"The Wedding: Part 1" Recap Season 4, Episode 18

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:19):
Hello, Hi. Yeah, how's that? How are you? My friend?
You are? Are you? You're still in pain?

Speaker 2 (00:25):
Oh?

Speaker 1 (00:25):
Yeah, I'm still in pain. My back is still jacked up.

Speaker 2 (00:29):
I started physical therapy yesterday, which, oh my gosh. I
loved the place I went for physical therapy. It's called
Myo Detox and I've seen it around like it's there's
like a chain of them or whatever, and I was
so I was like, how good, you know, whatever can
it be? And my PT guy was amazing, super private,

(00:53):
just really yeah, And I started yesterday. He was able
to get me in like the day of So yeah,
I started that got six weeks of PET. I told
him I have a big trip coming up that I.

Speaker 1 (01:03):
Need to be uh uh, you know, ambulatory for. So
you have to survive a like what a nine hour
flight and then walking around the flight, O'll be okay.

Speaker 2 (01:14):
The flight will be okay because I got the business.

Speaker 1 (01:16):
Class lay flat.

Speaker 2 (01:18):
Oh okay, seats because I can't because even without a
bad back, I can't. I'm like, if we're going to
be on this plane for more than four hours, I'm
gonna scream.

Speaker 1 (01:27):
Yeah, your mom deserves a layer. You know, I's never
flown like that.

Speaker 2 (01:32):
She hasn't been on a plane in years since they
redid those sorts of things, you know.

Speaker 1 (01:37):
So yeah, it's like we got a yeah, she's she's
got a ride in style. She has to yep, yep.

Speaker 2 (01:42):
But uh yeah, I was like, I have this trip
coming up, and uh, you know, I have to I
have to be like ready to go for it.

Speaker 1 (01:48):
But yeah, flight and walking around and around.

Speaker 2 (01:51):
Yeah, my mom was like, well, maybe now you will
be as slow as I am. Oh think, like, did
you plan this lady, because daughter have some slippery sandals.
Our biggest battle always is when we go anywhere. I've
always walked fast and she's always walked slow. And so

(02:13):
from the time I was eight years old, that would
you stop and wait for me?

Speaker 1 (02:17):
And now we might not have to do that.

Speaker 2 (02:19):
So that might eliminate it might eliminate one problem and
create another.

Speaker 1 (02:24):
So it's sort of a net zero kind of thing,
you know. But you have leveled the playing field with
Jama sweeping. Great.

Speaker 2 (02:32):
Great, I'll bring my pink cane. I have my little
cane that I've been using.

Speaker 1 (02:36):
I don't have to use it as much anymore now.
But but yeah, getting in and out of the car
is not fun. Oh man, I feel so bad for you.
That's just that's so hard when you're in crying like that, and.

Speaker 2 (02:48):
You know how again, like when I broke my ankle,
when it's so stupid, it's just so stupid.

Speaker 1 (02:56):
You're like, it's not a great story, like oh, I
was jumping off a building, done.

Speaker 2 (03:02):
Something dumb, Like I can do all the the crazy
wild things, and I managed to do those fine, but
it's the stupid, simple little things. And then and then
you're like, oh god, I wish why didn't I I
knew that was gonna I knew they were slippery.

Speaker 1 (03:19):
I knew I knew it. Why didn't I do? You know,
start questioning everything? So oh man, yeah, so you see
me squirming around, that's why.

Speaker 2 (03:27):
And in between shows all have to heat up my
little back heating pad.

Speaker 1 (03:33):
There cute little pillows that it's hard. It's a heating pad.
It's one of those things. It's got like lavender like
the stuff that you can heat up, you know. Oh yeah,
like you.

Speaker 2 (03:45):
We got it for me for Valentine's Day. It was
this and a little blanket because I love blankets. A
good blanket you can't have too many. Yeah, so yeah,
it was a little heating pad and uh, that's super cute.
We were talking about you. Yesterday I saw Marla and Beverly.

Speaker 1 (04:05):
That's the thing. We were doing a thing and yeah,
so we were Everyone's like, what's going on with Jody
And I'm like, it's she just fell again. Like, don't
go panic, right, I know. That's the thing is. It's
like people are like, what happened.

Speaker 2 (04:17):
You're like, she fell down, and You're like, oh right, yeah,
well that makes sense. Okay, yeah, yeah, so we missed you,
but I missed you guys.

Speaker 1 (04:24):
Yeah time and yeah, no, it was great to see Marla.
I haven't seen Marla in a hot minute.

Speaker 2 (04:31):
She's she was fantastic her. We saw her at Kim's thing, at.

Speaker 1 (04:35):
Kim's Oh, Kim's birthday. Oh yeah, that's the last time
I saw her. Kim. So it's been almost a year. Oh, yes,
Kim's birthdays in June. Right, the last time I saw
it was Kim's birthday. That's right. We talked about Kim.
We facetimed Kim, Marla and I, oh, yay. Kim is
working on some show. I don't know what, but she
like ran out out of the studio. She's like, what's
the emergency? Does someone die? And we're like no, we're

(04:58):
just saying hi. She's like, I'm really busy, I can't talk,
and then she no, you can't just FaceTime somebody. I
can't just face you.

Speaker 2 (05:06):
Got it, that's a text, be like hey are you
because that's the only reason that you do FaceTime or
call people is if something terrible's happened.

Speaker 1 (05:16):
Exactly, I felt terrible. We weren't thinking, we weren't right.

Speaker 2 (05:19):
Yeah, you got to preface that with a text and
be like, hey, you know someone's are It's.

Speaker 1 (05:24):
Yeah, you have to preface it. Yes, I I am
triggered by this as well, because anytime you or Candace
like call me without texting for someone has died.

Speaker 2 (05:32):
Like literally someone that's great. It's like the same thing
with my mom. You know, you're like, oh.

Speaker 1 (05:37):
No, oh right, it's just awful thing.

Speaker 2 (05:40):
But no, nobody, nobody died.

Speaker 1 (05:42):
You were just saying hi to Kim and we panicked,
got it. Kim was just busy, Kim. Kim was just working.
Just Kim was just busy but not dead. Okay, that's
that's a place.

Speaker 2 (05:49):
Yes, Well, yeah I was sad I missed you.

Speaker 1 (05:53):
Guys and the weird so the weirdest thing.

Speaker 2 (05:56):
So, uh, yesterday I had a text from some number
that's like, hey girl, this is still your number.

Speaker 1 (06:07):
It's Marla. No, no, no, no.

Speaker 2 (06:11):
I was like, we were just talking with Marla the
day before that, right, No, No, this happened before before,
This happened yesterday morning before or not yesterday morning.

Speaker 1 (06:24):
Two days ago, two before.

Speaker 2 (06:27):
I was like, I can't do the thing that we
were supposed to do that day. I could can be
on my feet and called her and she like, so sorry,
we're being vague, guys, it's so we can't anyway, but uh, this.

Speaker 1 (06:43):
Had happened like earlier two days ago.

Speaker 2 (06:47):
And then I called her later that or the next morning,
and I was like this doesn't sound right, like, hey girl,
that's not Marl Well no, And I'm always like a
number like I'm not I mean, I'm dumb, but I'm
not dumb, you know. And and whenever someone's like is
this still your number? From a number I don't know,

(07:08):
I'm like, I don't know whose number is this, but
I won't even respond.

Speaker 1 (07:13):
I'm just like smart.

Speaker 2 (07:14):
So I didn't say anything, but I called Kim or
I texted Kim. I didn't call her because yes you have.
But I texted her and I was like, hey, and
I don't know why Kim was the I don't know
why I didn't just go to Marla. I don't know
why everything but Kim if Yeah, I just trusted her.

Speaker 1 (07:36):
Kim and be like, yeah, Kim's the source of all knowledge.

Speaker 2 (07:39):
And I think also because if she said like yeah,
I didn't want to be like, you know, respond back
to this person or block this person.

Speaker 1 (07:46):
It keeps for some reason, it really was Marla. Yeah,
what if Marla changed her number?

Speaker 2 (07:49):
You need to know, right. I was like, I you
know who knows. But before I respond, hey girl, yeah
it is, I.

Speaker 1 (07:56):
Was like, let me this is this is me is
my private number?

Speaker 2 (08:00):
Yeah? So I text Cam and she's like that is
definitely not Marla's number.

Speaker 1 (08:05):
Oh okay, so yeah.

Speaker 2 (08:09):
Yeah. And then like somebody else pretended to be my
my manager emailing on a Maria asking for money.

Speaker 1 (08:15):
No, yeah, that's terrible. There's a mole. There is someone, yeah, someone, Yeah,
I just get the generic e spam. I'm getting the
toll you must pay your toll road. Fine, don't see.

Speaker 2 (08:28):
Sometimes a lot of those have caught me, I don't
click on them. But sometimes I'll like I've driven in
the toll road and I'm like, oh I can't.

Speaker 1 (08:36):
Oh well I just know.

Speaker 2 (08:39):
I'm like I'll pay it on the other end, like
yeah whatever.

Speaker 1 (08:44):
But yeah, so I always have to kind of think,
like did I do one of those some moves? No, okay,
got it? Yeah? Well I used to don't click.

Speaker 2 (08:51):
On anything you get, don't click on anything anything but
AI voice notes. Now, don't just just burn it, just anyone.
Don't look at anyone. No.

Speaker 1 (09:04):
Yeah, if you're afraid you owe a toll, fine, just
go to the source. Don't click on anything. Yeah yeah,
thetoll road dot com source or whatever whatever it is, or.

Speaker 2 (09:14):
Just or let it slide until you get a second notice,
because if.

Speaker 1 (09:18):
It's if it's like a real thing.

Speaker 2 (09:20):
They'll be like hey, and then you'll be like, oh okay, wait,
I think and always look at the email address, because
that's always the clue is you're like, this doesn't seem right,
so yeah, trusts, yep.

Speaker 1 (09:31):
I don't know what is happening, but it's bad. It's bad.
I just keep my phone on silent all the time
so I can't do it. Don't you yeah.

Speaker 2 (09:39):
So like I come back to I'm like, okay, yeah,
so it's a lot of mental energy to determine what's
real and what's spam and what's yeah, what just the world? Now,
I'm like, is that real thing? I look at I'm like,
that's a I And then when it turns out not
to be, I'm like, oh no, you know, yeah, yeah,
well all right, well it's okay. Uh And we have

(10:05):
a big really halfway intelligent, which is our yammering on. Okay,
let's transition because this is such a big episode.

Speaker 1 (10:14):
We didn't like my segue right there. It was so great. Yes,
that was that was a bet. I give it a B.

Speaker 2 (10:19):
Plus of a car crash.

Speaker 1 (10:24):
That's okay. We're a little out of sorts. We're taping.

Speaker 2 (10:26):
We're taping on a different day today. I don't know
what is it. I didn't pick up b last night.
She went with her dad to a friend's birthday party
with her boyfriend.

Speaker 1 (10:36):
And they went and so I didn't pick her up.

Speaker 2 (10:39):
Usually I picked her up from her dad. On Tuesday night,
I didn't have her. Miscal's not here. Zoe was at her.

Speaker 1 (10:44):
Dad, So I'm like, what day is it?

Speaker 2 (10:47):
Oh?

Speaker 1 (10:47):
Speaking of Zoe. I just summoned her.

Speaker 2 (10:49):
So yeah, I'm like, I don't know what day it is.
I don't know what's happening. You know, I've been in
some sort of time warp.

