Episode Transcript
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Speaker 1 (00:00):
You can watch the original episode we'll be discussing in
every other episode of HBO's Curby Your Enthusiasm, including the
new and final season, on Max. You can also watch
the video version of the history of Curby Your Enthusiasm
podcast on Max and YouTube as well.
Speaker 2 (00:16):
Links available in the episode description. Okay, so we're here, Jeff, Yes,
you and me? Baby. I am Susie Esmond.
Speaker 3 (00:31):
Yes, I've got Jackie Robinson and Robert Mitcham behind me.
They support me.
Speaker 2 (00:36):
You know what I have behind me?
Speaker 3 (00:38):
Look, by the way, I gotta give you credit. I'm
Jeff Carlin. By the way, everybody you always do like
the season poster behind you? How did you get all those?
Speaker 2 (00:47):
I don't know which season is. I only have three
season posters.
Speaker 3 (00:50):
Okay, I don't know.
Speaker 2 (00:51):
Just by the way, switch them a rout.
Speaker 3 (00:53):
Yeah, I just know, I know, you know. Yes, this
might be one of my favorites. This cover behind you.
Speaker 2 (00:59):
Yeah, that's the great with the shrink and the shrink
hung themselves.
Speaker 3 (01:03):
Or it could be a woman with very masculine legs.
Speaker 4 (01:05):
Is it me?
Speaker 3 (01:06):
Yeah?
Speaker 1 (01:07):
So we are now on season five, episode three, the
christ Nail and what I you know, I don't know
if this is one of my favorite episodes or if
I remember shooting these scenes and enjoying doing them so much.
Speaker 2 (01:21):
So I don't know which one it is.
Speaker 3 (01:22):
I don't have There's a couple of things in there
that I there's one where you kick Larry out with
the anyhow, we'll get to it.
Speaker 2 (01:30):
We'll get to it.
Speaker 3 (01:31):
But that scene I love. The hallway scene with the
three of us a great scene. And by the way,
as we mentioned, I think one of the scenes we
have the most fun and is one of the funniest
scenes we've ever done, is coming up in a later episode.
Speaker 5 (01:43):
Yeah.
Speaker 2 (01:44):
I think it's in two weeks. I think, okay, two
or three weeks.
Speaker 3 (01:47):
Okay, But the point is that's fun to look forward to,
and we'll tell you when we get to it. But
it's easily for me it could be number one, but
top three for sure.
Speaker 1 (01:57):
But one of my favorite scenes that I have did
was actually in this episode because it well, we'll get
to it.
Speaker 2 (02:05):
No, no, when Cheryl, I'm okay, yes, yes.
Speaker 3 (02:08):
Yes, okay.
Speaker 2 (02:10):
So here we are the Christ Now.
Speaker 3 (02:11):
This is season five, episode three, correct.
Speaker 1 (02:14):
Okay, And we start with Larry at the podiatrist and
he's got these new orthotics in and they're very loud.
Speaker 2 (02:22):
They're squeaking. Okay, they squeak.
Speaker 3 (02:24):
So one of the ways to fix that is to
put baby powder and that I wear orthotics on the
top and the bottom only helps you for about an
hour then it goes right back. But the noise, the
noise we used is clearly post and I don't know
if it's a post house that have that recorded or
they someone did it and they recorded it, which I'm
(02:47):
thinking of modern romance with Albert Brooks. Anyhow, point being
is that was so accurate, accurate I never had Oh no,
there is no exaggeration, and there it is. I don't
know if it's loud enough to wake people up, but
it's loud. It's annoying. If you're with somebody, they will say,
would you please fix that?
Speaker 2 (03:08):
But the podiatrist says, it just takes a while to
break in. Is that true? Do they break in? They
never break in?
Speaker 4 (03:14):
No?
Speaker 3 (03:15):
Yes, certainly they're more comfortable and they break in. But
I have some for dress shoes and regular shoes. But
I gotta tell you it depends on the shoe. It
really does. Certain shoes squeak, other ones don't.
Speaker 1 (03:28):
Because Jimmy, my husband has them, and I never noticed
a squeaking walks delicately.
Speaker 3 (03:34):
No, he floats. Did you ever notice that your husband floats.
It's one of the things I love best about him.
He's a floater.
Speaker 2 (03:39):
He's a floater.
Speaker 3 (03:40):
Yeah, Okay, keep.
Speaker 1 (03:41):
Going, so Larry, Larry, you know it says they feel great.
Speaker 2 (03:44):
He loves the orthotics.
Speaker 1 (03:46):
And then he goes home and his handyman, hay sus
is they're fixing something. And hay sus is what we
call in Yiddish a fabysson upon him.
Speaker 3 (03:54):
He's a very and by the way he was on
played a tough guy and better call Saul, by the way,
the nice his name.
Speaker 1 (04:03):
Is Lobo uh Sebastian I think, or something like that.
Speaker 3 (04:08):
Any point being is as tough as he looked. That
guy was a sweet, gentle guy, you know. I mean,
he walks down the street, you're gonna go fuck me,
and then you have a conversation where you go You
are just the best guy.
Speaker 2 (04:23):
It was one of the most was he also in
Breaking Bed.
Speaker 3 (04:27):
I don't I remember him, Better call Saul whenever I
see you. And I saw him in another movie that
I think the scene took place on some dirt road.
But anyhow, point being is, whenever I see him working,
Whenever anyone who does curb that's a character actor and
I see them in something else, I get crazy happy.
(04:47):
Whenever I see him, I'm like, look at you.
Speaker 1 (04:49):
You know, of course, And Lobo, who plays Jesus, he's
by the way for.
Speaker 3 (04:55):
The rest of the episode, would you refer to me
as Lobo? Lobo? The second.
Speaker 1 (05:00):
He seems a little down and Larry asks him a
small favor.
Speaker 6 (05:05):
See this thing, it's a got that and I need
you to put it over the door here.
Speaker 3 (05:14):
This is like a Jewish thing, you know.
Speaker 6 (05:16):
We put it over the door so every anti Semite
the neighborhood will know that we live here in case
they want to burn down the house.
Speaker 1 (05:23):
And he wants him to put a mesuza up on
the door, or as my husband would say, a manusa
up on the door because his father's coming. Nat his
father is coming in. He'll get upset if he doesn't
see the.
Speaker 3 (05:36):
Question, do you have a messuza up at your house? No?
I don't either. And I've had Jewish friends who are
They're not Orthodox, they're more conservative than reform. They're conservative Jews,
and they get really upset with me. Why isn't it up?
