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February 20, 2025 91 mins

The wait is over! The hosts are entering the halls of Pennbrook, leaving behind the naive salad days of John Adams High, and the podcast is officially in its Season 6 era. With a wedding proposal looming from a cliffhanger, and the addition of a new cast member, we have a lot of questions!

When did Cory and Topanga ACTUALLY meet? Why can’t they just wait a minute to get married? Does Topanga even remember she was accepted to Yale? Is Eric going to be THIS funny all season long???

Plus, continuing the podcast tradition, we find out what our hosts did as teens during Boy Meets World’s Summer hiatus. And yes, Danielle got a tan. Hear it all on a new, and moving right along, episode of Pod Meets World!

See omnystudio.com/listener for privacy information.

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:18):
We have delayed long enough. We are at the start
of season six of Pod Meets World, Season six of
Boy Meets World. Season six of Pod Meets World. We
have arrived, and as always, I want to start off
this episode before we get into our recap with do

(00:38):
you remember what you did the summer of nineteen ninety eight,
which would have been the summer between seasons five and six.
This episode aired September twenty fifth, So that summer, what
did you do?

Speaker 2 (00:51):
Wow, it was a big summer for me. Yeah, Then
you start because I don't remember. I did a movie
and I.

Speaker 1 (00:56):
Don't know which one.

Speaker 2 (00:57):
Okay, many movies, I know.

Speaker 1 (01:01):
We have to we have to be close to narrowing
it down. It couldn't have been.

Speaker 2 (01:05):
It was any double Well do you go first, rider, No,
I was fat in et double hockey sticks and I
wasn't fat yet, so I can't So it wasn't that.

Speaker 1 (01:13):
So I don't know what I did.

Speaker 2 (01:15):
But don't body shame young will. Yeah, so you go first, Well, Well,
why was this such a big year for you?

Speaker 1 (01:20):
Ninety eight?

Speaker 2 (01:21):
Okay?

Speaker 3 (01:21):
So I started by going to Montreal to make a movie,
which I did for a month and it was just
the best time, because which movie the greatest City. It
was called The Packed.

Speaker 2 (01:34):
It might have ended up being called The Secret Pack. No,
it's called The Pact. It's not great, not good, but
a lot of fun.

Speaker 3 (01:41):
And you know, I just got to be in Montreal,
which at eighteen was the greatest place on earth.

Speaker 2 (01:48):
I just had. Yeah, it was like a great time.
People came to visit me, My friends can visit me.

Speaker 3 (01:52):
Shot the movie, had a blast, and then I was
already planning and this. Once the movie was over, I
went back home and loaded up a car with my
two best friends and a bunch of camera gear and
sound equipment, and we drove a six week road trip
around the country interviewing people. We were trying to make
a documentary, and we would just stop in towns and

(02:15):
interview people. It was very much my like Ghost of
Tom Joe tour, Like I'm gonna you know, what was.

Speaker 1 (02:22):
The documentary going to be about America?

Speaker 3 (02:25):
We were like sort of somewhat politically motivated, but we
wanted to keep it open, so we were calling it
United States of Mind. And we were driving around. It
was like, you know, interviewing people about I don't know.
We had I could find the question somewhere. They were
way too generic, you know, in retrospect.

Speaker 2 (02:42):
Probably should have had a focus, but it was like,
we're going to find America, We're gonna okay, it was
just all this, you know eight Did you ever cut
something together? Like was there a film?

Speaker 3 (02:50):
No, But we have so much footage. And then we
did it again ten years later. So I did it
again when I was twenty eight with the same friends.
So I have footage from two summers of my life
with them in the car.

Speaker 2 (03:00):
I mean so much of it.

Speaker 3 (03:01):
We were doing interviews everywhere we stopped, but so much
of it is just like us filming ourselves, and that
now is probably more valuable to me than the interview is,
of course, because we were like horrible interviewers in retrospect
and bad filmmakers.

Speaker 2 (03:14):
But we have all this footage.

Speaker 3 (03:15):
So I have, like, you know, I don't know, sixty
hours of footage of that summer of ninety eight, and yeah,
we watched all the footage, like the next that fall
we watched, so like that summer is so engraved, like
everybody I met, all the experiences because I watched the
video back at one point to potentially edit it into
a film. Like that summer is etched in my memory.

Speaker 2 (03:37):
It was a beautiful time.

Speaker 3 (03:38):
It was like, you know, a dream come true road trip.
But that's why when I came back in this season,
I think Sean takes a road trip, and the producers
were like, can we find the footage of your road trip?

Speaker 1 (03:49):
Oh man?

Speaker 3 (03:50):
And I was like, no, that makes me uncomfortable, and
I didn't hand over any of my own actual footage.
But yeah, so writers Real road Trip inspired Sean on
road Trip in Blame.

Speaker 1 (04:01):
It's world interesting. You know, you're only three years away
from then if you did it in ninety eight and
then you did it again in two thousand and eight, right,
you're only three years away from the twenty like twenty
and twenty years later since that one, if you.

Speaker 2 (04:16):
Did it again, I know, there you go.

Speaker 1 (04:19):
It'll be kind of cool.

Speaker 2 (04:20):
You know. I know.

Speaker 3 (04:20):
I think the original idea was like every ten years,
but thirty eight came and went, so yeah, Danielle Hawaii.

Speaker 1 (04:28):
And you know, this should be like a pretty memorable
summer for me. It was the year, the summer before
I went into my senior year of high school. So
we're almost about to meet Lance. That's like I'm almost
about to meet Lance like this this fall, this nineteen
ninety eight fall is when we did the inter the

(04:49):
live episode, the TGIF episode where I met Lance, and
then because then Prom of ninety nine is, you know,
when we went to prom together. So I think this
should be kind of memorable for me, but I don't
really think it is. This may I don't. I don't
remember what I did. I definitely went to Hawaii and

(05:12):
you got your tan on, im a tan on, and
that's that's really all I remember.

Speaker 2 (05:17):
You seem so different to me in this episode.

Speaker 3 (05:21):
I agree show up and I was like, oh, Danielle
grew up.

Speaker 2 (05:25):
But I felt that way about the three of you.
I thought you and Ben exactly the same. I thought
I at the same And.

Speaker 3 (05:31):
I was like, oh, this is not a continuation because
she has a completely different presence. Like from the last
scene of last episode to the first scene of this.

Speaker 2 (05:39):
I was like, that is a different human being. It's
so profound.

Speaker 1 (05:43):
Yeah, you know, I think one of the differences and
I don't know what would have happened or why it
would have what would have changed, but I think Ben
and I there was a shift in our relationship where
we became like I think we became very good friends

(06:06):
around this time. Like Ben and I were closer in
this season, this season and the seventh season than maybe
we had ever been before. And there is a fun
there's a lightness to me. There's a fun I'm having
with him.

Speaker 2 (06:23):
But there's also a depth that wasn't there. I think
it's common. I think that's what I think it comes off.

Speaker 3 (06:28):
And Danielle as an actress and then Tapanga as a
character has like belongs here. Now you know that this
is the main storyline of Boy Means World that you
have you are a regular, that you are the star
of the show with Ben, Like it feels like you
are comfortable with that in a way that last season,
even even with all the ups and downs, right, and
maybe there was the sense that you could get replaced,

(06:52):
like maybe like young Danielle was like, oh, maybe I'm
going to be written off the show to go to Yale,
Like I feel there might have acted. But now with
the marriage and everything, it's like coming into the season,
you're like, I belong here, I'm an actor.

Speaker 1 (07:03):
I'm not going anywhere, And and you're right that that
confidence is probably what's playing into me feeling like my
relationship with Ben is different where I feel more like
an equal with my fellow co stars instead of well,
there's no longer Corey and Sean.

Speaker 2 (07:19):
It's Corey and Panga. That's this is officially Corey into Panga.
I mean it was if there was a couple going,
you know, the last two seasons or three seasons, four seasons,
it was Corey and Sean, and now it's Corey into Pang.
It's completely true, completely true.

Speaker 3 (07:33):
So and and and it's funny that they bring in
Rachel right away because it's like.

Speaker 2 (07:38):
We need another woman to be like fawning over and
like an object.

Speaker 1 (07:43):
Out to the taken women. The taken women have to
remain chased and pure exactly, and we can't objectify them, right,
so we need to bring in a woman to objectify exactly.

Speaker 2 (07:58):
Basically, that's exact kind of what it's feels like.

Speaker 3 (08:00):
It feels like to Peg and Corey are off doing
their thing, and that's not I will guarantee you that's
not how it was said in the room.

Speaker 2 (08:07):
What was said in the room is what would be
funny is if we put Jack and Eric in a
love triangle with somebody. Yeah, that's what how they pitched it,
but what it really was is, yeah, we need a
woman that we can sexualize because we can't do it
with Japanga or with Angela or or right, so we
need to have Morgan.

Speaker 1 (08:24):
So we all the female characters on the show. There's
no Lonnie, there's no there's no like, Who's who do
we turn into an object?

Speaker 3 (08:34):
We've got the Madonna who could we drool over and
make jokes about.

Speaker 2 (08:38):
Yeah, yeah, absolutely yeah.

Speaker 1 (08:41):
But before we're starting with our we're starting with season six.
Will what did you do between the summary? I did
a movie? I don't know.

Speaker 2 (08:48):
So did you do a movie every summery? You say?

Speaker 1 (08:51):
Are there? Yeah? How many did you do?

Speaker 2 (08:53):
You did my day with the President's daughter Trojan War.
It wasn't this then.

Speaker 1 (08:59):
Gift of Love, Gift of Love?

Speaker 2 (09:03):
No, that was one with Andy Griffith, with my with
my amazing Southern accent, which I didn't tell me I
had to have until the morning on the set. Then
there was my educating Mom.

Speaker 1 (09:16):
So with educating Mom, maybe maybe it was educating mom
because we haven't talked about that one. Educating Mom Educating Mom.

Speaker 2 (09:21):
Educating Mom was Jane Kesmerck played my Mom and Lacey
Shavert played my little sister, and it was a mom
who goes back to high school with.

Speaker 3 (09:31):
Her kid in after school specially, it wasn't after Madison
with Mom.

Speaker 1 (09:36):
Yeah, so I don't know I did. I did one
ever year pretty much. Yeah, yeah, I did.

Speaker 2 (09:42):
I did a movie every year.

Speaker 1 (09:43):
Educating Mom came out in nineteen ninety six. Okay, then
it wasn't that one.

Speaker 2 (09:47):
And I know that h Doable hockey Sticks came out
in ninety nine because I remember specifically j.

Speaker 1 (09:51):
Double hockey sticks. No, this is the summer of ninety eight.

Speaker 2 (09:55):
It can't be because my hair was cut for Hidable
hockey sticks and I had to wear the wig. That's
when I had my panic attacks started then, so I
remember that summer very well.

Speaker 1 (10:04):
This one.

Speaker 2 (10:05):
I don't know what I did in ninety eight, but
I did a movie of some sort and I just
don't know which one it was, honestly, have no idea.

Speaker 1 (10:11):
Weird, Yeah, but that kudos to writer for having a
memorable nineteen ninety eight. Yeah, Will and I will just
wipe that year off off of the planet. Doesn't exist
for us.

Speaker 2 (10:23):
Yeah, it was my last year before panic attacks though,
so big year.

Speaker 1 (10:27):
For a big year.

Speaker 2 (10:28):
Yeah, big non memorable mental health year.

Speaker 1 (10:32):
Exactly. You didn't know that. You should have cherished every.

Speaker 2 (10:35):
Moment of exactly you never know cherish furis every moment absolutely.

Speaker 1 (10:40):
Welcome to Pod Meets World.

Speaker 2 (10:41):
I'm Daniel Fishel, I'm right or Strong, and I'm Wilfordell.

Speaker 1 (10:56):
Well, here we are, Season six, Episode one. His answer two,
I'm assuming because it says part one.

