March 17, 2025 • 55 mins
Our Drama Queens try to figure out how Dan Scott went from living out his dreams to working alone in a rundown diner. They share all the behind-the-scenes fun they had filming the hootenanny wedding scene and which of Brooke and Julian's sweet moments they loved the most.
Plus, Alex proves her untrustworthiness once again and Kid Cudi and Erin steal the show with their incredible performances.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
First of all, you don't know me.
Speaker 2 (00:02):
We all about that high school drama girl, drauma girl,
all about.
Speaker 1 (00:06):
Them high school queens.
Speaker 3 (00:08):
We'll take you for a ride, and our comic.
Speaker 1 (00:10):
Girl sharing for the right trauma, Queens of girl fashion.
Speaker 3 (00:15):
But your tough girl, you could sit with us.
Speaker 2 (00:17):
Girl drama, queens drama, Queens drama, queens drama, drama, queens drama, queens.
Speaker 1 (00:25):
Kind of gorgeous faces, gorgeous friends and people we love.
I shouldn't start, go someone else do it?
Speaker 4 (00:33):
No, No, that stays in the episode.
Speaker 3 (00:36):
Keep going.
Speaker 1 (00:38):
Why does my brain work faster than my mouth? I'm
always like stumbling over my words because my brain is
like further down into the sentence then my mouth can
catch up to And then I start saying syllables that
don't make sense, and then I get self conscious about it.
Does that happen to anybody else?
Speaker 5 (00:51):
Well, it's like when a little kid is like running
slightly downhill too fast, and you see their legs start
to spin out of control and you're like, oh boy,
oh boy, out about to go to the er.
Speaker 4 (01:02):
It's part of your charm. Joy, It's part of your
magic that occasionally, you know, the words get jumbled up.
Speaker 1 (01:09):
It's just the occasional fumble, you know, are for the course. Well,
you know what didn't fumble? Was this episode?
Speaker 4 (01:17):
No?
Speaker 1 (01:18):
Oh no, you guys.
Speaker 4 (01:19):
Like safety Space says, maybe it did.
Speaker 1 (01:21):
No, I really liked this episode.
Speaker 4 (01:25):
Okay, first, let's just tell the people we watched. Season eight,
Episode ten lists plans airdate of November twentieth, twenty ten.
Synopsis reads in order to get an agent's license, Nathan
returns to college boy does he ever? Haley sets up
a concert at Trick featuring Kid Cuddy appearing as himself.
Julian helps Brook complete her bucket list she had made
(01:47):
before losing her company. Alex and Mia start a friendly
competition as they take over the bar at Trick. Meanwhile,
Quinn sneaks out of town to visit a fun familiar
face that was directed and written. No, it was. It
was written by Johnny Richardson and it was directed. Okay,
so you boked when Joy said this episode was great,
(02:08):
So lay on us.
Speaker 5 (02:09):
I did, because I felt like this episode kept giving
me whiplash. There were things about it that were so great.
I loved the teaser and the wedding nightmare I loved.
I thought, I actually thought all of Brooke and Julian's
stuff was so freaking sweet.
Speaker 1 (02:27):
Yes, Gangbusters just so good.
Speaker 5 (02:29):
And I loved all of your stuff, joy in the
way that everybody's sort of taking charge at Trick a
bit and at the record label, and Alex and me
are becoming friends, and that I felt like I was
in a completely different universe every time we cut to
the Quinn and Dan's stuff. Yeah, and I was like, Yeah,
(02:52):
what is happening? And also kudos to Paul and Chantelle
for being such good sports with the most absurd dialogue
I've ever heard two.
Speaker 3 (03:02):
People have to give each other.
Speaker 5 (03:04):
And I was like, how in one episode can our
show be nailing it and then also be embarrassing?
Speaker 3 (03:11):
And I couldn't. I couldn't make sense of it.
Speaker 4 (03:15):
Yes, I agree, we watched two talented actors do their
very best do the Lord's work with some highly questionable
dialogue and material. In general, First of all, it just
didn't make any sense. Okay, it didn't make sense for
a lot of reasons. One is Dan the only person
who works at this diner that has never had a
(03:37):
customer ever.
Speaker 3 (03:39):
Right, no other customers, no other people.
Speaker 1 (03:42):
As the lighting is like it's nighttime always in this dinastic.
Speaker 4 (03:47):
The reason that you have no customers is because it's lit,
like people go there to kill other people.
Speaker 5 (03:52):
Yes, hard spotlights on them. I don't know why they're
constantly moving around the diner. I got to a scene finally, However,
many scenes in, I was like.
Speaker 3 (04:02):
Is it night three?
Speaker 5 (04:03):
Have they spent three days in the diner together? Like
it's been daytime, it's been nighttime, it's been daytime, now
it's nighttime.
Speaker 3 (04:10):
It was so it pulled me.
Speaker 5 (04:13):
Out of the episode so much, and I'm so glad
we're seeing Dan and I get the device, and I
totally get the You're the only person I know that's
ever murdered anyone. But we're gonna believe that this woman
who's been shot and traumatized feels safe alone in the
dark with a murderer. Like none of it makes any
(04:36):
sense to me. And they did great with what they had. Yeah,
and I didn't get it also, Dan go.
Speaker 4 (04:45):
At one point, Dan says, you know, is this is
this the life you want? Having to live away from
everyone being isolated. It's like, sir, you had a nationally
broadcast a TV show, Yeah that was wildly successful that
you chose to walk away from like, you are not
an outcast, you just chose to be a hermit for
(05:05):
some reason. Also, the last time we saw him, he
was on some altruistic, you know, philanthropic stuff. He was like,
I'm giving it all away and I'm gonna help the world.
It's like, what happened on your journey that you decided.
I think I'd rather be bitter at a greasy spoon
diner that no one ever goes to.
Speaker 1 (05:25):
Okay, hold on, agreed. I can see all of that.
I feel all of that. Okay. As far as Quinn
feeling safe for the murder, I totally get that. However,
I think for me, I was like, Okay, she's trying
to prove to herself that she's tough and strong and
she can handle anything, which I can relate too. I
(05:47):
think a lot of women can relate to that. After
you've been through something traumatic, you want to put yourself
in another situation that feels difficult to prove in some
way to yourself that you can handle it. If you
felt like you were taken advantage of before, so that
the lighting in the diner was ridiculous, of course, and
it always felt like we were watching a different scene,
(06:07):
but for me, Quinn's dialogue felt honest. To her, Dan's
dialogue felt completely correct in the sense that he's trying
to convince her not to go kill someone. That's all
he's doing from the second she walks in and tells
(06:29):
him she wants to murder someone. All of the things
that he's doing is he's just trying to make it worse,
sound worse and worse and worse. Sure, you're not going
to end up killing anybody. So I don't know that
he's like bitter and angry and working at the diner.
I think he's playing the part of the guy that
she wants him to play. When so it was much
(06:52):
more interesting to me than that because I was watching
Dan do his manipulative Dan thing but having fun with it.
Speaker 3 (07:00):
I wish they'd showed us that, but didn't. He didn't
Paul show it to.
Speaker 1 (07:04):
You, like as an actor.
Speaker 5 (07:05):
Sure, Well, here's what I'm gonna say, Paul, I absolutely
understood that he was trying to push her till she
broke and decided she didn't want to do what he
had done. Yeah, but the way they directed it and
the way they wrote it and the way they did
his hair and the way everything about it didn't feel sure.
(07:29):
He looked he looked like a hot convict. But like again,
he was the star of a television. He was Doctor
Phil and now he's this guy, Like what it They
They put it in a scenario where it felt so
ridiculous that I didn't get to see Dan look around
at his life and then make some choices. It felt
(07:52):
like a hat on a hat, and I think they
had to act their way out of it, but I
don't think the choices made around it made any sense.
And I think you, as we do. You love Paul
and you love Dan Scott, and so it's like, well,
I see what they were, but I just I don't know.
I thought the episode was very well directed except for
(08:12):
this stuff, and so I didn't understand it.
Speaker 4 (08:16):
I also feel like, yeah, well it's he. He kind
of Dan was getting the guest star treatment where they
can just go away and we don't have to explain
anything about what they've been up to. We just bring
him back doing something else. And he's too big of
a character for that. So that I agree with, right,
But I gotta say, as we're talking about this, I'm
realizing because I'm with you, joy I, I don't. I
(08:40):
didn't really bump on the dialogue because I knew what
Dan was up to. I didn't bump on Quinn being
there because this is these are like extraordinary circumstances. Yeah,
so she she is not acting in her she's not
in her comfort zone, she's not in her right mind.
I honestly think it's it was an issue of aesthetic.
(09:00):
It was that this it was an empty diner, and
then it was like one swinging bulb.
Speaker 3 (09:06):
Yeah, it's like a Dick Tracy movie.
Speaker 5 (09:10):
And I'm like, why you have two great actors and
a great storyline.
Speaker 1 (09:15):
Why I'd done it in a populated diner or a
diner where people are coming in and out. It's regular daylight.
It doesn't look like an episode of children. And it's
like it feels much more like they're having a private,
quiet conversation. The waitress keeps coming and interrupting them. He's
taking the time off off a break, off the stove
or whatever, flipp and burgers. He's on his break. They're
talking in the corner. That feels much more dangerous. Actually,
(09:36):
to have a conversation like that in an open environment,
that would feel much more appropriate much and I think
everything else could have stayed the same in terms of
what was on the page. The choice was a bit
a bit of a juvenile choice, I think from a
director standpoint, to make that, yeah, lighting and the setup
look like that, And in that regard, it did really
(10:00):
make you feel like two completely separate episodes, particularly because
we start with this hoot Nanny wedding backyard wedding, so
it's like, Okay, we already got the kitch of something.
We don't need more kitch, we need more authenticity.
Speaker 4 (10:15):
Yeah, or he could have just gone to her hotel room,
you know, like met her at to have a private commerce.
It was just it felt like, well, we've got this set,
how do we mood it up? And it's it's weird.
By the way, this episode of this podcast should be
hot convict in a Dick Tracy movie saying it's good
jot down producers. Well, then let's go back to the
(10:37):
start and talk about the hoot Nanny.
Speaker 1 (10:39):
Oh, I had so much fun filming this. I did.
Speaker 4 (10:42):
I don't know if you I need to know about
it because I wasn't there for this, and to be honest,
I had zero collection that this even happened in the show,
so I was wildly entertained.
Speaker 3 (10:51):
It's great.
Speaker 1 (10:53):
Yeah, it was really fun. I had a ball, I mean,
especially being pregnant in that whole scenario with the like
the lawn chair and the rifle and the tweakie cake
and the flannel and all of it was just.
Speaker 3 (11:06):
And the kid drinking beer and the.
Speaker 4 (11:08):
Whole ridiculous monster truck.
Speaker 5 (11:11):
Yeah, the monster truck hitting the twinkie cake.
Speaker 4 (11:14):
Yes, listen, there was so many hilarious, outrageous elements to
that sequence. And you know, my favorite one was the
hanging meats in the background above the altar. Yeah, was
such a good touch by either set deck or art
department to remember and to put that in there in
(11:36):
Brooks Nightmare is the hanging meat at the web, yeah,
at the altar exactly just so fun.
Speaker 5 (11:44):
And I remember, you know, even Carol Cutshawl doing such
a great job because it's obviously supposed to be a reveal.
So we took the top of an actual wedding dress
that had like a white sequin bodice and cut off
the bottom and then she stitched these layers of denim
(12:06):
skirt with the you know, short front and the long
back so we could show the cowboy boots and it
would cut away from the veil and cut back and
there'd be a cowboy hat over.
Speaker 3 (12:14):
It and a whole thing.
Speaker 5 (12:16):
It was so much fun to build that world, and
they really leaned in.
Speaker 1 (12:22):
She was so I mean, she is so creative. Obviously,
she's having a wonderful career right now. We really should
do an episode about costumes and we just go through
the sort of iconic costume moments in our show, and
we need to bring in Carol and I mean, whoever
was there at the beginning. I think maybe Alfonso. I
can't remember that Carol was with us for the longest,
(12:44):
but that would be really fun to bring them in
and do it.
Speaker 4 (12:47):
We should also do a music one with Lindsay Wolfington
because at least a dozen times we've said that, and
it would just be fun to have her on for
an app and just pick her brain and hear stories. Yeah,
because she's going to get a nod in this episode
as well with.
Speaker 1 (12:59):
The kid Yeah, cutty, Yeah, this was This was great.
So the backyard wedding super fun. Took us a day
to shoot. Nathan and Elmer fudd hat just so funny.
Took the cake part in the pun. I guess.
Speaker 4 (13:27):
Let's talk about the cake, because I gotta say I'm
not mad at the idea of a Twinkie cake. I'm
interested to learn more. Yeah, doesn't it sound good?
Speaker 1 (13:37):
Kind of does?
Speaker 4 (13:38):
Is it a thing?
Speaker 3 (13:40):
I don't know if it's a thing, but it should be.
Speaker 1 (13:42):
It feels like it could be the like the brunch,
like a cake at the brunch the morning after, like
a fun little if you had a little barbecue brunch
the next day or something.
Speaker 4 (13:53):
Or like a cake you make for yourself when you're
going through a really bad breakout. Just sad. Cake soaks
up your years. It's easy to eat.
Speaker 1 (14:02):
Somebody on Etsy's making Twinkie cakes.