Speaker 1 (10:57):
Yeah, the last week has been intense for you, and
Miscal's gone again. Is this because he left on Sunday?

Speaker 2 (11:04):
Oh? Why is he always gone during you know it's.

Speaker 1 (11:10):
First time when he left it was the fires, the fires.
Right then he.

Speaker 2 (11:15):
Left, I got sick. Oh yeah, it was when you
last time, I got really deftly ill, yes, and it
couldn't work. And then he was here when I injured
my back, but then left like I had to leave
a couple of days later.

Speaker 1 (11:27):
Yeah, so I'm starting to wonder, Yeah, what's going on?
And then we had an earthquake a couple of days
ago and he was gone.

Speaker 2 (11:33):
Oh.

Speaker 1 (11:34):
You probably didn't feel it though, because you're a little
freedom nor.

Speaker 2 (11:36):
I had a couple of little things like swing in
my house, but not not dramatically.

Speaker 1 (11:41):
But I panicked when I got the alert, the two alerts, Yeah,
those things work. That was a full I got those
alerts a full thirty seconds before the ground. Oh I
felt it because I'm closer to saying you're right right,
and you are so yeah, I felt it. I was like, whoa,
it was a long one. It was like was it?
I mean that was probably those seven right, Yeah, yeah

(12:02):
it was. You know, the the alert was scarier than
the actual quake itself as an alert scared me. Not
that I'm saying I don't want the alert. I want
the alert. I like the alert.

Speaker 2 (12:13):
But when the alert happens and you're in a place
where you don't feel it, you just are bracing for like, lady,
two minutes, You're like, how far ahead do we know?

Speaker 1 (12:22):
Like yes, yeah, I.

Speaker 2 (12:24):
Like stood for a good few minutes, like with the again,
like by the couch, like, okay, what.

Speaker 1 (12:29):
What do we what do we do? What? Sorry, it's
a daughter, your daughter, No, it's the dog. Look at
her face. She wants something. She wants you so cute
what she wants? Do you want out? Hold on?

Speaker 2 (12:42):
She's so I've locked her in this office and she's like, lady,
welcome back to Tannerito's I'm Andrea Barbor and I'm Jody
Broken Sweden still still broken.

Speaker 1 (12:55):
Yeah.

Speaker 2 (12:55):
Today we have a very important episode we're reviewing.

Speaker 1 (13:00):
Oh my god, you guys, Season four, episode eighteen, The Wedding,
Part one. We have a ride to everyone. You guys,
here comes the bride. This is it.

Speaker 2 (13:15):
This is the moment that we've all been waiting for
or dreading maybe, depending on your feelings.

Speaker 1 (13:25):
But there's there's a lot, just so much.

Speaker 2 (13:28):
And I have to be good because I watched both episodes. Yes,
you've watched both parts parts one and watched she's only
watched one part because.

Speaker 1 (13:37):
She don't soiled. I don't know what happens. I just
didn't want to forget, so I watched both parts.

Speaker 2 (13:42):
But it's well, yeah, this part at least it wasn't
as crazy as I was expecting.

Speaker 1 (13:51):
Maybe that comes in part two. I don't know.

Speaker 2 (13:54):
I know he jumps out of a plane, I know,
but still I was like, what, it's normal sitcom.

Speaker 1 (13:59):
Fair Like, yeah, that's yeah, Okay, we'll get there. This episode,
Part one is basically it's here, guys. The part one
is the build up to part two. Oh my god,
it's so full house. This episode originally aired February eighth,
nineteen ninety one. It goes a little something like this,

(14:20):
Jesse gets cold feet on the eve of his marriage
to Becky just don It was directed by the fabulous
Joels Wick. It was written by Jeff Franklin. Hey, and
we have some great guest stars this week. We meet
the donaldswe First of all, there is Don hood as

(14:40):
Kenneth Donaldson. This guy wow right, this guy Gamon with
guns of Blazing. He has appeared or he did appear
in swamp Thing Tales from the Crypt.

Speaker 2 (14:52):
Oh, yes, dude, b horror movies are awesome, like tales.

Speaker 1 (14:56):
I loved Tales from the Crypt as a kid, loved it.
You're a big fan Don hoods? Yes? Oh yeah, I've
got all of his albums. No, yeah, but I do.
I like weird like.

Speaker 2 (15:06):
Yeah.

Speaker 1 (15:08):
He was also in Well there's a theme. He was
in Bad Girls The Absence of Malice.

Speaker 2 (15:13):
Like.

Speaker 1 (15:13):
He's got some dark like credits here too.

Speaker 2 (15:16):
Yeah, he's he's yeah yeah, like a darker okay, darker yeah,
which I could, which makes complete sense why he would
be Becky's dad.

Speaker 1 (15:23):
So that. Yeah, I got thoughts about this. We will,
we will, we will get to you too. Oh yeah.
Most excitingly, at least for me. He was in Everybody's Baby,
The Rescue of Jessica McClure. Yeah, he played fire Captain
Alan Doyle like this was the most exciting.

Speaker 2 (15:40):
Remember that, you guys, if you weren't alive, what was
it in the eighties, early early nineties, early eight.

Speaker 1 (15:46):
Nos, it was the eighties or early to mid eighties.

Speaker 2 (15:48):
It was like mid eighties because I remember it, so
I would probably somewhere around.

Speaker 1 (15:53):
Like eighty eight, eighty nine.

Speaker 2 (15:54):
Okay, this little girl playing in her backyard in where Texas,
I don't know where.

Speaker 1 (16:01):
Maybe maybe Nebraska, I don't know, Maybe I don't know.

Speaker 2 (16:04):
I know it wasn't I don't think California. So anyway,
playing out in the backyard.

Speaker 1 (16:09):
Hall was she two? She was, yeah, two or I
think younger even eighteen months. Yeah, she was little, little
like toddler age.

Speaker 2 (16:16):
And somehow running around the yard she found a hole
where there was it was.

Speaker 1 (16:26):
More of just like an old well or something that.

Speaker 2 (16:28):
Yeah, that that the you know, there was just a
hole ye or whatever, but it wasn't yeah anyway, whatever
it was.

Speaker 1 (16:35):
She fell in, Yeah, she fell in.

Speaker 2 (16:37):
She had was doing got splits, Yeah, got stuck with
her leg above her head, with her leg above her head,
and was in there for like a couple of.

Speaker 1 (16:47):
Days, a couple of days.

Speaker 2 (16:48):
Yeah, I think it was a couple of days and
she kept she kept her thinking, oh my god, it
was terrifying. I'm so glad we're talking about this before
the wedding.

Speaker 1 (16:59):
But that's thematic.

Speaker 2 (17:02):
But it's like an important, like cultural touchstone that people
absolutely remember because it was also one of those things
we didn't have twenty four hour news yet, so we
you would get just these updates on the evening news
or you know, the twelve o'clock and you're like, that
was it. You had it for a few minutes or
saw in the newspaper, so you were like, oh my god,

(17:22):
this poor kid, this poor kid, and you'd see reporting
from it, but it wasn't like now where you'd see
every single minute of it and no, what's happening? It
was nobody had any idea and it was heartbreaking.

Speaker 1 (17:33):
Oh it was heart because you didn't know. You're like,
is she going to die? Are they going to pull
her out a lot? Or how did she?

Speaker 2 (17:38):
I don't even know because they said it was it
was like it was like eight inches or something like
how do you how?

Speaker 1 (17:44):
How did it happen? Yeah? I don't know, but scary?
And then we watched the rescue.

Speaker 2 (17:50):
Scary, but don hood was in it, saving the entire thing.

Speaker 1 (17:55):
Don hood, I how did we get him?

Speaker 2 (17:58):
Man? This was this was a get I thought you
were gonna say, how did we get here?

Speaker 1 (18:01):
And I don't how did we get here? I don't know. Anyways,
there's your brief history of the Jessica McClair story. She's
alive and doing well. He did look up an update
on her. She's married. We're doing a separate podcast about
her after this.

Speaker 2 (18:16):
The next three cap will be entirely about that and.

Speaker 1 (18:22):
Will Yeah.

Speaker 2 (18:26):
Next cast is one of the one of the three
eaglets from Big Bear.

Speaker 1 (18:31):
On my TV. I can see them right now. They're
on my TV. Hi, guys, Okay, anyways, I promise to focus.
Let's focus.

Speaker 2 (18:38):
Sorry, it's it's a day.

Speaker 1 (18:41):
This is just a day. This is what we're doing. Okay,
we're moving on next. Playing the role of Nedra Donaldson
is Lois Nettleton. Who's Nedra? Who has adras vera. I've
never heard that. I don't Again, we'll get to this later,
but I don't love how they've portrayed the Donaldson's here.

(19:03):
It's more different than regularly. Yeah, we get there, but yeah,
Nedra sounds uppity and I mean, you know, ecology, is
anyone named Nedra out there, but it just seems very like,
I don't know, formal, not formal. But yeah, it's a
it's not like a it's.

Speaker 2 (19:19):
Not a square dancing type of name, you know. So
I mean, if you have a you know, what do
I know about square dancing?

Speaker 1 (19:26):
Anyway? People have responded, okay, another tangent here we go.
Nebraska's have chimed in on Instagram. Got it interesting that
one guy just was like, it's complicated, Like, just don't ask.
Most of Nebraska does not square dance. It was other
areas of the country that grew up doing dancing in
fourth grade or fifth grade, but Nebraska we never did that.

(19:47):
We did that in California.

Speaker 2 (19:49):
Central California was represented. They're like, oh, yeah we learned this.

Speaker 1 (19:52):
Yeah, we California we learned. Yeah. I don't remember square
dancing in I mean, I.

Speaker 2 (19:57):
Said, it has a it has a weird, dark sort
of literally has a weird dark sort of history as
to why they introduced it in classrooms.

Speaker 1 (20:05):
Oh oh, that's right, you were telling me.

Speaker 2 (20:07):
Yeah, you go about that off the it's yeah, it's
if you look up why you kids square dance in
fourth grade. If you trace it back to who was
pushing for it, it was uh, an organization that push
doesn't really like a lot of diversity starts with the
letter now.

Speaker 1 (20:25):
Yeah.

Speaker 2 (20:25):
So anyway, uh fascinating sort of history as to why
and we still square dance apparently.

Speaker 1 (20:30):
Wow. Okay, this see we can talk about anything on
this show.

Speaker 2 (20:34):
We can go off on tangents, square dance, Jesus Christ
broken back.

Speaker 1 (20:40):
Wrong with us? You get it? Playing Howie this time? Wait,
we have to but I have to give Howie this time.

Speaker 2 (20:49):
Okay, Gregory playing this time?

Speaker 1 (20:53):
All right? Lois, you don't get you don't get any credits.
We're not talking about your credits. We're talking about Howie.
How he's back, God bless him. He's played by a
boy this time. Remember it was Twin Girls a couple
of seasons ago. Now we've got Michael Nun's playing Howie.
Him and his mullet. This kid is so dang cute.
Known for Thumbilina. He did the voice of Little Bee.

(21:13):
Parker Lewis Can't Lose and the Pebble and the Penguin.
Cute child actor, I'll Parker Lewis can't lose. Yeah. Oh, yeah,
that was a great show. And of course Debbie Gregory.
She returns for the fourth time as Connie this time,
though she's not Karen.

Speaker 2 (21:28):
She's not fourth time on the show, second time playing Connie.

