Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:01):
Call It what It Is with Jessica Capshaw and Camille Luddington,
an iHeartRadio podcast. Hello, Hello, Hello, Hello, Call It crew,
and welcome to our first call it a rewatch.
Speaker 2 (00:24):
Oh. I like the way that sounded it does. I
like new things. I like new things.
Speaker 1 (00:29):
We've I mean, this is what twenty twenty fially you
bringing you guys. You're welcome new things, asking you shall receive.
Speaker 2 (00:38):
I know, gosh, it was I gotta say this, really,
this really took me back. This was really fun, literally
and figuratively. I in the weirdest way. I would say
it was the thing that I didn't know that I wanted.
Because you know, people do ask me quite often do
(00:58):
you watch the show when you're on it? And also
like do you still watch the show or do you
know how does the show affect your life? And I
talk so much about having been a fan of the show,
But that was when I wasn't on it, and then
I got on it, and then I definitely did watch
probably the first twenty five to fifty episodes that I
was on, I probably watched.
Speaker 1 (01:20):
Yeah, and then you feel like you lived it, like
you're I don't need to watch it, like I've heard
it in the table read I lived it, and now
you know you're moving on in the story.
Speaker 2 (01:31):
But the first twenty five to fifty I was checking
my work. Evidently after that first quit long, you just
need to check my work, Yeah, yeah, yeah, or or
maybe I just yeah. I don't know, but I definitely
did transition out of watching it every week, and so
then I think I would just watch a couple maybe
during the season. And now here we are being asked
(01:53):
to rewatch. And I have to say that the first
thing that I thought was this is a really good show.
Speaker 1 (02:02):
Yeah, should we talk about Okay, let's talk about what
episode we is? Our first recap episode. Well, it was
the People's choice. It's the people's choice. We threw it
out to the crew. We're like, what do you want
us to do first? And overwhelmingly, yeah, overwhelmingly.
Speaker 2 (02:18):
It was a wed episode. It was the weed cookies.
Speaker 1 (02:21):
It was the weed cookie episode, which was not surprising.
And what's funny is I thought to myself, what do
I actually remember storyline about that? I mean, I remember,
like some people ate the wee cookies, but I watching
it back, it was like a fresh episode to me.
Speaker 2 (02:36):
Well, it was also we made it five six years ago,
I heart said to me.
Speaker 1 (02:43):
When I got on this call, They're like, you know
that episode was six years ago. I was like, what,
no wonder, I look young and fresh.
Speaker 2 (02:49):
Okay, so let's be honest. When we had a very
very brief chat before we got to sat down to record,
and I said to Kamilla a lot of things that
we'll talk about, but one of the things I said was, oh,
you look so pretty. And what did you say back?
I said, I did look so pretty.
Speaker 1 (03:07):
And I was like, wow, you look so pretty Lunnington.
And then I spent some of the episode just vanity wise,
wondering where.
Speaker 2 (03:16):
It's gone wrong? Do you know what I mean? Like,
what what exactly has slid.
Speaker 1 (03:20):
On my face? What is melting to make me look
the way I look now? I wish i'd appreciated that
back then. You're crazy. You look even But I said
to Jess in return, you look even hotter now.
Speaker 2 (03:36):
Because by the way, she did not say to me,
you look so pretty.
Speaker 1 (03:38):
Too, I said, I think you look hotterer now, like
pure girlfriend, like Vanity. You know, I think Jess is
as she ages, she's made a deal with the devil
and she's getting hotter and the rest of us are melting.
Speaker 2 (03:52):
I will I will take that compliment. I will take
that compliment. And then uh, and then I do remember
saying back to you funny because if if that is true, yeah,
I have a worldwide audience of you know, my worldwide
audience appreciating what's happened. It's diminished since the years where
(04:12):
it was on television every week with whatever it is
that I look like in the episode that we're we watching, Yeah,
you said how many millions of people will watch me then?
Speaker 1 (04:21):
And now it's like seven. You said, it's just the
dog's that one horse and the kids.
Speaker 2 (04:28):
I know it is what it is. The chickens. The
chickens get the nice Yes, the chickens. You know. The
poppy named one of them China, and I was like
short for what she's like, the Jina. Of course, I
have a chicken named China. Listen, China's a cute chicken.
I love it.
Speaker 1 (04:47):
We have to jump in though, because I can. I
tell you I have six I stole my kids notepad.
I have six pages of notes on this episode. I
went through it and I and like just said, when
we were watching back when I was watching it, back,
I was like, A, this cast is fantastic, this is
this is a great cast. The storyline's fantastic, everyone's so solid.
(05:10):
I was laughing. I was into all the storylines. I
was shocked by someone's like what what, and of course,
like I know that it happened, but I don't remember.
Speaker 2 (05:18):
Yeah, I too felt the same way. I just was
in awe of how good everyone is and how perfectly cast.
Shout out to Linda Lowie. I mean, truly, the show
is just so well cast. Everyone's so good in it.
There were things that they were doing that I was like, God,
I don't And then I was trying to think back
(05:39):
to you know, I think it's worth mentioning the table
read is where it all starts. Yeah, and I do.
It was trying to remember the table read, and I
remember certain shows you know from the table read. You
know that it's you feel kind of bad for the
director because they're usually you know, only there for that episode,
and you're like, ooh, this one's so good. Don't get up. Yeah,
(06:02):
this one's good. And it was written by Julie Wong,
who is just a fan favorite and a hilarious human being.
Speaker 1 (06:08):
Yeah, if you go back and watch Julia Wang's episodes,
you will realize she can do it all. But she
can really do comedy. And I think comedy is hard
to write.
Speaker 2 (06:17):
Yeah, oh got it.
Speaker 1 (06:18):
But she just always steps up to the plate when
she has to write an episode that's funny, It's gonna
be funy.
Speaker 2 (06:26):
Yeah. Then a director was a female director that episode,
Sidney Freeland. Yes, yep, I felt a little bit. Like
I said, I felt for her. I didn't feel bad
for her. I felt for her because there was a
lot of pressure to get this really awesome episode done well.
And it was episode twenty of that season, which means
we were all nearing the end of the season. And
(06:49):
do you know what happens when that happens during that
time of the season.
Speaker 1 (06:52):
Well, it's a certain time of year in a certain
seasons where people are up for renegotiation.
Speaker 2 (07:00):
Well yeah, but I'm talking about this just that was
true of that year, but but that this is like
any year when you coming up to potentially twenty four.
And so we're in twenty So everyone's.
Speaker 1 (07:12):
Toasty, everyone is tired. Okay, So where to start, Well,
the let's start with the episode opens up. So the
episode opens up on what I think is probably the
most important character of the show. Go what the rewatches
are gonna be about?
Speaker 2 (07:32):
You guys? It opens up with a gorgeous at Joe Wilson.
