Ghost Pudding • EP 803

The Drama Queens dive deep into the peculiarities of a recent scene involving the ghost of Will, and discuss the hilarious (and awkward) hook-up between Mouth and Millie. They also weigh in on Victoria’s prison storyline, drawing comparisons to a certain celebrity’s time behind bars.

 

Plus, Rob and Joy share mortifying stories about accidentally texting the wrong people.

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
First of all, you don't know me.

Speaker 2 (00:02):
We all about that high school drama, Girl Drama, Girl,
all about them high school queens. We'll take you for
a ride, and our comic girl sharing for the Rights
Drama Queens.

Speaker 3 (00:13):
Jlie, my girl of girl Fashion, but your tough girl.

Speaker 1 (00:16):
You could sit with us, Girl Drama, Queen Drama, Queens Drama,
Queens Drama, John the Queens Drama Queens.

Speaker 4 (00:24):
Uh. Pretty cool, all three of us in the house
to talk about a banger of an episode.

Speaker 5 (00:31):
OI.

Speaker 6 (00:31):
God, hey, everybody, wasn't it though? This was a heavy episode.

Speaker 3 (00:36):
This was heavy. I just want to say thank you
to you both, and also to all of our listeners
who've been just like reaching out and so kind while
we are scrambling in LA this week, you know, trying
to like support our people and figure out how to
get things to our friends who've like literally lost everything.

(01:00):
And also I'm like, wow, we had to come back
in at eight oh three, Like I just cried through
this whole episode. I was like, I am a runner,
I'm so emotional and I sobbed, and I can't wait
to talk to you guys about it and cry for
the next hour. Everything's going to be great.

Speaker 6 (01:16):
We unpacked a lot in this episode and tied a
lot of loose ends and opened up a lot of wounds.

Speaker 4 (01:21):
Yeah, yeah, I guess before we dive in, let's uh,
let's everyone know what we watched. Season eight, episode three,
The Space in Between, aired September twenty eighth, twenty ten.
Synopsis reads as a situation at the hospital worsens, Nathan
makes a huge decision regarding his career. Does he ever?
Brooke and Julian take Jamie for the day, while Victoria

(01:44):
and Millicent hatch a plan directed by Greg Prange. And
it was written, Yes, this episode was written. Was so good.
And I also I have some like I have some
funny questions, but yes, but let's talk about it was
a lot.

Speaker 6 (02:04):
I love the intro, the narrative intro that we've you know,
we brought in season one heavy and it kind of
dissipated over the years. I was so happy to see
that return me too.

Speaker 3 (02:17):
And it felt really nice to watch it, particularly through
your eyes, like all the things Haley's been processing, to
see this great kind of self care practice, to watch
you journaling and you know, feeling your feelings in this
really healthy way and bringing back that season one nostalgia.

(02:39):
At the same time, I was like, Oh, this feels
like a really nice moment to be it.

Speaker 4 (02:44):
It's a clever device for emotional exposition. It's the type
of exposition I don't mind at all because it's allowing
us a peek inside Haley's head in a very organic,
believable way.

Speaker 6 (02:56):
Yeah, because it's just when they try and write that
stuff into dialogue usually feels pretty canned. So it's nice.
It's nice when it feels organic, you know. I like that.
And it wasn't just from Haley too. We got Mouth
doing his narration throughout as he was talking about the
different sports movies, and that felt really good and it

(03:18):
was seamless, it didn't feel forced at all.

Speaker 3 (03:21):
And it was really cool too that Mouth's podcast feels again,
so nostalgic for early high school days of him, you know,
commentating and calling games. And it's this really beautiful mirror
this story that he's telling, mirroring what's happening to Clay
and Quinn, and it sort of reminds you that even

(03:44):
though this is such a specific experience our characters are
going through, that it's sort of a tale as old
as time, right, Like someone is on the razor's edge
of will they live or will they die? And everyone
in their own way can understand that kind in a pain.
And I don't know the whole thing. I loved hearing

(04:06):
the narration, whether it was your journaling or his storytelling.

Speaker 4 (04:09):
Also, kudos to Mouth for being way ahead of the
podcast curve. Yeah, I was so surprised. I watched that
went okay cool as a podcast, and I thought, wait,
this was great fifteen years ago. He was way ahead
of his times because.

Speaker 6 (04:25):
Millie's reactions like, oh, you have a podcast now, Yeah,
that's right, I do.

Speaker 4 (04:33):
I sure do. Did fall Out Boy seeing us sing
this episode's theme song, Oh, I was wondering.

Speaker 6 (04:39):
Who it was that might be it.

Speaker 3 (04:41):
I was too.

Speaker 4 (04:42):
I thought because we have a relationship or the show
had a relationship with Pete, maybe that was the case. Wait, yes, yes,
this is the answer from.

Speaker 3 (04:50):
The booth Patrick Stump, So says our producer.

Speaker 6 (04:55):
A lot of shows at this time were doing this
this uh, covering their or what do you call it?
Theme song? Covering their theme songs? Yeah, with other bands.
And I don't know if it was a trend or
if it was a licensing thing like they just wanted
to save money on not having to pay Gavin on
the licensing of the original recording, and so they bring
in cover bands so it's like a fraction of the price.

(05:17):
I'm sure that was appealing, but it was also kind
of a trend.

Speaker 3 (05:21):
We'll never know, never know, I will say, and this
is not a knock on them at all, but because
the episode is so emotional, and then and then we
hit the like Fallout by punk rock cover, I was like,
what's happening? This feels wrong.

Speaker 7 (05:35):
Yeah.

Speaker 6 (05:36):
I thought Michelle Featherstone did one coming up too that
it was much more like piano balladi could we not
swept flip fuffed?

Speaker 3 (05:44):
I was like, maybe we should have saved this for
a fun episode. And I had like a power ballad
in this moment when we're listening to Haley's innermost emotional thoughts. No,
it felt like a really sort of disassociative choice.

Speaker 4 (05:58):
Yeah, and if you're gonna make this all out boys episode,
put it at the very beginning of the episode, don't
bury it twelve minutes in.

Speaker 6 (06:06):
Yeah, it was odd.

Speaker 3 (06:09):
It was a weird choice. I want to know what
your funny questions are roun.

Speaker 6 (06:13):
Okay, I bet one of them is the same.

Speaker 4 (06:16):
I'm gonna say this. This episode for me nailed everything
in the human realm. It raised a lot of questions
for me in the ghost limbo world.

Speaker 3 (06:29):
Okay, like, first of all.