Speaker 1 (21:31):
Got it love, I love Full House. It's so great,
all right. We start with the teaser. In the living room,
Danny is reminding Michelle what her responsibilities as flower girl
are for Becky and Jesse's wedding, which is tomorrow. Michelle
grins as he tells her it's the most important role
of all and she responds loving it, loving it. But

(21:56):
then she asks him what is a flower girl and
Danny explain said it's a girl who throws flowers, and
Michelle nods, I believe it.

Speaker 2 (22:06):
I mean, i'd hope she does. That's literally the explanation
for it.

Speaker 1 (22:12):
The dialogue, Michelle's dialogue in this whole episode, really, but
particularly in the teaser, it's very unnatural, Like it's not
how four year olds talk.

Speaker 2 (22:20):
It's how if you took uh like Groucho Marx and
made him into a baby.

Speaker 1 (22:28):
I had to have his gun, Like I feel like
it just needs a little cigar. Yea, I love it.
I believe it. Yeah, that's what it feels like. He
totally feels like that. So Danny stands up and demonstrates
exactly what she'll do tomorrow. He uses a box of
tissues in place of the flower petals and tells Michelle
to step and throw, step and throw. He hands her

(22:49):
the tissues so she can give it a try. Michelle
follows the step and throw routine, but while she's doing it,
she sings, here comes Michelle, Here comes Michelle. She throws
tissue after tissue and Danny t I used to tell
her that's an f And he's frantically picking up the
tissues that she's leaving behind and she doesn't stop. Danny
tells her it's not funny, but she is getting a
kick out of this chaos. She continues her shenanigans and

(23:13):
he reminds her these were trees.

Speaker 2 (23:15):
Once Michelle, Michelle just back. She's just on a tangent.

Speaker 1 (23:21):
This was a cute well, okay, now this actually was
irrelevant teaser.

Speaker 2 (23:25):
It ties what made storyline, especially since they're not having
a rehearsal for this wedding right it seems they're just like,
just get there and do it.

Speaker 1 (23:34):
Just it's a free for all. Yeah, so this needed
to be covered, and it more importantly, it was the
appropriate length for a teaser, unlike last week, which was
like the twenty two minute teaser with a one minute episode.

Speaker 2 (23:46):
Right, I had deposit in the middle and go go backrooms.

Speaker 1 (23:49):
This was the perfect length of tea. Yeah, but yelevant.
This wedding came up so fast for me. I know
I've mentioned this before. I feel like this is a
missed opportunity by the writers to build up the wedding
some more like they got engaged. I mean that episode
one of season four and then they're eating cake samples

(24:11):
in episode eight, they set a date in episode fourteen,
the best man has chosen in episode sixteen, what about
like let's have some bridal showers or picking out the venue? Well,
I mean you and I have this conversation about Fuller
as well.

Speaker 2 (24:24):
Oh yeah, with baby showers and bridal showers and stuff.
That just that could have been I think, great for
for one, for some hilarious opportunities, But yeah, I would
I I agree, I.

Speaker 1 (24:37):
Would have liked to have seen it build up a
little more. Yeah, me too, me too. This just seems
like that would have been rife with storylines of chaos
and showers and parties and can you mention a bachelor party?
It'd be sea cruise. Oh maybe, Yeah.

Speaker 3 (24:53):
I'm grateful that there weren't judged a bullet.

Speaker 1 (25:05):
Hey, ab hey, Jody, question for you, Yeah, what's up?
Do you?

Speaker 2 (25:10):
Uh?

Speaker 1 (25:10):
Do you happen to have any plans on June fifth?
June fifth? Why? No, I don't have plans, but I
have this urge to see you.

Speaker 2 (25:18):
I have a great urge to see you, and and
a really great urge to see a lot of our
fan of ritos do in person.

Speaker 1 (25:25):
What do you suggest? I feel like I don't know it.

Speaker 2 (25:27):
I might need a you know, a date to uh,
perhaps a wedding of some sort.

Speaker 1 (25:33):
I'm still riding that high from the Jesse and Becky wedding.
Should we make it into an event? I think we should.
I mean, who doesn't like a good vow renewal? You
know what I mean? A vow It's they're very in
right now, these vowel renewals, they really are recommit, recommit
you know, well, you know what, we should have John
and Lorie join us too, because it's their wedding. We

(25:55):
should should be you know what.

Speaker 2 (25:57):
I think you and I I think you and I
need to hop off. We need to have some serious
conversations about this. But fan of Rito's, you've heard it here. First,
we are going to be having on June fifth, an
in person live event of a vow renewal.

Speaker 1 (26:12):
What's going to happen there, we don't know. We don't know.

Speaker 2 (26:15):
We're going to go figure that out right now. But
trust me, you do not want to miss this. iHeartRadio
Theater in Burbank June fifth.

Speaker 1 (26:22):
We will see you there. Make sure you you know
RSVP and all that. I love it. So next door
in the kitchen, Stuff points a video camera toward the
stairs and yells action on queue. DJ walks down the
stairs and smiles at the camera as she says, DJ
Tanner presents the Making of a Wedding, a DJ Tanner
production of a DJ Tanner film written and directed by

(26:43):
DJ Tanner.

Speaker 2 (26:45):
I laughed in her shoulder pads and directed by DJ
Tanner and her shoulder pats. Don't forget they need some credits. Old,
they're doing a lot in this out, so they're really
holding up legitiately holding up a.

Speaker 1 (26:58):
Lot of weight. So yeah, it's amazing. So Stuff feels
cut and asks DJ, aren't you forgetting something? DJ admits,
oh yeah, sorry, and Stuff calls action again. DJ resumes
hosted by DJ Tanner. Hi, I'm DJ Tanner, and Stuff
feels cut again, and then she asks her what about me?
This video is a wedding gift from me too, you know.

(27:21):
DJ rolls her eyes. I see we have some ego
problems here. Let's take it from the top. Steph does this,
she stole and calls action. DJ redes the introduction, boasting
a huge smile and doing a jump in the air
when she says Stephanie's name, and Stuff gives her thumbs
up approval. This is a good activity for the girls, like,
let's make it. It's like it's like vlogs before vlogs, right,

(27:44):
It's yeah, I liked this little piece storyline. DJ continues
her spiel, telling the viewers it's the night before Valentine's
Day tomorrow, Jesse Katzopolis and Rebecca Donaldson are getting married.
The Tanner house is a buzz with pre wedding excitement.
Then DJ gets cut off by a frantic Becky, who
runs through the kitchen up the stairs shouting, where's Jesse,

(28:06):
Where's Michelle, where's everybody. DJ looks at the camera and
explains that was the blushing bride to be herself. Isn't
she radiant? Then we see Becky run back downstairs and whine,
I asked Jessie to be here to meet my parents.
How could he do this to me? Right? It seems
like a pretty important one to miss. But I'm like,

(28:26):
are you surprised, Becky? Have you met him? Like this?
Is this is? Well yeah, not totally unsurprising, but no,
definitely not. But yeah, the day before the wedding, this
is not the time to screw around or meet the parents.
I feel like that should it?

Speaker 2 (28:43):
I mean, I feel like at some point that might
have happened sooner. But also who am I to judge?
I mean, I've done it, you know what I mean? Legitterately?

Speaker 1 (28:52):
Like actually yes, literally, yeah, yeah, I get that.

Speaker 2 (28:56):
But this was a planned one, like a planned wedding,
And don't see how that.

Speaker 1 (29:02):
Would have happened, that they would have made it this
far and didn't they didn't they go to Nebraska for
Christmas or maybe that was just that was conflict. She
went to Nebraska for Christmas or something? Okay, so jesse
never went to Nebraska and met the parents. That's dating
for two years. This I find this hard to believe,
but well, this wedding had to happen. Yeah, kind of

(29:23):
does shoehorn this wedding? And yeah, anyway possible. Steph is
pointing the camera at Becky now and does a sing
song voice as she reminds her we're taping this. Becky's
expression quickly changes us. She turns back to the camera
with a movie star smile and says, hello, everything is fine,
running smooth as silk. Michelle shows up at the bottom
of the stairs and sternly tells everyone this better be important.

(29:45):
I was coloring, right, Like, why you can't interrupt her
while she's coloring?

Speaker 2 (29:51):
Oh no, she was coloring and writing notes from her sessions, right, Yes,
you can't.

Speaker 1 (29:56):
Can't interrupt that. She's got it. No, there's a flow
that happens. She's got to remember what was said. You know,
some people still have to work in this house. Michelle's
Michelle's one of them. DJ tells the camera that it's
the flower girl Michelle. Stephanie points the camera at her
little sister and tells her to smile, but Michelle is
not having it. She looks at the camera and dramatically sighs,

(30:18):
please no pictures. My hair is a mess for the
first time ever. Well she should know, she does her hair.
She right, She's like, oh no, this is yeah.

Speaker 2 (30:29):
Yeah.

Speaker 1 (30:30):
She's like, I'm not camera ready yet, guys, just calm down.
Becky walks up to Michelle and reveals that she has
a surprise for her. She asks Michelle if she remembers
her nephew Howie, oh god does who's back? I'm not kidding.
I was watching this episode and I forgot. And then

(30:53):
she's like, hey, do you remember how I literally out
that one? It's a reaction, Yeah, Howie, you're still scarred
from that episode. This time it's a it's a different actor,
it's a different plot line. There's a plot twist. They

(31:15):
hate each other. I I like this plot twist. You
know it's I'm here. Well, it certainly keeps us from
hearing his nameless I'll take it too. So Michelle taps
her lips in concentration, trying to remember the boy that
she was obsessed with in season two, But after consideration,
she says no, which is true. Kids like the object

(31:39):
permanence that's developing, Like they don't remember things from I
don't remember who we met three seasons ago. No, no, yeah,
that's a fleeting thought, right. Becky wonders, well, do you
remember my sister Connie, and Michelle taps her lips again
and says no again. Becky explains Michelle's origin story with

(31:59):
Howie and Connie and describes how he is Michelle's best friend.
Michelle's eyes light up. She asks, I got a best friend.

Speaker 2 (32:06):
That's cool.

Speaker 1 (32:08):
Becky calls her sister into the kitchen, and Debbie Gregory
appears again as Connie. Again.

Speaker 2 (32:15):
Oh, Debbie Gregory, it's a good thing they didn't invite
the dance teacher to the wedding.

Speaker 1 (32:19):
That would have gotten weird. The dance teacher, the messy girlfriend.

Speaker 2 (32:25):
Maybe that's the same person, Yeah, the same person, the
same person, Yeah, the slob of a girlfriend, the dance
teacher and Connie.

Speaker 1 (32:32):
This is amazing. So Connie walks Howie toward Michelle and
they both look at each other with caution. Michelle frowns
and says, you're a boy, and how He shouts back
with just as much disgust, you're a girl. Then they
shout in unison. Ew.

Speaker 2 (32:49):
The confusion is warranted by Michelle because She's like, wait,
you're a boy, and last time you were portrayed by
a young girl.

Speaker 1 (32:55):
Right, she's legitimately confused. I get where she's coming from this.
This is actually brilliant writing. That's a little tongue in cheek. Yeah, exactly,
genuinely confused, as is the audience. So Becky reminds Michelle
that someday she's gonna like boys, and Michelle insists not today.
You never know. Connie suggests that Michelle shows Howie to

(33:19):
her room, and Michelle asks why. Connie breaks the news
that Howie will be sleeping over in her room tonight.