Speaker 1 (07:36):
It opens up with me pushing a mouse through the
hospital because there it.
Speaker 2 (07:41):
Is competition day.
Speaker 1 (07:43):
You know what I thought of when I saw myself
on TV, I was like, in the episode on TV,
what's on TV? I was like, Oh, I would have
been so excited that day to not be in scrubs.
It's very rare on the show that you don't have
to wear scrubs. And the fact that I was in
reg regular clothes. Mimi was our customer. She was fantastic,
(08:03):
And I just remember being very excited to be able
to wear my hair down because I'm always in a bun.
Look a little cute or look a little more put together.
And I'm wheeling the mouse in because Joe and Meredith
are working on something together and there is a grant
up for grabs in this competition that's about.
Speaker 2 (08:22):
To be held. Yep, there's a little bit more. Everybody's
a little bit more in performance mode because there are
people actually giving presentations that are going to be performances.
Speaker 1 (08:32):
Yeah, and I was trying to remember if David Bowie
the mouse was real or like a CGI mouse, and
I couldn't remember that.
Speaker 2 (08:38):
I wish I could.
Speaker 1 (08:39):
I don't know if we had a professional mouse act
remember stuff I wasn't even there for. And then okay,
so we get we and so then we get into
the what is that room called that we're all in,
I know, auditorium, Like yeah, it's like our presentation space.
Speaker 2 (08:53):
It's like, yeah, we don't go there often, but it's
when yeah, we give auditorium the auditorium.
Speaker 1 (09:00):
And I think we can say that the scenes when
we're it's rare that we're.
Speaker 2 (09:03):
All together and it takes a long time to film.
It takes a long time.
Speaker 1 (09:07):
To film, but it's rare we're all together, and there's
a certain energy when everyone's in the scene together. Oh yeah,
there's more potential for in laughter.
Speaker 2 (09:17):
Gree is what I was gonna say. Actually, yeah, yeah,
there's always more potential. And you always have the same
like the same people like you. You know that Jesse's
going to be given me shit about something, Yeah, I
know it. You don't. You don't have to wonder then
you're going to be giving him about this.
Speaker 1 (09:35):
Of course, absolutely as I should. We had some new
interns sort of in there.
Speaker 2 (09:41):
I was.
Speaker 1 (09:41):
I remember when I was watching that scene, I was
Maggie and Jackson had this cute little interaction and I.
Speaker 2 (09:48):
Forgot that they were together. Yes, I forgot. I forgot.
And then when they were kind of like it wasn't sexy,
but it was like intimate, like you know, like you
kept me up all night or whatever where she says
like you kid me and she's like she's like, get
out of here. I was like this little flirty and
I was like, wait.
Speaker 1 (10:01):
There to get I mean, I for some reason, that's
like a race for my memory.
Speaker 2 (10:07):
Yeah, I mean, I don't know. I think that what
replaces it is just the fact that ultimately on the show,
the ships that are the true ships end up just
being the ships. You remember, and you know that it's
Sarah and Jesse.
Speaker 1 (10:20):
You know that it's yeah, it's Sarah and Jesse Keepner,
I don't.
Speaker 2 (10:25):
Know what to tell you it is, by the way,
I mean, I loved watching that relationship and they were
so great. Kelly and Jesse were great together. I don't
think so, Okay, we're gonna be honest, No, we're gonna
be honest.
Speaker 1 (10:36):
And by the way, I think if we had Kelly
on and we had Jesse on, I don't think that
they I don't know what, well, listen, maybe they would
argue so differently.
Speaker 2 (10:48):
But I felt at.
Speaker 1 (10:51):
The time as a viewer that something was a little
off between those two characters. I didn't know what it was,
wasn't it.
Speaker 2 (11:00):
It just wasn't in.
Speaker 1 (11:01):
And then I have to say, when Maggie and Winston
got together, I was like, oh, that's cute, Like I'm
into that for her husband that she ended up having
on the show. I mean, they're divorced now spoiler alert.
And then I just I felt like it felt to
me like an in between me mm hmm, like I'm
not a true sale ship, like an in between e ship.
(11:23):
Sometimes a tweeny is necessary. Oh, we all have a
tweeny to get out too the next weenie. We all
have a tweeny for the next weenie.
Speaker 2 (11:31):
Yep, I got you. Okay, So you see that cute
little moment. Then you see Richard and Catherine have their
cu cute little moment, which also, like I knew, but
(11:53):
I was reminded. And then Stefania yes, oh my gosh,
and seeing them back together, so seat cute, so cute.
Speaker 1 (12:01):
I it's interesting because I didn't when I was when
we were doing the episode, I kind of forgot where
everyone is in their time on the show. So when
I saw her sitting down, I was like.
Speaker 2 (12:13):
Oh, wait, are you guys together? Like what's the deal?
Are you not together? Are you together?
Speaker 1 (12:17):
And then there was a little conversation that was very
flirty and cute, and I remember like that. I know
that was a tweeny relationship, but I think that could
have gone the distance.
Speaker 2 (12:29):
I'm gonna be honest, I think that could have worked.
I know, I know, and I think that it was
interesting because that particular season, well twenty, she came on
as a guest star, and I think that I was
told that she was going to really be like a
short in between situation, and then it ended up becoming
(12:53):
that she's so great that she's obviously stayed, and there
was all this other story and the sister brother a relationship,
and like there was so much room for it to happen.
So I feel like it could have is my I'm
an agreement. I think that had they've been given a
little bit more of a chance, I think it probably
would have gone.
Speaker 1 (13:12):
So you were with somebody else before that, you got
you got a little ghosted by your previous little betweeny situation,
and now you're you're kind of into this, you know,
it's so funny. I wrote six pages of notes you
guys when I read that when I was watching this,
and one of my notes when Jessica appears on screen
is we need to talk about your earring game. On
Gray's Anatomy, earring game always, Jessica Capshaw always had you
(13:36):
always had your three cute studs in that you would
like change out, and it was just such a good
earring game every episode.
Speaker 2 (13:45):
I just wanted to throw that out there. For the
first couple of years, I just wore a heart shaped
um hoop and then I think I probably just put
stuff in, But yeah, thanks, thanks, it was up for
the earing game. Well, so, yes, so Arizona comes in
with the lesbian gratit two cookies. Well, but let's also
remember what that because also when that was said, I
was actually thinking, I mean, clearly the people watching it
(14:07):
are fans, but that was based on the storyline that
happened before where Arizona helps save this couple's baby and
they come back in. But they're not. They're just like
they just reappear, so you would have had to watch
the episode before to know who they even were. But
they've come back to the hospital and given Arizona cookies
and said thank you so much, whatever, and then she
(14:28):
starts giving out the cookies in this very packed room.
Speaker 1 (14:30):
I noticed I put down de Luca. It's very funny
that de Luca's going through his heartbreak. I forgot that storyline.
