606: My Musical

On this week's episode, a patient hears singing everywhere she goes. In the real world, we're celebrating one of the best episodes of television to ever hit the air waves. We recap the joy, struggles, and accomplishments of every song. Enjoy! 

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Episode Transcript

Speaker 1 (00:00):
There. I'm confused. Whenever you're punctual, I'm confused. So good
to see you. Wait, here's your new theme song? I don't,
I don't. I'm limited in what I have. Do you
like this better? Yes? Wait better? That's your game showy,

(00:20):
that's hers baby. The other one sounds like an interlude
in between. You could also have this. This literally single
sounds like interving single. Yeah, this is labeled monk, do
you want this? Do you want this one? I thought
that was when we came back from Yeah. I know,
we're still figuring it out. Baby, Come on, man, Hey,

(00:43):
let's tell I gotta say. I haven't watched my musical
in so long. I've only seen Guy Love nine jillion times.
And not to pat ourselves in the back, this is
fucking one of the best episodes of TV comedy. Every
absolutely think it's brilliant. It is, and we can say

(01:03):
that because we didn't write it. And I want to
give kudos to the writers right off the bat, Jeff Mars,
Robert Lopez, Paul Perry, and I'm sure a few others
I don't know about. Obviously. Deb Fordham, who wrote the episode,
wrote a lot of the lyrics, um with the whole
writing staff Will mackenzie, brilliant director um Bill Lawrence of
course overseeing the whole thing. But it is so tight.

(01:25):
I mean, first of all, it's so short, and and
to think of all those songs and all that in
what is it? Twenty twenty two minutes twenty two minutes?
And Donald, you are particularly amazing in it too, I
I every time. I mean because because you really are
a sing singer and a dancer, you shine so bright
in this. Thank you man. That's very nice of you

(01:48):
to say. You know who really shined in this for
me was Judy? Yeah, because I know she broke her
back or her hip. I found this trivia for those
of you. Here's your first bit of the show. Six
about show we made about nurses, stories around yea, around

(02:23):
m m okay, tell us about the trivia. There's some
trivia I learned on on Scrubs Wiki, which is that
Judy Rays had a broken hip. Yes, and other than
the tango that she does what does with Donald? Which
was shot two months after the fact, they had to
come back and shoot it. Remember that you'll notice that
she's always sitting Yep, We're gonna miss you. Carla the

(02:47):
whole woman. Gonna miss you, Carla. She's sitting in a wheelchair,
I believe, right, or no, why would she be in
a wheelchair now, she's sitting in a regular chair. Okay,
But anyway, there is some mega trivia for you trivia
aboves out there. Judy Rays spent the whole time in
the sitting except for the tango, which was shot two
months later. She was also out for a bit while

(03:08):
she healed because she so we we didn't see her
for a while and when she do you remember how
she broke her hip? Was it sexually related? Oh? I
wish it was sex By the way, her voice is
first of all, I don't know, I don't even begin okay,
And I'm sure if you're a mega Scrubs fan and

(03:30):
you're listening to this podcast, you probably feel the same
wearing because I haven't seen it. I don't think i've
seen it in twenty years. It is so good. And
Judy Rais's voice, first of all, amazing. Everything you do
Donald and this is amazing. But the tango I hadn't
seen for the last time. Turk, I'm Dominican. That is

(03:50):
so fucking funny. And the dancing is so good. Do
you remember, like you guys wants to rehearse a long
time for that. No, we didn't. Don't rub it in
for us non dance, she was hurt for ten minutes.
We had like half a day of rehearsal so we
could get the blocking and everything down. But for the
most part she was I mean she had to come

(04:13):
back and like kudos to her man because she had
to come back and learn it really fast. Where we
rehearsed for a week or two before we even started
blocking this show. This episode, this was a huge for us.
I mean, this was just one of the biggest things
we ever did. We prerecorded, so not only did these
genius writers that I mentioned write all this music and

(04:37):
then it was orchestrated, and then we had to go
and prerecord all the songs so that we could sing
and dance to them, you know, and have them be filmed.
And so we had never done anything this epic, I
mean before this was by far the biggest. I'm sure
this and maybe the Princess Bride one were the most

(04:58):
expensive ones ever. But this was so fun. And Will mackenzie,
I mean, he's such a talented director. I mean, he
loved musicals, and he had a Broadway background and and
he's directed a zillion episodes of television and he just
was the perfect man for this assignment. The way this
is photographed, the way it goes in and out of

(05:20):
every time. Stephanie de Bruzzo, I believe she was in
Avenue Q and she's been in a lot of Broadway things,
and she's wonderfully talented. But you know, we only sing
when she's around. And then it also takes on this
little sort of heightened glow of like a Technicolor musical,
you know, little little things like that. And just all
the camera moves, I mean the camera's dancing too, and

(05:42):
those overheads, the lights are dancing in this bad Boy. Yeah,
it's John And when we got to give a shout
out to John Wood, who shot it beautifully. I mean
it was nominated for five Emmies. Now Scrub's barely ever
won Emmy's no bitterness, but I have no I have
no hate towards anyone I do. We should have won it.

(06:02):
We should have won all five. But um I get
we lost to Dick in the Box. No, we won
one Emmy for this episode. Do you know what it was?
What the Emmy was for no. I try to look
at it sound sound mind because close to Dick in
the Box. I just want you to know that guy
Love lost to Dick in the box. Oh for song, Well,

(06:25):
Dick in the boxes it was was more seen. I'm
wise enough to know when a gift needs given, and
I got just the one to let her know that
she's second to none. It's my dick in a box,

(06:46):
My Dick in a box. Girl. Well you shouldn't be
singing this song that beat us. Well you know I'm
not a sore loser. It was years ago. Um so yeah,
sound mixing, that's the way. That's the Emmy we won.
So there you go. Um the open the opening dance number,
I mean that took a long time to shoot. They
have those overhead beautiful. What do they call those swimming shots?

