sprain teasing.
Speaker 3 (32:02):
Oh, I liked all the looks.
Speaker 2 (32:05):
Did you ever.
Speaker 1 (32:06):
Wonder I think it was at the wedding, you at
the wedding ceremony or the reception, But Dylan and Tony
were making out in one of the shots in slow motion.
Did anybody notice that? That's just maybe maybe I fell asleep.
Then we go back to Cassa Walsh where Joe is
(32:28):
there with Donna, and Brandon is there with Susan, and
Kelly is there with Colin. It's like in every room
there's a couple making out. It's so Weirdcasa Cathouse. But
we go back to to Tony and Dylan's house because
(32:50):
that's you know, he brings her through the door and he's.
Speaker 3 (32:54):
Carrying the threshold.
Speaker 1 (32:55):
She looks light as a feather and there's candles everybody
everywhere that his friends, I guess did they did?
Speaker 3 (33:03):
Very like a fire hazard but beautiful. Yeah, who leaves
those all those candles going? You know, very shingled.
Speaker 1 (33:11):
How did they know what time they were going to
be there too? How did that work out? I don't know?
But then the next morning and they wake up in
bed and all I could think was, at least he
got new sheets for his bride.
Speaker 3 (33:24):
I thought the same. But it's four pm. All of
a sudden when they wake up, it's four pm.
Speaker 1 (33:31):
They had a good night, what do you kisses were
really good? Yeah, good kissing definitely yea. Then the doorbell
their kisses me Amy, Amy.
Speaker 3 (33:46):
I remember them being this super couple. Then now I'm like,
didn't we just meet her?
Speaker 2 (33:55):
Right? But like the kissing, like there's the actual making out.
Speaker 3 (34:00):
Did you they were a huge super couple, Like, oh
my god, Dylan and Tony.
Speaker 1 (34:05):
You're not answering the question yet at all.
Speaker 3 (34:07):
I remember all of it, that their kisses.
Speaker 1 (34:10):
Did you feel the feels when you saw them?
Speaker 2 (34:12):
Kisses when they were in bed and this time this
time not as much as writing in the room.
Speaker 3 (34:19):
Really then then I was in and I don't know
if it's because I'm older, and I know I'm being annoying.
I want other people to say if they're experiencing the
same thing, because now it's just like these two are married.
I'm not even feeling it. It's so weird, like it's
just I'm feeling it a little bit like I'm okay.
Speaker 1 (34:37):
It's like a little like there's part of me that's like, wait,
what huh, And then there's part of me that's like, oh,
I want Dylan to be happy. And if this makes
him happy and they can just walk around without shoes
on in the house, that's they must be close, you know,
like they must really love each other.
Speaker 3 (34:53):
That thing is very odd.
Speaker 2 (34:55):
I just didn't feel the chemistry the entire season that
much with them, but they also didn't give them much.
And I did feel it with the mid scenes, like
after they were married. I was like, oh, the physical chemistry.
I finally kind of felt it.
Speaker 3 (35:09):
I think that's a very your observation is accurate. It's
all just a little hmhm and then you're like, oh, yeah,
I see it. No I don't, Yes, I do, No,
I don't.
Speaker 1 (35:20):
I felt it more after they got married, Yeah.
Speaker 2 (35:22):
Like yeah, and then yep, so Steve.
Speaker 1 (35:28):
And Nat show up with a fancy breakfast and tuxedos on.
Speaker 2 (35:32):
I was so pissed if like, it's my after my wedding,
Like it's the next day and I'm with my bride
and my friends show up, like I.
Speaker 3 (35:43):
Gotta eat, but you know, it was four o'clock.
Speaker 2 (35:47):
I know, but like, get us in the day.
Speaker 1 (35:50):
How did how did Nat and Steve know to come
at four pm with breakfast?
Speaker 2 (35:55):
Thank you?
Speaker 3 (35:55):
I wondered that too, fully wondered that too.
Speaker 1 (35:59):
Heiss bread us all day, I don't know, preakfast all
day at the peach bed, I guess.
Speaker 3 (36:06):
Where she tries to find the cat because that was Czar.
Speaker 1 (36:09):
Well the things, and it's Tony Marchett and he's asking
for Dylan to come over so he can give the
happy couple a big surprise. But he asks Dylan only
to come over great, which is a red flag, yeah,
because he he says, can you come over? I have
something I want to give Tony.
Speaker 3 (36:32):
He's also a known murderer, so Dylan doesn't.