And he grabs he literally takes like four cookies. It's
a good setup for the storyline.
Speaker 2 (14:42):
Yeah, which is also a good time to say that
Gray's has always been really really incredible at taking real
life and real time challenges and struggles and putting them
in the show. So the fact that she was getting
deported was also around the time that there was a lot,
a lot on the news about ice and deportation, and
(15:02):
it was you know, it was it was I remember
it being on the forefront of a lot of people's thoughts.
So she gets supported. Okay, So then Arizona flits around
the room offering everyone a cookie, and you don't even
know to pay attention. Who eats the cookie?
Speaker 1 (15:19):
You do not?
Speaker 2 (15:20):
No, no, you're not paying attention.
Speaker 1 (15:21):
I do remember reading the script in the table read
and being real sad Jo didn't take.
Speaker 2 (15:25):
That cookie, and I felt the sadness again. She's like, no,
I'm too nervous. I can't take the cookie. Joe.
Speaker 1 (15:32):
It'll be fun, baby, take the cookie.
Speaker 2 (15:38):
And then of course April looking so just lovely loved
her costume for that looks very professional. Started the game off.
Started the games off about the Graceland surge.
Speaker 1 (15:48):
Glad.
Speaker 2 (15:48):
Yeah, it's kind of a prototype day. It was like
the Hunger Games, and then the twenty five proposals and
then five of them will receive a one million dollar
grant blah blah blah, and then she wishes everyone luck
and then introduces as the first candidate, Richard. Yeah, I
was you know what.
Speaker 1 (16:04):
Meredith and Joe are singing together, and they're kind of
you know, Joe's a little She's get nervous because Richard's
does look good. And I remember in real life being like, well,
just he's gonna get it. Yeah, but also Ken, they
can figure out that was kick ass. Why isn't that
pen in every episode?
Speaker 2 (16:20):
Is that pen real?
Speaker 1 (16:21):
Well?
Speaker 2 (16:21):
I don't know if you should find out.
Speaker 1 (16:23):
I'm assuming because I feel like our when we do
stuff like that, it's it's not something we've completely made up.
Speaker 2 (16:29):
Yeah, it's basically based on something.
Speaker 1 (16:31):
Yeah, it's usually based on something that really is up
and coming in some medical Yeah.
Speaker 2 (16:36):
So what's happening backstage that we don't know about in
the front as we're eating our cookies and watching Richard
and being worried that he's gonna win. Is that Jackson
and Catherine are bickering. Which watching it, I was like,
what are they wired? I know, I can remember either, Yeah,
what happening? And then something about a woman named Rebecca
Froyd and then how he's messed up and I'm like, wait,
(16:59):
what's happening. Yeah, he does something and now she's got
to clean it up and I don't know what it
is yet. And then because I haven't watched a long time,
I was like, I'm intrigued. Oh yeah, yeah, I was in.
I Yeah, I was in the whole time.
Speaker 1 (17:11):
I was in, from the the minute I was had
the mouse, I was in.
Speaker 2 (17:16):
Yeah. I do.
Speaker 1 (17:18):
I like it when there's a little competition on Grays Yeah,
I like it, you know, like just you know, just
naturally amongst the characters.
Speaker 2 (17:24):
I think it adds some spice to it.
Speaker 1 (17:27):
I wrote, Okay, so then we sort of cut to you.
Speaker 2 (17:33):
Be you being paged, being paged. Yeah, that's so. Now
you go to me coming around the corner. Yeah, seemingly
nine to one one, which I've helped this couple with
their babies, so clearly I must think that something's very wrong.
Come around the corner, and then they hit me with
they need those cookies back. Yeah. I cannot give them
(17:55):
those cookies back. So they cooked it with like, uh,
they made the cookies.
Speaker 1 (17:59):
With the cannabis peanut butter.
Speaker 2 (18:03):
Those are some pot cookies. Those are some pot cookies.
I laughed out loud at.
Speaker 1 (18:09):
Your weird slow walk back into the auditorium where I'm like,
she's already a little high and she doesn't know.
Speaker 2 (18:16):
How to deal with this.
Speaker 1 (18:17):
I literally put like I was laughing so hard it
made me giggle.
Speaker 2 (18:19):
It's like this really awkward walk. And this is what
I love about episodes like this.
Speaker 1 (18:24):
We do with so many serious episodes on Grace for
good reason, right, Like we're dealing with life and death
and relationships and stuff. When we get to play like
this and do some of this physical comedy that we
get to do this episode or you guys get to
do it's so fun Yeah.
Speaker 2 (18:39):
Yeah, yeah it is. It is. And also certain people
do sort of like know how to do that right,
Like are kind of great with that. I mean some
of the care some of the actors are like great
with everything right, but some of us, like we've got
different instruments, We've got different tools, ryeah. And so some
(18:59):
are so good, like you bring up a you bring
up a sad scene and they are fucking aces. They're
like yeah, and everyone else is like damn, how'd you
do that? Right? But then there's like funny ones, and
so everybody gets to sort of sort of flex their
talents in different ways. But anyways, so so, yes, I
remember sliding into there, and I also remember standing there
and being like, how do I get their attention?
Speaker 1 (19:21):
Yes, So I want to talk about this little moment
with Arizona when she tells Joe and Meredith for the
first time, because I think watching it back, because I
know this, I think that you can tell that Ellen
and I are really trying very hard not to laugh
because you remember filming that scene. It was so funny
(19:44):
that we were laughing. Just that little moment the three
of us were laughing over and over, and I can tell, like,
I mean, we do a good job of playing the moment,
but I know underneath the real situation was that we really.
Speaker 2 (19:57):
Wanted to pee your pants.
Speaker 1 (19:58):
When you're like Ohsa and we're like who eight the cookies?
And then they do the scan around the room like.
Speaker 2 (20:04):
Question is who didn't? Yeah, you're like who didn't?
Speaker 1 (20:06):
And then and then my actually I didn't remember this
moment either. When they cut to Jackson and Jackson's like
vagina's Vaginas I came out of this one, I was like, damn, Julie,
you're so good at writing.
Speaker 2 (20:17):
This is so funny. Yeah, yeah, that was really funny.
I love Yeah, I loved that too.
Speaker 1 (20:22):
And then I loved the decision in the show where
they're like, uh, Meredith, I think it's it's Meredith that
gets to Guz asks who who ate the cookies? And
there's rat poison. I do think it's funny that we
went with rat poison, yeah over something else. And then
you forget to raise your hand and I nudg you.
I remember finding that moment really funny to film too.
Speaker 2 (20:44):
That was funny too, Yeah, because I because yeah, well
I think and I think that that was actually dare
I say my own choice? Yes, I think I was like, oh,
I'm not gonna yeah, raise my hand, a little improvisation situation,
and then you and then it was your idea to
nudge me, and I was like, oh yeah, yeah, yeah, yeah,
yeah yeah yeah. So then we end up having the
(21:06):
meeting backstage. Yes, by the way, I don't even know what.
