EP.54 “A Bad Guy”

The Potnas begin this episode with a “Debrief of the Week”, where they unpack the 50 Cent concert JT attended, absurd concert ticket prices  and taking your significant other everywhere with you (3:17). D-No then walks listeners through a recent situation he experienced with a white mother and her children at his son’s school, which leads to an intense debate about whether the situation was racial or not (26:55). In “News”, the boys discuss Donald Trump’s trending mug shot and how it impacts his run for a second presidential term (44:17). During the “Highlight Topic”, JT asks D-No a series of thought-provoking, scenario-based questions about managing uninvited guests, loaning money to people “in need”, and friendship tiers (50:41). Don’t miss a second of the conversation from your favorite podcast duo!

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Episode Transcript

Speaker 1 (00:00):
You're now tuning into the sounds of the partners
podcast.
Good morning, good evening,good afternoon.

(00:21):
Deep in it on where you're aton the globe.
Ladies and gentlemen, we gotanother episode of the partners
podcast.
I think this is 54 free style.
Let's go.
Hey, it's the partners podcast,yet Locking them.
Pictures off the wall, manabout to fall.
Man pass it off to Dino.
He is superstar.

(00:42):
Now go and fucking ball.

Speaker 3 (00:44):
Hey fucking ball man, I've been a pick it up.
Yeah, what the quack, quack,like a duck making, scrilla
making, what eggs making cheesenigga making bread.

Speaker 1 (00:54):
I came down, I'm.

Speaker 3 (00:55):
Vince the slam.
Dunk it.
I'm a larger one.
Oh shit, why you do that.
That's called a skunk it.
You trying to funk it up.
I didn't came down.
I'm about to pop trunk.

Speaker 1 (01:03):
I'm about to ball hard like a Houston rocket man.
Hold on this freestyle.
You can't hop it Milling tizzleon the back of the mic man.
My freestyle is back in thiscap.

Speaker 3 (01:15):
No, you put some like it's tight.

Speaker 1 (01:16):
It's tight.
Yeah, I don't know why I didn'tsay that right there I'll say
cap?
I don't know, because I have acap on.
That's why I was going to findout.

Speaker 3 (01:24):
That's cap.

Speaker 1 (01:26):
I'm online, all right , isn't it like these are gonna
suck?

Speaker 3 (01:34):
No, that's a good question, all right, why?
I think it should be laughingover either, bro.

Speaker 1 (01:37):
Yeah, well, because, bro, it's fun lying is fun,
that's not absolutely fun.

Speaker 3 (01:42):
We're listening to bro who huh.
Who do people listen to rightnow?

Speaker 1 (01:46):
Oh, ladies and gentlemen, you are now listening
to the partners podcast, wherewe're delivering our perspective
on topics, news and shit.
For those who didn't know,everything that we just said
stands for partners.
Shout out to the kids All right, we are your host.
The partners yeah, to my right,it's my best friend.

(02:06):
He has the world's greatestvernacular and vocabulary given
up for Dino aka the dictionary,was it yeah?

Speaker 3 (02:15):
oh, let's not play the kids and play gunshots.

Speaker 1 (02:19):
Well, the kids Are.
They're the ones doing theshooting now, because they'd be,
so shoot.
And then I am the extraordinaryyoung tizzle the lot.
There's a baby.

Speaker 3 (02:33):
Okay, okay.

Speaker 1 (02:35):
And welcome to the show.
We got some partners in thehouse.
We got she is sandbam, asalways, joining us, and then we
got a new partner.
This is your first time on theshow Behind the scenes, but give
it up, for he's a fellowmusician.

Speaker 3 (02:54):
The trumpet.

Speaker 1 (02:57):
Yeah, yeah, what is your me?
You play again.

Speaker 3 (03:00):
The trumpet trumpet, si yeah trumpet.

Speaker 1 (03:03):
Is that how you say, trumpet in Spanish?
Yes, my brother.
Okay, all right, ladies andgentlemen, without further ado,
we're gonna try to be assuccinct as possible, moving
forward in these episodes, justyou know, for your listening
pleasure.
So let's get straight into thedebrief of the week.
If you're watching the episoderight now, you can tell that we

(03:24):
have some hip-hop legends on ourshirts.
And I am wearing this because Iwent to the 50 cent concert
last night.
And man, how was it bro?

Speaker 3 (03:35):
You got one of the one.

Speaker 1 (03:38):
You gotta do that shit.
Unfortunately it doesn't yeah.

Speaker 3 (03:43):
Yeah, that's not right there.

Speaker 1 (03:44):
Yeah, 50 cent man, what a legend.
He's in my top five.
Hip-hop.
Legends and rappers in yourall-time top five.
Yes.

Speaker 3 (03:54):
So this is the what 50 years is my favorite
anniversary.
We need to talk about that.

Speaker 1 (03:57):
Yeah, 50 year anniversary, 50th anniversary of
hip-hop and he was in Houston.
He actually lives in Houstonfor those who didn't know.
And then he had a lot oflegends that came out.
He had a legend himself who'salso in my top five Busta rhymes
opened up for him.

Speaker 3 (04:14):
What was that?
My show, yeah.

Speaker 1 (04:15):
Yeah, yeah, oh.
And Dino has a Wu Tang shirt on.

Speaker 3 (04:20):
He has a concert shirt.
New York State of mind.
We both have concert shirts.
We got these shirts off of thestreet, by the way that were.
Um, I was rocking this onebecause I was trying to make him
jealous.

Speaker 1 (04:28):
Oh, you're trying to make me jealous.
You didn't know that I cameprepared, yeah.
I didn't know, I had to had theshirt as well, but anyways, uh,
yeah, uh, 50 he brought out.
Well, the folk, the rappersthat were, are the artists that
were already on tour with him.
Uh, busta rhymes and splitstart had opened up for him.

Speaker 3 (04:47):
And then he's been with him the whole time.

Speaker 1 (04:49):
Yeah, tony yellow and uncle murder word.
They uh were his hype man slashlife Help for breath control.
But he didn't need it at allbecause 50 has excellent breath
control you can tell he stillworks out daily Um, and then uh,
and then he had Jeremiah.
Uh, Jeremiah was the.
That's a curveball ankle lineRight and so, uh, you say it's

(05:10):
curveball, but he has like fivesongs, uh, with him.

Speaker 3 (05:13):
I only know like one, Uh, though maybe two.

Speaker 1 (05:14):
Let me see if I can play one right now.

Speaker 3 (05:16):
I mean we did it.
I mean it's still like evenwhen you played, I was like, oh
no, I ain't never heard thatbefore.
Yeah, but Jeremiah, I mean,yeah, he rock.
I'm sure I know he got them.
I know he got them thumpers,but as far as like them, what if
I could just not play them onmy uh?

Speaker 1 (05:32):
but I know better All right, we're gonna just keep
talking.

Speaker 3 (05:34):
Yeah, but you like, I feel like.
See, I know that song Um.
But Jeremiah on his own thathe's a good in between act, I
guess, kind of where he'ssetting up Some of who came
after that.

Speaker 2 (05:50):
You gonna play it anyway.
I'm still monetized.
Well, I mean, every keeptalking over it.

Speaker 1 (06:00):
I like how 50 cent.
Whenever he's an artist, likeour featured artist, he'd be
whispering this something.

Speaker 3 (06:07):
She's like every artist has a phase, like Wayne
had a phase when he was doinglike mad auto.

Speaker 1 (06:13):
He always sounded like a grim one.

Speaker 3 (06:16):
But not I mean it was he had an error where he was
just.

Speaker 1 (06:22):
And then, uh, because he was in houston, he brought
out, uh, houston legends, paulwall and slim thug.
And then, uh, the legendaryscarface, who's I?
I've come to eventually findout that he's on a lot of
people's top five.

Speaker 3 (06:36):
Of course, look at what he went the best
storytellers in hip hop.

Speaker 1 (06:39):
Yeah, yeah, yeah, he's pretty maybe slick, and he
looked really great too.
He was in in shape and Uh faceshim.
Yeah, and then uh, who else didhe bring out?
I think that was it, that wasthe whole.

Speaker 3 (06:50):
I came out but I was going to, but they called me but
I was Unsomble baby.

Speaker 1 (06:54):
We'll see but yeah, it was exceptional.
Um, the highlight for me, Imean well, the women man, all
right, so those women there 50.
Oh, not only like performance,performance.
Yes, he had like 20 women onstage, but you think like
dancing?
Yes, like like, no, like actualdancing though, like
performance, like choreography.
It wasn't just like ashakin,like they were talented.

(07:16):
They were doing splits.
They were flipping.
They were, um, twisting eachother and throwing each other
and hopping over each other andstuff and it was.
It was like Acrobaticperformances, like if they were.
I don't know where he got.
It looked like he got like thebest of dancers from like all
the mba and nfl.
Teams and then put them on theteam.

Speaker 3 (07:37):
They're like a the ultimate squad.
Yeah, they have a whole castthey were exceptional.

Speaker 1 (07:41):
And then, uh, one of them, one of the baddest ones,
uh, because they were allbeautiful, you can tell.
They were like just how theywere built and stuff.
But, uh, the solo, uh Performerthat performed with Jeremiah
while he was playing the pianoand stuff.
They had a moment where theywere, uh, where, she was dancing
on them.

Speaker 3 (08:00):
No one of the dancers .

Speaker 1 (08:01):
Okay, one of the female dancers?
Yeah, and he dropped the brodamn.
Yeah, I was like, okay, youneed to get back in the gym bro.
Oh, no, but like how he droppedher, though, like I'm so much
she was like you know, like howshe like hops on him and stuff.
He couldn't like yeah, but youknow, granted he, I guess, his
excuses.

(08:22):
He had one hand on his mic andthen the other was supposed to
be holding her.
You posted a little thick tooNot like like thick, like like
she was slim thick she's slimLike Jeremiah.

Speaker 3 (08:32):
I don't know if he don't seem like a guy who's like
he's not.
How was his?
What was he like?