(07:10):
Um crane? No? No, no, right, no, you guys aren't
talking about buzz buzzby Berkeley. What's that expression? Do you
know what I'm talking about? Berkeley's top shot technique. Okay,
I guess it's buzz Berkeley, buzzby Berkeley. What's Berkeley's first name, Joel,
can you find that? Yeah? Berkeley Berkeley. So he would

(07:32):
do those top shot down things and then in an
elaborate dance move so you'd see it. So that's what
that's what Will is is they do it at Indiana
Jones and the Temple of Doom in the opening number.
It's done in blazing saddles when they are busting through
all the sets and stuff like that at the end
of the movie. But I'm talking about in a moving
dance sort of seeing in a beautiful choreography. That's what

(07:54):
it's done. That's what it's used. What's the Cohen Brothers
movie where where where um Scarlett Johnson rises out of
the water they do it Caesar Yeah, wow, nice pulled Joel. Yeah. Solo,
they did the new Han Solo. What are you talking about? Caesar? Yeah?
Do you like him as Han Solo? Yeah? Why not? Man?

(08:16):
Look man, other than you. Do you think there is
a better choice for Han Solo out? I do, But no,
no disrespect to him, because I think he did a
great job. But I think the person who should have
got the Han Solo character is the dude that was
in West that story, ansel El Great. Yeah, no, I
think it should be Um ansel El Gret is a
better Han solo. I promise you, dude, he's got that.

(08:37):
I would have liked Andrew Andrew Garfield really really really
really yeah, really really yeah. I went to some of
the Oscar parties, saw lots of famous people. Um, I
brought my friend Preston and um when we when we left,
I high fived him and I said, I think we

(08:57):
didn't embarrass ourselves in front of anyone, you know, because
Donald told that story of we've both definitely embarrassed ourselves
in front of celebrities several times. I've done that. But
there were lots of cool actors and it's cool. You know,
you go to these parties and you get to walk
up to people you really admire and say, hey, I
just you know, sometimes you know them, sometimes you don't,

(09:19):
but um, you can say, like, hey, I you're That
performance was incredible and that's the thing I like about it.
It's cool. And I didn't I didn't be doing that stuff. Again,
that's the question. I felt great, break it felt great.
It felt great. I mean, you know, yeah, obviously you
haven't done any of that since COVID, and UM, it
just felt cool. You know. I'm literally I still feel

(09:41):
like the little kid in the room who can't believe
he's invited to the party. Yeah. So that's what's so
fun about it is to look around the room and go,
oh my god, it's so and so, it's so and so,
and then you know, my agent would like sometimes introduce
me to some mega person and that was cool, and
we just had we just had some good laughs. But
mostly we were excited that we escaped the party without

(10:02):
embarrassing ourselves. The biggest name you ran into that you
were like, holy shit, conversation. Well, I did see Leo.
I did see I did see Leo. But we didn't.
We didn't have a long conversation. We had a more
of a fist bump, a fist doc if you will,
you guys, doctor, We didn't. Yeah, we had a fist.

(10:26):
We had a fist doc um. I spoke to Andrew Garfield,
who I know a little bit, and I and I
went on and on a mount partectic boom and I
but I made sure Donald I didn't embarrass us. I know,
I know, I know. I could picture you over my
shoulder being like, okay, buddy, back away, You've done enough
for you. But I did. But I did give Andrew
Garfield some love Um, because I did think, truly that

(10:49):
that performance was fucking unbelievable and I think he's one
of the best there is. And I told him, anyway,
let's get back to our musical Donald. Let's open with
So we talked to the opening number, which is incredible
and just so well written. Then we go into our
poo song um, which is just so funny and the
choreography is so funny. Yeah, we had kicking our heads

(11:11):
in Hey, miss Miller, we just need a stool sample?
Why sample? If you think I'm just a nut your head,
my dear, it's you. You See, everything comes down to pooh.
This show should really should really just be me and

(11:32):
Donald singing all the songs for you guys here for it,
whether it's a tumor a touch at the flu. Please,
won't you pinch us off a big fat clue? Our
number one guess is your number two? If there's no
priest slide on match please, Everything comes down to doo
doo doo doo doo doo doo. So there's a moment

(11:55):
in that song that's very funny, and that's the break
where you go check the pooh. Yes, Mike Schwartz as
homeless guy through Pooh in my eye. Check the check
the Pooh minor his first him, then you venue. But
the way that the way that Mike schwarts because if

(12:15):
he doesn't have anything in his Pooh, you're gonna be fine.
It's pretty much. But the way that Mike Schwartz asked
minor hiss so funny first is then you, um, it
may seem gross, it may you may see it used

(12:37):
to be it originally it was. It may seem gross,
it may be crass, but we need to see what
comes out of your ass. Before that, it was a
currently or a letter JA as long as it's undud. Yeah, yes,
everything of that po NBC put their foot down on

(12:58):
describing fecal matter as a letter J or curly curly
just so funny. It's so funny what they allowed. But
they didn't allow a curly or a letter jay. How

(13:24):
many letter jay's have you had? No, that's the truth
thought think about it. I guess so because it was
in the song at one point, curly or a letter jay,
as long as it seduced, yes, and then we cheer it.
It was sick bumber when we get when we get
lyrics and we were so funny, and then by the

(13:46):
time we recorded, we had to change some of them
because NBC didn't approve them. Well, this episode is completely
chopped up also, man like, there were so many storylines
that had or it's a funny tarts that had to go. Yeah,
that had to go because they wanted to get all
the songs. There's really only two plots. There's Carlo's deciding
whether she's going to be a working mom and come
back to work or be a state at home mom.

(14:08):
And and uh, Sarah's moving into her new house and
doesn't want me and doesn't want me to move in.
And then and then the woman of course who has
a who has an aneurysm that's causing her to hear
people singing. But but the thing that's taken the plot
that takes over most of the show so we could
is the music obviously, because we wanted to tell that story.

(14:30):
Are you okay? Are you all right? Now? There's they
all have like a little bit of an homage to
a genre. I was going to ask you this year, Yeah,
see some more than others, but name them where I
will see how I do. I wrote down some thoughts
on it, um so the blanks, We're gonna miss you, Carla.

(14:51):
I don't know what do you think? That's an homage too?
It's sort of like a it's like a song from
Grease kind of thing, but there's a clear Grease song later.
But I'm not exactly sure what that is. We're gonna
miss you it maybe barbershop barbershop quartet, ish, you know
what I mean? Right, that's such a good tune I
had forgotten about. We haven't gonna it kind of sounds

(15:11):
like a barbershop quartet when we made the choice to
be at home and not I work you. That was
your entrance, dude. I had to like rewind to watch
it again. It was so good, Thank you very much.
Little homage to uh, you know, yeah, what was your

(15:33):
manage though? You know the king of pop back in
the day, right, Oh yeah, oh yeah, yeah, you did that.
You did that later when in in in Guy Love.
But um, I know it's not probably gonna happen, But
I wish you'd do a Broadway musical because they don't
want me. Man ain't nobody offering me? No damn Broadway musicals.

