Four Play selects four iconic films from a theme or genre to meticulously analyze and place in their proper historical context. Hosted by veteran esports commentators Richard Lewis, Duncan "Thorin" Shields, and Christopher "MonteCristo" Mykles, Four Play showcases both legendary Hollywood movies as well as hidden gems outside the mainstream. Be sure to watch along with our hosts each week to get the most of each conversation!
There is a sentiment going around that Akira is mid. Richard Lewis, Thorin, and MonteCristo are here to tell you that the internet is wrong, but also that the people who told you it was a flawless 10 out of 10 masterpiece were wrong too. The truth is more interesting than either side.
Akira's animation is a genuine 10 out of 10. Nothing from 1988 looks like this. Almost nothing from 2026 looks like this. The craftsmanship is immacu...
Open Range (2003) proves Robert Duvall can carry a western on his back — even when Kevin Costner is standing right next to him.
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A Civil Action has the most stacked cast of any movie you've never seen. Robert Duvall, John Travolta, James Gandolfini, Tony Shalhoub, John Lithgow, William H. Macy, and Stephen Fry. It's a 6.5 out of 10 film elevated to must-watch by performances alone. Richard Lewis, MonteCristo, and Thorin break down why Duvall's Harvard defense attorney is the best thing in the movie and why the movie itself can't keep up with him.
Into the A...
Robert Duvall wrote it, directed it, and delivered his career-best performance in it. The Apostle is a $5 million Southern Gothic character study about a charismatic Pentecostal preacher who murders a man with a baseball bat at his own children's Little League game, flees to small-town Louisiana, and builds an entirely new congregation from scratch. He is a wife-beater, a womanizer, a killer, and a true believer. There is no rug pu...
Colors came out in 1988 and was the first film to put the Bloods and Crips on screen by name. It feels cheesy now. It would have felt raw as hell then. Richard Lewis, MonteCristo, and Thorin open the Robert Duvall arc with the movie that crawled so Training Day, The Wire, and End of Watch could run.
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Marty Supreme should have won Best Picture, One Battle After Another is a career Oscar that might age like milk, and Michael B. Jordan playing two characters in Sinners is basically Mario and Luigi in different colored hats. Richard Lewis, Thorin, and MonteCristo break down every major film of the 2026 Academy Awards in a sprawling and contentious Oscars special.
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After Kill Bill nearly broke them, Richard Lewis, Thorin, and MonteCristo close the Tarantino arc with the film that was supposed to prove he still had it. The verdict: Inglourious Basterds contains two of the finest scenes Tarantino has ever directed (the farmhouse interrogation and the basement bar), but the rest of the movie can't sustain the altitude those scenes reach. What could have been a profound meditation on the power of...
Kill Bill held a special place in a lot of hearts. The Whole Bloody Affair was supposed to be the definitive version: Tarantino's original vision restored as a single four-and-a-half-hour film. Richard Lewis, Thorin, and MonteCristo sat through all of it, and what they found was the precise moment Quentin Tarantino disappeared up his own references. Everything that made Reservoir Dogs and Pulp Fiction brilliant, such as the compell...
Pulp Fiction is one of the most hyped films in cinema history and Richard Lewis, Thorin, and MonteCristo are here to confirm that even after 30 years the hype is entirely earned. What shocked them most wasn't the violence or the nonlinear structure, but how slow the film actually is. Strip away the iconic moments seared into cultural memory and what you find is a movie dominated by two people talking, and it's riveting every single...
Before Pulp Fiction made Quentin Tarantino a household name, there was Reservoir Dogs — a film so raw and transgressive it was banned in the UK for years, circulated on pirate VHS tapes, and became the blueprint for an entire generation of filmmaking. A guy who worked in a video store in LA wrote and directed this. Wrap your head around that.
Richard Lewis, MonteCristo, and Thorin kick off Four Play's Tarantino Arc with the ...
In 1995, a film predicted POV recording technology, VR experiences you can buy on the black market, deepfake manipulation, police brutality caught on camera, and a society addicted to experiencing other people's lives through a screen. It starred Ralph Fiennes, Angela Bassett, and was written by James Cameron. Almost nobody saw it.
Strange Days bombed at the box office, nearly destroyed Kathryn Bigelow's career, and has been virtu...
Four film lovers revisit The Matrix (1999) for the first time in years.