Speaker 1 (08:36):
I mean he's tall, Okay, he's tall and he I mean he
don't look meaty and stuff withher, but I mean clearly that
nigga don't work out.

Speaker 3 (08:42):
So that's too much, but I ain't dropping nobody
though.

Speaker 1 (08:48):
Yeah, um, and my thing is I'm like, okay, yeah,
y'all rehearsed, but there wasnot one dull moment in that.
Uh, in the concert I mean, Ibet not at all.

Speaker 3 (08:56):
Much like the uncle murder actually do is like a
song.

Speaker 1 (08:59):
Tony a yo and uncle murder did not perform at all
any of their songs but they werejust with 50 the entire time.

Speaker 3 (09:06):
So you caught him.
Hype man.
I was like yo, that's wow.
But when I thought about it Iwas like I mean and and they're
notable rappers, too like forthem to be just be hype man.

Speaker 1 (09:12):
So you know, 50 was just like it's my shit.

Speaker 3 (09:15):
I mean, he still brought his people with him.
Yeah, exactly, they may betaking care of them.

Speaker 1 (09:18):
They was on stage, he had like eight outfit changes
and they were like legit too,like legit outfit change, like
one of them.

Speaker 3 (09:24):
He changed like the wife beater with the uh, the
horse.
No, he didn't do that, no, no,yeah, yeah, he did during that
moment.

Speaker 1 (09:31):
Uh, he was in all white.
That was the highlight for mewas uh, he performed I'm the man
and uh, the song with chrisbrown.

Speaker 3 (09:39):
Oh, yeah, yeah, yeah, yeah and that song.

Speaker 1 (09:42):
Um, because that's when the confetti, and there's
like a moment in the song where,like it's, it's leading to a
climax, and then the beat, thebass drops, and then uh and man,
that moment, that's when thesmoke went up and the confetti
started popping.

Speaker 3 (09:55):
He had a whole.
It was a whole entireproduction.

Speaker 1 (09:59):
It was break dancers, it was uh.
Strippers yeah no, no, no, no,no.
Not strippers, but they hadpolls and stuff.
So when he did like um Pimp ordisco inferno.
Yeah, he did I will go ahead,boy.
That's it.
It was crazy.
It looked like we were in Afire pit like Mortal Kombat.
He did candy shop.
He did candy shop yeah.

(10:19):
Oh yeah, they tore that shit upNow.

Speaker 3 (10:22):
I was so impressed it , bro, because even like when I
was at the not the, was itcalled new york state of mind
tour, our show, rather, with umnars Wu Tang, I was just so
impressed that production wasnot even how do I say, it was
dope, but it wasn't like theywere just making good use of
modern technology, yeah itwasn't like they wasn't.
They wouldn't know.
Goddamn dancers or pyrotechnicsand none of that shit, but I

(10:45):
was thoroughly engaged.
What they have is like theentire stage is back in.
The stage was a screen, likemultiple, and so like one screen
kind of be a little bit more infront, but the whole everything
was a screen.
And they have like whole newyork city backdrop sets and you
and the project like pj.

Speaker 1 (11:01):
Yeah, yeah.
Yeah, it was like a verysimilar to yeah yeah, they had
an led screen huge.
Yeah, his intro, his 50s inchentrance or intro, when he came
out or whatever.
It was like this Uh, glass boxand uh, but it was broken in
half and then it came togetherand formed a box and then it

(11:21):
filled with smoke and then itopened up and then he shattered
it and came out, and then that'swhen he started performing.

Speaker 3 (11:27):
But um boy when was the first song he did?

Speaker 1 (11:30):
Uh, he did um a wankster.
Yeah, it was wankster, mm-hmm.
No, actually it was.
Uh, I forgot the name of thesong, but it's the one that go.

Speaker 3 (11:42):
Damn, that's about all of them.
Yeah, I'm trying to see.

Speaker 1 (11:46):
But when that shit came up, man, that shit was dumb
, hey.
And then he did I get money,that shit, yeah, man.

Speaker 3 (11:59):
But uh, I feel like many men is when I would really
want to hear that he performedthat.
I would have to hear that onelike you know?

Speaker 1 (12:05):
uh, you know, when artists they complete, they said
they, they do the first waveand then they like all right,
thank y'all for coming out, Iappreciate y'all encore back on
stage.

Speaker 3 (12:14):
They want you to share.

Speaker 1 (12:15):
Yeah, yeah, yeah.

Speaker 3 (12:16):
Yeah, so because?

Speaker 1 (12:17):
because he left some notable songs out, or whatever
like he's coming back and so, uh, he left a window shopper out,
and then he left, um, uh, Iwhooped your head boy.
And then um, and then many men,and so, like all the all the uh
the mix tape cuts basically.
I mean yeah but uh, that's thegood the movie made that one,
Like we're hearing.

Speaker 3 (12:38):
Honestly I probably go that one.
That movie was exceptional.
We have a rich or die try.

Speaker 1 (12:41):
I mean, go check it out if you haven't and that's
one of the best rap albums everever.
Okay, yeah, you put, I think, Ithink it's a classic album for
sure that's my favorite of he isfor sure it is.

Speaker 3 (12:52):
I do put in the classic category because people
throw that term around.

Speaker 1 (12:54):
It's got to be everybody out in the classic
best albums ever bro Like justthe whole ensemble, the whole
package and hip hop 21 questions.
Yes, yeah, oh yeah.
Because you got to think abouteverything that he put into that
.
Into it like it's a.
It's r&b tracks on there liker&b that's the conversation.

Speaker 3 (13:10):
We need hip hop tracks on there.
We need to have a.
We need to have a.

Speaker 1 (13:12):
Our 50th anniversary we got to have a yeah hip hop
conversation.
Yeah, I mean, we never brokedown.

Speaker 3 (13:16):
Have we buzzed out on the list?

Speaker 1 (13:17):
It's just me and you today, so we can, we can talk
about that.

Speaker 3 (13:19):
That's, that's, that's, that's too much time.

Speaker 1 (13:21):
I got some stuff on uh, uh, well, okay, one thing we
do want to talk about there's acommon thread, right.
Okay well between both showsand I have a 50 cup, by the way.

Speaker 3 (13:29):
And he got nine bullet holes in front of that
one.
That's crazy, that's remarkable.

Speaker 1 (13:32):
Yeah.

Speaker 3 (13:34):
Creative.
All right, we were sayingthere's a common thread in the
show you saw, in the show I saw,yeah.

Speaker 1 (13:40):
Buster rhymes it's blipster.
Oh yeah, bro.

Speaker 3 (13:44):
So I mean bus is like , I mean buses.
He opened up the show, he'sstill him.

Speaker 1 (13:48):
What did he do for y'all?
Did he close out the show oropen?

Speaker 3 (13:51):
He was second to last at he, he did his, and then
they came on.
Whoo came on again after thatwith like Young dirty bastard or
somebody, and like they did.

Speaker 1 (14:01):
Man, when this Say do you know the worst of this?

Speaker 3 (14:06):
bro, I know the worst , everyone's good.

Speaker 1 (14:08):
I was screaming the entire time when he was on, the
entire time, you know, but wekeep going.

Speaker 3 (14:14):
I'm about to have this in the background, so this
is a good segue into um, I mean,you got to faith that I mean
eventually, bro, so check it.
What was?
What was?
I mean?
This is the observation, right,Don't don't read too much into
it.
Take it with a grain of salt,people.
But when that came on, I mean Iknow like, I mean I'm like you,
I'm.
That's probably the most hype Iwas at.

(14:35):
The entire show was bus right.

Speaker 1 (14:37):
He's definitely the most exciting out of all the
people that you name, I meanTang nausea.
Such a static performer.

Speaker 3 (14:43):
They do certain.
They do certain joints, likewhat meth did um if OD dirty
bastard was still alive.

Speaker 1 (14:50):
He would be the highlight of the show.
But ghost phase has energymethod has energy they all do,
bro.

Speaker 3 (14:56):
They all bring a certain in it, but that's what
was so ill like.

Speaker 1 (15:00):
Yeah, I expected that , but.

Speaker 3 (15:04):
The whole.
I mean, the greater point aboutthat was like man.
For me it was a no brainer,like a I call them legacy acts,
people who, like 50 was a game,still is a game changer.
Yeah, like bro, he built anetwork stars what am I?
Did you watch any star showbefore he had power on stars?
They one should also I'm stars.

Speaker 1 (15:23):
Yeah, I mean, I'm not gonna lie bro, like I know I
didn't.
I watched crash my cuz, oh thatwas a good one.

Speaker 3 (15:30):
My cousin was on that but other than that yeah that
was a good show too, though yeah, it's based off of the the
movie.
But um, they did my girl dirtyon that movie.
Who, um the wife was, uh,tyrann's Harold's wife, who
played his wife?
Oh yeah, didn't she?

Speaker 1 (15:46):
uh, you know what happened to her.
She got a shot right she got nobad police officer.
Yeah, oh, oh, dandy newton.
Yeah, bro, she's still bad.

Speaker 3 (15:59):
Yeah, I should think I used to get her and zoe mixed
up.

Speaker 1 (16:02):
Oh yeah, that's ridiculous.
What else do I got?
Do I make you horny?

Speaker 3 (16:11):
That's kind of like.
I mean, that was anyway.

Speaker 1 (16:13):
All right.
What were you saying?
Um about Nas or busta?
What uh?

Speaker 3 (16:16):
no it was bust.

Speaker 1 (16:17):
Um, we're gonna wrap this up too.

Speaker 3 (16:19):
Yeah, I ain't gonna lie.
I mean what I, what I?
I don't remember what I wasgonna say, what?

Speaker 1 (16:24):
I was gonna say replacement ain't worth saying.

Speaker 3 (16:27):
But no, uh, both like bus was at both shows.
Man, oh, I got it, I got itback.
It's a good second.

Speaker 1 (16:33):
He opened up with any home before I lose it before I
lose it.

