210: My Monster

In this week's episode JD asks out the Gift Shop Girl while Dr. Cox tries to satiate Jordan's appetite for curly fries. In the real world, we're talking Beyoncé's Black is King, Donald's helicopter parenting, and the comedy panties Zach once gave to a co-star.

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Episode Transcript

Speaker 1 (00:00):
Joelle. I've been watching you on Twitter all day, and
I am so happy that this Beyonce thing has come out,
because you seem like you're on ecstasy over there, just
telling Daniel.

Speaker 2 (00:10):
I've already seen it twice. I have plans to watch
it a third time. And I get off work at
seven today. I'm probably gonna be online with some friends
doing a live watch it is.

Speaker 3 (00:19):
Is it? Dope? We haven't watched it yet. We're waiting, dope.

Speaker 1 (00:22):
She's holding and she's holding her eyes.

Speaker 2 (00:26):
When you get to brown skinned girls and you're holding
your daughter and you're crying because you're like, look at
this gorgeous representation for my child.

Speaker 3 (00:33):
It's so good. She should I should I watch it
with the kids or without the kids, because I know
she can be risky.

Speaker 2 (00:40):
I don't have children, so I always tell parents to
watch by themselves first. I have no idea what appropriate
is for a job.

Speaker 3 (00:45):
Remind right, like the last record that she did wear,
she was in the thong the whole time and shaking
her booty the whole time. Like, I could watch it,
but I don't know if I want my kids watching that.
My baby's watching that.

Speaker 2 (00:58):
This is a lot less, Uh, sexualized because it's let
me put it this way, it's on Disney Plus. Okay, so
it's it's you know, the Effords have been removed from
the content. Uh, there's not a lot of uh ass
and titties out. I think.

Speaker 3 (01:17):
I don't know if I want to watch it anymore.

Speaker 1 (01:21):
One viewer, I love the Joel review. There's not a
lot of ass and titties out Therefore give.

Speaker 2 (01:29):
Us a lot of body suits and uh two bikinis,
which we appreciate her for, thank you.

Speaker 1 (01:36):
It's just you gotta read. You gotta read Joel. You
gotta look at Joel's Twitter. It's like, basically become a tribute.
It's tribute to Beyonce.

Speaker 3 (01:45):
Actually, you created an altar, you have a shrine.

Speaker 2 (01:50):
I don't have a bedroom right now, but when I do,
there will absolutely be like a Beyonce photo.

Speaker 1 (01:55):
Joel's Twitter smiling like I'm so you know, when your
friends are happy, you're happy. And I was like I
was holding my heart for Joelle this morning. It's like
this woman's this woman is one happy human being.

Speaker 3 (02:06):
When did it drop last night at midnight or this morning?

Speaker 1 (02:09):
Did you watch it at midnight?

Speaker 2 (02:10):
No? I tried, but I was tired and I took
my edible at the time I normally take it, and
then I was like, well that is that was watching?

Speaker 1 (02:18):
I have a question. It's a music video movie kind
of thing. Is that what it is?

Speaker 2 (02:23):
It's called a visual album, so every So in twenty nineteen,
Beyonce released The Lion King basically album. Uh it was great.
So this is every single song off of that album
gets a music video. But it tells like an overarching story.
But there's not like a lot of dialogue sapping in between,
so it's not like it's more visual storytelling.

Speaker 3 (02:41):
Wait, this is the music from The Lion King, the.

Speaker 2 (02:44):
Music the album she did for The Lion King, so
it's not like a Kuna matata.

Speaker 3 (02:48):
It's all.

Speaker 1 (02:49):
So I would have tuned in if it was like,
oh but the money, dude, you made it sound Italian.

Speaker 4 (02:56):
But but melis ridiculous.

Speaker 2 (03:11):
It's cool because she got like a bunch of like
artists like from South Africa, Ghana I know is well represented,
I think Nigeria, so it's not just artists, but producers
get features on their dancers.

Speaker 3 (03:23):
So it's like it's Drake on it.

Speaker 2 (03:25):
Drake is not on this album. Kendrick lamar Is on
the album Okay, There We Go cal Is on the album.

Speaker 3 (03:32):
It's always interesting to see what rappers Beyonce is gonna
put on her record, because, believe it or not, lyrically
she's she could take them all down pretty much. When
when Beyonce sings and puts it into rap form or
chat form, it's a rap for a lot of these cats.

(03:56):
She's very slick with her with her lyrics.

Speaker 1 (04:00):
The question.

Speaker 3 (04:00):
A lot of it could be because she's married to
jay Z, but she writes her own stuff. Man, it's
not anybody else writing it.

Speaker 1 (04:06):
That was my question. I didn't want to be yelled
at by either one of you, but I want to
know if she writes her own lyrics.

Speaker 3 (04:11):
Absolutely absolutely, Yes. Did you know this movie? Yeah, she's
one of those people. You know, we talked about it
back in the day. My wife used to work with
Destiny Child and all of that stuff and worked on
the first Crazy and Love record and everything.

Speaker 1 (04:28):
Yes.

Speaker 3 (04:28):
She her her cousin is Teresa Lababaro White, right, and
she was the person who helped find and and nurture
Destiny Child and Beyonce. And you know, she's done a
lot of the musical production for her. I don't know
if she worked on this album. Okay, she might have

(04:50):
worked on this album. I'm not sure, but she but
my wife is her cousin. And so when my wife
first moved today, she worked for Teresa. And I remember
one time I went to meet Beyonce and I brought
my wife with me, like I'm going to introduce my
wife to Beyonce, and Beyonce ran by me and was like, yeah, so.

Speaker 1 (05:16):
Wow, Joel's now one degree separation.

Speaker 3 (05:19):
She's gonna so Uh. When she was working on the
Crazy and Love record, you know, she could take a
c D and throw that thing in the pro tools,
like take somebody's thing and throw it in the pro
tools and start working on it and create her own
music off of it. Like, Uh, there's the dude from uh,
what's the name Ryan from? What's the name of that band?

(05:39):
Tule to apologize? It's Toule Tatter something like that. What's
the name of the band? One Republic? Holding on your
Ryan Tedtnor Ryan Tetter with an R right, I said Ryan,
I say, Brian, I said Ryan, You said Ryan I
was anyway, he said when he wrote the song. I'm

(06:04):
not sure if it's Halo or one of these songs.
It was completely different once Beyonce got ahold of it,
like he wrote a song, and it was completely different
after she got it for the better, Like she's one
of those people that's like, oh, that's what you're doing.
I'm going to add to it. Let me create something
to it, and it turns out to be fire. So
you know, when it comes to writing her own lyrics. Yes,
Beyonce is up in there now. I got to ask

(06:27):
my wife if it's okay to tell this story.

Speaker 1 (06:32):
Your wife doesn't listen to the program, so she'll be fine.

Speaker 3 (06:34):
Right right on.

Speaker 1 (06:37):
How is everybody? How are you doing? What are we
doing this weekend? What are you drinking? What's happening? What's
going on?

Speaker 3 (06:42):
This is a phizzy drink. Yeah, it's a lagger, it's
a tasty.

Speaker 1 (06:49):
A lot of people were weighing in on our last
episode saying that bourbon is a whiskey Donalds, because you
had mentioned I said, are you having whiskey? And you
said no, it's bourbon.

Speaker 3 (06:59):
So you know, okay, So Bourbon's a whiskey.

Speaker 1 (07:01):
Yeah, I think Bourbon's are whiskey, but it's only made
in Kentucky. Is that right? Anybody forgot what the guy said.
I just like the people that I listen. Our fans
and listeners are so passionate about the show that they
they a lot of people weigh in and the ninety
nine point nine percent of it's positive.

Speaker 3 (07:20):
I love that. I love that there's a few negative.

Speaker 1 (07:23):
Oh yeah. I had a woman today. I had to
laugh because she was like, you guys are getting way
too much off topic from the show. And then it
was like dot dot tight, dot dot dot might have
to stop listening. And I was like, oh shit, Susan
from Duluth, what the fuck are we gonna do if
you leave? It was like it was like a warning.

(07:48):
She was like giving us a little warning like stay
on topic or dot dot dot might have to stop listening.

Speaker 3 (07:54):
I had one guy say to me something like, oh great,
you're gonna talk about how you don't remember any of
your lines? Can't wait?

Speaker 1 (08:04):
Yeah. Well, I believe it was the poet Taylor Swift
who once said haters are going to hate hate hate, hate, hate,
hate hate.

Speaker 3 (08:11):
Yes, that was the poet Taylor's By the.

Speaker 1 (08:13):
Way, that album. I'm just saying. I went on a
walk today and have you been.

Speaker 3 (08:17):
Listening to good. I've only listened to the first two songs.
Those are my two favorite songs.

Speaker 1 (08:21):
But dude, I always do that too, whenever it's a
new album. I like, fall in love with two songs
and just play them NonStop and then don't even.

Speaker 3 (08:29):
Ever go to the other songs.

Speaker 1 (08:31):
But I went I went on a walk today with
my doggie and I went a little deep, and I
wanted to tell you another good one I found. It's
called seven. Okay, have you heard that one? Great, good,
beautiful song I like.

Speaker 3 (08:47):
I like the first two songs good.

Speaker 1 (08:49):
The Bonnie Bear song is not the first two. You
need to branch out to that one.