Speaker 4 (06:32):
Why is he eating pudding? And how is he eating pudding?
Clay's friend? Right, I have his name written down here,
so Will thank you. It's this odd thing right well,
because first of all, we've done the ghosting with Katie,
with Amanda Schul and Keith and Keith, and the whole

(06:54):
kind of rule is like you can't touch people, they
can't hear you. You can have your own business. But
like Amanda was doing her nails one time, so she
was painting her nails, So maybe ghosts have access to cosmetics.
Who knows little things bobs and bits, but it was
so weird. First of all, the first interaction between Will

(07:15):
and Clay is odd that it's they start to talk,
but within like four lines, Will is talking about how
hot Quinn is. Yeah, it just gets real, like it
gets real Broie very fast. And then Clay is kind
of like rolling with it and they're riffing and then

(07:36):
Clay's like, oh, can you feel it if I hit you?
And he like, I like gently hit him on the arm,
and I'm just thinking, like, if you're in limbo, yeah,
and you've never met this person. It just felt really
familiar in light given the gravity of the situation.

Speaker 6 (07:54):
First person he's mating.

Speaker 3 (07:55):
It's actually really interesting because I liked that it started light.
My first note was that I really like seeing Clay
in his element, even though he's between worlds, commenting on
the haircuts, warning the guy about the will like it.
It felt really fun and upbeat, and what it did
for me as a viewer was let me see that

(08:18):
you were adjusting and that you were kind of in
this space and that you'd figured out a little bit
of a routine. And then the surprise that someone could
hear you, that someone was there with you really registered
for me, because without having to hear how many days
you'd been unconscious, I could tell you'd been there a while.
And then I mean side note, not you know, for

(08:39):
our show, but also for our show. I was just
so excited to see Edwin because he's like, you know,
one of my dearest friends and now married to one
of my best friends from us all going and doing
good sam together. That's where he and sky met, and so.

Speaker 6 (08:52):
I just was like, oh my god, my angel, and
he's a baby.

Speaker 3 (08:54):
Like it's so I don't know, it was just so
sweet to see. And while I thought that the writing
about him commenting on Quinn being hot was lame, like duh,
look who wrote our show, Like Okay, we're not surprised,
but I thought you guys did a really great job
immediately when you had the weirdness of oh you can

(09:17):
see me and hear me, and I can see you
and hear you. What the hell like you did almost
have I know you said it was browie, but it
almost felt like childish to me in a sweet way,
because it's completely bizarre and it's like you suddenly have
an imaginary friend or something. I liked what you two
brought to it, even though yeah, the writing could have

(09:39):
been better in every measure in that opener, in that
opener for you.

Speaker 6 (09:45):
I agree with you. So if I bought it, I
thought that, I mean, if existentially, if you're if you
actually woke up and found yourself in that place and
you were lonely there for a long time, to the
point where you were just starting to like settle in
and talk trash to people that you're passing by in
the hallway and like, well, I guess I'm gonna make
the best of this. Suddenly there's another person. You're like, whoa,

(10:06):
this is amazing. We kind have something to talk about,
and the other person's like chill and cool.

Speaker 8 (10:10):
I don't know.

Speaker 6 (10:10):
I feel like you would be so stripped of your
emotional propriety that we all behave so well in society
and the way we go about and conversations follow a
flow and you don't get that deep too fast, and
I just think all that would probably go out the
window here. And so for me him like commenting on Quinn,
I mean, yes, conceptually gross, but like the essence of

(10:36):
browness so quickly I totally bought it well.

Speaker 4 (10:41):
And I think also Edwin was great. We only had
this together, but I had such a great time with him,
So please tell him I say hello, because we did.
We had fun. It was a really fun thing to
do together. And I think you're right because there's also
you know when you're just super lonely, like I remember.
I think it was like during COVID at one point I
hadn't talked to anyone but Jenny in ages, and I

(11:02):
like went to the grocery store for the first time
or something, and I remember I was so eager to
interact with another human being that that poor cashier got
a thousand questions from It's like, do you like gum?
What have you been up to? How are you? Do
you want to hear about what's going on with me?

Speaker 6 (11:19):
Fifteenth person that day who had done that too, by
the way.

Speaker 4 (11:22):
Yeah, So to that end, I completely understand, Like Clayton's
been like, great, let's be pals, but again, this isn't
my These aren't my beast. My main one was I
was just so confused. In a later scene, why Will
is eating pudding? Yeah, he's in limber, right that that's okay.
That would make sense if like when he's alive, if

(11:43):
that's his favorite snack. Sure, But what was odd about
it was it was in the direction he's eating it.
I'm like, all right, whatever, it's activity for him. But
then he sets it on the calendar. At the end
of the scene, we exit frame and the camera stays
on the pudding. So I was I'm like, like, checkof's gun, Like, okay,
how is the pudding gonna be weaved into the storytelling?

Speaker 5 (12:04):
Right?

Speaker 4 (12:05):
It's not no, we just didn't have a better shot.
So here's your ghost pudding, limbo pudding.

Speaker 6 (12:10):
I think the intention might have been to land the
camera on the nurse who does not notice the pudding
being put in front of her, because it's ghost pudding,
and it was like clarifying for the audience it's ghost pudding.
Don't worry, We're still following our own rules. But I
don't know that that was the most important thing in
the scene. So probably we could have made a different choice.

Speaker 4 (12:33):
Could we name Could the title of this episode, this
podcast episode be ghost pudding?

Speaker 3 (12:39):
I think it should be.

Speaker 4 (12:40):
I just feel like that's gonna draw in a lot
of interest. That's gonna pique people's interest. They're gonna want
to hear it.

Speaker 6 (12:46):
Yeah, I'm on board with this, So okay, So these
are your existential questions with the episode? Is that it?

Speaker 4 (12:52):
And by the end of it, I mean, I enjoyed
the dynamic. It just caught me off guard, I think
because I was I was so bought into what was
happening in the real world. Nathan's pain, Haley's pain, Quinn.
Oh my gosh, Chantel was so good this episode.

Speaker 8 (13:09):
This episode, all of her stuff, especially the bedside stuff
was just so good. I think that was why I
bumped is because I was so all in for that
ride that when it got light and went to a
different area, I just it took me a bit to
sort of like adjust.

Speaker 5 (13:29):
Yeah that makes sense, Yeah, I get it.

Speaker 6 (13:43):
Let's talk about Chantel for a second. That performance was
so beautiful. It is. It's hard on show TV, where
a lot of your work lives in shoulders up or
waste up, and there's an element of performing where it's

(14:05):
like you're still interacting with the environment and it's just
hard to trust that the camera is going to really
catch everything that's on your face. I guess I should
say this is TV in the early odds, because now
TV is much more like film. But back then, film
was where you go to get that real close up
chin to forehead shot of somebody having an emotion, and

(14:27):
all they had to do is have a thought, and
if they had an authentic thought, the audience reads the thought.
And on TV at that time, especially shows like ours,
where a lot of it was more environmental in terms
of the landscape of what was on your screen, it
just felt like you had to do a little bit
more and we were always being directed to do more.