Speaker 3 (16:36):
Okay, he did, he performed that one, but that
wouldn't, that wouldn't open her.
Okay, bus.
What I noticed about when buswas on was on um, when it was
his set Wu Tang Nas too, butlike specifically bus.
And then I noticed it too withparts of wu set man.

Speaker 1 (16:51):
It was a like if I energy shift, uh it was a, but
it was mad energy.

Speaker 3 (16:55):
It was like it's hard to describe it was mad energy,
but like when I looked around,bro, it was like a lot of white
people, young white college kids, like a lot of them.

Speaker 1 (17:10):
Where that's my gripe .

Speaker 3 (17:12):
He did, he did he, he performed this for this.
He, he, yeah, yeah, heperformed it with us.
He gave us all that shit.
I don't know why he did that.

Speaker 1 (17:20):
He said don't, it was the very last song.
He was like don't this shitmake a nigga?
And then the bass hit and thenhe was like we out, and then
they walked out Our protest andI was like, but but but you
gotta remember, like like therewas like 11 performers Fuck this
shit.

Speaker 3 (17:34):
We didn't play it in the lineup, I know right but now
he I rather him not gave useverything.
Yeah, he gave us that.
Why he gave us everything he?

Speaker 1 (17:41):
gave us the new track too, would be a he has a new
album coming out.
And uh, let me see if I got the.
Uh, I'll play a little bit ofthe cut right now.

Speaker 3 (17:48):
You don't want us to make no money.
Yeah, yeah.

Speaker 1 (17:51):
I'll give it a fine.
We're in a more podcast, baby.
As a card I think it's calledbeach ball On your airwaves,
right.

Speaker 3 (18:03):
Uh, but check it, man it banged to executive produced
by Swiss.

Speaker 1 (18:12):
Beats for Ralph.
You think we can.
It's Timberland, oh, but thisone's made by hitmaker.

Speaker 3 (18:20):
Why you shut them out .

Speaker 1 (18:23):
Because their album is executive producer.
I told you it sounds differentover some headphones.
Yeah, and bea is fine, by theway.

Speaker 3 (18:43):
She didn't look how I thought she would look yeah.
Why didn't?

Speaker 1 (18:45):
I thought she would look, I thought I thought bea,
bea would.

Speaker 3 (18:49):
I thought bea and Koi Koi Koi Leray were the same
person and then never like no, Ican see nah, koi, koi got it.

Speaker 1 (18:58):
How do you say her name?
Koi, leray Koi, leray Koi.
No, so there's no E in it Koi.

Speaker 3 (19:03):
E Leray.
I just know that's how it'spronounced, leray.

Speaker 1 (19:08):
Right now.
Right now, all right, let's getinto.
Do you have a deep?

Speaker 3 (19:13):
Oh, but yes, oh, that's why I say this is a good
segue, because at the at the WuTang bus show I know it's a lot
of like suburban Caucasian, likekids, maybe college age and
whatnot.
Of course they like split them,but like they knew every word
to the song.
Yeah, I also noticed that whenI was at the TDE Championship
tour, like every, like mostshows I go to, when I look

(19:34):
around like damn, like this,there's a good amount of us, but
when I, when you really look atit, it's like damn, it's safe
to say that white people reallydo love hip-hop.

Speaker 1 (19:43):
Well, I think the world, I guess it's no, I mean
like of course it's still acultural appropriation in some
instances, but for the most partthey're the main ones at the
festivals, in the studios, whenDMX.

Speaker 3 (19:53):
We're performing for it, bro, yeah, yeah.

Speaker 1 (19:55):
Well, that's who?
Yeah, especially nowadaysbecause concerts are extremely
high.

Speaker 3 (19:59):
They are a lot of the shows we talk about.
They have been yeah.

Speaker 1 (20:01):
You had asked me how much I spent on 50 like it.
It was reasonable like likeabout 350, 400.

Speaker 3 (20:07):
Yeah but, I didn't finish other.

Speaker 1 (20:09):
Oh, oh, you got a friend.

Speaker 3 (20:11):
No, I mean I'm him, but I ain't like him like that.
Yeah, dude, no, I pay, but andI had a similar experience Well,
I didn't know, we was in like asweet type situation.
I had no idea.
But all that to say in Toyotacenter is nice by the way it's
still.
It was, I mean, I mean, but wesaid we're paying whatever,
whatever it was, because we'regoing.
Everybody can't do that bro.

(20:33):
Everybody can't say, fuck it,we going regardless.
It's some people paying for bigconcerts Tickets and that's
Double their mortgage.

Speaker 1 (20:42):
Oh, yeah, yeah, yeah, okay.
So certain artists like Beyoncethat have just like skyrocketed
to the point where you wouldliterally have to have who would
you pay for?

Speaker 3 (20:51):
three to six, but you would pay like three racks to
go see right now right?

Speaker 1 (20:55):
No, no, absolutely not.
No, pharrell probably.

Speaker 3 (20:58):
Pharrell yeah, like to watch him do what like rap
Perform.
Yeah, yeah, bro, now you gottabe turning flips and hitting
tricks or something they couldbe doing.

Speaker 1 (21:09):
he would be having that because he would have a
skateboard or skate, he's gonnahave a skateboard rink in it, he
he can literally bring out Halfof hip-hop got a lot.
He can bring out JustinTimberlake, snoop Dogg.

Speaker 3 (21:21):
If he's hosting like a showcase, exactly that's he's
worth it.
Look, beyonce isn't features noopeners, just one person.
They will hit the stage by them, damn self.
Who is that?

Speaker 1 (21:32):
Be all right, I say, doesn't have a bunch of features
.

Speaker 3 (21:34):
Nobody is worth Michael Jackson.
It's her dance crew in her liveband.

Speaker 1 (21:38):
That's it for the most part, and that show does
not look like.

Speaker 3 (21:41):
I can't wait to sell them, relax but here's my point
who would you go see?
Take, put her to the side, justthem I ain't talking about, for
nobody.
Pharrell bringing all theseother people.
No, would you go pay a littleseat muffled.

Speaker 1 (21:52):
It'll be somebody that is.
It'll be somebody that I admire, that I have, that I haven't
seen yet.

Speaker 3 (21:57):
Here's the problem, but.
I'm not hearing a name, thoughI For me, it's no one.
I'll make it easy for you.
I already said that.

Speaker 1 (22:05):
I said it was no one.

Speaker 3 (22:06):
But like no one I could fathom.

Speaker 1 (22:07):
Yeah, but you said three, three racks or three like
three thousand dollars.
Facts yes, concert ticketsdon't cost that much that
Beyonce concert tickets, that,whatever they are still liking
the five hundreds they're notthat bad when you sitting,
though.
Huh Googling right now, let'slook it up bro, the ones that I
bought, that I bought.
I pay $900 for them, andthey're about them win.

(22:29):
And huh when you buy them awhile ago, exactly no, if you
look now, they're not gonna be.
No, not, I guarantee you.
They are because my, my, myresell, hasn't, hasn't Haven't
sold my tickets yet.

Speaker 3 (22:40):
I know how we kind of .
We'll talk about later.
I'm like where your tickets atthe seat there?

Speaker 1 (22:45):
They're like they're not on the floor.
They're the next tier up.
Okay, it's in the middle.
Yeah, they're really goodpeople who pay racks for tickets
because they're stupid and theyand they Also aren't aware of
the gimmicks and stuff.
Look up like this If you're notaware of the ticket master and
the and huh, these be hiverslike the live nation, like you

(23:05):
gotta just know the websitesRight.
And so they on, bro, they onlike you get game.

Speaker 3 (23:09):
Well, listen, I'll kind of yeah, right, but they're
paying that cuz they want that.
My point is, regardless, likemaybe they got back, say pet,
who knows right?
But my point is like who is it?
Well, I would pay that for.
Not even like, let's say you,that don't hurt.
Okay, let's take that threeracks down to 300, but it's
really hard to get these mugs.
Are you gonna wait in line forhim, like back in the day people
used to do for sure leases andsuch?

(23:30):
Yeah, who would you do that for?

Speaker 1 (23:33):
I don't got nobody if for real is your guy bro, this
is blasphemy from you like, likeyou, kind of like in the rain.
Yes, three racks back then,yeah, I was still no, no, no, no
, stop, take the three racks out, cuz that's not reasonable,
that's not real.
That's not real.
Nobody's paying three thousandfucking dollars To be on like on

(23:57):
the stage and be able to touchBeyonce.
Yeah, they're paying that.
I'm talking about standard likegeneral admission tickets, not
general admission like where'sin like you're going to.
I'm talking about like in anormal arena or you can't ask.

Speaker 3 (24:11):
No, no, bro, in the middle area the reasonable
tickets where you're like and,oh yeah, the ones where they
bring you oxygen because you sawa damn high.

Speaker 1 (24:20):
Okay, oh yeah, those we can move on because you being
, you being real cynical, youbeing an asshole right now, no,
that's Beyonce tickets.

Speaker 3 (24:27):
Anyway, I saw her husband.

Speaker 1 (24:30):
Yes, I'm what you're saying about white people.

Speaker 3 (24:33):
You had a point.
Let's not keep just going backto them.
But all I was saying wasthere's a segue into man.
It was a lot of them at theconcert.
It's always a lot of them andthey be getting in.
I mean, you know they smoke alot we, but here's the thing oh,
Something happened.
Yeah, man.
So we're talking about thebrief.
You went to a concert.
That's beautiful.
My brother congratulates.
I'm glad you and your lady hada great time.

Speaker 1 (24:51):
I'm not jealous of nothing.
Um she's my best friend.
I love going places where hetrying to score points niggas
probably.

Speaker 3 (24:57):
Sam.

Speaker 1 (25:00):
My friends begin a little annoyed sometimes.
You know, only you and Courtneyare the only people that like
just don't get bothered bybringing Sam wherever Okay.
No, but, uh, but, but.
But I get it like there timeswhere it is just like road, like
you gotta bring your girleverywhere and stuff Whatever.
I used to hear that all thetime all throughout the.
You know I'm like yeah, becauseI actually like my girl.