Speaker 3 (08:52):
That's the one, and then the one that comes after
it is banging. And now I'm looking forward to Beyonce tonight.
You know that's when I'm gonna be watching.

Speaker 1 (09:01):
Now do you think you and your wife might be
intimate because of Beyonce's sexy music video movie?

Speaker 3 (09:07):
I am going to uh seduce the crap out of
my wife.

Speaker 1 (09:13):
Yeah, well, maybe the sexy Beyonce video will get her
all wrong.

Speaker 3 (09:16):
By ripping her clothes off of her.

Speaker 1 (09:20):
Wet We don't need to know what you're role playing.

Speaker 3 (09:23):
I'm like to seduce my wife tonight by taking all
of her clothes off of her.

Speaker 1 (09:27):
Your wife looks really good. I have to say.

Speaker 3 (09:30):
She's working on you know her, she looks on fire. Yeah,
she's so inside and outside. She's working on herself and
so well, what you're seeing is that glow.

Speaker 1 (09:40):
I'm seeing that glow. You married. Well, she is one.
I hope it's okay that I say she is one.
Foxy Mama, Yeah, that's fine. She's fun.

Speaker 3 (09:49):
I don't own her, She's just my wife.

Speaker 1 (09:51):
No, but I don't want to be disrespectful. But I'm
here to tell you that she's hot.

Speaker 3 (09:56):
Okay. I'm sure there are other people out there that
feel the same way. They do they do, you know
what she tells me. When I'm like, but there are
people that feel the same way about me, honey, She's like, no,
they don't know. Nobody wants you. Nobody wants you. Please, baby, baby,

(10:16):
baby please, Like She'll be like, you think Jaylo wants
you really? Really?

Speaker 1 (10:23):
Well? You got you did think that Britney wanted you.
I can't.

Speaker 3 (10:29):
We could tell the story.

Speaker 1 (10:30):
But I know if you want to edit it out
or not, but.

Speaker 3 (10:32):
We might have to edit it.

Speaker 1 (10:33):
You can choose to edit out. But all I know
is Donald thought Brittany wanted no, Brittany did want me
hold on? Man, And come on, buddy, did you hold on?
Did you have a chance of Brittany?

Speaker 3 (10:43):
Dude? She would send dudes over, like dancers, over to
the table when we would be out and be like,
Brittany wants to talk to you, and I'd be like,
what they like, Yeah, Brittany wants to talk to you.

Speaker 2 (10:53):
And here's her Murphy, who are we talking about?

Speaker 1 (10:55):
Spears?

Speaker 5 (10:57):
Wow?

Speaker 1 (10:57):
Oh yeah, iconic? Yeah, And I was.

Speaker 3 (11:02):
But I was dating my wife at the time, so
I would be like, So I said to my wife,
I was like.

Speaker 1 (11:05):
Babe, she should have given me a just let me
get the let me.

Speaker 3 (11:08):
Get the let me get the go out on a
date with her. I'm not gonna I won't do anything.
I just want to go out on a date to
be like yo. And then afterwards we could talk about
the date and what happened on the date and where
she and I went and what we did.

Speaker 1 (11:19):
Ye right, like, your girlfriend's gonna be like okay, as
long as just the date.

Speaker 3 (11:24):
She was like absolutely not, And I was like ah right,
And so one night. One night, Britney kind of crossed
the line. Like we were out and about go on
and we were at Hide and Brittany was out with
like all of her dancers and she was just coming
back with Circus and it was about to like it
was it was about to pop, right and uh, right now,

(11:50):
Circus Circus Circus is a dope ass record, dude, It's
a dope record, dude. She was looking great, right and uh,
my wife was with me and she sent somebody over
and was like, Brittany wants you to come over and
say hi. And I was like, okay. My wife was like, yeah,
let's go over there. So we walk over there. Yeah,
let's go over and I was like, Hi, I'm his girlfriend.

(12:12):
I'm his girlfriend. And I was like, yeah, that's my girlfriend. Anyway.

Speaker 1 (12:18):
Anyway, Donald, I think a lot of women want you.
I think a lot of men.

Speaker 3 (12:24):
I agree with that. I disagree with the women want you.

Speaker 1 (12:27):
Have a lot of gay suitors.

Speaker 3 (12:30):
I feel like that I have a very you know,
handsome and uh, I think it's I do have a
nice butt, that's true.

Speaker 1 (12:40):
Let's but it's like a shell, you know, if you
it's like a unit you can hang on the wall.

Speaker 3 (12:45):
I feel like I feel like I feel like you
and I both go on are friends, and our friendship
is very inspiring to a lot of men out there.
And so it's only right that a lot of our
fans are boys because we can teach boys how to

(13:07):
love each other like that. Yes, that's just my point.

Speaker 1 (13:10):
And listen, I think this next generation is going to
try way more things obviously. I mean, you know, we
were it was so taboo to experiment when we were
growing up, and now I think every all these young
people are just like, all right, let me try everything,
you know, like, let.

Speaker 3 (13:27):
Me see what's for me, what's for me and what's
not for me.

Speaker 1 (13:30):
Yeah, you know, I think that's I mean, if I'm
not mistaken, you guys can correct me if I'm wrong.
The women are are more free to do that already,
and I feel like the men are behind them. I
think like young, sexually active young people will be more
experimental in years to come, right, Joel, why are you
looking at me like I'm crazy?

Speaker 2 (13:49):
No, I'm not sorry, lost in I thought of my
own But.

Speaker 1 (13:52):
Yeah, you ate that edible too early, Joe, Joel, Try
and have the edible. Try to have the edible when
the show's over.

Speaker 3 (14:03):
I smell a job. Guys, good, it does you don't.
Sometimes I'll be baked on this ship. I'm not really
you're having a beer. Well, it's not on camera, so.

Speaker 1 (14:20):
I assume that you were high sometimes, but it doesn't
seem to mess up your performance because you're very entertaining,
except sometimes when you can't finish your sentence.

Speaker 3 (14:27):
That only happens when I've drank too much or not
drink too much.

Speaker 1 (14:31):
You can have one.

Speaker 3 (14:32):
Like when I start getting like tongue tied and stuff
like that, it's because I might have.

Speaker 1 (14:37):
There was a funny moment in the last episode where
you went on this long ass thing and I go,
well said.

Speaker 6 (14:47):
Yeah, yeah, dude, I'm in a good mood today. I
gotta say, good, you're happy.

Speaker 1 (14:53):
If this were a normal environment and the world wasn't ending,
we would you and I would be going to the
beach and skipping down the sand together.

Speaker 3 (15:02):
That's what we would do.

Speaker 1 (15:04):
I don't know. I'm trying to think of, Like, if
I could do anything with you this weekend, Disney fuck
Disney man, I would say Donald, No, no, I know
you Jones, I know you give.

Speaker 3 (15:14):
Him Mickey he knows not what he does.

Speaker 5 (15:17):
He does.

Speaker 1 (15:18):
Oh, by the way, I sell the socks they're gonna want,
you know, the company's stance.

Speaker 3 (15:22):
Of course, I'm gonna give.

Speaker 1 (15:23):
Them a free plug right now. They have Empire Strikes
Back socks, a whole box of them.

Speaker 3 (15:29):
Yeah, I have a lot of Stance Star Wars socks,
I know.

Speaker 1 (15:31):
But if you look, I was online last night looking
for new socks and Stance. If you want to send
me songs, you can't. But anyway, they have a whole
Empire Strikes Back box set. And I was like, I
would send this to Donald, but you know what's gonna happen.
I would send this link and he won't reply. Well,
that's that's why.

Speaker 3 (15:48):
I would say. That's because I would be on the
link buying the stuff.

Speaker 1 (15:50):
These are the things so early. By the way, bro,
I sometimes I fucking text you at like nine to
thirty and you don't remember sleep at nine thirty, like
your wife's up, because I'll text Casey and she he replies,
and this is and I were talking about like some
some ship and you I like, I got knowing, I
got you keep you're asleep.

Speaker 3 (16:07):
But going on over Here's here's the thing. About me
and my wife. My wife likes to stay up late
and wake up late. I like to go to bed
early and get up early.

Speaker 1 (16:17):
So you take the kids, like, crack it down when
they get up.

Speaker 3 (16:20):
When they wake up, I'll go downstairs with them. The
problem is sometimes I get involved in watching television with
them and uh, forget to make them breakfast and stuff.
So She'll come down and be like, have the kids eating?
And I'll be like, oh, now they were supposed to eat.

Speaker 1 (16:41):
Can't they feed themselves? Come on, they need to get
at it. Cereal on a bowl, pour some milk.

Speaker 3 (16:45):
Listen. It's not that they cannot feed themselves, because they can.
I'm sure they can.

Speaker 1 (16:49):
Just put the cereal on the table.

Speaker 3 (16:51):
I want to watch. I need to. I need to
watch them though. That's my only thing. Man Like, uh,
it's there are a lot of people out there who
have experienced this, but when you watch your kids choke
on something, it's very scary and so therefore you know,
and I'm not saying that cereal can't do it, but
I just would prefer to be around them when they eat.
Like my kid goes, I'll be in another room eating. I'm like, no, no, no, no, no, no, no.

Speaker 1 (17:14):
Uh oh really you gotta watch him eat.

Speaker 3 (17:18):
I get crazy. Look, dude, it took us forever.

Speaker 1 (17:20):
A helicopter parent. You're a helicopter parent.