(14:48):
Could you just like cry more? Could you just like
make it a little more obvious that you're sad? It
wasn't enough just to have the thought. And I loved
that in this episode Chantelle was allowed to just feel
and she didn't have to like perform the emotive expectation.
It was like she just showed up and felt and
we saw it all and it wasn't too much. It

(15:10):
was just all you to do is put the camera
right up on her face and just let her think
and feel it. It was so good.

Speaker 3 (15:15):
It was so nice that they spent so much time
in close up on her because you see her riding
these waves of emotion and by the end when she's
absolutely cracking because everyone thinks they're going to lose Clay.
I mean, it just was so visceral and so heartbreaking

(15:35):
and what I actually thought, and I get why you're saying,
your stuff being light kind of took you out of
it because of the intensity of what she was experiencing.
What I actually I loved that as a viewer that
you were sort of not registering how serious it was
until you saw her register it, and it like broke me.

(15:58):
Her heartbreak was so viscis and then to see you
see it on her it was like a double whammy
for me as a viewer. And I was just sobbing
through like the whole end of the episode, and I
just thought, you guys were so it was so so good.

Speaker 4 (16:15):
I agree, Yeah, I thought her stuff was awesome. And
you're right, there's such a power and restraint. We've talked
about this with her before, playing the edge, like not
crying but fighting the cry, you know that sort of
there's such a power and an interest like that's that
leaning moment where the audience is like, oh, you know,
and lean into their TVs and yeah, she killed it.
It was great And I just as a viewer, this

(16:38):
episode was just fun for me. Yeah, I was rooting
for people. I was worried. I loved that when Clay
opened his eyes, his first line was you look pretty.

Speaker 6 (16:50):
Oh so sweet.

Speaker 4 (16:52):
I thought that was so awesome. I like how they
tied it up with will you know, because there was
that little scary moment where it's like, oh, oh, is it
Clay Who's cracks?

Speaker 7 (17:00):
You know?

Speaker 6 (17:01):
Yeah, but you did great, Rob. I could tell that
you were playing getting weaker and weaker, which you know,
as a viewer, gives you hope, like, oh, Clay's coming
back to life in the real world. But it also
made me sad because Will was standing up and feeling
like he had more. I mean, clearly, you guys were
You were very intentional about the way you were playing
those scenes in the end.

Speaker 4 (17:22):
Yeah, so that all of that stuff was great. The
mouth and Millie stuff was funny because that first shot,
I'm sure we all laughed this, the first shot of them,
the cameras above them and they're laying in bed. Was
was your thought immediately? Where are the pillows?

Speaker 6 (17:39):
No? My thought was I hate when I'm laying down
and the cameras up on top of me on a crane.
I'm always afraid it's going to fall.

Speaker 3 (17:46):
On your face. Yeah that Remember when that happened to
Britney Spears back in the day. Wow, the video she did.
I can't remember what song it was, but she was
in the like red latex, like long sleeve turtles into
toxic outfit no way before then, like first album, and
it was a whole thing where they had been filming

(18:09):
above her and the camera like fell and cut ice.

Speaker 6 (18:13):
Oh my god. Yeah, yeah, see I'm terrified I feel.

Speaker 3 (18:16):
Like all of us who are our age, like, at
least for me. I every time after that a camera
went over us, I was like, are you sure it's
like really secure? Like did he yank on it?

Speaker 4 (18:28):
The video was oops, I did it again? It was oops,
I did it again.

Speaker 3 (18:31):
Yes, it was yo, and oh I just I that
fear also joy, Yes, but I didn't. The pillows didn't
bump me, Rob. And the reason is because the first
of all, the comedy of you and I having this
like quiet aside in the hallway and you being like,
are they back together? And I'm like no, And then

(18:53):
it cuts to them both looking shocked at what's happened.
In my brain, there were no pillows because they'd had
like like a very wild romp. Yes, and they were like,
oh god, what what did we do? Like, oh my goodness.
And it sort of fed to me like they're in
the center of the mattress. There's no pillows. They're both

(19:14):
clearly you know, meant to look butt naked. There's so
much space between them, like every every choice in how
they blocked that scene was funny to me.

Speaker 4 (19:24):
So when Mouth said to her, so, I guess last
night we must have and she says, yeah, I guess so,
isn't isn't she sober? Isn't she not drinking or doing drugs?

Speaker 6 (19:35):
Supposed to be?

Speaker 4 (19:36):
Okay?

Speaker 6 (19:37):
Yeah, it was a little confusing. Also, is he not
he's not with Lauren? Right, no, and she's not with anybody.

Speaker 3 (19:43):
I took her being like, yeah, I guess so, almost ironically,
like you both clearly know what you did, and I
don't know the comedy of the way. Then when they
get up and they start asking questions but they don't
finish them, and it's like they couldn't finish a sentence.
And then did he say thank you to her at

(20:04):
one point?

Speaker 6 (20:05):
I didn't notice. That's funny, it was just thank you.

Speaker 3 (20:08):
So the whole thing was so funny to me. And
even when she questioned him about Lauren, like she couldn't
finish the question and then he said no, but then
he didn't finish the rest of the answer, and the
awkwardness of them I thought was really, they play so
well together, they're both so comedically talented, and it was
nice to have some levity outside of the hospital.

Speaker 6 (20:29):
Yeah, those two are the I think in any other
circumstance I would be like what I don't understand what
the big deal is. Why are you being so awkward?
You guys have been together before, like you you that
was the whole thing in your relationship. You were in
a relationship for a long time. People get together with
their exes all the time. What's the big deal? But
the two of them in particular are both such awkward

(20:52):
characters that I leaned into it with them. It was fine.

Speaker 4 (20:56):
Yeah, I loved danieled it. Also, did Lee get to
a really good shape this season? Was I the only
one who was with Okay looking like a snack?

Speaker 6 (21:06):
You're like, he's jacked tan all tan?

Speaker 4 (21:10):
Yeh?

Speaker 6 (21:10):
Yeah? That was probably the year he bought that house
out at somewhere on the beach, right, didn't he get
a house on like figure eight or someplace out there
with I don't know. I don't know when he got married,
but I feel like there was a year he got
a house on the beach and was like living the
beach life and probably started working out on the beach
and he was out getting tan every.

Speaker 4 (21:26):
Day our show. I think this is probably all TV
in general. But people have never looked more beautiful after
a night of sex and gallivanting than on our show,
Lisa looked like a Disney princess.

Speaker 6 (21:45):
Yeah, always, but especially.

Speaker 4 (21:47):
I mean I just thought she doesn't even have a
comb there and look at her, she looks like she's
ready to walk a runway.

Speaker 3 (21:54):
Yeah, she did.