By and by the way, the things Larry says about
the missuzza is what's in the back of my head,
(05:56):
especially this day in time when he talks about so
the anti semi can.
Speaker 1 (06:02):
Yeah, yeah, Well there was an you know, you're not
supposed to take a messuza off once it's on. And
one of my apartments, not the one I have right now,
had a It was like this big I swear. It
was like Jews live here, Jews live heer Jew's lavie.
It was so big and offensive because you're all on
the roof, on on the loop of the speaker.
Speaker 2 (06:21):
Get off. I took it off. I replaced it with
the smaller one so I wouldn't get in trouble.
Speaker 3 (06:26):
Well, that had a big one. I've seen the big ones,
but I don't. I mean, you got to have a
really big house with big doors, you have to.
Speaker 1 (06:34):
So this one, actually, this apartment was my old apartment,
had a misuzan not only on the outside door, not
the outside door, but in the building, you know, the
apartment door, but on every door within the apartment.
Speaker 3 (06:46):
Are they orthodox?
Speaker 1 (06:48):
I don't know what they were. I took them down.
I couldn't have them on every door when.
Speaker 3 (06:52):
You moved in.
Speaker 2 (06:53):
Yeah yeah, oh yeah.
Speaker 3 (06:55):
Yeah, because you don't want to be reminded every door.
Speaker 2 (06:58):
Mean, you know, but but I don't need to be reminded.
Speaker 3 (07:02):
My gut feeling is Orthodox. I can't see anyone doing
that unless they're a super Jew.
Speaker 2 (07:08):
I don't know.
Speaker 1 (07:09):
I do out someone down, and I put a different
one up that that my friend Larry Amrose had given
me as a household.
Speaker 3 (07:14):
Larry Amrose so funny, Okay, good question the view of
what he says about the anti Semites. Did you write
that down?
Speaker 2 (07:22):
I might, I don't remember.
Speaker 3 (07:24):
It's so funny. The way he did it is just hilarious.
I don't know that I have a person who doesn't
have a messasa up. Might just not be into it
or whatever. But a lot of Jews don't put it
up for exactly what Larry says. It announces when they
come hunting for us. And by the way, the death
(07:45):
of your children, like it's like every Jewish thing. You know. Well,
I'm a proud Jew.
Speaker 1 (07:53):
I don't have one up, Jeff, not that I for
that reason. I don't have one up because it just
would never occur to me. I'm not religious.
Speaker 2 (08:00):
However, are any apartment hold on are apart of a house?
Speaker 1 (08:04):
Okay, many apartment that I've moved into that has one up,
I leave it there.
Speaker 3 (08:08):
Yeah, why would that's weird to take it down?
Speaker 2 (08:11):
And by the way, I would.
Speaker 3 (08:14):
I said that I'm a Jew culturally, and I know
Jews hate hearing that. What I mean is, I believe
in my God. I love everything about being Jewish. Going
to temple. What turned me off too much standing and
sitting too much. I like a good sit and maybe
an occasional stand. And by the way, Neil, neil, Oh
(08:38):
my God. And by the way I dig the kneeling.
I think that's cool to be because if you think
there's something more important than you, that's beautiful. Whatever it is,
my God might be here. Your God could be the
Messius that we're hanging in the apartment on every door
and you made a shrine. I'm just saying, everyone's God
is their god to me, Hi, everybody wear existential and
(09:00):
I'm Jeff Allen. Okay.
Speaker 1 (09:01):
Larry tells Hasus that when his father comes, he has
to talk loud because he's hard of hearing, and then
Hasus tells. He says, what's wrong, and Hasus tells him
that his feet hurt, and Larry tells him about the
orthotics and gives him his extra pair of orthotics, which
was very kind of him.
Speaker 3 (09:17):
No, it's not kind because orthotics are built to individuals.
Speaker 2 (09:22):
They have to be fit.
Speaker 3 (09:23):
Okay, you can go to the drug store.
Speaker 2 (09:26):
And get our doctor Schole's thing.
Speaker 3 (09:28):
No, no, even beyond that, they'll sell you a company's
make orthotics, which, by the way, helpful. It didn't bother me.
But it's not true.
Speaker 1 (09:38):
Okay, you can, but it works for the episode, all right,
But okay, So then Maria, who is the housekeeper and
she's either Hasus's wife or girlfriend, we don't know. She
comes in and says tells to try them on. Haysus
gives in and he puts on the orthotics, and next
we see Cheryl is there with her parents and Larry
squeaks in. The squeaking is constant, and.
Speaker 2 (09:59):
They're all like, what what is that? And he's like,
I gotta break him in.
Speaker 1 (10:02):
And Paul is on the couch, Paul Dooley, who plays
Cheryl's father, and he's snacking on some chips and Larry asked, Paul,
what do.
Speaker 2 (10:10):
You do the whole cross thing before a meal and
not snacks? I think it's a good question.
Speaker 3 (10:15):
No, not a good question, A funny question. Yeah, that's
an odd the fact his brain thought of that. I
just by the way those things will pop to me.
But I ain't no comedic genius. I have moments moments
of comedic genius. Larry begeen. Larry and I in terms
of comedy, because our sense of humor is almost identical,
(10:37):
like when I say silly stuff, he's the one who
laughs hardest. Used there, But anyhow, I forgot what I
was saying.
Speaker 1 (10:44):
Keep going about the crossing snacks, Oh, a crossing with snacks.
Speaker 3 (10:49):
So, Larry, when I watch these episodes and we've done
what one hundred and twenty one of them or something
something something like that, where I just go, where do
the fuck? How did he do this?
Speaker 2 (11:02):
I feel like that when I read the outlines I
read in the beginning.
Speaker 3 (11:06):
No, I do too. But it's almost like a comedic magician.
But the difference between us is that Larry didn't really
discover his humor until his late twenties. He's like, oh,
they can do it, because early on he was never
the class clown, never anything.
Speaker 1 (11:21):
Well, he says that he didn't know that he was
funny as a kid at all, never him.
Speaker 3 (11:27):
I actually it occurred to me, And you're going to
think I'm crazy saying this, but a violinist, who a
little kid who hasn't seven years old? Can we I
was the funniest?
Speaker 2 (11:39):
What do they do whatever?
Speaker 3 (11:42):
I'm not a good violin impression. But the point is,
I actually believe now it didn't lead to me being
you know, richer prior. But the point is, I believe
that I'm a comedic prodigy, and most prodigies burn out.
So I think I'm lucky that I actually had a
career because when you get to it, my skill level
of knowing I'm funny was there when I was a baby.