Speaker 3 (25:26):
Again, I do understand.

Speaker 1 (25:28):
There are some times where it's just got just the
guys my bro, I love my chick, Ilike road.

Speaker 3 (25:35):
It's time to general tell you where I like.

Speaker 1 (25:38):
Yo, we already talked about the difference between.
Jen and Sam Jen is like agirl's girl.
Sam is not.

Speaker 3 (25:50):
She's like kicking it with the guy, introvert,
extrovert.

Speaker 1 (25:52):
I don't know, and she don't like hanging out with
girls, unless it's a certainamount of people.
She cares a lot about chemistryand I do too, right, and so
like they're like, okay, but shegot mad.

Speaker 3 (26:02):
She got homegirls that she really fucked with,
though, so it's not like you.
Like she's walking around hereWatching baseball with the film
scratching her nuts.
Yeah, she got she's.
She.
She likes to dress, and like I,just like you said.

Speaker 1 (26:15):
Yeah, I know, wait, wait.
No, I hate when niggas do thatlike just get fixated on
something and miss the point andthen completely Diverse.

Speaker 3 (26:21):
That's why I'm like you know, sam, I'm trained
professional, so what are yousaying about?
Uh, here's the thing, okay, um,I do agree, though, nah, I mean
, I mean, she ain't got to comeout of.
Not, she isn't, sam, she isn'tlike whoever, like your lady
yeah don't gotta come all thetime.
Nah, like Jen, I mean if wecould love exactly all the same
shit.
Nah, sometimes you need to godo this shit with your people

(26:41):
that you like to do this shitwith.
And I'm do shit Because youneed to always have you like
yeah, you become one, your union, but you got to always keep you
.
I keep telling my party that'sa little tip.
Well, take it home with youputting your back pocket, take
away that you putting your pipeand smoke it.

Speaker 1 (26:55):
Is your point about what you experience with the
light of complexed people going?
To tie into news or Are weready to transition?

Speaker 3 (27:04):
Oh, you got some news .

Speaker 1 (27:05):
Yeah, oh yeah, we got some news.

Speaker 3 (27:06):
No, I don't have news .
This was more so, just about myexperience.

Speaker 1 (27:09):
You want to wait for the high-tech highlight topic or
you want to bring it up rightnow.

Speaker 3 (27:12):
Uh, I'll say this as a part of your debrief.
I'll say it's a part of mydebrief, okay, and maybe this, I
don't know, maybe just bring usinto it.
So.

Speaker 1 (27:22):
Yeah, if it does, then we can do.
You can, we can talk about it,then do news and then get back
into it.
Back to it, okay.

Speaker 3 (27:29):
I rock with it.
Just just promise me one thingyeah, news is not no, like
morbid shit, like a plane crash.

Speaker 1 (27:35):
Oh, no, no, no, no, no.
I only have two points.
One of them, we have to talkabout.
We have to talk about becauseit is going to be talked about
for the rest, the remainder ofthe year.

Speaker 3 (27:44):
What don't say India landed on Mars?
No, no, no let's okay, I'llwait.

Speaker 1 (27:49):
Okay.

Speaker 3 (27:50):
I just don't want to be like 20,000 people die in a
plane crash.

Speaker 1 (27:56):
Okay, I've learned my lesson, Um so.

Speaker 3 (28:04):
Something we have in common, right, is we're both
dads, we're from a similarenvironment, we currently reside
in the burbs, but being blackin the burbs is different.
So, like we're talking about, Iwas again kind of transition
over from talking about seeing asea of suburbanites at this
concert, thoroughly enjoyingthis art form from people who

(28:27):
are from completely Oppositeenvironments.
Right, my kids live a verydifferent life than I, than I
live like, not, I mean, I had agreat upbringing.
My parents were amazing, don'tget me wrong.
But, like my kids are coming upsuburbanites, this is the only
world they know.
A household with two parentsand a home they own, with cars
that are paid off, with a dadwho owns a little bit Like this

(28:48):
is the only thing they know,right?
So my daughter's school isbeautiful.
I mean, I had never seen noelementary school look like this
in my life.
They have tile on the walls.
It don't make any damn sense.
My son's daycare is beautiful.
It looks like the Children'sMuseum had a baby with goddamn
Primrose and it's where he goesto school.
What happened?
I'm taking my son into daycare,dropped off my daughter, her

(29:14):
beautiful as elementary school.
We drive a couple miles downthe road to my son's daycare.
Walking in there's a woman whoparks next to me.
In it I mean, I don't know,maybe midsize SUV, it's a nice
car, I remember what she'sdriving.
She pulls up next to me.
We get at the same time.
We both got a little little,maybe Toddlers, we both have
toddlers.
We're going to the same area.

(29:35):
We're walking in the schoolwhen I'm a gentle man, right, I
was raising a time where menstill held the doors and pulled
out chairs we're walking in andlike yo, I kind of this
automatic doors.
So she's like we're bothwalking into the same time.
I stepped to the side, kind oflike let her say you know, after
you she walks in.
They look me, look at me.
They didn't acknowledge me.
But I'm thinking we both in ahurry.

(29:57):
Oh, we both in a hurry, we bothmoving real fast.
Okay, we hit the corner.
She has a son with her, maybehe's I don't know around seven,
six or seven.
He see some of his partners ina classroom to the right.
She's like hold on, we got adrop baby sister off hers.
So, boom, we hit the corner.

(30:17):
Son, kind of hang around likecome on, come on, timothy.
Okay, boom, timothy runs up.
He's in front of mom.
Now now mom's now Walk in in.
The is like Timothy's in front,mom's right here, and then
there's like baby girl, babygirl's walking barely, she's
like Dray and she keeps, she'slingering, she's looking back
and she makes eye contact withme and I'm like you know, you
know I'm with a child.

(30:37):
Is she in the way or something?

Speaker 1 (30:38):
or what Not at?

Speaker 3 (30:39):
all, not even a little bit.
Okay, so I just want her to.
I don't know.
Moms is in a rush.
I look at her like, oh, hey,I'll give her a smile, kind of
shoot her away.
Mom looks back and says, ah, abad guy, a bad guy, he's gonna
hurt you.
Come on, come on, oh damn yeah,yeah.

(30:59):
And the little girl, just, she'sjust kind of smiling.
She's looking at me Like shedidn't even hear her mom, really
low key, and mom's like seenothing, she's not scared, now,
she's not even nothing.
And I'm like I don't know howto feel.
I'm like, is it, you know?
I don't know, but she neverreally looks at me because when
she's saying this at this pointshe's come out the classroom and

(31:21):
the teacher's kind of picking alittle girl up.
She's like see nothing?
She's not, she's afraid ofnothing.
Look at that.

Speaker 1 (31:25):
So it wasn't like the she was.
She wasn't trying to say likestranger, she wasn't looting to
stranger danger.
No.

Speaker 3 (31:31):
I don't know, because she never made eye contact with
me, she never reallyacknowledged me and she pointed,
but she pointed at you.

Speaker 1 (31:37):
No, I was right there , like you, were the only guy in
the whole only thing.

Speaker 3 (31:40):
Look a bad guy.
I'm the only breathing humanbeing, aside from my tiny
one-year-old son who's there,and she's like a bad guy.
She doesn't say a monster, aBookie man.

Speaker 1 (31:51):
Did you ask her like uh, excuse me, man, what did you
?

Speaker 3 (31:53):
mean by that?
No, but I did, but I even likewhen I was telling you about you
didn't.
I said something, I did, but Ifeel like what I said was too
late.
I'm at the point of life whereI naturally react and then I
apologize later.

Speaker 1 (32:04):
What?
But I like and it's been a longtime since.
I'm gonna get to this pointbecause I've held in a lot of
shit in the past and now I lovethe.

Speaker 3 (32:15):
Conflict.
You like drama now?
Oh, I hate drama.

Speaker 1 (32:17):
No, I've always loved the drama.
I'm a drama king right, that'sbeing, that's being right,
exactly.
But um, I Want the smoke now,like I'll be ready it, ready for
it, like I've used to practicewhat I like, the stuff that I
wish I could would have said, orlike whenever I go back home
and I'm like man I wish I wouldhave said bitch, and I wish I
would did this differently backin this in the scenario.

Speaker 3 (32:41):
Like you know, and it's secure.

Speaker 1 (32:42):
Did you ever watch insecure?
Of course I did.

Speaker 3 (32:44):
You know the scenes where Aqua black girl.

Speaker 1 (32:46):
Yeah, you know the scenes where she's in the
bathroom and in the mirror andshe's like, yeah, Like it's
herself talking to herself andlike I don't know why you let
her side look at you like thator whatever.
You should just let that bitch.

Speaker 3 (32:56):
Yeah.

Speaker 1 (32:57):
So that's what I, what I used to do, and then I
eventually got to the pointwhere I started performing what
I would practice and reenact,tell people that yeah why.

Speaker 3 (33:08):
I don't know if like that's like the Joker or just
stories, I'm sure oh okay, usedto act in the mirror and then.

Speaker 1 (33:14):
Yeah, but um, but uh, damn, that sucks, bro, that's,
that's crazy.

Speaker 3 (33:20):
So okay, hold on, I have a question for you.
Yeah, so Just to put a periodon the sentence.
Oh, I'm like, I'm so taking abet, I'm kind of like I don't
know.
So I walk past and I'm like,well, she looked like a
conservative Bro.
I was trying not to mention herlooks, but yes, well, she looks

(33:44):
like.
How do I say this?

Speaker 1 (33:45):
Why do we do that?
Why do we like try so hard notto Well, no, she was just like
still judge a.

Speaker 3 (33:54):
What's that Can't, what's that?

Speaker 1 (33:55):
It's like a little like a Susan, like a radical
Democrat or like a come likesuit.

Speaker 3 (34:00):
She looked like a I'm trying to think how to say baby
crocker.
Have you ever seen the movie UmMonsters incorporated?

Speaker 1 (34:07):
Yeah, you remember sully sully the the blue, yeah,
the blue monster.