Speaker 3 (11:03):
Is they say part one because it's supposed to be
continued at the end, right, But then.

Speaker 1 (11:08):
It's definitely at the end it's Tapega's answer, So maybe
the next one's called her answer part one. I don't know.

Speaker 3 (11:13):
Oh it is, Actually I don't know, because what was
the end of the first The last episode of last
season was called the Graduation, right, right, and it would
also be the question.

Speaker 2 (11:22):
So then you get his answer, and then I think
her answer would be not I think it is her
answer or something along those lines for the next one.

Speaker 1 (11:29):
Well. It originally aired September twenty fifth, nineteen ninety eight.
The synopsis when Tapega proposes to Corey at graduation, Corey
is absolutely stunned. However, when everyone else has conflicting views
on the subject, Corey and Topanga Quietly Slip Away to Elope.
It was directed by Jeff McCracken. It was written by
Bob Tishler. And we have a guest. Two guest stars

(11:51):
this week, guest starring Bill Morey as Judge Bmiss. He
is a character actor best known for the seventies cult
classic Death Race two thousand and he was the voice
of Mutt and Ricondo on the g I Joe cartoon. Yes,
best cartoon ever, Yo Joe. My brother was obsessed with
that cartoon as a kid's ardort. So well, yeah, So

(12:12):
this is the first of two Boy Meets World episodes
he will appear in. And he passed in two thousand
and three at the age of eighty three. And then
we have Connie Sawyer as Puffoufta Foofy, another familiar face.
A character actor who is best known for her part
in Dumb and Dumber, but appeared in other movies like

(12:32):
Pineapple Express, Out of Sight, and was in one of
the documentary couples when in When Harry Met Sally. She
passed in twenty eighteen at the age of one hundred
and five.

Speaker 2 (12:48):
Oh my god, wow, I was gonna say twenty eighteen,
one hundred and.

Speaker 1 (12:56):
Five hundred and five. She sleeping so well right now
she's she is thrilled. She was also into Boy Meets
World episodes.

Speaker 3 (13:06):
So you know, you guys, you guys know that beginning
of when Harry met Sally, they actually they did real
interviews with real people, recorded them, and then brought in
actors to imitate that. Oh yeah, because it was like
it was finding that line between like inserting actors and
real you know, and it was like the real life
people in some ways were like a little too real,
you know.

Speaker 2 (13:24):
It wasn't as So. Yeah, it's an interesting I love
that beginning.

Speaker 1 (13:28):
It's a little like our opening credits. Is it us
or is it characters?

Speaker 2 (13:34):
That's one of the best movies of all time, of
all time.

Speaker 1 (13:36):
Yeah, before we jump into our recap, what are your
overall thoughts of the episode, I'll start if you want.

Speaker 2 (13:44):
Okay, always starts and I feel bad. I actually really
liked it, Okay. I think I was expecting not to,
and maybe that was one of the reasons. I thought
it was funny. I love the family stuff. I like
the people trying to I did not remember the many
characters trying to talk them out of getting married, which
I really liked. I liked people kind of being like,

(14:06):
you're too young, what are you thinking? Eric is officially
Eric and crazy. Rachel obviously is a character that makes
no sense and has no point in being there other
than being partially naked. Hopefully that will change, but in
this first I mean, there's it's kind of ridiculous that
she's there. But other than that, I was entertained for

(14:29):
twenty two minutes. I laughed out loud a couple of times.
I rewound a couple things. I remembered certain things from shooting.

Speaker 1 (14:35):
I actually enjoyed.

Speaker 3 (14:36):
It, Okay, good, oh cool writer, Yeah, not so much.

Speaker 2 (14:43):
I didn't like it at all. Yeah, I don't know, No,
I don't know. I mean I guess.

Speaker 3 (14:50):
I feel like, yeah, it felt like a lot of
like characters in a line debating for like the quarchbannga
stuff like we're in a line in the kitchen, we're
in a line in in the backyard. So it was that, like,
let's theorize about Corey to Panga and love and it's
like okay, and then.

Speaker 1 (15:06):
Like was it the blocking?

Speaker 2 (15:07):
Is it the blocking that bothered you or the actual
dialogue that bothered you?

Speaker 3 (15:10):
There, it's the scene structure, like the idea like let's
get all of the characters in a room and then
have them hash it out. It's like that's not storytelling,
that's like, you know, theorizing in character. And and then
I felt that pressure on the actors to like make
turns and to make things like like you, you know,
obviously you're great, but like they putting you in position

(15:31):
where you had to like make the transition or like
deliver information and then make a joke which then gave
you an exit line. And the same with Rusty. Poor
Rusty had to like make these character turns on his own.
Like it just felt I don't know, it just felt
very like riterly and expositional. So and even the Corey

(15:51):
to Panka stuff, which could be charged with like the
fact that Corey's insecure and I don't know, like you
two were funny together at times, but I don't know,
I wanted more like the high jinks of pretending that
you're not getting married or you know, and instead it
became time to like hash it out.

Speaker 2 (16:07):
Let's sit in this car and talk, let's sit in
this place and talk, let's sit you know.

Speaker 1 (16:10):
I was like, okay, okay, yeah, I think I did
enjoy the episode if I can just allow my criticisms
of it to not affect the way I felt about
the scenes, which is hard because I have some criticisms
about it, But I think the biggest one if I
were to make it just one criticism, and it would

(16:32):
be that if you think about what they needed to
what they wanted to happen in this episode, so much
of the propelling of the story forward had to happen
by making assumptions, like in one episode they wanted to
go from they agree that they're going to get married,
and then they tell their families that people are not

(16:53):
happy about it, and then they go Elope. That's a
lot to happen in twenty two minutes. And them somehow
knowing that because Topanga and Corey slipped away they were
going to Elope makes no sense to me. I would
never have thought that if I were in a situation
with my kids and I thought I would think, like, oh, yeah,

(17:14):
they probably didn't want to hear us fighting and we
were talking about them like they weren't even here, or
maybe they went to go get ice cream.

Speaker 3 (17:20):
To have Sean inserted. That's why they have me say like,
if there's one thing. I know Ory has a choice
between tapanga and anything. It's you know, it's like okay,
so yeah, but.

Speaker 2 (17:29):
It's also they it goes right from assuming Eric kind
of saying I bet you they eloped to then assuming
they did into then man, I wish I was at
the wedding, like it became a real thing, like it
was automatically.

Speaker 1 (17:40):
It's also weird that somebody just said I bet they
went to go alope, and everyone was like, they're getting married. Yeah.

Speaker 2 (17:48):
By the way, everything you're talking about of you know,
doing the answer deciding to get married eloping, you said
twenty two minutes. It's not because there's a b story.
It's like twelve minutes. I know, you're right every of
having to do that entire storyline, and it's essentially now
this is episode two of three, so we're in, you know,
we're in Empire strikes back at this point. So we

(18:11):
I mean, this was there was already one episode and
now there's a saying I have no idea what happened
to the third obviously, but I.

Speaker 1 (18:16):
Also said a little you know, I had a little
funeral for the Eric. We know from here, I feel
I feel like if if we ever thought Eric.

Speaker 2 (18:26):
Was coming before. Yeah, we're wrong, Eric, Eric's gone. Yeah.

Speaker 1 (18:32):
I will say, though, do you.

Speaker 2 (18:34):
Guys feel like it's a real difference?

Speaker 1 (18:36):
I really yeah, well what is that difference?

Speaker 3 (18:38):
Because I was trying to I felt it too, but
I was trying to isolate what it was. To me,
it feels less motivated or something's like.

Speaker 2 (18:46):
There's is more of a caricature. Yeah, there's no, there's
no real moments anymore. There used to be this kind
of balance between Eric having heart and having these real
moments and then this wacky craziness, where now it's just
solid wacky craziness. All the real moments are going on
around him with other characters.

Speaker 1 (19:02):
Yes, it's like every every opportunity you have to open
your mouth, if you're not getting a laugh, if you're
not delivering a joke, that it's not there. Like so
it just feels like you're a joke machine as opposed
to a real person.

Speaker 2 (19:17):
And that was my problem in season six and seven.
That's what I would always talk about with Michael and
stuff like. That was why I was getting upset is
y'all were having these dramatic storylines going on and then
it was let's cut to Eric dancing, and that's what
every episode became about, was just and now Eric and
then back to now let's get back to our actual story,

(19:39):
and that we're going to see getting worse, like when
the kid is in ICU and like all the real
dramatic stuff that's going to start happening. You're really going
to see the dichotomy between Eric and the rest of
the cast, and it gets jarring, if memory serves. Because
my feeling as an actor, I was like, but that's
why I felt like. It was like, Oh, we're gonna
do Dawson's Creek, but we're still a comedy, so will

(20:00):
you're gonna do all the comedy And it was like, Okay,
well that's a lot.

Speaker 1 (20:04):
Let's try that and see what happens. And I don't.

Speaker 3 (20:05):
It's also like kind of all over the place in
terms of Eric's character, Like there were times when I
was like, Oh, he's like the super confident guy. Other
times he's like just dumb, you know. I was like,
you're just kind of moment to moment, whatever, the joke, whatever,
the funniest thing for somebody to say that it's out
of contact, like the wrong thing to say.

Speaker 2 (20:24):
They just gave to you.

Speaker 3 (20:25):
It was just like make Eric the wacky guy who's
just always going to say the wrong thing or the
weird thing.

Speaker 1 (20:30):
Yeah, and has in the past, and so many episodes
actually delivered really good advice to Corey has been has
been a person you could go to for important moments.

Speaker 2 (20:39):
And now still the Tommy episodes they haven't come.

Speaker 1 (20:41):
Yea, so that's true.

Speaker 2 (20:42):
Hopefully at least in this episode. There's no balance at all.
But I will say something that you pointed out back
in the day, Danielle. I will point out for myself
now this is peak will oh really, but yeah, this
is I'm in shape, I've got the long the long
hair going, I've got the main this is it's all
down here from.

Speaker 1 (21:02):
Enjoy I loved I loved that season I had it
was so great, so enjoy it. I'm so excited for
you to get to live it this year. Me too.

Speaker 3 (21:12):
Way, this is such a better start to a season
than season five though, oh yes, the key season five,
I was like, what is going on this? I'm like, oh,
it feels like the show. It's the cord to Panga's
side of things, which is not my favorite, but it
definitely still felt like Boy Meets World.

Speaker 2 (21:29):
How crazy is it? Though?

Speaker 3 (21:31):
Going back watching the previously on, I was like, whoa,
I know, we were pulled out all the stops. We're
gonna We're going to graduate, we're gonna get married, we're
gonna have a baby, and Fete's gonna retire. I was like, whoa.
It's like it was like suddenly seeing it all compressed.
Its Wow, they were really pulling out all the stops.
Do not cancel our show, do not. You have to
finish this storyline, Like Michael and the writers put so

(21:54):
much pressure on the network to.

Speaker 2 (21:56):
Pick us up for this season. There was no way
they weren't going to It's But.

Speaker 1 (22:00):
Before we get to that previously on, we have a
new opening sequence. Yeah, we have a new opening sequence
that is eerily similar to last season. It's mostly us
just recreating what was once spontaneous behavior, and now.

Speaker 3 (22:16):
It feels so different to me and that I was
watching this like, oh, this is a bunch of factors
hamming it up, doing their stick. I can almost tell
that we're like mocking we're doing Yes, we are. We
are see in our I can see it in our
faces that we are mocking what we're doing.

Speaker 2 (22:33):
While doing it, but I'm also wearing sunglasses and my
shirt is all the way open.

Speaker 1 (22:39):
It's because we're at peak will you were wanting it?
How do I milk this?

Speaker 2 (22:46):
Going on? The open shirt and the sunglasses, just thinking
I'm so cool, Like what is happening right now?

Speaker 1 (22:52):
Yeah?

Speaker 2 (22:52):
There were lots of arms going around each other. We're friends. Well,
I remember, Danielle, don't you remember them telling us like, oh,
and the ton thing that was done last time, we're going.

