BLOW-UP: When Liz Tilberis Transformed Bazaar

For the first time in decades, the supergroup that made Harper's Bazaar the coolest fashion magazine of the Nineties—Creative Director Fabien Baron, Co-Fashion Directors Paul Cavaco and Tonne Goodman, and Accessories Director Richard Sinnott—reunites with former colleagues and co-hosts Cynthia True and Dennis Golonka to talk about how working with editor-in-chief Liz Tilberis was lightning-in-a-bottle.

Buy Me a Coffee is a love...

For the first three years of Bazaar's comeback, Hearst Magazines gave Liz Tilberis and her team carte blanche. But by 1995, the magazine world was getting leaner, and Liz was under pressure to cut costs and kick up newsstand sales. Her solution? Celebrity. And lots of it. Suddenly, actresses, rock stars, and royalty graced the cover almost as often as supermodels. Inside, you were as likely to see Pamela Anderson shot by Peter...

When Liz Tilberis relaunched Harper's Bazaar in 1992, the fact that she was Anna Wintour's former right-hand—and her polar opposite—fueled press stories about a feud between fashion's top two editors. Some of it was drummed up, and some of it wasn't. 

In this episode, co-hosts Cynthia True and Dennis Golonka talk to friends and colleagues, including Grace Coddington, Paul Cavaco, Tonne Goodman, Susan Ma...

Less than two years into Bazaar’s triumphant return, the magazine’s spare sculptural look was being imitated everywhere. Bazaar had, practically overnight, defined a new visual landscape. But as the competition scrambled to copy Fabien’s innovative use of typography and negative space, Liz and Fab kept moving, mixing supermodels and street photographers, grunge and glam, punk and posh. 

In this episode, co-hosts Cynthia True and Den...

Liz Tilberis was nice. Legendarily nice. People said that when she fired an editor, they left feeling they’d won something. (They usually left with a chic little gift, too.) In this episode, co-hosts Dennis Golonka and Cynthia True explore the way that Liz’s natural warmth and ability to charm assistants and royalty alike made her not only something of a unicorn in fashion but also fueled her ascent from Sixties London art student ...