Speaker 3 (14:05):
Probably it's also a good thing.
Speaker 5 (14:06):
I mean, and they and they do it in the sequence,
but it's it's so pluckable.
Speaker 3 (14:11):
Yes, kind of a perk.
Speaker 4 (14:13):
Maybe we're onto something, guys, from the people that brought
you corn dogs comes the Twinkie cake.
Speaker 5 (14:20):
Not No, it was also nice to do something I
think so out of the ordinary, because everyone got to
be ridiculous.
Speaker 1 (14:30):
Jamie coming out of the no, out.
Speaker 3 (14:32):
Of the Oh my god, and.
Speaker 5 (14:37):
Especially Haley and Nathan are in such a good adult
place and it was fun to watch you and James
go nuts. Yeah, like the hooting and hollering and being ridiculous.
It gave you space to be so silly and you know,
you're in these big professional sort of moments where everyone's
(15:00):
grown up and fun but more serious, more mature, and
to see you both be you know, wild and crazy.
Speaker 3 (15:08):
It was really a good time.
Speaker 1 (15:10):
Rob.
Speaker 3 (15:10):
Why weren't you at the wedding?
Speaker 1 (15:11):
I don't understand why you weren't in this Like Chantelle.
Speaker 4 (15:14):
Was there, Apparently I am. You know, Clay was not
worthy of being in Brooks nightmare. Maybe she just thinks
he's such a great guy that he wouldn't participate in.
There's also the choice to have sweet, sweet Stephen Coletti
just in a dinghy in the middle of that pond
on his own. Was so funny and perfect. I had
(15:35):
to rewind it to go.
Speaker 1 (15:36):
Was that Stephen was so random? That was a fun day.
Speaker 4 (15:40):
She was great this episode. His stuff was fun. I'm
glad he's more involved the season.
Speaker 1 (15:45):
Me too. I loved Yes, I'm I'm really I continue
to show up more and more for Chase. Whatever he's
involved in. I'm like I want to I want to
see what's happening? Yeah, what is it?
Speaker 5 (15:54):
I also love his little side with you when the
girls are really vibing and he's just what He's like.
Speaker 1 (16:00):
You did this to me?
Speaker 3 (16:01):
Yeah, it's so great.
Speaker 1 (16:05):
Okay, So Brooke and Julian, this was my favorite part
of the whole episode. This was there was a lot
of you had a lot of like a Sara Disco
Parker energy, like it was very sex and the city
sort of vibe with this storyline. That's what struck me anyway.
But I just had so much fun watching watching Austin,
(16:30):
watching Austin play Julian. So he was having a ball,
like he was lit up all the time at every
little thing he was doing for you. And to see
Brooke just receiving it all and enjoying it all and
being loved on. You should wear red lipstick more often.
Your mouth looks like a pretty heart when you wear
red lipstick. It was so pretty. Learning French the sky diving,
(16:53):
I mean, you have so much to tell us about
all the adventures that you guys went on in this episode.
But I just really really loved this storyline, the whole
realm coram of it. I needed, I needed in my life.
Speaker 5 (17:03):
It was really fun just to do something adorable. And
and you know we've talked about this. All of our
characters go through these sort of trials and tribulations. It's
a drama, and there's these seasons of sort of sadness
or struggle whatever, and it's just so nice to see
these two have a good time. Yeah, And I love that,
(17:27):
you know, he figures out a way to bring some
levity and some joy and some romance into her life
when she is grieving this loss and also trying to
really trying to be in that place of I'm I'm
sad about this and I can't do the things I
(17:48):
thought I would and my life isn't going to be
what I thought it was.
Speaker 3 (17:51):
And he's like.
Speaker 5 (17:52):
Says, who, yeah, we can do things. We can have
a nice time, and it's just so's it's so sweet
and it's so refreshing, and I love seeing her, you know,
try to figure something out for the wedding and it's
not going to work and she's trying to stay positive
and gets in the car and then it starts, you know,
(18:13):
the French lesson starts. It's like everything is just so
the gestures aren't even that big. I mean, obviously the
sky diving is, but it's it's all these little things
that are just so genuinely kind and life.
Speaker 4 (18:28):
She shows he cares. It's also so funny that there
are these attempts that we've talked about so often to
emasculate Julian or make him look silly, and then he's
given material like this, and it's it's just it really
shows it kind of shines light on just how immature
the attempt at emasculation is, because it's things that like
(18:50):
women don't care if a guy is good at high
fiving or if he knows how to camp. It's like
what they are giving him is like he's a great partner,
he listens, he shows up, he's there, he's a teammate.
And so it's it's so funny that, like the attempts
to make him look silly are so overshadowed by episodes
(19:10):
like this where it's like this dude is so grounded
in himself and just so present and loving and awesome,
Like this is the ideal teammate. Yeah, so to do anything. Look,
he doesn't know how to high five. It's like, bfd,
what who cares? Dude? Who what Yet.
Speaker 1 (19:29):
This is the Julian that we hoped for. It feels
like such a great payoff after the journey that they've
been through after breaking up and all of the drama
with Alex, to see him growing and coming into fruition
of the man that he wants to be in, the
partner that he wants to be in, the partner that
Brooke needs and wants. It feels like a great payoff.
And the other great payoff is having watched Brooke hustle
(19:53):
for so so so long and gaining so much. I mean,
she she ran a multimillion dollar company. She's on top
of the world. She has everything that people think they want.
And to see her through all that time, there was
so much drama and struggle, and.
Speaker 3 (20:13):
It's so.
Speaker 1 (20:15):
Perfect that now that all the money's gone and she
really has no other choice but to discover the magic
of ordinary days and to discover the little things in life.
To see her so light and happy and enjoying the
sucking the marrow out of just daily life. It's it's
(20:35):
such a great over, like a huge long Seasons by
Seasons arc. That feels like a great payoff that that
we're getting to walk into with her. I'm really happy
they did this.
Speaker 4 (20:46):
There's also a great kind of blink and you miss
it line in that first scene I think with Brooke
and Julian, where Julian's just says something to the effect
I think Brook says like, aren't you worried about our
moms becoming friends? And he's like, I'm just glad I
got her out of the house, and one of you
says like, yeah, they're having like a girl's trip to
New York, And I just thought, dude, that is this
(21:08):
spinoff episode we desperately needed Sylvia. Could you imagine Sylvia
and Victoria do Manhattan? Just an episode of the two
of them.
Speaker 3 (21:18):
I want that.
Speaker 1 (21:19):
I really would want Barbara to show up at some
point as well.
Speaker 4 (21:22):
Yeah.
Speaker 1 (21:22):
I don't know how, but the three of them, that's
the trifecta.
Speaker 4 (21:27):
Yeah, someone's getting arrested, that's a shirt. If Barbara's there,
if ant Deb's in the mix.
Speaker 3 (21:33):
Yeah, that feels right. And to your point, Rob, the
way that.
Speaker 5 (21:38):
Austin leans into this stuff is so sweet, Like these
lines wind up being so funny, him being like, motorcycle
is a state of mind. And then you know in
the in the plane they do it again, and it's
actually just so funny. She's freaking out about skydiving. They
make that, you know, second best forty five second your
(22:00):
life joke, but like it works because he's in on
the joke and then he's quoting Hitch and it's like
it's all so silly and so much fun and it
is sweet to just see them have a good time together.
Speaker 4 (22:14):
And he owns his uncool that's the thing. Yeah, Because
Austin leans in and commits so hard earnestly. The payoff
on that joke is that he's not like, oh no,
it's I thought. He just like it's a great movie.
When you're like, are you really quoting Hitch? You brook
has that great language. She's like, we're fifteen thousand feet
in the air and a quarter of the plane is missing. Yeah,
(22:34):
did you just quote Hitch? You know? And he doesn't
like bach He goes, yeah, yeah, it's a great Yes,
it's a great movie. It's like that's Julian man, he
just owns it.
Speaker 1 (22:44):
Had you guys been skydiving before?
Speaker 5 (22:47):
Yeah, I had been a bunch, So I think I
don't know if that's why it wound up.
Speaker 3 (22:51):
On the list.
Speaker 1 (22:52):
Had Austin been before.
Speaker 5 (22:55):
I feel like probably I don't remember, but I feel
like he would have been. What was weird to me,
the whole thing was so spot on. And then what
was weird to me is that, you know, the the
stunt folks who did this jumped out of the plane
because obviously they weren't going to really let us jump
out of a plane. That's an insurance nightmare.
Speaker 1 (23:16):
But you've gone so many times in your life, so
it seemed like, okay, maybe they'll just.
Speaker 5 (23:21):
Yeah, no, they they would not have just insurance to
the show would never have allowed that. But what was
so weird to me is that, you know, whoever did
those shots on Second Unit the skydivers jumped solo. I'm like, you,
nobody's allowed to jump solo their first time skydive.
Speaker 1 (23:42):
Yeah, the two of them in tandem, Like you two.
Speaker 5 (23:44):
We know we both would have to be tandem jumping
with an instructor. It's like we would be strapped to instructors, right.
We would never have been allowed to jump out of
the plane on our own.
Speaker 3 (23:56):
Yeah.
Speaker 5 (23:56):
The first time, I was like, well, that sort of took.
Speaker 4 (23:59):
Me out of it. I went though they gave us
the option, They were like, what can you do a
twenty minute class and jump with an instructor tandem, or
you can do a four hour class and jump by yourself,
to which, of course, I'm like, are you going, Hi? No,
I want the person strapped to my back. I do. No,
I'm not that good of a student. But but here's
(24:19):
the deal. Brooke wouldn't have done that. No, YEA like, no,
strap the person to my back. I'm not going to
be responsible for that. I might black out. Yeah, so crazy.
Speaker 5 (24:30):
I thought the whole thing was so sweet. I was like, whatever,
give it, give it the license. But it was a
moment where I was thinking, yeah, fucking right, she's screaming
about how she's terrified, and then it's like, all right,
psych and dives out come on.
Speaker 1 (24:44):
At least your jumpsuits were cute.
Speaker 5 (24:46):
Yeah, it was very, very cute. The whole thing was
super sweet. I do remember, and I can't remember what
it was that we had to go and do once
we finished that. You know, we did the whole skydiving
sequence and then we had to move on to more
of their adventure day. And I remember when we took
the goggles off, the indents in our faces.
Speaker 3 (25:08):
Were so bad. I had to like ice roll my face.
Speaker 5 (25:13):
On the way to the next set, and we just
had it was like something we hadn't thought about.
Speaker 1 (25:18):
Did they send you up in a plane for this
or was any of this done like on us on stage?
Speaker 4 (25:23):
It looked like it was all done on the ground.
Speaker 3 (25:24):
Right, Yeah, all on the ground. Yeah.
Speaker 1 (25:27):
Wow. I bought it, I know, right, totally bought it.
Speaker 3 (25:30):
Yeah, it really worked. It was really sweet.
Speaker 4 (25:33):
So yeah, all of the Julian and Brooks stuff I
thought was just it was perfect.
Speaker 5 (25:37):
The one thing though, and again, so much of it
is so good, and then there are these choices in
this episode that go sideways.
Speaker 3 (25:45):
Why was the moon so big?
Speaker 4 (25:46):
It's come on in the moon, dude, it looked like
the Truman Show. I thought the same thing. I thought,
for sure they're going to be on like a sound
stage or something.
Speaker 1 (25:54):
I thought it was a gimmick. He had found some
way of, yes, making a scene for them. The moon.
Speaker 4 (26:01):
Yeah, that moon was out of control. It was distractingly big.
Speaker 3 (26:05):
Yeah.
Speaker 4 (26:06):
Also, what's odd is that they chose to shoot the
scene of Quinn throwing the gun off the same It
looks let's be honest, it was the same pier, but
even on the show. It looks identical. And one of
the shots up at her from the water, you can
actually see the moon, the moon in the sky behind her,
and it is a totally normal sized moon. Yes, we
(26:29):
paid extra for that big moon. That was CGI.
Speaker 3 (26:32):
Why I don't know, and I don't know. Why take
the moon and just make it ten.
Speaker 5 (26:39):
Percent bigger in CGI, don't make it a thousand percent bigger.
They're like, enhance, enhance, enhance, enhance, in hands like.
Speaker 3 (26:51):
Stop, please, please stop.
Speaker 1 (26:53):
No, we're in a Disney movie now.
Speaker 3 (26:55):
It was so silly.
Speaker 1 (26:57):
Yeah, I still grabbed all of it.
Speaker 3 (26:59):
I loved I did tighten, I did do.
Speaker 1 (27:02):
I think what worked. Yes, there was a moment you
roll your eyes, you're like, oh my gosh, okay, But
I think it was because there were so many other
things in the episode that felt heightened, that there was
a bit of a fairy tale element about the whole
episode that kind of worked for me. The all of
the slight absurdities. I just I just bought into it.
(27:23):
Maybe I'm just in a good, good mood this morning
and wanted to I don't know who.
Speaker 4 (27:27):
Yeah, listen, it's not a deal breaker, but I'm with you,
so the moment we opened on that shot, I was
like immediately pulled out of it, going, what is okay?
They've got to be on a stage, Like you guys
were so good that you didn't even need a moon
in the shot, Like we didn't need any extra romance
to like jiz it up. But it was, yeah, it
was just like it was so it was so aggressive aggressive.