Speaker 3 (34:13):
So she was shaped like that, but if she had Mike
Wachowski's bottom half, hey,she was built like an ice cream
cone.
I was trying to, I was gonnasay a drumstick.

Speaker 1 (34:20):
I was.

Speaker 2 (34:26):
It was bad, yeah, but no she had like these tights if
I like, now she's locked in mymemory forever.

Speaker 3 (34:32):
She had blonde hairs up in a messy bun.
She got that ice cream bodyblue and black tights on and I
don't remember her shirt Say,but I think it was like an
astros and she got one off onyou talking about I don't know
if she was talking about me.
I've run a scenario a milliontimes in my mind and I don't
like what was the question.

Speaker 1 (34:46):
Okay, okay, so what's the question?

Speaker 3 (34:48):
Okay, first question is how would I respond?
Well, am I overthinking it?
Like, what if there's ascenario where I'm in, I don't
let her go first and I'm infront of her now, I'm so glad
that you experienced this.
I'm in front of her now and shesays the same shit, and it's
clearly not to me, because I'min front of her.

Speaker 1 (35:05):
Well, one thing about you, Dino you see the best in
people.

Speaker 3 (35:08):
I try to bro.

Speaker 1 (35:10):
No, you don't try to, you just do.

Speaker 3 (35:11):
Yeah, no, I was just an inherent.

Speaker 1 (35:13):
Always like I thought I was a good guy until until I
started seeing how you justliterally practice what you
preach and goodness graciousLike it's quite annoying
sometimes because I'd just belike, I'd be wanting you to be
realistic.

Speaker 3 (35:26):
There's a bunch of ways to see shit.

Speaker 1 (35:28):
And I'm so glad that this-.
You glad I experienced fuckingracist yeah yeah, yes, and I'm
glad that she gave you a tasteof fucking reality.

Speaker 3 (35:37):
What if it was not?
And basically, huh, what if itwas?

Speaker 1 (35:39):
not.
It would have been hilarious ifshe would have been like oh
look, monkey, ha ha ha Bro,hilarious.

Speaker 3 (35:46):
Ha ha ha, I'd be in jail.
We got to end this.
I don't believe, you guys.
No, but it was, and it was aphone chair in the classroom
right to the left.

Speaker 1 (35:53):
Look, man, like not everybody is for us, and if she
was talking about you, she couldhave been talking about you in
two different lights.
I feel like Bad guy is inStranger Danger, which I feel
like classic Dino would say yeah, she's referring to me as
Stranger Danger.
I get it, cause we're in adaycare.
Hey, bad guy With Steve.
Bro, I'm Steve, I don't saythat to it.

(36:14):
She's probably saying that,okay, well, hold on.
Let me ask some context.

Speaker 3 (36:19):
I know she's right.
I know she's right.

Speaker 1 (36:21):
Why no?
Cause now I'm gonna use-.

Speaker 3 (36:24):
Politically, they operate in fear.

Speaker 1 (36:26):
I'm going to operate the same logic and Gonna take
our guns.
That you would use to me andthis scenario.

Speaker 3 (36:34):
I'm gonna apply it to you.

Speaker 1 (36:36):
Okay, I'm listening, you are making the assumption
that she's right, wayne, right.
I'm just saying no, I'm notBecause she's white and she's
built like an ice cream cone andshe didn't have no control of
them kids, but maybe she saidshe mentioned you as a bad guy
to help lure her kid who wasn'tlistening and paying attention
to her and she was probably latefor work and she was trying to

(36:57):
hurry up and corral her kids.

Speaker 3 (36:58):
That doesn't make it okay, bro, that makes it worse.
That's my point, and it's notbecause of how she looks.

Speaker 1 (37:02):
And if she didn't apologize and say sorry, then
that's what I think, what isbothering you.
And she didn't look at you, shejust used you as an example.

Speaker 3 (37:11):
She's used you as a tool.
Is that okay?
No, it doesn't.
It's not about how she looked,what she was wearing or what her
childhood.

Speaker 1 (37:18):
You want my answer or you want the Dino answer?
The Dino answer would be likedon't make a assumption.

Speaker 3 (37:23):
I don't have an answer for me.
I'm Dino.

Speaker 1 (37:25):
Yeah, I know, but I'm giving you a dose of your own
medicine.

Speaker 3 (37:29):
My medicine.
You can't mix this medicine.
It's a secret formula.
But here's the thing.

Speaker 1 (37:33):
What I'm trying to understand.
You don't like it when it'sapplied to you.

Speaker 3 (37:35):
No, no, no, is this?
Even I feel like you're notacknowledging it's one thing
we're running past, we got to,we got to you're really, you're,
really.

Speaker 1 (37:41):
I'm gonna give you the real.
I'm gonna give you the real JTtake because you know what's
coming.

Speaker 3 (37:46):
I'm trying to figure out one thing that we keep
running past, like is it okayfor her to use me as a tool of
fear to get her child to dosomething that she can't get her
to do on her own?
My point with saying I believeshe may be right leaning perhaps
is because there's not to saythat the left lean, and at this
point I don't know where I'mgoing.

Speaker 1 (38:06):
Well, if she didn't never look at you, she never
pointed at you, then you don'tknow.

Speaker 3 (38:09):
Politically they operate in like fear
everything's fear-based bro?

Speaker 1 (38:15):
Again, you don't know , because you're the only guy
they're putting in our openborders they're teaching our
kids indoctrination they're.
You don't know, because you werethe only guy in the hallway.
That's why I asked was thereanybody else in the hallway?
Just me and it was just you, soit's easy for you to assume
that, because you're the onlyguy in there in your black and

(38:36):
she looks like this right wingconservative woman that doesn't
have a control of.
Oh, okay, fuck the looks.
It's the fact that she's awhite woman and she's using kids
to okay.
She's a woman Using fear.

Speaker 3 (38:49):
Using fear.

Speaker 1 (38:51):
Okay, but you saying fear, we have to bring up the
fact that she's white.
I mean you have to, because ifshe wasn't white then you
wouldn't be asking this questionabout fear.
Because if she, was a blackwoman.
If she was a black woman andshe said that, then you would
automatically know oh, she's nottalking about me being the
black guy, she's talking aboutme being a stranger danger.

(39:14):
You would automatically assumethat, no, you're wrong.
Why?
Oh, she would assume thatyou're a thug.
Then, Hell no.

Speaker 3 (39:21):
Tisza.
Here's the thing, what.
There's no assuming anything.
If she were a black woman or abrown woman or any woman, I
would still have a problem withher using fear to get her
daughter to do something thatshe wants her to do at my
expense.
Why are you training her to beafraid of me just to get her to?
Because you are a stranger, Holdon no, no, but just to make her

(39:43):
pace a bit more expedient, likethat's Because what she's doing
, she's trying to get herdaughter to come over to her
isn't not working, and it'searly in the morning y'all are
dropping the kids off at daycare.

Speaker 1 (39:53):
Yes, she don't know you, nigga.
She has no idea who you are,and if we're not talking about
race, I'm using you as a ploy toget my fucking kid to come here
.
Why, why, why does that offendyou so much If you're?

Speaker 3 (40:05):
trying to build a forest fire.

Speaker 1 (40:06):
Why does that offend you so much?

Speaker 3 (40:07):
I tell you right now, you ready If you're building a
fire for survival, right and youhave kindling and wood and all
kind of dry brushing shit, butyou choose to throw the
motherfucking squirrel carcassinto the fire to make it hotter.
You are a psychopathic,murderous motherfucker Like why
not use this other stuff thatactually works better?
There's tools that work waybetter than fear, especially

(40:29):
fear at the expense of this Likewhat?

Speaker 1 (40:29):
Give an example, give an example.
Why me, why you, using it?

Speaker 3 (40:33):
Give an example of how, of what else she coulda did
.

Speaker 1 (40:35):
To get her kid to, because you don't know how that
kid responds All-.
Let's say that kid respondswell to fear.

Speaker 3 (40:42):
Let's say clearly she don't, Cause she was, it wasn't
worth it If she woulda took alollipop out.
You think that woulda got thekid to come over.
Listen, if that was Dre, thereare six things I would do.
None of them are.
Oh my God.
There's a scary white woman, orokay, let me.
There's a scary.
There's a scary monster.

Speaker 1 (40:57):
There's a scary stranger.

Speaker 3 (40:59):
No, you said what she said nigga, like I wouldn't use
fear like that woman.
Okay, let's say there's a dog Iwouldn't ever be like the fear
is, the fear is the dog's gonnabite you.
I would never do that.
The race take the race out ofit and take the race out of it.

Speaker 1 (41:11):
The race is why you're why you're.

Speaker 3 (41:13):
You have a problem with it.

Speaker 1 (41:14):
The race that scary person is gonna bite you like I
wouldn't ever use fear Is whyyou have a problem with it,
because and here's why no, no,no, no, Wait, wait, wait, wait,
You're wrong.
My God, Look, if she would havedone any other, you wanted her
to use a different type ofapproach.

Speaker 3 (41:28):
I just wanted her to make her kid afraid of me.
If anything.

Speaker 1 (41:30):
You should've been proud because you're just
looking at her like, damn, youain't got no kit, no handle on
your kids.
Meanwhile I'm over here.
My kid is over here walkingwith me to the class because he
knows how to pay attention andlisten.
Now, I was holding up.

Speaker 3 (41:42):
I was holding his little ass.

Speaker 1 (41:43):
Okay, well, I'm trying to get Listeners.
I was trying to help you out.

Speaker 3 (41:46):
I don't need help.
This motherfucker didn't haveto use fear Because you're
holding him.

Speaker 1 (41:51):
I'm what?
Because you're holding him.

Speaker 3 (41:52):
You if he was walking and he started doing that?
What, what?
Why are you caping for thiswoman?

Speaker 1 (41:58):
I'm not caping, for I'm playing devil's advocate,
which you always play.
No, I don't always play with it, right?

Speaker 3 (42:03):
I don't like that Okay.