Speaker 1 (23:03):
To do that again.

Speaker 2 (23:04):
I remember that we're going to reverse it, and now
we're going to reverse the bucket drop. And so we
were being given specific beats.

Speaker 1 (23:11):
No, it's all the things that were spontaneous and fun
for us last year. They were like written down on
a script now and we're like, and here's how we're
going to make it spontaneous and different. And it was like,
oh no, now, there's the only reason we did it
is because of Maitland, right, because and Maitland opening. Yeah,
And so we saw this with Matthew before, which is

(23:33):
that the audience is seeing a new cast member they've
never met before in the credits and they have no
idea who she is. So we we have that new opening,
and then we get a quick recap reminding the audience
of how we left the show in season five. And
I love that Ben actually says previously and absolutely unbelievably,

(23:58):
which is exactly writers like, I cannot believe they jammed
all this in.

Speaker 3 (24:02):
When you stack them up in a row, I was like,
oh my god, okay, it was like yeah.

Speaker 1 (24:06):
It also for the first time ever because why would
I have thought of it at the end of last season.
But seeing this, seeing the prom episode, even though the
reveal in that scene of the prom episode was Amy
and Allen are having a baby, it made me wonder

(24:28):
whether they were setting up that the really good reason
for Tapega not to go to Yale was that she
was pregnant. Because even though we saw at the end
of last season that they came out that they were
on the dance floor and not in the room. Remember that.
Then when Corey and and when Sean and Angela like

(24:50):
ask about we kind of make a face like did
we or didn't we? And then Tapega asks Corey to
marry her. At the end of the season. When I
when I saw me in the prom dress, I was like,
oh my gosh, was there any possibility there was any

(25:10):
sort of eluding.

Speaker 3 (25:12):
Aren't they going to reference you guys being virgins until
you're married?

Speaker 1 (25:16):
Well, if we do in this opening episode, you do
in this episode. But my point is.

Speaker 4 (25:21):
In this episode you say, like he says moon, we're
going to Yeah, but like.

Speaker 2 (25:27):
Is there actual, like solid we are virgins until.

Speaker 1 (25:31):
Not in this episode?

Speaker 3 (25:33):
So you could have could have done it on problems, yes,
and that's why it could be pregnant.

Speaker 2 (25:39):
And he comes out of the fast and it's his
first time, so it could have been that quick. But
it's real quick because remember you go into the room
ten seconds and you come back.

Speaker 1 (25:49):
What's up with the weird look we give them? Why
do we give them a look?

Speaker 2 (25:52):
Like? I think it's just a cover to keep it
like light, You're no.

Speaker 3 (25:57):
I think the idea is like you're it's it's your
private it's your private life, so you're not going to
share it, and you're going to let people think that
you slept together if that's what they want to think,
but you're also not going to say it.

Speaker 1 (26:07):
Yeah, I don't I know what if As I was
watching the opening, I was like, oh my gosh, what
if I'm pregnant?

Speaker 3 (26:15):
No, No, you guys are destroying the mythology of she
doesn't because of love and destiny and Corey, that's it done.

Speaker 1 (26:24):
And a child just wonder if we wanted the tiniest
bit of mystery about if that's one of the reasons
it goes away immediately because to Panga doesn't say an
eddy point because and she definitely when she says and
on this honeymoon we to her, it's very clear to

(26:45):
me that's a chip to Panga has that she's playing like, well,
when we get married, which I can't believe she has
to convince this person to marry her by being like,
you'll get to have sex with me. It is so sad.
I want to pry and I instead I will just
got married. I got married, I'm telling you. But yeah.

Speaker 2 (27:05):
No. Also, I had a I don't know about you guys,
but I had a visceral reaction by just the word honeymoon. Oh,
because I thought of the episode. I was like, oh God,
I can feel it, Yes, I can feel it happening.

Speaker 1 (27:20):
Okay, God, we're gonna love it.

Speaker 3 (27:22):
We're gonna watch it. It's gonna be our favorite. I'm
barely in it. I think I was fairly there that
we thinking it.

Speaker 1 (27:29):
So yes, as mentioned, Alan and Amy are having a baby.
Mister Feene is retiring. The gang has graduated high school,
and Tapanga has asked Corey to marry her at the ceremony.
God we left them before he could answer, and now
we're back at the graduation ceremony, but everyone else has left.

Speaker 3 (27:44):
Corey, did they pick us up for twenty two or
did we get nine or thirteen?

Speaker 2 (27:48):
No, we didn't get No, we didn't get thirteen until
season seven we got picked up. We were full seasons
until the last season where we only got picked up
for thirteen. So we got twenty two and got that
stack of cliffhangers. Yep, right, well done, well done.

Speaker 1 (28:03):
Corey and Topanga are all alone, still sitting on the
graduation bleachers. I am wearing what could only be described
as orthopedic sandals. I don't argue I notice, it's because
you're pregnant, idea, what's going on? But they are absolutely.

Speaker 2 (28:21):
Would not.

Speaker 1 (28:24):
I have not noticed because there were people sitting in
front of me, and I had my gown on. So
in this one, my gown's a little pulled up, and
I am wearing shoes black leather, flat, criss cross orthopedic sandals.
Hua would think they were too conservative.

Speaker 2 (28:43):
I don't know what's.

Speaker 1 (28:44):
Going on there. Corey is completely shell shocked, frozen in
time to Penga nudges him, forcing him to ask, did
I just ask you to marry me? To Panga reminds him,
I asked you. He always figured he'd be the one
to propose, but he's not against this. It is the nineties,
after all. What's done? Is am I the only one
who picked up on the fact that he was annoyed.

Speaker 2 (29:03):
I proposed, Yeah, it seemed like he was. It also
seemed like the room was different. I got that it
was supposed to be empty and that he was supposed
to just be empty bleachers. But a new set it did.

Speaker 1 (29:12):
It felt like an entirely new set.

Speaker 2 (29:13):
It felt smaller. It felt like it should have been
them in this big, cavernous room together, and instead it
felt smaller than it did. When there was a pause,
you're just shooting one direction. Yeah, it was a flat wall,
drained and to be fair, it is a weird set
to begin with.

Speaker 1 (29:25):
Four months since people had seen it, so everyone was like,
they're not gonna remember it's gonna be totally fine.

Speaker 2 (29:32):
Uh.

Speaker 1 (29:32):
Corey nervously changes the subject, reminding her of the graduation party,
but to Panga doesn't let him leave before getting an answer.
He assures her she will get an answer, but it's
not every day a guy gets asked a question like that.
But before he can continue rambling to Pega pulls him
in for a kiss and the audience who and Corey
pulls away in a haze, completely unsoorce old. He asks,

(29:55):
so you got a ring for me? Or what? Well?

Speaker 2 (29:58):
It? Sorcer meant, is the is and the same? It's
just this show.

Speaker 5 (30:02):
It's so intense, but it's also very strange that shows
do this honestly, Honestly, do other shows have like a
girl grab a guy and kiss him and then he
becomes like.

Speaker 1 (30:14):
And it's also a virgin.

Speaker 2 (30:15):
She's a virgin who uses her sexuality to get what
she wants. It's a weird combination.

Speaker 3 (30:20):
But it's like it's so natural to me because we
did it all the time on the show. I had
to do it, and then watching it now, I'm seeing
why it's like built into me that this is like
what a story can do, and how is this something
that was done on other movies and other shows in
the nineties all the time, Like, I honestly don't know or.

Speaker 2 (30:38):
Is this specific kiss? Let us know, we really rely
on it. We really rely on.

Speaker 1 (30:44):
It, and we're going to rely on for six. Matthew,
if you're out there, please.

Speaker 2 (30:50):
Not Matthew Lawrence.

Speaker 1 (30:51):
Not Matthew Lawrence. Maybe I should make a different name.
There's going to be a lot of Matthew's Bartholomew. Okay,
all the people who follows our show and who listens,
I have faith putting this on you, mart please reach out.
Let us know other shows of the nineties did they
do this where women can get men to do whatever

(31:13):
they want if they just give them a passionate enough.

Speaker 2 (31:15):
Case passionate kiss. Chandler friends, Maybe I don't.

Speaker 1 (31:20):
Know why to Panga is having to beg this man
to marry her. I love that Corey is not thinking
getting married is a great idea. I have no problem
with I have no problem with that. I actually wish
that that was said, yes to Panga, I'll marry you
in five years, in six years, yeah, not now. But

(31:42):
instead it's like WHOA, I don't want to give you
an answer. It feels very much like if you tell
someone you love them and they don't say it back,
and then you're like, do you love me? It's like, please,
don't ask that. Like if they loved you, they would
tell you please. Just like I don't know, but.

Speaker 2 (31:57):
Most good marriages start when one person has to convince
the other person to marry Sure, Sure, everybody guilty.

Speaker 1 (32:08):
Only she had been really pregnant, then she'd have Then
she'd be perfect, have a perfect trap exactly. Anyway, the
start of this rubbed me the wrong way.

Speaker 2 (32:17):
I'm just just wants a man to keep her in
orthopedic shoes, is what it seems like it is.

Speaker 1 (32:23):
Then we're in the John Adams Hallway. It's still just
after graduation, with students in their gowns roaming the halls
with their parents. Corey tells Topanga he wants to marry
her more than anything in the world, but he can't
let her give up Yale for him, bringing it back up, Okay,
I love it. I also then to Panga asks if

(32:44):
he honestly wants her to go to Yale, and he
then admits no. He has done nothing wrong, nothing wrong.
He has flat out said, I cannot let you give
up this thing for me and she goes, do you
really want me to go? Not no, and he says, oh, well,
of course I don't want you to go, but you

(33:06):
have to go, but you have to do it anyway. Yeah,
So I have no issues with Corey and the ile situation.

Speaker 2 (33:14):
As it stands, there's red flags, but they ain't coming
from Corey.

Speaker 1 (33:17):
Yep, So Tapega tells him to shut up about it.
Besides Penbrook being a great school, how good is college?
Without his face and she smushes his cheeks together.

Speaker 2 (33:26):
I had a problem with this because how great a
school is it if Eric's there? But it's true Eric
end up at the same school Sean and Sean. I mean,
it's like it's not a good school if it takes everybody. So, yeah,
it was just strained, like Pembrook's a great school, is it?
It's it's like Beach State.

Speaker 1 (33:48):
Corey musters up, it's no good at all. The Penga
wasting no time asks when they should get married. Corey
stammers he's not so sure, and Tapega jumps in, how
about right away? She reminds him they've been dating since
they were too Nope, okay, okay.

Speaker 3 (34:03):
If I thought you met at the monkey bars at
three four.

Speaker 2 (34:07):
That was it four, but now it's two two.

Speaker 1 (34:10):
Nope, we met in the womb.

Speaker 2 (34:12):
We're twins. Actually, that's one thing Ryder thinks is missing
from shows like this is the incest Remember the game
Game of Conversation.

Speaker 1 (34:26):
I also immediately followed up with and they both had
the chance to be with other people. What Corey has
definitely had the chance to be with other people. Corey
has had the chance to be with other people, every
opportunity to pengo.

Speaker 3 (34:40):
People who's he says, the chance to be with Ladies
of the Night to throw themselves at the jacket.

Speaker 2 (34:48):
Jacket.

Speaker 1 (34:50):
The date where she didn't look up at Ricky like
what is she talking about? What? What is? Come on?
We've been together since we were two. We both had
the opportunity to be with other people.

Speaker 2 (35:01):
Yeah, no, no.

Speaker 1 (35:02):
No, Corey interrupts. Yeah, I wonder what she's doing.

Speaker 2 (35:08):
Great joke, we really yeah, I almost like, oh.

Speaker 1 (35:12):
See, I think it's a great because it's just such a.

Speaker 2 (35:14):
Needle, Like, yeah, I wonder what she's up. It's such
a just a it's.

Speaker 1 (35:18):
Juphst dude thing.