Speaker 1 (27:50):
That's exactly right, the aggressive moon.
Speaker 5 (27:53):
I was just gonna say, maybe to your point joint,
maybe they were like, well, we've gone really extreme with
the murder plot, so maybe we should just drama.
Speaker 3 (28:02):
Up a few of the other ones. Like I don't
know if the idea was let's.
Speaker 1 (28:07):
Heighten because you don't remember that on the day, it
wasn't like you guys were standing there and there was
this giant moon projected or something.
Speaker 3 (28:14):
No.
Speaker 5 (28:15):
No, we were really out on the pier at night.
Speaker 3 (28:18):
And the moon. Here's the thing. The moon was.
Speaker 5 (28:20):
Out because there was reflection on the water, and it
just felt like somebody was like, let's take that normal
little dot and put it was like they replaced this
behind me with this like this was real, and then
they put this in the.
Speaker 1 (28:36):
Shop for reference. Friends. She's pointing to what is that
little a microphone like sticker. I don't know what that is.
Speaker 5 (28:42):
This is like a little glass evil eye that I
got traveling years ago, and.
Speaker 3 (28:47):
This is a globe of the world.
Speaker 1 (28:50):
They're next to each other, so you can imagine the
sized difference.
Speaker 4 (28:54):
But you know, maybe they got like indie film with
it and they were like, it's but it's just Brook
is in such like a romantic fantasy bubble right now
that maybe it was just she was feeling this moment
and the moon felt that big too.
Speaker 1 (29:09):
Yeah, maybe the same thing for Quinn. The diner just
felt really creepy and all.
Speaker 3 (29:14):
That Oh my gosh, she felt like she was in
a film noir.
Speaker 4 (29:18):
This episode should have won an Emmy.
Speaker 1 (29:20):
Okay, it's so.
Speaker 3 (29:25):
I like that.
Speaker 5 (29:27):
Yeah, the Brook and Julian on the periods, their et moment.
Speaker 3 (29:30):
The moon just takes up the whole thing.
Speaker 4 (29:32):
I loved a line that had nothing to do with
the episode that made me laugh out loud was the
whole Jamie and Nathan Runner being study buddies. His whole
thing this season of just like coming into himself.
Speaker 1 (29:48):
I'm thrilled with this storyline for him, and yes, like.
Speaker 4 (29:50):
Being a dad and loving being a dad has been
so great and so this whole the whole study buddy
thing with the two of them was awesome. But when
at the very start of it, he's like, let's let's
play some Madden, and Nathan goes, I can't. I gotta
study Wor's Chuck and he says, Chuck got grounded for
using his name in the Banana rama pro Fantasy, and
(30:12):
you see Nathan take a beat to sing the song
to himself and then.
Speaker 3 (30:15):
Go it yeah, and didn't you do it too?
Speaker 4 (30:19):
I absolutely did it.
Speaker 3 (30:20):
We all did it.
Speaker 1 (30:21):
Oh yeah. Immediately my brain was like, I'm in the
writer's room and I'm imagining they're trying to come up
with a reason for Chuck to be grounded and somebody,
somebody's kid had just done that at home and said
it out loud. It's it's it's great. That was really fun.
Speaker 6 (30:34):
Yeah.
Speaker 5 (30:47):
I like that In the edit they exactly timed the
reaction for Nathan correctly so that all of us got.
Speaker 3 (30:54):
To go Chuck.
Speaker 5 (30:57):
Like everybody did it together and it was great.
Speaker 1 (31:00):
That was fun.
Speaker 6 (31:01):
Yeah.
Speaker 1 (31:01):
I love the storyline for Nathan. I mean wow, like
just finding his own way, figuring out taking these risks
and to see that Nathan choose to take the hard class.
You know, there was a time when there was a
version of Nathan when he would have been like where
do I coast? And yeah, that's so great.
Speaker 4 (31:20):
Also it's the appearance of Kellerman Peter Reigert. He's great,
He's awesome, And yeah, I believe he played a college
professor in Animal House, so I know that there was
excitement because they were like, like, he was so known
for that role that like, we got him as our
college professor. But he's great. Yeah, he's really good.
Speaker 6 (31:43):
Man.
Speaker 4 (31:43):
That first scene with him in Nathan in the Office
is awesome.
Speaker 5 (31:48):
Yeah, and the fact that you can tell he's going
to be a curmudgeon, but Nathan feels up to it
and they're kind of sizing each other up. It doesn't
lean into conflict too fast, but it gives you a
little taste.
Speaker 3 (32:03):
And the whole.
Speaker 5 (32:05):
Storyline for Nathan, you know, like you were saying, joy
is so good because we get to see him maturing
and trying to make all of these choices. And what's
cool about it is we get to watch it, but
we also get to see him talk about it in
ways that don't feel so much like exposition because they're
(32:27):
lessons for Jamie, the story about how they lost to
Kansas by three but they were supposed to lose by
twenty seven, but they worked so hard and they practiced
so hard, and it taught him something about being determined.
It's such a good way to show growth in a
character without being like, and you know what I've learned
(32:50):
about my life?
Speaker 1 (32:51):
You know, yes, which we fall into that trap a lot,
which I think is inevitable, especially on a show with
this many seasons. It's easy to fall into the trap
of like, just explain it in dialogue and have people
just say say the thing so everybody can catch up
if they missed it. And I love it when they
just take the little extra time to do things like
that and make it feel natural. That's good.
Speaker 4 (33:12):
It's effective. It's like Hayley writing to Lucas, you know.
It's a it's a great device for getting inside her
head without actually having her. Yeah, sit there and do
the talking head exposition that everyone dreads doing.
Speaker 5 (33:25):
Totally, and the whole, the whole little container of this
evening of studying with a dad and his son is
just so sweet because you get to see how serious
it is. But the kid helps to make it lighthearted
in the games and the you know, the spelling drills
(33:46):
and the whole thing. It's just it's a really nice
peak into their world.
Speaker 1 (33:51):
It's just so relatable, like this, this family dynamic, the
three of them. Even at the end Jamie with the
Tuto R and O and tutor you know, yes, yes,
so good. Did you learn nothing?
Speaker 4 (34:08):
He has that line where he says to Nathan, Wow,
first tudor girl, now tutor son. Yeah, that's nice. And
there's a great exchange where I think it's like after
like the first time that they talk about the studying,
Nathan looks at him and goes, how'd you get so smart?
And he turns around and says, I have my mom's
jeans too, And with that's skipping up beat, Nathan goes,
(34:31):
you also got her height. Yes, it's like okay, dad,
apparently we touched.
Speaker 1 (34:38):
A nerve and just so show the thing that our
show became famous for in the first place, which was
the small town the again, this sort of magic of
ordinary days. How valuable that really is. Like we can
have a lot of drama, we can have big, exciting, bizarre, strange,
very dramatic things happen. But the core in the heart
(35:01):
of the show is just the ordinary and the things
that you can relate to as a as a family,
as a member of a family in your real life,
and just watching the little nuances here. I loved it.
It warmed my heart.
Speaker 4 (35:14):
The whole Red Bedroom trick stuff was great, and I
loved how it all started. I mean, it was great
that Mia was the one who got kid Cuddy. Yeah,
and then I loved Haley tricking Mia into wanting to
bartend by getting Alex to bartend. So good. It was
fun watching you play kind of the mastermind behind the
(35:34):
scenes for this whole night.
Speaker 1 (35:36):
Yeah, it was fun. I loved this. I like Haley
being in this spot. I mean, Haley's always done a
lot of mother henning, like moving around between different characters
and different storylines and just like putting in little bits
and pieces of information here and there and helping everybody,
you know, like maintain the status quo. I feel like
she took her role as mom, becoming a mother early
(36:00):
just became a part of her identity, and so she
was She's always been this, so it's really fun to
see her do it at Red Bedroom too. That it's
not just for the people that are the closest in
her life, but also the people that she's that she's
working with in her job, and she wants to see
young women in their careers taking off and really mentoring
them and like just managing Everything's she's stepping into this.
(36:22):
She's stepping into the Karen Row role really in a
lot of ways, and that's been that's been fun to see.
Speaker 4 (36:28):
I also loved how she didn't tell Aarin that she
was going to be opening for Kid Cuddy, which was
real risky, right. That kind of surprised me because I imagine
as a musician, like, you know, you want to prepare yourself.
But I love the choice that they made that she
didn't do the thing you thought she was going to do,
which is, oh, I'm so nervous, I can't do this, yea.
(36:50):
So she immediately went to a place of I'm going
to kill it. I was like, oh, and she did.
Speaker 1 (36:57):
I mean, Laura is a bore so good out of
the park. I mean, we had heard a little bit
from her before, but she really let loose and showed
everybody what she's made of in this episode. It was great.
I was hoping when Kid Cutie came up at the
end that he was going to be like, come on
tour with us, because again, there were so many things
(37:18):
that were a bit outrageous in the episode that I
just would have bought it. I mean, I know it's
a little it's a little hokey and expected, but I
don't know. I was kind of I was hoping he
was going to be like, you were so great, you
should come open for us on the road, and when
he didn't, he was just like, keep going, you're doing great.
Speaker 4 (37:33):
I was like, oh, I thought he was going to
try to poach her. I thought he was going to say,
you're talented, you should join our label.
Speaker 1 (37:43):
Ooh, that would have been juicy, but.
Speaker 4 (37:47):
Said he was just a nice guy. Want wah.
Speaker 1 (37:49):
Yeah.
Speaker 5 (37:51):
One of the things that was weird to me again
just some of the choices, but maybe the whole point
was they needed to heighten everything in the episode.
Speaker 3 (38:00):
They crush that show. Laura is so good. He is
so good.
Speaker 5 (38:05):
Also, baby kid Cuttie, I die like just the cutest
human being. But I was like, why at that end
when he comes to talk to her, does she have
full backing in an empty bar? It's just her at
the piano and it's a fully produced song playing.
Speaker 1 (38:24):
Oh that's right. Wait, I guess I thought she was
just playing to a crowd and I was not, No.
Speaker 5 (38:30):
She's just playing in the back of the bar, but
over a full backing track.
Speaker 3 (38:36):
And I was like, we know how good Laura is.
Let her just sing with the piano.
Speaker 1 (38:41):
I was getting set up for the podcast at this point.
It was like, you know, forty in the episode.
Speaker 3 (38:46):
We were like, oh, I gotta plug in my computer.
Speaker 5 (38:48):
Yeah. Yeah, but it was a really weird. It took
me out of it because I was like, it's just
her by herself. Why never, never mind? And then I
was like, I gotta stop.
Speaker 3 (38:58):
I was just I was then by then I was
noticing all the weird things.
Speaker 1 (39:02):
Yeah.
Speaker 5 (39:04):
It felt like another enhance hands and Hands.
Speaker 3 (39:08):
We didn't need it.
Speaker 1 (39:09):
I think the attempt was to make everything feel yeah,
like that fairy tale ish, kind of a little bit exaggerated.
And it doesn't always work when you try and do
something like that with episodic because you still have to
stick to the rules of the world, because the show
still has to a little familiar for the audience, because
they can't show up and turn on the TV and
(39:29):
see all their favorite actors in the same setting, but
the show looks completely different. So I think this was
an attempt to stay within the rules and the boundaries
but make it feel more like a fairy tale. But
just wasn't I just don't I understand why it felt
like it wasn't executed as efficiently as it could have been.
Speaker 4 (39:50):
Did either of you perk up? When there's the exchange
at the bar between me and Alex where Alex walks
over to me and goes, I'm up to four hundred
and fifty reply an over her shoulder at Mia says,
I'm right on your heels, drama queen.
Speaker 3 (40:04):
Yes, I was like, what I did the same thing.
Speaker 4 (40:10):
Yeah?
Speaker 1 (40:11):
What about Alex and Chase and this thing at the
in the stock room?
Speaker 3 (40:16):
What do we say?
Speaker 4 (40:16):
They could only let them be friends for all of
twelve minutes before Alex had to undermine it all, before
she had to be duplicitous.
Speaker 1 (40:25):
Yeah, I mean, as she continues to prove that this
is like, this feels like the baseline of her When
I say character, I mean like a what's another word
for like your characters as a human, like your integrity.
Speaker 3 (40:39):
Baseline, Yeah, her core.
Speaker 1 (40:41):
Yeah, it just feels like, no matter how many times
she seems like she's really sweet and just trying to
be nice, I don't know. I just don't. I don't
trust her at this point. She's done it too many
times completely.
Speaker 4 (40:57):
She is wildly untrustworthy. That's it. Jana is so good
in that scene. Yes that I did find myself going, oh,
she might actually just really like him. Oh no, like,
because it does look like she's playing a game. It
looks like all of us is a game tour at
this point because we have seen so much of this
back and forth stuff. But she's so good and the
(41:20):
look she gives him is so sincere that it's it's
so strong because then it makes it actually challenging for
Chase as opposed to being it's being very easy to
go get off, what go away?
Speaker 1 (41:31):
Yeah?
Speaker 4 (41:32):
You know, so she did great with it, but same,
I was like, come on, yeah, she's all over the place.
Speaker 5 (41:40):
But they're so fun together and the crowd trick is
the whole thing is just fun to watch and so
as a choice, as dramatic as it is, it's great
because it kind of stops you in your tracks in
the audience and you're like, uh, and we know it's
coming because when she throws that bottle of tequila in
the trash, You're like.