Speaker 1 (21:10):
That room is, and I don't know if we've ever
filmed in that room. Since I have no idea what
that room is. Hm, I feel like it was created.
I'm probably wrong, and then I'll get messages on this.
But listen, I'm rewatching this too. My memory is not
so great. This is years ago. I think that little
side room was made. I just don't remember ever seeing
it again.
Speaker 2 (21:31):
Yeah. Well, sometimes they come up with these spaces and
we never seen that. We've never seen him before, we've
never seen him since. Okay, So then she comes back
(21:52):
and she says that what's obvious, which is that none
of us, whoever has had any of these cookies cannot
be a doctor today. So then we all sort of
then hair off. So it's de Luca, Maggie and I
because Maggie wanders off and I'm like, I gotta get her.
Pairs runs off.
Speaker 1 (22:06):
Okay, but I think we need to talk about something
because within that scene, there was like a panning across
of everybody, right, and everyone started.
Speaker 2 (22:14):
To like you could see the effects right.
Speaker 1 (22:15):
Like you know Andrew's comatoes, there's I think Jackson sniffs
a pillow and puts it down, and a conversation started
of what being high like that physically feels like an
is and do you remember this whole conversation like you're
not on psychedelics, you're because some of us, initially I
(22:40):
think we're taking it too far where we were almost
like we were, you know, tripping.
Speaker 2 (22:44):
Balls Yep, definitely on LSD.
Speaker 1 (22:47):
Yeah, Yeah, it was more of an LSD like you're
a Woodstock kind of situation. And so we had we
had we had a drug conversation like, yeah.
Speaker 2 (22:55):
They were one head band and a pair of bell
bottoms away from trip and balls on a stage in Woodstock. Yeah. Well,
so there was.
Speaker 1 (23:03):
A conversation about like, hey, this isn't this isn't LSD.
Speaker 2 (23:07):
Yeah, do you remember that? And then I think it
was sort of right sized, right, everybody went, oh, right, okay,
and then yeah, because we also had I remember also
that every actor had a different way of doing it.
But I remember one actor really had created their timeline
so they like, on a scale of one to ten
how high they were going to be. Oh that's great.
So every time we got to that scene, they were like, oh,
(23:28):
I'm I'm at a four here. Oh that's smart, because
if you don't know this, which maybe you don't, we
don't shoot the scenes in order, so we jump around
all the different scenes, and so to know how high
or not high you were, they had like put down
where they were in their character's highness, which I completely stole.
I stole that and also did my own scale of
(23:49):
one to ten for all the scenes, because again, how
can you remember if you're bopping around? Yes, and I do.
Speaker 1 (23:55):
I remember was we take all your phones in those scenes,
And I remember Maggie has this line this like you
look so pretty, you look like a cartoon, and trying
not to laugh every time she said it to me
because it was just so she I mean.
Speaker 2 (24:07):
Kelly's so funny.
Speaker 1 (24:08):
I think you just brought that up to bring up
up pretty you are again, And it was hard being
that pretty that day I can imagine it was No.
I thought that line was very funny, and yeah, it
was difficult being that gorgeous. I know, I did laugh
at the walk Pierce runs off, Andrew's just floating around
the hospital and that's he's stroking the walls. And the
next scene, oh oh.
Speaker 2 (24:29):
Oh, we missed it out.
Speaker 1 (24:30):
So then it cuts to this whole other storyline that
I totally forgot about.
Speaker 2 (24:34):
It the Foster Ohen Yeah, yeah, yeah, no, this is
where it goes.
Speaker 1 (24:37):
Yes, we go off and then it goes to and
then I was trying to remember, are they together, like
I was trying to figure out.
Speaker 2 (24:44):
I thought, that's Owen married. Yeah, and then I also,
I'm just being honest. I also thought, oh, man, because
lord knows, it's happened to me a million times. When
you when you're the other storyline, like when there's definitely
a storyline that's got like all the bells and whistles
and stars and stress and pizzazz, and then you're in
(25:07):
the storyline that's like the b storyline. Yeah, you're you
have a cold at home. Yeah, And so we go
to Owen finding out that he's gonna get a baby. Well,
he's gonna get a foster child, and it's not going
to be a child.
Speaker 1 (25:21):
It's gonna be a baby. Yes, it's gonna be our baby.
I do this as an actor on this show. I
also like to visually snoop around people's houses, like what
kind of stuff, you know, because I'm like, Owen's house
to me, looked good and I was like, you know what, maybe.
Speaker 2 (25:37):
Joe needs a little bookshelf like that.
Speaker 1 (25:41):
You know. At the time, she was in the loft too,
I think, so I was like, Wow, he's got he's
got a good setup there at the Owen household.
Speaker 2 (25:48):
Yep. So then he calls Amelia and says, can you
help me out? And she seems pretty willing. Meanwhile, this
is a little bit where logic runs out the door,
because don't they like need all hands on deck with
all those doctors. Shouldn't she have stayed? They shouldn't Owe
actually have been called in. Owen should have been.
Speaker 1 (26:06):
Yeah, and they absolutely should have been called in.
Speaker 2 (26:10):
They got no doctors.
Speaker 1 (26:11):
They don't have no doctors, no, no one, no high
doctors exactly right.
Speaker 2 (26:16):
But she comes in and it's funny.
Speaker 1 (26:18):
I could not figure out if they were together or not,
because uh, Katerina and Kevin have such really they have
really good chemistry on camera, and the only way I
could figure out if they were married is is I
looked for their ring fingers. I was like, wait, are like,
what's going on? And then I had totally also forgotten
that they basically fostered a baby together, and I think
(26:42):
he ends up adopting the baby.
Speaker 2 (26:44):
Does he have a child? Now?
Speaker 1 (26:45):
I don't know he does, but like you know, Grays,
you know, it's like hard for me to remember these
things anyway, So it's it does set up that storyline,
and then we do cut back and to the hospital.
Andrew is stroking the the wall, Maggie is running.
Speaker 2 (27:02):
And then when Maggie tells Arizona that she's never ever
been high before and that she's not she doesn't make
a choice when she gets drunk, so she thinks that
she needs to be alone. Arizona's like, you cannot leave
me alone. I need to be with someone, and is
that when you bring it.
Speaker 1 (27:17):
Maybe that's not the moment, but you end up you
do end up bringing them into that room.
Speaker 2 (27:20):
I forget what that room is. No, I think we
go into a different room at that point. But then
so before Amelia goes to Owen's, she goes into her
lab and she finds Alex, and Alex is very apparently hot.
Speaker 1 (27:32):
Reveal of Alex in that like I put weird science
in my notes.
Speaker 2 (27:37):
I don't even know what it is.
Speaker 1 (27:38):
It looked like in Back to the Future when Doc
is wearing that thing on his head.