Speaker 3 (17:22):
I am a helicopter Yes, I hover over my kids.

Speaker 1 (17:25):
Yeah you are.

Speaker 3 (17:27):
I send a lot of life lifelines down even when
they don't need it. I'm that hell as chopper, blue Thunder,
I'm Blue Thunder.

Speaker 1 (17:36):
No apache that bad chopper.

Speaker 3 (17:38):
No, I'm Blue Thunder from the movie. Or air Wolf.
I'm air Wolf. I'm Blue Thunder or air Wolf.

Speaker 1 (17:44):
What's the big military black hawk?

Speaker 3 (17:47):
I'm a black hawk.

Speaker 1 (17:48):
Yeah, you're a black hawk.

Speaker 3 (17:50):
I'm a black hawk.

Speaker 1 (17:52):
You are a black hawk.

Speaker 3 (17:53):
I am a black hawk. And I will freaking unleash
the thunder if you mess with my family. That's how
I feel about it.

Speaker 2 (18:00):
And so.

Speaker 3 (18:02):
I will chop the ship out of some food. I
will chop the ship out of some food.

Speaker 1 (18:06):
Chop cheerios, ceios, chop them up.

Speaker 3 (18:09):
I will let them sit in the in the milk
a little bit longer before I give them to the kids.

Speaker 1 (18:14):
Oh my god, that's the level of helicopter parent you are.
You let the fucking cheerios get soggy and you're like,
you may eat now.

Speaker 3 (18:20):
Now you can eat these I don't have to worry
about them scratching your throat on the way down. I
can't help it, man, I can't help it. I love
my kids so much, it's ridiculous. I love them so much.
Like I sometimes at night I'll be in my bed
and I'll just be thinking about my kids, and I
will have spent the day with these little fuckers, you
know what I mean, Like, these kids are bad sometimes,

(18:41):
and even after they're bad, I'm in bed at night. Like,
you know, I love that little shithead. You know, that
little fucker was so mean to me today. But I
wouldn't trade it in for the world, Like it really
is that one.

Speaker 1 (18:56):
That's sweet. I can't wait to have little little children.

Speaker 3 (19:00):
They change your life. Should we get into the show?

Speaker 1 (19:05):
Yes, I think that's a good note. Do you want
to count us into America's favorite song?

Speaker 3 (19:10):
Five? Six, seven, eight? Stories about show?

Speaker 7 (19:13):
We made about a bunch of times and nurses, and.

Speaker 8 (19:20):
I said, here's the stories nets No, so YadA ra here,
YadA ra here.

Speaker 1 (19:35):
This is such a good episode.

Speaker 3 (19:36):
It is a good episode. Only problem I have with
it is the outline of the episode like the outline
of the episode that I have to do. I went
away and I was gonna write some stuff down, Like I.

Speaker 1 (19:47):
Still couldn't an attempt at it, because what's my.

Speaker 3 (19:49):
First attempt at it? Well, it's my second attempt.

Speaker 1 (19:51):
Yeah, we had a misfire with Johnny C and now
this is your second past. This is your first opportunity
to do it again.

Speaker 3 (19:58):
Okay, well it's not gonna but I'm gonna do it anyway.
But I did, as you know all, I watched this,
but this tell me when you're rolling.

Speaker 1 (20:07):
Hold on, let me get my timer ready, tell me when.

Speaker 3 (20:09):
You're going and go. This episode's about sex and relationships
and the workplace. Really at the workplace, it's hard to
maintain relationships, and especially after work, it's hard to maintain relationships.
J D and Elliott in this episode find each other
in the end because really they don't have anyone else.

(20:30):
And it's all because it's very difficult to work long
hours and maintain a life.

Speaker 1 (20:37):
It's thirty seconds, but it's not your finest work.

Speaker 3 (20:39):
But it's the truth, and that's what this episode is about.

Speaker 1 (20:42):
Just as it was meandering, it was like this episode.

Speaker 3 (20:45):
Because it's hard to write about sex and relationships, because
that's what this episode is really, you know what I mean,
It's about It's like you got to do one of
these every year. We got to do a sex and
relationship episode, and how it's tough to do it in
the workspace.

Speaker 1 (21:00):
I might be so bold to say Donald, it's Donald, right.
I might be so bold to say that this is
the biggest sex scene I did the whole run.

Speaker 3 (21:11):
You guys get hot and heavy in this.

Speaker 1 (21:12):
We do we do And I remember shooting it. We
shot it a long time and I remember shooting it,
going are we gonna air this? Like this was like
they didn't they cut some stuff out because we were
like just going at it, Like this was like full on,
like we were kind of just hooking up, right.

Speaker 3 (21:30):
It was like we're gonna pay you two to hook
up with each other.

Speaker 1 (21:33):
Yeah, I mean, I know it's acting, but it wasn't.
I mean, we were acting. We weren't like in a relationship,
but I mean you saw what you see is like
we did that for like a full day and they
only cut some of it out. I remember thinking, like
we were just going at it, and I was like, they're
not gonna air all of this on NBC. But you know,
we're like mass grabbing and I'm kissing her breasts and
we're just like jumping.

Speaker 3 (21:53):
You're like grabbing her. Not only are you grabbing her ass,
you're grabbing like a cheek and then inside the cheek.
Like it's not just the you don't grab the outside cheek,
you grab the inside cheek. Yeah, and like this is
like some straight up, you know, soft core Skinemax stuff.

Speaker 1 (22:08):
Yeah, it was totally Skinmax. If you saw that on Skinmax,
you'd be like, oh, I'm watching Skinmax.

Speaker 3 (22:14):
I'm watching Skinemax tonight.

Speaker 1 (22:15):
Yeah.

Speaker 3 (22:16):
Even the way the show opens up with uh with
uh Turk and Carla making out and how wet that
is of a kiss? Like the kisses are super wet yep,
and uh juicy.

Speaker 1 (22:27):
It was a sexual episode. It was sexually charged.

Speaker 3 (22:29):
You in the bathtub with gift Shop Girl.

Speaker 1 (22:32):
Yeah. God, well, Sarah Lancaster, what a beautiful gal. I
gotta say. And I just as I said with the
Johnny C episode, I have been so stressed my libido
was zero.

Speaker 3 (22:43):
Have you have I been so stressed that my libido
was zero?

Speaker 1 (22:46):
Yeah?

Speaker 3 (22:47):
No, that doesn't happen to you, doesn't it no, I
don't think no, because you just.

Speaker 1 (22:50):
Have like a maga libido. Well, anyway, I.

Speaker 3 (22:55):
Personally, you want to get into this right now, because
we could totally get into this right now.

Speaker 1 (22:58):
Well, I mean I personally, and I'm sure there's listeners
out there, like if I'm directing and I'm stressed, or
I've got life family drama, or my brain is not
thinking about sex, my libidos is zero, And I think
that's what's happening with JD in this episode. He's he's, uh, wait,
why are you shaking your head?

Speaker 3 (23:17):
I disagree one hundred percent.

Speaker 1 (23:19):
Okay, can I finish my fucking thought? It's Donald right,
my Uh, he's got the thought of his sick patients
and the and the wounds that they have on them.
He's got He's preoccupied, of course, with leftover feelings from Elliott.
We establish he hasn't hooked up in a while with anybody,
and now he has arguably one of the prettiest girls

(23:40):
that was ever on Scrubs in front of him and
he's got nothing going on. Now, you can't just say
it's because oh he's obsessed with Elliott. That's bullshit. A
knockout of a woman like that in front of him
would still turn him on if his brain was present
in the moment she initiates a kiss with him, and
he's and he has nothing happened, So his brain is somewhere,

(24:02):
and he gets really anxious about it, as I'm sure
many men do when they go, Oh my god, what's
wrong with me? Why is nothing working? What the fuck?
What I liked about this episode? That didn't It didn't
make that a taboo subject men can't talk about, because
I think it is a taboo subject that men feel
they can't talk about.

Speaker 3 (24:18):
Now, I would have at least given it. I would
have at least given it another shot. I would have
been like, Okay, it's not happening here. Maybe we should
go back to my place and try it, or maybe
we should go back to your place and try again.
And if it doesn't happen there, I'd be like, Okay,
well maybe we should try again at the door before
I leave, Let's try one more time. When that didn't work,
why don't you walk me to car? I think we

(24:39):
should try one last time, right, Because that is some bullshit.

Speaker 1 (24:44):
I'm very with you. I don't think there's any world
in which JD would not have continued to try and
hook up with Sarah Lancaster's character Gift Shop.

Speaker 3 (24:52):
Girl, especially after one hour or two hour date, however
long the date was. He went to kiss her good
night and realize at the good night kiss, oh, I can't.
It's not gonna work. I can't.

Speaker 1 (25:03):
She was the aggressor. She was like, kiss me, and
then she is talking about his erection. She's like, ooh
is that a Is that a roll of quarters in
your pocket? He's having a good time and he's like,
actually it's a roller. Qorders laundry day.

Speaker 3 (25:18):
Yeah, bullshit, bull That's what were you.

Speaker 1 (25:21):
Gonna say about libido? You were saying because I know
that you have a very strong libido. I I I
let's phrase this tactfully. You are a man who can't
be satiated. What you can't be satiated?

Speaker 3 (25:36):
What does that mean?

Speaker 1 (25:37):
That means there's never come a time where you've had
enough sex in a day where you go, you know what,
I'm good?