(15:53):
They don't want me. If they did want me, I
would have done one by now listen, man, talk, you
could talk, we could talk my audition from the one
I did. They're not gonna, They're not gonna do you
audition for Bullets over Broadway? Yeah? Hell yeah? Nice. Um,
I'm gonna. I'm gonna tell you something. Those that go ahead,
hold on, hold on? Is it? Is it something that's
really Let me ask you a question. When you auditioned

(16:14):
for it? Yes? Did you audition against other Broadway performers
and stuff? Um? What I did was I didn't go
to the actual audition. I had to leave town and
I was very terrified to go in an audition. And
so what I did was I had a piano player
come over my house and we videotaped me singing the songs.

(16:37):
And that was the first audition, was singing this song.
And I then forgot about it, like every actor should,
because the best way to get a part is to
is to submit your audition and never think about it again.
So they call you, and I said, I'm never gonna
get this. And then they called me and said Woody
and um, Susan Stroman, who directed it, really liked you.

(16:59):
Now will you read the scene? And then I had
a second audition on tape from LA and I read
the scene and they said they're gonna do a workshop
of it and they want you to play the John
Cusack part. It was, you know, because it's based on
a John Cusack movie, Boody Allen movie. And so I
did the workshop and then officially got the part after
the workshop. Did you listen to any of that? I did.

(17:24):
All I heard was you had like a boutique audition
and then another boutique audition. No, I just videotape myself, right,
And then they were like, it's no different than you
videotaping yourself for a role at home. I just didn't
go in now. Ain't nobody called me and asked me
to videotape myself for this ship? Is what I'm trying
to say. You're sitting here saying you should be a
part of a Broadway. They gotta want you to be

(17:44):
a part of These things have to happen. I can't
just be like, you're right, I'm now on Broadway. Everyone.
It doesn't work that way. Listen. Do you have your
agency has a theater department? Okay, yes, you're gonna go
to your theater agent and you're gonna say hate the
agent Zach Braff, the amazing, amazing that he is, the

(18:08):
amazing actor, director, singer, dancer says. Broadway star Um says,
I should do Broadway? Can you can you if if
a musical that's right for me comes up, can you
flag it out? Because then here's a problem, because then
all of a sudden, Shrek comes up and they're like,
they want you to play Donkey Donald. That's how it works,
how this shit happens. I see how this shit works,

(18:31):
zib I know how this shit works. I know how
they don't call me and say, YO has the next
freaking uh part in Bullets o er Broadway. They go, Donald,
we want you to play uh Mufossa in the Lion King.
That's how it goes. I know how this works. What
we could all be so lucky playing there every fucking night.

(18:53):
If you were saying, I would have to learn how
to fucking work puppets. Man, I'm not gonna do shit.
Bro't you think they're only we're only being they only
audition puppeteers. I mean, when I saw the show, it
was magical like that, it was the puppetry was amazing
that was really the show. Let's keep it. We know

(19:15):
the music we've seen in the movie. All Right, we're
gonna gonna break, let's talk. Just say it, and when
we come back, we're gonna talk more about the legendary
episode that I'm so honored and proud to be a
part of. We'll be right back and we're back. Go Donald,

(19:43):
Go Donald, Go Donald. I gotta I gotta tell you, man,
I was very happy to watch Doctor Cox rap. You know,
that was kind of so that I believe is Gilbert
and Sullivan, if I'm not mistaken. That's sort of that
that like Pirates of the Panzana, Pirates of the Penzans. Yea,
that was awesome. He killed it. He did a great job.

(20:08):
And what about it all started with a penny. There
was that tree I never felt before. Amazing, amazing, um
and then he calls me a moose haired something. I
don't know. I loved it. I loved it. A lot

(20:32):
of it was a lot of it was very like,
there's no way she could yell at you, and all
of a sudden, you're he's going to give her the
surgery or the MRI that she wants. You know, she
yells at you to shut up, and then all of
a sudden she gets the MRI. Well, I think you
can complain. I mean I've I've definitely, like I had

(20:53):
my back problems and they're like, oh, you don't need MRI.
And I'm like, please for the for the for the
for the safety, for the comfort of my mind. But
you pay for it though, no, it's covered by insurance.
I'm lucky enough in this country that has a very
messed up health system to be one of the insured.
There you go, so anyway, yeah you can, you can?

(21:15):
You can say, I mean your doctor can I'm I'm
sure say no. But I've had a doctor say yeah.
I think she could convince him and say please, from
from my peace of mind, can I can you do
the cat scan? I did that with my colonoscopy. I
was like, he was like, you're too young, you don't
need it yet. I was like, please do it. I
don't care. You wanted you wanted that ship. And then
while you're doing it, you were like deeper. He said,

(21:35):
we don't go any deeper, and I was idiot, I
was asleep. I got the real deal, Holy Field. You
were like deeper. Listen, everybody likes a little ass play,
and everybody likes a little ass play. He was like,
this is the girth of the camera even like you
don't like a little ass play though they were like,
they were like, this is the girth of the camera tube.
And you're like, got anything girth here? You're hasten right now,

(22:01):
everybody likes a little ass flight. Don't even act like
you don't. Can I have that, Daniel as one of
the new my new sounds. I'm gonna I'm gonna mark
that one down, thank you. Please? Do they do, whether
it be taking a poop, whether it be a finger,
whether it be a tongue, whether it you know, everybody
likes a little ass flight. I need all of that,
Daniel for the for my sound back to FU say

(22:25):
to stop talking about your willis we're talking about an asshole. Asshole.
What you're trying to get it into? What you're trying
to do. I think we've already established what we're trying.
You know what you're trying to get into. Okay, So
um do not Okay, that's no try. Yeah, that's true.