Speaker 2 (27:42):
That's what it reminded me of. It cracked me up
because I don't.
Speaker 1 (27:46):
Think Alex appears in the big auditorium scene, or at
least we don't see him, and so it's just revealed.
Of course at some point he's had his hands in
that cookie jar. Oh yeah, it's perfect Alex Karev. And
it's a very funny reveal. And so he's he gets
(28:08):
evacuated from the hospital and he's then you know, that's
where that storyline is coming with me, is coming with me.
Speaker 2 (28:15):
Meanwhile, Jackson and Catherine are back, and then it cuts
back and I wrote down thirteen women. Yeah.
Speaker 1 (28:24):
Yeah, so this this storyline, even though they're high, these
two together are sort of working through the reveal and
truth of this that I think it was a great
storyline because we'll talk.
Speaker 2 (28:39):
About this at some point.
Speaker 1 (28:39):
But Katherine, it kind of explains the position she was
in and that times have changed, and she you know.
Speaker 2 (28:45):
Well because well at this point, I think she's really
just saying, listen, there's stuff you didn't know. Now you're
going to have to be a big boy and no,
and I'm going to tell you what happened. And he's
all full of judgment and like this is so bad,
how could you do this? It starts to set up that, yeah,
this is so bad, and they're thirteen women and it's
it's all very much. It seems like it's very directionally
(29:08):
going at Catherine like she's done something wrong. Meanwhile, they
don't know that April is there, and she overhears the
whole conversation. Yeah, she does that creepy, little like weird
slide out at the end by the door.
Speaker 1 (29:18):
Yeah.
Speaker 2 (29:19):
Yeah, yeah, so now she's ever heard this. Now, now
you find out that it affects the whole hospital. Yes, yeah.
So Meredith is like, we're done. We're canceling surgeries, all
all the surgeries that are elective or can be postponed.
We're cut, we're cutting. And then she sees the interns
and this was the part where I was actually a
bit like I had to question myself.
Speaker 1 (29:39):
I want to talk about this moment too, because this
is a moment where I'm talking to the interns, just
sort of with Meredith, and first off, I was like, oh,
Blue Life, Blue Scrubs, Like it brought me back a
little bit. I was like, oh, And it was also
a little bit where we got to play a little
a little comedy and a little like improvvness with the
playfulness of Joe being in charge to the interns. I
(30:00):
haven't seen that intern class in a long time, so
I used to like see all those faces. Yeah, but yeah,
so that in that moment, it gets revealed, right that
one of the one of the one of the guys
is lying.
Speaker 2 (30:13):
No, it's not revealed though, he just they all deny
it and you and if you were really paying attention,
you would remember that Vic was there and he did
have a cookie, but it wasn't like featured, so it
wasn't like he's lying. He's lying. He's lying.
Speaker 1 (30:24):
Well, isn't there like a punch in on him? Maybe
in that moment maybe, But my point is I missed it.
I think there's a little punchin on him that's like
a wink wink, Remember those guys a little bell a liar.
Speaker 2 (30:34):
Yeah, yeah, yeah, he's yeah, he seems a little sparmy. Okay.
So then something happens that I forgot that I think
is such a genius Julie Wong touch, which is that
Meredith gets a page that's nine to one one, so
she from Bailey. So she goes to ba Bailey's o
R and you forgot that Bailey had a cookie and
she's like, I'm feeling a little dizzy and like yes, and.
Speaker 1 (30:54):
You're like, not Bailey, Yes, and shout out to our
director because that like that you I don't know what
that camera thing is the it's also stupid where the
background's moving but you're a still and it really does
feel trippy. Loved all of that in the whole episode
because it's used multiple times and it does disorientate your
disorient tid disoriented. And and by the way, this is
(31:19):
the I feel like, this is the first moment that
we see Levi and Jake.
Speaker 2 (31:22):
Brella looks so young and he's got his glasses on.
Speaker 1 (31:26):
The glasses on so cute. But yes, she can't she's tripping.
She's tripping the balls.
Speaker 2 (31:33):
So Meredith is like, don't worry, I got you. I'm
gonna take this over because it's already started, so we
can't push this off. And then while she's saying, are
you sure I got you? Sure you got you, she
closes the door on Meredith's hand. On the hand, there's
a hand.
Speaker 1 (31:46):
Now Meredith can't and by the way, that is you
cannot squish Meredith Gray's hand. No, that's a dicey situation.
Wait why oh, just Jake, because it's Meredith great.
Speaker 2 (31:59):
Are he can't hurt her? We've hurt her a lot.
Speaker 1 (32:02):
We've hurt her a lot, but like we have her,
but she needs the hands are important.
Speaker 2 (32:06):
The show has almost drowned her. It is almost It's true.
It's true. Yes, but you taking issue with the hand
in the door. The door, the hand in the door.
It frightened me, jump scare for me. When I was watching,
I was not okay. So she's not going to be
able to do this surgery. So who is Joe Wilson?
Who's going to do this surgery? Joe Wilson? And do
(32:29):
you know what I got to get that?
Speaker 1 (32:30):
I got to get them a little behind the scenes
about this because there was and still sort of is
a running joke that all Joe ever did in any
surgery was suction.
Speaker 2 (32:42):
That was a joke that happened to a lot of people.
There were a lot of people who were just suctioners.
Speaker 1 (32:46):
We and so and so this was a moment that I,
I don't know, Jessin Williams loves to give me the
little pokey bokes about the I only do a suction.
This was a moment where it was Joe's time to shine. Yeah,
and I remember is an actor being like, hell, yeah, Joe,
you get your.
Speaker 2 (33:03):
Butt in there.
Speaker 1 (33:03):
I mean, that's not how she felt. She was like,
you get a scalpel. She was, yeah, you get a
scalpel and you go in. So I was very excited.
Speaker 2 (33:12):
Because you're a real doctor. I love that. And that's
the bad assery. Yeah, and when you're in light blue
scrubs like those moments, that's real. That's almost like going
back to season one, right, Yeah, yeah, I love that.
So just as an actor, it's like, yes, no suction.
So then I mean, again, I give them all the
love in the world, but just because I don't know,
maybe we're not going to be here for twelve hours. Uh,
(33:34):
Then all the Amelia and Alex stuff is happening at
Owen's house and they're cleaning up the house and.
Speaker 1 (33:39):
I know, but you know what, I did love all
those scenes, even though it was he did too, but
it was so funny.
Speaker 2 (33:46):
Yeah, we we We're back there.
Speaker 1 (33:48):
Alex is scoffing all of the snacks and cracking cracking
me up.
Speaker 2 (33:53):
And I love that, like I love that.
Speaker 1 (33:55):
It's him because of course he's the only character that's
going to be like and he literally says, you are
so screwed right now. He's he's the opposite of Amelia.