Speaker 1 (36:36):
Want to go. He's like, no, thank you. But then
the Tony and Tonia, she says, you know, she's always
I'm thinking, oh, she's always going to do this, and
there the rest of their relationship, she's always going to
be trying to, you know, get what she had with
(36:57):
her dad back, never going to work for them.
Speaker 2 (37:02):
Mm hmm.
Speaker 3 (37:03):
And he's a known murderer that hates.
Speaker 2 (37:07):
Dylan maybe and himm are so good.
Speaker 3 (37:09):
He's like, who's not going? You know, I don't think.
Speaker 2 (37:13):
So she shouldn't. She should have told Dylan.
Speaker 3 (37:17):
Course, and Dylan should be like, I'm absolutely not going.
This guy murdered my father and hates me.
Speaker 1 (37:22):
Yeah, and the cat is missing?
Speaker 3 (37:26):
Can I just for one moment touring green guys when
they're eating breakfast and then they can't find the cat
And all she does is walk two steps and say here, kitty, kitty, kitty, kitty,
kitty kitty for a half an hour, like it was
so I was like the cat.
Speaker 5 (37:41):
In trouble, like this the trouble, but also is that
the universal call for a cat?
Speaker 1 (37:52):
I was wondering, you're kitty, kitty kitty.
Speaker 2 (37:55):
I think where'd that?
Speaker 1 (37:59):
You don't say here, doggy, doggy, doggy, dog you doggy?
Speaker 2 (38:02):
What do you do with the dog?
Speaker 3 (38:03):
Wasn't with the cat? Was also forced same thing that's
you're my best friend, You're they're meant to be, Tony's
the greatest woman on earth. This cat symbolism is like
it's all just a little hashtag trying too hard.
Speaker 2 (38:16):
But something else you could have done besides a cat
missing to connect all of this to get.
Speaker 1 (38:24):
Like also because yeah, Dylan don't give a you know
what about that cat, and so but then he ends
up saying you go, you go get talk to your
dad without me in the pouring rain in on your
wedding dock down poor to drive the Porsche.
Speaker 2 (38:46):
Why would you ever let your woman go out so
you can rain storm and look for the cat.
Speaker 3 (38:53):
There's no need to wear clocks in.
Speaker 2 (38:56):
His T shirt because he's a little wet and just
sends her out in her raincoat.
Speaker 3 (39:00):
Like, no one needs to wear the raincoat up with
the hat on while you're driving. You get in the car,
you take that down.
Speaker 1 (39:07):
It's not raining in the car.
Speaker 2 (39:09):
Yeah, I know, but I had a flash to Urban Legend,
which Rebecca Gayheart is in and she ends up being
the murderer and she wears the raincoat.
Speaker 1 (39:18):
So maybe you just gave away the whole plot of
that movie.
Speaker 2 (39:23):
Now I can't have Urban Legend.
Speaker 1 (39:25):
She's the killer. Thanks a lot, like.
Speaker 2 (39:28):
You were ever gonna watch it?
Speaker 1 (39:32):
Okay, so this is none of this is making sense
to any the three of us. So it had to
be confusing to the people that watch are watching it
back with us, because yet in the moment back in
the nineties, it all felt so scary and right and
you were in it, But now looking back, you're like, wait,
what holds the old.
Speaker 3 (39:51):
Phone off the hook? The phone's off the hook, so
Bruno can't get through because she's taken the phone off
the hook.
Speaker 1 (39:58):
At the same time, there was this bi building like
mystery in this building, like I was getting more and
more on the edge of my sea, kind of feeling
true Ruth. But then, uh, what happens? Bruno calls the
peach Pit looking for Brandy because they know each other,
and what.
Speaker 3 (40:18):
Because that's what you would do, like nobody has cell phones.
They do have cell phones. And also he's calling the
peach pit Nat and says, can I talk to Brandon?
And then he's like this is Bruno, Like why is
it Brandon? Like Bruno, who like who?
Speaker 6 (40:31):
What?
Speaker 1 (40:31):
Why are you calling me? But then he tells them
that there's a hit out on Dylan. Any races out
of there.
Speaker 3 (40:37):
It's also no big deal that there's a hit out
on him, Like.
Speaker 1 (40:41):
What who's ever heard that in their life? Like I
have a hit out on me?
Speaker 3 (40:46):
That does?
Speaker 6 (40:46):
This?
Speaker 1 (40:46):
Not realistic? That's not I guess that's why this is
it if you.