(22:49):
I read something online. I'm sorry I got excited about
all my buttons. Um, you've read some line at what
I read it. They had this thread. I always send
you guys, you and Juell these threads that I'm sure
you don't read. But it's like Reddit. Heead this thread
that was like what's your most unpopular Star Wars opinion
or something like that, and someone said, Yoda, UM barely

(23:12):
did the backwards talking in the beginning, and then it
became like out of control. M Oh wow, that's pretty good.
I'd see it. You see it, Joel's going through dialogue?
What did you say? Yes? So when the song when
the Truth comes out? Um is sort of a lame

(23:34):
is homage. M hmmmm, which I thought, Yes, it's that
end of Act one, do you hit No, Actually it's
a one more day end of Act one, one more
day but one. Yeah, the same thing, same lame is
big full company number, that kind of thing. Mhm. But

(23:56):
I thought it was so well done. I mean, did
you get excited? I got so excited. All right, this
is the song I was talking about. I'm sure you
must be scared, not knowing what this test will bring
go ahead. It could prove that you are crazy. Do
you still hear people sing yep? It's best to know

(24:18):
the truth of that I have no doubt, but you'll
have to face the future when the truth comes out.
Test that's a waste of our time. But aliciall except
that she's medically find she'll admit that she's nuts. Are
all to say, Oh, it's so good, it's really good.
Can we play thirty of each songs? You will as

(24:40):
long as you guys are analyzing the song and talking
about it specifically. Yes, Okay, well I'm learning something, but
most importantly i'm learning let's face the facts about me
and you. Specified though I'm proud to call you chocolate
there the crowd always tall and stay exactly those feelings too,

(25:07):
and that's why I keep them inside fire. Can't bear
the girls to stay. And sometimes it's kizy, you're too
high and explain my guy love. It's so beautiful now mine,
I'm there's some funny as ship in that. Now. I mean,

(25:30):
you're the only man who's ever been inside of me, right,
And I hold up my fist. Took it, yeah, meaning
insinuating that I fisted your butthole. But I'm saying I'm saying, dude,
I just took your stitches out. I just put stitches. Yeah,
But I like, I like, I go, and I go.
I like that I go. There's no need to clarify
and oh no, sure, are you sure? Because you put

(25:56):
your fist up. That ship is so funny. My other
favorite thing is that when we go, let's go and
we and we just go to bed. Yeah, we go
right to the end of the bed. I love how
I point you guys were with that. Also, the facial
expressions you give, like both of you throughout, it's so

(26:17):
really selling the moment. I love. I hate to tell
you this, but we were really trying to sing the
shit out of this song too. Like we're sitting there
like everybody looks at it like it's a joke, because
it obviously is a joke, and we are making a joke,
but we're sincerely trying to fucking say, Okay, this is
real deal, Holy Field. This wasn't no fucking let's that

(26:39):
was a pre record though Donald wasn't it. Yeah, it
was a pre record, but we weren't in the pre record.
They had bet they had Mike's on us too. So
when we said when like when Donald did his like
and then and then and then when I go, when
he go, when he puts his hand, I go no hand, hands, dude,
I still use no hands. I still use that no

(27:01):
hands baby hugs hugs. Now, this is a much underappreciated,
not talked about song in this particular episode. I've had
it to hear, so let me make it very clear,
because I swear I'll never could you win again every
time that you profess that come from Puerto Rico? Yea
for the last time, I'm domit again. Don't make a

(27:27):
big to do. I was simply testing you. Then why'd
you tell j DR babies black Sican? Soulless boy? Though
about me? Were no sex again? Oh my god, that
shit was amazing. Your name is Carla. You got that
day that I sent you. I emailed you all the lyrics,

(27:49):
by the way, if you wanted to reference them. I
love that song, that song. I laughed so much when
I first read that song and we sang it like,
why'd you tell jd Our baby black Xicin? Then why
do you tell j d our babies black Ican? I
think that's a great way to scribe ethnic children. What

(28:09):
are you you know right away? I'm black Xican, have black,
have Mexican. That's a Blackxican baby right there? Baby, that's
a Black Sican baby. That shit is hilarious to me.
That ship, dude, it was so funny. I was so funny.
And the lyrics, I'm I want to I think it's
Deb before them. I don't know, I'm of course it's

(28:32):
all the writers, but Deb, you were the head writer
on this episode. Um, the lyrics are so funny and um,
and you guys are just amazing, Like I would you
know there was there was talk of making a Scrubs musical. Um. Yeah,
Branda was trying, Randall Winston was trying to develop it.
I'm sure there'll probably be one one day. Um, and
we can go see it, and I would, I would cheer.

(28:54):
You know, they made a clueless musical. Uh, and Dove
Cameron played share and did wonderful job, you know what
I mean. Like Amy Heckling was involved and directed it
in everything, you know, I don't see why they couldn't
do a Scrubs musical. And it doesn't even have to
be this musical episode. It could be any episode you
could well you would, you could have only that's right.

(29:18):
I get you. You'd have to add, yeah, a lot
more songs because there's not enough. But you could create
a whole brand new episode doesn't necessarily have to be
about someone hearing sing, even though that works, and you know,
make a I totally see this happening, or see a
version of this happening. I don't necessarily see us in it,
but I see it happening. We're not gonna be in it.

(29:40):
We're too old. It has to be about young people,
like if they did screw like, that's what sucks. If
they did scrubs. Now, how many fingers do you see? Emergency?
I'm really not your thirty second? Is there someone here

(30:01):
with you, someone that we could talk? I said, I'm
by myself. I know y'all saying that's what she would
really be doing. The fuck is everybody saying? What the

(30:24):
fucking saying? You know? It'll be funny if the character
hated musicals, that'd be even better. Oh no, not another one,
another one? No hands um? All right, then we get
this classic hold on um, remember this one, Donald, hold

(30:47):
on We French be French, forever, always be true forever.
Alway there you fer as close as the orta best friends.

(31:12):
Just like, why are you trying to Sarah singing? She says,
I love Sarah. Oh there's our girl. I love Sarah,
but I have to say, amongst her many talents, and
she has many talents, she's a phenomenal actress. She's beautiful,

(31:36):
she's so kind, she's an amazing mom. Singing is not
in her top six things. No, I would say it's
sports and singing that she's probably now she can snowboard.
I know that she's a good snowboarder because she's Campian.
You know, Sarah was looking for a school sport when

(31:59):
she was younger and had settle for shot put. Can
you imagine Sara and shot put? No, and only mean
why she got shot puts because there wasn't enough interest.
Shot Put is the dumbest sport. No, I disagree. I disagree.