Speaker 2 (33:26):
Howie and Michelle look at He told the kids first
that you're gonna be shit, you know, But nobody warns
anybody about anything.

Speaker 1 (33:34):
Nobody communicates in this house.

Speaker 2 (33:35):
They're all too consumed with whatever they've got with themselves.

Speaker 1 (33:41):
Yes, so Howie and Michelle are not thrilled. They say you,
and Becky assures them that they're gonna have so much fun.
Howie says, I hope she has good toys and runs away.
Michelle angrily threatens, hey, don't touch my stuff, you boy,
and runs after him. I love this getting along swimmingly.
I think this is great. It's a little tension in

(34:01):
the house, you know, Yeahny, DJ starts to run after
the little ones and tell Steph that they need to
follow the action. Steph walks after her and complains, Hey,
nobody's going to see me on this tape. And then
she gets an idea. She points the camera towards herself
and puts on her best smile, saying, Hi, I'm Stephanie Tanner,
niece of the groom, bridesmaid camera woman. I pretty much

(34:22):
do it all. Indeed, it's a first little selfie video.
You know, it's great, is it? DJ grabs her pulls
her to Michelle's room, not allowing her to finish her
on camera moment. Then Danny runs into the kitchen wearing
his tuxedo, but he's distraught, and we soon see why
the jacket arms aren't long enough and his pants are

(34:44):
extremely short. The great site gag, you know, it's the
short little couplotts or whatever you like. FANTASTICA, Yeah, exactly,
Becky's sighs with defeat. That's impossible. The tailor assured me
that the alteration would be perfect. Danny suggests that maybe
he hit another growth spurt. Then the doorbell rings and

(35:06):
Becky gasps, my parents, where is Jesse? And she runs
to get the door. That's when Joey stomps up the
stairs and asks, where's Becky? Have you seen this? He's
also wearing his tuxedo, which is way too big on him.
Danny and Joey look at each other and realize the
mix up. Joey lets out a sigh of relief. Oh
my god, I thought I was shrinking great little bit

(35:29):
between these guys.

Speaker 2 (35:30):
Yes.

Speaker 1 (35:32):
So next in the living room, Becky opens the front
door and it's her parents. They give her a warm greeting,
and Becky asks what took them so long, considering that
they were following right behind her. Becky's dad rolls his
eyes with annoyance. We got cut off by some crazy
motorcycle hoodlum and black leather on cue. Jesse walks in,
carrying his motorcycle helmet and wearing his black leather jacket.

(35:56):
As he gets himself situated, he apologizes to Becky for
being late on being stuck behind some walnut driving six
miles an hour. I like walnut as a as a
like insult. I'm gonna start calling people walnuts. Yeah, that
is it that for some reason, it feels appropriate. I
don't know. I no offense to walnuts, but yeah, it's
just kind of kind of hollow inside. Maybe I don't know, right, Yeah,

(36:20):
So he turns to face Becky and mister Donaldson is
pointing at him accusingly, that's the hoodlum, and Jesse points back,
that's the walnut. Becky introduces them by their real names.
Her dad's eyes widen with horror, but her mom tries
to say face. She laughs, well, isn't it a small world?
After all? She walks up to Jesse and gives him

(36:42):
a big hug, admitting it's so nice to finally meet him.
He mimics the nice tease, calling her missus Donaldson, but
she tells him he ought to start calling her mom.
Jesse is not necessarily comfortable with that, but Missus Donaldson
doubles down. I said call me mom, and Jesse awkwardly
obeys her request. Then he looks at Becky's dad and

(37:03):
shakes his hand. It's nice to meet you, Pop. The
man smiles at him and says, you can call me
mister Donaldson. Okay, set in some boundaries. It's good to
know this guy is just icy because he did just
call him a walnut. I'd be like, now you can
call you can mister missus me buddy? Yeah, true, a walnut.

(37:27):
So Dad begins to lecture Jesse on how fast he
was driving, but Jesse explains that it only seemed that
way because mister Donaldson was driving a tad on the
slower side. But he argues that he was keeping up
with traffic, and Jesse reminds him that parked cars don't count.
The two go back and forth, and Becky cries out, oh,
you hate each other. She slumps down. What happens when

(37:49):
you meet somebody the day before the weddings? Terrible idea, Yes,
a terrible idea, Poor Becky. Her mom rushes over to
comfort her. Jesse and mister Donaldson put on their friendliest
faces and hug one another to show that they don't
hate each other after all. Becky wines, but you don't
mean it, missus. Donaldson assures her that the men will

(38:12):
grow to love each other because that they'll because they'll
make them. She stands to go fetch a glass of
water for her daughter. In the meantime, as she passes
her husband, she smacks him with her purse and tells
the guys to hug like they mean it. Jesse and
his soon to be father in law hug it out
once more, and then from the kitchen we hear Becky's
mom scream, oh my god in horror. They all run

(38:34):
into the kitchen to see what's going on. Okay, before
we go any further, Yes, there's a lot to unpack here.

Speaker 2 (38:44):
Which they don't have any luggage either. I guess it's
so he's still left in the car.

Speaker 1 (38:49):
Yeah.

Speaker 2 (38:49):
First of all, who flies in an outfit like that?
I mean, you know, I mean anymore particularly, but this.

Speaker 1 (38:57):
Was not at all what Becky's family has sounded like.
The styling was the styling, the name like they felt
very uh like.

Speaker 2 (39:14):
New York East Coast sort of yeah, stiff.

Speaker 1 (39:17):
Formal ummity, Yeah, yeah it did. They did not seem
like Midwesterners. No, no, they got it all wrong.

Speaker 2 (39:28):
As someone who was Western family. That's they would they know,
that's just not a thing.

Speaker 1 (39:33):
They looked like they were going to a country club,
not that they had, just they wouldn't walk in the
door empty handed. Oh yeah, did that much? They didn't
bring some food beverage? Yeah, yeah, it was. It was
just just it was strange.

Speaker 2 (39:45):
I did not I really wondered why they made this choice.

Speaker 1 (39:55):
I don't know. I'm well, I'm gonna blame it on
the writing, not the I don't think this was the actors.
I think this was a writing choice. It was a
writing choice.

Speaker 2 (40:04):
But I just also think that I think, yeah, I mean,
and as the actors, they didn't know what had been.

Speaker 1 (40:11):
Set up previously.

Speaker 2 (40:12):
Yeah, but I do feel, yeah, then somebody should have
informed them like who these people are, But yeah, they weren't.

Speaker 1 (40:18):
I don't know. I agree, I agree they got it.
They got it wrong. The writer. The writers got it wrong.
I know they're trying to set up conflict between Jesse
and mister Donaldson, but they went too far. They went
too far in that the pendulum was swung too far
in the other direction, because yeah, they were just kind
of mean and cold, and they didn't have any of
the warmth that Becky has in that midwesterner give me

(40:40):
a hug, you know, or family. Now, there was there
was really none of that, even from the mom. She's
still she seemed a little bit, I don't know, just
too uppity, you know. Yeah, that's it.

Speaker 2 (40:51):
Yeah, that's exactly what I thought, like to property, to uppity,
sort of like nose in the air sort of.

Speaker 1 (40:57):
It's not like not and she wasn't. It wasn't that
she was mean.

Speaker 2 (41:01):
That was just like the sort of the way that
she carried herself and everything, like the wardrobe choice.

Speaker 1 (41:08):
Yeah.

Speaker 2 (41:09):
Again, the whole thing for me just felt very strangely
unlike who Becky's family has been sort of described as.

Speaker 1 (41:20):
Yeah, you know, it didn't. It did not feel like
an extension of Becky. It's like a Becky came from
these parents. No, it didn't. Didn't feel like Becky didn't
feel like mid and Connie. Oh yeah, forget about Connie.
Yeah that how could I forget?

Speaker 2 (41:35):
Yeah, you know she doesn't seem real midwestern e either.

Speaker 1 (41:39):
No, she doesn't. Because she was dressed a little nice, which, okay,
that's great. It's maybe they were going to a rehearsal dinner,
but no, they were. There was no explanation for these
clothing choices. I mean, I'm not expecting them to wear
like farm like over.

Speaker 2 (41:54):
It could have gone too far the other way and
they could have showed up looking like he haaw So
at least that.

Speaker 1 (41:59):
Ye did not strike the right balance there was there's
a balance there they didn't find it.

Speaker 2 (42:03):
Yeah, it was. It was just an odd choice. I
really I watched the scene. I was like, wait that.

Speaker 1 (42:10):
It bothered me for the whole episode. Yeah, I was like,
this doesn't feel right.

Speaker 2 (42:14):
But yeah, And it was also the clutch the mom had,
like a little clutch. I was like, first of all,
you are flying. You're not taking a night to clutch
like you're taking you know what I mean, Like you
got a purse and a bag and a thing.

Speaker 1 (42:27):
You're shocking, right right? Yeah, she would be more practical
and not so Yeah, what can you put in a clutch? Nothing?
A clutch is, yes, absolutely useless. It barely fits a chapstick. Yeah,
it doesn't fit a phone. It's an annoying phone case,
is what it is. Yeah, I agree, I agree. This

(42:51):
is going to bother me for the rest of the day.
Absolutely well. In the kitchen, Missus Donaldson has accidentally walked
in on a pants less Danny and Joey and she
shouts what is going on? Danny nervously explains that they
were just exchanging pants, but in a good way. Can
you imagine Bob and Dave doing this? Yeah? It makes

(43:16):
me so happy.

Speaker 2 (43:16):
I know, I was laughing because I was like, how
are they keeping it together?

Speaker 1 (43:21):
So Becky uses this opportunity to introduce Danny and Joey
to her parents. Her mom recognizes Danny as the co
host for Wake Up San Francisco. How does it?

Speaker 2 (43:31):
Oh, well, she because I was gonna say the tape.

Speaker 1 (43:36):
Yeah, at first I noticed that. Becky's like, oh, remember
the tapes I sent you? It was very deliberate, and
I'm like, why is Center the tapes? That's right, there's
no streaming, there's no like, there's no yep, you just
get the local channels. So Nedra admits that Danny looks
taller without his pants. She said that before. I don't

(43:57):
even know. I don't know what that means. So then
DJ's stuff run downstairs to witness this little family gathering,
and Stuff complains, uh, we missed everything. She examines her
dad from head to toe and says, nice, look, if
you walked into the kitchen.

Speaker 2 (44:14):
And your dad was standing there pantsless with his best friend,
what would you say?

Speaker 1 (44:21):
Would it be nice?

Speaker 2 (44:24):
Look?

Speaker 1 (44:24):
Would it be oh my god, I'm so sorry? Like yes,
you know, especially for the girls who are so embarrassed
by their dad. Their dad. Your dad's standing there pantsless.
I mean, yeah, yeah, Jeff. I want to say, Jeff,
you got you kind of got this wrong, like all
of the kids, all of the kids, Michelle, Michelle.

Speaker 2 (44:46):
Right, yeah, it was just this was a missed opportunity
for the girls to run out of the room, or so.

Speaker 1 (44:56):
Becky excuses Jesse and herself from the room. She pushes
him back into the living room while smiling at everyone else,
pretending like everything is fine. She closes the living room
door and immediately lets the worry consume her. I just
wanted everything to be perfect. The tuxedos don't fit. Michelle's
upset because how he is a boy. You and my
dad hate each other. Jesse does his best to console her.

(45:17):
He brings her over to the couch and admits that
while it wasn't love at first sight with her dad,
Becky also wasn't crazy about him when they first met,
so it must run in the family for her first
instinct come. I have been right. I'm kidding, They're gonna come.