Speaker 1 (42:04):
Here's the thing.

Speaker 3 (42:05):
No, no, no, but let me give you do you think it's
okay because we keep like?
Do I think it's okay to usefear, yes, okay.
Well then, we, we differ justideologically then that we
agreed, it agreed.
Disagree, my brother.
Not the only tactic.

Speaker 1 (42:18):
I don't agree with that, but I use fear from but
you said that she was callinghim.
She said that she was callingher and she was not coming over
and she didn't Know she wasprobably in she was walking.

Speaker 3 (42:30):
She, her mama, just wanted her to go faster.
She's like hurry up, susan,scary bad guy, bad guy, bad man,
bad man, he's gonna get you,he's gonna get you.
And she didn't even move faster, if anything.
She slowed down, looked at meand smile and she's like to her
teeth Again just to recap foragain no, cuz, I've got your way
in the hallway.

Speaker 1 (42:48):
I got your ass.

Speaker 3 (42:49):
She looks at the teacher and says see nothing the
listener.

Speaker 1 (42:52):
The listeners right now nothing are saying that that
that you Are wrong because itdoes have.
It does have to do with race.
It bothered you because she youbecause you're the listeners,
said I'm wrong you well in this,because you're saying you have
a problem with her using thetactic a fear tactic to, so

(43:13):
you're saying yours here is okayas a tactic to, to discipline
her to, not when it comes toethnicity, no, no, no, I take
ethnicity.
We have to apply that becauseyou would not have a problem.

Speaker 3 (43:26):
Okay, if it.

Speaker 1 (43:27):
If she was black, let's say you would not ever
probably your line writer abouthow to survive in the world.

Speaker 3 (43:33):
It should operate under.
You have a problem becauseshe's teaching.

Speaker 1 (43:36):
Like black, she teaching her daughter to fear
black people.

Speaker 3 (43:40):
She used you as a figure To say hey, bad guy bad
guy.

Speaker 1 (43:44):
I would you think you're the only nigga that was
in the hallway?
Yes, exactly, I wasn't.

Speaker 3 (43:48):
I wasn't just the only nigga, wasn't a nigga to
you, I was the black you, I wasa breathing homo sapien in the
hallway.
There's no one else there forme or her if there was another
guy in there In the hallway.
No, if we talk about on whathappened, on what happened, are
you saying that?
Yes, see, I'm not saying thatshe was trying to teach her
child to fear black people.

Speaker 1 (44:07):
I don't know what are you saying?

Speaker 3 (44:09):
What are you saying?
What you?
Think what are you saying?

Speaker 1 (44:12):
You are easily trying to flip on, flip this on me,
because you're not used to beingwrong.

Speaker 3 (44:16):
I must.

Speaker 1 (44:17):
Alright, let's move on.

Speaker 3 (44:19):
Real mother knows black and a bird baby.
That's crazy.

Speaker 1 (44:24):
His mac is he got your ass All right.
So the biggest thing that's onthis trending in the news right
now is None other than youguessed it, donald Trump.
Former president, donald Trump.
Listed as playing crashes as six, three A five, two hundred and

(44:44):
fifteen pounds on the bookingrecord, had his picture taken at
Atlanta's Fulton County Jaillast night, where he turned
himself in for allegedlyconspiring with 18 other to
reverse the 2020 electionresults in Georgia.
After glaring into the camerafor his close-up and making bail
, he left, but not beforeleaving his visual imprint on

(45:08):
history.
Trump's mug shot he immediatelytook to, took the throne in the
hall of famous arrest photosSpreading across the internet
within seconds of being released.
Trump himself shared it on.

Speaker 3 (45:19):
X.

Speaker 1 (45:20):
Twitter in his first post on the platform since being
banned for almost two years.
So this is a big deal, becausenow Etsy and all these other you
know t-shirt companies ormarketing companies are gonna
use his photo for propaganda andWell, and probably like a
marketing tool, for like anintro to a political rally.

(45:41):
I can tell you what bro.
It's gonna be on niggas shirtsfor, and I'm starting to see the
shift of niggas of black people.
Huh, go ahead.
I'm starting to see you to seethe shift of black people that
weren't in support of Trumpbefore, when he was before he
became president, while hebecame president after.
I'm starting to see the blackCulture shift go back to in

(46:05):
favor of Trump because they'rejust like, hey, your agenda's
gonna go oh wait now.
Yeah, it's.
I'm not saying that it's themasses.

Speaker 3 (46:14):
No, I'm not.
I promise, you made that up youand you ain't been looking.
You even look you just sat backand said what you gonna see, I
guarantee you.

Speaker 1 (46:23):
T Mark my Words Dino, I guarantee you.

Speaker 3 (46:28):
I'm gonna be you're gonna.

Speaker 1 (46:29):
It's gonna be closer to home than what you think.
There's gonna be niggas thatare gonna be.
I mean, it's not me trying toput the narrative out, but it's
just going to happen.

Speaker 3 (46:36):
It was part of super pack, listen.
Well, listen, I go.
They moved to he cuz there wasa blackening of my neighborhood,
cuz I live in the birds a bunchof niggas moving out people
can't Like.

Speaker 1 (46:46):
I put like this what.

Speaker 3 (46:49):
You can not rock on him all of a sudden, cuz he's
now he's he got a mugshot.
I know.

Speaker 1 (46:54):
I'm not saying that, but you're right about one thing
what they're already using hisphoto for funding.

Speaker 3 (47:01):
Yeah, he has a super pack and supporting him has
already released a mugshotalready putting it on
Advertisements to like generatefunding, like using it as a
witch hunt.
Oh, look look at this mess.
It's the first, yeah, but, bro,it's freaking.
Twilight Zone bonkers this manis still the front-running
Republican candidate rightexactly, exactly.
We know he did the crime.
Right now we just talk aboutlike people love a good story.

Speaker 1 (47:24):
People love a good comeback people love the bad guy
in this in this day and age,really, yeah, you go to a WWE
show, whatever niggas arerooting for them for the bad guy
it's different for the like.
Loudly they used to boo JohnCena when he was when he was
still wrestling.
That's why he was kind offorced to retire a little bit
earlier than what he he got abag in it acting but um and then
when you're what, when you goto watch movies and stuff like

(47:46):
fast-ex, people would Chen andhappy to see the CJ.
Some more Thanos.
People were rooting for Thanos,rocking Thanos shirts and stuff
.
I love what he stood for.

Speaker 3 (47:56):
They were rooting for him.
Now you, I don't know, I getyou as Joker.
I get you there.
I was rooting for him the wholemovie.

Speaker 1 (48:02):
Yeah, I mean.
Well, that's because, like thatwas a different rendition of.

Speaker 3 (48:06):
Storyline biggest villain in history.

Speaker 1 (48:09):
Yeah, because he's playing Exactly we're rooting
for him.
They love the credibility andthey love the notoriety attached
to him, the Conor McGregor.
He was known as like theinfamous bad guy in the UFC, and
that's why he became like thebiggest the karma caught up.
Combat martial artist athletelike on the planet.
And now we see Sean O'Malley.

(48:29):
He's not necessarily a deemedas a bad guy, but you know, you
just say it cuz the Irish.
Well, he has the Irishbackground, but you know he, he
does a different thing to kindof like make himself stand out
like he, he colors his hair.
He does the braids, the whiteboy with braids, like right, you
don't like it, but the massesdo in its appeal and it's it

(48:52):
gets the people going.
It's what.
It's what will.
Ferro was saying in a niggas inParis on the song from blaze
the gory you lost me rememberit's the line in the song.
No, but but the line in thesong.

Speaker 3 (49:06):
Oh yeah it's a member .
It gets the people going what'sthe fun?

Speaker 1 (49:11):
the name of it All right, but anyways, american
gangster to Pepsi.
Wait, what is going on?
Blue, blue magic you lost like,oh yeah, like what?
Oh that is catchy.
Yeah, yeah, yeah.
It's captivating.
It's uh, what do we talk about?
It's galvanizing.
Good, what I'm saying is, trumpis galvanizing the people and
it is going to in.
I I'm telling you he's probablygonna become president again

(49:34):
but that's so sad we areprobably gonna happen.
You don't want it to happen.
Remote taking his head, oh shit.

Speaker 3 (49:40):
That, bro, we have a slightly gonna happen where the
front-running politicalcandidate for fucking president
is.

Speaker 1 (49:46):
Criminal is a proven criminal and people love in the
bad guy like bro, he's horribleLike that.

Speaker 3 (49:54):
people is so crazy.

Speaker 1 (49:55):
It's cuz you screaming out Doesn't mean that
grab him, but he's so despicablydisgusting my nigga.

Speaker 3 (50:01):
Like he looks bad.
He is bad for real.

Speaker 1 (50:03):
He don't get fucked about no black people used to
use his name.

Speaker 3 (50:08):
He's like the grown-up Richie, rich Donald
Trump, his name was synonymouswith money.
That's the only reason peopleused it.
That rocked with him.
But now, like there's so manythings that come out like this
niggas a proven criminal andhe's a stooge.
It would be different if he waslike a criminal he was real
smart or real cunning, or he waslike a mob boss, mafia also
type.
He's a fucking.

Speaker 1 (50:26):
I'm a clown idiot.
I'm going to say I'm gonnachallenge you right now.
I'm gonna challenge you rightnow and I'm gonna say something
positive about him.
What's one thing that youbreathing guys?
Beautiful air.
Okay, let's go ahead and justgo on to the highlight topic,
hey hey, hey, murder game.

Speaker 3 (50:47):
She's slow to slow to shit.

Speaker 1 (50:50):
All right, ladies and gentlemen, for the highlight
topic.
We have a myriad of questions.
Think of this episode as 21questions, since we were talking
about 50 cent and we've beenkind of asking each other
hypotheticals and scenarioquestions.
And I have even more to ask.
My co-hosts, my best friendDino, and you all as well, would

(51:13):
love to see what the listenersthink in, so make sure that you
write in, give me two passeslet's see, say some show I'll
give you yeah, already did aprocess of elimination.
I had like about 20 of them andthen I got it down to about 21
and then I got them down aboutseven.
But we're not gonna do allseven, I know for a fact.
We just let me hit you withthis one, let's go.

