Wind, Reel, & Print

Wind, Reel, & Print

Two internet cinephiles aim to recreate the film set ”water cooler talk” where discussion is open to everything movies. From cherished classics to repugnant newcomers, WR&P captures the complexities of life through the lens of cinema, living comfortably within the boundaries of high and low art, popular and unpopular titles, and local and international cinema.

Episodes

July 18, 2025 48 mins

EPISODE 059: BAY AREA FLICKS

 

Featuring: Angels in the Outfield (1994); The Fan (1996); Moneyball (2011)

 

In possibly the biggest reach in WR&P history, Kevin bundles three Bay Area-based baseball movies in an attempt to define the local region through America’s Favorite Pasttime. From Brad Pitt’s Billy Beane to Robert De Niro’s fanatic antics, baseball is universally cherished as a game...

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EPISODE 058: FILM THEORY DISCUSSIONS   Wind Reel & Print puts a name to a face by introducing auteur theory, one of the cornerstone concepts of film theory. With French New Wave origins, this theoretical claim pedastaled the director as the “author” of cinema. It has since become a badge of honor, changing the way we understand filmmaking and altering the film industry away from producer-centrism and towards director-centrism. ...
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July 4, 2025 49 mins

EPISODE 057: LESSONS IN FILM MOVEMENTS

 

Featuring: Cyrus (2010); Drinking Buddies (2013); Frances Ha (2012); Computer Chess (2013)

 

Per our initial “Mumblecore” episode, WR&P examines the original Mumble-corps in the years following their break onto the scene. Andrew Bujalski, Joe Swanberg, Greta Gerwig, and the Duplass Brothers return for another round of complicated relationships and i...

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June 27, 2025 63 mins

EPISODE 056: CINEMA MINI SERIES

 

Featuring: Nosferatu (1922); Nosferatu the Vampyre (1979); Nosferatu (2024)

 

As a quasi-sequel to the “Vampire Movies” episode, Wind Reel & Print folds in the cinematic traditions of Nosferatu. Beginning with F.W. Murnau’s 1922 version and ending with Robert Eggers’ recent rendition, Ryan and Kevin cover the aesthetic differences between these three films...

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June 20, 2025 87 mins

EPISODE 055: LETTERBOXD TOP 250 SHUFFLE

 

Featuring: Howl’s Moving Castle (2004); Winter Light (1963); The Ascent (1977); Mulholland Dr. (2001)

 

How do you connect a Japanese animation, a Swedish tragedy film, a Soviet WWII drama, and an American dream picture? Regardless of film form or narrative structure or country of origin, the Letterboxd Top 250 surely guarantees a “good movie” fortifie...

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June 13, 2025 59 mins

EPISODE 054: CINEMA MINI SERIES

 

Featuring: The Human Condition I: No Greater Love (1959); The Human Condition II: Road to Eternity (1959); The Human Condition III: A Soldier’s Prayer (1961)

 

Despite all the double features, director retrospectives, and genre reviews, Wind Reel & Print has never fully embraced the comforts of a true trilogy. Directed by celebrated WR&P alum Masaki Ko...

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June 6, 2025 75 mins
EPISODE 053: LESSONS IN FILM MOVEMENTS   Featuring: Mad Max (1979); Picnic at Hanging Rock (1975); Dead Calm (1989); Walkabout (1971)   From the outback gothic Ozploitation of “Mad Max” to the proto-Lynchian affect of “Picnic at Hanging Rock”, the impact of Australian New Wave remains resoundingly influential albeit relatively unheard of. Boasting contemporary Hollywood headliners such as Nicole Kidman, Mel Gibson, George Miller, P...
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May 31, 2025 37 mins

EPISODE 052: WEIRD @ WR&P

 

In an attempt to repair an irreparable movie, Wind Reel & Print tackles the complicated reputation of Jim Carrey’s 1994 film “The Mask”. Despite having higher reviews than Weird @ WR&P favorite “The Cat in the Hat”, both Ryan and Kevin find “The Mask” to be rather lackluster and quite displeasing. Con...

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May 23, 2025 41 mins

EPISODE 051: LESSONS IN FILM GENRE

 

Featuring: Early Abstractions (1965); Belladonna of Sadness (1973); Fantastic Planet (1973); Mad God (2021)

 

In the spirit of “getting weird”, WR&P cohosts enter their intergalactic space portal and travel to unique worlds of the experimental and the animated. With guided tours from ali...