Speaker 3 (25:46):
Correct, poor casey, Poor? I have no I love my
wife tremendously, and I've learned to curb my appetite when
it comes to that night, try my hardest to not
make her feel like a piece of meat in the house.
But you can't be satiated. I think my wife is fine, dude.

(26:10):
Like she's sexy to me, like her curves, everything about
her is sexy to me, you know what I mean.
And it's a little you know, it might be a
little too much for her, but it's the truth. It's
the honest and goodness truth she is. You know, she
is everything I've ever wanted in a woman before I
knew what I wanted in a woman. It's like, you know,
now I know what I wanted a woman, and she's
everything that I've wanted in a woman. Like you know,

(26:32):
you have dreams when you're a kid, Well, it feels
like she was the girl of my dreams, you know
what I mean. And now I got her, and you
know I want to beat.

Speaker 1 (26:44):
No, I know. But what I'm saying is I'm not
negating anything. I think that's wonderful and I'm not negating
anything you're saying. I'm saying it's impressive, libido wise that
at forty six you don't ever go Okay, hey, I'm
that's enough for me for the day.

Speaker 3 (27:03):
No, I don't, I don't, And you're right, it's it
is unfair.

Speaker 1 (27:11):
I don't think that. I don't think that that's a
a I have.

Speaker 3 (27:13):
A comment, very very very very strong libido.

Speaker 1 (27:16):
Yes, yeah we do. Can we get that on a
T shirt for the merch Donald Faison, I have a
very very very strong libido. Another one, another one? It's
going with this ringtone, Joel, we can't get the new
the people are clamoring for for the what you're talking about,
what you're trying to get into a day of shooting song.
It's a slow moving train. This this, this ringtone train

(27:38):
one step away.

Speaker 2 (27:39):
We're so close.

Speaker 1 (27:40):
Trying to give the people what they desire, they also want.
Donald and I saying another one.

Speaker 3 (27:46):
But that we don't own another one though.

Speaker 1 (27:48):
I think we're allowed to say another one.

Speaker 3 (27:50):
No, because we're just doing DJ Khaled man.

Speaker 1 (27:52):
Should we do an ask DJ Collet and see if
we're allowed to use it?

Speaker 3 (27:56):
Are you gonna do it? In the Aaron Nuber voice
of course, Okay, yes we should ask DJ ca DJ Khalid?
Would you be upset if we used another one?

Speaker 5 (28:05):
I'm not at all Donald, you can you use it?
Ahind of time? And like another one is your horse
to use? I don't know how much, but you can
you see.

Speaker 3 (28:20):
Oh my god, I really hope that I know, but
I hope we're not the only ones that think this
is funny. I don't hope that the four of us
aren't the only ones.

Speaker 1 (28:41):
Now, it's impossible. It's impossible. It's funny.

Speaker 3 (28:43):
Zach's DJ Khalid impression.

Speaker 1 (28:45):
I listen, listen. There's no one else in the world
who does a DJ call it impression like that, and
I think it's unique to the show. Me talking about
the episode, or we should go to break or something.
What's going on, Josh?

Speaker 2 (28:56):
What a break would probably be good?

Speaker 1 (28:58):
All Right, I need to cool down from all the talk.
Donald fibido, he cannot be satiated. Listen, gentlemen, we'll be
right back. Well, Donald attempts to satiate himself.

Speaker 3 (29:06):
No, no, no, no, we'll be right back.

Speaker 1 (29:20):
Yeah, let's get an episode. It's a very good episode.
I like it a lot.

Speaker 3 (29:23):
I like it a lot too. I wondered about that,
and you already touched on it and pretty much answered
the question. That had to be a hard scene to shoot,
regardless of regardless of what you're doing in the scene,
that had to be one of those things where it's
like we're kissing again.

Speaker 1 (29:38):
No, it wasn't like that. I mean, well, I mean listen,
sex sex sex scenes are you know, can be awkward
and particularly awkward if you don't have chemistry with the
person and you don't feel a genuine vibe. I think
Sarah and I loved each other and we're crazy about
each other, and we were like best friends, just like
you and I were. I think it's safe to say

(29:59):
we were genuin only attracted to each other. I think
that came across in the show. So, yeah, making out
for a full day was it times awkward but also
at times fun. That's my answer to that.

Speaker 3 (30:10):
That's really interesting. You know, I've I've been an actor
for a really long time. I don't think I've ever
had makeout sessions for a full day while working as
an actor. I've done kissing scenes and I might have
like maybe one or two like comedy sex scenes, but
I don't have any genuine like makeout. I had another

(30:33):
one I had, Yeah, I know you have a you
have a bunch of a bunch.

Speaker 1 (30:36):
Of I had a few in this show. But with
Rachel Bilson.

Speaker 3 (30:39):
Last kiss, right, last kiss, that was the most time.

Speaker 1 (30:41):
Yeah, that was like my like softcore porn moment for it.

Speaker 3 (30:44):
Has to be nerve wracking, though, Like there's so many
things that.

Speaker 1 (30:47):
Rachel and I bolted shots of booze on that one
because we were nervous, I bet, because that was supposed
to be like the this was like at least comedic,
and you know, it's NBC Lascus is are and it
supposed to be this like erotic, you know, height of
the of the movie. We we like, I go and
we we just have this like intense crazy sex scene

(31:09):
in her dorm room and uh, and that was that
was Yeah. I think I was nerve wracking. That's why
we did shots to calm the anxiety.

Speaker 3 (31:17):
I couldn't imagine doing something like that like the I
remember doing weight and to exhale, and it was the
scene where the girl's uh performing oral sex on me
and you don't really you don't even see the girl
doing it. But I was just so nervous. I'm in
my underwear, I have a thong on, you know what
I mean. We're in a room that's not air conditioned.
So now I got musk coming from the the areas

(31:40):
of my body were musk forms.

Speaker 1 (31:42):
Did you put a little deodorant on your ball sick.

Speaker 3 (31:45):
No I didn't put No, I didn't. I didn't do that,
but you know what I mean. It's just like I
was in a being so nervous and she's there and
it's like, what the how does this?

Speaker 1 (32:03):
You know?

Speaker 3 (32:03):
This is not this, This doesn't feel comfortable, and then
somebody breaks into the door and you got cameras in
your face and you got to pull your pants like
it's all it's it's just all so uh And so
I was wondering, like how it would have been nerve
wracking for me to have to do that for a
full day. That's just me.

Speaker 1 (32:21):
Yeah. The Bilson one was this was hot, This was
like fun, and I think that Sarah and I would
say it was awkward, of course, but but we had fun,
you know, I had to do. I was in a
play with with Ari Greener, and the jok was that
I was going down on her in the play and
there was covers over me, and the joke of the

(32:42):
play is that she's so bored and so not into whatever.
My technique is that she's she's above the covers reading
a book cool and and she's and she's like going,
oh yeah, that's great, keep going and she doesn't know.
Now in the play, I'm supposed to be like my
head like bopping around under under there. And so like
eight shows a week, she's in her underwear and I'm

(33:04):
down there like inches inches from her business and I'm like,
my head is supposed to be bouncing around but strategically
not touching anything. And for opening night, as a joke,
I gave her this pair of underwear that had the
scene printed in white on the groin of the under

(33:25):
in case I ever, in case I ever forgot my lines,
I could just read it off. And she laughed so
hard at that. And then we did the whole run
of the show, and on closing night I got down
there and she was wearing them.

Speaker 3 (33:42):
Hilarious, hilarious, hilarious.

Speaker 1 (33:45):
All right now, I think, as we should talk about
this wonderful moment of me washing rowdy in the bathtub.
I think of all the Scrubs gifts that are on
the interwebs, this is my favorite. One is JD forlornly
washing rowdy in the tub. I think that's what I
often send to people.

Speaker 3 (34:00):
Now. It's a It's a metaphor also, though, isn't it
isn't it supposed to be Jad's not doing anything tonight,
but he's gonna wash the dog in the tub, meaning
he's gonna.

Speaker 1 (34:15):
Master. Yes, No, I didn't get that at all. I
think it's.

Speaker 3 (34:18):
Because then when he gets in the tub with gift
shop girl, Rowdy's still in there.

Speaker 1 (34:24):
Well, the joke is like, oh, I know what we're
gonna do tonight. We're gonna wash Rowdy, Like he turns
it into something. Oh, I didn't think of it as
as a metaphor.

Speaker 3 (34:30):
Rowdy meaning we're gonna wash.

Speaker 1 (34:33):
Oh, I didn't think of that at all.

Speaker 3 (34:34):
I think that's no.

Speaker 1 (34:35):
Well, you have a libid in his mind. I think it's. Uh.

Speaker 3 (34:38):
By the way, I forgot, is that a word libidness?

Speaker 1 (34:41):
Yeah, libidness is. It's not like deservant, the one you
made up the other day.

Speaker 3 (34:46):
I looked it up. It's it's a movie. It stars Uh,
that's Divergent, Indivergent.

Speaker 1 (34:54):
Who's indivergent?

Speaker 3 (34:56):
Oh my god.

Speaker 1 (34:57):
By the way, for no memory that there's a bonus
fart joke scrubs man scrubs loves a good fart joke.
I had forgotten how many there are in the show.
We're so fucking childish, but I did giggle when when
all of a sudden in the tub you hear like
bloop and I go rowdy. All right, how about this

(35:18):
really low budget version of the hospital as a monster, Like,
no offense to whoever did it, but like that's the
best effect we could muster up with our budget of
the hospital turning into a monster.