Speaker 6 (21:54):
Look amazing in this episode, and so did done.

Speaker 3 (21:57):
Right the way and interesting too. That posts Romp to
your point. It's not like no one on our show
has smeared mass scara or like hair looking crazy or whatever.
It's like, I don't know that hair and makeup really
took good care of us this season.

Speaker 4 (22:14):
Dude. There's never once been sex hair on the show
that I've been aware of.

Speaker 3 (22:19):
Well, and by the way, even Chantelle waking up like
from a coma essentially looks like an angel in the bed.
Her skin is glowing, her hair is so shiny and beautiful.
Like hair and makeup was just like, yeah, we're gonna
lean in. We're just we're gonna really, we're gonna buff
up our resumes.

Speaker 4 (22:39):
I will say, she I feel like I got I
got done a little dirty because we see her first
in the hospital and she looks like an angel and
a coma, right, yeah, And then we see me and
for some reason, my breathing tube. It was like it
was two inches too short. It's in the corner of
my mouth, but it's pulling my mouth down. So every time,

(23:01):
like my hair is clearly just fresh out of hair
and make ye like it is. It's teased, it's feathered.

Speaker 6 (23:06):
You got the wolfman feather over your ears going on
during that. I mean it was a really precise.

Speaker 4 (23:11):
Quite long sideburns as well this season. But but yeah,
my tube, it's just pulling on my mouth. I'm like, oh,
why she got the good tube? Meanwhile I looked like
a mess. Did you also notice when the moment when
Clay is finally standing in his hospital room watching himself,
that the obvious stand in or double that they got

(23:34):
for me had hair that did not look like mine
at all?

Speaker 9 (23:37):
Yeah?

Speaker 6 (23:38):
I missed it completely.

Speaker 4 (23:39):
Yeah, Oh no, it's it's it looks like it's James's
stand in. Like it's very just like normal sort of
combed over hair. It's not the bad boy, you know,
t z PC.

Speaker 3 (23:51):
There really are times when going back and watching our show,
I'm like, did you was the assumption just that you
thought no one was going to notice? Like your stand
in clearly is not even adjacent to you, and it
reminds me of that early episode Rob. This is before
you joined us with there's an early episode where I

(24:15):
don't remember what season it is now because we are
obviously eight years in, but James and Chad are in
a convertible together and there is a white shot of
the two stunt drivers and Chad stunt driver is like
a forty year old man in a wig and they
just love wigs. And we all were like, hold on,

(24:38):
who are those people? But particularly who is that man
who does not look anything like a teenage boy?

Speaker 4 (24:43):
Yeah?

Speaker 3 (24:44):
Like what, I don't know.

Speaker 6 (24:46):
We've had a.

Speaker 3 (24:47):
Couple of these over the years, and I'm like, guys,
people do people who watch shows generally watch them with
their eyes, so they see these mistakes you're making very
clearly on the camera.

Speaker 4 (25:01):
Well, listen that the convertible bit. That's egregious like that
you got to get right, I will say in defense
of the show, Yeah, I think the average viewer is
so on board with the storytelling in that moment that
their focus isn't the silhouette of the standards, but it's
yeah again, because we're looking at you, yes, yes, So

(25:22):
I mean like we're nitpicking a bit. I mean, like,
but that convertible bit. Come on, that's the only thing
happening in that scene.

Speaker 3 (25:27):
It was so bad.

Speaker 4 (25:29):
Speaking of hospitals, how long ago did viewing windows in
the maternity section stop being a thing.

Speaker 6 (25:38):
I'm so glad we're talking about this.

Speaker 4 (25:40):
Because when I watched that, I thought, first of all,
I've never seen that in my lifetime that I recall. No,
it's wow, that's definitely anyways.

Speaker 6 (25:49):
Yes, it was made for fathers who were not allowed
in the delivery rooms to go be able to look
at their newborn babies.

Speaker 4 (25:55):
Yeah, but was that still happening fifteen years ago?

Speaker 6 (25:59):
I don't think so.

Speaker 3 (26:01):
I don't think so. But TV shows love it. Like
any TV show where there's a hospital.

Speaker 6 (26:07):
They probably still have it on Grays right.

Speaker 3 (26:09):
Yeah, I don't know actually if there is one there,
But maybe if I think about it, I don't overlap.
I don't know, I'm that show with like maternity at all.
I'm like, I'm doing trauma surgery, so I never see
that side of the hospital. I'll ask Camilla shall know. Yeah,
but it is really it's so funny to me that,

(26:30):
like anytime there's any version of a family show at
a hospital. You gotta look through the glass at the babies.

Speaker 6 (26:37):
All the babies that were silicone babies, except for like
the three that were alive, which was cute, and then
the one they did the close up on, who was
clearly like a six month old child, like not.

Speaker 4 (26:50):
A newborn trying to crawl out.

Speaker 6 (26:52):
That was funny.

Speaker 4 (26:53):
Well, I mean, having just recently been in a maternity ward,
I mean they are under a lie lockdown. Yeah, a
key of hospitals. Okay, so we're hearing from the booth
that hospitals phased out these viewing windows in the early
two thousands. So okay, so just before the buzzer feasible.

Speaker 6 (27:15):
The Tree Hill one could have been. You know, it's
a smaller it's a small town.

Speaker 3 (27:18):
Sure, older, older facility buy it.

Speaker 4 (27:21):
Yeah, I buy it. But nowadays, I mean you've it's
it's you're not like slipping in. It's it's a process
to get in. All the babies were kept switched.

Speaker 6 (27:31):
This was like a real thing. There were a lot
of kids that got switched at birth.

Speaker 3 (27:35):
Yes, did you guys see the dateline about it?

Speaker 6 (27:38):
How many of them?

Speaker 3 (27:40):
I mean, there's probably multiple, but there's one that I
watched actually to prep for the movie that I shot
last year, because there's that's essentially what the whole story
revolves around. Oh and it this, I mean the stories.
It's so crazy that this used to happen to people.
Can you imagine? I mean, I guess you had to imagine.

Speaker 4 (27:59):
Yeah, yeah, Oh dude, the amount of unpacking you have
to do to wrap your head around that.

Speaker 3 (28:07):
What and like do you want to know or not?
Like that's such a question in the in the premise
of this film, because it's like, well, why would you
you know, the kids are essentially like why would you
tell me this? But you know now because of genetic
testing and all the things. It's like, it's about your health.
It's about your health history. And oh man, it is

(28:31):
just such a mind Well that took a turn.

Speaker 4 (28:35):
Well, if you're just joining us, welcome back to Switched
at Birth.

Speaker 6 (28:42):
And Ghost Pudding.