Speaker 3 (42:01):
Oh no, yeah, oh no. And I loved it. I
was like, this is the kind of drama that I want.
Speaker 4 (42:10):
Speaking of breaking off from the norm of our show,
let's talk about that final scene. Katie is driving back
to Tree Hill listening to a perfect song, You're going
to get You Away, right. All of it is working
for me until the last moment where she turns and
stops looking at the road and just looks down the camera,
(42:32):
looks straight into the lens. What is that Why it's
already so ominous, nothing needs to happen, and then she
breaks the fourth wall, like well in the office. It
was just it was so strange. I didn't get it.
Speaker 5 (42:47):
And by the way, she's not the only one who
does it. They also directed Kid Cuddy in the concert
to take his sunglasses off and look straight into.
Speaker 3 (42:56):
Lens, and I'm like, it's not amusing a video.
Speaker 5 (43:02):
Yes, he's playing himself, but he's also acting on our show.
He's not supposed to break the fourth wall. It's not
a music video shoot. So it's a choice that was
made by the director. Twice in the episode and it
was so weird.
Speaker 4 (43:21):
Yeah, he's playing himself, but in the One Tree Hill universe, yes,
there aren't cameras recording the other people. And it's not
like Julian had a camera behind the scenes or there
was justification for you.
Speaker 5 (43:34):
Right, If Julian was shooting it and then he looked
into camera and it cut to a great close up,
it would have worked, but it pulled me out of
it then. And then the ominousness of Katie and the
storm and you know there's a giant storm brewing.
Speaker 1 (43:50):
Things are going to get crazy. The audience already knows. Yeah,
we already know this is gonna's gonna get real very soon.
The second you see Katie and see her singing, which
also I think went on a little long, Like yep,
it was just a little too long. I didn't need
that much of her singing along with the song because
it gave me time then to start listening to her
(44:10):
singing rather than listening to like just catching the moment
of like this is creepy.
Speaker 3 (44:17):
I was like, oh, it's creepy, and then I was like, oh,
she has a great voice. And then I was like,
wait a second, what's the her on the radio, saying
like it just it was it was too long.
Speaker 1 (44:24):
Yeah, it's too much. You can't give the audience that
much time to start thinking about what's happening. Otherwise they
start doing exactly what we're doing and picking it apart.
Speaker 4 (44:31):
And Amanda's great, like you didn't need the rain and
you didn't need the song. But it's fine to have them,
but it's sort of like you have her giving a
great performance. I'm already concerned. And then we see driving
past the Tree Hill sign that's really all you need? Yeah,
the rain, cool mood, the song heavy handed but still works. Yeah,
extra fifteen seconds, followed by her looking down the camera
(44:55):
too much.
Speaker 1 (44:56):
Didn't need it, We didn't need it. You just didn't
need it. But I think that what I'm really excited
about is the fact that she's back and that, in fact,
it justified so much of what we just watched with
Paul and Chantelle, because all of Quinn's fears that it
(45:16):
feels so ridiculous, and it's like Katie's gone, Okay, you
found her, but she's not pursuing you. There's just you know,
can you try and let it go and live your life.
It really gave justification to this whole thing that we
have been maybe questioning Quinn's motive or sanity is not
the right word, but we've been we've been questioning what
(45:38):
she's choosing to do. And now I'm like, yeah, there's
no question you need to be prepared.
Speaker 3 (45:42):
Except she threw away the gun.
Speaker 1 (45:43):
Oho.
Speaker 5 (45:44):
Nos, Yeah, you know, yeah, but that's just it, right.
The worry and the fear and the sort of trauma
she's experiencing is so spot on.
Speaker 1 (45:58):
Yeah.
Speaker 5 (45:58):
I wish they'd just let it be that and didn't
try to make it feel like a film noir. Yeah,
so that when you see Katie you're like, oh my god. Yeah,
based on how dramatically they shot all of that stuff
for her and Dan's storyline, I'm not surprised at all
(46:18):
that Katie's back, not even a little like surprise me.
Speaker 4 (46:23):
The throwing away of the gun, that sequence, the way
they wrapped up was was great though, because I know,
as an audience member, I was rooting for her to
get rid of the gun. I was like, this has
never been the answer. And when you finally see her
getting rid of the gun, you're like, oh, thank god, okay, good. Yeah,
And then they immediately follow it with danger driving into
town and you're like, yeah, Okay, we shouldn't have done that.
(46:46):
I was rooting for the wrong thing.
Speaker 1 (46:48):
Yeah, lots lots in this episode. I'm looking for gonna
get crazy now we know, Yeah, it's gonna get right. Yeah, weird?
Anything else about this episode before we do questions?
Speaker 4 (47:00):
Fan questions outside animals can't fart inside?
Speaker 3 (47:05):
Yes, honorable mention for sure.
Speaker 4 (47:20):
Listener question, what do we got?
Speaker 1 (47:22):
Katie says, I wish we could have seen Haley reading
a letter from Lucas, just to hear what was going
on in their lives. We don't hear from Lucas until
the last season. What would y'all imagine Lucas, Peyton, and
Sawyer are up to. I don't even remember where they moved.
Where did they go?
Speaker 3 (47:37):
I don't know they left Tree Hill.
Speaker 1 (47:39):
And you know, writing off in the sunset in the comet,
but I don't know why they left or where they moved.
Did Lucas get a because he can write from anywhere?
Speaker 4 (47:46):
Yeah, they left in a convertible, So I'm going to
guess maybe the West coast where it's a bit warmer
and less rainy.
Speaker 1 (47:52):
Yeah, feels like that's Yeah, true.
Speaker 5 (47:55):
Yeah, I feel like I remember a West Coast thing
or that, you know, they wanted to travel, and while
he wrote his next novel, this is the problem. They
didn't give us enough to make where.
Speaker 3 (48:09):
Our friends went make sense.
Speaker 1 (48:11):
Yeah, yeah, I have no idea. Who knows, Like did
they start a new life in Maine or in Napa
or are they renting a trailer just driving around the country?
Did they move? Yeah's through? Where are they?
Speaker 5 (48:25):
It's like, you know, and I know we brought this
up obviously with the powers that be at the time,
and I feel like it was more a personal beef
than anything that made sense.
Speaker 3 (48:39):
For our characters, which is unfortunate.
Speaker 5 (48:40):
But I used to ask and be like, why can't
Brook be getting text messages from Peyton? Why can't you
see them texting? Like why am I not getting photo
updates of this baby?
Speaker 3 (48:50):
It feels really weird.
Speaker 5 (48:51):
And there was always a you know, well, it's not important,
it's not in the world, and it's like, well, it
feels pretty freaking important.
Speaker 1 (48:57):
I mean to Brook and Haley built around it, so
it's important.
Speaker 5 (49:02):
Yeah, It's like for us, you know, those are our
those are our people, Like Peyton's my person Lucas is
Haley's person.
Speaker 3 (49:10):
It's like so weird.
Speaker 1 (49:12):
Yeah, Karen and Karen, like everybody, they just they just
faded off into the distance.
Speaker 3 (49:17):
Yeah.
Speaker 1 (49:18):
I do wish they had kept that up in some
more clear way. I don't think I've been hard. No,
I don't either. I think it was some sort of
personal I think it was the personal beef behind the
scenes that they just like not they but he, our creator,
just didn't want to have He was hoping the audience
(49:38):
would just forget about them.
Speaker 5 (49:40):
Which seems so stupid because it's a choice rooted in
ego and it's like, dude, you wrote those characters. Yeah,
so you knew they were great, So why are we
suddenly pretending they're not.
Speaker 1 (49:58):
Yeah, it's like trying to prove, like the you can
go on without them, and it did, but like, it
could have made so much more sense. It would have
been so much more nice to just have their presence
still around in some way.
Speaker 5 (50:10):
Yeah, it would have been a better continuation of that world,
particularly because we were I mean, what a crazy thing
to say, but in the middle of our show is
when people got iPhones. Yeah, it became really easy to
text photos and videos and to have these long updates
(50:30):
with your friends that you couldn't have before when you
were texting in T nine on a razor being like
one two.
Speaker 3 (50:36):
Three, there's a t you know, and like it.
Speaker 5 (50:41):
It would have it would have fit the time, and
it would have fit our world and our people and anyway,
you're right, Katie, we agree it would have been nice.
Speaker 1 (50:49):
We wish to we wish. Should we just been a wheel?
Honorable mention, honorable mention. Yes, only animals can't part outside
or something like that.
Speaker 5 (51:00):
Outside, animals camp fart inside there it is, oh.
Speaker 4 (51:03):
Joy immediately most likely to get.
Speaker 1 (51:07):
House yep, yeah, yeah, yeah, that's definitely happened to me.
Speaker 4 (51:14):
Ye.
Speaker 3 (51:14):
Sure.
Speaker 1 (51:18):
Have you guys never gotten locked out of your house?
I had to call a locksmith.
Speaker 4 (51:21):
I have.
Speaker 5 (51:22):
I got locked out of my house on location once filming, uh,
and it was it was. It was not great, and
it was also really stressful because it was in the
middle of winter in Toronto and the place I was
renting had like a smart lock, and I'd never had one,
(51:43):
and ever since I'd moved into the house, like when
I would undo the lock, it would flash yellow at me,
and I just thought that was the way they I
don't know, that's how it unlocks, and it meant the
battery was dying. And so for I don't know, six weeks,
I just would like walk into this rental house.
Speaker 3 (52:03):
And one night at like twelve.
Speaker 5 (52:06):
Thirty I guess technically twelve thirty in the morning, I
got home and it was February and it was.
Speaker 3 (52:11):
Like negative twenty degrees and.
Speaker 5 (52:14):
I clicked the thing and it starts flashing red and
I everything.
Speaker 3 (52:18):
It's like all the energy left my body.
Speaker 4 (52:20):
And I was like, oh, no, tell me, transpo van
hadn't left you yet.
Speaker 5 (52:24):
I sure had. I was like, get out of here.
I got a like, you know, I was unloading shit
and dealing with the snow on the porch. So I
had to call the sweet driver and be like, could
could you come.
Speaker 3 (52:37):
Around the block?
Speaker 5 (52:38):
I think I have a little, a wee bit of
an emergency. And I literally had to. I had to
figure out how to break into my own house with
my awesome transpo driver because there was not we couldn't
get a single locksmith company to answer the phone because
it was almost one in the morning.
Speaker 3 (52:52):
Is it cheaper?
Speaker 1 (52:53):
Locksmiths are not cheap. Is it cheaper to bay in
her place? A window or call locksmith.
Speaker 4 (52:59):
It's easy to call locksmith. I don't know the relative pricing. Well, yes,
because think about it, to replace a window, you have
to call someone, they have to come out and do it,
or at least.
Speaker 3 (53:09):
A lot to measure the glass, and your entire.
Speaker 4 (53:11):
Thing is contained within you know, yeah, thirty minutes of
them being there.
Speaker 3 (53:15):
Yeah, yeah, yeah.
Speaker 5 (53:17):
It turned into like quite a comedic evening and involved
scaling a balcony and we had a great time at
the end of it, and I was like, this is
going to be a story.
Speaker 3 (53:25):
I'm always going to remember.
Speaker 1 (53:27):
Why didn't we ever do that on the show? That
would have been a fun episode, like just something that
was in the house that somebody had to get for
other things in the episode to rely on. And the
whole episode for that character storyline is just break trying
to figure out different ways to break into the house.
Speaker 4 (53:42):
Right. You know how janitors have those little devices that
they clip onto their belt or anyone with lots of
keys where it's like like a tether in it, like
your ass back and all the keys. I feel like, joy,
we should get you like three of those, like one
for your iPhone one for your air pods. One for
your keys. You just have this like utility belt as
you walk around in public, so that you can never
lose anything.
Speaker 1 (54:02):
I think that's that's something that I should invest in. Yeah,
it's not a biology.
Speaker 4 (54:07):
Guys. We're taking this to shark Tank.
Speaker 3 (54:09):
We're doing it.
Speaker 1 (54:10):
We're doing it knowing me so well. Rob, that's really sweet.
Speaker 4 (54:13):
You're perfect. Joy.
Speaker 5 (54:14):
Don't change, don't ever change, never, never ever forget to
lose your Keith.
Speaker 1 (54:20):
Okay, what are we doing next week?
Speaker 3 (54:22):
All right, friends, I can't believe it.
Speaker 5 (54:24):
Next week is season eight, episode eleven, Darkness on the
Edge of Town.
Speaker 4 (54:30):
Oh boy, I wonder if that has anything to do
with Katie.
Speaker 1 (54:32):
I wonder, I wonder direct Thanks for joining us everyone,
This was a thanks friends, fun one. Good to see you. Bye. Hey,
thanks for listening.
Speaker 5 (54:43):
Don't forget to leave us a review. You can also
follow us on Instagram at drama Queen's ot.
Speaker 1 (54:49):
Or email us at Drama Queens at iHeartRadio dot com.
Speaker 3 (54:53):
See you next time.
Speaker 4 (54:55):
We all about that.
Speaker 2 (54:57):
High school drama girl, drama girl, all about that.
Speaker 3 (55:00):
High school queens. We'll take you for a ride, and
our comic girl Cheering for the right teens. Drama queensise
my girl, rough girl fashion with your tough.
Speaker 1 (55:09):
Girl, you could sit with us.