(12:05):
I'd make my parents laugh when I took a bath,
and then I repeat it and repeat it, and they
kept keep laughing. So it's like, yeah, and it just
occurred to me. What do you think, prodigy?
Speaker 2 (12:15):
Do you think they did you a favor when they
kept laughing?
Speaker 3 (12:18):
Ah? Most definitely. Look look at the life I leand
I got a Robert Mitcham Yule Brenner. By the way,
took that photo. It's from the Yule Brenner collection. I'm
not even kidding you. That was on the set of
a movie they did, and it's rocking. Boy. Wait, I
had one more thing to say. The only thing that's
kept me going is I haven't lost being funny, because
a lot of times what you're great at as a child,
(12:40):
you either don't like you know, you lose out like
you know, let's say you play golf your whole childhood
and your practice like usually these prodigies, even violin. I
know a woman, a Russian violin player, burnt out by
the time she was twenty.
Speaker 2 (12:55):
Do you know what Freud says?
Speaker 1 (12:57):
Freud said that the only truly people as adults are
the people who have lived out their childhood fantasies. Now, unfortunately,
most little boys, you know, have a fantasy of being
a baseball player or whatever, and it's not going to happen.
Speaker 3 (13:12):
And it used to be because we were in such
a space era. Astronaut was really bad.
Speaker 1 (13:18):
But if you're my fireman, my fantasy. The only fantasy
I had as a child was to be an actress.
So I have lived out my childhood fantasy.
Speaker 3 (13:26):
Okay, I didn't know, being funny was a job until
I went to see Jimmy Duranty with my parents and
I was in awe of the whole thing. On the
way home, I asked my parents, is that a job?
I mate, is that a job? And my prayers go, yeah,
that's a job. I go, well, that's the job that
I want, and they chuckled. Right, you know, but I
live my dream. I'm so damn lucky, blessed whatever you
(13:50):
were saying are no, But it's like, yo, yeah, I'm
happy with my success, but my success as a comedian
and the dreams I had of a child. But by
the way, I didn't reach my goals.
Speaker 1 (14:02):
My goal was to be like John Belushi with better health,
and I was just going to say that would not
be a goal because you know.
Speaker 3 (14:08):
I'm just saying he just inspired me deeply. Other people
did too. You know. Anyhow, let's move on because this
shouldn't be all about me. But we need to learn
what's Jeff about? What does he care about?
Speaker 2 (14:21):
You want to know who I wanted to be like
when I was a kid?
Speaker 3 (14:24):
All right, all right, hold on, I think that you
wanted to be like what's the woman who played the
mother on The Brady Bunch.
Speaker 2 (14:33):
Florence Henderson.
Speaker 3 (14:35):
Florence Henderson, you wanted to be Florida, and you reminded
me as a kid when I met you. We met
each other when we were eight, and I said, you're
a young Florence Henderson.
Speaker 2 (14:44):
Now I wanted to be Carol Burnette.
Speaker 3 (14:46):
Oh okay, what if I told you you could have
done that? You still could, But unfortunately, because I wanted
to be Jackie Gleeson. Yeah, that's I mean. Yeah.
Speaker 1 (14:57):
But when I say I wanted to be I don't
I don't mean I wanted to be her. I meant
that I saw what she was doing and I thought
I want to do that.
Speaker 2 (15:06):
Yeah, and I kind of did.
Speaker 3 (15:07):
Okay, yes, but we both would have loved, just like
Lison and Carol Burnette, a variety show with singers. We
liked different stars and different characters. No, but do you
know what killed? It killed the variety show and that
was my dream? No? Nah, cable TV. Oh yeah, because
you can create your own variety show by changing the channels.
Speaker 1 (15:30):
Right.
Speaker 3 (15:30):
Oh, I want to see this. I want to see that.
So no one cared anymore. All right, Hi, Carol Burnette.
Speaker 2 (15:36):
Hi, we'll be right back, Stay tuned.
Speaker 1 (15:49):
Okay, we're back, So go through the whole thing about
Larry says, if you'd be crossing all day long, if
you have to cross before every snack, And then Maria
comes in and walks by and we see Cheryl and
Cheryl's mother kind of give her a dirty look, kind.
Speaker 2 (16:05):
Of a dirty one they give her.
Speaker 1 (16:07):
She doesn't notice, and we're not really clear on why
they're giving her a dirty look at that point. And
then Larry asked Paul what's around his neck? And he
has a raw hide thing with a nail and he
tells him it's a nail from the Passion of Christ
and he got it on the internet and he says
to him, have you've seen it? And Larry says to
j Nuts about this Jesus guy, aren't you he also.
Speaker 3 (16:28):
Did a passion of the Christ that he you know,
he did like the hesitation that it wouldn't work, and
he kind of gave him a good for you and
not me you And Paul tells it, well, I have
a personal relationship with Christ. Really.
Speaker 6 (16:41):
Yeah, see, I can see worship Jesus. If you were
a girl like I God had a daughter Jane, I'll
worship of Jane. But you know, to worship a guy
like a little ton of you know, it's a little gay, isn't.
Speaker 3 (16:52):
It the Son of God? With you?
Speaker 6 (16:55):
I'm saying, well, I would worship Jane if he had
a daughter, Jane, I could have a real relationship with
an have a daughter. It's a shame it wasn't a girl.
That's all I have to say. Good looking woman, zoft dick,
but sense humor, that's fine. If he had a d everybody,
everybody would worship change.
Speaker 3 (17:14):
That's all I'm saying.
Speaker 1 (17:15):
Cheryl does her okay, okay, It's like that should be
a drinking game.
Speaker 2 (17:20):
How many times Cheryl says okay?
Speaker 3 (17:22):
But was fascinating. Not the gays a bad word specifically,
but the things that Larry er I say that are inappropriate.
There's generally somebody there to say something. And by the way,
I added a scene later on when we played softball
in New York with Ye Yeah season and and Robert
(17:47):
Smigel was the coach. He was the guy that gave
you an orgasm. He's the coach and he goes, let's
beat them blah blah blah blah, and then he says,
let's kick them in the cunts.
Speaker 1 (17:57):
No, let's fuck them in the cunts. I think he
said whatever, all right, whatever, but us.
Speaker 3 (18:03):
No point being is we were gonna Larry and I
walk away like Larry. We gotta that's what I call him.
We have to when we walk away, I have to
say to you kick him in the cunts. Who says
that and he goes? I know, because without that it's.
Speaker 1 (18:21):
Just well, yeah, in the room comment, right, But it
was quite funny when he said it.