Speaker 2 (35:19):
Yes, yeah, but like funny, like you're needling in a
funny way well.

Speaker 1 (35:23):
Topanga jokingly shoves him, so she apparently gets the joke,
and she asks, do you think we'll be together for
the rest of our lives? Corey answers yes, and Topanga
has hurt enough. We're not like other people. We're weird.
Let's just do it. I want to have time for
our honeymoon before college starts. Corey's ears, of course, perkup
and on this honeymoon, you and I we probably to

(35:46):
Panga nods, oh, there's a good chance. She is in
sorcelled Corey again and he tells her to keep talking,
but Tapanga has a different idea. She insists they go
tell his parents. Corey yels no. He tries to convince
her that now is in a good time with the
baby and all. In fact, they probably shouldn't tell anyone.
So now strikes me, is he's embarrassed to be engaged

(36:09):
to Topanga or what is he? I don't know. He's afraid,
he's afraid of telling his parents, and that's what they
want it to be, because that's exactly what Sean says, No,
you're afraid to tell your parents, And he's like, I
don't see any reason why they need to know, so
they're trying to make it that but and I guess

(36:30):
based on the way Amy reacted to Topega coming back
from Pittsburgh, he would have a reason to feel that way.
My parents are not going to support this. They were
trying to encourage us to see other people before. So
I don't.

Speaker 3 (36:47):
Know, I just what happened to Like the ultra confident court,
it was like, I just you know, it's nice everyone.

Speaker 2 (36:55):
It's interesting to be the only one the only way
he knows it's over, the only one who knows it's not.
Can you remember that whole? Yeah?

Speaker 1 (37:02):
Where is that? Yeah?

Speaker 2 (37:03):
And now we would just be like, yes, we are destined,
let's go.

Speaker 1 (37:09):
Tapanga is confused, so Corey adds, until we figure out
what we're going to do. She asks, does he want
to marry her? Which girl? I'm asking the same thing?
Really seems like he doesn't want to marry her. He
quietly says yes, but doesn't want people sticking their noses
into their business. He makes Topanga promise not to tell anyone,
and she happily agrees, Comparing the two of them to
Romeo and Juliet again.

Speaker 2 (37:32):
Again, bring him back, Bring him back to the pilot.

Speaker 1 (37:35):
Corey laughs, that's why we're not telling anyone whatever you need.
She reiterates, So are we engaged or what? He says, Yeah,
as long as you don't open your big mouth. She
laughs again at his teasing and gives him a kiss.
As they embrace, Phoene approaches to congratulate them. Corey freezes,
oh my god, he knows. Tapanga reminds him Phoenie is
talking about graduation. Phoeni wonders if there's something else worth congratulating,

(37:58):
and Corey quickly weigh him off. Nothing, get off my back,
Phoene shrugs, whatever you say. Corey ramps up. Anyway, You're
a smug one, aren't you. George? You know you know?
I know you know. I don't know how you know,
but I know that you know. Phoene admits, all right,
I know, I know everything. Now, what in the world
are you talking about? Corey storms off, pulling Topanga with him.

(38:19):
Nothing this gets out and I'll hunt you down like
a dog. And then we're at the guy's movement.

Speaker 3 (38:25):
Clear why Corey, I mean, is the idea just a
Corey's an anxious mess like he he just is so
freaked out by the idea of being engaged that he
can't stand up.

Speaker 1 (38:36):
Okay, yeah, I think that makes sense. He's just panic.

Speaker 2 (38:39):
It's also not the idea of getting engaged. It's the
idea of she just said, let's go get married now, essentially,
and it's like, wait, we're doing what So we're not
even gonna have an engagement, We're just getting married.

Speaker 1 (38:49):
It is a lot to spring on someone like Topeka
spent the entire Topanga took a couple of days at
least thinking about whether or not she was gonna do this.
She asked Corey. Corey was not expecting it, and now
he's like, oh my gosh, of course I want to
marry you, but like, this is a lot to think
about and when and how and what about Yale? And
I have to tell my family, and so I can

(39:10):
see how the idea would be. Let's just keep this
quiet for now, until I can wrap my head around this,
until I can talk to my best friend, until I
can let me just get my feet under me. So
I guess I buy that. We're back at the guy's apartment.

(39:36):
Sean answers a knock at the door, and it is
a beaming Corey. Sean immediately guesses to Panga asks you
to marry her. Cory scowls, I hate you, and then
we cut to Angela's room, a new set. We've never
seen this before, I know, Angela tells Topanga, you guys
are so weird. She says, I know, but I love
him and I want to be with him till he dies.

(39:56):
But you can't tell anyone, not even Sean. We cut
back and forth between the guy's apartment. In Angela's room,
Corey interrogates Sean Phoeney told you, didn't he I'm gonna
find him and rip him apart. Sean reminds him, I
was sitting right next to you when it happened. He
heard everything. Meanwhile, Angela realizes that's why Corey looks so scared.
Tapanga argues that he wasn't scared, he was only flustered.

(40:18):
Back at the apartment, Corey explains, I was a little flustered,
that's all. Sean counters, you look like someone shot you
in the head. But hey, I don't blame you. If
Angela asked me in the middle of graduation, i'd wet
my gown too. Angela reminds Topanga. At our age, we're
supposed to be having fun, not getting married. What idiot
doesn't know that. I'm so happy she she has this POV.

(40:41):
I didn't remember this. I love it. She's the voice
of reason. Love it. Also congratulations to Trina McGee, who
had her baby in the off season between last season
five and six, we asked her, what did you do?
She'd say, had my third baby was born. Congratulations. We

(41:05):
see that, and at the apartment, Sewan has made up
his mind marry her. Corey's flabbergasted. You're supposed to say
we're crazy, but Sean says Corey is crazy if he
doesn't realize they've been married their entire lives. They may
as well get presents. Corey admits, I do need a
new toaster, but no rushing into marriage right now is
way too overwhelming. He tries to blame graduation in college

(41:25):
looming in the distance, but Sean sees right through him.
You're scared to tell your parents, Corey shrugs. I see
no reason why they ever have to know. Then they
head out into the hallway and Shon declares, well, if
we're done talking about you, I've got some news. Corey argues,
We're not done talking about me, how selfish are you?

Speaker 2 (41:42):
Are you?

Speaker 1 (41:44):
Sean ignores him. He's thinking about taking some courses at Penbrook.
Corey dismissively nods, good, have a nice day, Sean continues,
which means, I'm going to stay in the dorms. So
if you're not ready to have Topanga as a roommate,
what I know?

Speaker 2 (42:02):
And why is Sean moving? Like why do I need
need to go to the dorms as a freshman?

Speaker 3 (42:07):
I guess because and Eric had an apartment and he's
in the apartment.

Speaker 1 (42:14):
Brook, So why would you recommend Corey mary to Panga?
And then say, but if you're not ready to have
her as a roommate. So a wife is a less
of a less of a responsibility than a roommate.

Speaker 3 (42:31):
The logic, the pretzel logic of romance on Boy Meets World. Yeah,
it's like we got to prioritize the male male friendships
but also prioritize the male female relationships, and we got
to make them both rationalized in this it.

Speaker 1 (42:44):
Makes no sense. Why isn't Sean on the side of
Angela maybe a little bit more? And I guess only
because Sean has in previous seasons and episodes been obsessed
with getting them back together. But like if it were
Sean and Angela both saying we love you both, we
love you as a couple, but this is too young.

(43:07):
Let's like you guys could be said, you guys could
be encouraging us live together.

Speaker 2 (43:13):
That's what the thing that amazed me is that nobody said,
get engaged. Go ahead, get engaged, get married in five years.

Speaker 1 (43:18):
What's the way, that's the goad there?

Speaker 2 (43:22):
Take that next step if you want, you don't have
to get married next week, go ahead.

Speaker 1 (43:25):
And getting in And I guess that just me. I
guess the difference is, especially back then, the implication if
you were living together meant that you were sleeping together,
and so the idea that like anyone would encourage them
to be engaged and living in the same house meant sex.
And we had made it clear that like Tapanga was
going to prioritize virginity. I just I don't understand this

(43:47):
moment from Sean, who's just finished saying please marry her.
You've been married your whole lives anyway, and then being like,
do you want to live with me in the dorms
in the same scene.

Speaker 2 (43:56):
Even just because they need it, and They did it
backwards because they need to have Sean have another place
to go when he eventually gets kicked out. We needed
to know, but it should have been after he gets
kicked out that then he's like, Hey, I'm going to go.
I got nowhere to doors, I have nowhere to go.

Speaker 1 (44:10):
You want to live with me? Yeah, because it doesn't
make anything.

Speaker 2 (44:13):
Out because by then they were already all opened exactly,
So that's it doesn't because it's like, you're already near Penbrook.
That was the whole point of Jack and Eric living
near college. Ye is they have that freshman year why? Yeah,
So it didn't doesn't make any I mean, get rid
of Sean, get him out of the apartment. I mean
not like I really participated in much in that seat anyway.

Speaker 1 (44:35):
So well, Corey can't handle it. You and me together.
That's two proposals in the same day. I must be
the luckiest boy in the world. Just then, the elevator
door opens and it's Jack and Eric. They secretly listen
in as Corey tells Sean he's glad he's going to college.
They give each other a big hug, and Jack finally interrupts,
what's he talking about? Sean reveals he's taking college classes because,
no matter how much he loves his job, there is

(44:57):
more to life than photographing naked ladies. Uh huh. We
get a call back.

Speaker 2 (45:03):
To reference not a job you had.

Speaker 3 (45:06):
Yeah, decision off camera between seasons for that word that works.

Speaker 2 (45:11):
There happens, and there we go. By the way, I'm
wearing a new necklace. So love and I are obviously
no longer together. Yeah, I've got my bear neck No
more cokespoon is gone. It's a it's like a little
it's a leather well, no, the new one. I'm wearing
it like a leather thing with a bear. I don't
know if I still I'm sure I could find it somewhere.

Speaker 5 (45:31):
Well.

Speaker 2 (45:31):
The thing I do remember is I wear it all
through season seven when I've gained weight, and it looks
like I'm just choking myself by the end, because it's
like holding on for your festival. Watch it, just watch.
It's a leather thing that just keeps like I couldn't
take it off, and eventually it just looks like it
was cutting off my circulation.

Speaker 3 (45:46):
Yeah, it's BADLA grown around it would help me.

Speaker 1 (45:52):
I didn't know when it started. I don't remember noticing it,
but I'm officially in Yin Yang thumb Ring territory, which
is another thing I don't ever take off for like
this whole season, and I don't know when it started,
but I watch it. It'll be there forever.

Speaker 2 (46:06):
It's on the right. Start the jewelry.

Speaker 1 (46:08):
Yeah, it is beginning. It is beginning.

Speaker 2 (46:10):
Yeah, shoes, yeah.

Speaker 1 (46:14):
Jack. Jack pulls him in for a big hug and
congratulates him on the decision. Eric schimes in and breaks
the news. There's no more to life than naked ladies,
except maybe naked ladies that wear really tight shirts and
really tight pants. And uh. The inmates in the audience
love this joke.

Speaker 2 (46:29):
Yeah, well they should.

Speaker 3 (46:31):
We've made a version of this joke many times because
I remember when clothes exactly naked. It's pretty clever. That's
pretty cute.

Speaker 1 (46:42):
Jack puts his arm around Eric. The problem with you
is you don't know how to be supportive. I want
you to be supportive. Eric pouts, Okay, i'll try. Corey
ads this means Sean and I will be roommates. So
he just makes that decision. He's going to be He's
gonna marry to bang up. But he's gonna be SHOT's roommate.
Jack is shocked, but Eric, now supportive, yells I support that.

(47:05):
Jack glares at him. Unbelievable. So Eric repeats himself now
in a deeper voice, I support that. Jack, still offended, responds,
I don't believe you. So Eric falls to his knees
and screams, I'm so proud of you.