Speaker 2 (55:11):
Girl drama, Queens, Drama, Quease, Drama, queens Drama, Drama, Queens
Drama Queens
First of all, you don't know me.
Speaker 2 (00:02):
We all about that high school drama girl, drauma girl,
all about.
Speaker 1 (00:06):
Them high school queens.
Speaker 3 (00:08):
We'll take you for a ride, and our comic.
Speaker 1 (00:10):
Girl sharing for the right trauma, Queens of girl fashion.
Speaker 3 (00:15):
But your tough girl, you could sit with us.
Speaker 2 (00:17):
Girl drama, queens drama, Queens drama, queens drama, drama, queens drama, queens.
Speaker 1 (00:25):
Kind of gorgeous faces, gorgeous friends and people we love.
I shouldn't start, go someone else do it?
Speaker 4 (00:33):
No, No, that stays in the episode.
Speaker 3 (00:36):
Keep going.
Speaker 1 (00:38):
Why does my brain work faster than my mouth? I'm
always like stumbling over my words because my brain is
like further down into the sentence then my mouth can
catch up to And then I start saying syllables that
don't make sense, and then I get self conscious about it.
Does that happen to anybody else?
Speaker 5 (00:51):
Well, it's like when a little kid is like running
slightly downhill too fast, and you see their legs start
to spin out of control and you're like, oh boy,
oh boy, out about to go to the er.
Speaker 4 (01:02):
It's part of your charm. Joy, It's part of your
magic that occasionally, you know, the words get jumbled up.
Speaker 1 (01:09):
It's just the occasional fumble, you know, are for the course. Well,
you know what didn't fumble? Was this episode?
Speaker 4 (01:17):
No?
Speaker 1 (01:18):
Oh no, you guys.
Speaker 4 (01:19):
Like safety Space says, maybe it did.
Speaker 1 (01:21):
No, I really liked this episode.
Speaker 4 (01:25):
Okay, first, let's just tell the people we watched. Season eight,
Episode ten lists plans airdate of November twentieth, twenty ten.
Synopsis reads in order to get an agent's license, Nathan
returns to college boy does he ever? Haley sets up
a concert at Trick featuring Kid Cuddy appearing as himself.
Julian helps Brook complete her bucket list she had made
(01:47):
before losing her company. Alex and Mia start a friendly
competition as they take over the bar at Trick. Meanwhile,
Quinn sneaks out of town to visit a fun familiar
face that was directed and written. No, it was. It
was written by Johnny Richardson and it was directed. Okay,
so you boked when Joy said this episode was great,
(02:08):
So lay on us.
Speaker 5 (02:09):
I did, because I felt like this episode kept giving
me whiplash. There were things about it that were so great.
I loved the teaser and the wedding nightmare I loved.
I thought, I actually thought all of Brooke and Julian's
stuff was so freaking sweet.
Speaker 1 (02:27):
Yes, Gangbusters just so good.
Speaker 5 (02:29):
And I loved all of your stuff, joy in the
way that everybody's sort of taking charge at Trick a
bit and at the record label, and Alex and me
are becoming friends, and that I felt like I was
in a completely different universe every time we cut to
the Quinn and Dan's stuff. Yeah, and I was like, Yeah,
(02:52):
what is happening? And also kudos to Paul and Chantelle
for being such good sports with the most absurd dialogue
I've ever heard two.
Speaker 3 (03:02):
People have to give each other.
Speaker 5 (03:04):
And I was like, how in one episode can our
show be nailing it and then also be embarrassing?
Speaker 3 (03:11):
And I couldn't. I couldn't make sense of it.
Speaker 4 (03:15):
Yes, I agree, we watched two talented actors do their
very best do the Lord's work with some highly questionable
dialogue and material. In general, First of all, it just
didn't make any sense. Okay, it didn't make sense for
a lot of reasons. One is Dan the only person
who works at this diner that has never had a
(03:37):
customer ever.
Speaker 3 (03:39):
Right, no other customers, no other people.
Speaker 1 (03:42):
As the lighting is like it's nighttime always in this dinastic.
Speaker 4 (03:47):
The reason that you have no customers is because it's lit,
like people go there to kill other people.
Speaker 5 (03:52):
Yes, hard spotlights on them. I don't know why they're
constantly moving around the diner. I got to a scene finally, However,
many scenes in, I was like.
Speaker 3 (04:02):
Is it night three?
Speaker 5 (04:03):
Have they spent three days in the diner together? Like
it's been daytime, it's been nighttime, it's been daytime, now
it's nighttime.
Speaker 3 (04:10):
It was so it pulled me.
Speaker 5 (04:13):
Out of the episode so much, and I'm so glad
we're seeing Dan and I get the device, and I
totally get the You're the only person I know that's
ever murdered anyone. But we're gonna believe that this woman
who's been shot and traumatized feels safe alone in the
dark with a murderer. Like none of it makes any
(04:36):
sense to me. And they did great with what they had. Yeah,
and I didn't get it also, Dan go.
Speaker 4 (04:45):
At one point, Dan says, you know, is this is
this the life you want? Having to live away from
everyone being isolated. It's like, sir, you had a nationally
broadcast a TV show, Yeah that was wildly successful that
you chose to walk away from like, you are not
an outcast, you just chose to be a hermit for
(05:05):
some reason. Also, the last time we saw him, he
was on some altruistic, you know, philanthropic stuff. He was like,
I'm giving it all away and I'm gonna help the world.
It's like, what happened on your journey that you decided.
I think I'd rather be bitter at a greasy spoon
diner that no one ever goes to.
Speaker 1 (05:25):
Okay, hold on, agreed. I can see all of that.
I feel all of that. Okay. As far as Quinn
feeling safe for the murder, I totally get that. However,
I think for me, I was like, Okay, she's trying
to prove to herself that she's tough and strong and
she can handle anything, which I can relate too. I
(05:47):
think a lot of women can relate to that. After
you've been through something traumatic, you want to put yourself
in another situation that feels difficult to prove in some
way to yourself that you can handle it. If you
felt like you were taken advantage of before, so that
the lighting in the diner was ridiculous, of course, and
it always felt like we were watching a different scene,
(06:07):
but for me, Quinn's dialogue felt honest. To her, Dan's
dialogue felt completely correct in the sense that he's trying
to convince her not to go kill someone. That's all
he's doing from the second she walks in and tells
(06:29):
him she wants to murder someone. All of the things
that he's doing is he's just trying to make it worse,
sound worse and worse and worse. Sure, you're not going
to end up killing anybody. So I don't know that
he's like bitter and angry and working at the diner.
I think he's playing the part of the guy that
she wants him to play. When so it was much
(06:52):
more interesting to me than that because I was watching
Dan do his manipulative Dan thing but having fun with it.
Speaker 3 (07:00):
I wish they'd showed us that, but didn't. He didn't
Paul show it to.
Speaker 1 (07:04):
You, like as an actor.
Speaker 5 (07:05):
Sure, Well, here's what I'm gonna say, Paul, I absolutely
understood that he was trying to push her till she
broke and decided she didn't want to do what he
had done. Yeah, but the way they directed it and
the way they wrote it and the way they did
his hair and the way everything about it didn't feel sure.
(07:29):
He looked he looked like a hot convict. But like again,
he was the star of a television. He was Doctor
Phil and now he's this guy, Like what it They
They put it in a scenario where it felt so
ridiculous that I didn't get to see Dan look around
at his life and then make some choices. It felt
(07:52):
like a hat on a hat, and I think they
had to act their way out of it, but I
don't think the choices made around it made any sense.
And I think you, as we do. You love Paul
and you love Dan Scott, and so it's like, well,
I see what they were, but I just I don't know.
I thought the episode was very well directed except for
(08:12):
this stuff, and so I didn't understand it.
Speaker 4 (08:16):
I also feel like, yeah, well it's he. He kind
of Dan was getting the guest star treatment where they
can just go away and we don't have to explain
anything about what they've been up to. We just bring
him back doing something else. And he's too big of
a character for that. So that I agree with, right,
But I gotta say, as we're talking about this, I'm
realizing because I'm with you, joy I, I don't. I
(08:40):
didn't really bump on the dialogue because I knew what
Dan was up to. I didn't bump on Quinn being
there because this is these are like extraordinary circumstances. Yeah,
so she she is not acting in her she's not
in her comfort zone, she's not in her right mind.
I honestly think it's it was an issue of aesthetic.
(09:00):
It was that this it was an empty diner, and
then it was like one swinging bulb.
Speaker 3 (09:06):
Yeah, it's like a Dick Tracy movie.
Speaker 5 (09:10):
And I'm like, why you have two great actors and
a great storyline.
Speaker 1 (09:15):
Why I'd done it in a populated diner or a
diner where people are coming in and out. It's regular daylight.
It doesn't look like an episode of children. And it's
like it feels much more like they're having a private,
quiet conversation. The waitress keeps coming and interrupting them. He's
taking the time off off a break, off the stove
or whatever, flipp and burgers. He's on his break. They're
talking in the corner. That feels much more dangerous. Actually,
(09:36):
to have a conversation like that in an open environment,
that would feel much more appropriate much and I think
everything else could have stayed the same in terms of
what was on the page. The choice was a bit
a bit of a juvenile choice, I think from a
director standpoint, to make that, yeah, lighting and the setup
look like that, And in that regard, it did really
(10:00):
make you feel like two completely separate episodes, particularly because
we start with this hoot Nanny wedding backyard wedding, so
it's like, Okay, we already got the kitch of something.
We don't need more kitch, we need more authenticity.
Speaker 4 (10:15):
Yeah, or he could have just gone to her hotel room,
you know, like met her at to have a private commerce.
It was just it felt like, well, we've got this set,
how do we mood it up? And it's it's weird.
By the way, this episode of this podcast should be
hot convict in a Dick Tracy movie saying it's good
jot down producers. Well, then let's go back to the
(10:37):
start and talk about the hoot Nanny.
Speaker 1 (10:39):
Oh, I had so much fun filming this. I did.
Speaker 4 (10:42):
I don't know if you I need to know about
it because I wasn't there for this, and to be honest,
I had zero collection that this even happened in the show,
so I was wildly entertained.
Speaker 3 (10:51):
It's great.
Speaker 1 (10:53):
Yeah, it was really fun. I had a ball, I mean,
especially being pregnant in that whole scenario with the like
the lawn chair and the rifle and the tweakie cake
and the flannel and all of it was just.
Speaker 3 (11:06):
And the kid drinking beer and the.
Speaker 4 (11:08):
Whole ridiculous monster truck.
Speaker 5 (11:11):
Yeah, the monster truck hitting the twinkie cake.
Speaker 4 (11:14):
Yes, listen, there was so many hilarious, outrageous elements to
that sequence. And you know, my favorite one was the
hanging meats in the background above the altar. Yeah, was
such a good touch by either set deck or art
department to remember and to put that in there in
(11:36):
Brooks Nightmare is the hanging meat at the web, yeah,
at the altar exactly just so fun.
Speaker 5 (11:44):
And I remember, you know, even Carol Cutshawl doing such
a great job because it's obviously supposed to be a reveal.
So we took the top of an actual wedding dress
that had like a white sequin bodice and cut off
the bottom and then she stitched these layers of denim
(12:06):
skirt with the you know, short front and the long
back so we could show the cowboy boots and it
would cut away from the veil and cut back and
there'd be a cowboy hat over.
Speaker 3 (12:14):
It and a whole thing.
Speaker 5 (12:16):
It was so much fun to build that world, and
they really leaned in.
Speaker 1 (12:22):
She was so I mean, she is so creative. Obviously,
she's having a wonderful career right now. We really should
do an episode about costumes and we just go through
the sort of iconic costume moments in our show, and
we need to bring in Carol and I mean, whoever
was there at the beginning. I think maybe Alfonso. I
can't remember that Carol was with us for the longest,
(12:44):
but that would be really fun to bring them in
and do it.
Speaker 4 (12:47):
We should also do a music one with Lindsay Wolfington
because at least a dozen times we've said that, and
it would just be fun to have her on for
an app and just pick her brain and hear stories. Yeah,
because she's going to get a nod in this episode
as well with.
Speaker 1 (12:59):
The kid Yeah, cutty, Yeah, this was This was great.
So the backyard wedding super fun. Took us a day
to shoot. Nathan and Elmer fudd hat just so funny.
Took the cake part in the pun. I guess.
Speaker 4 (13:27):
Let's talk about the cake, because I gotta say I'm
not mad at the idea of a Twinkie cake. I'm
interested to learn more. Yeah, doesn't it sound good?
Speaker 1 (13:37):
Kind of does?
Speaker 4 (13:38):
Is it a thing?
Speaker 3 (13:40):
I don't know if it's a thing, but it should be.
Speaker 1 (13:42):
It feels like it could be the like the brunch,
like a cake at the brunch the morning after, like
a fun little if you had a little barbecue brunch
the next day or something.
Speaker 4 (13:53):
Or like a cake you make for yourself when you're
going through a really bad breakout. Just sad. Cake soaks
up your years. It's easy to eat.
Speaker 1 (14:02):
Somebody on Etsy's making Twinkie cakes.
Speaker 3 (14:05):
Probably it's also a good thing.
Speaker 5 (14:06):
I mean, and they and they do it in the sequence,
but it's it's so pluckable.
Speaker 3 (14:11):
Yes, kind of a perk.