(32:19):
I'm sorry if you're into shot put, but can you
imagine putting that much time into shot put? It's a
technique that is yeah, and it goes nowhere. The thing
it comes after you after you've become the best shot
put her in the world. This stunts the moment the
ball where you spent around. Come on, you got to
take someone out from far away? Though, right right, right right,

(32:45):
there was an attack. No, maybe if they added an
element to shot put like hit a dude, right, moving targets.
Moving targets is a good idea. That's well, and then
it's no longer. It's what's another funny one? Throwing the hammer,
then throwing the hammer. Is that the same one? Or

(33:05):
is that a different that's different? There's javelin, javelin? Okay,
job one's is John One's still in the Olympics. I've
always and I've always disc that's another dumb one. I'm sorry,
dis because players heavy frisbee. Yeah, what about what about

(33:26):
Hackey Sack not in the Olympics on the Olympics, that's
just stoner. Hackey Sack is in the Olympic. Hold on,
Hackey Sack has been in the Olympics before. Look it up. No, yeah,
look it up. But you know what I've always you know,
who I've always been jealous of is those people who
can do U stick thing Hija running stick him running stick.

(33:53):
There you go, Oh my god, oh my god, running stick.
I think pole vaulting is cool. Oh yeah. Vacouver Olympics
twenty ten Hackettack footage crazy skilled Vacouber Olympics. I think
this is simply at the Olympics. I don't know if
this is due I played it in the video game, Dude,

(34:21):
I know it. Well, maybe in the video game it
was was that Joel. I'm seeing a lot I digress.
I'm seeing a lot of love for the new Star
Trek video game Daniel and Joel and dance Star Trek
video Games. There is a new Star Trek video game out.
I don't know one which console, but for some reason

(34:42):
it keeps coming up in my feed saying it's getting
good reviews. Interesting. I have not seen a trailer. Let
me see you start reviews, I said, said the best
video game ever to be made about the property. I
definitely are you intrigued? Yes, a little bit. And the

(35:02):
article I saw had a had an image of the
sparking character. Oh, Ubi Soft Start Surgeons is friends and
yeah yeah and two all right, all right, well can
you ask our friends at Ubisoft to send me the
spot game? Because I don't want to. I need I

(35:22):
think I might need to get into video game. I
have a little downtime. Donald, come on, you want to
get into dude, you didn't want to listen to me Zelda.
I don't think Zelda is gonna be my thing. I
don't want to have a I don't want to I'm
weigh into more than natural, like like Hitman or the
Cowboy one you mentioned I liked. Yeah, I just that

(35:42):
it was the story of that game is so gripping,
it's so so so good. Yeah, I think that's more
my speed. Now I do have the latest hit Man,
and it made me really scared. I was. I was,
I really it was so realistic. Yeah that I I
was frightened. I was. I panicked. Okay, it hasn't been

(36:03):
in the Olympics, but okay, find long enough. Okay, let's
just drive by the way. Okay, we're gonna let the
guest in in a second. But I want to give
a shout out to that you're going to be Okay.
That was more like a rent song. That's what's going
to happen. Everything's okay. Five thousand, twenty five thousand, six

(36:24):
hundred ninety five thousand, little emotional this to happen. It's

(36:49):
so pretty, it's really lovely. This would not have worked
at all if all of these creative groups didn't come together.
It's you know, all I kept thinking about was how
many of these dances were in La La Land. A
lot of those dancers are all the background people were
professional dancers, and well, keep in mind, this is twenty

(37:09):
I don't know if it's twenty how many years ago,
two thousand and six. I'm bad at Matthew sixteen years ago.
So some of them man have retired, but La Land, Okay,
don't yell about some of them even sang in La
La Land. Listen, can sang, well, I'm gonna see that
Donald found. Donald's connection to this was trying to figure
out how many people from this may have been in

(37:32):
La La Land. That's right. I think about that day
because this is the this is the opening number all
over again. I met, I left him at a Grayhound
stationed weston Santa Fe. We were seventeen and he was young,
and it was true. I knew what I had to do.

(37:54):
She didn't even give him a chance to come to Paris.
Give him a chance. I was jazz blubbling Paris in Paris. Yeah,
why can't Why why not invite him as huge in Paris? Yeah,
like we have, we have this insane connection, and why
don't you come work? Did you ever watch the Aristocrats?
Did you ever watch the Aristocrats? Were freaking Cruella to

(38:18):
build the one hundred and one Dalmatians jazz was huge
Cruella del Okay, that's a weird reference. But I just
want to say that there's no reason that he couldn't
have gone to Paris. All right, let's go to break
and when we come back, we're gonna have a guest
and they better have a good musical question Joel or
I'm all I'm saying is he could have went to

(38:39):
Paris with him. Yeah, we'll be back. We got it.
We're back. We are back. Welcome to a show. All right, kids, Um,
we're back. Let's bring in um the caller. I'm so

(39:01):
excited we didn't we missed a caller last week. I
apologize it was my fault. And now we have a caller.
Let's do it. Play that song? Can talk, you know,
like a booke z maybe talking about the episode. So
come on, let's get Oh ladies and gentlemen, give it

(39:28):
up for Ryan and Jenna before you even say an even.
I just wanted the audience to know that they couldn't
have a more perfect background for this podcast. One is
a poster of Star Wars, and one is a poster

(39:50):
of Cosette and Lames rob and Um, you get us,
you get us. You guys should just come before you
even speak. You should just joined the show as regular
co hosts because you understand us. I should die now
she goes across the sea. Life without Cosette means nothing

(40:13):
at all? What's that if I were to fall? See that?
All right? Hi guys, welcome to the program. Um. We
obviously have shared interests. Um Um, tell us about yourselves
and how Joel chose you. What did you write? You

(40:35):
must have written something juicy. I don't know about juicy. Um.
You know we've been fans of the party. Sound like
Elvis man, he came in smooth and it didn't he
he came in real smooth. But okay, Ryan, I don't know.
I don't know about it. I don't know all that.
But I'll tell you I did have a I did

(40:56):
have a brief call with Joel and real, Oh my gosh,
I was able. You want to get get that, get
that recorded for me and so I can play my
students and up my street credit a little bit. That
because I send an email, I asked Joel to hop

(41:17):
on the phone. So now I've got so now I've
got you know, with the beard. It's a bit different,
but a lot of my life I've been given the
you look a little like Zach Braff, and now I've
got Tack doing an impression of me. That's pretty surreal. Well,
you're gonna have it because this podcast will be out
there for all the world and you can make it

(41:38):
your ring tone. Can't wait? All right, guys, what's your question?
Go ahead? Tell us, tell us about yourself. So we
we wrote in because, you know, asides from being great
fans of the show, we thought it would be really
neat if you had a couple of music teachers on
to for the my musical episode. That's one of them.