Speaker 2 (40:50):
Hear that you're in trouble. But like, I mean, they've
watched every movie. I'm sure Brandon, Yeah, what would you
have heard him say?
Speaker 3 (41:00):
He's also not worried about there's men with guns but
I'm gonna run to the guy that has the hit out.
It's just very no one's.
Speaker 1 (41:11):
Over, no Brandon, No, because why they don't. I don't
know why. Brandon races over and gets Dylan and they
rush out, but not soon enough because Tony is driving
with her hood up in the Porsche.
Speaker 2 (41:26):
Wait, I have a question, but go back for a second. Sorry,
because you're right, Okay, okay, Why why do you think
maybe there's no reason here? When Brandon's pulling out and
leaving to race over there to Dylan. I thought it
was a clue they like zoom in on a license plate.
Speaker 3 (41:43):
I don't know.
Speaker 2 (41:43):
I just heard the back of his car like I
was like, is it going to be I thought like
there was going to be a mistake of cars or something.
I don't know.
Speaker 1 (41:52):
Oh no, I was just worried he's going to run
over the people in front of him, like they were
crossing on the store to racing and it's raining and
never know if your breaks are gonna work, be careful now.
Speaker 3 (42:02):
I throw a strange theory out, but I would love
to know. And Jenny, I don't know if you need
to plug your ears. Why isn't Jack McKay or the
FBI helping, Like, would they not like keep tabs on
Tony Marshette and know that he's planning to kill Jack
McKay's son, like it's of.
Speaker 1 (42:23):
Course, were they not like investigating him actively at this point.
Speaker 3 (42:27):
You would think they would be that's.
Speaker 2 (42:29):
Why what's your name?
Speaker 3 (42:30):
What's your christ blond lady Christine? Yes, well, and if it.
Speaker 1 (42:36):
Turned into a cold case.
Speaker 3 (42:40):
Okay, I don't want to run anything, but if Jack
McKay is in witness protection, then they have him in
witness protection to protect him from Tony Marshette, So they
would the FBI would always have eyes on Tony marchhett
as they're trying to catch him. It's fair, You're good.
Speaker 1 (42:57):
Is Jack McKay is dead? So I don't know.
Speaker 3 (43:00):
Banging on my door, I'll be right back.
Speaker 1 (43:02):
Okay, pause.
Speaker 5 (43:03):
Hello?
Speaker 1 (43:04):
Did you just think she was wearing underwear? Amy just
got up in the middle of our podcast ends her
door and we it looked like she was just in
a T shirt and undies, which is kind of hot.
Speaker 3 (43:19):
Yeah, it was.
Speaker 1 (43:21):
Are you wearing pants?
Speaker 6 (43:23):
Me?
Speaker 5 (43:24):
Yeah?
Speaker 2 (43:24):
I am?
Speaker 6 (43:25):
Are you?
Speaker 1 (43:26):
I am? There're sweatpants that I would never want anyone
to see me in, but I am wearing pants.
Speaker 6 (43:36):
I am not.
Speaker 1 (43:42):
Thanks for sharing that, mister Joviz. I really appreciate that visual.
Speaker 3 (43:46):
Do you have underwear please say us always?
Speaker 4 (43:50):
Yes.
Speaker 3 (44:03):
I'm so sorry guys like banging on my door and
then he's trying to sell me bug Patrol. I'm like, bro,
I'm in a zoom.
Speaker 1 (44:10):
What if I'm busy? We were just talking about you
and your panties.
Speaker 2 (44:15):
Go away, there's mud happening.
Speaker 1 (44:19):
Okay, wait, go get back into this. First of all,
Like I just said, you guys don't know what you're
talking about because Jack McKay is dead. Amy, You're what
you're saying is not making any sense to me.
Speaker 3 (44:30):
It is to me.
Speaker 1 (44:32):
Okay, well, Cory, is it to you?
Speaker 2 (44:34):
Let her keep living the dream because it's not good
because then it's new to her and it's great.
Speaker 3 (44:39):
I'll let Jenny the first years later.
Speaker 2 (44:43):
But here's the.
Speaker 1 (44:44):
Thing about my memory. I can I'm watching I watch
Breaking Bad from beginning to end when it came out.
I'm watching it again now and it's like it's the
first time I ever saw it. So that's the same
thing that's happening with this show. Never heard of any
of these things happening before. But Dylan and Brandon pull
up and Dylan drags her out of the car and
(45:09):
starts streaming, screaming and crying. Brandon, lik, what they did
to her? Look what they did to her.