Speaker 4 (14:13):
Maybe we're onto something, guys, from the people that brought
you corn dogs comes the Twinkie cake.
Speaker 5 (14:20):
Not No, it was also nice to do something I
think so out of the ordinary, because everyone got to
be ridiculous.
Speaker 1 (14:30):
Jamie coming out of the no, out.
Speaker 3 (14:32):
Of the Oh my god, and.
Speaker 5 (14:37):
Especially Haley and Nathan are in such a good adult
place and it was fun to watch you and James
go nuts. Yeah, like the hooting and hollering and being ridiculous.
It gave you space to be so silly and you know,
you're in these big professional sort of moments where everyone's
(15:00):
grown up and fun but more serious, more mature, and
to see you both be you know, wild and crazy.
Speaker 3 (15:08):
It was really a good time.
Speaker 1 (15:10):
Rob.
Speaker 3 (15:10):
Why weren't you at the wedding?
Speaker 1 (15:11):
I don't understand why you weren't in this Like Chantelle.
Speaker 4 (15:14):
Was there, Apparently I am. You know, Clay was not
worthy of being in Brooks nightmare. Maybe she just thinks
he's such a great guy that he wouldn't participate in.
There's also the choice to have sweet, sweet Stephen Coletti
just in a dinghy in the middle of that pond
on his own. Was so funny and perfect. I had
(15:35):
to rewind it to go.
Speaker 1 (15:36):
Was that Stephen was so random? That was a fun day.
Speaker 4 (15:40):
She was great this episode. His stuff was fun. I'm
glad he's more involved the season.
Speaker 1 (15:45):
Me too. I loved Yes, I'm I'm really I continue
to show up more and more for Chase. Whatever he's
involved in. I'm like I want to I want to
see what's happening? Yeah, what is it?
Speaker 5 (15:54):
I also love his little side with you when the
girls are really vibing and he's just what He's like.
Speaker 1 (16:00):
You did this to me?
Speaker 3 (16:01):
Yeah, it's so great.
Speaker 1 (16:05):
Okay, So Brooke and Julian, this was my favorite part
of the whole episode. This was there was a lot
of you had a lot of like a Sara Disco
Parker energy, like it was very sex and the city
sort of vibe with this storyline. That's what struck me anyway.
But I just had so much fun watching watching Austin,
(16:30):
watching Austin play Julian. So he was having a ball,
like he was lit up all the time at every
little thing he was doing for you. And to see
Brooke just receiving it all and enjoying it all and
being loved on. You should wear red lipstick more often.
Your mouth looks like a pretty heart when you wear
red lipstick. It was so pretty. Learning French the sky diving,
(16:53):
I mean, you have so much to tell us about
all the adventures that you guys went on in this episode.
But I just really really loved this storyline, the whole
realm coram of it. I needed, I needed in my life.
Speaker 5 (17:03):
It was really fun just to do something adorable. And
and you know we've talked about this. All of our
characters go through these sort of trials and tribulations. It's
a drama, and there's these seasons of sort of sadness
or struggle whatever, and it's just so nice to see
these two have a good time. Yeah, And I love that,
(17:27):
you know, he figures out a way to bring some
levity and some joy and some romance into her life
when she is grieving this loss and also trying to
really trying to be in that place of I'm I'm
sad about this and I can't do the things I
(17:48):
thought I would and my life isn't going to be
what I thought it was.
Speaker 3 (17:51):
And he's like.
Speaker 5 (17:52):
Says, who, yeah, we can do things. We can have
a nice time, and it's just so's it's so sweet
and it's so refreshing, and I love seeing her, you know,
try to figure something out for the wedding and it's
not going to work and she's trying to stay positive
and gets in the car and then it starts, you know,
(18:13):
the French lesson starts. It's like everything is just so
the gestures aren't even that big. I mean, obviously the
sky diving is, but it's it's all these little things
that are just so genuinely kind and life.
Speaker 4 (18:28):
She shows he cares. It's also so funny that there
are these attempts that we've talked about so often to
emasculate Julian or make him look silly, and then he's
given material like this, and it's it's just it really
shows it kind of shines light on just how immature
the attempt at emasculation is, because it's things that like
(18:50):
women don't care if a guy is good at high
fiving or if he knows how to camp. It's like
what they are giving him is like he's a great partner,
he listens, he shows up, he's there, he's a teammate.
And so it's it's so funny that, like the attempts
to make him look silly are so overshadowed by episodes
(19:10):
like this where it's like this dude is so grounded
in himself and just so present and loving and awesome,
Like this is the ideal teammate. Yeah, so to do anything. Look,
he doesn't know how to high five. It's like, bfd,
what who cares? Dude? Who what Yet.
Speaker 1 (19:29):
This is the Julian that we hoped for. It feels
like such a great payoff after the journey that they've
been through after breaking up and all of the drama
with Alex, to see him growing and coming into fruition
of the man that he wants to be in, the
partner that he wants to be in, the partner that
Brooke needs and wants. It feels like a great payoff.
And the other great payoff is having watched Brooke hustle
(19:53):
for so so so long and gaining so much. I mean,
she she ran a multimillion dollar company. She's on top
of the world. She has everything that people think they want.
And to see her through all that time, there was
so much drama and struggle, and.
Speaker 3 (20:13):
It's so.
Speaker 1 (20:15):
Perfect that now that all the money's gone and she
really has no other choice but to discover the magic
of ordinary days and to discover the little things in life.
To see her so light and happy and enjoying the
sucking the marrow out of just daily life. It's it's
(20:35):
such a great over, like a huge long Seasons by
Seasons arc. That feels like a great payoff that that
we're getting to walk into with her. I'm really happy
they did this.
Speaker 4 (20:46):
There's also a great kind of blink and you miss
it line in that first scene I think with Brooke
and Julian, where Julian's just says something to the effect
I think Brook says like, aren't you worried about our
moms becoming friends? And he's like, I'm just glad I
got her out of the house, and one of you
says like, yeah, they're having like a girl's trip to
New York, And I just thought, dude, that is this
(21:08):
spinoff episode we desperately needed Sylvia. Could you imagine Sylvia
and Victoria do Manhattan? Just an episode of the two
of them.
Speaker 3 (21:18):
I want that.
Speaker 1 (21:19):
I really would want Barbara to show up at some
point as well.
Speaker 4 (21:22):
Yeah.
Speaker 1 (21:22):
I don't know how, but the three of them, that's
the trifecta.
Speaker 4 (21:27):
Yeah, someone's getting arrested, that's a shirt. If Barbara's there,
if ant Deb's in the mix.
Speaker 3 (21:33):
Yeah, that feels right. And to your point, Rob, the
way that.
Speaker 5 (21:38):
Austin leans into this stuff is so sweet, Like these
lines wind up being so funny, him being like, motorcycle
is a state of mind. And then you know in
the in the plane they do it again, and it's
actually just so funny. She's freaking out about skydiving. They
make that, you know, second best forty five second your
(22:00):
life joke, but like it works because he's in on
the joke and then he's quoting Hitch and it's like
it's all so silly and so much fun and it
is sweet to just see them have a good time together.
Speaker 4 (22:14):
And he owns his uncool that's the thing. Yeah, Because
Austin leans in and commits so hard earnestly. The payoff
on that joke is that he's not like, oh no,
it's I thought. He just like it's a great movie.
When you're like, are you really quoting Hitch? You brook
has that great language. She's like, we're fifteen thousand feet
in the air and a quarter of the plane is missing. Yeah,
(22:34):
did you just quote Hitch? You know? And he doesn't
like bach He goes, yeah, yeah, it's a great Yes,
it's a great movie. It's like that's Julian man, he
just owns it.
Speaker 1 (22:44):
Had you guys been skydiving before?
Speaker 5 (22:47):
Yeah, I had been a bunch, So I think I
don't know if that's why it wound up.
Speaker 3 (22:51):
On the list.
Speaker 1 (22:52):
Had Austin been before.
Speaker 5 (22:55):
I feel like probably I don't remember, but I feel
like he would have been. What was weird to me,
the whole thing was so spot on. And then what
was weird to me is that, you know, the the
stunt folks who did this jumped out of the plane
because obviously they weren't going to really let us jump
out of a plane. That's an insurance nightmare.
Speaker 1 (23:16):
But you've gone so many times in your life, so
it seemed like, okay, maybe they'll just.
Speaker 5 (23:21):
Yeah, no, they they would not have just insurance to
the show would never have allowed that. But what was
so weird to me is that, you know, whoever did
those shots on Second Unit the skydivers jumped solo. I'm like, you,
nobody's allowed to jump solo their first time skydive.
Speaker 1 (23:42):
Yeah, the two of them in tandem, Like you two.
Speaker 5 (23:44):
We know we both would have to be tandem jumping
with an instructor. It's like we would be strapped to instructors, right.
We would never have been allowed to jump out of
the plane on our own.
Speaker 3 (23:56):
Yeah.
Speaker 5 (23:56):
The first time, I was like, well, that sort of took.
Speaker 4 (23:59):
Me out of it. I went though they gave us
the option, They were like, what can you do a
twenty minute class and jump with an instructor tandem, or
you can do a four hour class and jump by yourself,
to which, of course, I'm like, are you going, Hi? No,
I want the person strapped to my back. I do. No,
I'm not that good of a student. But but here's
(24:19):
the deal. Brooke wouldn't have done that. No, YEA like, no,
strap the person to my back. I'm not going to
be responsible for that. I might black out. Yeah, so crazy.
Speaker 5 (24:30):
I thought the whole thing was so sweet. I was like, whatever,
give it, give it the license. But it was a
moment where I was thinking, yeah, fucking right, she's screaming
about how she's terrified, and then it's like, all right,
psych and dives out come on.
Speaker 1 (24:44):
At least your jumpsuits were cute.
Speaker 5 (24:46):
Yeah, it was very, very cute. The whole thing was
super sweet. I do remember, and I can't remember what
it was that we had to go and do once
we finished that. You know, we did the whole skydiving
sequence and then we had to move on to more
of their adventure day. And I remember when we took
the goggles off, the indents in our faces.
Speaker 3 (25:08):
Were so bad. I had to like ice roll my face.
Speaker 5 (25:13):
On the way to the next set, and we just
had it was like something we hadn't thought about.
Speaker 1 (25:18):
Did they send you up in a plane for this
or was any of this done like on us on stage?
Speaker 4 (25:23):
It looked like it was all done on the ground.
Speaker 3 (25:24):
Right, Yeah, all on the ground. Yeah.
Speaker 1 (25:27):
Wow. I bought it, I know, right, totally bought it.
Speaker 3 (25:30):
Yeah, it really worked. It was really sweet.
Speaker 4 (25:33):
So yeah, all of the Julian and Brooks stuff I
thought was just it was perfect.
Speaker 5 (25:37):
The one thing though, and again, so much of it
is so good, and then there are these choices in
this episode that go sideways.
Speaker 3 (25:45):
Why was the moon so big?
Speaker 4 (25:46):
It's come on in the moon, dude, it looked like
the Truman Show. I thought the same thing. I thought,
for sure they're going to be on like a sound
stage or something.
Speaker 1 (25:54):
I thought it was a gimmick. He had found some
way of, yes, making a scene for them. The moon.
Speaker 4 (26:01):
Yeah, that moon was out of control. It was distractingly big.
Speaker 3 (26:05):
Yeah.
Speaker 4 (26:06):
Also, what's odd is that they chose to shoot the
scene of Quinn throwing the gun off the same It
looks let's be honest, it was the same pier, but
even on the show. It looks identical. And one of
the shots up at her from the water, you can
actually see the moon, the moon in the sky behind her,
and it is a totally normal sized moon. Yes, we
(26:29):
paid extra for that big moon. That was CGI.
Speaker 3 (26:32):
Why I don't know, and I don't know. Why take
the moon and just make it ten.
Speaker 5 (26:39):
Percent bigger in CGI, don't make it a thousand percent bigger.
They're like, enhance, enhance, enhance, enhance, in hands like.
Speaker 3 (26:51):
Stop, please, please stop.
Speaker 1 (26:53):
No, we're in a Disney movie now.
Speaker 3 (26:55):
It was so silly.
Speaker 1 (26:57):
Yeah, I still grabbed all of it.
Speaker 3 (26:59):
I loved I did tighten, I did do.
Speaker 1 (27:02):
I think what worked. Yes, there was a moment you
roll your eyes, you're like, oh my gosh, okay, But
I think it was because there were so many other
things in the episode that felt heightened, that there was
a bit of a fairy tale element about the whole
episode that kind of worked for me. The all of
the slight absurdities. I just I just bought into it.
(27:23):
Maybe I'm just in a good, good mood this morning
and wanted to I don't know who.
Speaker 4 (27:27):
Yeah, listen, it's not a deal breaker, but I'm with you,
so the moment we opened on that shot, I was
like immediately pulled out of it, going, what is okay?
They've got to be on a stage, Like you guys
were so good that you didn't even need a moon
in the shot, Like we didn't need any extra romance
to like jiz it up. But it was, yeah, it
was just like it was so it was so aggressive aggressive.
Speaker 1 (27:50):
That's exactly right, the aggressive moon.
Speaker 5 (27:53):
I was just gonna say, maybe to your point joint,
maybe they were like, well, we've gone really extreme with
the murder plot, so maybe we should just drama.
