Meet the Composer

We began last week’s episode digging into the music of one particular electronic musician - the synthesist, producer and composer Kaitlyn Aurelia Smith.

Today we’re thrilled to bring you a song that you won’t hear on any of Kaitlyn’s albums. Clouds Forming Over Mount Baker was commissioned by the University of Pennsylvania’s Arthur Ross Gallery to accompany a landscape photograph by Eliot Porter.

It’s a fitting collaboration, as Sm...

What happens when a composer writes music without pen and paper, using machines? How does that change the creative process? How does it morph the art itself? 

Today on Meet the Composer, our producer Alex Overington — usually behind the studio glass — takes us on a road trip to unravel the creative process of those composers who write without a score. We meet the synthesists, the samplers, the electronic musicians, and dive deep in...

For today’s Bonus Track, we’re thrilled to bring you the world-premiere recording of Bryce Dessner’s Wires, performed by Ensemble Intercontemporain!

Last week, we dug into a particularly contentious moment in classical music’s history. This week, however, we’re looking at where we are NOW, a place of, well… niceness.  

“I think right now is a really good time to be a composer,” says composer John Adams. “A...

It was composer pitted against composer: uptown vs. downtown, tonal vs. atonal, left brain vs right brain, and these musicians were NOT pulling any punches. Composers were antagonizing each other, questioning each other's validity, and bad-mouthing one another; it was like the second half of the 20th century was when Western Music went through middle school, and it was brutal! 

“If you weren't being a construct...

Henry Threadgill’s music and community can’t be separated; there is no boundary: challenge and failure and growth in music are the same as challenge and failure and growth in life. This Meet the Composer bonus track shares an exclusive performance by Henry Threadgill's Zooid ensemble of I Never, recorded live by Q2 Music at the Village Vanguard on Oct. 2, 2016.

Throughout his career, Threadgill has led countless ensembles with dive...

1967, Fort Riley, Kansas. Henry Threadgill is 23 years old. Knowing he’s going to be drafted into the military, he joins the Army Concert Band, hoping to focus on his passion: writing music. As he surrounds himself with new ideas, he works his influences into the music that he's arranging. Then one day, the band plays one of his arrangements of a patriotic song for an inauguration of big-wigs, and from the calm of a quietly confuse...

Today's bonus track is an exclusive arrangement of a nutso, sci-fi-y electronic piece John Adams wrote in 1993. Originally part of a larger work, Hoodoo Zephyr, Coast was never intended to be performed live. However, the 20-person chamber ensemble Alarm Will Sound has often been tempted by electronic works. Violinist, composer, and Alarm Will Sound member Caleb Burhans, who cut his teeth arranging works by Aphex Twin for the group,...

What happens when the composer shows up to the first rehearsal of his brand-new piece? Would a living Beethoven sue for intellectual property? Are you the hit, or are you in the hole? For this episode, we collaborated with the 20-member chamber ensemble Alarm Will Sound and its conductor Alan Pierson – with whom we're partnering on the upcoming podcast album Splitting Adams (out April 21 on Cantaloupe Music) –  t...

Today's Bonus Track is an extended cut of Pauline Oliveros' "Tuning Meditation," recorded live at the Fuentidueña Chapel at the Met Cloisters on Jan. 20, 2017. Recorded in 3D-sounding binaural audio, it's an immersive experience in which we would love you to think about participating while listening. For optimal audio quality, please listen with headphones!

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About the podcast:

Meet the Composer is a Peabody Award-winning podcast...

We continue our investigation of the odd, wrong-side-of-the-tv-set role of The Performer with a deep dive into the "Sonic Meditations" of pioneering American composer Pauline Oliveros. Pauline manages to smudge at the distinction between composer, performer and audience with these simple, text-based pieces, which somehow pack an emotional wallop far larger than their few lines might suggest. 

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About the podcast:

Meet the Compose...

We are thrilled to bring you a WORLD PREMIERE recording as our first bonus track of Season Three!

Our previous episode, The Performer: Part One, featured, among other things, a fascinating conversation with the Austrian composer Georg Friedrich Haas. As we are a talk show about music, we are always dying to simply play some MUSIC, and so today we bring you our exclusive, world premiere recording of Haas’ 9th String Quartet. The who...

We're kicking off Season Three with a look beyond the composer to the performer, that unusual intermediary between the artist and the audience. How do performers from different cultures, who speak different languages, come together to perform the same piece? What happens when an ensemble completely messes up... and the audience loves it? How does a piece change when it’s played nonstop for twelve hours?

We explore these questions a...

We conclude the week-long ramp-up to our next and third season with an interview with the legendary, charismatic Leonard Bernstein. Though mostly known for his work as a composer (West Side Story) and conductor (New York Philharmonic), Leonard Bernstein was also a consummate evangelist for classical music. This conversation focuses on Bernstein's efforts as a music educator and the role that education played for host Tim Page in hi...

A blast from the past featuring the composer Libby Larsen. Larsen explains how living in Minneapolis facilitated her success as a composer, and how federal regulations in Title IX provided an uplift to women composers in the U.S. This week, we're revisiting interviews conducted in the 1980s by the influential music critic and educator Tim Page. His show, which aired from 1981 until 1992, was called Meet the Composer and featured so...

Otto Luening was a forefather of experimental electronic music and a life-long educator, flutist and composer. In this 1985 interview with host Tim Page, from the original WNYC program called Meet the Composer, Luening tells the story of his first electronic experiments and wonders why audiences had found new interest in some of his earliest works. We also take a look at Alvin Lucier, another tape music maverick, as we prepare for ...

We continue the week-long ramp-up to our next and third season with an interview with the widely influential patriarch of 20th-century experimental music John Cage. In this conversation with host Tim Page, Cage explains how his strenuous connection with music precipitated his experiments with silence, ambient noise and spirituality. Page offers his own straightforward critique of Cage's discoveries and reiterates the need for objec...

As we build up to the launch of our third season next Monday, we thought we'd look back at the original WNYC radio program Meet the Composer from the mid-'80s, hosted by the illustrious music critic Tim Page. We'll share excerpts of his interviews with some of the most exciting figures in contemporary music, but before that we wanted to check in with Tim himself, a man for whom music has been an enormous force in his life, in his c...

I'm so excited to share today's Meet the Composer bonus track with you. Last October, I traveled to Detroit to perform the US premiere of Nico Muhly's viola concerto with the Detroit Symphony Orchestra under Maestro Leonard Slatkin. The orchestra has graciously agreed to let us use the second movement of the viola concerto for our show for three months, so this is our first ever LIMITED-TIME bonus track. 

Nico wrote the concerto in...