(41:59):
Is good? All right, I'm not gonna have to flip
the desk. Thank god, thank god, thank god. You're both
music teachers. And for what? For what grade I teach?
Or or I guess what ages? Yeah, I'm a middle
school teacher. I teach band in orchestra and jazz, and
I do a choir with six through twelve grade six
through twelve. Oh my god, is it as fun as

(42:21):
it seems on Glee? Because it just looks like they're
having such a good time. I can't stand Glee because
it's so not real. I love the music. The music
of it is really really great. And I've done some
of those arrangers, arrangements and with my groups before, so
there's that's always now you must have a kid, both
of you who you I imagine this is exciting when

(42:43):
so many of the children have good talent and average
talent and it's just they're they're living their best selves
because they're expressing themselves through music and song. But it
must be so thrilling when you go, oh my god,
we got one on the hook. We got a kid
that's extra special. Got a few of those. And the
really rewarding part is when that that creates a feedback

(43:05):
loop with other kids and they see that passion and
it becomes contagious. They get inspired. They go, I want
to be as good as so and so right very much.
It's fun to watch. Oh, I want to I want
to be a teacher. Donald, you are a teacher. I
occasionally would go to Northwestern where I went to college,
and uh and and give a try and give you know,

(43:27):
speeches and and give back to the to the college
kids in some way, which I should do again because
I got so much out of it. It's so fulfilling.
But but, um, you're doing this at such a young
age where you're really shape. You're these kids who are
in your classes, they must love it. This is probably
their favorite class, right for many of them? Yeah, for
for for so many it's the reason that they choose

(43:47):
to come to school, you know, particularly now when we're
all going through various struggles over the last couple of years.
If you can tell a kid, hey, you know, we'll
get you out of a textbook and we'll get you
out of, you know, all the rigors of your typical subjects,
and you can come in and create and and be
who you are and be accepted for who you are.
And um, that's that's mostly mostly what everybody needs. How

(44:11):
are you as a teacher? Um? Um, are you able
to teach any instrument? I mean, how does that work?
That's a good question. So we actually the short answers, Yes,
we compliment each other pretty well. Um. Part of our
clear your training is learning how to play all these instruments,
so we can be effective instructors. But whatever I don't play,

(44:32):
she plays, and vice versa. So it's sort of just
it worked out. Are there kids in your class that
play any of the instruments better than you. That's the
end goal. That's I would like. Yeah, yeah, no, they will,
they will eventually, eventually, they will eventually. I just wondered
if there's anyone who's like a mega standard. They definitely

(44:52):
have a few. Absolutely. I love that. I love that
you're you're sharing music because it can be taught in
so many ways. There's so many instruments, there's so many
ways to use your voice, there's so many ways to
be musical, and you know, just opening the door for
someone like you guys are talking about. Yeah, sure there's standouts,

(45:13):
but there's going to be somebody that takes what you
teach them and take it to a level that you
guys never expected to ever ever see. And the impact
you're going to have on these children because of course,
of course a few may pursue music, but also the
skill sets you're giving them to stand in front of
an audience, to have the courage to put themselves out there,

(45:35):
to perform, to work with each other. I mean, think
of all the different skills, you know, you think about
all the bullshit. There's an old Paul Simon lyric. When
I think back on all the crap I learned in
high school. It's a wonder I can think at all.
And you know, there's a lot of stuff you learned
that you're like, why the fuck that I learned that.

(45:57):
I would have rather learned how to fix my car.
I'd rather learn how to do my taxes. I'd rather
learn how to play a fucking instrument, for the love
of God. Um. So my point is is that you're
teaching them a skill set that isn't just singing and
and and we're playing an instrument. It's collaborating with their peers,
having the courage to stand in front of a group. Um,

(46:19):
you know. So that's so important anytime you want to
come on behind, give the pitch man. We love. It's
like you guys are doing good on your own. Where
where are you? Where are you? Where? Where? What? Where
is this happening? We live in a very little town
called burn, Indiana, near the Fort Wayne area, and I
teach him and she's here in town from Chicago and

(46:41):
I'm from Ohio. We kind of ended up in the
middle Fort Wayne, Indiana. In the middle. We have a
friend that was on a show about the Middle Indiana,
Neil Flynn. Flynn Indiana to consider the middle Well, that's
what that's where the show takes place, isn't it. I
think I guess it's a middle class that they're talking

(47:01):
about on that one. Why I think, yes, I think
they're referencing being but not in the middle of the
country because the middle of the country isn't I don't know,
I don't know. Um, all right, so do you guys
have a question for us? Yes? Absolutely, Um, we kind
of had a thought we'd start with a fun one. Um,
you know, for my musical. You guys turned the sitcom

(47:23):
Scrubs into a musical. What musical would you then try
to turn into a sitcom? And who wouldn't cast? Oh shit? Wow? Um?
If I could turn a musical into a sitcom, well,
that's a really hard that's a tough one. They do

(47:45):
it a lot, you know, uh h if Okay, So
let's go Disney musicals because that's probably ones that are
easily viewed, like they did Cinderella and they made it
so it wasn't a musical and that worked kind of.
I guess any of those fairy tales could work, uh
not as musical, but if you like talking traditional Broadway

(48:09):
is Way more verse than now. Yeah, Donald just knows
Disney musicals. I'm trying to think of what would be
a good what's a um Something Rotten was a great
musical that I really loved. I know this is sort
of a weird reference because most people won't get it
unless you're a Broadway geek. But I think that could
make a good That would have made a good series.

(48:31):
Um Noise Bringing the Funk would be a great live
action from a series. Just take out all the tapping
and all the music and just have people talk, oh
my gosh, he's he's. And then what if you were

(48:53):
to take you know, something that's been on TV, you know,
if it was mash or Cheers or I Love Lucier,
you know, something like that, and put it on Broadway.
What would you what would you pick there? Oh? Well,
that's I mean, you could do anything with that. Buffy
the Vampire Slayer is a great Broadway show. All of
these things, like, when you really think about it, any
any any television you could turn into into a musical

(49:15):
because you're adding an extra exciting element. And the Buffy
I didn't see it, but Buffy did him. It's one
of the best. It's one of the best TV. Yeah,
it's one of the best TVs ever. It's like this
uh this uh witch or not a witch. It's like
a demon comes to town or something like that and
makes it so everybody has to sing the shit scary too.
It's not like some there's a silent episode. Yo. You

(49:37):
want to talk about dope television. Buffy the Vampire Slayer,
That Yo, that's some dope TV. Be Joel is furiously
gnawing her head. I've never seen an episode of Buffy,
have you, Dan? Oh? Dude, it's good, man, it's good,
like straight of a vampire guy. As soon as you
say vamp, I don't show I started this is the

(49:59):
show would have started it all though, you know what
I mean. Buffy the movie, uh started all of that shit.
And then and then to tell them other than doctor Acula,
I'm not much interested in anyone else's tell Dracula would
be a great music Doctor Accula the musical, great musical.
Maybe guys can have the Jackson the musical Alabama Jack.