Speaker 3 (28:02):
Up a few of the other ones. Like I don't
know if the idea was let's.
Speaker 1 (28:07):
Heighten because you don't remember that on the day, it
wasn't like you guys were standing there and there was
this giant moon projected or something.
Speaker 3 (28:14):
No.
Speaker 5 (28:15):
No, we were really out on the pier at night.
Speaker 3 (28:18):
And the moon. Here's the thing. The moon was.
Speaker 5 (28:20):
Out because there was reflection on the water, and it
just felt like somebody was like, let's take that normal
little dot and put it was like they replaced this
behind me with this like this was real, and then
they put this in the.
Speaker 1 (28:36):
Shop for reference. Friends. She's pointing to what is that
little a microphone like sticker. I don't know what that is.
Speaker 5 (28:42):
This is like a little glass evil eye that I
got traveling years ago, and.
Speaker 3 (28:47):
This is a globe of the world.
Speaker 1 (28:50):
They're next to each other, so you can imagine the
sized difference.
Speaker 4 (28:54):
But you know, maybe they got like indie film with
it and they were like, it's but it's just Brook
is in such like a romantic fantasy bubble right now
that maybe it was just she was feeling this moment
and the moon felt that big too.
Speaker 1 (29:09):
Yeah, maybe the same thing for Quinn. The diner just
felt really creepy and all.
Speaker 3 (29:14):
That Oh my gosh, she felt like she was in
a film noir.
Speaker 4 (29:18):
This episode should have won an Emmy.
Speaker 1 (29:20):
Okay, it's so.
Speaker 3 (29:25):
I like that.
Speaker 5 (29:27):
Yeah, the Brook and Julian on the periods, their et moment.
Speaker 3 (29:30):
The moon just takes up the whole thing.
Speaker 4 (29:32):
I loved a line that had nothing to do with
the episode that made me laugh out loud was the
whole Jamie and Nathan Runner being study buddies. His whole
thing this season of just like coming into himself.
Speaker 1 (29:48):
I'm thrilled with this storyline for him, and yes, like.
Speaker 4 (29:50):
Being a dad and loving being a dad has been
so great and so this whole the whole study buddy
thing with the two of them was awesome. But when
at the very start of it, he's like, let's let's
play some Madden, and Nathan goes, I can't. I gotta
study Wor's Chuck and he says, Chuck got grounded for
using his name in the Banana rama pro Fantasy, and
(30:12):
you see Nathan take a beat to sing the song
to himself and then.
Speaker 3 (30:15):
Go it yeah, and didn't you do it too?
Speaker 4 (30:19):
I absolutely did it.
Speaker 3 (30:20):
We all did it.
Speaker 1 (30:21):
Oh yeah. Immediately my brain was like, I'm in the
writer's room and I'm imagining they're trying to come up
with a reason for Chuck to be grounded and somebody,
somebody's kid had just done that at home and said
it out loud. It's it's it's great. That was really fun.
Speaker 6 (30:34):
Yeah.
Speaker 5 (30:47):
I like that In the edit they exactly timed the
reaction for Nathan correctly so that all of us got.
Speaker 3 (30:54):
To go Chuck.
Speaker 5 (30:57):
Like everybody did it together and it was great.
Speaker 1 (31:00):
That was fun.
Speaker 6 (31:01):
Yeah.
Speaker 1 (31:01):
I love the storyline for Nathan. I mean wow, like
just finding his own way, figuring out taking these risks
and to see that Nathan choose to take the hard class.
You know, there was a time when there was a
version of Nathan when he would have been like where
do I coast? And yeah, that's so great.
Speaker 4 (31:20):
Also it's the appearance of Kellerman Peter Reigert. He's great,
He's awesome, And yeah, I believe he played a college
professor in Animal House, so I know that there was
excitement because they were like, like, he was so known
for that role that like, we got him as our
college professor. But he's great. Yeah, he's really good.
Speaker 6 (31:43):
Man.
Speaker 4 (31:43):
That first scene with him in Nathan in the Office
is awesome.
Speaker 5 (31:48):
Yeah, and the fact that you can tell he's going
to be a curmudgeon, but Nathan feels up to it
and they're kind of sizing each other up. It doesn't
lean into conflict too fast, but it gives you a
little taste.
Speaker 3 (32:03):
And the whole.
Speaker 5 (32:05):
Storyline for Nathan, you know, like you were saying, joy
is so good because we get to see him maturing
and trying to make all of these choices. And what's
cool about it is we get to watch it, but
we also get to see him talk about it in
ways that don't feel so much like exposition because they're
(32:27):
lessons for Jamie, the story about how they lost to
Kansas by three but they were supposed to lose by
twenty seven, but they worked so hard and they practiced
so hard, and it taught him something about being determined.
It's such a good way to show growth in a
character without being like, and you know what I've learned
(32:50):
about my life?
Speaker 1 (32:51):
You know, yes, which we fall into that trap a lot,
which I think is inevitable, especially on a show with
this many seasons. It's easy to fall into the trap
of like, just explain it in dialogue and have people
just say say the thing so everybody can catch up
if they missed it. And I love it when they
just take the little extra time to do things like
that and make it feel natural. That's good.
Speaker 4 (33:12):
It's effective. It's like Hayley writing to Lucas, you know.
It's a it's a great device for getting inside her
head without actually having her. Yeah, sit there and do
the talking head exposition that everyone dreads doing.
Speaker 5 (33:25):
Totally, and the whole, the whole little container of this
evening of studying with a dad and his son is
just so sweet because you get to see how serious
it is. But the kid helps to make it lighthearted
in the games and the you know, the spelling drills
(33:46):
and the whole thing. It's just it's a really nice
peak into their world.
Speaker 1 (33:51):
It's just so relatable, like this, this family dynamic, the
three of them. Even at the end Jamie with the
Tuto R and O and tutor you know, yes, yes,
so good. Did you learn nothing?
Speaker 4 (34:08):
He has that line where he says to Nathan, Wow,
first tudor girl, now tutor son. Yeah, that's nice. And
there's a great exchange where I think it's like after
like the first time that they talk about the studying,
Nathan looks at him and goes, how'd you get so smart?
And he turns around and says, I have my mom's
jeans too, And with that's skipping up beat, Nathan goes,
(34:31):
you also got her height. Yes, it's like okay, dad,
apparently we touched.
Speaker 1 (34:38):
A nerve and just so show the thing that our
show became famous for in the first place, which was
the small town the again, this sort of magic of
ordinary days. How valuable that really is. Like we can
have a lot of drama, we can have big, exciting, bizarre, strange,
very dramatic things happen. But the core in the heart
(35:01):
of the show is just the ordinary and the things
that you can relate to as a as a family,
as a member of a family in your real life,
and just watching the little nuances here. I loved it.
It warmed my heart.
Speaker 4 (35:14):
The whole Red Bedroom trick stuff was great, and I
loved how it all started. I mean, it was great
that Mia was the one who got kid Cuddy. Yeah,
and then I loved Haley tricking Mia into wanting to
bartend by getting Alex to bartend. So good. It was
fun watching you play kind of the mastermind behind the
(35:34):
scenes for this whole night.
Speaker 1 (35:36):
Yeah, it was fun. I loved this. I like Haley
being in this spot. I mean, Haley's always done a
lot of mother henning, like moving around between different characters
and different storylines and just like putting in little bits
and pieces of information here and there and helping everybody,
you know, like maintain the status quo. I feel like
she took her role as mom, becoming a mother early
(36:00):
just became a part of her identity, and so she
was She's always been this, so it's really fun to
see her do it at Red Bedroom too. That it's
not just for the people that are the closest in
her life, but also the people that she's that she's
working with in her job, and she wants to see
young women in their careers taking off and really mentoring
them and like just managing Everything's she's stepping into this.
(36:22):
She's stepping into the Karen Row role really in a
lot of ways, and that's been that's been fun to see.
Speaker 4 (36:28):
I also loved how she didn't tell Aarin that she
was going to be opening for Kid Cuddy, which was
real risky, right. That kind of surprised me because I imagine
as a musician, like, you know, you want to prepare yourself.
But I love the choice that they made that she
didn't do the thing you thought she was going to do,
which is, oh, I'm so nervous, I can't do this, yea.
(36:50):
So she immediately went to a place of I'm going
to kill it. I was like, oh, and she did.
Speaker 1 (36:57):
I mean, Laura is a bore so good out of
the park. I mean, we had heard a little bit
from her before, but she really let loose and showed
everybody what she's made of in this episode. It was great.
I was hoping when Kid Cutie came up at the
end that he was going to be like, come on
tour with us, because again, there were so many things
(37:18):
that were a bit outrageous in the episode that I
just would have bought it. I mean, I know it's
a little it's a little hokey and expected, but I
don't know. I was kind of I was hoping he
was going to be like, you were so great, you
should come open for us on the road, and when
he didn't, he was just like, keep going, you're doing great.
Speaker 4 (37:33):
I was like, oh, I thought he was going to
try to poach her. I thought he was going to say,
you're talented, you should join our label.
Speaker 1 (37:43):
Ooh, that would have been juicy, but.
Speaker 4 (37:47):
Said he was just a nice guy. Want wah.
Speaker 1 (37:49):
Yeah.
Speaker 5 (37:51):
One of the things that was weird to me again
just some of the choices, but maybe the whole point
was they needed to heighten everything in the episode.
Speaker 3 (38:00):
They crush that show. Laura is so good. He is
so good.
Speaker 5 (38:05):
Also, baby kid Cuttie, I die like just the cutest
human being. But I was like, why at that end
when he comes to talk to her, does she have
full backing in an empty bar? It's just her at
the piano and it's a fully produced song playing.
Speaker 1 (38:24):
Oh that's right. Wait, I guess I thought she was
just playing to a crowd and I was not, No.
Speaker 5 (38:30):
She's just playing in the back of the bar, but
over a full backing track.
Speaker 3 (38:36):
And I was like, we know how good Laura is.
Let her just sing with the piano.
Speaker 1 (38:41):
I was getting set up for the podcast at this point.
It was like, you know, forty in the episode.
Speaker 3 (38:46):
We were like, oh, I gotta plug in my computer.
Speaker 5 (38:48):
Yeah. Yeah, but it was a really weird. It took
me out of it because I was like, it's just
her by herself. Why never, never mind? And then I
was like, I gotta stop.
Speaker 3 (38:58):
I was just I was then by then I was
noticing all the weird things.
Speaker 1 (39:02):
Yeah.
Speaker 5 (39:04):
It felt like another enhance hands and Hands.
Speaker 3 (39:08):
We didn't need it.
Speaker 1 (39:09):
I think the attempt was to make everything feel yeah,
like that fairy tale ish, kind of a little bit exaggerated.
And it doesn't always work when you try and do
something like that with episodic because you still have to
stick to the rules of the world, because the show
still has to a little familiar for the audience, because
they can't show up and turn on the TV and
(39:29):
see all their favorite actors in the same setting, but
the show looks completely different. So I think this was
an attempt to stay within the rules and the boundaries
but make it feel more like a fairy tale. But
just wasn't I just don't I understand why it felt
like it wasn't executed as efficiently as it could have been.
Speaker 4 (39:50):
Did either of you perk up? When there's the exchange
at the bar between me and Alex where Alex walks
over to me and goes, I'm up to four hundred
and fifty reply an over her shoulder at Mia says,
I'm right on your heels, drama queen.
Speaker 3 (40:04):
Yes, I was like, what I did the same thing.
Speaker 4 (40:10):
Yeah?
Speaker 1 (40:11):
What about Alex and Chase and this thing at the
in the stock room?
Speaker 3 (40:16):
What do we say?
Speaker 4 (40:16):
They could only let them be friends for all of
twelve minutes before Alex had to undermine it all, before
she had to be duplicitous.
Speaker 1 (40:25):
Yeah, I mean, as she continues to prove that this
is like, this feels like the baseline of her When
I say character, I mean like a what's another word
for like your characters as a human, like your integrity.
Speaker 3 (40:39):
Baseline, Yeah, her core.
Speaker 1 (40:41):
Yeah, it just feels like, no matter how many times
she seems like she's really sweet and just trying to
be nice, I don't know. I just don't. I don't
trust her at this point. She's done it too many
times completely.
Speaker 4 (40:57):
She is wildly untrustworthy. That's it. Jana is so good
in that scene. Yes that I did find myself going, oh,
she might actually just really like him. Oh no, like,
because it does look like she's playing a game. It
looks like all of us is a game tour at
this point because we have seen so much of this
back and forth stuff. But she's so good and the
(41:20):
look she gives him is so sincere that it's it's
so strong because then it makes it actually challenging for
Chase as opposed to being it's being very easy to
go get off, what go away?
Speaker 1 (41:31):
Yeah?
Speaker 4 (41:32):
You know, so she did great with it, but same,
I was like, come on, yeah, she's all over the place.
Speaker 5 (41:40):
But they're so fun together and the crowd trick is
the whole thing is just fun to watch and so
as a choice, as dramatic as it is, it's great
because it kind of stops you in your tracks in
the audience and you're like, uh, and we know it's
coming because when she throws that bottle of tequila in
the trash, You're like.
Speaker 3 (42:01):
Oh no, yeah, oh no. And I loved it. I
was like, this is the kind of drama that I want.
