梁文福的600里路 Liang Wenfu Music journey
Singapore’s home grown Xinyao singer, composer Liang Wen Fu shares his music journey.
Episodes
记录不同的新加坡，《新加坡派1.0》、《新加坡派2.0》和《新加坡派3.0》.
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趣味的方式总能帮你记住很多东西。
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因为一些用字歌曲被禁播，但是现在回头看，歌曲中反应了当时的社会现象。
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当年的电视片尾曲，虽然主题曲更吸引人，但是这首歌充斥着剧中剧情，爱上音乐、懵懂的初恋
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把社会的分层、态度浓缩到一个家庭的三个女儿中。
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用排队来隐喻等待，可以指爱情、梦想，也可以是生活中会出现的小剧场，会怀疑自己的选择、犹豫。
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专辑的第二首歌曲，虽然没有刻意要求是第二首，但因为歌曲中陈述，用微型小说的方式 叙述一段爱情故事。
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沿用了大家生活中与华语媒体接触的不同记忆，加入歌曲中。
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结合新谣时期、后新谣比较成熟的梁文福元素，创作很久之后，才推出的作品。
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在生命中的某些时刻，不只是爱情、可以是在年少的决定，有些改变、或是没有办法弥补遗憾，想对它说些话。
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在制作时，已经设计好这首歌为序曲，让听众听歌时，由打开这个专辑。
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歌曲中用了不少生活中的画面，加上一些想象和故事。
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因为一场演出与作家三毛结缘，听到了这首三毛在新加坡写的诗，之后经过他的谱曲，成了目前大家听到的作品。
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因为太喜爱《红楼梦》，所以在90年写了超前版的《红豆词2000》，超前回头看新谣。
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诗中有很多隐喻，搭配单纯的钢琴，能细细品味歌中的意境，听的人能有自己的诠释。
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家、国、成长、人生的体会，带入歌中。
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小众歌曲也有它的共鸣，虽然它可能不是演唱会中大家最想听到的代表作。
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本地多重文化，把很多社会现象、生活，都记录在歌曲里。
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淡淡的情歌，它不是停泊，只是经过。
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当年歌迷疯狂地为这首歌投票，终于让它超越《细水长流》，对他而已，不管是哪一首歌，都是他的作品。
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