Speaker 3 (18:26):
I know, But it was also people without a sense
of humor would be really they probably were. Then again,
people who don't have a sense of humor don't We
don't want them.
Speaker 2 (18:35):
We don't want them watching the show. If they don't
have a sense, don't.
Speaker 1 (18:38):
I know.
Speaker 3 (18:39):
I've met people male and female who just can't watch.
It makes them uncomfortable. But they also to me, if
you don't watch Curb and it doesn't make you incredibly
happy and make you laugh, please yeah, don't watch.
Speaker 2 (18:53):
But they're not, don't you know. We have a very
loyal No.
Speaker 3 (18:57):
For sure, thank you any of you for listening.
Speaker 1 (18:59):
And he says, Larry says, I mean if he had
a daughter and she was kind of zoft, Dick and
her name was Jane. That run, I absolutely run.
Speaker 3 (19:07):
There's a lot of good runs in this episode.
Speaker 2 (19:09):
There is.
Speaker 1 (19:10):
And then it's nighttime and and Larry is going into
his bathroom and he sees Cheryl's brazier hanging on the
bathroom hook, and he goes to look at the size
and he's disappointed.
Speaker 2 (19:23):
He is a disappointed look on his face. So Cheryl
asked what he's doing, What are you doing? What are
you doing?
Speaker 3 (19:29):
Nothing?
Speaker 6 (19:31):
I was your bra was kind of was about to
fall off, and let's bring it back on, all right?
And I felt like you were looking at my size?
Oh well, I didn't deliberately set out to look at
the size, but iways had the bra in my hand.
(19:51):
And it's kind of like, you know, if you have
a driver's license, you check out the date of birth.
Speaker 3 (19:56):
That's all, okay, check it out.
Speaker 2 (20:00):
You think h And She's like, were you looking at
my size?
Speaker 1 (20:05):
He's caught and uh, you know, he looks disappointed and Cheryl, no, no, no, no.
Speaker 3 (20:10):
He said it had fallen down. He was putting it,
putting in the bar.
Speaker 2 (20:15):
But she knows he's lying. She could tell.
Speaker 1 (20:17):
And Cheryl tells him that he's gonna have to let
they're gonna have to let Maria go because she's walking
around without a bra and that it's unseemly.
Speaker 2 (20:27):
And Larry says, well, why don't you tell her to
get a bra? And she's like, oh, I'm not going
to tell her to get a bra.
Speaker 1 (20:32):
Larry says, I'm going to tell her because she makes
the best chicken salad. I just cannot lose this woman.
She makes the best chicken cha. Again, this is another example,
jeff of I was going to say something that Cheryl
Hines would never in a million years be behaving that way, but.
Speaker 3 (20:51):
The character Cheryl would for sure.
Speaker 2 (20:54):
I don't know. I thought this was a little stretched
on this.
Speaker 3 (20:57):
It's like, no one watching would go I bet the
chicken salad has something to do with the story, you know.
It's just I like her chicken salad and you have
no idea what the callback is.
Speaker 2 (21:10):
The of course, when I was watching this, I didn't
even remember that.
Speaker 3 (21:14):
No, I didn't remember it either, and I'm in the scene. Yeah,
I did not remember it at all.
Speaker 2 (21:18):
This was a long time ago.
Speaker 1 (21:19):
So then we Larry is in the kitchen with Maria
and we hear the squeaking, and she thought it was
Haesus because now Hayesus has the same orthotics and it
is also squeaking, and they talk about Larry says he
could be quite a downer and Larry brings up the brazier.
Speaker 6 (21:34):
You know we couldn't help, but notice that you don't
worry a.
Speaker 2 (21:40):
Oh no, I don't like them, not for me, not
for you.
Speaker 4 (21:44):
No, because you know I got my father in law
here distracting, distracting, flopping going on.
Speaker 1 (21:56):
No, they don't flop flopping, don't like the support things.
Speaker 2 (21:59):
They're comfortable. I haven't won one in fifteen years.
Speaker 6 (22:03):
They've made some great technological advances in bras in fifteen years.
Speaker 2 (22:07):
Larry says he kind of needs to wear it.
Speaker 1 (22:10):
They're distracting, they're flopping around, and she's like, there's no flopping,
there's no flopping going on, and she finds it uncomfortable,
and Larry tells her they've made a lot of advances.
Speaker 2 (22:19):
They're inviting and cozy and comforting.
Speaker 1 (22:22):
He tells her, Now, now what's interesting is you know this,
but I don't know that all our listeners know this. Larry,
before he started doing comedy, was a bra salesman.
Speaker 3 (22:32):
Oh I didn't I knew he was a limo driver
that has never written.
Speaker 2 (22:35):
A bra conversation, so he starts.
Speaker 1 (22:37):
He says, now they're in the Pema cotton, Pullma cotton,
Pema cotton, and he offers to buy her a bra.
And next we are at our house and Larry is
squeaking in and Jeff, you can't find the can opener,
and you tell Larry you think our housekeeper is stealing,
but you're not completely sure.
Speaker 2 (22:56):
You think so, but find the.
Speaker 3 (22:57):
Way again a seed as it's not anything but a seed,
which leads to your favorite scene in the show.
Speaker 2 (23:04):
And then Larry's one of my favorites.
Speaker 1 (23:06):
Yeah, And Larry tells tells you that he has to
buy his housekeeper a bra, but he doesn't know her size.
And so I come in with Sammy's teeth, with Sammy's
tooth that just fell out, and I start talking about, Ah,
the tooth Fairy's coming.
Speaker 2 (23:22):
I'm coming to get money from you for the tooth Fairy.
Speaker 1 (23:24):
And Larry's like, she's like eleven years old, and he's
shocked that she still believes in the tooth Fairy. And
I tell him it's none of his business. He doesn't
know anything about children.
Speaker 3 (23:32):
Ryay, awesome, you're awesome in this.
Speaker 2 (23:34):
Y Yes, thank you. And then then we catch him
staring at my breasts.
Speaker 3 (23:38):
And you say, what are you looking at?
Speaker 1 (23:40):
You?
Speaker 2 (23:40):
What are you looking at? And I am holding the tooth.
I remember it's because I was holding the tooth right.
Speaker 3 (23:44):
By the way, did you choose to do that or
did they tell you to die?
Speaker 1 (23:48):
I was directed to hold the tooth there, yeah, because camera, Yeah,
for camera purposes.
Speaker 3 (23:53):
Yeah, well I'm that funny. But anyhow, you have the
tooth there, so he could have easily said, you're your tooth.
We might have.
Speaker 4 (24:01):
That's right.