Speaker 4 (42:10):
Speaking of breaking off from the norm of our show,
let's talk about that final scene. Katie is driving back
to Tree Hill listening to a perfect song, You're going
to get You Away, right. All of it is working
for me until the last moment where she turns and
stops looking at the road and just looks down the camera,
(42:32):
looks straight into the lens. What is that Why it's
already so ominous, nothing needs to happen, and then she
breaks the fourth wall, like well in the office. It
was just it was so strange. I didn't get it.
Speaker 5 (42:47):
And by the way, she's not the only one who
does it. They also directed Kid Cuddy in the concert
to take his sunglasses off and look straight into.
Speaker 3 (42:56):
Lens, and I'm like, it's not amusing a video.
Speaker 5 (43:02):
Yes, he's playing himself, but he's also acting on our show.
He's not supposed to break the fourth wall. It's not
a music video shoot. So it's a choice that was
made by the director. Twice in the episode and it
was so weird.
Speaker 4 (43:21):
Yeah, he's playing himself, but in the One Tree Hill universe, yes,
there aren't cameras recording the other people. And it's not
like Julian had a camera behind the scenes or there
was justification for you.
Speaker 5 (43:34):
Right, If Julian was shooting it and then he looked
into camera and it cut to a great close up,
it would have worked, but it pulled me out of
it then. And then the ominousness of Katie and the
storm and you know there's a giant storm brewing.
Speaker 1 (43:50):
Things are going to get crazy. The audience already knows. Yeah,
we already know this is gonna's gonna get real very soon.
The second you see Katie and see her singing, which
also I think went on a little long, Like yep,
it was just a little too long. I didn't need
that much of her singing along with the song because
it gave me time then to start listening to her
(44:10):
singing rather than listening to like just catching the moment
of like this is creepy.
Speaker 3 (44:17):
I was like, oh, it's creepy, and then I was like, oh,
she has a great voice. And then I was like,
wait a second, what's the her on the radio, saying
like it just it was it was too long.
Speaker 1 (44:24):
Yeah, it's too much. You can't give the audience that
much time to start thinking about what's happening. Otherwise they
start doing exactly what we're doing and picking it apart.
Speaker 4 (44:31):
And Amanda's great, like you didn't need the rain and
you didn't need the song. But it's fine to have them,
but it's sort of like you have her giving a
great performance. I'm already concerned. And then we see driving
past the Tree Hill sign that's really all you need? Yeah,
the rain, cool mood, the song heavy handed but still works. Yeah,
extra fifteen seconds, followed by her looking down the camera
(44:55):
too much.
Speaker 1 (44:56):
Didn't need it, We didn't need it. You just didn't
need it. But I think that what I'm really excited
about is the fact that she's back and that, in fact,
it justified so much of what we just watched with
Paul and Chantelle, because all of Quinn's fears that it
(45:16):
feels so ridiculous, and it's like Katie's gone, Okay, you
found her, but she's not pursuing you. There's just you know,
can you try and let it go and live your life.
It really gave justification to this whole thing that we
have been maybe questioning Quinn's motive or sanity is not
the right word, but we've been we've been questioning what
(45:38):
she's choosing to do. And now I'm like, yeah, there's
no question you need to be prepared.
Speaker 3 (45:42):
Except she threw away the gun.
Speaker 1 (45:43):
Oho.
Speaker 5 (45:44):
Nos, Yeah, you know, yeah, but that's just it, right.
The worry and the fear and the sort of trauma
she's experiencing is so spot on.
Speaker 1 (45:58):
Yeah.
Speaker 5 (45:58):
I wish they'd just let it be that and didn't
try to make it feel like a film noir. Yeah,
so that when you see Katie you're like, oh my god. Yeah,
based on how dramatically they shot all of that stuff
for her and Dan's storyline, I'm not surprised at all
(46:18):
that Katie's back, not even a little like surprise me.
Speaker 4 (46:23):
The throwing away of the gun, that sequence, the way
they wrapped up was was great though, because I know,
as an audience member, I was rooting for her to
get rid of the gun. I was like, this has
never been the answer. And when you finally see her
getting rid of the gun, you're like, oh, thank god, okay, good. Yeah,
And then they immediately follow it with danger driving into
town and you're like, yeah, Okay, we shouldn't have done that.
(46:46):
I was rooting for the wrong thing.
Speaker 1 (46:48):
Yeah, lots lots in this episode. I'm looking for gonna
get crazy now we know, Yeah, it's gonna get right. Yeah, weird?
Anything else about this episode before we do questions?
Speaker 4 (47:00):
Fan questions outside animals can't fart inside?
Speaker 3 (47:05):
Yes, honorable mention for sure.
Speaker 4 (47:20):
Listener question, what do we got?
Speaker 1 (47:22):
Katie says, I wish we could have seen Haley reading
a letter from Lucas, just to hear what was going
on in their lives. We don't hear from Lucas until
the last season. What would y'all imagine Lucas, Peyton, and
Sawyer are up to. I don't even remember where they moved.
Where did they go?
Speaker 3 (47:37):
I don't know they left Tree Hill.
Speaker 1 (47:39):
And you know, writing off in the sunset in the comet,
but I don't know why they left or where they moved.
Did Lucas get a because he can write from anywhere?
Speaker 4 (47:46):
Yeah, they left in a convertible, So I'm going to
guess maybe the West coast where it's a bit warmer
and less rainy.
Speaker 1 (47:52):
Yeah, feels like that's Yeah, true.
Speaker 5 (47:55):
Yeah, I feel like I remember a West Coast thing
or that, you know, they wanted to travel, and while
he wrote his next novel, this is the problem. They
didn't give us enough to make where.
Speaker 3 (48:09):
Our friends went make sense.
Speaker 1 (48:11):
Yeah, yeah, I have no idea. Who knows, Like did
they start a new life in Maine or in Napa
or are they renting a trailer just driving around the country?
Did they move? Yeah's through? Where are they?
Speaker 5 (48:25):
It's like, you know, and I know we brought this
up obviously with the powers that be at the time,
and I feel like it was more a personal beef
than anything that made sense.
Speaker 3 (48:39):
For our characters, which is unfortunate.
Speaker 5 (48:40):
But I used to ask and be like, why can't
Brook be getting text messages from Peyton? Why can't you
see them texting? Like why am I not getting photo
updates of this baby?
Speaker 3 (48:50):
It feels really weird.
Speaker 5 (48:51):
And there was always a you know, well, it's not important,
it's not in the world, and it's like, well, it
feels pretty freaking important.
Speaker 1 (48:57):
I mean to Brook and Haley built around it, so
it's important.
Speaker 5 (49:02):
Yeah, It's like for us, you know, those are our
those are our people, Like Peyton's my person Lucas is
Haley's person.
Speaker 3 (49:10):
It's like so weird.
Speaker 1 (49:12):
Yeah, Karen and Karen, like everybody, they just they just
faded off into the distance.
Speaker 3 (49:17):
Yeah.
Speaker 1 (49:18):
I do wish they had kept that up in some
more clear way. I don't think I've been hard. No,
I don't either. I think it was some sort of
personal I think it was the personal beef behind the
scenes that they just like not they but he, our creator,
just didn't want to have He was hoping the audience
(49:38):
would just forget about them.
Speaker 5 (49:40):
Which seems so stupid because it's a choice rooted in
ego and it's like, dude, you wrote those characters. Yeah,
so you knew they were great, So why are we
suddenly pretending they're not.
Speaker 1 (49:58):
Yeah, it's like trying to prove, like the you can
go on without them, and it did, but like, it
could have made so much more sense. It would have
been so much more nice to just have their presence
still around in some way.
Speaker 5 (50:10):
Yeah, it would have been a better continuation of that world,
particularly because we were I mean, what a crazy thing
to say, but in the middle of our show is
when people got iPhones. Yeah, it became really easy to
text photos and videos and to have these long updates
(50:30):
with your friends that you couldn't have before when you
were texting in T nine on a razor being like
one two.
Speaker 3 (50:36):
Three, there's a t you know, and like it.
Speaker 5 (50:41):
It would have it would have fit the time, and
it would have fit our world and our people and anyway,
you're right, Katie, we agree it would have been nice.
Speaker 1 (50:49):
We wish to we wish. Should we just been a wheel?
Honorable mention, honorable mention. Yes, only animals can't part outside
or something like that.
Speaker 5 (51:00):
Outside, animals camp fart inside there it is, oh.
Speaker 4 (51:03):
Joy immediately most likely to get.
Speaker 1 (51:07):
House yep, yeah, yeah, yeah, that's definitely happened to me.
Speaker 4 (51:14):
Ye.
Speaker 3 (51:14):
Sure.
Speaker 1 (51:18):
Have you guys never gotten locked out of your house?
I had to call a locksmith.
Speaker 4 (51:21):
I have.
Speaker 5 (51:22):
I got locked out of my house on location once filming, uh,
and it was it was. It was not great, and
it was also really stressful because it was in the
middle of winter in Toronto and the place I was
renting had like a smart lock, and I'd never had one,
(51:43):
and ever since I'd moved into the house, like when
I would undo the lock, it would flash yellow at me,
and I just thought that was the way they I
don't know, that's how it unlocks, and it meant the
battery was dying. And so for I don't know, six weeks,
I just would like walk into this rental house.
Speaker 3 (52:03):
And one night at like twelve.
Speaker 5 (52:06):
Thirty I guess technically twelve thirty in the morning, I
got home and it was February and it was.
Speaker 3 (52:11):
Like negative twenty degrees and.
Speaker 5 (52:14):
I clicked the thing and it starts flashing red and
I everything.
Speaker 3 (52:18):
It's like all the energy left my body.
Speaker 4 (52:20):
And I was like, oh, no, tell me, transpo van
hadn't left you yet.
Speaker 5 (52:24):
I sure had. I was like, get out of here.
I got a like, you know, I was unloading shit
and dealing with the snow on the porch. So I
had to call the sweet driver and be like, could
could you come.
Speaker 3 (52:37):
Around the block?
Speaker 5 (52:38):
I think I have a little, a wee bit of
an emergency. And I literally had to. I had to
figure out how to break into my own house with
my awesome transpo driver because there was not we couldn't
get a single locksmith company to answer the phone because
it was almost one in the morning.
Speaker 3 (52:52):
Is it cheaper?
Speaker 1 (52:53):
Locksmiths are not cheap. Is it cheaper to bay in
her place? A window or call locksmith.
Speaker 4 (52:59):
It's easy to call locksmith. I don't know the relative pricing. Well, yes,
because think about it, to replace a window, you have
to call someone, they have to come out and do it,
or at least.
Speaker 3 (53:09):
A lot to measure the glass, and your entire.
Speaker 4 (53:11):
Thing is contained within you know, yeah, thirty minutes of
them being there.
Speaker 3 (53:15):
Yeah, yeah, yeah.
Speaker 5 (53:17):
It turned into like quite a comedic evening and involved
scaling a balcony and we had a great time at
the end of it, and I was like, this is
going to be a story.
Speaker 3 (53:25):
I'm always going to remember.
Speaker 1 (53:27):
Why didn't we ever do that on the show? That
would have been a fun episode, like just something that
was in the house that somebody had to get for
other things in the episode to rely on. And the
whole episode for that character storyline is just break trying
to figure out different ways to break into the house.
Speaker 4 (53:42):
Right. You know how janitors have those little devices that
they clip onto their belt or anyone with lots of
keys where it's like like a tether in it, like
your ass back and all the keys. I feel like, joy,
we should get you like three of those, like one
for your iPhone one for your air pods. One for
your keys. You just have this like utility belt as
you walk around in public, so that you can never
lose anything.
Speaker 1 (54:02):
I think that's that's something that I should invest in. Yeah,
it's not a biology.
Speaker 4 (54:07):
Guys. We're taking this to shark Tank.
Speaker 3 (54:09):
We're doing it.
Speaker 1 (54:10):
We're doing it knowing me so well. Rob, that's really sweet.
Speaker 4 (54:13):
You're perfect. Joy.
Speaker 5 (54:14):
Don't change, don't ever change, never, never ever forget to
lose your Keith.
Speaker 1 (54:20):
Okay, what are we doing next week?
Speaker 3 (54:22):
All right, friends, I can't believe it.
Speaker 5 (54:24):
Next week is season eight, episode eleven, Darkness on the
Edge of Town.
Speaker 4 (54:30):
Oh boy, I wonder if that has anything to do
with Katie.
Speaker 1 (54:32):
I wonder, I wonder direct Thanks for joining us everyone,
This was a thanks friends, fun one. Good to see you. Bye. Hey,
thanks for listening.
Speaker 5 (54:43):
Don't forget to leave us a review. You can also
follow us on Instagram at drama Queen's ot.
Speaker 1 (54:49):
Or email us at Drama Queens at iHeartRadio dot com.
Speaker 3 (54:53):
See you next time.
Speaker 4 (54:55):
We all about that.
Speaker 2 (54:57):
High school drama girl, drama girl, all about that.
Speaker 3 (55:00):
High school queens. We'll take you for a ride, and
our comic girl Cheering for the right teens. Drama queensise
my girl, rough girl fashion with your tough.
Speaker 1 (55:09):
Girl, you could sit with us.
Speaker 2 (55:11):
Girl drama, Queens, Drama, Quease, Drama, queens Drama, Drama, Queens
Drama Queens
Hosts And Creators
Bethany Joy Lenz
Sophia Bush
Robert Buckley
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