The Countdown of Monte Cristo

Blindfolded and guided along the shore, Franz recognizes the smell of roasting kid as he passes the smugglers’ camp, then senses a shift in air and sound that tells him he has entered a cave. A sudden warmth and perfumed atmosphere surround him before his feet land on thick, luxurious carpet. Released by his escorts, he hears a voice—cultured, fluent in French, and unmistakably foreign—inviting him to remove the bandage. Franz comp...

Franz presses the sailor for answers and finds only deeper mystery. The splendid yacht belongs not to a smuggler, but to a wealthy traveler who roams the seas for pleasure—a man known only as “Sinbad the Sailor.” No one seems to know his country, his real name, or where he resides beyond “on the sea.” Rumors place him in a hidden subterranean palace accessible only by a magic word, a tale straight out of the Arabian Nights. As Fran...

Gaetano admits he would accept the blindfold—if only out of curiosity—and hints at the strange reputation surrounding the smugglers’ chief. Lowering his voice, he repeats the rumors: that the man lives in a cavern whose magnificence rivals a palace, a place of treasures fit for a fairy tale. Though skeptical, Franz is intrigued. Reasoning that a man so wealthy has no motive to rob him, he agrees to the invitation. Seeking more info...

Once ashore and reassured by the smugglers’ easy manner, Franz’s nerves give way to hunger—especially with a roasting goat scenting the air. Gaetano offers to barter partridges for a share, but returns instead with an unexpected message: the smugglers’ chief invites Franz to dine with him directly. Generous as the offer seems, it comes with a strange condition—Franz must be blindfolded and may not remove the bandage until ordered. ...

The smuggler who vanished into the rocks returns and gives a silent signal: the group may land. With the sentinel’s “S’accommodi,” an Italian welcome that conveys everything from invitation to honored hospitality, Gaetano brings the boat ashore. Franz disembarks last, his weapons discreetly held by the sailors, his fashionable attire arousing no suspicion. But when they choose a place to set up camp, the sentinel sharply redirects ...

Sailing back into view of the fire, Franz finally sees the smugglers gathered around it, their figures lit sharply against the darkness as a goat roasts over the flames. Gaetano keeps the boat in the shadows until the last moment, then steers toward shore while singing a fishing song—a signal of peaceful intent. The men rise to inspect the newcomers, one remaining as armed sentinel. When hailed, Franz stays calm, cocks his guns, an...

Gaetano explains that the Corsican “bandits” are fugitives not for treachery but for vengeance—men who have killed enemies, not innocents. Franz, weighing the risks, decides they will ask the smugglers for hospitality, confident their numbers match. Yet as they approach the island, he urges every precaution. Silence settles over the boat, and Franz fully grasps the gravity of his situation: alone in darkness with sailors he barely ...

Gaetano slips silently into the dark water, leaving behind only a faint phosphorescent trail before vanishing at the island’s edge. Half an hour later he returns the same way, bringing news: the fire belongs to Spanish smugglers, accompanied by two Corsican bandits. Far from fearing them, Gaetano explains the strange solidarity of men who live outside the law—sailors offering refuge to fugitives pursued by gendarmes, and bandits re...

The fire on Monte Cristo proves no comfort—what reassures Franz unsettles Gaetano. Pirates, he explains, can light a blaze precisely where it cannot be seen from neighboring islands, only from the sea. To learn whether the flame signals danger, Gaetano quietly consults his men and executes a tense maneuver, turning the boat until the fire vanishes behind a ridge. Then, in absolute silence, they approach the island itself, lowering ...

As the sun sinks behind Corsica, its jagged peaks rise like a vast, looming wall, casting Franz’s boat into deepening shadow. Monte Cristo fades from sight as night overtakes the sea, leaving only a dark, featureless expanse. Though uneasy, Franz trusts the seasoned sailors, who navigate the Tuscan Archipelago as if they can see through darkness itself. Nearly an hour after sunset, Franz detects a mysterious dark shape to port—but ...

Had Gaetano revealed the truth about pirates earlier, Franz might have hesitated. But now that the journey is underway, he refuses to retreat, meeting danger as he would an opponent in a duel—coolly, analytically, and without bravado. Franz dismisses the threat with a traveler’s confidence, insisting he has crossed Sicily, Calabria, and the Archipelago without ever glimpsing a pirate’s shadow. Encouraged by the conversation rather ...

As the boat nears Monte Cristo, Captain Gaetano explains the grim truth behind the Mediterranean’s “missing” vessels. Ships expected at Bastia, Porto-Ferrajo, or Civita Vecchia sometimes vanish without a trace—not due to rocks or storms, but to long, narrow pirate boats that attack under cover of darkness. Franz presses the captain on why no survivors report these crimes, and Gaetano describes the chilling procedure: plunder, bindi...

Franz learns why Monte Cristo carries an ominous reputation: though uninhabited, the island serves as a hidden refuge for smugglers and pirates crossing between Corsica, Sardinia, and Africa. A visit there means six days of quarantine upon returning to Leghorn—a delay Franz refuses to accept. But secrecy solves everything, or so the sailors insist, and the boat turns toward the rocky island. Once underway, Franz presses the captain...

Franz’s hunting trip to Pianosa in The Count of Monte Cristo, Chapter 31, leaves him irritated and empty-handed—until the captain points toward a solitary island rising from the indigo Mediterranean. Monte Cristo, uninhabited and rocky, promises wild goats, grottos for shelter, and the strange allure of a “desert island” in the middle of the sea. With time to spare before Rome, Franz agrees to land there, intrigued by the isolation...

In this passage from The Count of Monte Cristo, we leave Parisian drawing rooms behind for Italy in 1838. Two young men of the first Parisian society, Albert de Morcerf and Franz d’Épinay, arrange to see the Roman Carnival together, with seasoned traveler Franz guiding Albert through Italy’s delights. While Albert hurries on to Naples, Franz lingers in Florence, wandering the Cascine and the salons of the Florentine nobility before...

Before the tower of Saint-Jean, unmistakable and fully alive, sails a ship bearing the name The Pharaon, Morrel & Son, of Marseilles. Morrel and Maximilian embrace on the pier as the city erupts in applause, witnessing the salvation of a man who, moments earlier, believed himself doomed.

Hidden behind a sentry-box, an unknown man with a black beard watches with quiet satisfaction. Speaking softly so only the sea might hear, he ...

After reading Sinbad’s letter, Morrel asks Julie whether she truly followed its instruction to go alone. She explains that Emmanuel accompanied her only to the corner, as planned — but strangely, he was not waiting when she returned. Before Morrel can question further, a voice calls urgently from the stairs. Julie recognizes it instantly: Emmanuel. The Pharaon has returned!

Morrel believes he must be mistaken — the Pharaon had been...

The final seconds tick away. Morrel raises the pistol, cocks it, and shudders at the sound. Cold sweat covers him; a crushing pain closes around his heart. The staircase door creaks. The clock prepares to strike eleven. His study door opens. Morrel doesn’t turn — he assumes Cocles has come to announce the agent of Thomson & French.

And then he hears a cry — Julie’s voice. He turns. She stands in the doorway, breathless, radiant...

Cocles enters the study to find a man utterly changed. The discoveries of the past three days have crushed Morrel’s spirit so completely that he seems aged by decades. The single thought — the House of Morrel is about to fail — weighs on him more heavily than any hardship he has endured across his life.

Morrel instructs Cocles to remain in the antechamber and to announce the arrival of the agent from Thomson & French the moment...