Speaker 2 (45:37):
They're gonna come for me like it just we love
Becky and Jesse and Jesse, but but beautiful, she don't
like him at first.

Speaker 1 (45:46):
I can see why. Yeah, Jesse needs to do some
like introspection about like why don't people like me? And
that's the first impression. Yeah, is it me? So? Becky
giggles at this, and Jesse promises her that he will
be friends with her dad. Right now, the only thing

(46:06):
that matters to Jesse is that tomorrow, at ten am,
he and Becky will be husband and wife. The crowd
aws at this, and Becky nods in agreement. They both
say I love you and kiss. DJ and Stephanie use
this moment to quickly tiptoe into the room. DJ sits
on the couch arm right next to them, and steph
records with the camera. DJ narrates the moment, the last

(46:27):
kiss before the big I do a moment to be treasured.
I'm DJ Tanner, and Becky and Jesse give an awkward
smile to the camera. Wait, DJA, it's no more awkward
than making out in the living room. You know this
is common by now, I get it right, This is
so com Well.

Speaker 2 (46:43):
You figure, if you leave two people alone, well not
any two people, but those two people in particular, alone
in a room, if you just wait about a minute
and a half, you'll catch you making out.

Speaker 1 (46:55):
Oh, yep, yep, it's a natural reaction in the Tanner House. Yep.
And I love how DJ's treating this like she's narrating
a true crime documentary or something. It's like a true crime.

Speaker 2 (47:06):
There's like a news story, right and then yeah, well,
I mean she's got the shoulder.

Speaker 1 (47:10):
Pads to pull it off. She's an anchors news reporter.
It's shoulder pads. Shoulder pads. It's a requirement.

Speaker 2 (47:19):
Yeah.

Speaker 1 (47:21):
So next up in Michelle's room, Michelle is sitting in
bed dressed in her pjs, while Howie is jumping on
the bed that's been pushed up next to hers. He
is sporting some neat teenage mutant Ninja Turtle pjs. Are
they the same ones that Joey was wearing in the
honey Beats?

Speaker 2 (47:37):
Yeah?

Speaker 1 (47:38):
They they washed them in really hot water a couple times.

Speaker 2 (47:42):
Yeah, but no, it is, and it's like legit, the
same ones, the exact same ones.

Speaker 1 (47:46):
I love it. Ninja turtles were very popular. Oh yeah,
oh yeah, that was nineteen ninety one. This was their heyday.

Speaker 2 (47:54):
I'm not gonna say that I didn't like some of
the teenage.

Speaker 1 (47:58):
So Howie declares it. He is Raphael, and he continues
to bounce up and down on the bed, So Michelle
says excuse me multiple times to get his attention. He
pays her no mind, so she finally snaps at him.
How He sternly responds, be quiet, shredder, you bad guy.
Michelle stands up on her bed so she can talk
to how He face to face. She hands him a

(48:18):
Barbie doll to try to convince him to play that instead.

Speaker 2 (48:22):
She's not used to people who don't listen to her.
She's like, look, you're new in this house. Okay, you
might not know how it goes, but what I say goes.

Speaker 1 (48:31):
So yeah, how he didn't get the memo that Michelle
is the boss. You know he has to do whatever
she says. So Howie gladly takes the barbie because he
figures he can just pull its head off. Michelle demands
drop that doll, you turtle. He does this, He's told,
and Michelle picks up the discarded barbie. She admits, this
is nuts. I'm out of here. She grabs realias.

Speaker 2 (48:56):
She's the Greek chorus. Here's truth of the year is nuts.
That's what the episode should have been titled.

Speaker 1 (49:03):
Is nuts?

Speaker 2 (49:04):
Well?

Speaker 1 (49:04):
That actually should have been just the title of the
show full House. This is nuts. Yeah, how He questions
what did I do? And Michelle angrily states boys and
storms out. Next, in Jesse's room, Jesse is practicing various
ways to say I do into his mirror. He's trying

(49:25):
out different styles, and Becky's dad walks into the doorway.
That's presumptuous. Yeah, he just walks right.

Speaker 2 (49:32):
Yeah, this this this whole scene.

Speaker 1 (49:37):
Buckle up, baby. So Jesse greets mister Donaldson, but the
man insists that he call him Kenneth. Okay, we're warming
up a little bit, Kenneth Ken not Kenneth. Right, We're
still you know, he's still got his walls up here.

(49:58):
Jesse nods and begins to apologize to Kenneth for starting
off on the wrong foot. He gives Jesse a faint
laugh and admits, you're gonna marry my daughter. We need
to start acting like family. Jesse shakes his hand and
jokingly asks, can you loan me ten bucks?

Speaker 2 (50:12):
Aha.

Speaker 1 (50:13):
The men break out into laughter, and Kenneth decides that
they need to have a talk. Jesse agrees and decides
to start off the conversation, I love your daughter very
very much. I'm going to take very good care of her,
I promise. Kenneth doesn't seem to take his promise too seriously,
he responds, which reminds me, I couldn't help. But notice

(50:34):
that you ride a motorcycle, you play in a rock
and roll band, you wear clothes that should be wallets.

Speaker 2 (50:40):
And you live in a house with nine other people.
And I'm just wondering what the plan is, you know.

Speaker 1 (50:47):
Right, imagine nothing about.

Speaker 2 (50:49):
But yet, like why do you have a with a
drum kit in your bedroom in a house that you
don't own? Like, yeah, yes, that's the question that he
should be asking.

Speaker 1 (51:00):
Some bigger topics that need to be discussed here. But no,
we got we got Judgie Kenneth and oblivious Jesse and Kenneth.
Kenneth's it's again, it's very proper name. It's no. Yeah.

Speaker 2 (51:13):
If he was from a rasib me like now call
me Ken, you know, it would be very informal.

Speaker 1 (51:17):
It would be very informal. I just don't. I don't
like this this uppity, stuffy guy. So Jesse tells him, Hey,
there's much more to me than that, sir. I'm also
an Elvis freak, and he shows off all of the
Elvis posters that are scattered in his room. Even better,
Jesse doesn't understand yet that this is not a flex
this bro no dude, say less Jesse, Yeah, yeah, show less.

(51:42):
Just Kenneth continues, that's fine, Son, but you're marrying my
baby tomorrow. You got to put all that nonsense behind you.
Jesse looks at him with suspicion. This wouldn't be you
telling me how to live my life, would it, because
that we know how that goes. He'll not tension so

(52:03):
much tension.

Speaker 2 (52:03):
You know how Jesse gets when someone tells him anything. Yeah,
this is just Oh, I love it the tension.

Speaker 1 (52:11):
Mister Donaldson clarifies, No, no, I'm just offering you the
benefit of my experience. He tries to tell Jesse that
they are a lot alike, and Jesse jokingly says, yes,
they're two peas in a pod. But apparently, mister Donaldson
was a wild one, just like Jesse when he was
that age. Jesse dramatically gasps no, but Kenneth tells him

(52:31):
it's true. Before he became a farmer, he was on
the rodeo circuit. He tells Jesse he could hog tie
a calf in under seven seconds. All of a sudden,
the man is from Texas, not even Nebraska. This is
not Nebraska. He's a rodeoo. There's look, there's rodeos in Nebraska.

Speaker 2 (52:50):
It's that he has, all of a sudden, he has
a southern drawl.

Speaker 1 (52:53):
Oh yeah, he's got a little twain.

Speaker 2 (52:56):
He did not have that at all, or trace of
that in the in the first scene.

Speaker 1 (53:03):
Yeah, I can picture it. Jeff's coming over to give
him a note.

Speaker 2 (53:05):
Hey, we need to remind the audience you're from Nebraska,
because you know this scene, right.

Speaker 1 (53:09):
I feel like I feel like they shot the other.

Speaker 2 (53:11):
Scene and then they were like, oh, this doesn't it
just doesn't track it all we did.

Speaker 1 (53:14):
He's not working.

Speaker 2 (53:15):
And then the next scene they were like, be more hick,
and he just went with it, you know, and they
were like, well, not.

Speaker 1 (53:21):
Quite that much, but you know what, screw it. The
other one doesn't make sense either, so who cares. We're
just gonna roll with it. He's like alcohol time. I'm like, bro,
what what before I was a farmer? Oh, before you
have a farmer?

Speaker 2 (53:36):
You don't look like a farmer now, Like come on,
not that farmers can't wear suits.

Speaker 1 (53:40):
It just it's not it's just not. It's just not tracking.
For me, it's not tracking. I could totally see this
on a live audience night. They're like, we lose the
kids at eight, we have to care. It doesn't make sense,
it doesn't matter. Yeah, So Jesse takes the conversation off course,
asking if it's hog tie and it's a calf, why

(54:02):
don't they call it a calf tie? Very good point,
that's an excellent question. Actually, Kenneth begs Jesse to stay
with him, and he continues, when I married Nedra, I
had to hang up my spurs and settle down. And
I had to hang up my spurs.

Speaker 2 (54:17):
I'm like, what when did you become like you know
what I mean? Like, do you need a little piece
of wheat just hanging out of your mouth? And there,
you know, a little like a hat.

Speaker 1 (54:28):
And some overalls. Was picturing, Yes, the wheat coming out
of the mouth. Yeah, just yeah, just the wheat shack.
You know, this doesn't fit the man wearing a gray
suit yet not named Kenneth, Kenneth and Kenneth. And that's
if I mean, if my parents were named Kenneth and Edra,

(54:50):
like I'd be like they're intimidating. Watch out, Yes, yes,
absolutely so. He's hung up his spurs and he's settling down.
You're gonna be a husband with a wife, responsibilities.

Speaker 2 (55:02):
And commitments Jesse's favorite words. Oh boy, watch out. He's
triggered by that way.

Speaker 1 (55:08):
Kenneth has no idea what he has done for Kenneth O.
Jesse admits that's pretty heavy, and Kenneth tells him it
gets heavier. He asks Jesse if he plans on having
kids one day, and Jesse nods so. Kenneth tells him
to picture this, he's holding his baby boy or just
or girl. Jesse cuts him off Jesse Junior, and Kenneth

(55:29):
nods to keep him happy and continues, one look into
that sweet innocent face, and you'll be trading in your
Harley for a sensible family. Station Wagon. I think it's
actually the station wagon that triggered Jesse the most. Was
like a what wagon? Jesse.

Speaker 2 (55:49):
The station wagons were the mini vans of the seventies
and eighties.

Speaker 1 (55:53):
Oh I love my mom's station wagon. Station Wagon.

Speaker 2 (55:57):
They have a third seat you can face towards the back,
had a seat belt to.

Speaker 1 (56:01):
Be found just dropping around a speed bumper, a pothole.
There goes your forehead. Yeah. We used to drive the
family station wagon up to Mammoth every spring break, and I've,
of course, being the youngest and the third born, I
would just lay on the luggage in the back seat
like I wouldn't. I didn't have a That's fine, it's

(56:22):
all right, I love it. I missed the nineties. So
Jesse's in disbelief. I'm going to be driving a station
wagon and Kennett smiles with one of those Garfield dolls
suckered to the window.

Speaker 2 (56:38):
It happens to the best of us, and then you
wind up liking your station wagon or your minivan.