Speaker 2 (47:19):
This was a bad triple joke in a row it
was I get what they were going for, but it
didn't make any sense and.

Speaker 3 (47:26):
It just just hit it once. Yeah, I can't believe you.
I don't believe you, and then you do it, and
then they get out, and then get out.

Speaker 1 (47:34):
I agree, I don't believe you. And then him falling
to the ground. I so product. That would have been
the perfect that would have been just one Yeah. Sean
reminds him that school doesn't start for two more months,
so that should give them plenty of time to find
a new roommate. Eric says that can't be done. They
are very particular. Corey and Sewn don't seem to care
because they are already leaving in the elevator, and then
on cue a mystery woman we saw in the credits

(47:56):
bursts out of the infamous door at the end of
the hallway. She's carrying lug and yelling, I gave up
a scholarship to Yale to move to Philadelphia with you.
Can you tell me?

Speaker 2 (48:06):
Did you guys remember this? No that there's a Yale storyline.

Speaker 1 (48:10):
No, not a. I don't think we ever. I don't
think we ever bring it up again.

Speaker 3 (48:14):
No, But so it's a way to connect it to
to Panga.

Speaker 1 (48:17):
It's like, it's like it didn't go well right, which is.

Speaker 3 (48:21):
Super interesting to bring up like the sort of an
alternative version of the Topanga choice and to show how
it would be a huge mismistake. Well, it's super interesting
to insert it like that.

Speaker 2 (48:31):
I totally remember. I don't know why I remember this,
but I do. In the Plays with Squirrels episode, her
future self marries that guy who left to go to Texas.
Whoa because she comes back in with the cowboy hat
and they're like, She's like, I went to go see
if there's anything with my ex boyfriend and worked out
a bit. I married him, and so it was where

(48:52):
that was in the Places with Squirrels episode where we're
all ten years in the future and I don't know
why I remember that one little thing, but she does.

Speaker 1 (48:59):
She goes and marry that guy that she left. She left, Yeah,
I think there is to me, there's a big hint
in this episode that relationship isn't over. She calls him
her boyfriend in the scene with you guys where if
she were living with you because she had broken up
with him, it'd be her ex boyfriend. But she says, like,
you know, makes me realize my boyfriend really is And

(49:20):
I'm like, hmm, so, yeah.

Speaker 3 (49:22):
I guess it's just so it's so pointed that she's
like a position or she a yale, I have a scholarship.
It's like because she could have just said I had
a scholarship to college, but they clearly wanted it to
be a counterpoint to the Corey Tapanga that like, here
is the opposite, which is like somebody who makes that
choice and fails, Like why would.

Speaker 1 (49:44):
It's that choice for someone who then breaks up with
them to go find themselves? Right, it's very interesting. She
grabs a framed picture you know what, find this? She
hurls the picture back in the apartment and we hear
glass shatter. Entranced, Eric admits she pretty. Jack nods that
a lot of woman.

Speaker 2 (50:01):
That a lot a woman. That's such a Michael Jacob
mine the second I.

Speaker 1 (50:04):
Heard every bit of line, yep is a every.

Speaker 2 (50:11):
Other line is Michael Jacob's read.

Speaker 1 (50:14):
It is a line, it is it is. I think
every aspect of this Rachel love triangle is just one
hundred percent Michael Jacobs.

Speaker 2 (50:24):
It is, it is, And you could see you could
hear him that a lot a woman like I could
hear him saying those words like guess is all.

Speaker 1 (50:32):
The girl makes her way to the elevator, muttering to herself,
find this God. That doesn't even make any sense, does it.
Eric jumps in, I think you did a wonderful job,
and I support you. The girl size, I really thought
we loved each other. Now I have no place to stay.
I don't know what I'm gonna do. Oblivious to her pain,
Eric cackles, Oh, man, I do not envy you.

Speaker 2 (50:53):
It's just a cartoon character at this point. I mean,
and again, that's fine, but it's just every line is
as big and crazy as you can possibly get.

Speaker 1 (51:04):
Then we're back at the guy's apartment. Later that day,
Sean arrives back home and notices a huge pile of clothes.
Eric and Jack are working as a team, throwing Sean's
stuff into the hallway. Sean wants to know what's going on.
Jack says they found a roommate, and with zero emotion,
Eric tells him to get out. Sean reminds them school
doesn't start for two months, but Jack reveals that they
found the perfect roommate who fits all of their requirements.
Sean isn't having it. He's gonna tell this guy he

(51:25):
can't move in until Sean is ready to move up.
Sat up, Sat up, It up up ye, And then
this girl walks out of Sean's old room, now dressed
in only a sultry silk robe. We have a little woo.
She wonders if they have any toothpaste she can borrow.

Speaker 2 (51:42):
I was I was at a wedding.

Speaker 3 (51:45):
I mean, gosh, this is like ten years ago, I
guess at this point, and we a bunch of us
got a house together for the you know, the wedding.
So the night before and somebody was like, when was
the last time anybody'd seen Three's Company.

Speaker 2 (51:57):
For some reason, we were all like, what is Three's Company?

Speaker 1 (51:59):
What was the story?

Speaker 2 (52:00):
So we decided to watch a few episodes of threes.

Speaker 3 (52:03):
Company, and it was the most crazy show, a great show.

Speaker 2 (52:09):
This is threes Company, like her coming out in the.

Speaker 3 (52:11):
Robe and the audience going, and it's like two roommates
and it is such a weird bygone era of television.
Like if you try and watch threes Company now, it's
so bizarre, like I don't know, like half the jokes
aren't jokes, they're just excuses to get people in short robes.

Speaker 2 (52:29):
Get you guess is let the story even it's even
worse for threes Company because the whole storytending to be gay,
pretending to be gay because he's not supposed to be
living with the women. So to live with two women roommates,
you have to be gay in this world. I mean,
it is just crazy.

Speaker 3 (52:43):
And there's always like the insinuation of sleeping around but
I don't even know if people actually sleep together or.

Speaker 2 (52:48):
It's just like it's so weird. It's such a weird
like thing of TV.

Speaker 3 (52:53):
Like TV used to be this, like it used to
just be a way to see like pretty women and things.

Speaker 1 (52:58):
And here was what you was Three's Company on seventy
eightieslies the seventies, So why in the nineties. Is it
because we had writers writing as though they were shows
they watched in the seventies.

Speaker 2 (53:12):
Yeah, I think that there's like this sitcom tradition that
doesn't exist anymore, which was like this sort of slightly sexy.

Speaker 1 (53:22):
You know what, campy thing. It was a way of being,
like reality TV on a sitcom, what happens if you're
what happens if you're really inside someone's house? You see
them in their underwear a lot, right, Like that's the
thought of you know, like, oh, if we were just
a fly on the wall of someone's house, they'd be
in their bathroom, they'd be in robes, they'd be cooking
in their underwear, they'd dance around like we get to
and so they were like, let's do it.

Speaker 2 (53:44):
But it's the college. It's the college or young twenties
equivalent of getting a sea in the girl's locker room. Yep,
like oh, we got a chance to see they're showering,
like the oh okay, that's what they do. But they
were you know what's funny you mentioned reality TV ninety eight,
ninety seven, ninety eight. This is right when reality TV

(54:04):
was getting really big with like Real World, Yeah and
things like that saying you were talking, but it was
this is when it started. It was already done.

Speaker 3 (54:13):
Remember last season started with Correy's filming, and like, yeah,
already we were referencing it because it was it was
a cultural thing.

Speaker 2 (54:20):
But it's also but what reality TV like like shows
like that are are exactly what you were talking about
at the beginning that you didn't like, writer, which is
nine people sitting in a room talking about stuff. Fashion.
That's all it was was that's used to because they
purposely would take their TV's away, take their head nothing,
so they just had to sit on couches and talk
and that's what it was. And I think we're seeing that.

(54:41):
And then nudity.

Speaker 1 (54:42):
Yeah, for no reason, Sean looks at her and makes
a one eighty. Let me help you here. I thought
that it was really funny.

Speaker 2 (55:01):
Writer, a great comedian.

Speaker 1 (55:03):
Let me help you here, let me just really funny.
He throws some things into the hall and assumes the position,
eventually being thrown out of himself.

Speaker 2 (55:17):
To direct these kinds of things on Girl Meets World,
It's like, no, we want to see him actually fly.

Speaker 1 (55:22):
Yes, so you see someone mouse to.

Speaker 3 (55:24):
Throw myself so you don't actually have to see me launch,
but yeah.

Speaker 1 (55:27):
Very funny. And then we're in the Matthew's house. Corey, Sean, Angela,
and to Banga enter the kitchen, but Corey stops his
fiance before going in. He wants to know if she
told Angela their secret, and she's offended. I would never why.
Corey says that Angela was shooting him nasty looks at
dinner and he almost didn't enjoy his pudding. To Pega
returns the favor and asks if he said something to

(55:48):
Sean because he was winking at her all night. He gasps,
I would never. He reminds Topanga his parents are inside,
so act natural. And if you go back and watch
this moment, you're breaking. I am my, you see because
it's over my shoulder on Ben. My whole body is
shaking with laughter.

Speaker 2 (56:06):
There are a couple of times you and Ben were
almost going.

Speaker 1 (56:08):
To bring we were breaking so much.

Speaker 2 (56:12):
What is the sound that he makes in this episode?
There's a sound he makes that it's I don't think.

Speaker 1 (56:15):
Well when he guesss I would never.

Speaker 2 (56:19):
Yes, that's the one.

Speaker 3 (56:21):
I was like, oh my god, because then I could
see him holding it together.

Speaker 1 (56:27):
Are shaking, I'm shaking laughter.

Speaker 2 (56:30):
I was dying because you know what he did. He
saved that gas till right now.

Speaker 3 (56:35):
So he had been doing a different gas on tape
night made this weird one which made you go, oh God,
in front of the audio.

Speaker 1 (56:43):
He did it, he said it. We're on camera. I break,
and then he holds it together to get through his line,
and then it cuts back to me for my reaction,
and I'm like, just breaking as we as we go
inside the house. So the two walk inside and Alan
immediately exclaims, Corey, Sean just told us the big news.
Why didn't you say anything? Corey blows up at Sean.

(57:05):
You told them, only for Tapanga to also inquire you
told Sean. Corey retorts, Oh, of course I told Sean.
He asks his parents if they're angry, and Alan shrugs,
you guys have been together forever. Why would I be angry?
Corey laughs in relief. Phew, talk about a load off
my mind. Huh. Alan continues, I think you and Sean
will be very happy together as roommates. Panga is shocked,

(57:30):
you and Sean, what about us? Amy explains the school
wouldn't allow her and Corey to be roommates, well, unless
they were married. The thought alone makes Amy and Allan laugh.
Tapega reminds Corey they were supposed to decide this together. Angela, Sean, Corey,
and Tapanga go back and forth, arguing about how they
either told their best friend or that they didn't tell
their significant other about what they know. They all know,

(57:54):
and then Eric storms in, looking very jolly. Got this
new roommate. She is fine.

Speaker 2 (58:00):
Now, I remember this take because we did this five
or six times, and I changed it every time, really,
and I remember the audience was starting to anticipate that
I was going to do it differently every time. So
for some reason, this one, just this particular sticks out
to me.

Speaker 1 (58:19):
Yep, how were you changing the word or were you
just changing the performance of fine?

Speaker 2 (58:22):
I was changing there. I remember one time I went
like why why, why? Why?

Speaker 1 (58:25):
Why? Like that?

Speaker 2 (58:26):
And I was just like throwing out different things the
whole time. And so, yeah, it was just four or
five in a row of just different takes.

Speaker 1 (58:34):
That's funny. Alan has had enough what is going on?
Corey tries to speak, but he can't articulate his words.
So Tapanga just comes out and says it, Corey and
I are getting married. The silence is palpable, until Alan
finally scoffs, are you out of your minds? Sean defends
them because they love each other. Angela jumps in, that's
not a reason they're too young. Alan points out to Corey,

(58:54):
you can't even clean up your room. Corey explains he's
going to get to it.