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May 16, 2025 60 mins

EPISODE 050: LESSONS IN FILM HISTORY

 

Featuring: Gone with the Wind (1939); Wizard of Oz (1939); Citizen Kane (1941); Casablanca (1942)

 

The Wind Reel & Print locomotive continues into the capital city of Golden Age Hollywood as the pod takes on the Mt. Rushmore of Hollywood filmmaking. With nothing much else to add to th...

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May 9, 2025 65 mins

EPISODE 049: LESSONS IN FILM HISTORY

 

Featuring: It Happened One Night (1934); Trouble in Paradise (1932); Bringing Up Baby (1938); His Girl Friday (1940)

 

Taking a restful stop at Screwball Station, the Wind Reel & Print locomotive takes another trip into the land of Golden Age Hollywood. With special appearances from the likes of Clark Gable, Katherine Hepburn, and Cary Grant, this whi...

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May 2, 2025 45 mins

EPISODE 048: THEATER ADVENTURES

 

WR&P cohosts catch the opening weekend premiere of Brady Corbet’s moving Oscar-nominated movie The Brutalist (2024). While digesting the film’s impact, Ryan and Kevin praise movie for its insistence on being a serious picture, complete with an overture and an intermission and a real appreciation for sound and image. Kevin also reads into the film’s political position.

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April 25, 2025 72 mins

EPISODE 047: LESSONS IN FILM HISTORY

 

Featuring: Birth of a Nation (1915); The Jazz Singer (1927); Gummo (1997); Bamboozled (2000)

 

Wind Reel & Print explores the history of racism and exploitation in the entertainment industry as Kevin bundles four films that deal with minstrel shows and vaudeville. Starting with the inv...

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April 23, 2025 45 mins

EPISODE 046: THEATER ADVENTURES

 

After catching last weekend’s number one box office movie, Ryan and Kevin offer their initial reactions to Ryan Coogler’s newest picture “Sinners”. While connecting this film to Coogler’s debut feature “Fruitvale Station”, WR&P cohosts discuss the progressions of the director’s filmmaking career, includ...

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April 18, 2025 65 mins

EPISODE 045: LESSONS IN FILM HISTORY (GENRE)

 

Featuring: Notorious (1946); Maltese Falcon (1941); Double Indemnity (1944); Sunset Boulevard (1950); The Third Man (1949)

 

Taking direct influence from German Expressionism, American filmmakers rebranded the dark and paranoid into their own film noir. Popularized in the 1940s and subsequently revived into contemporary movements of neonoir and ne...

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April 11, 2025 66 mins

EPISODE 044: LETTERBOXD TOP 250 SHUFFLE

 

Featuring: The Bridge on the River Kwai (1957), Sweet Smell of Success (1957), An Autumn Afternoon (1962), The Silence of the Lambs (1991)

 

As Ryan and Kevin do the Letterboxd Top 250 Shuffle, the podcast lands on a quartet of films that uncover the holes we climb ...

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April 4, 2025 41 mins

EPISODE 043: THEATER ADVENTURES

 

Featuring: The Fall (2006), Anora (2024)

 

Wind Reel & Print review their recent visit to San Francisco’s historic Roxie Theater to catch a chance double feature consisting of Tarsem’s “The Fall” and Sean Baker’s recent Oscar-darling “Anora”. (Special Shoutout to Willie!)

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March 28, 2025 41 mins

EPISODE 042: META MOVIES

 

After a short trip to the scenic American town of “Dogville”, WR&P cohosts Ryan and Kevin report back with glowing reviews. Delivering on the Lars von Trier promise, this 2003 Nicole Kidman-led experimental drama explores Brechtian approaches to narrative and nihilistic ruminations on the Land of the Free. Kevin points a finger at Ryan.

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March 21, 2025 38 mins

EPISODE 041: BAY AREA FLICKS

 

WR&P embarks on another stay-cation as Ryan quizzes Kevin on the local impact of Ryan Coogler’s directorial feature debut “Fruitvale Station”. Released in 2013 with the support of Sundance, this quaint little picture quietly attains the booming voice of the Bay Area. Through its social realist aesthetic and dedication to Oakland faces and places, Coogler’s “Fruitvale Stat...

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March 14, 2025 40 mins

EPISODE 040: WEIRD @ WR&P

 

Despite landing one of the lowest marks in Wind Reel & Print history, Kevin Costner’s 1995 star vehicle “Waterworld” buoys as an intriguing Hollywood blockbuster with …so much… potential. This unabashed “Mad Max” ripoff is clearly missing the George Miller spark, perfectly executing fantastical dystopian possibilities while operating with a completely deflated screenplay...

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