Speaker 3 (35:29):
It didn't look bad.

Speaker 1 (35:31):
All that happens is like it turns green and like
fire comes out of the entrance.

Speaker 3 (35:36):
Yeah, but until it turned green, you don't see a monster,
you know what I mean. Like once it turned green,
like you could see the eyes, you see where the
mouth is, Like everything kind of took shape when they
did that.

Speaker 1 (35:47):
So yeah, it's that looked like that looked like a
student film. I feel like, well, again, this was twenty
years ago, and now it's easier to do that.

Speaker 3 (35:55):
Well, you know you could do it on your iPhone.

Speaker 1 (35:57):
Now you can probably do it on your iPhone with
an app. But I just I was like, this is
supposed to be like a central character of the episode,
that the hospital is like a big evil monster, and
I just thought it was a little low budget. Well,
no offense, bill, I know that the money was going elsewhere. Yeah,
Rob Maschio's thongs. Did you laugh? When I go to

(36:17):
hit on gift shop girl and I go dry spell,
prepare to be moistened, my gosh, and she goes, JD,
I can't give you gum, which means that JD often
tries to get free gum from.

Speaker 3 (36:30):
Her right, which means JD often tries to talk to
her right.

Speaker 1 (36:35):
But he's never hit on her, He's never asked her
out until today. Today is the day, because Judy says,
doesn't she say when was the last time you got laid?
Or something? Carl, So he feels like, Okay, you know what,
I'm not out there. I'm not hitting on anyone. I'm
not asking on dates. I'm gonna ask this girl out
on a date.

Speaker 3 (36:49):
Do you believe in that? Don't believe in? Do you
believe in relationships at work?

Speaker 1 (36:55):
I think if you're someone who you know, if you're
a doctor, and I mean obviously with goes without saying,
one needs to be appropriate and respectful in all in
all the ways one should be. But I think if
you solely work in a hospital and that's where ninety
percent of your life is, and there's a beautiful girl
who works at the gift shop. There's nothing wrong with
asking around a date, absolutely.

Speaker 3 (37:17):
I agree. The only thing that I worry about is
when it all comes down and you break up and
the awkwardness between Like some people are really good about
it and some people are not. Like I'm one of
those cats. Like I'm one of those cats that I
can't really tell you how many ex girlfriends of mine
I'm friends with, you know what I mean. And it's
not because we just stop. It's not because I don't

(37:40):
want to be friends with him. It's just that we're
not dating anymore.

Speaker 1 (37:44):
So why I think it becomes mostly becomes inappropriate for
your next partner, Like you might you might still shoot
the shit on text with with someone you dated and
it's good. But then when you when you get to
be committed to somebody new, I think it can be
disrespectful if you're still chatting. That's my take on it.
But a lot of people are. I don't know about you, guys,
but a lot of people still shoot the ship with

(38:05):
their exes.

Speaker 3 (38:05):
Do you think JDN gift shop girl still shot the
ship after this? Uh?

Speaker 2 (38:10):
No?

Speaker 1 (38:10):
Is she another one though? Don't I do? Just she
and more?

Speaker 3 (38:13):
I thought she was in the next episode.

Speaker 1 (38:15):
But but I don't know, well is she She couldn't
back and look it up.

Speaker 6 (38:19):
I think she did more than one, Sarah Lank, I
think it was just one.

Speaker 1 (38:23):
She does a lip bite, which made me think of
the founder of the sexy lip bite, which was Alicia Silverstone.
No one, no one did a lip bite. I want
to have Alicia on the podcast to talk about the
founding of the lip bite.

Speaker 3 (38:37):
I don't know if she founded the lip bite.

Speaker 1 (38:40):
In my mind as a as a teenager, I didn't
know what a lip bite was until I.

Speaker 3 (38:45):
Saw a teenager. You want a teenager? When you saw
Alicia Silverstone?

Speaker 1 (38:49):
I'm talking how well remember those Aerosmith videos.

Speaker 3 (38:53):
That was maybe a year before Clueless came.

Speaker 1 (38:55):
Out, Joelle. Can you look up when the first Aerosmith
video with a with a lip biting Alicia Silverstone.

Speaker 3 (39:03):
You had to be at least twenty.

Speaker 1 (39:04):
Well, anyway, who cares if I was fifteen or I
was twenty, they were they were.

Speaker 3 (39:12):
I'm just saying, you want a kid.

Speaker 1 (39:13):
It was well documented that I had a crush on
Alsa's Silverstone, and and she was a great lipbier, you know, Donald.

Speaker 3 (39:20):
Yeah, do you want to get back into the what's
that Well, we're moving on now.

Speaker 1 (39:27):
Oh yeah, so so yeah, we talked about this at
length in the last episode. But you do you don't
last very long, right, and because you're tired. I don't
get it you're tired or what.

Speaker 3 (39:40):
I think it's because he's tired. I think he's tired
and he wants to uh cry. Came out in ninety three?
What year were What year did you graduate?

Speaker 1 (39:48):
I graduated high school in ninety three, so were eighteen.
I was eighteen. I was eighteen. Alisa Silverstone was my
crush and she was throwing lip bites left and right.
I think we can get Alicia. I think we can
because we're both friends with her. Let's get her on
the podcast. I know she has nothing to with Scrumbs,
but we could do a little side thing that's like
just talking clueless. We can talk Aerosmith videos.

Speaker 3 (40:10):
If she's down to do it.

Speaker 1 (40:11):
Yeah, we could totally get I mean, I she was
just in my short film. She's an awesome person. Netflix.

Speaker 2 (40:18):
It's a perfect time. You guys, don't even at Lasia
Silverstone is my background through most of college.

Speaker 3 (40:23):
I Silverstone. Listen.

Speaker 2 (40:26):
We haven't gotten into it yet. Clueless was everything to
me as a young baby god obsessed with Clueless, obsessed
The opening scene alone with the rotating closet like peak,
please please silver Stone.

Speaker 3 (40:41):
She can't talk, that she's tongue tied.

Speaker 1 (40:44):
Yeah, she can't talk. She's fanning herself as per usual. Good,
she's just you know, this is like three Joelle fanning
herself moments for this episode already.

Speaker 3 (40:53):
Yeah, a lot of fandoms today.

Speaker 1 (40:56):
All right, Donald, I'm putting out there. I'll text her now, yeah, Texture,
because this is my idea. We go listen. As you know,
we both love you, and we both talk about you
a lot. Why not have you come on and we'll
do it. We'll do a digression from Scrubs and we'll
talk about Clueless, and we'll talk about the Aerosmith videos. Well,
this is exciting, ladies and gentlemen. I know, I can't.

(41:17):
I don't see why Alicia would say no, because the
only person she loves more than Donald Faison is me,
and uh, we're gonna make it happen.

Speaker 3 (41:24):
I just don't understand why she'd be on the show.

Speaker 1 (41:26):
But yeah, absolutely, this is why she'd be on the show.
You are in like many people's favorite comedy of that era,
and we happen to know the star. And she was
also one of my biggest cutshas, and she invented the
lip bite. And she was the star of my short
film with Ms. Florence Pugh in the Time It Takes

(41:48):
to Get There, which if you haven't watched, you should
go watch on YouTube right now.

Speaker 3 (41:53):
Okay, tell me you didn't laugh. Tell me you didn't
laugh when I said, baby, you know, I get nervous
when you start chatting.

Speaker 1 (42:00):
Yeah, that was funny.

Speaker 3 (42:02):
He's a good man. He's a good man. He's a
good man. Baby. You know, I get nervous when you
start chatting, right, Ye?

Speaker 1 (42:08):
How about what the how about when you go player?
Hold me down?

Speaker 3 (42:12):
Yeah? Do you remember where that came from?

Speaker 1 (42:14):
No? Well, you and I used to say that to
each other in real life, but I don't know what
the origin was.

Speaker 3 (42:17):
I don't know what the origin was either. That's why
I just asked you, do you know where that came from?

Speaker 1 (42:22):
Bill put it in the show, We put it, We
improve something that.

Speaker 3 (42:25):
Yeah, that was something that we came up.

Speaker 1 (42:27):
With playing and then fist down. Yeah, well you made
that up because I don't even know what that means
hold me down.

Speaker 3 (42:33):
Player.

Speaker 1 (42:35):
Oh, now I know what the does it mean? Like
keep it real?

Speaker 3 (42:44):
Yeah, man means hold me down, man. Support a brother.

Speaker 1 (42:47):
You were the one who was teaching me the cool
kids expressions. Remember when I told you you came in
and you said, the new thing is? What was it?
That one? I told you that's what's up. That's what's up.
That's what's up. And you've stuck with that what's up
a long time?

Speaker 3 (43:01):
Stuck with me.

Speaker 1 (43:02):
Yeah, you love Yeah, I'll be like Donald double, like
Donald you want to get to the other night. That's what's up. Now.
It's funny when the janitor is reaching his hand into
the candy machine. For those of you who know are
in the business, there's this thing called the greeking, which
means you can't show a brand without permission from the brand,

(43:27):
and and so they do this thing where they disguise
all of the all of the labels, which is tricky
if you're showing a full candy machine. But if you
go look at the episode, there's all this really weird
greeking that was done probably by our friend Patrick Bolton,
where it's like there'll be a Snickers bar and then
like they'll just have like it looks like it's like
there's a leaf or something stuck in front of the label.