Speaker 2 (58:58):
That's a great moment. While we're watching this, though, Sue
said that.

Speaker 1 (59:03):
Sue said something interesting.

Speaker 2 (59:04):
She's like, why not you say you're getting you're engaged.
Why do you have to say we're getting married? Why
can't you just be like we got engaged, because that's
different than we're getting married, right, you, kid.

Speaker 1 (59:14):
Is typically what engaged means so right, but it doesn't.
It's not as getting married. And it's great in when
you're done with college, when you're you know, I asked
Corey to marry me.

Speaker 2 (59:25):
We get we're getting engaged, something like that is different
than Corey and I are getting married. Like it's yeah,
well you know, I think it's just just for a story.

Speaker 1 (59:33):
It is, but it's like need to do that.

Speaker 2 (59:36):
Well, that's the thing.

Speaker 3 (59:37):
It's an easy offering for everybody because because the parents
could be like, yeah, why don't you get engaged and
see how it goes. Like everybody would be fine like
the end of episode, so they needed it to be pretty.

Speaker 1 (59:46):
But it is weird that no one has that at
least perspective of like listen, like someone could offer that
as as we're discussing all the different options, why don't
you just wait until, yeah, get engaged, get engaged, wait
you get married?

Speaker 5 (59:59):
You say?

Speaker 2 (01:00:00):
Doesn't Amy eventually say, well, they're going to wait till
after college?

Speaker 1 (01:00:03):
Right?

Speaker 2 (01:00:04):
I think she says that, doesn't.

Speaker 1 (01:00:05):
She in this episode?

Speaker 2 (01:00:06):
Yeah?

Speaker 1 (01:00:06):
That I remember? Oh I thought she did. Oh right,
you look at this. Amy says, they'll wait until they
finish college. Here you go, and Alan agrees, asking whose
idiot idea was this? Corey immediately volunteers, it was my
idiot idea. It is my idiot life, and I get
to decide if I want to be a married idiot
to Panga reveals the truth she asked Corey to marry her.

(01:00:28):
Corey begs his parents not to yell at his fiance.
Amy says she thought to Panga had more sense than
this Morgan, who looks significantly older. Also, yes, yep, she
is specially with footy pajamas.

Speaker 2 (01:00:39):
With this line, which sounds like a five year old line.

Speaker 1 (01:00:42):
I was well, I asked Bobby Poplowski to marry me,
then he kicked me.

Speaker 3 (01:00:48):
You are now a fourteen year old the equivalent of
them just constantly putting her in footy pajamas. She's literally
older than and lollipop.

Speaker 2 (01:01:07):
Yeah, it just gets creepy after a while, It's like,
oh my god, right for this girl.

Speaker 1 (01:01:12):
They stare at her, confused and then go back to
the problem at hand. Amy asks if they thought through
the responsibilities that will come with marriage, and Angela decides
to answer for them. No, they haven't thought of anything.
Sean polls are away. They should stay out of this.
Angela argues, these are our friends. How can you let
them ruin their lives? Sean counters that they aren't like
the two of them, They are hopelessly in love. The

(01:01:34):
crowd ooh at the obvious light, but Sean tries to
redeem himself and so were we?

Speaker 2 (01:01:40):
So are were we? So are we? So are we? Yeah?
You were? You didn't like what you were saying, writer,
but you were gone. Well, yeah, I know you're dead.

Speaker 1 (01:01:48):
You said you were saying the stuff you didn't like
very well. Yea, thanks, you're doing a good job. Amy
tries to talk some sense into her son. We have
paid for your food, your clothes, phone, car insurance. Can
Corey hand all that? Corey reminds them that they got
married when they were eighteen too. Allan yells out, I
was a dope. Amy's eyes widen.

Speaker 2 (01:02:08):
He also tries to eighteen when they got married. Yeah,
I know, So where where was the summer of love
with Reggie in Europe? It also doesn't mean so they
got married then when he was in the navy.

Speaker 1 (01:02:22):
Maybe they were the summer of love was seventeen to eighteen.
So they graduated high school at seventeen, they took that
summer together, and he went into the navy and they
got married.

Speaker 2 (01:02:36):
Wow. But then there's also this whole storyline of like
her dating other people.

Speaker 1 (01:02:41):
Remember there's that whole like well that again, so he
dated other people at fourteen, it counts I kissed somebody.

Speaker 2 (01:02:48):
I kissed Bobby Hey, cat cat.

Speaker 3 (01:02:54):
What they should have done is just had Morgan be
like suddenly supermature like Bobby. Bobby Mplawski and I got
engaged for three and a half months.

Speaker 2 (01:03:02):
I called it off because I fell for some like
she's the most.

Speaker 3 (01:03:05):
Likely smoking a cigarette smoking it would be the best.

Speaker 2 (01:03:08):
It would have been so much funny.

Speaker 1 (01:03:11):
Also, I don't like this idea that Amy is upset
with him calling him himself a dope for getting married
at eighteen. I think it would it would make sense
for both for her to be like, we were dopes.
It's it's lucky that it worked out for us, as
opposed to because otherwise, why does Amy think they're so different?

Speaker 3 (01:03:30):
She's been like this since. So that means that she
and Alan got married at eighteen, and then she was
this against a panga leaving to Pittsburgh, like all of
that stuff. It's like her argument, which was live your life,
find that the experience independent, like all of that stuff,
kind of gets undermined by the fact that she didn't live,
didn't do any of that.

Speaker 1 (01:03:51):
I would have no problem with it if her point
was I was an idiot, I shouldn't. I'm happy I
did it because it worked out. I love my husband,
I have three beautiful children. I wouldn't change anything. But
but that's not the usual. That's not normal.

Speaker 2 (01:04:06):
It was normal. Apparently, that's what it's like.

Speaker 3 (01:04:10):
It's always being positive that Corey and Topanga are weird
or unusual when the reality is actually by their community standards,
they are very typical. They are doing exactly what her
parents did, what his parents did, what Phoene did, Like
everybody got married young had you know.

Speaker 1 (01:04:26):
It's like okay, yeah, I know, don't it's weird, okay.
He also Alan tries to redeem himself. He means that
there is so much they'd be missing out on. If
Corey thinks he has everything all figured out, he must
remember that things don't always go according to the plan.
He will have to make sacrifices. Amy wonders, what sacrifices
did you make? Alan, Alan freezes and pretends he didn't

(01:04:48):
hear her. What Meanwhile, Angela asks Sean, what do you
mean we're not hopelessly in love? He also wonders what
well Both couples argue Corey and Topanga slide out the
back door. So yeah. This Amy storyline, where she's also
trying to challenge that he didn't make any sacrifices. Why

(01:05:09):
I don't know. Why isn't this Why isn't this reversed?
Why isn't Amy the one saying when we say to her,
you got married at eighteen, Yeah, and I was a
dope and Alan going excuse me, and her saying, yes,
do you know how many sacrifices I had to make?
And he's like, wait, what sacrifices? Then she has a
POV that fits with what she's trying to say, has

(01:05:33):
not been to a hotel since they got married.

Speaker 3 (01:05:35):
They literally went to a hotel for the problem night
and they were like, the first time we've gone to
a hotel for a night out. That's a very obvious
sacrifice you've made. Now you're about to have another kid,
Oh my god.

Speaker 1 (01:05:48):
Yeah.

Speaker 2 (01:05:49):
Until they got married at eighteen, I guess went to Europe.

Speaker 1 (01:05:53):
Well I think they had the summer of love before
they were married, right.

Speaker 3 (01:05:56):
Hey maybe, But then, like you just don't get how
the navy children.

Speaker 2 (01:06:01):
Doesn't you travel when you're in the navy. So was
she on the road him? Was she by herself? She's
probably by herself. Was she pregnant at this point? When
does Eric come along?

Speaker 1 (01:06:09):
Did he leave? How long was he in the navy.

Speaker 2 (01:06:11):
There's a lot of this backstory that they just kind
of like, yeah, we're good.

Speaker 1 (01:06:14):
Well, because if you think about it, how old are
we trying to say they are like, how old are
they now?

Speaker 2 (01:06:19):
Mid forties?

Speaker 1 (01:06:20):
Eric is now in his first or second year of college, right,
so Herek's probably twentyeen twenty one? Okay, yeah, I think
because I think Corey's supposed to be.

Speaker 2 (01:06:28):
Corey and Tpang are supposed to be eighteen eighteen, right,
and I think Eric is supposed to be at this
point two years older. Okay, you used to be four
years older than that, right, and then they moved only too,
So my guess is Eric supposed to be twenty twenty one?
But then where does the beer come from? In the
from last season? That was in the fridge they were
buying beers. That's fine, happens.

Speaker 1 (01:06:48):
Sean had you know, maybe someone end up getting it
for him, right right?

Speaker 2 (01:06:52):
But he's so yeah, so twenty one, so fenty figure.
They had Eric when they were twenty one twenty two,
so they were mayre maried for three years they had Eric,
I would say, but never went to a hotel, never
went to a hotel. But he's twenty one years wow.

Speaker 1 (01:07:24):
Outside, Tapanga admits his parents are taking it better than
she thought, but Corey reminds her it's not up to them.
Nobody can tell them what to do. She nods in agreement,
so Corey declares, come on, we're getting married. She smiles
and they run off together. Back in the Matthew's kitchen,
the couples.

Speaker 2 (01:07:41):
The noh no.

Speaker 1 (01:07:43):
Back in the Matthew's kitchen, the couples are still arguing
with each other, so Eric decides to butt in. He
can be the voice of reason here. Everyone laughs at
this idea and goes back to fighting. Undeterred, Eric shouts,
I think they should get married, which again grabs everyone's attention.
Eric says the chance and chances of Corey finding a
woman like Topanga are one in a million. Sean agrees,
there's nobody better. Angela can't argue with that, and neither

(01:08:06):
does Amy. But that's not the issue. Eric argues, in
a few years, she's gonna dry up, get all wrinkling.
Might as well grab her while she's still smooth. He
playfully punches Alan and asks SIMI right dead. Alan calls
him an imbecile, and, again undeterred, Eric laughs, Yes.

Speaker 2 (01:08:25):
It's funny, but it's just cartoony.

Speaker 1 (01:08:28):
Yeah. Recently, Adler has become obsessed at night with asking
me about what happens when I die? Oh God, oh, Jesus,
what's gonna happen when you die? I'm gonna miss you
so much. I just want to be with you. And
I'm like, Adler, I'm not sick, I'm not gonna I'm
not gonna die anytime soon, but I'm gonna miss you
so much. And I said, I'm nowhere near dying. He said, yes,

(01:08:51):
you are. You are almost dead.

Speaker 3 (01:08:56):
Anyway, I did think about that, even if everything goes right,
you're almost at.

Speaker 1 (01:09:03):
Ah, You're not.

Speaker 2 (01:09:05):
You're not You're just dried up and ring.

Speaker 1 (01:09:08):
Exactly what I thought. I was like, it must really
be time for me to get botoxic. Because he's like,
you are so old.

Speaker 2 (01:09:16):
Look at you. You looked at a mirror lately. Do something? God, No,
you are old. Let me tell you My favorite part.

Speaker 1 (01:09:23):
Is any actioned before he said yes you are, he
was like, I said, I'm not going to die. I'm
not anywhere near there. He said, yes you are. I said, no,
I'm not only forty three ghost. Well Dad is God? Anyway,
Morgan decides to talk. Have any of you noticed that
Corey and Topanga aren't here? Then the door They realize

(01:09:44):
the door is open, and we get some dramatic music
that's the act break.

Speaker 3 (01:09:54):
A bunch of characters in a lad expressing points of
view to expound upon whether this couple should get married
to next.