(51:34):
How do you respond if yourfriend brings someone to a
function that you yourself Wereinvited to and you didn't know
that they were coming?

Speaker 3 (51:44):
Okay, your friend brings someone to a function
that you were invited to.
But it's your function, or isit?

Speaker 1 (51:51):
there, oh, and they didn't.
They didn't know that they werecoming.
All right, let me run it back,run it back.
How do you respond?
Okay, if your friend.
Uh-huh bring someone to afunction that you yourself were
invited to, okay.
And you didn't know that theywere coming Question.
So, for example, you gotinvited to a party.

Speaker 3 (52:15):
This friend they're bringing you didn't know was
coming.
Do you not like them?
Or like you know what?

Speaker 1 (52:20):
I'm saying Like, think of it like this you got to
pass to go into the club, rightInto local seat, and you hit up
the owner and like the ownerinvited you out.
Okay, like, oh cool, is it coolif I bring my partner?
And then he's like, yeah, yeah,yeah, you mean JT, yeah, you

(52:41):
can bring him Cool.
And then I, and then you'relike, all right, cool, yeah,
he's about to pull up right now,and then I pull up, and then I
got three niggas with you, yeah.

Speaker 3 (52:49):
I got Ramon with me and you like damn, I know you
Like bro.

Speaker 1 (52:52):
Why didn't you fucking tell me Okay, and I'd
like pull a fast one.
So how do you?
Because now you got to go backto.

Speaker 3 (52:59):
Kev is already doing who am I in this scenario,
though?
Who am I in this scenario?

Speaker 1 (53:04):
You are the owner?

Speaker 3 (53:05):
Am I the friend who showed up?

Speaker 1 (53:07):
You're the friend.
Okay, let me do this again.
The owner of a club invites youout to like to exclusively to
his, to his club.
Okay, and then I'm on the phonewith you right After you get
invited and you like, and I askit can I come?

Speaker 3 (53:25):
Can I invite it?
Invite someone else?

Speaker 1 (53:27):
Yes, okay, okay, okay , yes exactly Somebody that you
invited.

Speaker 3 (53:31):
Necessary context Got you.

Speaker 1 (53:34):
And you and your partner your partner that owns
the club already gave you thepass that Bring those one guy,
right, but then I bring anadditional person, so now it's
three people coming into hisclub through the VIP.

Speaker 3 (53:46):
And your question is what do I do, or okay?

Speaker 1 (53:48):
What do you do?
Do you?
Do you hit up the owner and belike hey man, look, I know, I
just asked you for one.

Speaker 3 (53:56):
I mean, I wish you had put a name on it.

Speaker 1 (53:58):
Cause like cause it doesn't matter who it is, who
you said like this spot, likewho I mean, I mean the owner
doesn't know that.
The owner doesn't know thethird person.

Speaker 3 (54:07):
Yeah, that literally happens, that has happened
already.
But like, I guess, if you takelike this is just any
nondescript place, you know thethird person, but they don't,
they don't, I mean and even ifthey cool this spot.
They here though.
They pull up, they here.

Speaker 1 (54:23):
Right.

Speaker 3 (54:24):
I mean, yeah, I'm gonna try to make it work.

Speaker 1 (54:25):
You, gonna try to make it work.
I ain't gonna send them packing.
That's interesting.
I know niggas that would belike look.

Speaker 3 (54:31):
Forget niggas.
Hold on, hold on, forget them.

Speaker 1 (54:33):
You do, what would I do?
Yeah, what do you do?
I'm sorry you can't like, butokay, look, there's two
different.
Listen to your heart, listen, Ihave finesse, so I feel like
that's the reason why you, yeah.
So uh-huh, that needs a ding,because people don't understand
that.
That's a talent, that's an artto have.
Is finesse To be able to have amouthpiece to get you to like?

(54:56):
The art of persuasion isliterally what we're saying,
listeners, when we say finesse.
The art of persuasion is real.
It is a real skill that youhave to develop.
Sometimes you gotta be bornwith it, you gotta be in unique
scenarios to just have like thefunk sway to be able to woo
people to get them to do whatyou need them or want them to do

(55:18):
.
I didn't, yeah, funk swaywasn't the correct term, but
even even.

Speaker 3 (55:21):
That's why you're Mr Vernac.
Hey, I'm listening.

Speaker 1 (55:23):
But anyways when I'm saying okay, so it's two ways I
can move, because I have thatsounds a little bit like
manipulation.

Speaker 3 (55:30):
So this is clarifying , yeah, I mean because it is.
Oh well, yeah, it kinda is.

Speaker 1 (55:35):
I can't Like, so I would have the.
I do have the ability tofinesse, but in this instance
I'm not going to, especially ifit's if I know that he doesn't
know this person, if the ownerdoesn't know the third wheel,
but is that even finesse?
And it well, hold on hold, onlisten.
Here's why I'm not going tofinesse.

(55:55):
If they, if the chemistrydoesn't make sense, I'm sorry,
oh no, okay, you put me in that,so now now I told you you can
come, but now y'all both can'tcome.

Speaker 3 (56:04):
But what if Either you get rid of him or what if
they?
Energy is in perfect alignment.

Speaker 1 (56:10):
Then I'm willing to to to pull my trump card.

Speaker 3 (56:13):
Now are both punitive right.
Why are we guys-.

Speaker 1 (56:15):
Oh shit, where's the jump card?
Oh, I'd fucking lost it.

Speaker 3 (56:19):
Yeah, fuck that name.
Fuck it lost it.

Speaker 1 (56:20):
Ooh no, yo, what's up ?

Speaker 3 (56:23):
Yeah, there we go.

Speaker 1 (56:24):
All that for just finesse.

Speaker 3 (56:25):
Finesse.
Check it out Anyway.
Okay, so is that finesse,though?
Yes, both are finesse.

Speaker 1 (56:33):
Wait, is finesse.
Oh yeah, I would actually usefinesse to tell them to like
because you-.

Speaker 3 (56:39):
Cause you said, then I would try if they.
Oh well, if the energy issimilar and I know they were,
vibe out, wouldn't-.
Here's what pisses me off Isthat finesse?

Speaker 1 (56:46):
This is what pisses me off about this scenario you
may know nigga.
No, no, no, no, because I'vebeen, I've been in this.

Speaker 3 (56:52):
I know you've been in it too.
Just don't drop no names.
No, no, no, no, no.
Okay, go ahead.

Speaker 1 (56:56):
I'm not, of course not, but here's how I view it.
You know why?
Why?
Why do you?
I'm gonna ask you a question,oh shit.
Why do you think I would bepissed off in this situation?
Because let's flip it rightOkay, I am the person that the
club owner invited.

Speaker 3 (57:13):
Well, I mean-.

Speaker 1 (57:14):
Wait, hold on.
I'm the person that the clubowner invited and then I'm on
the phone with you and healready got the pass, saying
like he already doing me a favorby inviting me to this club,
now he's doing me a second favorby saying that you can come,
and then you bring Ramon, andthen I'm like Unannounced Right
and now I'm mad at you.
Because I'm mad at you, becauseI'm just like you put me in a

(57:36):
situation and you didn't saynothing, so you're trying to
manipulate me you talk about sothat's a failure of
communication?
No, no, no, no.
Yes, it's a failure ofcommunication, but it was on
purpose.

Speaker 3 (57:44):
You made sure to not bring it Well, how you know that
though, huh, how you know.
Because the nigga was in thecar with you.
But check it, he might've beenlike-.

Speaker 1 (57:52):
And you made sure I'm not gonna say nothing, because
I already know he gonna say noif I ask him right now.
So I'm gonna wait until we getthere.
You assuming the worst, ramon,you've been in that situation,
right?

Speaker 3 (58:00):
You assuming the worst, check it, it can also be-
.

Speaker 1 (58:03):
You capping bro.

Speaker 3 (58:04):
Look, he could be like he know my partner right,
he'll say, yes, I could beassuming the best.

Speaker 1 (58:09):
You assume, yeah, you could.
And it's even more.
Yes, it is.
It is equally as bad and evenmore of a reason why I would be
more pissed off at you, becauseyou assume, because you always
think that I'm the guy right,I'm not talking real, real spill
right now, or whatever.
I'm just saying, like in thatscenario, they always assume
that I'm the guy, that I'm like.
He already got me in.

(58:29):
So what is it Are you saying Toget one more other person in,
or whatever.

Speaker 3 (58:33):
He can do it.
He missed a finesse.
I've lived that life.
I've been the extra guy whoshowed up because it was like
hey, shit, I'm going here, youwanna come through If I and I
just showed up.

Speaker 1 (58:43):
If I'm the extra guy, I'm always gonna try to provide
in a sense of hey man, I got ahundred on it.
I'm sorry, I know I wasn'tsupposed to be here.
What.
What am I?
I don't wanna impose, but thething is, when I am playing at
clubs, I don't think they canhear you, so you gotta speed up.
What are you trying to say?
No, no, no, no, no, no, no nono, no, no, I'm not turning your

(59:03):
mic on but the thing is whenpeople come through and let's
say become and bring stuffthrough.

Speaker 3 (59:11):
Yeah, yeah, yeah.
And even Zoma came through theygood, they good, yeah.
I was like hey, that's how I ambro.
Okay, you don't even freakingkick back some parties I've
thrown in.
Bro there's people who showedup.

Speaker 1 (59:24):
For all the listeners that did in here.
Ramon basically was saying likeif he was put in that position,
he already knows that anybodythat tags along is good, because
he always puts himself in thosesituations where he's gonna be
good.
But you don't frequent where wefrequent all the time and the
places that I frequent, ramon,you don't think they'll be good.

(59:46):
Hell, no, fuck, no, I've beengood If we going-.
Are people being good, is itbut again like okay, so local
seat versus-.

