The Countdown of Monte Cristo

The Countdown of Monte Cristo

Welcome to The Countdown of Monte Cristo, the daily podcast where we break down one of literature’s greatest adventures, bite by bite. For the next four years—yes, you heard that right—host Landen Celano will be reading a passage from Alexandre Dumas’ The Count of Monte Cristo every single day. Each episode offers a short escape into this timeless tale of betrayal, revenge, and redemption, paired with Landen’s reflections, insights, and occasional forays into 19th-century oddities. Never read The Count of Monte Cristo? Perfect—you’re not alone. This show is for first-timers, seasoned fans, or anyone who’s curious about exploring a literary masterpiece one small morsel at a time. Along the way, we’ll dig into historical tidbits, unpack the story’s twists and turns, and maybe even stumble over a French pronunciation or two. (Phonetics are hard, okay?) Whether you’re a lover of classics, a casual listener looking for a daily dose of culture, or just someone who needs a momentary escape from the noise of the modern world, this podcast has something for you. So grab your metaphorical ticket to Marseille, and let’s set sail on this absurdly ambitious journey together. Subscribe now on your favorite podcatcher or find us on YouTube. And don’t forget to support the show at https://patreon.com/gruntworkpod. Join us as we count down The Count!

Episodes

December 9, 2025 6 mins

Through every loss, Cocles alone remains steady — not from ignorance, but from faith built on twenty years of perfect balance sheets. To him, ruin is an impossibility; numbers do not lie, and M. Morrel has never failed to pay. Even as the other clerks abandon ship like rats sensing the storm, Cocles stays at his post, guided by arithmetic and devotion.

When he finds an extra fourteen sous in his ledger, he brings it to Morrel with ...

Mark as Played

The once-bustling house of Morrel & Son now stands hollow and still. Where laughter once echoed through bright corridors and the air smelled of salt, goods, and prosperity, there is only dust and silence. The courtyards are empty, the offices dark, and of all the clerks who once filled this hive of commerce, only two remain.

One is a young man — loyal beyond reason, bound by love to M. Morrel’s daughter and unwilling to abandon...

Mark as Played

At last, the name Edmond Dantès stares back from the prison register — and beside it, the line that sealed his fate.

The Englishman’s gaze hardens as he compares the ink, the slant of each letter, the flourish of the final stroke. It is unmistakable — the handwriting of Villefort himself, the man whose ambition had destroyed him. The truth lies in plain sight, preserved by bureaucracy and indifference.

Quietly, he folds the denunci...

Mark as Played

The Englishman’s tone remains mild, but his purpose sharpens. He asks to see the prison records — those of the Abbé Faria, and of the other prisoner whose story has so interested him. M. de Boville obliges, leading him into a study of immaculate order: numbered ledgers, catalogued files, the bureaucracy of forgotten lives.

While the inspector buries himself in his newspaper, the Englishman leafs through the records with deliberate ...

Mark as Played

The Englishman listens with careful detachment as M. de Boville delivers the tale’s grim conclusion. The government, he says, needn’t have feared Edmond Dantès any longer — for the Château d’If has no cemetery. Its dead are given to the sea.

Believing he was to be buried in consecrated ground, Dantès had instead been sewn into his shroud, weighted with a thirty-six-pound cannonball, and hurled from the fortress cliffs into the blac...

Mark as Played

With the ink barely dry on their transaction, the Englishman’s true purpose unfolds. His calm curiosity sharpens as M. de Boville recounts a story he calls “a singular incident.” The Abbé Faria — the so-called madman who dreamed of treasure — died only months ago, in February. But his death, Boville explains, was not the end of the tale.

Faria’s cell lay just fifty feet from another prisoner — one of Napoleon’s agents, dangerous an...

Mark as Played

The Englishman’s composure never wavers, producing a thick bundle of banknotes — far more than M. de Boville had dared to hope for. Relief floods the inspector’s face as ruin gives way to salvation. Yet the stranger refuses any percentage or commission. His price, it seems, is something altogether different.

What began as a transaction of francs now turns into an exchange of secrets. Money changes hands easily; the truth requires a...

Mark as Played

When the Englishman enters M. de Boville’s office, recognition flickers across his face — though the inspector of prisons, sunk in despair, is too distraught to notice. The visitor repeats his polite inquiries about the finances of Morrel & Son, but this time the answer is worse than rumor: M. de Boville is ruined. Two hundred thousand francs — his daughter’s dowry — lie trapped in Morrel’s failing firm, and the deadline for pa...

Mark as Played

A new chapter — and a new game begins. The morning after the events at the Pont du Gard inn, a man appears in Marseilles: thirtyish, well-dressed, and unmistakably English in bearing. Introducing himself as the chief clerk of Thomson & French of Rome, he claims concern over a large loan made to Morrel & Son — the very firm now whispered to be on the verge of ruin.