Speaker 1 (24:02):
And then I leave and Larry tells you he thinks
that I'm the same size as Maria, And Jeff says,
he asked you what size, and you say, you don't know,
but you can find out. And then you say to him,
do you know what size Cheryl is? And he says,
I just found out, And frankly, I'm a little disappointed,
and you start beak up sea cup and then you
(24:25):
say to him, you don't tell me Cheryl's size. I'm
not going to tell you Susie's because you two are
so mature in your relationship.
Speaker 3 (24:31):
And by the way, he ended up not telling me,
which it's really been which by the way, except the
disappointed line is actually a noble gesture for that character
to say, no, I can't do it. But what's next.
Speaker 2 (24:44):
That's a very funny scene. Then you're watching.
Speaker 1 (24:46):
Basketball and Larry starts, I could be general manager.
Speaker 2 (24:50):
I just need the opportunity, you know, bullshit.
Speaker 3 (24:52):
I don't remember if it made the episode any of
the episodes, but he did something. He told me, and
this is he I alone. We're talking between not a camera,
off camera, and he says to me, you know, I
was really good basketball player. I could have made it
to the pros. And he's being totally sincere. I could
have been a small guard. I could do this. And
(25:15):
I go, because I know how to like have you know,
I make him elaborate and I go, well did you
practice what did you play on? And he says no,
I used to bounce. I practice dribbling in the house.
And then he would do his mom, Larry, stop with
the dribbling. Don't dribble, Larry. And when he does his
mom that's one of my favorites. I lose it. But
(25:36):
stop your dribbling.
Speaker 1 (25:38):
Beautiful, all right, So then he goes to the bathroom
and he's squeaking along, and he goes by our laundry
room and he sees my bra sitting out the laundry room.
So he grabs the bra and he looks at the size,
and then he chooses to kind of put it on
and feel what it feels like.
Speaker 3 (25:57):
I think that's a joke in itself, which it is,
which is kind of but the call back to that
and the question you ask him is fucking awesome.
Speaker 2 (26:06):
Yeah, keep going, but it's very That scene in the
laundry room is hilarious.
Speaker 1 (26:12):
And then he comes out of the bathroom and he's squeaking,
squeaking down the hall just as.
Speaker 2 (26:17):
I'm putting the money underneath.
Speaker 1 (26:19):
Sammy's pillow for the tooth Fairy, and his squeaking wakes
Sammy up.
Speaker 3 (26:29):
What are you doing?
Speaker 2 (26:30):
What are you doing with that money? I was checking
to make sure the tooth Fairy left it. You're lying,
and you're lying.
Speaker 3 (26:36):
You're the tooth fair.
Speaker 1 (26:37):
There is no jew fairy, it's you.
Speaker 2 (26:43):
And Sammy starts screaming.
Speaker 3 (26:45):
By the way, I didn't like that because I felt
that she just leapt up and hit you hard. And
if you're sleeping and putting them. It really bugs me,
and I know that I had to have told the director,
but no one listened me that you should wake up. Look,
I know there's a pacing thing. Wake up a little groggy,
(27:06):
go what's going She woke up in the most fake way,
you know what. No, well, those things bother the fuck.
Speaker 1 (27:14):
Out of me, all right, and she starts accusing me
of lying, and like, you're the tooth fairy.
Speaker 2 (27:18):
You're the tooth fairy. And then I go out my
confront Larry in the hall.
Speaker 1 (27:22):
You woke her up, and he's like, well, it had
to happen eventually, and it's a blessing in disguise, and
I'm like, you know, I just.
Speaker 3 (27:28):
Thought of something that we never did on the show,
and this scene would have been perfect for it. If
she talked to you like you talk to everybody else,
that would have been really funny. If she mimicked to
her best ability.
Speaker 2 (27:41):
Yes, mimic you, which, by the way, no, no.
Speaker 3 (27:44):
Hold on, get the fuck out of my room. Get
the fuck out.
Speaker 2 (27:48):
That she was little, well no, she was like twelve,
she come.
Speaker 3 (27:53):
But the point is that was a missed opportunity that
none of us thought of thought.
Speaker 1 (27:58):
But I'm sitting here going if you recall in a
later oh it was Palestinian chicken.
Speaker 2 (28:03):
Later on in season eight, she did channel her mother.
Speaker 3 (28:07):
But it was but by the way, it was awesome,
but she was yeah, but we could have established that.
Speaker 2 (28:13):
Yeah, you're right, the missed opportunity.
Speaker 1 (28:15):
Anyway, So Larry and I get into it, and you
come in and whatever, and we kick him out of
the house and he goes.
Speaker 3 (28:21):
No, no, no, no, no no. You kick him out
of the house, and I stand like a cook cold
husband with my arm. But I'm cheating on you all
the time, all right, So but yeah, I'm handcuffed. But
the build of that is beautiful. In that scene, the
kickout scene, you start at a level you know, what
(28:42):
did you do? Why? And then you're the only person
who can go in hot and then blow it all up.
But get the fuck out of my house. It's a
level of thing. Yeah, but you go in hot hot, Well, look,
you went to a scene cynical about what we're doing,
or you're furious. No, no, cynical to start up because
(29:04):
you're yelling is a build even though it's like when
is she going to do it? Like the scene we
filmed this past season. The stairs starts out pleasant and
then when's the explosion. But a lot of times your
character comes in happy for the most inane reasons. The
tooth a calf tan, you know what I mean, It's like.
Speaker 2 (29:23):
Yes, yeh, damn Sammy's tooth.
Speaker 3 (29:27):
Yeah, but you do that about other things. And then
the joy is of course ruined by Larry. But those
are the two ways you hit. And then when you
come in hot, you're not even thinking she can go hotter,
and you fucking explode. And by the way, never not funny.
Speaker 2 (29:42):
Never Jeffrey. Next he's squeaking up the stairs again. The
squeaking is just continual.
Speaker 1 (29:47):
He wakes Cheryl's parents up, He wakes everybody up, curious
thing that they were sitting in separate bedrooms.
Speaker 3 (29:54):
The separate rooms. I'm like, we never talked about that
on the show. I don't know whose choice the was,
but they could have easily come out together. I don't
because all right, I'm watching. I'm sure as people listening though,
who are hardcore curb and they had to have noticed
it because it's fucking weird, just saying because we had
(30:14):
them fight on the show.
Speaker 1 (30:16):
Ever, No, but a lot of older couples sleep in
separate bedrooms.
Speaker 2 (30:20):
Once snores when they have gone sleeping. That you know, my.