Speaker 2 (45:15):
There's no life of all the way they shot her,
you guys. I was like, her face wouldn't be recognizable totally.
I feel they were like right through the like wow,
Like I was kind of hoping they would have done
it from the side and she still looked beautiful. But
it's like, what does that other side look like?
Speaker 3 (45:34):
No attempt to resuscitate. It's like Brandon stands there frozen.
No one's calling nine to one one. It's just like
they all just stand there.
Speaker 2 (45:43):
They annihilated her.
Speaker 1 (45:44):
They shot her, right, Yeah, that was like godfather shit
right there.
Speaker 3 (45:49):
Yes, the ran guy in the car behind is just like, like,
wouldn't that completely freaked.
Speaker 2 (45:58):
Out one of them?
Speaker 1 (45:59):
Would you know them?
Speaker 3 (46:00):
No? Nope, he is not hard.
Speaker 1 (46:03):
He was the haughty guy that was in the passenger
seat earlier.
Speaker 3 (46:06):
I don't think so.
Speaker 2 (46:07):
When they when they kidnapped and like where are they going?
And the car pulled up Dylan's and there were the
two guys.
Speaker 1 (46:12):
And it's you know, the random hitman we'd never seen
before all of a sudden, was there in headlines.
Speaker 2 (46:17):
That because they both hinder in me, why didn't he
jump down and help her before Brandon and Dylan arrived.
That if it's not the case, that dude just sat there, Okay, correct,
So here's what I understood it.
Speaker 3 (46:30):
They were supposed to murder him earlier the night of
the but then they got the Bachelor Bachelorette prty, so
that threw it off, so they had to rejigger the hit.
And now it's just the one dude who knows that
she's going to become that he pardoned me, that Dylan's
going to become driving down the hill to go to
(46:51):
see Tony and they're going to cut him off or
he and pow pow pow. But that random other car
is just a random guy that happened to be driving behind.
Speaker 2 (47:03):
Why did he sit there.
Speaker 3 (47:05):
Erect and then of course like Brandon and Dylon come
driving up right at the very moment. I mean, it's
all very crazy. And also get the license plate of
the hit the car the random guy could have been,
Like I saw the driver's license. It was a blue
you know whatever about ever or.
Speaker 2 (47:23):
Like if you're gonna I don't know if you're gonna
sit there after something like that happens, like get the
hell out of there. Then like someone just shot the
person in front of you multiple times, back up and
get like go save yourself. What if they're going to
come around and get you because you were there, you
witnessed it. There shouldn't be any witnesses.
Speaker 1 (47:42):
I feel like we've gotten over our skis with this storyline.
I feel like there's so many holes. Yeah, but it
had to happen, and it had to happen. It all
had to happen in this episode for some mysterious reason.
Speaker 3 (47:56):
Squashiest episode of all time, squshiest. It's just so squashed
in everything.
Speaker 2 (48:05):
Russia just out a word now too, I know.
Speaker 1 (48:08):
I thought the same thing. Okay, at the funeral, Oh
that was rough, awful, awful, awful.
Speaker 2 (48:18):
I could have done without the funeral.
Speaker 1 (48:21):
I couldn't have what.
Speaker 3 (48:23):
No, we had to have the funeral.
Speaker 1 (48:25):
It was because no real feeling, Like didn't it feel real?
Speaker 2 (48:29):
Yes?
Speaker 3 (48:29):
And then you get that dramatic scene between Dylan and
Tony Man Tony.
Speaker 1 (48:36):
And it's like it's like he wanted Dylan to shoot him,
to kill him. He did, but thank god Dylan didn't
take the bait.
Speaker 2 (48:47):
That's a major line.
Speaker 1 (48:50):
My father's gone, your daughter's gone, were even.
Speaker 3 (48:52):
Although it doesn't feel even, because it feels like Dylan
got two terrible.
Speaker 2 (48:58):
Things exactly, you would go to beach or the hells
like I forget, but never forget.
Speaker 1 (49:06):
So true.
Speaker 3 (49:07):
This is where I felt that you all had sunglasses on,
but yet Kathleen didn't so they could zoom in on
her team. Yeah.
Speaker 2 (49:13):
Sorry, I was like, I think we did this scene already,
but yeah, and then he's like, the killing stops here
were stops? Now, what do you say?
Speaker 6 (49:22):
Then?
Speaker 1 (49:22):
Of course the gang all goes to the beach bit
and everyone is very They don't.
Speaker 3 (49:27):
Keep it slightly right like they seem without that scene. Yeah,
they don't seem to be taking this as seriously as
you would think they should. Like their friend wife was murdered.