(50:19):
I'd love to make that musical. A don't swim, let's
make it. Um, all right, what's your next question? Um?
We we love watching shows repeatedly and tracking character development
and evolution, you know, through those shows. Sometimes Jad and Turk,
as you guys have said, are indistinguishable from Zach and Donald. Um,

(50:41):
in what unexpected ways did these characters evolved during the show?
And I guess, in what unexpected ways did portraying these
characters change you as people? It became it's a great question,
and it became more and more me and Donald because Um,
Bill would like, you know, run on the storylines, and
he would just be like, what did you and Donald
do this weekend? The next episode? The next episode? No,

(51:07):
we really, you know, because the characters. I think one
of the reasons we got the parts was we were
we were similar to the characters, really, I mean, um
and and then and then we leaned into it, and
Bill evolved the characters around us and around our strengths
and around what we found funny and thank god, you know,
Bill and and and we is that the way say it?

(51:30):
We and Bill, Bill and Bill and us have the
same have the same sense of humor. I'm not going
to get upset about it. I don't think that we. Um.
Here's a great question. I'm gonna build off of yours.
Down is there any way any way that you're nothing
like Turk. No, I mean feel like I'm not a

(51:55):
doctor like No, I'm I mean, I mean other than
the obvious, I mean like personality wise, I think you're pretty.
I mean, he is a a family man, You're very funny.
Everything that I played in Turk was I don't like
Apple teenis and that upsets people. So I'm sorry to
have to tell you that. Um, I love sports like

(52:18):
I once tweeted that. I once tweeted that, and everyone
someone wrote everything I believed is a lie. That's a
little Um. Yeah, I mean I think that. Yeah, I think.
I think as you see from as you hear from
listening to the podcast, we are we are quite similar,

(52:39):
I think to the to the characters. That's probably why
the reasons this has been so popular for people because
it's kind of like just chilling with with j D
and Turk in a lot of ways, except we're allowed
to curse now and um and uh. We we sometimes
get explicit, like when we had that couple on Joel,
we're due for them to come back. We need to

(53:00):
check in see if there's been any evolution. Mention them
every single episode. No, we don't. We don't fascinating maybe
fascinating situation maybe once a month. It's it's the most
Jerry Springer we ever got, and we're kind of don't, don't, don't, don't.
I don't think it's Jerry Springer. It's just the most
fascinating situation. We both are into what they were talking about,

(53:24):
and so we want to hear more. It's more curious.
They're very good guests, but you guys are better. All right,
it's time for Fort Wayne, Indiana's favorite segment. Donald, it's
time to fix your We have some new sound effects
to go along with that one you just heard. Um,

(53:46):
I might try this one, or I might try this one.
All right, that's Jerry Springer that one. Listen to the
last episode that you posted like this morning, like whatever
came up this? Okay, so you've heard some of these
signs of the sound pity, Yeah, pretty much. My whole

(54:10):
desk is sound pads. Now, all right, go ahead, how
do we fix your life? We're good at this. We're
all rusty. You haven't had a guest in a moment,
so we're ready. Donald lean forward. Here we go go
like Donald, lean forward and go like this. So art
fix your life is on behalf of fine arts teachers
and students everywhere. We feel that, you know, a lot

(54:30):
of our students are stressed and drained. Mental health is
suffering in our schools. And the arts, as we said earlier,
give students and communities a creative outlet and an escape.
But nationwide, a lot of these programs are facing cutbacks.
You both clearly had meaningful arts experiences as part of
your education. Drawing on those, how would you advocate for

(54:52):
fine art programs in school or help us advocate? Tell u,
I mean, tell us, First of all, you've got a
whole a ton of people listening right now, So tell
us and them, um, what to do. I know that
this is a problem. I know that schools are cutting
back on these programs because of budget cuts, particularly public schools. Um,

(55:16):
that's where the hits are really taken it. You know,
we go to private because of all of the budget
cuts that are happening in public schools, which is it's
it's it's you know, for people that are in public
school and have to deal with some of these cutbacks,
it's very very scary. Like, yeah, you know, the schools
in La there's a nurse that comes once a month,
you know what I mean, there's no nurse stationed in schools.

(55:38):
So if your child has a nut allergy, or if
something happens and a nurse just doesn't happen to be
there that day. You know, it's like there's so many
there's so many things, Jim, that's that's that's on its
way out the door, you know what I mean, Physical
physical education that's out the door, you know. Uh, and
music that you know, we've been fighting for music for
how long now and and and it still can't you know,

(56:02):
the bill still can't get past to keep music in
all schools. It's such a it's so it's draining, especially
for someone who's in the arts. You guys are in
the arts and you're trying to teach the arts to kids.
I can't imagine all of the barriers, you know, Like
I don't know what your school is like, but how
do you get music into the school? Like it? Maybe

(56:22):
if you tell people you know about the problems that
you're dealing with, maybe that'll help people. Maybe that'll make people,
I mean to invest What comes to my mind is
getting people to show up to these these meetings, these
budget meetings where these decisions are made. Um, I know
they're all gone. Those meetings or can get pretty wacky.