Speaker 3 (43:49):
In front to mask it.

Speaker 1 (43:51):
Yeah, because you go back and look at it, every
single label is just weirdly disguised so you can't see
that it means obviously a nickers or a kick cat
or whatever. But like the labels are quote unquote Greeked.
That's what they got.

Speaker 3 (44:04):
I thought they were Greeked in ways like the they
would take sharpies and connect things or.

Speaker 1 (44:08):
That's what they often do. But maybe Patrick was late
to the day work that tape.

Speaker 3 (44:12):
I need a leaf. I'll go outside.

Speaker 1 (44:14):
It almost looks like it almost looks like it's either
a leaf. A leaf would make no sense. It's like
brown cardboard or something that's been cut to like hide
the labels. Sorry, just a little behind the scenes weirdness.

Speaker 3 (44:26):
Shout out Patrick Bolton.

Speaker 1 (44:28):
Yeah, Patrick Bolton, who was the onset dresser. Now, for
those of you who don't know, the onset dresser is
the guy who, when you're shooting is constantly moving stuff around.
The DP will say the cinematographers say, hey, can you
move that painting. It's giving me a glare and he's like,
I'm on it, and then he'll move it and hey,
this table needs to go because we need to put
the camera here, and he moves it. And they're the
ones that are responsible for anything that the art department

(44:51):
has going on in the set during the actual shoot.

Speaker 3 (44:54):
I used to love how we used to make fun
of Patrick because Patrick was always around and you always
would have to set the clock or or or.

Speaker 1 (45:02):
One of their main responsibilities is setting the clock in
the because there's ever a clock in this in this set,
they don't you don't want it to move, so they
don't have batteries in them otherwise that they'll never match.
So then they have to talk to the script supervisor
and say, okay, what time is it? What time is
it in the day in the world of the show.
And then he was always usually a one man band,
which was hard, so he figured out a way to

(45:23):
put wheels on everything. So we made up a song
for him. Do you remember it's me specialty.

Speaker 3 (45:31):
Dealing with clocks and wheels.

Speaker 1 (45:36):
If it's a clock he was British. By the way,
if it's a clock, I'll set it, No, no way.
If it's got wheels, I'll move it. If it's got.

Speaker 3 (45:45):
If it's a clock clock, I'll set it.

Speaker 1 (45:48):
No, I think it was. If it's a clock, all
set it.

Speaker 3 (45:52):
It's me speciality.

Speaker 1 (45:55):
Dealing with clocks and.

Speaker 3 (45:57):
Wheels that need would make me laugh so hard.

Speaker 1 (46:04):
Oh my god, that's how fucking much time we spend
it on all his little.

Speaker 3 (46:09):
No, no, no, it's not. It's my specialty. It's it's me.
It's me.

Speaker 1 (46:13):
We did a little about Mary Poppins.

Speaker 3 (46:14):
Mary Poppins, we did freaking Burt from Mary Poppins.

Speaker 1 (46:17):
Yeah, it made me special taste. Whenever I'm over there
trying to in my British accent. My girlfriend's family says,
I sound like Dick Van Mary Poppins.

Speaker 3 (46:26):
Yeah, don't do don't dealing wave clock tan Way, you
dealing with cloaks and we.

Speaker 1 (46:32):
You Oh, Patrick, we should have him on the show.

Speaker 3 (46:38):
Oh that would be great, man. I'd love to catch
up with Patrick. I'd love to catch up with a
lot of these cats.

Speaker 2 (46:42):
Man.

Speaker 3 (46:42):
There are a lot of people out there that work
so hard.

Speaker 1 (46:45):
On I wonder, I wonder if the listeners would want
to hear from from some of the crew people.

Speaker 3 (46:50):
Let's ask them, guys, weigh in on it, man, because
we got a lot of people with some very interesting
stories that I think you would love to hear. But
you know, we're nervous, We're still you know, we don't
want to kind of we don't want to let you down.

Speaker 1 (47:02):
We want to don't want to tease that we're gonna
have Lisa Silverstone and then bring on Patrick Bolton.

Speaker 3 (47:06):
You know, we don't want to write so let us know.

Speaker 1 (47:08):
Do you want to bring both?

Speaker 3 (47:09):
Yeah? Do you want to hear from our crew members,
because I'm sure they got some wonderful stories for you
guys to listen to.

Speaker 1 (47:14):
They do they do. They can talk about how Donald
took forever to come to set.

Speaker 3 (47:18):
No, that's not true.

Speaker 1 (47:20):
So how about how I call him Perry at eight
oh four?

Speaker 3 (47:23):
You got to get a little ballsy.

Speaker 1 (47:25):
I got a little cocky calling him Perry. You got
him trying He goes Perry. I go, I'm trying it out,
try it out, and then I go a Q any questions.

Speaker 3 (47:35):
I love Jordan on this. I love the curly Fries situation.

Speaker 1 (47:40):
Yeah, because you can relate.

Speaker 3 (47:42):
Oh, I could totally relate. And at the end when
Jordan says curly Fries and the face that she makes
where it's like, it's hopeful that he did it, but also,
please don't disappoint me. She has the fear that he
disappointed her, and she's like curly fries and he pulls
him out and she's so hap That's real deal. Holy Field, man.

(48:02):
I remember when Casey was pregnant with Rocco. She would
eat oatmeal every night, and so at one point I
would be like, do you want to go out to dinner?
And she would go oatmeal.

Speaker 1 (48:16):
For dinner?

Speaker 3 (48:16):
Yeah, for dinner, oatmeal? Oh yeah, absolutely, whatever you want. Baby.

Speaker 1 (48:21):
You just gave me an idea. I might have a
Beyond Burger today for lunch. Have you had Beyond Burgers?
They're really good.

Speaker 3 (48:27):
No, you know, I've stopped eating red and meat. I
know Beyond Burger's plant based. I just get a little
nervous that it's gonna taste like it's delicious.

Speaker 1 (48:36):
And by the way, this is not one of our sponsors.
I'm just this is totally true. I'm not being paid
to tell you this. Beyond Burger is delicious. Now, granted
you want to put a little salt and pepper and
all the things you would do. You put the relish
in the ketchup and the mustard, but it's really good.
So for me, I was always like, I want to
give up red meat, but and I won't crave steak.
The thing I'll crave is a burger.

Speaker 3 (48:56):
Yeah.

Speaker 1 (48:57):
I still I'm telling you, will you try beyond here?

Speaker 9 (49:00):
For me?

Speaker 1 (49:00):
I will. I'll postmatee you some I'll send you some over.

Speaker 3 (49:04):
Yeah. You know, somebody, somebody hit me up and was like,
you know, red meat is not bad for you, it's
good for you, et cetera, et cetera. It's my personal choice.
Thank you.

Speaker 1 (49:14):
Yeah, And I I have to be honest, I've been
struggling personally. I'm not broadcasting. I hate when people fucking
prosthetize their ship. I'm not trying to tell you to
do whatever you want to do. I personally have been
struggling a little with the ethics of eating animals, and
anytime I see video footage of how they're treated, I
want to change my ways and it's it's it's taken forever.

(49:38):
And my girlfriend has inspired me a lot, and I'm
really kind of starting to do it.

Speaker 3 (49:44):
But how's your penis? What do you mean how's your penis?

Speaker 1 (49:50):
My penis is delightful. Why are you asking I'm.

Speaker 3 (49:53):
Just trying to get back to the show.

Speaker 1 (49:54):
Oh now, you don't like digressions. Fucking assholes, daloof. We
not only lost Susan from Duluth, we lost the co host.
All right, all right, let's bring on the fan Donald.

Speaker 3 (50:14):
Here we go. First, let's go to Before we do that,
let's go to break.

Speaker 1 (50:18):
We're gonna go do you want to see something wise?
We're going into break, something to just impart the fans
with with something that's just wise. They can think about
it during the break.

Speaker 3 (50:27):
Three licks to the center of a tootsi pop. That's
all I'm gonna tell you. Three way more than three licks,
not according to the owl.

Speaker 1 (50:33):
They right back on that note.

Speaker 3 (50:45):
It's David Kanna.

Speaker 1 (50:52):
It's David. Hey, guys, pop it. I'm sorry they keep
doing okay, David, I apologize for that.

Speaker 9 (51:04):
I love every second that was.

Speaker 1 (51:06):
I'm sorry, David. I gotta do something.

Speaker 3 (51:08):
Did I get it right? Cannon?

Speaker 9 (51:11):
You've got it by the first time. That's very rare.

Speaker 1 (51:13):
It's David. I'm sorry, but my as broke. I don't
have to take off my shirt.

Speaker 3 (51:22):
Where is your shirt? Zach?

Speaker 1 (51:25):
I have pants on. It's sir, David. Do you mind
if I remove my.

Speaker 3 (51:30):
Shirt, David, I'm so sorry.

Speaker 9 (51:32):
I'm not to do the exact same thing.

Speaker 1 (51:34):
Why did you do it, David?

Speaker 3 (51:35):
Before you came on your shirt, then we were all
gonna have to remove our shirt.

Speaker 1 (51:39):
Listen, David, before you came on, we learned that my
a C is broken and I have to keep the
doors closed because the sound. So this is what's happening.
How are you, David? Where are you calling from?