Speaker 2 (01:10:03):
In all fairness, I have to say, though, in all fairness,
if a couple comes in and all their friends or
family are there and they say they're eighteen, they're like,
we're gonna get married. This is what would happen is
you'd get a bunch of people in a room discussing
what they thought, should they get married, should they not
get married? Wait a minute, you shouldn't do it. I mean,
it's kind of it's real when you think about it.
If you walk into a family situation and you drop
something like this, this is what's gonna happen is everyone's

(01:10:25):
gonna have their opinion and start shouting over each other. So,
I mean that kind of made sense to me more
than the fence scene, Like now let's move this outside
and do the same thing outside. Didn't make any right.

Speaker 3 (01:10:37):
That the audience, But that's fine, Like that people would
really do. It doesn't make for good television, you.

Speaker 2 (01:10:42):
Know, like the reality argument that like this is what really?
Who cares? Like? I don't want to sit around watching
people debate stuff, but I don't want to watch drama. That's
what was happening.

Speaker 1 (01:10:50):
That's why I said I think it was.

Speaker 3 (01:10:51):
Happening to TV, like the best way would have been,
you know, like that Corey and de Panga need to
keep it a secret. For some reason, it gets like
plane out, the reveals, the secrecy, like all that could
have been really fun. Instead it's like, let's let's talk
it out.

Speaker 1 (01:11:05):
Yeah, you know, I mean they have twenty two episodes.
It could have been really fun that Corey says the
same thing to Sean, let's be roommates, but let's keep
it a secret. He's got a secret about the roommates,
he's got a secret about the marriage to Yeah, and
then it all eventually comes to a head. But okay, anyway,
in the car Corey and Topanga are driving, Topanga wonders

(01:11:25):
if Corey actually wants to do this or if he's
only taking the sleep because his parents are against it
because Corey's such a rebel. Yes, without a clue, do
you really want to do this or are you suddenly
the type of kid who likes to do everything your
parents tell you not to do.

Speaker 2 (01:11:42):
Which all I wanted was him to do. Go around me,
I said that while we're doing oh god.

Speaker 3 (01:11:47):
It it would have been the perfect callback, because it
actually is to this point, because that was an episode
where he did try and be rebellious and it backfire. Remember,
the whole episode was about him doing his own thing
against his dad, so it would have played in if
they had done a callback.

Speaker 1 (01:12:00):
So round around me, please, Corey reminds her it's his
life and he's going to do what he wants. She asks,
but what happens when you get to college and you
see everybody meeting each other and dating and having fun.
Are you gonna wish you could be doing the same thing?
Corey shrugs, Well, it didn't phase me in high school.

Speaker 3 (01:12:19):
Brah, didn't phase me in high school. We've only had
four seasons about.

Speaker 1 (01:12:24):
That, the whole premise of the show. Bro the show, dude,
Yes it did.

Speaker 2 (01:12:30):
Have you guys seen the show.

Speaker 1 (01:12:33):
We knew, you knew, so why would it phase me now?
Tapanga reminds him he had his heart set on a
big romantic wedding. When did he say that? Did he
did he say that at all? That's something Apparently they
had a conversation off screen, and well.

Speaker 3 (01:12:50):
He said, Lauren about their white picket fence and their
suburban house. So maybe sure he's planning a big wedding
with Lauren.

Speaker 1 (01:12:56):
Yeah, I'm just wondering, Like I love that idea that
Corey's like, yes, it would have been. Yeah, he's the
romantic that he's like, yes, and your parents and my
parents and all of our friends, and we invite the
whole school. And there's this like I love that idea,
but apparently it happened off because I'm for her to
say that, but Corey says he can't think of anything
more romantic than sneaking off to a little wedding chapel

(01:13:18):
in the country. His heart is set on marrying her
to Panga responds, then why did you pass the exit?
Corey tells her to stop pounding him. How do we
know where this place is? Did they go to map
quest dot.

Speaker 2 (01:13:30):
Car they did?

Speaker 1 (01:13:30):
Did they have a course holding him?

Speaker 3 (01:13:33):
He pulled over at his own booth, got on the
Yellow Pages.

Speaker 1 (01:13:38):
Got the address and just knows where it is. That
Thomas Guide. I should have a Thomas Guide on my life.

Speaker 3 (01:13:44):
This is this scene I don't understand, like this, like,
why are we in the car? Why do we have
to add a car set which doesn't look very good.

Speaker 2 (01:13:51):
That's terrible light.

Speaker 3 (01:13:54):
So it's a weird choice to like have this debate,
which doesn't seem like much of a debate. We're not
really playing anything out.

Speaker 2 (01:14:01):
Don't change anything.

Speaker 1 (01:14:02):
In the in the chapel, I wanted to have anybody.

Speaker 2 (01:14:06):
The chapel scenes are great. The two old people are
hysterical and fun, and there's no.

Speaker 1 (01:14:11):
Reason we couldn't have this. Corey, are you sure you
want to do this? You said you wanted a big wedding.
I do I want to do like we could have
all this little stuff, like right before we get to
the aisle, So yeah, I'm not sure. Then back in
the Matthew's kitchen, everyone's in a slump. Amy admits they
did say some pretty awful things, did you. I don't
remember anything awful being said. Alan says they only told
them the truth. They must have gone to think things over.

(01:14:34):
Eric thinks they eloped, but Alan doesn't believe Corey would
do something like that without their permission. But Sean argues
that when Corey's forced to choose between anything and Topanga,
it is not a contest. Amy asks except la correct
or only any other option? Yeah, Amy asks her husband,

(01:14:56):
as I said, closet, closet girl. Yeah, there's always always
a choice, always a choice. He never chooses to pink.
Ap Amy asks her husband what they did after telling
Alan's father they were getting married, and he thinks that
was totally different. His father was stubborn, totally against it.
He wouldn't listen to anything. He recognizes the parallels and
puts his hands on his face. Oh boy. The group

(01:15:19):
consoles him, and Eric asks if he can be the
voice of reason. They all laugh again. Eric says they're
all responsible for this, with the bickering, lecturing and yelling.
Now they have to support them and accept this marriage.
They can't push them out of their lives like they
pushed them to Elope. And now just that's it, everyone,
That's it. It's a fact. Yep, they've gone. They are
getting they are eloping, and it's going to be too late,

(01:15:41):
and we have to accept it. Eric insists that the
two of them belong together, just like him and Rachel.
Alan asks who the heck Rachel is and Eric responds,
She's my beautiful new roommate. Angel. Is this the first
time we've heard her name?

Speaker 2 (01:15:57):
I think so? Right? She we never she doesn't.

Speaker 1 (01:16:01):
She throws the frame and then you, guys, I don't
know what I do. And then you say you found
a new roommate and he says, well, I'm going to
have to tell this guy, and then a woman appears.
She doesn't ever say I'm Rachel. So this when you
say just like me and Rachel, the whole audience is.

Speaker 2 (01:16:16):
Like, and that's why they have Alan say who is that?

Speaker 1 (01:16:21):
And I have to Alan asks who the heck Rachel
is and Eric responds, She's my beautiful new roommate. Angel.
She's from the opening credits. Don't you remember.

Speaker 2 (01:16:30):
In the street at one time threw water on each other.
She was there like we've been friends for years on.

Speaker 3 (01:16:37):
The chalk there on the crowd that said, boy, it
was a fun day.

Speaker 2 (01:16:43):
So we know her from come on.

Speaker 1 (01:16:45):
She's actually back at the apartment with right now with Jack.
Then he realizes that was a bad idea. What if
they hit it off and she cheats on me? That
tramp man. He leaves so he can go slap some
people around. Alan follows his son a Dore.

Speaker 3 (01:16:58):
So this is the second time in this scene that
you had to carry the entire yes, because like Alan
does it.

Speaker 2 (01:17:04):
He does the whole like right, my dad was to oh.

Speaker 3 (01:17:07):
And then you do the same thing here. I was
just like, oh my god, these four Hakkors are just
like giving to dry, like make all the transitions yourself,
go perform it.

Speaker 1 (01:17:17):
Uh Alan desperately locks the door behind Eric. Amy admits
Eric was right. It is our faults. We drove them
to it. This time. No one argues with her, and
I couldn't disagree more. I don't see. I don't think
they said anything mean.

Speaker 2 (01:17:31):
I they also have just it was just like, you know,
it'd be weird if they were on a rocket ship
to space.

Speaker 1 (01:17:37):
And then it's just like I can't believe they're.

Speaker 2 (01:17:39):
On a rocket ship.

Speaker 1 (01:17:40):
Just stink like like oh it's instant, instantly fact. Yeah,
I can't believe they're gonna die on that rocket ship, Kevin.

Speaker 2 (01:17:48):
It just cuts your funeral. Can't believe they were killed
on that rocket ship.

Speaker 1 (01:17:51):
Like wait, they're in the driveway. They're having a conver
right there.

Speaker 2 (01:17:54):
I can see.

Speaker 3 (01:17:55):
The which doesn't it's called now yeah, exactly.

Speaker 1 (01:18:02):
Like now we're inside the home wedding chapel. An older
man and woman opened the door. Corey greets him as
judge b Miss. He's Corey Matthews. They spoke on the
phone earlier. The judge is happy to see him, and
this must be the bride with the nutty name. He
laughs when she introduces herself as to Panga. That's silly.

(01:18:22):
He introduces his wife, Puffofda.

Speaker 2 (01:18:25):
So funny, and this guy is so good. Both of
them are amazing.

Speaker 3 (01:18:29):
But he is so understated, to the degree that when
he says, this is my wife, Puffofda, you almost aren't
sure if he's joking, like he's making a joke. It's
perfect that he could be both ways. And then no,
it's actually it. Actually you can call me.

Speaker 2 (01:18:44):
Oh my god, social.

Speaker 1 (01:18:45):
It turns and says, our one friend calls me Foofie.
How do you do? Judge Bemis explains that Foofi will
be their witness. She can't believe how young they are.
The judge tells them to pay her no mind. They've
been marrying folks for thirty six years, and she balls
like a baby every time. Then he curtly snaps at
his wife, stop it. Tapega thanks them for doing this
at such a late hour. What time is it? Seven

(01:19:07):
eight thirty eight? She's one hundred and five that's true.
Topeka thanks them for doing this at such a late hour,
and he tells them not to worry. Besides, they can't
be choosy. Everyone wants a big wedding these days, no
one wants to Elope. To Pega grins, well, I do, right, Corey.
He just stares blankly at the judge and to Pega
nudges him. Corey say, I do. He startled already, And

(01:19:30):
then we're at.

Speaker 2 (01:19:30):
The I'm sorry, this is where for me for somebody
as smart as to Panga to not constantly question, obviously,
you don't want to do this, Corey, Like I know
you better than anyone in the world, and I can
tell you clearly don't want to be here, so why
are we?

Speaker 1 (01:19:47):
And she seems to be like dragging him down the
aisle by his face. Like on top of that, she
doesn't really seem like this is something she really wants
to do, other than the fact that very early on
she was like, let's get married right away. She didn't
go let the Elope. I love the idea of it
just being the two of us.

Speaker 3 (01:20:03):
She's the one who said it's the most romantic thing
I can imagine.

Speaker 1 (01:20:06):
Yeah.

Speaker 2 (01:20:06):
The last scene, but he clearly doesn't want to be there.

Speaker 1 (01:20:10):
It's just yeah, and she, to me doesn't really see
she's given him every opportunity to back out of this,
so yeah, it just it feels yeah, Okay. Back at
the apartment, which already seems a little nicer, Jack and
Rachel are alone hanging out in the living room. Jack
explains he and Sean are very different, but they're brothers
and there's nothing they wouldn't do for each other. Then

(01:20:31):
they beat each other up. Rachel laughs, Me and my
sister are the same way. Jack suggests, well, if you're
ever homesick and want to wrestle, Rachel's taken aback, what
me wrestle with you? Oh god, no, I'm a girl.
Then a millisecond later, she pounces on him and pins
him down on the couch.

Speaker 2 (01:20:49):
Back to the physically dominating.

Speaker 1 (01:20:50):
Women, best type of the best type.