Speaker 1 (56:43):
Like I did with a with a baby on board.
Those makes sense to me. I don't get why we
put those Did we not have this? I must have
had this conversation with somebody else, like literally last week,
of why why those signs are in there? I would
assume it's for it's for first responders. Yes, that's what
it's for, is first responders, not for the other drivers. Question, Okay,

(57:05):
what if.

Speaker 2 (57:05):
You're in a car accident, do you think that stupid
little sign is gonna stay suction cupped to wherever it was?

Speaker 1 (57:15):
Well or is it.

Speaker 2 (57:16):
Gonna go flying in the mangle of the car accident
and you're noted to. Then if that's the case, then
we need to put the Then this car has four
people three you know, if you got a baby and
everybody else, screwbody else.

Speaker 1 (57:32):
Get the baby. Yeah, it's not it's gotta need at
least one adult. You know, the baby can't drive by.
It's like it's you gotta have.

Speaker 2 (57:40):
A little sign on the back and just put how
many people are in the car that you.

Speaker 1 (57:45):
Want to save. It might not be everyone, it might
not be an accurate number.

Speaker 2 (57:49):
There's five people in this car, but really just three.
Just get the driver and the two in the back.
Is that why people have those windows stickers with like
each family member a stick f gear for each family.
It's to them because they don't understand that you shouldn't
put your children's name and how many of them you
have on.

Speaker 1 (58:08):
A car that where people can follow you home. But yeah,
that was such a flex like in some decade that's
not now.

Speaker 2 (58:16):
But people still do it. It depends where you are
in the country. People still have those.

Speaker 1 (58:21):
Okay, so in La it's not great.

Speaker 2 (58:23):
People have them with like seven kids, two dogs, a
cat like niece.

Speaker 1 (58:30):
Whatever. Yes, it's hysterical anyway, that was my tangent. I
love I love our tangents personally. Okay. So Garfield dolls
suckered to the window and Jesse asks, am I listening
to talk radio? And Kenneth nods, all five buttons I
listen to every time. I listen to NPR in my car,

(58:51):
and I'm like, god, I just listen to news. I'm like,
oh my.

Speaker 2 (58:54):
God, oh discussing talk.

Speaker 1 (59:02):
Jesse begs him to stop, but Kenneth concludes his spiel.
What I'm saying is you've had your last wild adventure,
sewed your last wild oat. Oh, don't do it, Kenneth,
don't do it. Kenneth has no idea what he knows
the can of worms he's just opened. Jesse stares off
into the distance, worry etched into his face. Kenneth drills

(59:25):
into him it's over case closed, kiss it goodbye, the
fat lady, saying. Jesse tells him he gets the point.
Mister Donaldson insists that if Jesse has any doubts, he
better not walk down that aisle tomorrow. Jesse nods and says, yes, sir,
and Kenneth pats him on the shoulder and tells him
to sleep tight. Before walking out. Jesse softly says to himself,

(59:47):
WHOA as sad music plays in the background.

Speaker 2 (59:52):
This first of all, Kenneth sounds like he's miserable. I
don't know what Nedra has been doing. That doesn't sound
like he's enjoying this marriage.

Speaker 1 (01:00:01):
This is not a happy marriage is now. He's like,
your life is gonna suck. He feels trapped in this. Yeah, unfortunately. Yeah,
he's so unlikable, like he's so intimidating and.

Speaker 2 (01:00:12):
Just yeah, and I just don't feel like Becky would
come from that, although you know, maybe that's why she
moved to San Francisco. She was like, I've got to
get away from these people. It's an incredibly toxic relationship.

Speaker 1 (01:00:21):
It was very toxic. Yes, very impressive. Yeah, I still
don't like it. I wish they had I wish they
had written it so that Kenneth and Nedra who are
not named Kenneth and Nedra proper names for Nebraskans. I
wish it had just been like a casual aside that
Kenneth said, just like, oh, you know what, your life
is going to change forever but not. He's so he's

(01:00:43):
so intimidating as an actor too. He's just you can
tell he's done a lot of dark, serious roles to
Your Life is Over. Yeah, it was way too serious
and dark for Yeah, it just went overboard. It was
too much, too much, Yeah, because we know it's not
like Jesse needs much to freak out. Oh no, he
isn't he prompting?

Speaker 2 (01:01:02):
Yeah no, I mean everybody would have bought if the
dad just said one sort of brief thing and Jesse
flipped out everyone but here that makes sense.

Speaker 1 (01:01:09):
Jesse does that. Yes, we are repeating storylines. This happened
in season one with seven month itch where he took
off one of ability for dayre the season three episode
where he took off with the motorcycle. Yeah, so this
is this is common. So I guess we needed it
one more time before he gets married. All right, So
the next morning, we're in the kitchen. Jesse is forcing

(01:01:32):
a very reluctant Joey out of his room. Joey asks
where he could possibly be taking him at seven in
the morning, and Jesse shushes him. He begs Joey to
trust him, but Joey states the obvious you're getting married
in three hours. And then he looks at him with hesitation.
You are getting married, aren't you. Jesse says that he'll
tell him everything. On the way to the airport. Joey

(01:01:55):
questions the airport, Jesse whispers, yes, come on, and pushes
him out the door. Yeah. And so we're led to
believe that Jesse is just ate garment bag and another bag.
It looks like he's just taken some stuff with him
and going.

Speaker 2 (01:02:13):
This is an excellent mister wrect If you have never
seen the series before.

Speaker 1 (01:02:17):
Right, yeah.

Speaker 2 (01:02:17):
If you have no idea that Jesse throws these fits
about once every season, he'd be like, oh no, that
thing's really gonna happen.

Speaker 1 (01:02:25):
Mistakes are high. So uh we pause for an intense
commercial break. When we come back, we're in the living room.
Danny walks down the stairs to find Michelle's sleeping on
the couch. He lightly shakes his daughter, telling her to

(01:02:45):
wake up. Michelle opens her eyes, and Danny asks if
she's seen her uncle Jesse. Michelle's asleep on the couch.
You know she hasn't seen him, Jesse. We ask the
person to sleep if they've seen someone. I'm looking for
that's a great point. Yes, in all her spare time,
while she's been sleeping on the couch. Right, Hey, Michelle,

(01:03:07):
do you.

Speaker 2 (01:03:08):
Have to see where uncle Jesse went? No, sorry, my
eyes were closed. It was in a deep rem sleep.

Speaker 1 (01:03:15):
So Michelle throws him off. She says no, Good morning, Michelle.
Danny apologizes for this grave error, and.

Speaker 2 (01:03:22):
Seriously, hast thou come to Michelle without properly acknowledging?

Speaker 1 (01:03:28):
She has high standards. You know, I'll give her that,
So he says good morning to his daughter before asking again,
have you seen Uncle Jesse. Michelle is not satisfied yet,
no good morning kiss, and Danny corrects his behavior, planting
a kiss on her cheek before asking the crucial question
once more, have you seen Uncle Jesse? Michelle responds no,

(01:03:49):
but thank you for asking, and then she goes right
back to sleep. Danny admits I knew she was setting
me up. So then there's a knock at the door.
Danny quickly runs to gra abit, asking Jesse. But no,
it's Kimmy Gibbler, wearing a colorful robe and some huge
rollers in her hair. Yes, she smiles at Danny Ola

(01:04:11):
mister t. Danny explains he's going through a major crisis
right now, and Kimmy shrugs, Hey, we're all going through
some problems. She's just she's not having it. She's like, look,
and he's trying to pick a dress to me. So
she screams at the top of her lungs DJA and
proceeds to walk towards the stairs. Danny shakes his head

(01:04:33):
in disbelief and says, I gotta build a moat. DJ
runs down the stairs in her pajamas and asks Kimmy
what she needs. Kimmy asks what should I wear to
the wedding? She shows the two dress options and the
two shoe options that she has to choose from. DJ
realizes those are my clothes, and Kimmy states the obvious,
That's why I'm asking you, and that's it. That's that's

(01:04:56):
all I do, and like, there's no point to me
being in this episode. That is my only interaction. You're
in the you're at the wedding, you know, true?

Speaker 2 (01:05:06):
I mean your parents aren't because usually typically you invite
a child and not their parents to a wedding.

Speaker 1 (01:05:12):
So right, no, we never meet the Gibblers. But no,
I've I thought for sure this was like you know what,
I probably had an episodic guarantee in my contract and
we have to put her in once. So let's starr
in this scene. That's exactly what that was. So then
Stephanie runs into the room. She tells everyone that she
found a note on the fridge from uncle Jesse. Danny

(01:05:33):
urges her to read it, but DJ insists that they
get this on their wedding videotape. She points the camera
at Steph, who fluffs her hair up in preparation. DJ
calls action, and Steph begins to read the letter with
Broadway level drama. Dear family, you must be wondering where
I went. I kidnapped Joey, but we'll be back before
the wedding. There was one last thing I had to

(01:05:55):
do before I got married. Jesse, Oh Jesse. And she's done.
She tells DJ she wants to do it again because
she can do better. She turns up the drama to
a ten and falls to her knees as she shouts,
dear family, this is very just Shakespeare. This is Jodie
Sweeten child star extraordinary like you are just delivering this.

Speaker 2 (01:06:19):
Oh ridiculous again, any chance to be ridiculous?

Speaker 1 (01:06:22):
Yeah? It was fit. I laughed, I laughed out loud.
So Danny snatches the note out of her hand and
forces her to stop the theatrics. He sighs as he
reads Jesse's writing and says, oh, man, he's getting married
in two hours. Where the heck could he be? We
flashed to a tiny plane flying in the air. Joey

(01:06:43):
is flying this plane because because we knew that.

Speaker 2 (01:06:47):
Duh, Joey why is a plane obviously, which is why
he's a stand up comedian and lives in the basement, the.

Speaker 1 (01:06:54):
Most irresponsible member of the household flying a plane.

Speaker 2 (01:06:58):
Now we know Dave actually does fly planes, but Joey, yeah,
does not.

Speaker 1 (01:07:04):
And I and this whole scene was like, so they
just gave some dude.

Speaker 2 (01:07:09):
A plane and the other guy of parachute, and we're like, fun,
see later. Yeah, there's no release form signed.

Speaker 1 (01:07:18):
There was no We might have not seen that. But
they never let you skydive by yourself.

Speaker 2 (01:07:23):
Until you've done like a hundred jumps or something, right.

Speaker 1 (01:07:27):
Yes, yes, there's that one throwaway line.

Speaker 2 (01:07:29):
Maybe they stole it, well, that would be the strand
the full house. Yeah, maybe they stole the plane and
the sky diving suit.

Speaker 1 (01:07:38):
Well, that makes more sense. That actually makes more sense
than this. That's that should have been the exposition.

Speaker 2 (01:07:44):
We just stole this from me, exactly, uncle, so and so. Yeah, no,
if you knowing Dave Kleim like this didn't bump me.
But yeah, people who don't know that Dave Kolia flies
planes for real, this is probably like where did they They.

Speaker 1 (01:07:56):
Needed some exposition for this? Why is Joey flying a plane?
When did he learn this?

Speaker 2 (01:07:59):
What?

Speaker 1 (01:08:00):
Yeah? Right, yeah, it was jarring. So Joey's telling Jesse
that he's completely out of his mind, and Jesse agrees,
I know. I said I'd never get in a plane
with you. We see Jesse is dressed in his wedding tucks,
but he's wearing a jumpsuit and a parachute over it,
and Joey tells him, I'm talking about skydiving. It's crazy,

(01:08:21):
Jesse explains. People say it's the ultimate rush. I took
all the lessons, but I never jumped because it was
too windy. Okay, okay, it's week, but it's something.

