Supercontext: an autopsy of media

This graphic novel by Alan Moore and Eddie Campbell came out between 1989 and 1998, 100 years after the Jack the Ripper murders it's based on. We look at the meticulous research they put into this to try to understand how this story manages to be about true crime while indulging in deep themes like English identity, psychogeography, and the nature of time.

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This 1995 film by Michael Mann is considered a quintessential cops-and-robbers epic. We look at Mann's attention to detail and his attempt at authenticity in light of the movie's influence on audiences, filmmakers, and real-life criminals.

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This 1985 concept album by Kate Bush is split into pop songs and a suite of music about someone drowning. We look at Bush's career arc leading up to this record and how the support she received from those around her allowed to experiment and create this wholly unique music.

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Dan Simmon's 1989 science-fiction novel is acclaimed for its unique structure, references, and style. We take a closer look at how it interrogates our expectations of genre to explore a complex host of themes. Thank you to Chris Marlton for coproducing this episode.

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This 1987 film is celebrated as a cult classic for its depiction of self-destructive young Englishmen at the end of the 1960s. We discuss how creator Bruce Robinson got it made, and whether it congratulates its characters for their alcoholism or criticizes their generation and the end of that era of British culture.

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This 1962 novel is being reappraised by critics and fans as a creeping meditation on 1950s housewives, agoraphobia, and good old-fashioned New England persecution.

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• We Have Always Lived in the Castle

Add...

This 1945 children’s book by Tove Jansson began a publishing empire in Finland that is worth millions of dollars. We look at Jansson’s beloved allegory about a world where a family survives turmoil and everyone is accepted for who they are.

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This 2001 record is praised as being metal for the thinking man. We peel back the lyrics and the time signatures to understand why this band inspires an almost-religious devotion in its fans.

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• Lateralus

Additional Resources:

• 10 THINGS YOU DIDN'T KNOW ABOUT TOOL'S 'LATERALUS'
• Lateralus
• Publicatio...

This comic book series by Brian K. Vaughan and artist Cliff Chiang started in 2015 as a story about four preteen girls coming of age in the 80s. We look into how the creators produced the comic while examining their skepticism of nostalgia in a post-Stranger-Things world.

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This 2019 series of Gizmodo articles and videos by Kashmir Hill look into how difficult it actually is to stop using The Stacks: Google, Amazon, Facebook, Apple, and Microsoft. We place Hill’s research within our larger understanding of Big Tech and media literacy while listening to arguments for tech regulation or simply scaling back.

• I Cut The Big Five Tech Giants From My Life: It Was Hell

This epic 1970s manga series is celebrated for its influence on other stories. We look at the conditions that produced it and how the comic represents Japanese history, revenge, gender, and the irredeemable hero on the road to Hell.

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• Lone Wo...

This 1975 rock album began to define Rush’s identity after the late Neil Peart joined the band on drums and lyrics. We look at how they treated their band as a business to try to understand the particular blend of instrument solos and libertarian ideology that later defined them.

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This 2013 novel generated a cantankerous debate in the world of literary criticism over the quality of fiction and how we define it. We look at Tartt's writing process and themes to try to understand whether this book deserved the praise and awards it received.

This 1969 double-album has been described as both “unlistenable” and “one of the greatest albums of all time.” We discuss its volatile production while trying to understand its composition and how it influenced another fifty years of weird music.

This 1999 cannibal-horror-comedy film went through three directors in a troubled production. We discussed how it successfully critiques American consumption and Manifest Destiny despite its financial failure.