Speaker 4 (28:56):
Nathan was awesome. This episode was I love to see,
like I said, I'd love to see a vulnerable dude.
I like to see a guy feeling all of his feelings.
It was great all of it. I love that he
wanted to volunteer for his buddy. I was confused though,
at when he says, I want to donate if I'm
you know, a good candidate, and the doctor says, if

(29:20):
you give him your kidney, your basketball career will be over.

Speaker 6 (29:25):
You had no explanation on that.

Speaker 4 (29:26):
The only thing I could think of did it have
to do with his degenerative back condition that he mentions
to you later in the episode. But the doctor doesn't
know about that. No, So this is the recovery from
a kidney just so long that.

Speaker 6 (29:41):
It might just like take him out of the game
because by the time he got ready to play again,
he'd be too old maybe or do.

Speaker 3 (29:49):
We think it's because he was in that terrible accident
and got sidelined as a player, like because he's a
hometown Here is the doctor basically like you've made it
back into the NBA once, you won't make it back
into the NBA twice. It felt like a dangle of
a carrot that really I was like, no, no, no,

(30:10):
what but what like I need more information? And it
just never came.

Speaker 6 (30:15):
Even if Nathan had, if it was in the script
for him to like give the doctor a quizzical look
like what do you mean you know? And then we
could see him explaining it to Haley in the next
scene or something, just something would have been nice.

Speaker 7 (30:25):
A little explanation or a very easy fix would be
have the doctor say instead of if you if you
do this, your career is over, have the doctor just say,
if you do this, there's a good chance your career
is over. Like you know what I mean, Because it
was just it was so definitive, and because this is
a doctor we've never seen on the show. It was
so it's like, I don't believe he's intimately aware of

(30:48):
all of Nathan's health stuff. So it was just odd
to me, like how definitive it was. It's also like,
look how young and healthy James looks. He's not a
forty year old still grinding it out in the league.
Like he's so young and in such good shape. So
that's what I would just confuse, Like, is it is
it that.

Speaker 4 (31:05):
Really of a recovery.

Speaker 6 (31:06):
Could have brought in his old doctor who also works
in the maternity ward. Apparently he also could work in
the trauma ward. I mean, this guy's just all over
the hospital.

Speaker 3 (31:15):
I was everywhere.

Speaker 6 (31:16):
I would have bought that too, But James.

Speaker 4 (31:19):
Was great when we got to when there's the storyline
where James is injured and he grows the Lieutenant Dan Beard.
Did you guys just have a field day talking about that?

Speaker 3 (31:30):
Yes?

Speaker 4 (31:31):
That as a viewer, that was incredible.

Speaker 6 (31:34):
That was fun.

Speaker 4 (31:35):
We need to bring back the Beard.

Speaker 3 (31:37):
Oh my god, was it odd?

Speaker 4 (31:40):
When James excuse me and Nathan Is he goes and
he washes Clay's car. I was like, awesome, very sweet move.
And then he's driving it and then he pulls over
and he walks up to Yeah, he walks over to
the fence to watch horses run and that's where he
breaks down.

Speaker 6 (31:57):
I totally bought that too. I loved it. Didn't bump
on it for one second because it's something I would do.
Like you're just try you're stuck in your body when
you feel that kind of pain, And when I do anyway,
it's like, I feel like this pain that's like I
don't know how to get it out. Maybe I'll I'll
run and maybe I'll yell. That doesn't work. Maybe I'll
get in my car and just drive and that's not working.

(32:19):
And then I see something that's so beautiful, And often
it's something that's it's often beauty that will break me
and allow me to release the pain. Not activity or
being aggressive or thinking my way out of it, but
just standing in front of something beautiful will crack me
and then I'm just like a puddle. So I've I

(32:39):
related to that.

Speaker 4 (32:41):
I love I love your explanation. That that's great. I
was my confusion was I felt in my head. I
was going, he's he's like stuffing these feelings down and
there right there simmering below the surface. And he rather
than just pull over and cry, He's like, I'm gonna
hold it together for ten more seconds so I can
walk over to those horses and cry while I watched
them run. That's why I went like this it's a

(33:07):
little TV that he was instead of just crying in
the car, He's like, nah, I want to go watch
these majestic creatures gallop and weep.

Speaker 6 (33:13):
I would.

Speaker 3 (33:14):
I liked it.

Speaker 6 (33:14):
I know.

Speaker 3 (33:15):
That's the thing. Like I'm such a horse girl that
when he started, when the horses started, I was like,
here it comes. It's like when you know the dog
is going to die in the in like the disaster movie.
You're just like it's gonna happen, and it's going to
ruin my whole day. Like he got out and saw
the horses and I was I was a puddle. I
was like, and there it is.

Speaker 6 (33:34):
Yeah.

Speaker 4 (33:35):
It would have been great if someone walked up and
was like, hey, mister, are you okay, and he was
just like, sir, I just love horses so much, man,
They're just so beautiful.

Speaker 6 (33:46):
Oh. I did love that. I kind of wish that
scene would have lasted a little bit longer. I just
needed a little little more of a of a break
in it. There was because it was good for me
as a viewer too. I felt like I got to
release a little bit pain a little just watching nature
take its course, watching like thinking about what a cog

(34:06):
in the wheel we all are, how nothing is certain
and for us any more than it is for wild
horses in a fields.

Speaker 3 (34:15):
Yeah, when you really have to feel your helplessness. Yeah,
it's so confronting to realize that all these things that
we just think will work, we don't know, Like we
don't know anything moment to moment, and you know it,
I don't know the sort of respite as a viewer

(34:38):
getting to be with Nathan in his solitude, in his
break from it all, like getting outside and going for
a drive and realizing he wanted to be in the car,
but he didn't want to be in the car. It's
exactly that thing you're talking about, joy, like nothing's quite
making you feel better and you don't know which way
to turn next. Yeah, and getting to be quiet with

(35:02):
him was really nice for me in an episode that
was so emotional, with so much talking and so much
crying and so much information. It was like I felt
like I kind of got to take a deep breath
with him, and I thought it was a cool. Yeah,
it was kind of a cool device.

Speaker 6 (35:19):
He's been holding it together for everybody for so long, Yeah,
since since Lydia's death.

Speaker 4 (35:24):
Another nice counterbalance was the Brook Julian Jamie stuff. Yeah,
there's such a fun ease with the three of you.
And also, you know, because we're sort of feeling like, oh,
there's they're not going to be able to have kids together,
to see you like what natural good parents you are
to him is just and just it's just fun. You know.

(35:47):
That lightness is great.

Speaker 6 (35:48):
Yeah, and dialogue felt so natural too, There was nothing forced.
It all felt really good.

Speaker 3 (35:54):
Yeah, it was all so sweet And one of the
things I really like about it is, you know, it's
exactly what happens people go through something and you know,
it's what we talked about it when we got on
you know, at the beginning of the show, Like it's
what everyone's doing in La right now. It's like can
I pick up your kids? Can I bring you a meal?
Do you need me to bring you a change of clothes?