Speaker 2 (01:20:53):
Of women are men. Physically let's take you over and
force you to see.

Speaker 1 (01:20:58):
She's been there for what half hour?

Speaker 2 (01:21:00):
Yeah? An hour hour and half No, I guess it's
been half a day.

Speaker 1 (01:21:03):
She changed her clothes, she's out of up.

Speaker 2 (01:21:05):
Rode close, she put a robe on, put this on.

Speaker 1 (01:21:09):
Now on top of him, she adds, but I am
one big old girl. At that same moment, Eric walks
through the door and screeches loudly, his worst nightmare is
come true. Jack smirks, yeah, that's right, and screeches right back.
Rachel dismounts and tells Eric they were just fooling around.
Jack reaches for her as she leaves, Please don't go.
Rachel asks Eric where he went. Well, while you guys

(01:21:31):
were having your little sumo fest, I was putting a
crisis out on the home front. She asks if everything's okay,
and Eric heroically responds, it is now Corey and Tapanga.
That's my little brother in Topangae. They ran off to
a lope. My parents went mental, and I calmed everything down.
Rachel wonders, time for the old tap tap on soda.

(01:21:51):
Of course I do it in real life.

Speaker 2 (01:21:53):
It's a tap tap tap tap on a soda.

Speaker 1 (01:21:57):
My friend the business. Rachel wonders how he did it.
I said, calm down you. He recaps his advice, and
Rachel admires how romantic he is. Eric mockingly laughs in
Jack's face and Jack pushes back. She's not sitting on you,
is she? Eric taps on his brain in here she
is my friend. In here she is, Rachel reminds him

(01:22:20):
she can hear everything they're saying. They look at her
with worry, but she tells them how great they are.
In fact, being with them has made her realize what
a creep her boyfriend is, which.

Speaker 2 (01:22:32):
Give up her scholarship for Yale.

Speaker 1 (01:22:34):
She also just said, I can hear you, and what
they were doing was being creepy. Yeah, and so now
she's like, you guys aren't creepy, but I just heard
them being creepy. Anyway, She says she feels like she
needs a man in her life and always chooses the
wrong one. So she's lucky to have found the two
of them, and so glad they can live together without
any relations happening. They both give her a pained smile

(01:22:58):
and do their best to act like they're on the
same page. Then Rachel pats them on their heads. We're
going to be just like girlfriends once she's gone. They
discussed this disastrous situation they put themselves in.

Speaker 3 (01:23:07):
So it's the implication that she won't have sex with them, right,
But I think actually just hearing that red back. The
point should be that she did hear them. She does
think they're being creepy, right, and therefore she's going to
say these things to force them to recognize that they
can't be that way, like you know what I mean,
Like she's like, but you guys are like she should

(01:23:30):
be actually manipulating them with this, like we're just like girlfriends,
like basically telling them there's no chance, right, But that's
not the way it's played.

Speaker 1 (01:23:39):
So no, no, no, that would be good though, if she's.

Speaker 3 (01:23:47):
The YouTube right, like, if she's like basically saying to them,
don't even think about it because we're roommates and I
just want it to be that way.

Speaker 1 (01:23:55):
Yeah, and I do think that was kind of what
they were going for, but it doesn't feel that way
and feel that way at all. No. Uh, but Eric
has a light bulb moment. Girlfriends sleep together, bathe together,
and even get to see each other naked. Jack reminds
him we already do that. He's seemingly frustrated, but instead
Eric tells him playfully the joke.

Speaker 2 (01:24:23):
I obviously add that I add, And so I think
it was more like, don't tell anybody that we get in.
So the button on the scene before you was where
that was it? That was the end. Mhmm.

Speaker 1 (01:24:41):
We're in the Matthews backyard. Everyone including Peenie, are gathered
together discussing Corey into Panga. Amy blames herself for being
way too hard on them again, I can we see
a replay?

Speaker 2 (01:24:54):
I she mustn't at all.

Speaker 1 (01:24:56):
Don't see it, don't don't get it. But I'm calling
to Panga.

Speaker 2 (01:25:00):
The stupid horror that was a little right that night
had been a little too far?

Speaker 4 (01:25:03):
Was far?

Speaker 2 (01:25:06):
Yeah, exactly Why couldn't you have gone to Yale that's
coming up?

Speaker 1 (01:25:12):
Yeah, that would have been great. But Alan takes fault
for his actions too. He's the one who shot Corey
down after he had the courage to stand up to
him like a man. Sean also feels he's to blame.
Corey came to him for advice, and he told them
to go ahead and get married. Everyone looks to Angela,
but she's clear, don't look at me. I said all
the right things, but it didn't matter. She did. Feoenie agrees,

(01:25:33):
you can't tell Corey and Tepenga what to do. I've
been trying to do that since the first grade, what
every year since first grade?

Speaker 2 (01:25:41):
Yeah, he's been their teacher, their only teacher forever gosh.

Speaker 1 (01:25:45):
In fact, he remembers trying to separate their desks. Once
she kicked him. He bit her, and some little punk
kept saying leave them alone, they should get married. Sean jo, We.

Speaker 3 (01:25:55):
Met her and at the Corey's Alternative Friends and they
were partnered up together and they hate at each other,
and I thought she was weird and we.

Speaker 1 (01:26:02):
But also also and the monkey bars.

Speaker 2 (01:26:08):
And by the way, if you have one teacher for
your entire life, you're just being indoctrinated. That's not education
to tell you exactly that they're all just whatever.

Speaker 1 (01:26:19):
Phoenie thinks.

Speaker 2 (01:26:20):
That's the way it is. Now, that's not good.

Speaker 1 (01:26:21):
That's not it.

Speaker 2 (01:26:22):
That is the way Waldorf schools work. The same teacher
it is.

Speaker 1 (01:26:28):
It's also a salad. Wait is it the Waldorf schools?
Is that what it's called, right? Or is it Isn't it?

Speaker 3 (01:26:37):
Montessori Montosauri is another type of Waldorf as far as
I know. The teachers stay with you all the way
through high school or all the way through grades.

Speaker 2 (01:26:48):
But there's also Walnuts and weird kind of Walmart. And
it's not my favorite.

Speaker 1 (01:26:52):
Sean Grins. I was cute then, huh, POENI nods precious.
Then he tells everyone, your advice came from a good place.
But Corey and Tapanga are in the first grade anymore.
They'll be fine because they were well brought up. Alan adds,
and well taught. Sean boasts, well, I've done the best
I can. Amy size and sits down next to her husband.
I wish we could be at the wedding. There's already wedding.

Speaker 2 (01:27:16):
It's like that again. The ship has flown there in
the rockets, in the racket.

Speaker 1 (01:27:22):
Everyone seems to agree in silence, and then we're back
at the wedding chapel. Foufee begins to play the wedding
march on her organ, and Corey and Topanga make their
way down the aisle. Together. They approach Judge Bemis, who
begins the service. Fufie is getting hysterical again about how
young they are. He sarcastically suggests they just give them
back their money, and Fufe earnestly agrees with him. That
would be a nice gesture.

Speaker 2 (01:27:42):
Nice gesture.

Speaker 1 (01:27:44):
The judge complains, thirty six years and she still doesn't
get it. This is what we do for a living.
He cuts to the chase with Corey and Tapanga. Corey,
do you take Tapanga to be your wife for richer
or poorer, in sickness or in health? And he says,
I always have and I always will I do. Then
he addresses to Panga and asks the same thing, but
this time to Pega is the one who's at a

(01:28:04):
loss for words. She stares at the judge blankly. The
words to be continued appear at the bottom of the screen.
Why tag, Why.

Speaker 2 (01:28:14):
Is Corey suddenly confident about it? Like what change? We'll
find out next week, saying no is the only rebel.
But then he was in the car, still not I know,
asking the exit.

Speaker 1 (01:28:26):
Yeah, it doesn't like and then none of it makes sense.

Speaker 2 (01:28:29):
That's the thing. It's unmotivated.

Speaker 3 (01:28:30):
It's like characters changing for the sake of making the
change happen and making the transition happen. They're not actually
motivated by the story or the plot or the events
in any way.

Speaker 1 (01:28:41):
POV.

Speaker 3 (01:28:42):
Now everybody's just making a transition in their life, Like
Sean's just going to go to college.

Speaker 2 (01:28:46):
We're just gonna I'm.

Speaker 3 (01:28:47):
Not going to do the photo photography job. Rachel's just
going to move in. Everybody's just making decisions.

Speaker 4 (01:28:54):
Have some fun, but you can have mean think about
like people make choices in those choices affect everybody else,
and you see instead it's like everybody's just thinking about things.

Speaker 1 (01:29:07):
Yeah, and by the way, the car ride scene would
have then had a point if Corey realized something in
the scene with the parents, if he if his new
POV was to Pango. When you first asked me, it
felt overwhelming and I was shocked. But what occurred to
me while listening to my parents is it worked for them,
and now it worked for them. Look at the life
they have. That's exactly what I want to have with you.

(01:29:29):
I want to have a white picket fence. I want
to have three children, I want to have.

Speaker 2 (01:29:32):
An eric Like that could have been a funny It
could have been a really funny line.

Speaker 1 (01:29:35):
I mean stuff like that, you know, but like, this
is what I want, and you know, if my parents
aren't going to support it, then then what what's a
big wedding if your parents won't even be there? And
nothing is more romantic?

Speaker 3 (01:29:45):
And then you cut to to Panga looking out the
window a little worried, like, oh god, now she's suddenly
scared because he's all in then you get to the
chapel and she's like wondering maybe, and then she backs
out and then it's motivated because or.

Speaker 1 (01:29:56):
He's driving forward exact time.

Speaker 3 (01:29:58):
Yes, I'm s I can't wait to have kids like
Eric and Morgan.

Speaker 2 (01:30:02):
And that's what she's like, Oh god, yeah exactly. And
then she's and we're not going to go to Yale?
Who even needs college?

Speaker 1 (01:30:08):
Exactly?

Speaker 2 (01:30:08):
And he is rebella. Yes, he motivated.

Speaker 1 (01:30:11):
Yes, that would have I would have been for sure.
And then to Bank is like, oh god, what did.

Speaker 2 (01:30:17):
So.

Speaker 1 (01:30:17):
Our next episode is season six, episode two. It is
called Her Answer, There you Go, Part two, which originally
aired October second night.

Speaker 2 (01:30:27):
So that's what it's his answer Part one? Her answer
answer to those those aren't parts of the same title.
Those are different titles. That's gonna drive me crazy. I'm
not okay with that. You see Roder just lying awake
at night, just eyes wide open?

Speaker 1 (01:30:47):
Where's answer part two? And where's her answer?

Speaker 2 (01:30:51):
Part One's looking at the why go to you? Why
didn't she go to going on?

Speaker 1 (01:31:00):
That's it. Well, thank you all for listening to this
episode of Podmeets World. As always, you can follow us
on Instagram. Podmeets World Show. You can send us your
emails Podmeets World Show at gmail dot com and we
have merch.

Speaker 2 (01:31:14):
Got this new merch It is fine.

Speaker 1 (01:31:22):
Podmeetsworldshow dot com writer send us out.

Speaker 2 (01:31:25):
We love you all, pod dismissed.

Speaker 3 (01:31:29):
Pod Meets World is an iHeart podcast producer hosted by
Danielle Fischel, Wilfridell and Ryder Strong executive producers, Jensen Carp
and Amy Sugarman Executive in charge of production, Danielle Romo,
producer and editor, Tarasubasch producer, Maddie Moore engineer and Boy
Meets World Superman Easton Allen.

Speaker 2 (01:31:45):
Our theme song is by Kyle Morton of Typhoon.

Speaker 3 (01:31:48):
Follow us on Instagram at Podmeets World Show or email
us at Podmeets World Show at gmail dot com
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Hosts And Creators

Will Friedle

Will Friedle

Danielle Fishel

Danielle Fishel

Rider Strong

Rider Strong

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