They're essentially all in danger, like right, and then they're
like she's leaving, and boy, are we gonna miss it?
Speaker 1 (49:47):
Why are they in danger?
Speaker 3 (49:48):
Because they all know that it's Tony Marchette, like one
plus one.
Speaker 1 (49:53):
Is two, So Tony doesn't know that they know.
Speaker 3 (49:56):
I mean, you don't have to be a rocket scientist
to figure this.
Speaker 1 (50:03):
That's what I thought the only rocket scientists watched Beverly
Hillside like what Oh? And then you guys back at
Dylan's house when he finds trouble. The kiddy comes back
and Dylan starts to cry. I lost my ship.
Speaker 3 (50:20):
That was good. The smelling the dress was not as
good for me. I'm just saying I don't want to
be judging because I love the whook.
Speaker 1 (50:29):
I cried, we both. I cried even with the watching dress.
It was a little weird. The smelling other dress. I
hear what you're saying, but that's what you do when
someone dies, you want to smell them again.
Speaker 2 (50:43):
So for me it worked.
Speaker 3 (50:45):
The cat really worked.
Speaker 1 (50:47):
And then when he was crying like yeah, that was
too much, just too much, I was like, what is happening?
This is just too much for it.
Speaker 3 (50:56):
He went.
Speaker 2 (50:59):
Back to wait tea shirts when you're happy.
Speaker 3 (51:02):
The motorcycle is just so malicious.
Speaker 2 (51:05):
He's so hot, Yeah.
Speaker 1 (51:07):
He's packed, he's ready to leave. That poor cat is
strapped on the back of that motorcycle. The fuck that
is not normal. Well, no, that cat is going to
be traumatized and very wind blown, but he's taking the
cat with him, which is so sweet.
Speaker 3 (51:27):
Gott he put his helmet onto.
Speaker 1 (51:30):
And then he says he doesn't know if he'll be
coming back or not. And then he rides away and
Brandon is sad to see the car.
Speaker 3 (51:41):
The shake hands, but then they held on. Did you
guys know that? I thought, I want to make shaking hands.
Speaker 2 (51:47):
To part Brandon go back to the car, and then
them to look at each other, and I know that's
a chick moved to be like run it and embrace,
but like I want.
Speaker 1 (51:58):
I didn't want to stop to each other.
Speaker 2 (52:01):
Fine, not that, not that after the handshap at least
of each other like you like to do that.
Speaker 1 (52:06):
It was a meaningful handshake because it was hand hug.
Speaker 3 (52:11):
It was more it was it was a hand hug.
It went from shake never let this. It was I.
Speaker 1 (52:17):
Really wanted more. I wanted more. I wanted more in
this more.
Speaker 3 (52:21):
Like these are these are the it?
Speaker 2 (52:23):
Guys like, I want more. If this is all we're
going to get as an audience member, and we don't know,
and this is all we're going to get because Luke
comes back with Jason, doesn't I know that's right. This
is it.
Speaker 1 (52:34):
Really wanted Kelly and to have a goodbye there too.
Now I'm saying feeling what you were feeling.
Speaker 3 (52:39):
I did pay and I also had a little bit
of like this is may I swear this is.
Speaker 6 (52:47):
It?
Speaker 2 (52:47):
Yeah?
Speaker 3 (52:48):
I was like I don't want him leaving. Why sorry Tory,
but your dad couldn't solve this and be like, Okay,
we're gonna pay you a ton of money and you
come back each season for ten. Like it's just I'm
not happy at all. Right now, I'm not happy. I'm bummed,
and I know Brandon's leaving suit. It's just like I'm like, oh,
the shark is swimming.
Speaker 2 (53:09):
To don't you say that word?
Speaker 1 (53:11):
Don't you say it?
Speaker 3 (53:14):
Take it back on.
Speaker 2 (53:16):
You know what. To be honest, let's say if they
did have the Brandon Dylan scene and a Kelly Dylan scene,
I actually would would prefer the Kelly Dylan scene after
Brandon Dylan, Like that would have meant I would have
been like, oh, this is so good. That would have
just taken it home.
Speaker 4 (53:32):
Yeah.
Speaker 1 (53:32):
I would have wanted him to just see him hugging
someone and having that breakdown. Wow, what do you guys
think what do you give it? What do you give
this episode?
Speaker 3 (53:43):
I just need to watch it, like a lot more times.
Speaker 1 (53:45):
And I don't believe you have to think like I
thought for sure you.