(36:16):
Like everybody needs to help when you're in crisis in
different ways, and even just you know, you being able
to say to me like will you just take him
for the day, Like get the kids some joy. He
needs some happiness. He's got to get out of here.
It's dark here. And being able to take a kid

(36:36):
to play and just giving him a normal day. It's
it's like all these different expressions of this group of
friends being so kind to each other and taking care
of each other. It's so sweet.

Speaker 4 (36:49):
I left this episode feeling like, oh, this is what
the show's about. There's a lot of things happening, but
this is a show about friendship.

Speaker 6 (36:56):
Yeah.

Speaker 4 (36:56):
Yeah, in this episode it was just very very clear,
front and center. But yeah, that moment we said can
you just take him to uh when Haley says that
to Brooke, I just thought, oh, like, what what a
luxury it is to have someone that you trust and
love enough to just take your kid for a day
and to ask that of them and have them go

(37:17):
I got you. Yeah, yeah, it's gonna be great.

Speaker 3 (37:21):
And it was really sweet too, to get out, you know,
on the baseball field, Like I remember that day. I
remember the temperature.

Speaker 6 (37:31):
Sports attire on brook Is like a favorite I didn't
know that I needed in my life. I'm like, why
has she not been designing sports attire? This was such
a good look for you beside the point, but go ahead, No,
it was so fun.

Speaker 3 (37:42):
And the funny part is we only had one of
those hats the coverbe orange chats. We made one and
when we wrapped, I kept it. And then during the
early days of the pandemic, when I was fostering dogs
trying to just like help the city, one of the
puppies chewed up the bill of my hat and I

(38:05):
was like, no, like, I've kept this hat pristine for
ten years, and then it wound up in a in
a puppy's mouth and got shredded, and I.

Speaker 6 (38:16):
Was like, there would still wear it? Yeah?

Speaker 3 (38:18):
I was like, I mean I still have it, and
you know me, I'm so like emotionally attached to things.
But I I was definitely like, oh, look at look
at my hat before it got destroyed. It was cute.
I liked it. I also like that Jamie has baseball skills,
but he's like, no, I want to I want to
play basketball like my dad. The one thing I thought

(38:40):
we didn't do that we should have was like, be like,
but buddy, you're like you're short like your mom, baseball
might have to be your thing. Kid, Like, be realistic, kid,
I just I just don't know if it's in the
cards for you to be in the NBA.

Speaker 6 (38:54):
Buddy, Yeah, that would have been fun to see Julian
just sort of take him into his wing.

Speaker 2 (38:59):
There.

Speaker 6 (39:00):
Let me give you a little practical advice. I'm young
one speaking of friendship and just the modeling of what
that looks like. I mean, Nathan making being willing to
make such a huge sacrifice. That's a massive sacrifice to
be willing to give up the potential of your dream,
even though his dream seemed like it was waning and

(39:22):
you know, had a ceiling on it, time limit on it.
To still do that for a friend, To save a
friend's life is an incredible statement of character. And so
many other things and Victoria taking on the sacrifice of responsibility,

(39:46):
I guess, or not not passing the buck and making
sure that she says to Brook and the diner in
the beginning, uh, somebody who spoke to somebody else who
spoke to half of the federal government wrote out there like,
you know, we we've just dealt with it. We've talked
to everybody in the government, just everyone out there in

(40:06):
the government. All of them solved it all.

Speaker 4 (40:09):
Yeah, all of her stuff was great, but my favorite
was the last shot of her walking into the big.

Speaker 6 (40:18):
Yes.

Speaker 3 (40:18):
I wrote it down to. I was like, it's pure
poetry for Victoria.

Speaker 6 (40:21):
I'll tell you who I'm not worried about in prison,
Victoria Davis absolutely be just fine.

Speaker 3 (40:27):
And her laughing that it's like, you know, it's it's
essentially what did she say, It's essentially a country club.
I was like, Okay, Martha Stewart, it's prison mother.

Speaker 6 (40:37):
I wrote that one down to so good, it's essentially
a country club.

Speaker 3 (40:42):
It's so funny. What I would have given, not that
she probably would have wanted to do it, but she's
also so cool. Maybe she would have what I would
have given for them to have gotten a scene between
Victoria Davis and Martha Stewart in their fancy, high end
white collar prison.

Speaker 6 (41:02):
Like I would give anything that would have been worth
every amount of money that they would have put onto Yeah,
like just.

Speaker 3 (41:10):
Take the budget of season nine, Martha take it.

Speaker 6 (41:12):
Yeah, please for one cameo.

Speaker 3 (41:15):
Give Victoria the prison tips because clearly Martha Stewart like
crushed her prison's.

Speaker 4 (41:20):
Day for sure.

Speaker 6 (41:22):
What would oh man, what would the lines have been
like the dialogue would have been Victoria walking in and
seeing her like the just the hattiness between the two
of them. They would have come out bff.

Speaker 4 (41:32):
Oh yeah, she prison changed certain well air quotes, prison
changed her for the better. I mean she came out
and then did a cooking show with Snoop Dogg.

Speaker 3 (41:41):
Yeah yeah, oh they're best friends. Oh yeah, it's adorable
when this is going to be like the weirdest thing
I've ever said. But you guys know, I'm a nerdy
climate science person and years ago I got to visit
the Global Seed Vault in Norway and it was like
the coolest thing I've ever done. And of course, like
in this group of fifty people who got to sit

(42:01):
with all these experts and talk about the future of food.
Martha Stewart flew in for a day and walked in
and I was like, you're literally the most beautiful person
I've ever seen in my life. I want you to
tell me how to do everything, Like I have so
many questions that I froze. I don't think I spoke
for like the first half of the one day that
she was there with us, and we're in we're like

(42:23):
essentially in a glacier talking about the seeds being protected
for the global food supply, and I show you not.
Martha's Stewart looks at this scientist and goes, you know,
my friend Snoop Dog, if he were here, would ask
why you guys are not storing marijuana seeds yet It's
an incredibly important plant, not only for flora and fauna
but medicine. So what are your plans there? And I

(42:44):
was like, I've truly just witnessed probably the coolest thing
that will ever happen to me in my life, and
I will I will remember it forever, and I don't
think I'll ever see something this neat like ever again anywhere.
And I was like, Oh, it's like really a thing.
She's like asking expert scientists. She cares for information she

(43:09):
can take home and relate a snoop about how we're
going to protect marijuana plants ten out of ten, ten
out of ten. This is why I'm like, I need
a Victoria Davis Murtha Stewart crossover in my life. I
just actually think, I actually think I just need more
Mirtha Stewart.