Speaker 3 (30:24):
Partner, Sari lives in a separate house for me, about
a ten minute drive, and even if we were married,
we would do that. Forget separate bedrooms, separate houses. Like
my dream is my dream is I love to marry
her and the house by the house next door to me,
and she lives there and I live here. It also
went up the romance, Oh, who's knocking?
Speaker 2 (30:47):
Who's that knocking at my door?
Speaker 4 (30:50):
Door?
Speaker 3 (30:50):
No, but I understand separate bedrooms. It's just that each
of you. It's not a privacy thing.
Speaker 2 (30:57):
But it's a sleep it's a sleep thing.
Speaker 3 (30:59):
I know, it's a he rolls around, he snores, she
yells out vagina all night. Like they all have different
things as you do that. Who doesn't, Yes, but anyho,
it's I understand it. But still it was weird.
Speaker 2 (31:10):
But it was I noticed that as well.
Speaker 1 (31:13):
Yeah, but again that might have just been a timing
one two three, because it was Paul Julie Sheryll.
Speaker 2 (31:19):
You know, by the way we really necessary.
Speaker 3 (31:22):
No, by the way we should do. Yes, that was
a little bit because when we do those set moments.
I find them completely false. You know, the boom boom
every moment. This is just my thing, should be a surprise.
You go back to Duck Soup with the Marx brothers
and both brothers in the same exact pajamas, and Harpo's
(31:42):
got and they're Harpo's prepared to fuck with Grouchow, but
Groudcho is walking along not knowing what's going to happen.
You need sort of like there's always got to be
even if it's a light surprise. But those choreograph shits,
fuck them.
Speaker 2 (31:59):
Yeah, we'll be right back. Stay tuned. Okay, we're back.
Speaker 1 (32:13):
So next, Larry is in Victoria's Secret and he wants
to buy a bra. And the woman who played the
sales girl, she was terrific.
Speaker 3 (32:24):
Show with her.
Speaker 2 (32:25):
Her name is Lydia Cornell.
Speaker 3 (32:28):
Lydia Cornell worked quite often in comedies, and she was
on that show where where Ted Knight played a cartoonist,
The ten Night Show or whatever it was. She was
either his daughter or one of I think she was
his daughter anyhow, Yeah, she worked a ton and I
was really happy to meet her and that she did
our show, and she.
Speaker 2 (32:48):
Was terrific in the scene. Absolutely terrific.
Speaker 3 (32:50):
In this scene when people not only can improvise because
we are casting process, COVID really hurt us because we
couldn't be in the room. Yeah, did you ever come
to a casting session?
Speaker 2 (33:01):
No, No, it's really well.
Speaker 3 (33:04):
You come in and you're with Larry. Myself, Cheryl was
there a lot of times. Yeah, So if you're scene
is with Larry, you're doing it with Larry David, which
is also nerve wracking. But we're really we have failed
five times, four times when we went with somebody and
then they're not gonna work, you know, but let's just
cut it and we'll recast, which we've done. But it's
(33:25):
a very thorough process. So she came in and you
see the comfort, relax doing it with Larry. You know, Cheryl,
when she auditioned, we talked about this. She was the
only one that really had a lovely I'm not going
to take your shit at it. Yeah, only one. Yeah,
and if I'm not mistaken, she might have even been
(33:46):
the last actress to audition, might have been because.
Speaker 1 (33:50):
I remember, it's a it's a difficult thing when you
have somebody who's so strong like Larry, you need somebody
who's going to be able to be at that level.
Speaker 2 (33:59):
I mean you can't just you know.
Speaker 3 (34:01):
Well you can't be intimidated. Yes, but that's the thing
about acting performing in general. It's experience, and so it's
a comfort level, you know, being natural. And I've grown
into putting no spin on my acting. I don't try
and make anything funny. I just say it the way
and matter of fact. That's why I fool people all
(34:21):
the time, and I have to tell them I'm not
being serious, which I feel for them, and they'd go okay,
I keep going okay.
Speaker 1 (34:29):
So Larry goes into Victoria's secret he's buying a bride.
It's first housekeeper, not for him. He makes that very clear,
not that there's anything wrong with it if it was
for him, which he says, yeah.
Speaker 4 (34:38):
I'm interested in buying a.
Speaker 2 (34:41):
Bra No fear, sweethearted, your wife.
Speaker 4 (34:48):
Actually my my housekeeper, hell housekeeper. Okay, I'm not making
it up. It's really not for me.
Speaker 2 (34:54):
Fine, okay, No, it's not for of course, it's not
for you. I believe you.
Speaker 3 (34:57):
Of course.
Speaker 6 (34:58):
Not okay, you know, not that it's anything wrong with it, No,
because I know, but there is something wrong with it.
Speaker 3 (35:02):
What am I saying, not that.
Speaker 2 (35:03):
There's a lot.
Speaker 6 (35:04):
I can't say that I like to walk around with
underwear on my head.
Speaker 2 (35:07):
Is there anything wrong with that?
Speaker 3 (35:09):
Is there something wrong with that? Yeah, there's something wrong
with that.
Speaker 2 (35:12):
So you really do need to broaden.
Speaker 3 (35:13):
Yes, oh, yes, something comfortable.
Speaker 6 (35:15):
She hasn't won one in fifteen years.
Speaker 2 (35:16):
I need something comfortable, not a French made out.
Speaker 6 (35:18):
No, no, it's not a Lacey French made out.
Speaker 2 (35:21):
And he wants something comfortable and soft, and she shows him.
Speaker 3 (35:26):
You know, she's assuming that it's trying it her self.
And everybody said the underwear line, which is right coming up.
Speaker 1 (35:33):
We're coming up, and that it's so soft that he
said maybe they should make underwear out of this stuff
for men, and she says, you see, that's what I'm
talking about.
Speaker 2 (35:43):
Feel free to try anything on.
Speaker 1 (35:44):
I know, you know, it doesn't He's like, it doesn't
make me a pervert that I thought. You whatever. They
go back and forth and she's just terrific. And you know,
I remember that scene because I remember how good she was.
And the scene was actually quite short, and I remember
it somehow being longer, but it was a very short.
Speaker 2 (36:01):
We cut it down.
Speaker 3 (36:02):
But you know, when I realized also watching this episode,
and I'm actually not a curmudgeon, but in terms of
exchanging looks and what I say and explaining things, I'm
more like Larry offscreen in terms of I talk to
everybody and I'm curious about what they're wearing. The old time,
one person like I went into a movie theater and
(36:26):
there's a guy behind the counter, like, there's a man bun,
which I've always found interesting. Unless you live in Europe
the Americans, it doesn't work anyhow. I said to him,
are you wearing the man bun because you like it
or because you don't want your hair and the food?