(56:46):
But if you have, um, if you have people that
come and can add, if you can rally the people
in the community whose children have been affected positively by this,
and especially not and probably bizarrely not even just like,
oh my god, these amazing teachers made my son an
incredible pianist or or or guitarist or horn player. That

(57:11):
that they've changed him. He's got confidence, he's got he's
got this, he's got that, he has friends who he's
never made before talking about the impact like that. Rant
I went on before and and and having people advocate
for the budget appropriation towards towards it, I assume would
be the best route, right. I mean, unfortunately, we're trying
to fix your life. But you guys know the world

(57:33):
of this better than we do. Yeah, it's just it's
it's so much more than just I go to class
and play an instrument for forty five minutes and then leave.
Like That's how a lot of people see it. Even
the other teachers sometimes see it that way. But um,
but the kids will tell you also that that's not
the case, and it's really hard to convince anyone in

(57:53):
the community sometimes or in communities that it's it's not
just that, it's so much more these things. I decided,
you know, there there there are um. I guess it's
the school board or it's the city council. I don't know.
I'm sorry, I'm naive in this area, but I would.
I would. I would rally if you're facing this in
your town, you're listening to these two amazing music teachers,

(58:15):
it's it would be about rallying people to show up
at those hearings and and and and give testimonials and
and I'm really discuss why it makes such a difference.
The other thing I know this the public school in
my neighborhood does, is they they fundraise to augment the
program um with the parents. Um. Because it just wouldn't

(58:37):
I don't even know if it would exist without without
hardcore getting sponsors, getting um. You know. You know that's
why the the school is outside is covered with like
ads for realtors and and and things, because they've they've
given money to have their giant I'm a realtor in
the neighborhood poster um. You know, anything like that that

(59:01):
that's outside the box, that that raises that helps raise
the money. So the program, Uh well that's the only way,
that's the only way things are getting done is parents
have to get involved. Even though you're going to a
public school, you got to treat it like a private
school and put the money and invest back into the
school in order to get some of these programs going. Yeah,
that's that's the honest to goodness truth. You can have

(59:22):
a government ain't gonna do it. They're trying to stop
public broadcasting. Yo. I'm just saying, man like, I don't
want to get political. I'm gonna shut the fuck up.
But you can have a fundraising um a fundraising concert
where um where you know, maybe you guys play a
little bit, maybe the kids play a little bit. Maybe
some of your adult friends who are like, uh, you know,

(59:45):
a really talented play and and and and then and
then the children, the children play, maybe some particular standouts
have solos and that kind of thing, just to just
to and then maybe even at the fundraiser, the kids
share why the program has meant so much to them.
And then you do, like you know, you do let
you auction off things like um, a personal piano lesson

(01:00:07):
from one of you guys, or you know, things like that,
things that are in the community thing you get people
that you get parents to donate things, and I don't know,
I know these are these aren't like like revolutionary ideas,
but um, it's just tough when you don't have the
instruments and stuff like that to put on some of
these shows. I know that that's what happens a lot. Also,
you know, I bet they could get a local place

(01:00:28):
to to to to donate some amps and some instruments
and lucky ye. Yeah, they could say this this event
is sponsored by so and so's music rental place or
that'd be great. That's actually a great idea, I know,
but it doesn't happen that way. Also all the time.
You know, sometimes kids have to share instruments. Yeah, right,

(01:00:50):
and that sucks. You don't want to share a recorder
with somebody. I don't want to share, right, I don't
want to share. We have to remember those sticks with
the grooves. Do you still love this sticks with the
grooves on them? Yeah? I remember that from my childhood.
That was the first thing the game was two sticks
with the grooves in them. Oh yeah, Like the rhythm, yeah,

(01:01:13):
and I was like, this is fun, this is well,
just right, Daniel, what are you gonna say? It's I mean,
it's it's a it's a you know. I think playing
to the strengths of things like social media can also
help you. Like I see so much kind of advocacy
happen on things like TikTok right now because people take
in so much media and listen to so much stuff
via that and sharing the powers of music and music

(01:01:36):
teaching through things like TikTok and just you know, I
hate to put it this way, but like going viral
with teaching people about music is a way to really
show the power of teaching music in public schools and
how underfunded it is. So I think if you can,
just if you do a fundraiser, put videos of it
on TikTok. If you see kids that are, like, you know,
espousing the values of music teaching, throw that on TikTok

(01:01:57):
as well, and just create a presence for yourself in
a social media that people are taking in all the time.
It's it's free, it's on your phone, and I think,
you know, that's a way that you can get yourself
out there. That's that's smart Dale. And I also think,
you know, not to be a dead horse, but to
to to really highlight because some parents will be some
parents will be like, Okay, great, I'm glad he's having
a good time, but he needs to get a job.

(01:02:18):
He's not gonna be a guitar player. Um. You need
to highlight the ways that these classes are are shaping
them and and and and and making them better young
men and women, boys and girls, whatever, um, in ways
that aren't even related to the instrument. You know, I
think that parents who aren't who are like, oh great,

(01:02:38):
I'm glad he likes it, but he's not going to
be a trombone player. You know that you're you're you're
explaining like, no, you don't understand the value this child
is getting out of this class. You know, Yeah, all right,
you're welcome, You're welcome. I don't know how well we

(01:03:00):
I mean it. We didn't really help that much they
helped up anything, Like I feel, I know, I know
what you're going through, and I I don't understand how
this is such a U why this not how but
why this is such an issue? Music opens up so
many doors, so much. Uh, it's mathematical. There's so many

(01:03:24):
things that you can teach through music, and for some reason, uh,
people don't think it's it's it's useful, or at least
the government doesn't think it's useful as far as educational goes,
And that just makes no sense to me. For me,
most of most of my education was in theater camp,
but that's no different. It was a teacher teaching me

(01:03:46):
and I it's where all my self confidence for public
speaking and being in front of people came from. All
of it. I didn't learn that in a math class.
I didn't learn that in a in any other class.
I learned it from from having the the wavos to
get on stage in front of people and and have
a great teachers push me and encourage me, and and

(01:04:06):
it made me someone who could um perform and speak
in front of people, which is an incredible skill to
have for whatever you're going to be in your life.
You know those aren't That's not a skill set you're
going to learn in any other class. Yeah, true, true,
lencey preach m chuch. You know what my favorite instrument is,

(01:04:37):
but nobody gives a fuck. But your favorite instrument is zach.
Nobody cares, No one gives two jack ass shits. You
honor me, you honor me. Um, I really like the
oboe Okay, yeah, yes, beautiful. It's beautiful when done well

(01:05:00):
us Yes, I um, I like you here and scores
a bunch, and I like music movie scores and a
well placed obo is uh is beautiful. Let's go out
on that note. How can you beat the sentence a
well placed obo? He's so beautiful? Well, I think I
think Jenny got you beat what you want to say.
I was just wondering. I wondered if either of you

(01:05:21):
play any instruments at all, because I don't. All plays
the skin flute open and on that note, Basic seven eight,
about show we made about a bunch of doctor nurses,

(01:05:47):
said he's a story never so get around you here,
yead around here, Eve,