Speaker 6 (43:26):
Where is that show? Now? Could we just do that?
Like Victoria had to go to prison again and when
she came out, I mean, I guess it was too
long ago. Dang, but please, where is that show?

Speaker 4 (43:36):
In my notes, say I have Victoria Goes to the
Big House. This is the spinoff I want?

Speaker 3 (43:42):
Yes?

Speaker 6 (43:42):
Oh yeah, so yeahbe guys, let's add it to me notes.
Let's Donny still looks exactly the same. We'll just pick
up right where we left off. Yeah.

Speaker 3 (43:52):
I love it. It's also so sweet having this moment
between Brooke and Victoria. Yeah. The thing that kind of
made me go, oh, you know, I remember thinking, wait,
Victoria is going to go to prison. I forgot about this.
But the thing that really hit me was seeing how
far their relationship has come. When I get to look

(44:15):
at her and say, I don't want.

Speaker 4 (44:16):
You to go.

Speaker 3 (44:17):
Yeah, like this girl who had no relationship with her
mom for so long, they're in such a wonderful place
that she doesn't want to lose her and it, you know,
to your point earlier, this the best of our show
is when it's about these friendships and these relationships, and
it's so cool to see the growth between these two

(44:42):
women and the fact that they genuinely like being together.

Speaker 6 (44:46):
I felt that in uh when you were just saying
goodbye to her at the prison. You drove her to
the gate and you got out of your car, and
the way you were standing, you were like pigeon toed
and your arms are just straight down at your side.
It was such a normbal sweet little girl posture, like
a little girl losing her mom again.

Speaker 9 (45:04):
So sad.

Speaker 4 (45:06):
I've been loving Victoria this season and her becoming a
mom to you, but I found myself wondering. So it's
obviously it's landing and having an effect on me, but
I found myself wondering how the payoff must have been
even better for everyone that's watched the show at this point,
because what I've missed is how many seasons of her

(45:28):
not being a good mom to you? Yeah, so the
payoff must have been extraordinary for like proper fans from
day one, right.

Speaker 6 (45:36):
Oh yeah, legendarily the worst other than Dan Scott, like
the worst parent in tree Hill, just completely abandoned, didn't
show up, would float in, float out, drop her kid
off here like boardings. I don't think she ever went
to boarding school, but you know, like here on this vacation,
let me move in with families. Yeah, just like whatever,
I don't care. I mean, she just did not raise you.

Speaker 7 (45:59):
Yeah.

Speaker 6 (46:00):
Yeah, so you're right, big huge payoffs. That's one of
the great benefits of a show that lasts this long.
You really can't stretch those out. So good.

Speaker 4 (46:11):
How about honorable mention?

Speaker 6 (46:13):
Oh yeah, Will Edwin's was just he was just so great.
His performance was so beautiful and really grounding, and I'm
so glad we had a space to let Clay talk
and not just to himself or to people who couldn't
hear him, but really have a dialogue with somebody. That

(46:34):
was great. Yeah.

Speaker 4 (46:35):
I co sign it's Edwin for me as well.

Speaker 9 (46:38):
Yeah.

Speaker 3 (46:51):
Okay, Well we've got a question and it reads Hello,
this is Vecer. My question for Joy and Sophia is
about the contest that phone company Vanage ran for season two.
Wait What Viewers got to vote via text message to
decide whether or not Nathan.

Speaker 6 (47:09):
Would cheat on Haley with Taylor.

Speaker 3 (47:12):
The question is, was there actually a scene filmed where
Nathan and Taylor kissed or were the votes tallied up
before the decision was made to film either of those scenes?
Do you remember this?

Speaker 6 (47:22):
I do not remember this. I don't. I don't either,
And I wonder if maybe it.

Speaker 3 (47:30):
Was just rus maybe they said it might happen, but
they never intended on it. I don't actually know, but
that wouldn't surprise me if they were like, oh, we're
going to do this big thing for press, and we'll
just say that the fans voted no, no matter what.
I don't know.

Speaker 6 (47:47):
Yeah, yeah. Are they legally allowed to do that? I
don't know. I mean, if you as a business, if
you say that you're going to do if you're like
selling a product based on obviously it happens all the time.
But I don't know what. I don't know what the
rules are there. I don't know.

Speaker 3 (48:05):
I don't either.

Speaker 6 (48:06):
Well, but it's also not.

Speaker 3 (48:09):
I mean, it's I guess, yes, we're filming the show.
The outcome potentials are real, but you know, it's not
like a Dancing with the Stars or something where you're
voting for people who make it based on the votes
in real time.

Speaker 6 (48:24):
So yeah, I mean, we had to have the writer's room,
we had to schedule actors, we had to I wonder
if James will remember maybe they did film two scenes.

Speaker 3 (48:33):
I think we should text him and ask, yeah, I
don't you guys have your phone on it.

Speaker 4 (48:37):
But it's also pretty hollywood to like propose something like
that with no actual intention of falling through. Do you
remember the Yeah, George Clooney Batman is called Batman and Robin. Yeah,
there was a ton of press for it at the
time because they said, we don't we want an unknown
for Robin. So we are opening casting calls around the

(48:58):
nation in all the major cities to unearth our next Robin.
And do you know who ended up being Robin Chris O'Donnell.

Speaker 3 (49:09):
Opposite of an unknown.

Speaker 4 (49:11):
Yes, In fact, Marlon Wayne's was Robin first, and then
he went out for creative differences and then cryst O Donald.
So they had two cracks at it. After seeing the nation,
it went, nah, we're gonna stick with the known commodity.

Speaker 3 (49:26):
Well, not a bad decision though. Chrys o'donald was.

Speaker 4 (49:30):
Great, infinitely likable, infinitely should we spin a wheel, Let's
do it.

Speaker 3 (49:39):
I like seeing them all go by, some of the
other spinning really funny.

Speaker 4 (49:45):
Most likely to accidentally text the wrong group chat. I
tell you what, it's the kind of mistake you'll only
make once. Yeah, because it is. I did it once
and it was mortifying. Except it wasn't even a group.

(50:08):
I text the guy I.

Speaker 3 (50:09):
Was texting about was talking about him.

Speaker 4 (50:14):
Yeah, yeah, Oh my gosh, I called him out by name.
I was like, hey, so and so, Like I said
something like so and so is inviting himself so hard.
It's like he's organizing the event.

Speaker 3 (50:28):
Oh my god, brother, I want to die.

Speaker 4 (50:31):
This was a long time ago, but still, and I
had to are.

Speaker 6 (50:34):
You guys still friends?

Speaker 4 (50:35):
Uh no, no no, that wasn't what ended it, though,
But I immediately was like, hey, sorry, but I'll never forget.
I was standing in I was in Spain, studying abroad,
standing in a grocery store, trying to check out multitasking
and just wasn't thinking sent the text, and then immediately
was like all the blood dreamed from my body got Nope.