And he, matter of factly, with a touch of angers,
said I prefer not, And I didn't get what he
(36:47):
was saying. I prefer not to be identified by my hair.
And I go, yeah, but the man I'm asking you,
And I didn't get the identification thing. He at a
certain way, and I was being kind the whole time
of I'm not curious, and I wouldn't put it away.
That's why I'm saying. It's the Larry thing. But what
And I'd ask him those questions and explain, and by
(37:08):
the way, one of the other times I got a
rejection was the woman who takes tickets in the same
theater maybe two years later. I don't want to be
And then I'm like, okay, I'm very sorry. I will
not ask. And he was very upset, like furious. And
later on I walked up to him and I said,
I just want to let you know I meant nothing.
(37:29):
I apologize. It was just curiosity because also I said
to somebody, he doesn't want to be identified by his hair,
what does that fucking mean? They go, no, you're saying, man,
button And he may not.
Speaker 1 (37:42):
Myself a miss, but you know, you know what kills
me though, when people do things to draw attention to
themselves and then don't want the you know what I'm saying.
Speaker 3 (37:54):
No, I know, I know. But by the way, someone
who embraces whatever they are and such a way, that's colorful.
I dig that man, that guy. People like that make
the world a better place when they really embrace who
they are.
Speaker 2 (38:09):
And you know what, fashion it really should be fun.
Fashion is an expression.
Speaker 1 (38:15):
And then Larry brings Maria a very large selection of
bras and he's very.
Speaker 2 (38:20):
Proud of himself because he thinks he nailed the size.
Speaker 3 (38:23):
No, no, no, he bought. He bought different sizes.
Speaker 1 (38:26):
Yes, but he says he thinks he nailed the size
and he's very proud of and she tries it on
and she looks great.
Speaker 3 (38:35):
She's so happy, she's so comfortable.
Speaker 1 (38:39):
And then he comes upstairs and comes into his bedroom
and Cheryl and I are waiting for him.
Speaker 2 (38:43):
I just say him, you're a sick fuck.
Speaker 1 (38:45):
And I show him the video because I tell him
that we have cameras in the laundry room because we
the houselipper is stealing, so we put the nanny cams around, which, by.
Speaker 3 (38:56):
The way, I wouldn't even think that was going to happen,
do you know what I mean?
Speaker 2 (39:00):
I didn't see it exactly exactly.
Speaker 1 (39:03):
And we see the video of Larry mincing around trying
on the bra and he says, well, he wanted to
see what it felt like washing dishes.
Speaker 2 (39:11):
I said, is that how your made washing his dishes?
Is that going out?
Speaker 3 (39:14):
But he also said other things moving around, going around
the house, cleaning stuff, and wanted to feel your impression
of that doing the like is that how you didn't
just say it how she does the dishes, which I mean.
Speaker 1 (39:29):
That was great, and you know, staring at everyone's breasts
and and Cheryl's like, why are you buying her a bra?
Speaker 3 (39:36):
I love the scenes where you and Cheryl really time
up and we have no idea what to say.
Speaker 1 (39:41):
And I tell him keep you goddamn hands off my brazier,
and Cheryl's tells me she caught him looking at her
bra and you know, like it's just a sick fuck
with a fetish of bras And and then I tell
Cheryl about him waking up Sammy, and then Cheryl says him,
where have you been?
Speaker 2 (39:57):
And he says brush shopping and then he walks out.
Speaker 3 (40:00):
Hold On. In the second though, he gets into an
argument again with you about the tooth.
Speaker 2 (40:04):
He yells at you about the tooth fairy. Yes, I
want to say.
Speaker 3 (40:08):
This scene, all the things you're saying and doing, there's
no you know, maybe it's written Susie is upset with Larry,
but you're making all this shit up. Well, we all do, no, no,
But it's like I watched this scene and I go,
I wonder if people know that this is all improvise
from a very well it used to be back then
it was a very short outline, you know, same.
Speaker 1 (40:29):
With your scenes like that, hilarious scene earlier where you're
guessing Cheryl's bra size.
Speaker 3 (40:34):
We had no idea we were going to do that.
That just happens, and you know, we do it two
or three times because we're pretty happy with the first one.
But that is so much fun. That's what's fun about
the show.
Speaker 2 (40:46):
Oh I see here where I see that? Okay?
Speaker 1 (40:50):
So then Paul is asleep on the sofa because we've
already established Larry welcome up with the orthotics the night before,
so we didn't get a good night's sleep, and Larry
sees the mozuzza on the and Maria comes in and
that's when she's showing off how comfortable she is and
how good she feels. And that's when he asked her,
where's haystus? How come he didn't put up the Messusa?
And she says, hey susus, upset that Larry was talking
(41:14):
to Marie about her breast.
Speaker 2 (41:15):
He said, mister David can go fuck himself.
Speaker 1 (41:18):
Right, Okay, good, Right, that's where that was. And then
we see Nat Larry's father pulling up and Larry starts
to freak out, where's a hammer, Where's a nail?
Speaker 2 (41:26):
He's got to put up? The Masusa.
Speaker 1 (41:28):
So Nat doesn't get upset, because that is the kind
of thing that Nat would get upset about.
Speaker 2 (41:32):
Oh, by the way, yes.
Speaker 3 (41:33):
What's amazing about Shelley's performance all through the show, which
kind of you know, you knows just how subtle he was, Yeah,
and quiet, quiet and subtle, and then in character he
would make like that he was happy. He said, don't
do this and this is not the old part. There
are some okay, so yeah.
Speaker 2 (41:54):
That's next. Okay. So he's looking for a hammer. She
tells him where the hammer is, where's a nail? He
doesn't have any, And.
Speaker 1 (42:00):
He sees Paul asleep on the couch with that that
for cock and nail around his neck and he tries
to take it off, which is a whole big you know,
can't get it over his head.
Speaker 3 (42:09):
But by the way, I see, I didn't buy that
the nose, all of it, because.
Speaker 2 (42:13):
He wouldn't have woken up.
Speaker 3 (42:14):
Yeah, no, no, I'd buy that. He's not waking up.
That's all good, But the joke is still funny if
he just pulls it off his head. That's not what
we're doing. It's about the nail. It's not about it.
But that's you know again. Sometimes I'm not listening.
Speaker 2 (42:29):
To I know where you're going.
Speaker 3 (42:34):
No, actually I know in the back of my head,
but I was not going there.
