The Partially Examined Life Philosophy Podcast

This famed finger-style guitarist broke through with Jefferson Airplane's seven albums from 1966-1972, recorded eight with Hot Tuna 1970-1976 (with subsequent reunions by both bands), recorded his first solo album in 1974 and then 10 more from 1981-2025, and has collaborated with John Hurlburt, members of the Grateful Dead, and Janice Joplin.

We discuss "In My Dreams" from Ain't in No Hurry (2015), "Been So Long" from River of Time...

Khafiz Kerimov and Nicholas Bellinson teach at St. John's College, and they channeled the educational style of that school into a new podcast called Invasive Thoughts.

They join Mark and Bill to talk (and act) about various educational technologies, teacher-student relations, circle-drawing competitions, the passivity of thinking, bad quotation use, and more.

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Continuing on Natural Goodness, getting more into concrete cases of moral reasoning. How and why do we decide to keep promises, even in cases where violating them would produce more utility? How do we take into account different kinds of grounds in moral reasoning?

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On the eight-film action series that launched in 1996 (based on the 1966 TV series) in light of its apparently final film. Featuring Mark, Lawrence, Sarahlyn and Al.

Is this a coherent narrative as the last film would have you believe, or just an excuse for a series of Tom Cruise physically challenges? Maybe the latter is enough for us!

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Kolby runs After Dinner Conversations, which curates short stories about philosophy. He's also been a "producer" of improv shows.

We talk about what makes a story philosophical, Kolby tells some stories, and we run some scenes about teleporter shenanigans and guidance counseling.

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On Natural Goodness (2001). Can we base ethics on the model of biology? Foot argues that just as we understand what a healthy specimen of a plant or animal is, so there is a natural way for humans to work properly, which will include the ability to will according to reflective reasoning.

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Chris has around 20 releases since 1991, mostly under his own name, while moonlighting as a metal guy and otherwise collaborating.

We discuss "She Looks Good in Black" from Obsolete Path (2025), "Intransitive Proverb" from Limitations of the Source Tape (2017), and "Angel Be Mine" from Your Own Chosen Speed (2001). End song: "Sisiphus" by Däng from Tartarus: The Darkest Realm (2014). Intro: "Every Time" by Flat Earth from Prefacipi...

We conclude our discussion of A Treatise of Human Nature (1739): Book III, "Of Morals," plus a bit more discussion of An Enquiry Concerning the Principles of Morals (1751). 

How do moral sentiments fit into Hume's overall philosophy of mind? Is Hume a relativist? We talk about sociopaths, animals, incest, consent, ethics vs. beauty, moral luck, and more.

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Mark, Lawrence, Sarahlyn, and Al discuss Tony Gilroy's Star Wars Disney+ two-season TV show. Should this actually be a Star Wars show given how different in tone it was? The show adds meat (and banality!) to the evil of the Empire and the rough life of a rebel. We talk characters, themes, settings, and all that other literary stuff.

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Shannon the philosopher and Audrey the poet are Seattle improv buddies that form a duo called Closer to Clarity that uses improv to answer audience members' big life questions (BLQs).

Hear philosophy and poetry face off and mind meld and do-si-do as we play through two wacky corporate office scenes and return once again to Empty Street™ for an attempted gas station poetry open mic.

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We talk a bit more about David Hume's An Enquiry Concerning the Principles of Morals (1751), and add some parts of A Treatise of Human Nature (1739): sec. 3 "Of the Influencing Motives of the Will" within the third part of Book II, "Of the Passions," and the first two sections of Book III, "Of Morals."

Can reason by itself motivate moral action? Hume says no: All ethical reasons must point ultimately to sentiments, which we can gen...

Mark, Lawrence, Sarahlyn, and Al discuss The Pitt and other medical dramas like ER, Gray's Anatomy, ad nauseam. 

Doctors and patients grappling with life and death stakes seems a strong premise for drama, but how many of these shows do we need? We talk about the gore, the pacing, the characters, the politics, and the other considerations that make The Pitt a great show (at this point).

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On David Hume's An Enquiry Concerning the Principles of Morals (1751). What is morality, and how can we know it?

Hume claims that we simply find ourselves with sentiments morally approving and disapproving of various things. Characterizing these post hoc, we can say that in general we approve of what brings utility, and this explains the existence of most laws and mores. These may vary by culture because conditions change the utili...

Luvell Anderson (Philosophy prof. at U of Illinois in Urbana-Champaign) joins Mark, Lawrence, Sarahlyn, and Al to discuss Ryan Coogler's new vampire siege/black studies film starring Michael B. Jordan. We talk about the film's comments on black freedom, black music, the church, why the film needed twins, whether the vampires were even necessary, the film's humor and structure, and more.

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Continuing on The Problem of Empathy. What does it mean to say that we know other people's mental states "non-primordially"? We talk about Stein's project of explaining how empathy is possible, what it gets us, and how her answers differ from Scheler's.

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Greg teaches philosophy (and is Interim Provost at Ashland, loves Xenophon, and runs a podcast. We reflect on the dangers of radon and other "natural" things. How might one of our government agencies become more natural, and would we want that? Are fart jokes the most naturally funny kind? Then, Greg the trucker visits Empty Street and embezzles dead mules.

Bill was thrust from the final portion of the call, so Mark and Greg engage...

On The Problem of Empathy (1917). What is empathy, and what is its significance?

Stein pictures empathy as a dynamic process that involves what Scheler called sympathy but goes beyond this. Your don't just take the other person's feeling as our object of contemplation, but in doing so, your enter into it (while still not confusing it with YOUR feeling), this relating to it "non-primordially." So how does this work, exactly?

Get mor...