Speaker 2 (01:08:31):
It's weak, and it's still He's never jumped, so there's
no way they would just hand to him.

Speaker 1 (01:08:36):
But anyway, Yeah, joke's gotta work. Jokes, gotta work, jokes,
gotta work. I gotta have this one last adventure before
I get married. Joey asks if he has to do
it on his wedding day for real.

Speaker 2 (01:08:49):
Man.

Speaker 1 (01:08:50):
When Joey's making sense and.

Speaker 2 (01:08:52):
The most reasonable one in the room, right, something is wrong,
Jesse reminds him this is the last hour of his
life as a single guy.

Speaker 1 (01:09:02):
You can you can they let you skydive if you're married.
It's not you know what I mean?

Speaker 2 (01:09:08):
Like they yeah, yeah, you're not banned from skydiving just
because you have a right finger.

Speaker 1 (01:09:15):
Uh. Pretty soon, Jesse's going to be married and have
a family with all the responsibilities. What is he going
to do? Then? Jump out of a station wagon? See
it was the station wagon that triggered. It was the
station wagon, right yep. Joey shrugs, well, you could. Your
shoot might not open in time, but Jesse tells him
he must do this one last crazy thing before he
gives it all up for the woman he loves. He's

(01:09:38):
so dramatic. Joey wenders the drama, so much drama. Joey wonders,
isn't flying with me crazy enough? And Jesse gives a
definitive no, So Joey asks, how about when I do this?
And he flips the plane upside down. He's also a
stunt pilot. Their right side up again. Jesse flicks his

(01:10:02):
friend on the head and tells him not to do that.
He assures Joey that he has this whole thing planned out.
He stashed his Harley and he has his tucks on.
When did he have When did he have time to
stash a Harley get a pair? He told Joey that.

Speaker 2 (01:10:16):
They're going to the airport. He didn't take his motorcycles.
They went, They drove in the car.

Speaker 1 (01:10:22):
They drove in the car. So when did he stash
his follow him instead? I don't know. I don't know. Yeah,
this is so far fetched and so full house. It's
so this.

Speaker 2 (01:10:33):
Is peak peak full house ridiculousness. It's we got everything,
we got, we got Howie, we got, we got the
magically changing sister.

Speaker 1 (01:10:45):
We've got these weird parents who I.

Speaker 2 (01:10:48):
Think are actually impersonating Becky's parents, they're not really them. Uh,
you know, there's just so much or something for everyone
in this wedding.

Speaker 1 (01:10:56):
Yeah, it's jam packed, so jam packed. M So the
plan is do the jump hop on the Harley and
cruise to the chapel with just enough time to remoose
his hair and say, I do what could possibly go wrong?
A great plan? Joey asks if he can make one
little suggestion and smacks Jesse on the head while telling
him to snap out of it for real, please. Jesse

(01:11:19):
tells him that this is something he has to do
for himself, and Joey decides to just go along with it.
He should just go along with it. Jesse's got to
get this out of his system.

Speaker 2 (01:11:29):
You know, we know, as much as you beg him,
He's still going to ride that motorcycle on the top
of the roof.

Speaker 1 (01:11:35):
So Jesse's gonna do, Jesse, So you just roll with it, yep.
So Joey tells him to have a safe trip and
wishes him good luck. Jesse moves to the back of
the tiny plane and puts on his helmet and goggles.
He leaves Joey with one last request. If anything goes wrong,
I want you to marry Becky. I feel like Becky
might have some thoughts about that, you know.

Speaker 2 (01:11:56):
I was like be back to like the Victorian era,
where where if your husband dies then suddenly you're like, oh,
I'm married to my brother in law now right.

Speaker 1 (01:12:05):
Right, It's all about dowries. It's not about the ride.
So Jesse peeks his head out of the plane and
says whoa. But before he second guesses himself, he jumps
out of the plane and yells have mercy. Back in
the plane, Joey gasps when he looks at the floor,
oh my god, he forgot his moose, and he shows

(01:12:26):
off a huge can of hair moose. Then we see
a figure in the sky pulling the parachute. Joey looks
at him from the window of the plane and gives
him a thumbs up. As Jesse is gliding down to safety,
we hear him say, did I forget my moose? That
was a thing that we saw. The thing that we
saw in a tiny plane. We cut to some stock

(01:12:49):
footage of the outside of a church. You don't remember
where that church was? Was this?

Speaker 2 (01:12:56):
It was directly across the street from Sony Studios c
literally right off.

Speaker 1 (01:13:02):
Of whatever is that.

Speaker 2 (01:13:03):
Oh god, I can't even think of it. Like there's
Washington and Culver. It's like in between there somewhere, but yeah,
it's uh, all of the exterior stuff was from places
in Culver City.

Speaker 1 (01:13:14):
And Culver City. Oh okay. I was like, this church
looks really familiar.

Speaker 2 (01:13:17):
But I remember that church because like we used to
drive by it all the time going to work, and yeah,
I always thought it was really pretty.

Speaker 1 (01:13:23):
It's gorgeous. Oh my gosh, well.

Speaker 2 (01:13:24):
It's gorgeous on the outside. It looks what we did
with the inside of the church. They must have booked
a little side chapel or something for this wedding, because
it's definitely not a cathedral that we see.

Speaker 1 (01:13:34):
No no, no, no, no, no, not in the budget. Huh.
So in the wedding chapel, the venue is filled with
guests anxiously waiting for the ceremony to start. Behind the scenes,
DJ and Stuff are filming their wedding video. They're both
dressed in pink, poofy dresses and matching gloves, and.

Speaker 2 (01:13:51):
We get an amen for the early nineties bridal attire.

Speaker 1 (01:13:56):
Oh they it was beautiful like you looked. It was ridiculous.
I looked like a doily. I remember loving it in
nineteen ninety one. I was jealous.

Speaker 2 (01:14:08):
I was like, I'm sure I was thrilled to be
wearing some big, flufy dress like, yes, but there's lace
and and fringe and things in the hair.

Speaker 1 (01:14:18):
There's a lot of the sleeves.

Speaker 2 (01:14:20):
My god, you think the shoulder pads are big, wait
till you see the sleeves.

Speaker 1 (01:14:25):
It's you know, it's so cute. You guys look so
grown up. It's I just yeah.

Speaker 2 (01:14:32):
The gloves also the little fingerless like peach lace gloves
and the colored peachy in.

Speaker 1 (01:14:37):
And of itself. You know, as a bridal party where.

Speaker 2 (01:14:41):
You're like, oh, everyone's going to wear peach and you're like, oh, now,
you'd be like I don't think that's really a great
color for anybody.

Speaker 1 (01:14:48):
So yeah, no, no, but you guys can pull it.

Speaker 2 (01:14:51):
It was beautiful, it was gorgeous, loved it, had fun
wearing it.

Speaker 1 (01:14:54):
But yes, I will go on record and say that
I look like a doily. Did you guys have any
input into your bridesmaid's dresses or this? They just the
wardrobe department just took care of it. It was like, this
is what you're think.

Speaker 2 (01:15:06):
I mean, I believe we got measured and you know,
they probably they made our dresses. It was probably one
of the things that we got custom made dresses for sure,
for sure.

Speaker 1 (01:15:19):
But I don't know that we had like a ton
of input. Yeah, because you had to match. This was
in the mouth.

Speaker 2 (01:15:24):
But if you notice, like DJ, well, DJ, Steph and
Michelle all have slightly different dresses because DJ it looks
to be maybe in the like in the wedding party
as like a bridesmaid, and I'm probably like a junior
bride your bridesmaid, so my dress is a little bit different.
And then Michelle has her little flower girl dress on.

Speaker 1 (01:15:43):
Yeah, it all coordinates, it coordinates, but yeah, it definitely representate, coordinates, coordinate. Yeah,
it it coordinates.

Speaker 2 (01:15:55):
But I have to say, I don't know why it is,
but that color reminds me of, uh, when you would.

Speaker 1 (01:16:02):
Walk into someone's house and use.

Speaker 2 (01:16:07):
Their bathroom in like nineteen eighty seven and they have
the little furry uh like toilet seat cover and the
and the rug that goes underneath, and the matching other
rug in front of the sink, and the matching shower curtain. Yes,
that is I'm pretty sure that that is what Steff's
dress is.

Speaker 1 (01:16:27):
Made out of. That's what they made it at. Yeah,
and the time the tissue box cover.

Speaker 2 (01:16:31):
With this, I am, I am a human tissue box
cover literally and they used to have those stupid little
things that you would put on a tissue box cover
that was like a little person.

Speaker 1 (01:16:41):
Yeah, that's me, That's totally that's me. Seventeen hundred bucks
is a tissue under that dress. My grandmother had one
of those bathrooms too, mind, which is why that Maybe
it was her house that had the pizza.

Speaker 2 (01:16:55):
Maybe not, you know what I mean.

Speaker 1 (01:16:56):
But the color just reminds me.

Speaker 2 (01:16:59):
I'm like, I'm in someone's uh, nineteen eighty seven bathroom.

Speaker 1 (01:17:02):
Yes, yeah, it really tells you what decade we're in.
It's so funny. But you guys look great.

Speaker 2 (01:17:13):
That but it looks fabulous, But you're look cute, you know,
if you were like a tissue cover.

Speaker 1 (01:17:18):
So DJ begins her latest report. This is DJ Tanner
Live at the Chapel, and there's still no sign of
the groom. She turns to Danny and asks, how do
you feel, and Danny nervously states, I feel very confident
that Jesse will arrive right on time. In the next
he checks his watch eighteen seconds. DJ asks, is that
why you're not telling Becky what's going on? Danny admits, no,

(01:17:40):
that's because I'm chicken. DJ looks at the camera and
announces you heard it here. First Dad is a chicken.
Then Michelle walks in wearing a poofy pink pink dress
as well. Yep, she she belongs on top of a cake.
She's right, she's a cake. I'm a tissue cover. And
then and then Canada.

Speaker 2 (01:18:00):
The Canna's dress is just the shower curtain. Right together,
we make a full accessorized bathroom.

Speaker 1 (01:18:10):
So she confidently announces the flower girl is here. And
DJ and stuph oh in response, who.

Speaker 2 (01:18:17):
Got her dressed?

Speaker 1 (01:18:18):
She dresses herself.

Speaker 2 (01:18:20):
She's like, her hair is gown on and my hair
like DJ and Steph would have been the ones to
be helping with that probably.

Speaker 1 (01:18:27):
Oh yeah, that's true.

Speaker 2 (01:18:28):
Yeah, well Becky's certainly not available, so yeah, the girls
would have had to help get each other ready anyway.

Speaker 1 (01:18:36):
Well she drove separately. Yeah, yeah, I get that. Sorry
to find parking, so watch them a little late. Michelle decides,
Oh no. Michelle tells them I'm ready for the video.
My hair looks fantastic. She's not short on self confidence,
that's for sure. She knows she gets it from Jesse.

(01:18:56):
Steph points the camera at her and tells her to
do something. Michelle decides, now I'll do my fish pace
and she stares at the camera doing exactly that. DJ
changes changes the subject, asking Michelle where how he is?
Don't start it. Don't start asking where Howie is?

Speaker 2 (01:19:12):
You never gonna stop hearing about him?

Speaker 1 (01:19:15):
But uh, plot twist. Michelle frowns. Who cares? That boy
is crazy?

Speaker 2 (01:19:19):
Oh?