Speaker 6 (50:59):
I've texted my ex love you babe. That was meant
for my current boyfriend at the time. Reply yeah, no,
I mean it was just like I followed up like, sorry,
that wasn't for you.

Speaker 4 (51:17):
For you, He's like, take me out of your phone.
This is the tenth time you've done this. It hurts
every time. Oh no, you got to change that name
if they're too similar. Thrown emoji at front of the word.

Speaker 6 (51:31):
It was just that I was I had to be
talking to both of them around the same on the
same day for different reasons, and just went have you
ever die?

Speaker 3 (51:40):
I had someone do that with me, and I was like, oh,
And it was really interesting because it was someone who
was a friend for a while and then when our
show started, was not a friend anymore because you know,
I don't know, probably weird, and you know, we were
all in our early twenties. It's like, I think weird

(52:01):
when one of your friends like winds up on a
giant cult classic TV show whatever. But we had a
mutual friend for a long time who had invited this
person to a birthday that I also went to. And
since this person just like is not involved in our

(52:22):
group of high school friends at all, because my friend
who hosted the birthday was like she's a mean girl,
Like why are we continuing to try to do this?
Like we're just bad at boundaries. But at my friend's birthday,
this like sort of ex friend got very inebriated and
cried about feeling so horrible about like these things that

(52:43):
had happened and whatever, and I was like, wow, that's
really nice, Like we should maybe make a plan. Another
friend was getting married, so I was like, we had
this whole conversation about like maybe around so and so's
bridal shower, we'll like get a coffee and talk and
see if there's like salvaging to do here. So around
the bridle shower, I texted her and was like, hey,
like let's, you know, see if we're going to get

(53:04):
the coffee. And she sent a screenshot of the text
to me, meaning to obviously send it to someone else,
being like I have no idea what she's talking about.
And I was like, oh, you literally don't remember that
you like got drunk and cried at a bar and
went on this like apology tour with me and a
bunch of our other friends. You don't remember, And she
had meant to text a friend being like what basically

(53:26):
was like, what the fuck is she talking about? And
I was like, well, I think this is talking about
anything anymore. I was like, not nothing anymore, actually at all.

Speaker 4 (53:36):
Sophia has left the chat.

Speaker 3 (53:39):
Yeah. I was just like, and I'm gonna I'm just
gonna leave this there for you.

Speaker 6 (53:45):
I'm gonna start using that wrong. Joy has left the chat.

Speaker 4 (53:48):
Yeah.

Speaker 6 (53:48):
I just actually type it out.

Speaker 3 (53:51):
Yep, that's what you should send to your ex. Joy.
Joy has left the chat.

Speaker 4 (53:59):
I mean like, in the world of texting the wrong person,
she got off really easy.

Speaker 3 (54:06):
Yeah.

Speaker 4 (54:06):
Like I heard a story recently of a of a
woman who was wearing her Apple Watch. It was actually
a post. It was a warning on instagramm or. She
was saying, Hey, turn off Siria on your Apple Watch.
She's crying. She's like, this just happened to me. I
was talking to my husband about someone at my work,
a colleague, and Siri heard me, dictated the entire thing

(54:31):
and sent it to the person. No, She's like, so
my colleague just got this lamethy text of me venting
everything that annoys me about this person.

Speaker 6 (54:41):
Guys, we have to be careful with robots. They are
taking over. We cannot underestimate the robots.

Speaker 4 (54:48):
What if this is what it is. What if it's
not that the robots get guns and hunt us like
a terminator. It's just the robots airing out all of our.

Speaker 6 (54:55):
Talking social jenocide, like just just murders all all of
us socially. We have no social life anymore, totally incapable.

Speaker 3 (55:04):
And that's the thing, Like, even when you think about
that woman's experience, oh my god, I'm devastated for her.
Because of course you're going to vent to your spouse.
You might just need to get it out. You might
just need to say all the things in bitch and moan,
and then the next day you feel fine. No one's
ever supposed to know about that stuff.

Speaker 4 (55:22):
No, And it's your partner that is your safest place,
which means you were going to use the most heinous
language and colorful words.

Speaker 6 (55:30):
It's it's all the things you don't mean. It's all
the things you don't really mean. It's like you just
have to get them out of your body, and you
be like, okay, actually I can be more reasonable. I
can see it from this perspective, I can whatever whatever.
But you have to like, get it out for it's all.
It's like acting. You got to get out the bad
ideas first and then you arrive at something totally and
that's okay.

Speaker 3 (55:49):
But it's not supposed to be broadcast.

Speaker 4 (55:54):
So this is our listeners.

Speaker 6 (55:56):
Yeah, write us in and tell us your most embarrassing
accidental text stories.

Speaker 4 (56:01):
Yes, apparently there's an automatically send messages button UNDERSERI in
the Apple Watch. So if you have an Apple Watch off,
turn that all the way off.

Speaker 6 (56:16):
Oh yeah yeah yeah. So officially our answer to this,
to this wheel, though, is everyone, because we've all done
it and it only happens once before you realize how
careful you have to be, right, yeah, yes, yes, Oh.

Speaker 3 (56:29):
My god, you guys, the like icky feeling in my
chest right now for every all of these stories, I
just the stress. I feel awful.

Speaker 6 (56:38):
I have another one for you, but I can't say
it on the air. I'm when we're done, i'll tell
you guys.

Speaker 4 (56:42):
Yeah, oh yeah, oh you just pissed off all the listeners,
but I am so excited.

Speaker 6 (56:51):
Well, you know what.

Speaker 3 (56:52):
Our next episode is really appropriately titled Season eight, Episode four.

Speaker 4 (56:57):
We all fall down by sending the wrong.

Speaker 3 (57:00):
Text message exactly exactly stupid Siri.

Speaker 6 (57:06):
Well, thanks for hanging out, everybody. See you next week. Love,
Let's see you next week. Hey, thanks for listening.

Speaker 3 (57:13):
Don't forget to leave us a review. You can also
follow us on Instagram at Drama Queens O t.

Speaker 6 (57:18):
H or email us at Drama Queens at iHeartRadio dot com.
See you next time. We all about that.

Speaker 2 (57:27):
High school drama. Girl, Drama Girl, all about them.

Speaker 3 (57:29):
High school queens.

Speaker 2 (57:31):
We'll take you for a ride at our comic Girl
Cheering for the right teams.

Speaker 6 (57:35):
Drama Queens, My girl Fashion.

Speaker 3 (57:38):
What's your tough girl?

Speaker 1 (57:39):
You could sit with us Girl Drama Queens, Drama, Queense
Drama Queens Drama, Drama Queens Drama Queens