Speaker 3 (53:48):
Say, oh no, I'm a ten. I'm a ten plus.
This is like one of the best episodes of the
whole series. But at the same time, I'm so like
man mad and upset and like and then I'm like,
I want Luke Perry back, Like I'm just so there's
(54:09):
so many things that I have the episode feelings, and
then I have like all my feelings like it's just
a mess.
Speaker 1 (54:15):
I'm a mess.
Speaker 2 (54:18):
I was way more into it until you hold it
up like you you dissected it. Now I'm like, oh, yeah,
like it should have been better.
Speaker 3 (54:30):
I was very sad, bordering on like depressed. Yeah, I mean.
Speaker 2 (54:37):
I know it had to be done, and I know
he was leaving, But if I knew he was leaving,
I would have wanted I don't know, because a little
more of one scene to see his like flirty sexiness
and his eyebrow.
Speaker 1 (54:51):
Wait, Chuck, why why why.
Speaker 3 (54:55):
Why wasn't this two episodes?
Speaker 2 (54:56):
Didn't let's get send a text to Chuck?
Speaker 3 (54:58):
Why why why? Why? Like Why Why wasn't he there
the whole season? Why wasn't this multiple episodes?
Speaker 5 (55:05):
Like?
Speaker 3 (55:06):
What the help?
Speaker 1 (55:07):
We need him on? We need to bring him in.
Speaker 3 (55:09):
Yeah, I do think you're right, Jenny. We do.
Speaker 1 (55:12):
We need answers me, Lauren.
Speaker 3 (55:14):
Can you emails see if you can come on next week?
Speaker 2 (55:17):
You can help us.
Speaker 1 (55:18):
I don't need like a whole episode breakdown. I just
wanted to do why why Luke left? Why it was
so like rushed?
Speaker 2 (55:26):
Yeah?
Speaker 1 (55:26):
And why was just a storyline?
Speaker 2 (55:28):
Can you make a shippen right now?
Speaker 4 (55:29):
Though?
Speaker 2 (55:29):
I don't think you so's deconstructed for the Hee says,
we need Larry Mullen.
Speaker 3 (55:35):
Yeah, you need Larry because I think Chuck is gone
at this point.
Speaker 1 (55:37):
Correct, All right, let's have Larry.
Speaker 3 (55:40):
Let's have Larry. Yeah, I'm not happy today.
Speaker 1 (55:43):
I can just I give it a ten too, but
it's a sad face ten.
Speaker 3 (55:47):
Yes, a sad face ten. Thank you, Jenny.
Speaker 2 (55:49):
Yes, Now, I just feel like I have to fit
in with you guys and give it a ten because
it's Luke's last episode.
Speaker 1 (55:55):
You didn't feel like it was a ten?
Speaker 2 (55:57):
Yes?
Speaker 1 (55:58):
Did you feel like it was a nine?
Speaker 2 (56:00):
I give it like a nine point seventy.
Speaker 1 (56:02):
Okay, okay, Well, I just don't know what's going to
happen next week, how about you, guys. I mean next
week is season six, episode eleven, Offensive Interference.
Speaker 3 (56:13):
I have a beef about next week, but I'll say.
Speaker 2 (56:15):
That I have a feeling what this is about?
Speaker 1 (56:17):
You do fall football?
Speaker 3 (56:19):
Yeah, and it involves I can tell you, guys, because
your class ex boyfriend Ray Prue it decides to press
charges against your darling new boyfriend and it's bend it
off the team. It's just a massive.
Speaker 1 (56:35):
You go from Dylan and Tony to Dylan leaving with
the cat to that thank you, I mean, where you'd.
Speaker 3 (56:42):
Come back and the day I had no problem, damn it,
the show had to go on, I guess. Yeah.
Speaker 1 (56:52):
Well, I hope you guys loved this episode as much
as we didn't. I mean did mm hmmm we did,
but we didn't. Yeah, tell us how you felt. We
need to hear some more comments from our omg ors
because we're all three of us are feeling all these
(57:12):
so many layers of feelings right now.
Speaker 3 (57:15):
And if the thirty years it has changed how you
see it, because for me, I'm having a real problem
with that.
Speaker 1 (57:21):
Mmm. Interesting?
Speaker 3 (57:22):
Really?
Speaker 1 (57:22):
Yeah, probably talk to us, tell us, tell us everything.
That's it for this week. You guys, we'll see you
next week.
Hosts And Creators
Tori Spelling
Jennie Garth
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