Speaker 2 (34:05):
He's not you got this. He's like, you don't got this.
He's like, you absolutely don't got this.
Speaker 1 (34:08):
And he's laughing and there's like chips coming out of
his mouth, and it's just you needed Alex there for
that moment for sure.
Speaker 2 (34:16):
Yeah, very funny, Julie. But there's something about his character
where even though he's saying you don't got this, you
still know you do because he's not freaking out. He's
kind of like always got this. Like there's a lightness
to like he's chuckling at you, which makes you feel
like it can't be that bad. He's just kind of laughing.
It's gonna be okay. I think I don't know.
Speaker 1 (34:37):
I mean, like, I don't I think he really thinks
he's probably a little bit screwed.
Speaker 2 (34:44):
But okay, so he tells me he screwed that we
go back to the skills lap.
Speaker 1 (34:50):
And you I put down in my notes Arizona is
guarding a weed prison. Yes, that's what that room feels
like to me. Where you guys were on the couch.
Speaker 2 (35:01):
He's okay.
Speaker 1 (35:01):
So Andrew's like, he's on the he's on the floor,
and he's I forget Janine's character's name, Janny Mason. I
just loved Janine so much. She was so great. She
was so she only because she got a big job.
Speaker 2 (35:14):
She got like some big show from there, right she did.
Speaker 1 (35:16):
She got roswell, she got a fancy show, right right,
and of course she got it because she's fantastic. And
just even seeing a glimpse of her face on the
laying next to de Luca, I was like.
Speaker 2 (35:27):
Sam Bellow. She played doctor sam Bello.
Speaker 1 (35:30):
That's right, yeah, sam Bello, she played sam Bello. Seeing
her gorgeous.
Speaker 2 (35:34):
Face, yeah, the nicest actress.
Speaker 1 (35:37):
It made me feel like Andrew, I was like, you
know what, I'm heartbroken too that we we lost her.
But this scene is so funny between you guys. Do
you remember filming this because she's banging on about cheese
and you're talking about Karina.
Speaker 2 (35:50):
Yeah, yeah, yeah, yeah that's what. That's the room where
I felt like we were the longest, at least filming
the longest.
Speaker 1 (35:55):
Yeah.
Speaker 2 (35:55):
She starts talking about cheese and then I'm on the couch.
I remember it was a leather couch and it was
squeak every time. I was a squeaky Yes, it just
makes it. You got to watch that for sound, yeah
and bow and sound would be like apshaw, stop moving.
Yeah yeah yeah, so I was very still yeah yeah,
which kind of worked.
Speaker 1 (36:16):
Yeah.
Speaker 2 (36:16):
Yeah.
Speaker 1 (36:17):
Do you remember finding it hard to get through that
scene because she's like Swiss?
Speaker 2 (36:22):
Yes, we had I would have last for each other.
But also we had no prompts. It was like none
of our lines. Normally, in a conversation, your line makes
sense because of what the other character said right before you,
but in this situation, all of our lines were We
were just having conversations with ourselves. Yeah, and then they
were but then there was like someone else that was talking,
(36:43):
like interjecting. Totally nonlinear to what you were saying. And
so I found this kind of interesting because you know,
I always found Arizona to be so confident, Like you
didn't see her question herself a lot, Like she was
always very from being lesbianic to like never having questioned
(37:06):
her sexuality as a kid, which is like who does that?
That's a superhero? Like just always straight straight, well not straight,
but very straight about her ideas, like knowing exactly who
she was and what she was, and so you don't
see a lot of you don't see her insecurities so much,
you don't see her questioning herself so much, And so
(37:28):
I thought it was kind of interesting that there she
was talking about whether or not she was going too
fast with Karina, but then she starts talking about having
been ghosted, and then she talks about having been left
and then and so you have like this like triple
packed punch of Arizona going huh. I heard her saying,
am I not good enough? Right? Like? Am I not?
(37:50):
Am I not someone that people stay for?
Speaker 1 (37:54):
Do you remember in this episode when you're playing these scenes,
do you remember? Because I thought the episode was going
to end with you breaking up with Karina, and so
I was quite surprised. We can talk about this at
the end. Do you remember the filming this, whether you
feel like Arizona was going to you felt like it
(38:16):
was going to be starting to lean out of the
relationship as opposed to lean in.
Speaker 2 (38:20):
I think that maybe the reason that you might have
thought that was because she had the slip where she
was talking about Calie.
Speaker 1 (38:26):
She does later, yes, but even saying like we're moving
too fast?
Speaker 2 (38:31):
Am I moving too fast?
Speaker 1 (38:33):
I don't know, I kind of okay, No, I mean
you player, you tell me.
Speaker 2 (38:38):
I wish that they had had more scenes where you
saw what they like so much about each other, because
you really just had to guess, like, you know, it
worked for us to be together, and we had that
very funny first scene where we're like, yeah, making out,
But it wasn't like you didn't see us like becoming
(38:59):
friends too, Like you didn't see us becoming like deepening
the relationship and figuring out what we liked so much
Buddy to Anyways, Yes, she's talking about cheese and then
(39:21):
it goes back.
Speaker 1 (39:22):
To Bailey by which, yes, they're so funny. I love you,
don't You don't see these two characters together very much.
Both of them say they've never done pop before, and
and it just starts to set up this amazing twosome
that we again don't see much and uh and and
(39:45):
and where it goes from there, But it's the beginning
really of those two.
Speaker 2 (39:49):
In another we Jail Another where April starts it off
with I know something I heard something that I shouldn't
have heard and end of an era.
Speaker 1 (40:01):
At the end of a bad, bad era, and you're like, oh, You're.
Speaker 2 (40:06):
Like, well, I guess she wasn't going to keep that
secret for sure.
Speaker 1 (40:09):
Well you're kind of like you're kind of wondering, like
how what you know? Because she's high, Like it is
intriguing because you're like, what has she heard? How she
interpreted it? Is she gonna spill all the beans?
Speaker 2 (40:21):
Yeah?
Speaker 1 (40:22):
Yeah?
Speaker 2 (40:23):
And to Bailey, yeah yeah, of all people, who's just
I mean, honestly, she's she's just I don't know, I
can't even come up with a right word for what
Bailey is, but she's definitely like she just seems like
she's the one. She's like the I want to say
that oracle. It's not the oracle she's like, but she's
(40:44):
like the if you wanted to know whether something was
fair or not, you'd go to Bailey. She seems like
she's the person who just has all the answers. Yeah,
she does, and she would figure it out. She'd be
my phone a friend, you know, like if you call it.
Speaker 1 (40:57):
You have an opportunity to call someone that Bailey can
also cause her ruckus when she knows yes, and so
you know that this information is not gonna it's not
gonna be smooth sailing by any means.
Speaker 2 (41:07):
No, no, no, no, no no.
