Anatomy of Tone
Welcome to ”Anatomy of Tone Podcast,” the ultimate resource for all things related to music creation. Join us as we dive deep into topics ranging from music theory and playing techniques to composition, business advice and the science of tone.
Episodes
In this episode of Anatomy of Tone, Mark Marshall discusses his experiences with various DAWs and audio interfaces, ultimately advocating for the simplicity and compatibility of Pro Tools. He shares insights from his teaching and professional recording experiences, emphasizing the importance of consistent, high-quality tools in the studio.
Mark reviews Chicken Picks, noting their unique material, durability, and impact on guitar to...
This episode of Anatomy of Tone offers a deep dive into the world of custom guitar craftsmanship through the lens of Farhad Sohaili, the founder of FSC Instruments. Farhad shares his comprehensive journey from his early music influences and moving from Iran to the United States to the establishment of his guitar-making business. The conversation explores the meticulous process behind creating handcrafted guitars, emphasizing the se...
Welcome to "Anatomy of Tone," the podcast that delves deep into the intricate world of musical soundscapes. In this episode, we unravel the secrets behind the revolutionary Tul G12 Dynamic Microphone, specially crafted for guitar amps. Join us on a sonic journey as we explore the essence of tone and the impact this cutting-edge microphone has on shaping your guitar sound.
Welcome to the 33rd thrilling episode of Anatomy of Tone. Join your host, Mark Marshall, as he delves into the vast tonal world of the Earth Drive pedal by Sarno Music Solutions. Through numerous experiments and meticulous exploration, Mark will share his process of identifying the perfect overdrive pedal saturation for diverse applications.
Learn from his comprehensive walkthrough on how to maximize the pedal's effects and discove...
In this week’s podcast, I’ll discuss the Rush Pepbox, one of the earliest fuzz pedals made. Pepe Rush started making the Pepbox in 1966 in London. The tone is reminiscent of the Maestro FZ-1 but with a few variations.
Those of you who are into fuzz know we’ve been missing fuzz in this family. The Maestro isn’t being made anymore, and although there are a few copies of the Fuzzrite (another Maestro variant), they don’t sound quit...
In Episode 31 of Anatomy of Tone, the host discusses crucial factors to consider when choosing a delay pedal and provides insightful tips on troubleshooting gear during a rehearsal or gig. They release new videos on their YouTube channel Anatomy of Tone which covers topics like using leading tones in solos and improvisations. A significant portion of the show presents an exhaustive exploration of different delay pedals and their un...
In episode 30 of Anatomy of Tone, host Mark Marshall offers an in-depth discussion on the original Klon Centaur pedal. He explains its creator, Bill Finnegan's intent, how it was first received, and the subsequent controversy and 'Klon Wars.' He discusses manufacturing issues Finnegan faced and the impact of manufacturer changes on performance. Marshall also shares his opinions on Klon clones, dissecting their performance compared ...
In this episode of Anatomy of Tone, Mark Marshall shares an overview of his recent YouTube videos on mastering chord progressions, practical strategies for soloing on guitar, and music theory. Additionally, he stresses the significance of understanding, identifying, and managing personality disorders to navigate through potential career obstacles. Lastly, Marshall emphasizes the necessity of financial literacy for musicians, sugges...
Anatomy of Tone: Episode 28 -Experience Pro-Level Mixing with PSP Plugins
In episode 28 of Anatomy of Tone, the host shares insights on PSP Audioware plugins and how instrumental they have been over the years in shaping and refining sound in music production. The host emphasizes the versatility of the plugins in processing sound after recording, arguing that PSP Audioware plugins offer more character and depth to the sound. Featur...
Exploring the Red Panda Tensor Pedal in this week's edition of Pedal Chemistry, we delve into the captivating world of the Red Panda Tensor pedal. This extraordinary piece of equipment opens up a realm of possibilities with its innovative reverse tape effects capabilities. But that's not all - the Tensor pedal also features pitch shifting, time stretching, hold functions, and loop functions that offer boundless creative potential. ...
Anatomy of Tone: Episode 26 - The Art of Improvisation in Music
In this episode, the relevance of sweepstakes run by Seeker Electric Effects is discussed alongside a plea for assistance for a member of the community. The host later dives into various methods for improvising effectively. Central to this are skills such as ear training, understanding forms, in-depth knowledge of one's instrument and integrating music theory. Technolo...
In this week's podcast, I delved into the realm of the Universal Audio Del-Verb pedal. This pedal offers three classic UA reverbs and delays in a compact, user-friendly design. Such endeavors often sound too good to be true, but Universal Audio has proven their expertise by crafting a pedal that not only sounds fantastic but is also ideal for impromptu gigs and sonic exploration.
Additionally, I share insights into my approach to a...
In Episode 24 of Anatomy of Tone, I delve into the hidden gem responsible for the iconic "Back in Black" tone of Angus Young and others. The Schaffer Vega Diversity System, originally designed as the first wireless unit for guitarists, evolved into a pivotal tool for tone enhancement. The Schaffer Vega sound remained elusive and shrouded in mystery for many decades. However, thanks to Fil Olivieri's relentless research and collabor...
In this week's podcast, we talk about the healing value of music and its use in the mental health profession. Music therapist Sophie Woods came into the studio to discuss how she implements music into her therapy sessions, how different parts of the brain work, and the need to allow more people access to music therapy.
In this week’s podcast, I touch on etiquette for sessions, rehearsals, and gigs and the need to set good boundaries. I also deeply explore the sounds that can be created by using the Effectrode Phaseomatic, which uses vacuum tubes and photocells to create rich, lush vibrato and swirling phase-chorused effects with amazing presence and clarity.
I use the Phaseomatic with diverse sources such as:
Guitar:
Preparing for distractions on gigs, sitting in advice, composition techniques for developing an idea
This week, I talk about overcoming distractions on gigs and remembering the material. I give tips on preparing so you can maintain focus on a gig. There are ways you can practice to emulate stage conditions. I also provide tips on sitting in with musicians on a gig.
Composers in the classical realm are masters of development, reusing, and reimagining parts. Techniques such as retrograde, inversion, augmentation, and diminution can ...
This week, I interviewed Douglas Gibson, one of my most influential teachers/mentors, about his life. Doug is an award-winning composer, orchestrator, and educator with a deep understanding of music. Doug talks about his pathway to knowledge and musical interests, as well as his experience working in the business.
In episode 19 of Anatomy of Tone, I sit down to talk to the creative mind behind Henry Amps. JP Henry discusses his roots and philosophy of making guitar amps. I've been a long-time fan of Henry amps. I toured with two Henry amps for years and have used them in studios with fantastic results.
In episode 18 of Anatomy of Tone, I will discuss using the Strymon Iridium amp, cab modeler, and in-ear monitoring (IEM) for gigs and rehearsals.
There are several reasons why players may not be able to use an amp on gigs in today's performance and studio world. There are also times when we need to hear ourselves more. But, with no monitors, this can be an issue when our volume is already loud for the room we’re playing.
I provid...
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