Music Life and Times

Every Elton John has his Bernie Taupin. Jerome Kern had to have his Oscar Hammerstein. Even Duke Ellington needed a Billy Strayhorn or Irving Mills or Bob Russell. Point is, a song isn’t much of a song without lyrics, and how lyricists and composers work together, if unique to each pair, is one more example of the cooperation involved in making great music.

Consistent with the podcast’s focus on the life lessons that learning to play music teaches, Kevin and Mike talk about musical conversation, that is, how musicians playing together collaborate, listening to each other and accommodating each other’s playing, to create better music.

Whether you’re a youngster who wants to learn how to play an instrument, or a parent who recognizes the value of music in their child’s education, or an adult who has never played but wants to learn how, it’s never too early or too late to start. Kevin shares insights on how to get started from his three decades of teaching young and adult students.

People who make their living playing music typically do a lot of travelling. While some might have a house gig in their hometown, most find themselves in venues that take them to different parts of their country and even around the world. Those experiences—that breadth of experience—combine to be one of the great benefits of life as a musician.

From Bill Evans to Oscar Peterson to Ahmad Jamal to Charlie Parker to John Coltrane to Miles Davis, and on and on, each of the great players is distinguished by their own unique style. In this podcast, Kevin talks about the some of those legends and how they expressed themselves, and he and Mike discuss the importance of individualistic expression—that is, to perform from your heart—to all music.

So many great musicians are also dedicated teachers. They love passing along their knowledge and inspiring others, getting them excited about the things they’re excited about, infecting them with love for what they’re doing, and how exciting it is to make music with other people. It is the jazz teaching tradition at its best: “Each one, teach one.”

As avid readers, we have our favorite books about music and musicians. We discuss a few here in some detail in hopes they might be of interest to you. If you have others you like, let us know at musiclifeandtimes.com > contact us, and we’ll share them in a future podcast.

From the origins of jazz to the songs of the 1960s protesting the Vietnam War and supporting the Civil Rights Movement to the Grammy Song of the Year in 2021, music has played an essential role in social change, shedding light on the issues and attitudes that threaten our freedoms, here in America and around the world. Your podcasters comment on those times and music and share some stories of their own.

From 78 rpm to 33 rpm—and of course 45s with one song on each side—from albums to CDs to streaming, the way music is delivered has evolved substantially. The intent has been to make the music you want to hear easier to access. But have we lost something along the way? Is that why vinyl outsold CDs last year for the first time since the introduction of the music CD?  

If you play music for an audience, be that at home in front of your family or for thousands of people in a concert hall, you’re likely to be nervous before you play. That’s not necessarily a bad thing; can even be a good thing as Kevin explains in this episode. But of course, shaky hands and a quavering voice aren’t helpful to your performance, so consider some of these ways of dealing with nerves and anxiety.

Learning music is about playing music. And playing music leads to performing. And because music is a communicative art, the job of a performing musician is to communicate with his or her audience, to play for the people.

Most players are uncomfortable hearing their own music. They don’t find it as perfect as they think it should be. But an important lesson to learn is not to judge yourself, and indeed, first takes are often the best takes in recording sessions.