Speaker 1 (41:09):
So then cut to Miss Joe Wilson in her surgery. Yep,
and I wanted to shout out to Linda Kleine, Linda Kohn.
Speaker 2 (41:17):
I say, bring the scans over, and we need to
talk about Linda Klein. So Linda, and she goes, yes doctor,
which I love her, love yes doctor.
Speaker 1 (41:24):
Yes, Linda makes me feel so good. So Linda's a
real surgeon. She's an executive producer on our show. She's
been here like literally since the beginning of time.
Speaker 2 (41:35):
She was on Niptock before.
Speaker 1 (41:38):
And she is the one that actually during scenes, she
during the or scenes or any of these medical scenes,
she comes in. She Corey Grass that she tells us
what we're doing wrong, What we need to do right
mostly what we're doing wrong.
Speaker 2 (41:50):
She is the absolutely best. I mean it is the best.
Talk about like the heartbeat of a show.
Speaker 1 (41:56):
I mean, yes, so she's just bringing scans to me,
but really that she is the doctor, the real doctor.
God in the room is Linda Klein. And I did
get a kick out of her saying yes, doctor, Yes.
Speaker 2 (42:09):
I told I I saw her. And whenever I see her,
it's like, oh, yes, I'm so happy. Bokey's in the
room too.
Speaker 1 (42:14):
Bokey is in that surgery too, and Bokey has been
with us forever.
Speaker 2 (42:18):
Quick quick story, real quick.
Speaker 1 (42:20):
When I very first started the show, how I met
Bokey is that Shanda Rhimes before I even no maybe
i'd filmed something, but she sent me to watch a
real surgery and Bokey was doing that real surgery, open
heart surgery. And that's the first time I met her.
She helped me scrub in. She's just doing anything, scrub
nurse and so h So Bokey's there and Joe and LEVI,
(42:43):
you know, like they're not friends really yet, I think,
but but they obviously slept together at this point. But
it's fun that I love it when they're own surgery
is together. Then it's backed to Jackson and MoMA Avery.
Speaker 2 (42:57):
Yep, and they're going to get into it. They're going
to get into it because he's freaking out and he's
not understanding why his mom is so calm because it's
all new information to him. So then they kind of
get into the whole thing about reminding us that they're
actually both high too, so they are both high while
(43:18):
this guy saying very big thing.
Speaker 1 (43:19):
These two are the most I think these two are
the most grounded high for sure.
Speaker 2 (43:26):
Yeah, okay, for sure. Then we're back because then we're back.
Speaker 1 (43:30):
To Owen and uh and Alex Kreb is not a
grounded high Alex Kreb has made a chip baby.
Speaker 2 (43:36):
Oh man, I remember when the table read these moments
with Alex.
Speaker 1 (43:40):
Being high and just thinking it was so hysterical because
then the baby comes in and Alex pretends he's there,
he's supposed to be in the back room, but it
smells like Owen or something smells too much like oh.
Speaker 2 (43:53):
Yes, guess yes, but wait, also just to go back
because I actually thought that like wow, because there's things
that are in you know, headlines right now that are
quite that touched on the same topic. But I actually
took I took a screenshot.
Speaker 1 (44:10):
Of it, so I was like, you know what, Oh,
let me see what is it?
Speaker 2 (44:13):
Well, no, it's the words to the scene because when
Jackson really gives Catherine a hard time and says like,
what the heck, like, you don't get to do that?
Why did you get why did you keep this a secret?
And she come she starts to come back at him
because she realizes something, and she says to him, no, no, no,
(44:34):
you do not get to do that. You do not
get to stand there in judgment of me thirty years ago,
getting harassed at work, getting groped at work wasn't something
we could protest. It was something we had to take
with our morning coffee. It was part of the job.
And if we made a noise, if we fussed, we
were told we were overreacting, and more often than not,
we lost the job and our reputation along with it.
(44:55):
I was not then who I am now. I didn't
have the voice then that I have now. I had choices.
I could stand there and let your grandfather fire those
women and drag them through the mud, or I could
make sure they got some money a leg to stand
on a path to move forward. I'm not ashamed of myself, Jackson,
but I am ashamed of what your grandfather did. And
I'm so sorry that now you have to carry that
(45:15):
burden along with me. Did you pull up the script?
Did you go back and google the script in your phone?
I to, well, when I was watching it, I had
the captions on. Oh yeah, and I screenshot every single
line because I was like, I had to go.
Speaker 1 (45:31):
Back because I was like, oh, good, Julie, so glad
we went back, Julie.
Speaker 2 (45:36):
Those are such I mean.
Speaker 1 (45:37):
So it just this is what this is what I love,
love love about Crazy Anatomy so much as these writers
are so good, and it started so early from episode one,
and it just has carried on and we are talking
about season fourteen right now, this episode of season fourteen,
and it keeps doing it, which is just illuminating the challenge,
(45:58):
illuminating the hardship and things are not simple, and sexual
harassment is not simple.
Speaker 2 (46:04):
It is very nuanced, and each situation in which it
occurs is obviously individual, but how often, no matter, what
seems to be associated with sexual harassment is that the
woman did something wrong, that she overreacted, that she you
know that she did something, and almost always it seems
(46:28):
like it's the woman that gets blamed. And I mean,
if you go after listen, if you start looking around
at everything that anyone's ever done in their life, you're
likely to find something. Right. But I think that we
lose sight of the point, which is that all that
matters is the sexual harassment. In a court of law
or in a court of public opinion, all the matters
is the offense. Who the person was or how they
(46:49):
dealt with it is not the issue. Anyways, I digress. No, No,
I think it's a great I don't.
Speaker 1 (46:56):
Yeah, I don't want to skip over it, to be honest,
because I think that one thing that it makes you
ruminate about is that and this still happens, is this
is not not you can there's still a feeling that
you can't speak up for many many reasons and all
different kinds of environments and jobs and family and all
(47:16):
the things. And I think that women were have this
expert level of finding ways to shake it off, laugh
it off, yeah, make a joke of it, make it
highte like, however you needed to deal And I think
that we deal with this in so many episodes on Graze.
Speaker 2 (47:38):
But this speech of hers taking.
Speaker 1 (47:40):
It with your morning coffee, that line is fantastic because
it feels it for a time and for some people
it still does.
Speaker 2 (47:48):
It feels like that's just part of life. Just endure it.
Speaker 1 (47:52):
Yeah, yeah, okay, glad we went back. I'm so glad
you took pictures of that, right that that was probably
the most important moment of the whole show. But we
do go back to uh, to Alex Greb and his
crushed chip baby and the and the baby arriving, and
(48:13):
then we go to Richard and the weak cookies.
Speaker 2 (48:20):
Yes, and now he's now at least we have another
responsible doctor. We have someone else, thank god.
Speaker 1 (48:27):
At this point we're like using the janitor for like surgeries.
We have someone that did not take the wee cookies.