Speaker 9 (51:50):
I'm in London and I'm feeling similar to you right now, Zach,
because there's thirty It was thirty five degrees today London.

Speaker 1 (51:57):
That means I'm guessing that's Selsius. Yes, were very hot actually.

Speaker 9 (52:03):
And it's still twenty five degrees now, so it is
a warm night.

Speaker 1 (52:07):
Do you often find that Americans who do a British
accent sound like Dick van Dyke and Mary Poppins.

Speaker 9 (52:15):
It's getting better. There was that was like an error
where there was like a staple accent.

Speaker 1 (52:20):
But I feel like British British British actors are are English.
Excuse me, English actors are so good at doing American accents,
and I find that whenever we Americans try, we sound ridiculous.

Speaker 9 (52:33):
I mean story, for example, was a surprise that most
Americans I.

Speaker 3 (52:37):
Think, yeah, yes, yes, yes, it's either the Dick van
Dyke accent or it's the guy from Monty Python. How
many are there? Did you say fool rabbits.

Speaker 1 (52:52):
Or you're saying that that's what Americans sound like when
they those are the.

Speaker 3 (52:55):
Two British accents they do. They either do the Dick
pen Hello, Merybury popens or how many did you shut?

Speaker 1 (53:05):
David? Where where in the UK are you? You said? London?

Speaker 9 (53:10):
London near Stratford Way.

Speaker 3 (53:13):
Are you near the melon Bourne Station? Mary Bourne Station.

Speaker 1 (53:17):
Marley Bone, Donald Marley Bone.

Speaker 3 (53:20):
Marley Bone. I stayed at that hotel.

Speaker 9 (53:24):
Okay, that's that's.

Speaker 3 (53:26):
I love that area.

Speaker 1 (53:28):
You just wanted to say Marley Bone.

Speaker 3 (53:30):
It's a great name.

Speaker 1 (53:31):
It is David. Thanks for coming on the show.

Speaker 3 (53:34):
Do you have a question?

Speaker 9 (53:35):
Is this is? This is nice?

Speaker 1 (53:37):
Thank you have very nice headphones. You have a nice camera.
I'm sensing you have a better.

Speaker 3 (53:40):
Can you have a moscow mule in your hand?

Speaker 1 (53:42):
Do you have a moscow mule?

Speaker 2 (53:43):
Oh?

Speaker 9 (53:43):
I mean this is actually it's a take on a
moscow mule. This has been made.

Speaker 3 (53:49):
Oh looking shout out GT.

Speaker 1 (53:54):
But listen, Donald and I are researching releasing the adayish
Shun Moscow Mule, and I'm really be that you're representing
because you know what you're trying to get.

Speaker 3 (54:03):
It's always a great answer what you're trying to get
into a day Shun.

Speaker 1 (54:07):
I don't know that we can call it a day
of Shune though, because here's the problem. Unless you're an
avid listener in the podcast, you're gonna be like, what
the fuck is that? So it might have to be
called it might have to be called like the Fake
Doctor's Moscow Mule or the Real Friends Moscow Mule. Like looking,
you look so disappointed.

Speaker 3 (54:24):
Because I like the what. I like the I like
the ad for it. What you're trying to get into,
Dao shoon, what you're trying to dodo Shoon.

Speaker 1 (54:37):
I just feel like in our very first marketing meeting,
they're gonna be like, no one's gonna know what a
day of Shune is.

Speaker 3 (54:42):
They will if we market it right. Anyway, let's get.

Speaker 1 (54:45):
Sorry, we digress. David, how are you give us a
question for for us? Please?

Speaker 3 (54:50):
David? Before you begin, can you tell them what you do?

Speaker 9 (54:52):
Yeah? Sure, So, I mean I work in film. I
mean at least I used to you until COVID happened
a re quite a few months there now, and I
guess I kind of I got into film actually, uh,
when I was working in the corporate media, and then
at the time I spent all my holiday being a
extra in the solo film.

Speaker 1 (55:16):
Donald, this is a present from Joel's.

Speaker 9 (55:21):
I got that, Joel, I got that.

Speaker 1 (55:23):
Look at his face. Look at Donald's face. It's like
you just gave him the present of his life, which
which Star Wars held one Donald solo, I said, solo.

Speaker 3 (55:31):
In the solo film.

Speaker 1 (55:32):
So so, David, are you in a position to tell
us what the fuck happened on that set?

Speaker 9 (55:40):
I mean I was only at the time an essay
like a background actor, So I mean I was.

Speaker 3 (55:44):
Yeah, But you saw both versions. Did you see both versions?

Speaker 1 (55:46):
Did you see Kennedy coming in and saying you're fired?

Speaker 3 (55:50):
Good the fuck out to hear you too, I'm sick
of this ship rolling. I want Star Wars.

Speaker 1 (55:57):
Yes, And they roll in Ron Howard like on the
Silence the Lambs Dolly, and he's got like they bring
him in.

Speaker 3 (56:02):
The like go to work, and he goes to work
and he takes off the mask yeah, and the Lord
get the fuck out of here.

Speaker 9 (56:09):
I was lucky enough to work with I mean, not
exactly like I have to work with them both. I mean,
I'm gonna see both directions, do that do that job,
which was amazing. But again I mean also like the
I think they're very terrifying. Is the NBA is.

Speaker 3 (56:28):
Cat.

Speaker 1 (56:29):
No, he can't get in trouble still, but maybe you can.
You and Joel and Donald could hop on a different
private zoom and you can give him the dirt that
NDA ship man trying to get our new friend David
in trouble by.

Speaker 3 (56:40):
Breaking no man, But listen, man, I get it, I
get it, I get it. You're not supposed to spill
the beans. But sometimes, like dude, it's me, David. I
fucking said your name until I lost my breath. You
can't give me no fucking the information I said something.
I said your name until I couldn't breathe anymore.

Speaker 1 (56:58):
That's true.

Speaker 3 (57:00):
And now you sit here and you tell me that
you can't give me. Okay, ask a question, David, Let's
see what I give you.

Speaker 1 (57:06):
Ask a question. He's going to say, He's going to say,
he's going to say he signed an NDA so question one,
Question one.

Speaker 9 (57:18):
So you guys just said like several times over these
podcasts that the writers were always having to get ideas
and scripts cleared by the network, and it often get
changed or shot down, like the whole medical marijuana idea,
I think what's happened in season one and they were like, nah,
you can't do that.

Speaker 1 (57:32):
Yeah.

Speaker 9 (57:33):
So, Mike, my question is if you had total control
of the show, uh, like say, it's like a Netflix
film you had like you were you were the makers,
you had all the power. Is there a storyline and
no idea that you think would be fun to play
with the network would just never allow.

Speaker 3 (57:48):
I don't know if there's a storyline, but I definitely
think that there's a Oh wait, I signed an NDA.

Speaker 1 (57:55):
That was a good fake out. That was a good
fake out because my brain it went, oh good, he's
going to be mature. And then no fake out.

Speaker 3 (58:01):
No, no, In all honesty, I do I don't know.
I don't necessarily think storyline, but I think format of
the show, like I would make it more riskue like
curb your enthusiasm, you know what I mean, or something
like that, like if if if we could and if

(58:22):
we could come back and do it on a network
where we could do all of the jokes that we
wanted to do from the gate. I would like to
see that. I would like to see a more riskue
version of Scrubs with you know, maybe more It could
be blood, it could be guts, it could be cursing,
it could be sexual content.

Speaker 1 (58:42):
I agree with Donald. I would also go darker into
the world of medicine. I mean, we've touched on it.
Obviously Scrubs touched on it, but there's a lot of
fucked up shit that goes on the bureaucracy. Obviously we
touched on the pharmaceutical reps. Obviously we touched on but
you know, there's literally decisions that are made being like, hey,
this person has insurance that that person doesn't, so we're

(59:04):
gonna go again. We touched on it in a in
a network safe kind of way that I would I
would say, let's go darker into it. By the way,
I don't know that you guys have universal health care there,
so you're you know, it's it's a it's a completely
different system there. But here decisions are made on the
quality of your insurance, which means that you had a
good enough job to get enough insurance to live, and

(59:25):
people are sent home because they don't have the right insurance,
and decisions are made based on so many factors that
are inhumane. I think in a lot of ways that
are foreign to someone who lives in a country with
universal health care.

Speaker 9 (59:38):
No such just one thing I'm kind of like I
get started to learn form Scrubs was just how different
argo countries were and how we went into healthcare. And yeah,
the NHS is lovely. I'm very happy to to have that.
The next question, this is, this is to Donald Actually,
so Donald was now that Disney are going making films

(59:59):
pretty much around on Order the Law and the Explaining
Universe Star Wars for for many years to come. My
question is if you were to try and pitch yourself
in a lead role to Kathain Kennedy and pobably her
twin sisters at the same time, what kind of character
would you be? Like, what would you want to be?
What do you want to see yourself as in that universe?

Speaker 3 (01:00:21):
Like, that's a great question. I would like to see
myself not necessarily as a moisture farmer.

Speaker 9 (01:00:29):
But that's where you start at, That's where he starts out.

Speaker 3 (01:00:32):
Well, that's how. That's how it always starts in some
form of farming, whether it be junk or or moisture.

Speaker 1 (01:00:39):
What is is a moisture farmer? A euphemism for something.