Before the mayor of Marseilles, the stranger’s questions are...

Mark as Played

The abbé departs into the fading light, leaving Caderousse overflowing with gratitude and disbelief. “May this money profit you,” the priest says, mounting his horse and riding away — back down the same lonely road that brought him to the Pont du Gard inn. Behind him, his calm words linger like a benediction, or a warning.

Inside, Caderousse’s joy meets the cold suspicion of La Carconte. Pale and trembling, she eyes the diamond wit...

Mark as Played

The tale reaches its quiet climax in the dim Pont du Gard inn. The abbé, grave and watchful, speaks of divine justice — of how God’s memory, though slow, never fails. Then, from his pocket, he draws the diamond: a brilliant stone meant for Edmond Dantès’ true friends. “Take it,” he says, placing it before the trembling Caderousse. “There was one friend only. It is yours.”

Caderousse hesitates, half-believing it a cruel jest, until ...

Mark as Played

Eighteen months of mourning — then a wedding. Mercédès begged time to grieve for Edmond Dantès, but grief gave way to resignation, and resignation to marriage. The abbé’s voice cuts with irony as he whispers, “Frailty, thy name is woman,” and listens as Caderousse recounts her walk to the altar — through the same church where she was once to have wed Edmond. Passing La Réserve, she nearly fainted, haunted by memory.

Fernand, uneasy...

Mark as Played

Caderousse’s tale drifts into the realm of dreams — the kind that ache with truth. Fernand, once the poor Catalan fisherman, now owns a grand Parisian mansion at 27 Rue du Helder. And Mercédès — she too has risen, “as the sun disappears to rise again with greater splendor.” The abbé’s voice falters, his irony masking something deeper.

Caderousse recounts her long sorrow: the pleading with Villefort, the tending of old Dantès, the l...

Mark as Played

The abbé listens as Caderousse unspools the incredible rise of Fernand — once a poor fisherman, now a decorated noble. His fortune, it seems, was built not on honor but on opportunity seized in shadow. Drafted under Napoleon and stationed at the frontier, Fernand betrayed his general to the Bourbons and returned a hero instead of a traitor. The winds of empire had changed, and Fernand changed with them.

As wars came and went, his a...

Mark as Played

The abbé listens as Caderousse paints a grim contrast between the ruined and the rewarded. M. Morrel — faithful, honorable, undone by loss — now stands at the edge of despair, burdened not only by ruin but by a family he cannot save. A wife steadfast in suffering. A daughter denied her love. A son serving far away. Even death would be a mercy if not for those who depend on him.

 

And yet the men who destroyed Edmond Dantès prosper....

Mark as Played

Caderousse bows his head beneath the burden of guilt, confessing that he let fate destroy Edmond Dantès. “Remorse preys on me night and day,” he admits, believing his misfortune to be divine punishment for cowardice. The abbé listens with grave compassion, telling him that such honesty is a step toward forgiveness — though Caderousse fears Edmond’s spirit already knows his guilt.

When the conversation turns to M. Morrel, Dantès’ fo...

Mark as Played

The abbé’s voice hardens as he demands names — the men who destroyed Edmond Dantès and his father. Caderousse, cornered by conscience and the priest’s quiet authority, speaks the truth at last: Fernand and Danglars. One driven by love, the other by ambition. Together they forged a lie.

In the warm glow of Dantès’ betrothal eve at La Réserve, Danglars wrote the letter — disguised in left-handed script — while Fernand slipped it into...

Mark as Played

Grief turns to solitude, and solitude to ruin. Caderousse recounts how even the kindest neighbors withdrew from old Dantès — sorrow being a burden most hearts can bear only at a distance. Left alone, the father sold his few possessions piece by piece, until the house itself threatened to turn him out.

When the silence above grew too deep, Caderousse peered through the keyhole and found him pale, starved, and near death. Morrel brou...

Mark as Played

Mercédès, desperate to help, turns to Villefort for mercy and is denied. She then seeks out Edmond’s father — a man broken by grief and sleeplessness, who refuses to leave his home. “If he gets out of prison,” he insists, “he will come here first; I must be waiting.” His love has become an anchor, binding him to the place where hope still lingers.

 

Through the thin ceiling above, Caderousse listens helplessly as the old man’s step...

Mark as Played

In the dim light of the Pont du Gard inn, the abbé urges Caderousse to speak the truth about Edmond Dantès’ past — and Caderousse hesitates, gripped by fear of the powerful men his words may expose. The priest’s calm assurance, his vow of secrecy and divine distance, opens the floodgates: Caderousse begins his long, painful confession.

He starts with Dantès’ father — the man Edmond loved most — and the sorrow that followed his son’...

Mark as Played

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