Speaker 1 (01:19:20):
Thank you? On cue, Howie enters the room. He's wearing
a little tuxedo with a boot near and he says
hello to Michelle. She turns around to take a look
at him, and suddenly she's not quite so disgusted. She responds, hello, Howie.
He tells her you look very pretty, and she responds,
you're a hunk. You're a toddler. You know, this is

(01:19:45):
the roller coaster we are on the whip last. I
love him, I hate him, I love him, I hate him.

Speaker 2 (01:19:52):
Oh, it's like Jesse and Becky's from one of his
entire relationship.

Speaker 1 (01:19:57):
This is like a microcosm of right Jess relationship. You're terrible.

Speaker 2 (01:20:04):
I need to go find myself and he just goes
and has a fruit snack and a nap.

Speaker 1 (01:20:09):
You know, the even has a mullet like they are.

Speaker 2 (01:20:12):
Oh my god, he does, Yeah, this is fantastic.

Speaker 1 (01:20:15):
I love this. So how he asks what's a hunk
and Michelle explains that's what DJ calls the paper boy.
Great callback to rigul the paper pay. DJ tells Stephanie
to cut the video and walks the two little kids away.
Then Becky's parents into the room.

Speaker 2 (01:20:34):
Her boy, that'll that'll improve the situation, gonna make it
all better.

Speaker 1 (01:20:41):
Her mom is radiating with excitement as she runs up
to Danny and tells him everything is ready upfront. Danny's
anxiety starts to show, and he tells her that's very good.
Mister Donaldson picks up on it right away and asks
what's wrong. Danny tries to convince him there's no problem,
but mister Donaldson knows that Danny's lying. He can tell
by the way he won't look him in the eye, which.

Speaker 2 (01:21:02):
Is impressive that he knows Danny's body language after just
meeting him yesterday.

Speaker 1 (01:21:06):
This guy is intense, like he's taken no prisoners, like
he's just like something's hogtie Danny. So Danny tries his
best to make eye contact with Kenneth, but he can't
seem to do it, so he just looks at Becky's
mom and jokes, can you believe this guy? Neither of
them laugh, and Danny breaks Okay, there's a little problem.

(01:21:26):
You know how every wedding has a bride and a groom,
Well you take away the groom, and that's what we
have here. Both mister and missus Donaldson start to panic
and argue with Danny, asking where the groom could possibly be.
Danny assures them he doesn't know, and suddenly Nedra signals
them to stop talking. Can't get over that name. It's distracting.

Speaker 2 (01:21:48):
It.

Speaker 1 (01:21:48):
Would rather have it be Edna. Oh, Edna would be cute.

Speaker 2 (01:21:52):
Yeah, but Nedra, I think it. It reminds me of Hydra,
which is like the three headed, seven headed name thing
or whatever. Yeah, yeah, from Greek mythology. That's what is
your writing, maf.

Speaker 1 (01:22:04):
Well maybe that was intentional, I don't know. So we
see Becky has appeared in the doorway. She's wearing her
beautiful wedding gown and veil which was Laurie's actual wedding
gown and veil from from her first first wedding. Yeah, yep,
which we all went to or some I think John
and I went to. Yeah, I didn't go to her first,

(01:22:25):
but it was my first time in New York for
her wedding. Oh that's so cool. Yeah. I remember her
telling the story how they had her trying on some
dresses and none of them really worked the right way,
and she's like, why don't I just bring my real
wedding dress and we can do that.

Speaker 2 (01:22:40):
So I think they took out some layers underneath, because
if I remember right, her real wedding.

Speaker 1 (01:22:44):
Dress was quite a bit poofier.

Speaker 2 (01:22:46):
And I think they, yeah, they it was a little
harder to manage. Yeah, we have to fit a lot
of people into this scene. Yeah, so we had to
take off some layers.

Speaker 1 (01:22:56):
So Becky's confused. She asks, why aren't we starting yet?
But no one can bear to tell her the truth.
She runs up to Danny and asks if something is wrong,
and Danny says, unconvincingly, what could possibly be wrong? No,
everything's totally under control. Becky asks, then, why won't you
look me in the eye. It's a Donaldson thing, you know. Yeah,

(01:23:16):
they're like, I have no body language, look at me. Yeah,
they're very into the eye contact thing. They's like, look
me in the eye. Danny breaks, well, we are not
all here yet, Becky asks who's missing, and he can't
get the words out, so Michelle raises her hand and shouts,
I know, I know. Becky calls on her, and Michelle answers,
Uncle Jesse is missing. Becky can hardly process the information.

(01:23:40):
She says aloud, Oh my god, stay calm. Just because
the room's not here doesn't mean I'm going to let
that ruin my wedding day. She rushes over to her mom,
who pulls her in for a hug, and then joeys
Lifetime movies.

Speaker 2 (01:23:52):
Yeah, it's giving, Yes, it is giving, like Lifetime movie.
It's yeah, Lifetime movie. Soap opera.

Speaker 1 (01:24:00):
Yeah, just it's the drama, so much drama. Joey walks in,
dressed and ready to go. He lets out a sigh
of relief as he says, whew, made it. Everyone runs
up to him at once and asks where's Jesse. He
glances around nervously and says uh oh, and Becky asks again,
where is he. Joey explains he must have stopped off

(01:24:21):
for a can of moose, and Becky lets out a
huge sigh of relief. Oh thank goodness, Joey let's out
a laugh. Yeah he forgot it. When he jumped out
of the plane, and Becky is not so light hearted anymore.

Speaker 2 (01:24:34):
She asks, he jumped out of a plane? Yep, Yes
he did. Yes, he did, Becky, and you'll never do
did Joey was flying it so weird?

Speaker 1 (01:24:45):
Yeah? Joey stares at her wide eyed, as Becky continues, Well,
then where is he? What if something happened to him,
Joey tells her don't worry. He said, if something happens,
I should marry you myself.

Speaker 2 (01:24:58):
Oh good, I would, beck He must be thrilled to
hear that. But you know that if her soon to
be a husband doesn't.

Speaker 1 (01:25:06):
Make it, that he's passed her off to his best friend. Yeah, yeah,
that makes everything better, right, yeah. Becky stares at him
in complete shock before yelling at the top of her
lungs mom. Meanwhile, in a tree, Jesse's suspended in the
air because he got his parachute stuck in a giant tree.

Speaker 2 (01:25:25):
This is what happens when you don't know what the
hell you're doing and you jump out of a plane
attached to you.

Speaker 1 (01:25:32):
Yeah, you need an instructor on your back. That's why
he's yelling for help. No one is around to hear him.
He shouts into the void, Becky, I'm coming, don't marry Joey,
And at the bottom of the screen the words to
be continued appear and part one of the Winning O.

Speaker 2 (01:25:51):
Part one has happened, boy has it? And let me
tell you, having watched part two doesn't disappoint.

Speaker 1 (01:26:00):
Oh, man, I can't wait. Oh, it doesn't disappoint.

Speaker 2 (01:26:02):
Oh if you thought this was ridiculous, wait, I actually
thought this was pretty tame for full House.

Speaker 1 (01:26:12):
And yes, I mean out of a plane and landed
in That is so.

Speaker 2 (01:26:17):
On brand for full House that yeah, it was just like,
of course he did well, very sitcommy, it felt approach true.

Speaker 1 (01:26:24):
Of course it's I mean it is. It's obviously not reality, and.

Speaker 2 (01:26:29):
We get it, you know, we're not seriously being like,
why would they write that it's so not real?

Speaker 1 (01:26:34):
It's you know, it's funny. It's ridiculous.

Speaker 2 (01:26:35):
It's silly, but it's also fun to laugh at. Like
the suspension of disbelief that you have to have for
this is.

Speaker 1 (01:26:41):
Like pretty immense, so immense. Yeah, Joey's flying a plane,
Jesse's jumping out of it. Well, maybe they're going to
be partners in a new airline.

Speaker 2 (01:26:49):
Since Oh yeah, we haven't heard much of their jingle
writing ad agency.

Speaker 1 (01:26:54):
That would have made sense.

Speaker 2 (01:26:55):
They were doing a jingle for a small airline company
and then they got and they and the company gave
them a plane to learn how to fly, and then they.

Speaker 1 (01:27:03):
Just did it that way. Yeah, this makes much more sense.
I just this episode is so.

Speaker 2 (01:27:12):
It's so iconic. I mean, it's the wedding. Everybody knows
the wedding. Yep, yep, this is this is a huge episode.
This was a great build up to. I don't know
what's coming next. I mean, I'm very eager to see
what's coming next.

Speaker 1 (01:27:27):
Yeah, I mean I know they get married obviously, but
other than that, I don't know. I don't know how
he gets out of the tree. I don't know how
he gets to the chapel. I don't I know. There's
like a forever song and a ceremony.

Speaker 2 (01:27:38):
But that's it.

Speaker 1 (01:27:38):
That's all I that's all I know. Oh, you are
in for a treat. You are in for a treat.
It's not going to disappoint. Oh okay, well this is
I know. This isn't the forever video with the naked babies,
because the naked babies haven't been born yet, so this
is just right, This is right rings, he sings for

(01:27:59):
I can't know, Okay, you can't tell me. That's the
next episode. That's the next episode. We'll get what happens.
We know that. Okay, they do, Yeah, forever happens and
they do get married. Okay, that's all. I know. You're
in for a surprise. I'm excited. I'm excited. Baby, here
we go.

Speaker 2 (01:28:19):
Well, thank you guys so much for joining us for
this incredibly long winded episode recap. We went off on
quite a few tangents today, but we love you guys,
so thank you for listening. Fana Ritos and if you
want to check us out, you can find us on
Instagram at how Rude Podcast. We post lots of fun
pictures up there. We ask questions, all kinds of fun stuff,

(01:28:42):
so make sure and follow us there. Also, if you
want to email us, you can send us an email
at how Rude tanner Rito's at gmail dot com. Uh
and you can also check out our merch shop mer
howarudemerch dot com. And uh yeah, you can get all
of your wedding presents there because your friends and family

(01:29:02):
will love them. Yeahs When you can buy a t
shirt with a skateboarding turtle on it.

Speaker 1 (01:29:11):
Nothing says wedded bliss like turtles and bags.

Speaker 2 (01:29:16):
Oh but seriously, you can find us there, email us,
find us on Instagram. We love you, guys, Thank you
so much for listening and letting us be absolutely ridiculous.

Speaker 1 (01:29:24):
We have a great time.

Speaker 2 (01:29:26):
We do it, and we will see you next time
for part two of the wedding Older breath everybody.

Speaker 1 (01:29:30):
I can't wait. Oh boy, all right, we'll see you
next time. And remember, the house is full the world. Nope, nope,
damn it. That's okay, that's okay, you're allowed. And remember
the world is small. But the house is full.

Speaker 2 (01:29:47):
Of giant tissue box covers. Just it's just there's just
little those little doll heads and those little crocheted uh
skirts that are resting on top of the the tissue
paper or the tissue holder to make it really annoying
because you have to pull them off to get the
tissue out.

Speaker 1 (01:30:06):
Yeah, that's what it's full of. Just Florida ceiling.

Speaker 2 (01:30:09):
So many I'm I'm on eBay right now looking at
I'm gonna buy one.

Speaker 1 (01:30:13):
I gotta have one in my house. Can't wait. Buy
by

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Hosts And Creators

Andrea Barber

Jodie Sweetin

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}"The Wedding: Part 1" Recap Season 4, Episode 18