Speaker 3 (01:00:42):
No, So he lived on a planet that's dry as
fuck as a desert planet, and so Luke Skywalker and
his family, would you know farm atmosphere moisture from the atmosphere?

Speaker 1 (01:00:54):
Okay? I didn't know that.

Speaker 3 (01:00:55):
Yeah. Uh, that's how they got water and stuff like that.

Speaker 1 (01:00:58):
So what's your ide deal? Character Kathy Kennedy or her
twin sister who's punking you? They come to you and
they're like, Donald, whatever you want. Who do you want
to play in the universe?

Speaker 3 (01:01:08):
I'd say to them, I'd look them dead in the
eye and I'd be like, I want to play the lead.

Speaker 1 (01:01:13):
Okay, but who's the lead?

Speaker 3 (01:01:14):
Is it is? It doesn't, doesn't. I don't give a shit. No, no, no,
I want to play the lead.

Speaker 1 (01:01:21):
I'm surprised you don't have an answer from one. I
want to supres there's not a character in mind, like.

Speaker 3 (01:01:26):
No, because there it's a universe, man, there's no real
there's no you know, anybody can be anything in the
Star Wars universe. You know, I don't want to sit
here and be like I'd be a smuggler or I'd.

Speaker 1 (01:01:39):
Be a well you do tend to like the Han
solo vibe, so maybe you'd like.

Speaker 3 (01:01:45):
To No, I like Tarys and Ford. What I really
you know, in watching Star Wars, the stories that really
speak to me are the everyday person. We get to
learn about all of these supernatural individuals and all these
people with these you know, crazy jobs and elite you know,
you know, and have elite status in this gigantic galaxy.
You know what I mean. That's what Star Wars is.

(01:02:06):
I want to learn about the people that we don't see,
you know what I mean. That's more important to me, Like, uh,
you know not that No, broom Boy wasn't. I didn't
think broom Boy was important to me because at the
end he turned out to be a fucking superhero, you
know what I mean. It's like, oh, okay, so broom
Boy is special because he can fucking make a broom
fly to his hand. That wasn't dope to me. What's

(01:02:29):
dope to me is learning about, you know, the characters
that don't have the force and are living everyday lives.
And out of nowhere. This fucking these guys in the
white suit bust into wherever they're hanging out and shoot
up the place, and then they have to deal with
it from there. We never deal with that. All we
deal with is they come in, they shoot up the place.
The aftermath is the rebel alliance fights them back. You

(01:02:51):
know what I mean, I don't care about all of
that stuff. Sold you what did you have?

Speaker 1 (01:02:53):
Kathy Kennedy called you and she's said, Hey, Donald, we'd
love you to be take this part. It's very exciting.
You're going to be Chewbacca's cousin.

Speaker 3 (01:03:03):
No, I'd be like, no, I get out of you.

Speaker 1 (01:03:08):
You wouldn't you wouldn't. You wouldn't voice Chewbacca's cousin. What
if they're like, Donald will have a stuntman do the suit.
You just have to.

Speaker 3 (01:03:17):
I've totally look absolutely if they asked.

Speaker 1 (01:03:20):
Like Nicky and Mandalorian, you know, he's not easy to
do the voice.

Speaker 3 (01:03:24):
There's a little bit more to that though, you know
what I mean. That's that's Chewbacca just going.

Speaker 1 (01:03:31):
All right. What if you what if Chewbacca's cousin was
fluent in English.

Speaker 3 (01:03:36):
So Chewbacca's cousin has a speech impediment and can speak English.

Speaker 1 (01:03:39):
Well, it's not an impediment, it's a what's the opposite
of impediment?

Speaker 3 (01:03:42):
That's what it would be. It would be's the gifts
a speech gift? I get right?

Speaker 1 (01:03:47):
Assume that Chewbacca just didn't know English.

Speaker 3 (01:03:49):
You're saying that he like totally knows English.

Speaker 1 (01:03:51):
He talked here all right, and and when he growls,
Han is like, oh, you stop complaining. Okay, So what
Let's say that you're a Wookie but you have the
ability to articulate English and you can speak would you
do that?

Speaker 3 (01:04:09):
Sure? Why not?

Speaker 1 (01:04:10):
There we go. I found him apart.

Speaker 3 (01:04:12):
But that's not what I'm looking for. I'm looking for
in a Star Wars movie. Like I'm very excited to
see Lando's movie. Even though Lando is a part of
the lore and everything like that, he's not in all
the movies. He's only in three of them. You know
what I mean. You don't know much about him. You
know that he's a you know that he's a con

(01:04:32):
man and he you know, you know that he's a
hustler in this galaxy, and you know that he's going
to deal with people that don't involve the Empire, don't
involve Luke Skywalker and Princess Leah and Han solo. It's
a story. That's why the Mandalorian so dope, and that's
why everybody's loving a Mandalorian so much because it's not

(01:04:53):
the it's not the normal story, and they're not trying
to say there are only seventeen people in this universe,
saying the universe is bigger.

Speaker 1 (01:05:02):
Okay, well there's your answer. David and Zach same question.

Speaker 9 (01:05:07):
I don't.

Speaker 1 (01:05:08):
I would love to be in it, but I have
a feeling if if my agent called me and said, hey,
you're not going to believe this. They want you to
be in the Star Wars universe, I'd say, listen, I
can't take this from my friend Donald Faison.

Speaker 3 (01:05:18):
No, if you did that, I'll kill you.

Speaker 1 (01:05:20):
Could character African American?

Speaker 3 (01:05:22):
Well, then I'd be like, yeah, yeah, no, no, no,
he's right, do that ship do that. Listen to what
Zach saying. But if you if they offered you, sincerely,
if you were offered a role in Star Wars and
I would know and you said no because of me,
I would punch you in your face.

Speaker 1 (01:05:35):
I would say I would say listen, miss Kennedy, is
there a world where this character offered me could be
African American and have a giant rack of a bubble
buck and this would be.

Speaker 3 (01:05:50):
You right there, you right there, and this is why
we're best friends people, This is why we're best friends.
And she called oyalty, she'd be loyal She's like, she's
a level.

Speaker 1 (01:06:04):
She's like, like, how big, like a shelf shelf, And
I'm like shelf shelf.

Speaker 3 (01:06:08):
And she's like, like, you could put a plate of
cookies on his ass, on the top of his ass
and eat off that ship, maybe put some milk on it,
and does he get the part of me.

Speaker 1 (01:06:18):
She's like, And then she's like, I don't know what
if she's like maybe if the character was like constantly
high and late to work.

Speaker 3 (01:06:23):
I'd be like yeah, yeah, s now, you make it
sound like I'm uninsured.

Speaker 1 (01:06:31):
Oh no, you're great. All right, David, we gotta go,
even though you're British and we love all things.

Speaker 9 (01:06:35):
Thank you, Thank you so much.

Speaker 1 (01:06:36):
It's great.

Speaker 3 (01:06:38):
It's you're wearing I love your shirt.

Speaker 1 (01:06:40):
Coming on to enjoy your employer, enjoy your drink, all right,
see you guys. Show about Shalum hey Shaw abot shalum,
Hey shaw about you, but your butt, Chalm. Listen, it's
been a blast. I was thinking today, Donald, I thought

(01:07:01):
we could play the new bop by Charlotte Lawrence. I
love it because it actually is a really good song.
I'm not just saying that because she's our pseudo niece.

Speaker 3 (01:07:11):
That is my niece. Man, She's not my pseudo niece.
She is my niece. We just don't have the same blood.

Speaker 1 (01:07:15):
Okay, Well, listen. For those of you who don't know,
Bill Lawrence, the creative of our show, and Christa Miller
who played Jordan, have an amazing daughter named Charlotte Lawrence,
and she has a really great singing career that's blowing up.
Her producer is Andrew Watt, who is like the current
biggest hit maker in the world. And she's got a
new song called slow Motion, and I'm about to talk

(01:07:37):
it up. Are you ready? Anything you want to say
to the listeners? Donald, before we wrap it up.

Speaker 3 (01:07:41):
Shout out to all the frontline workers right now. You
know we we haven't shouted you out as of late,
and we need to do it right now once again.
You know, thank you for all your service, Thank you
for putting your lives on the line to save other lives.
We totally appreciate you.

Speaker 1 (01:08:00):
Yeah, amen, Amen, Thank you everyone, and thank you for
being our listeners. Please don't forget to to subscribe to
the show. Don't forget to rate the show. Give it
five stars. It's the only option we're giving you is
five stars.

Speaker 3 (01:08:14):
And tag your friends when we post it on Instdrag.

Speaker 1 (01:08:17):
Your friends, tell your friends, blow us up. We're having
so much fun doing this. We're gonna tour. It's gonna
be so exciting. Just imagine Joel, Daniel, Me and Donald
on a tour bus clam baking.

Speaker 3 (01:08:29):
We would bake clams.

Speaker 1 (01:08:31):
I think that's an expression that means filling the bus
with ganja.

Speaker 3 (01:08:38):
Yeah, we do that to overseas. It's probably more legal
overseas than.

Speaker 1 (01:08:45):
No, it's not unless we're in certain places. But we
haven't met. We haven't been medical.

Speaker 7 (01:08:50):
Here's some stories that show we made about a bunch
of he's the stories next all should know.

Speaker 8 (01:09:04):
So Gadder round you here, up, Gadder round you here,
up spect We Washa Wis and