And then we're dealing with an intern who is high
doctor Roy and a central.
Speaker 2 (48:44):
Line, yeah, because he responds to he responds.
Speaker 1 (48:47):
To uh, you know, being paged and someone needs a
central line and he doesn't want to do it. And
then we get to see Helmum Parker. These are our interns.
We haven't seen it so long, I mean, how we
still have the show. But yeah, I knew when we
were reading this at the table read, I was like,
this is this is one of those dramas where you know,
(49:09):
because we tend on the show to you know, not
everyone makes it.
Speaker 2 (49:14):
It's part of the show always. I mean, it's been
part of that speech from.
Speaker 1 (49:17):
Day one, like look at the person next to you,
they may be gone, and so you know that that's
part of our storytelling. And when we got to that part,
I was like, oh, this may be the end for
this doctor.
Speaker 2 (49:29):
I was like, this doctor may be heading in well,
and it goes from bad to worse, right because you
know that he's hosed, but now he gets double hosed
because he ends up running into the part that has
the scalpel and then and it's pretty bad. Oh yeah.
Speaker 1 (49:46):
And we should say, by the way that like we
as actors, we are not always aware of who is leaving.
Sometimes we really do discover these things in the tape read.
I'm like, oh my god, that character's going that actor knows,
but like we, you know, it's not always discussed with
all of us and like a huge group meeting. So
it was still surprising that this is where the storyline
(50:06):
was going. But as we were reading the table read.
I was like, oh boy, then it's back to Miss
Joe Wilson and she's decided that the weber pen is
going to be used. I think we should talk about
redly quick because this is the surgery of the episode,
all of that stuff.
Speaker 2 (50:24):
That you're seeing. It's like, we have this body cat.
Speaker 1 (50:28):
We have this body like a torso basically, and it's
the middle is cut out. It looks like it's put out,
and it's almost like a bowl, right, like a rectangle bowl,
and we shove stuff in there, so that's like a
lot of plastic guts, and we fill it with blood
and all the things so that we can suction, and
we fill it with water. But I believe that's most
(50:52):
likely what's on the table. There is this this this
fake mannequin with a a hole in the middle. Yeah,
to make this all happen. But she comes up with
this great plan. She can use the weber pen so
that she doesn't maybe have to take out all of
the all of the organ and find where the cancer ends.
And uh and Levi assent on his way. But there's
(51:15):
also that back and forth with Meredith of like Joe
desperately wanting the answer and Meredith knows best. She knows
that Joe needs to figure this out by herself. She
already knows the answer, but she she needs to know it.
Then we go to the intern and I.
Speaker 2 (51:34):
Think you need to talk. I think you I'm gonna
hit it to you.
Speaker 1 (51:36):
How do we squirt blood on people along Gray's Nani
Jessica Capsuaw, what what is the way that we do that?
Because we do it all the time. Well, you mean,
like the technicality, like, let's let them know, like how
we make that happen on our show.
Speaker 2 (51:52):
Blood gets squirted all over God, And it's actually very
like technically, it's very very technical. They're like little balloons
of blood and they are like pellets or packets of blood,
and then when you perforate them, blood explodes because they've
got a little well, if there's someone standing off to
(52:12):
the side with a little air hose and they're like
make it, they're pumping it to make the blood squirt. Yeah, yeah,
so yeah, that's how it goes up a little tube
and it can as much or as little as you want.
But sometimes and sometimes when we're doing it, it doesn't work,
and we have often tiles. Sometimes we have top.
Speaker 1 (52:33):
Issues and we're waiting for an explosion of blood and things.
Speaker 2 (52:37):
Go wrong and that's the show business, baby, that's exactly right,
and what and the show must what go on? The
show must go on, all right. So then it goes
back to my weed prison, where Andrew is still hallucinating
and he's starting to see his girlfriend Sam and crying.
(52:58):
That broke my heart when he was crying. Oh, I know,
I hate that. Maggie is now on the dissection table
where the first and only time you've ever seen this thing,
but she's touching it the first time though I don't
seen it before. I don't.
Speaker 1 (53:13):
I think it may have been introduced in a different episode.
Maybe you tell us, guys, you tell us. But it
was a great use of that table.
Speaker 2 (53:20):
Yeah, yeah, and organs are showing up and then they're
going away, and she's touching it and she's manipulating it.
And then Arizona's laying there on the thing and the
couch again and she's talking about how with Karina it
feels right, and then she brings up Calli's name by accident,
and then Arizona wonders why she said that. But then
(53:41):
you plant that, like you know, there's still that part
of her life, and then she talks about how they.
Speaker 1 (53:47):
Drive her crazy and bid, yeah, I love that Arizona
is just spilling it because it is not an Arizona.
Speaker 2 (53:56):
You guys are not close friends. She's not a friend
of Arizona. Nope, nope, but she just she says it all.
But that's the this is the sad part when she
says when Arizona says, eventually everyone leaves her, and I
was like, I remember thinking back then that I didn't
know that my character felt that way.
Speaker 1 (54:14):
And I was like, oh, so, oh, I know that's
hard when you get those scripts and you're like, wait, yeah,
I feel that way.
Speaker 2 (54:21):
That sucks. Yeah, but that's but that's when she realizes
the why she's holding onto Krina so tight. Right, She's like,
oh my gosh, I can't let her go. I'm letting
this go so fast because I don't want to lose her.
Speaker 1 (54:32):
Yeah, but you had that little Freudian slip of CALLI baby,
I know, I know, it's all I mean, listen, this
is what we're talking about. This is when you know,
like you're wondering, is this ship gonna be a little
in between me? Or is it gonna set sail and
the little Cali slip was like, hmmm, this feels between
me between sexy sees.
Speaker 2 (54:53):
I mean, as you said earlier, I think that they
actually could have gone the distance. I think that they
could have been a compelling couple. Yeah.
Speaker 1 (55:00):
Yeah, there's something else happening in this scene.
Speaker 2 (55:03):
Maggie does lose the liver. Yeah, she finds that. She's like,
it's gone, and it's that's so funny. Okay, So I
think that you know, listen, you can't know what you
haven't learned yet. And this is our first rewatch, so
we had no idea how long it would take us
to talk about this, that and the other. But here
we are at a normal episode marker for our show,
(55:27):
and we still got a lot to talk about. And
I don't want to rush it. I don't want to
rush it. So I'm feeling like, maybe we push this
and we do a whole other episode that finishes this rewatch.
What do you think?
Speaker 1 (55:39):
I think we do that because I don't want to.
I I'm so excited about this. I feel like the
crew are so excited about this and this this episode
is jam packed.
Speaker 2 (55:49):
Yeah, and by the way, since this is our first one,
we may hear from you all. Hey, guess what. We
actually want you to speed it up and we want
to hear about it in one hour. That's great. We
will have learned well for this one. Let's call this
the end of the episode.