The action still holds up. The philosophical ideas still land. But the script? That's where things get complicated. We break down the Hong Kong cinema influences Hollywood never credited, the Dark City and Invisibles connections, what Keanu Reeves actually brings to Neo, and whether the Wachowskis wrote a cyberpunk masterpiece or got carried by everyone around...
Was The Matrix the first film to ask whether our reality is manufactured? No! There are huge parallels between Dark City and The Matrix, with both films using some of the same themes, visuals, and even sets.
In this episode of Four Play, we dive into Dark City (1998): Alex Proyas’ noir-drenched sci-fi cult classic that arrived one year before The Matrix and explored memory, identity, and control in ways that still feel unsettl...
Four Play begins a brand-new Cyberpunk Arc with a deep dive into Blade Runner: one of the most influential science-fiction films ever made.
Released in 1982, Blade Runner didn’t just define cyberpunk aesthetics, it also reshaped how cinema explores identity, consciousness, artificial intelligence, capitalism, and what it means to be human. Decades later, its themes feel more relevant than ever.
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David Cronenberg’s Naked Lunch is not an adaptation: it’s a psychological autopsy.
In this episode of Four Play, we dive deep into one of the most challenging films ever released by a major director: Cronenberg’s surreal, disturbing, and deeply personal interpretation of William S. Burroughs’ life and work.
Rather than translating Burroughs’ famously “unfilmable” novel to the screen, Naked Lu...
THINGS TO DO IN DENVER WHEN YOU’RE DEAD (1995) is a time capsule of 1990s crime cinema: strange characters with even stranger nicknames who speak in impossibly slick slang.
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THE GREEN KNIGHT (2021) is often described as abstract, slow, or confusing, but those labels miss what the film is actually doing. Directed by David Lowery, this Arthurian adaptation isn’t a puzzle to be solved, but a moral fable about avoidance and the cost of refusing to grow up.
In this episode of Four Play, Richard Lewis, MonteCristo, and Thorin break down why The Green Knight is less concerned with symbolism and mythology...
THE FOUNTAIN (2006) is one of the most ambitious, polarizing, and misunderstood films of the 21st century. Directed by Darren Aronofsky, the film weaves together three timelines: a conquistador’s quest for eternal life, a modern scientist racing against death, and a cosmic traveler drifting toward transcendence, which all bound by love, grief, and humanity’s refusal to accept mortality.
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THE OLD MAN & THE GUN (2018) feels less like a typical crime movie and more like a gentle farewell not just to a character, but to an entire Hollywood era. Directed by David Lowery, the film stars Robert Redford as Forrest Tucker, a lifelong bank robber whose crimes are defined not by violence, but by charm, politeness, and an irresistible love of the game.
As the final entry in our Robert Redford Arc, this episode ...
SPY GAME (2001) looks like a slick, early-2000s spy thriller, but beneath Tony Scott’s kinetic style is a surprisingly thoughtful film about loyalty, institutional cynicism, and the quiet mechanics of real espionage. Rather than gadgets or superhuman assassins, SPY GAME is about phone calls, favors, leverage, and knowing the system well enough to bend it without breaking it.
Robert Redford plays Nathan Muir, a veteran C...
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Hey Jonas! The official Jonas Brothers podcast. Hosted by Kevin, Joe, and Nick Jonas. It’s the Jonas Brothers you know... musicians, actors, and well, yes, brothers. Now, they’re sharing another side of themselves in the playful, intimate, and irreverent way only they can. Spend time with the Jonas Brothers here and stay a little bit longer for deep conversations like never before.
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by Audiochuck Media Company.
Building on the belief that a deeper understanding of the natural world enriches all of our lives, host Steven Rinella brings an in-depth and relevant look at all outdoor topics including hunting, fishing, nature, conservation, and wild foods. Filled with humor, irreverence, and things that will surprise the hell out of you, each episode welcomes a diverse group of guests who add their own expertise to the vast world of the outdoors. Part of The MeatEater Podcast Network.
Where the world and America meet, with episodes each weekday. The world is changing. Decisions made in the US and by the second Trump administration are accelerating that change. But they are also a symptom of it. With Asma Khalid in DC, Tristan Redman in London, and the backing of the BBC’s international newsroom, The Global Story brings clarity to politics, business and foreign policy in a time of connection and disruption. Come and join us our live event. You can register for Castfest tickets here: https://www.bbc.co.uk/showsandtours/shows/castfest-2026