Speaker 1 (42:37):
Trust And Paul wakes up and it's blasphemy and he's upset,
and Cheryl and I come down the stairs and it's pandemonium.
We're all shouting and screaming, and Larry is putting up
the messiussa with the passion of the Christ nail and
Natt walks in.
Speaker 2 (42:52):
He's like, kiddo, it was so.
Speaker 3 (42:56):
Light and natural. He touched it, it was warmed by it,
and I thought.
Speaker 1 (43:02):
That was Jeff, do you touch it first and then
kiss or do you kiss and then touch it?
Speaker 3 (43:07):
Well, by the way, that's uh.
Speaker 2 (43:09):
I don't know somebody, well, right, can I be honest
with you?
Speaker 3 (43:14):
Don't even want to google it? Accept anyone? Do I
see kissing their hand first and then touch I believe
it's a kiss and touch. That's why I believe it is.
But if they do a touch and kiss, I'm good
with both, because you're showing respect.
Speaker 1 (43:27):
If you hear snoring in the background, that's my dog
right over here is asleep and snoring very loudly.
Speaker 2 (43:33):
I can hear it.
Speaker 3 (43:34):
So I felt that you were going to say, if
you hear snoring in the background, my dog is bored
of you.
Speaker 5 (43:40):
Jeff, I thought you were going, Okay, Next, we're in uh,
we're in Larry's office and you're there and you're both
eating chicken salad sandwiches and it's the best chicken salad
ever that you've ever had.
Speaker 3 (43:55):
And there was a moment where we both are laughing
really hard. Do you remember what it was about the
chicken salad or whatever, because that scene, I'm on the couch,
he's behind the.
Speaker 2 (44:05):
It comes up.
Speaker 1 (44:06):
It's and he tells you that she's very happy about
the bra and that he nailed the bra size.
Speaker 2 (44:12):
He's very you know, proud himself.
Speaker 1 (44:14):
And you tell him, me should get a job at
a carnival somewhere to get the broth size.
Speaker 3 (44:19):
And we don't know it's gonna work. Holy shit, And
then he started doing what he would do as a
carnival barker who collects. I mean. And by the way,
when you see Larry and I laughing on screen, or
we're laughing at Susie or whatever it is, those are
one genuine.
Speaker 2 (44:39):
Laughs, yes, like we are laughing hard.
Speaker 3 (44:41):
And how absurd it is, and how funny it is
and those are real laughs.
Speaker 1 (44:46):
And he tells you that Heyesue's freaked out about the
bra and quit and told him to go fuck himself.
And then you asked if he replace the nail, and
he says, yeah, he ordered a new one. And then
he bites down in the chicken salad sandwich and his
tooth fell out because it was a bone in the
chicken salad. And then we hear squeaking, squeaking, squeaking, squeaking.
Speaker 2 (45:10):
Yeah, it's like a real horror movie kind of.
Speaker 3 (45:13):
The way we did the sound effects on the show
for the shoes was perfect.
Speaker 2 (45:17):
Yeah, I agree with you. Larry says it's Haesu's.
Speaker 1 (45:21):
He looks out the window, he sees it's Hasus and
we see Haesu's coming Lobo and he picks up a
sign that, you know, some kind of I don't know,
for sale sign or whatever, and he rips the sign
off and it's across it's two pieces.
Speaker 3 (45:33):
Of wood, was a cross, and he's holding it and
he starts.
Speaker 1 (45:38):
To come after Larry, and we hear that that that
I forgot what the music is called, but it's this
religious music playing and he's coming after Larry, and Larry's
running and.
Speaker 2 (45:51):
All of a sudden, Haesus falls in pain. He stepped on.
Speaker 1 (45:55):
The nail that Larry drops the passion of Christ's nail
and it's in his foot and you guys pull it out.
Speaker 3 (46:02):
No no, no, no, no, no no, wait. We do
something that bothered me, which is no. But that's after
we start discussing about the nail blah blah blah, and
the guys on the floor.
Speaker 2 (46:16):
Oh yeah yeah, And I.
Speaker 3 (46:18):
Just thought, are Larry and I that ignorant? That cruel?
Are characters? And I really thought, no, we would have
we would have a beat, pull it out, fat. So
we're having a fucking conversation, all right, keep going.
Speaker 2 (46:31):
So then you pull the nail out and it's like.
Speaker 1 (46:33):
Oh and they you know, they lift taste sus and
they drag it.
Speaker 3 (46:38):
No no, no, no, wait wait wait they pull the
nail out and they look at it like it's a miracle. Right,
And someone decided to post to have a glow to
the nail on.
Speaker 2 (46:50):
Yeah yeah, yeah, fucking hated it. Yeah that's not necessary.
Speaker 3 (46:55):
It was not the biggest ball of not necessary. So
you know, and then when I did it, with him,
and he looked at it. I never imagine in post
that would be. And again I fought that one.
Speaker 1 (47:06):
All right, keep going, And then we cut to Larry's
sleeping peacefully in bed and he wakes up and he
puts it like fumbling with the pillows, and he sees
this five dollars underneath his pillow that the tooth fairy
apparently left him for his tooth that fell out. And
he turns to Cheryl and he's like, very funny, and
(47:27):
clearly Cheryl's has no idea what he's talking about.
Speaker 3 (47:31):
No, I think she clearly put it there. There's no master.
Speaker 2 (47:34):
I don't think so.
Speaker 3 (47:36):
So you think an actual tooth fairy whatever, keep it.
Maybe you came by in your bra, in your bra
and put it underneath.
Speaker 2 (47:47):
And that's the end of the day. It was a
great button, think.
Speaker 3 (47:52):
No, no, But it was a great button. But also
Cheryl played it perfectly, and Larry's reaction was perfect. That
being said, when she did it, I know that she
put it under his pillow.
Speaker 2 (48:01):
See, I didn't think so. I thought it was just
one of those.
Speaker 3 (48:06):
Magic realism bullshit okay, yes, which I've enjoyed in movies.
There have been movies. Look at groundhoud Day, Yeah, you know,
I love that movie, but I don't know, all right,
but it's great.
Speaker 1 (48:17):
Button and that's the great button of the episode. And
that's that's it. That is the christ Nail, Season five,
episode three, and we'll be back next.
Speaker 3 (48:25):
Week with episode four. Thanks for listening. I really appreciate it,
and I'm assuming Susie does too.
Speaker 2 (48:32):
I do Bye, Thanks, okay.
Speaker 1 (48:45):
The History of carbr Enthusiasm is a production of iHeart Radio.
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