Speaker 3 (59:57):
Why you keep bringing like it don't gotta be local.
I know that's the spot, but itcould be anywhere bro.

Speaker 1 (01:00:02):
All right, let's say we're in New York.

Speaker 3 (01:00:03):
You can always If we're in New York.

Speaker 1 (01:00:06):
I would probably be able to get away with being able
to.
It's happening To do thatversus somebody like Ramon.

Speaker 3 (01:00:13):
We've done it.
What do you mean?

Speaker 1 (01:00:15):
Like someone he would be able to finesse it if it was
Spanish speaking people, but Idon't think he would be able to
finesse if it was just like-.

Speaker 3 (01:00:23):
Well, isn't it like a hood ass spot?

Speaker 1 (01:00:25):
Cause I don't even wanna finesse that anyway it's
okay, all I'm saying is that inthat situation, I would be upset
and I would likely say you knowwhat?
Because you put me in thispredicament.

Speaker 3 (01:00:36):
You'll be upset if somebody showed up to.
Okay, I'm not gonna assume Iwould I might even get to the
point where I'm not even.

Speaker 1 (01:00:42):
I don't even feel comfortable going in there
anymore because I don't evenfeel comfortable calling him
back up and being like hey, man,I need a third favor.

Speaker 3 (01:00:50):
Bro, a third favor, Tiz you gotta acknowledge too,
because you know what that'slike.
That's like that don't meanthat's the norm, though.

Speaker 1 (01:00:57):
Somebody knocking on your door at five o'clock in the
morning and you wake up, you'relike, yeah, bro, okay here, oh
knocking again.
As soon as you walk all the wayback to your room and you're
knocking the door at the end,you're like, okay, you get back
up.
Yeah, oh, again, bro, my bad,you mind if I take your car too.
Okay, yeah, yeah, yeah, allright, here you go.

(01:01:19):
Who the fuck is this?
All right cool.

Speaker 3 (01:01:22):
And then you go back to sleep and then you no, no, no
, is this one of the homies?
Ain't none of my homies gonnashow up in my doorstep?

Speaker 1 (01:01:28):
and me gonna ask to take my car, never mind.
I just couldn't think of a goodexample, of formidable example
of time.

Speaker 3 (01:01:33):
They're clearly high and drunk.

Speaker 1 (01:01:35):
There's no way.
If someone is going through Haha, ha ha.
Let me ask you this I'mlistening If somebody is going
through something and they askyou for money.

Speaker 3 (01:01:44):
I had a question for you.

Speaker 1 (01:01:45):
And you loan it.

Speaker 3 (01:01:46):
Okay.
Okay friends and money now Allright yeah, yeah, here we go.

Speaker 1 (01:01:50):
If someone is going through something and they like
a rough patch and they ask youfor money and you loan it or
donate it to them.

Speaker 2 (01:02:00):
Okay, let's just say and then they go and do
something else with the money.

Speaker 1 (01:02:03):
Do you have a right to be upset with them?
They say business.

Speaker 3 (01:02:06):
They ain't gonna do me.

Speaker 1 (01:02:07):
Oh wow, We've talked about this before in the pot and
I said loan or donate, becausedonate means you giving and you
don't expect it back.
Nah, but there's two differentthings.
And loan it huh.

Speaker 3 (01:02:14):
Yeah.
So you say, or we can talkabout both, or Right?

Speaker 1 (01:02:16):
We can talk about both.
Correct, because they havedifferent.
I put both in here for thatreason, because I knew you were
gonna immediately resort to allthose two different things If I
give bread away or whatever it'sgone.

Speaker 3 (01:02:27):
Once it leaves my hand, it's gone.
Once it leaves my hand, it'sgone.

Speaker 1 (01:02:29):
If it come back, cool , but would you fill some type
of way If I said that that wasgonna be for my mom?

Speaker 3 (01:02:35):
I mean I went and got a chain.

Speaker 1 (01:02:37):
I went and got a chain.

Speaker 3 (01:02:39):
That's just a bad event.
What kind of chain is it?
What kind of?

Speaker 1 (01:02:42):
It's something that you would judge me.
Is it solid?

Speaker 3 (01:02:45):
gold and VVSs.

Speaker 1 (01:02:46):
You'd be upset with me.
Okay, well, you'd be ashamedand I took the 250, 250 dollars
I'm gonna fill away for sure,but like, honestly, you wouldn't
fill away.

Speaker 3 (01:02:56):
Well, no, I mean, I'm gonna fill it by that dumb ass
purchase.
But that's like saying what ifI took your money that I was
supposed to use for my mom wascancer treatment and I used to
buy 100 packs of Kool-Aid.

Speaker 1 (01:03:05):
Would you say something?

Speaker 3 (01:03:06):
I'm gonna say you, dumb nigga.

Speaker 1 (01:03:07):
Did you say something to me?

Speaker 3 (01:03:08):
Yes, you would, oh, really you would Well we're
getting a rare form of Dino.

Speaker 1 (01:03:15):
This is a scenario.
This is a scenario you justpaint it.

Speaker 3 (01:03:18):
If I give you bread for some very specific serious
situation, like your child'streatments for her A bone or two
, fucking dare.
And.

Speaker 1 (01:03:28):
So Go behind and okay , bro, listen you tell me to be
quiet on my own show.

Speaker 3 (01:03:35):
Bro, you kill it.
Listen All right, yeah.
Yeah, all right.
So let's say, you say I meanI'm gonna use this money to fix
my sons.
My son needs a Surgery for hiskidney and his prosthetic leg
for his arm.
I'm gonna say, okay, man, yeah,I'll give you the bread, bro,

(01:03:56):
I'll give you what I can giveyou.
I can spare.
I'll spare a thousand dollars.
Huh, there you go.

Speaker 1 (01:04:00):
Boom, it's yours.

Speaker 3 (01:04:02):
I'm sad that I finessed you basically but then
I find, then I then turn aroundyour son don't even like your
son man, he thrive in out herein these streets and you use
that money for real to insteadgo by 200 packs of airhead
sourced yeah, I'm a show butyour house and hit you in the
motherfucking face.

Speaker 1 (01:04:21):
What if the son was still was still in the bad
condition and I just fucked offthat money?
I didn't even worse.
Yeah, I know.

Speaker 3 (01:04:28):
I'm really gonna beat you up for real yeah.
I'm a holler to wife, saywhat's up with your man.
I don't know like bro, she'sseeing this shit too.
Yeah she's clearing that up.
If your son is terminally illand you out here gambling and
buying airheads, you didn't getbeat the hell up.
Well it's happening.

Speaker 1 (01:04:45):
Wait what no?
No, no, not me like reallytalking like not the same.
I'm saying that that that's it.
Like this is happening.

Speaker 3 (01:04:53):
Um.

Speaker 1 (01:04:53):
I mean don't fiends maybe.
So what if you loan it?
I mean, I'll be honest, bro,I'm a few lonely.
What, like, do you tell them it?

Speaker 3 (01:05:01):
depends, like I mean, it's not my business.
Some people are gonna ask whatthey may tell a certain story to
get my bread.
You're right, it is a bitcompletely different it, but
they may do some things.
That, I think, is oh man, thatwas some nut shit to do.
But Loki, he was invested insomething that I don't know
about, let's say crypto or nowAI, and they wind up making mad
bread off of it.

Speaker 1 (01:05:19):
They make a but what?
What did I ask?

Speaker 3 (01:05:20):
I'm gonna be like he's stupid and he went about
some stupid, but what did I justtell me?

Speaker 1 (01:05:27):
a millionaire.
What if you loaned it, meaningthat they got to give it back?
Yeah, so cool, like so.
I find it interesting that yousaid oh.

Speaker 3 (01:05:35):
So you say, if I gave this guy, let's say I loan him
500, because the first examplewas you was you donating it?

Speaker 1 (01:05:40):
You like you gave it away and it's just like all
right.
No, it's not, no, it's not, no,no, no, no, no.
I don't think.

Speaker 3 (01:05:46):
I think for you, you have to understand something.
What?
When I loaned something?
I'm considering that money goneforever.

Speaker 1 (01:05:52):
No, no that's my philosophy, you can't change
that.

Speaker 3 (01:05:55):
That's my ideological perspective.
When it comes to money, when itleaves my hand it's you're
trying to then.

Speaker 1 (01:06:00):
So then you shouldn't be lonely.

Speaker 3 (01:06:01):
I get it back.

Speaker 1 (01:06:02):
You shouldn't be you shouldn't be calling it loaning,
then when I what I'm asking you?

Speaker 3 (01:06:06):
is if you're not?

Speaker 1 (01:06:07):
okay, all right, let's just say that you would
never loan money.
You would never know no money.
I know that that's theexpectation I'm gonna tell you
the difference.

Speaker 3 (01:06:13):
I've already lived this.
The difference is when someonesays, hey, can I bought?
Cannot, can I have $200?
I just need to make rent orVersus, can I borrow 200?
I'm gonna pay you back when Iget my check in two weeks.
That's a different thing.
If you don't tell me I'm gonnapay you back or can I borrow,
I'm gonna assume that I'm notgetting it back.

(01:06:35):
And even if you say, can Iborrow it, I'm gonna give it
back to you in two weeks, I'mstill gonna say this nigga
probably will never give me thismoney back.
And if that's the case, oh Well, that's so you never expect any
money back.

Speaker 1 (01:06:48):
I never once I give it to you and broke.

Speaker 3 (01:06:51):
Can I tell you I've gotten it back and I've never
gotten it back.

Speaker 1 (01:06:55):
Because you've always been let down.
That's why you don't expect itanymore, and because you're just
a good guy.
I just you're a really good guy, but that's not my business.

Speaker 3 (01:07:02):
But, but I'm not okay , don't be no suckers.
Don't be Dino, right now I needyou to.
I'm not a sucker, though If ifit's in, this has happened to,
if I didn't gay you bread I Meanthree strikes is pretty good
for y'all listening, don't just.
I mean the three strike rules.
I mean maybe let's say you likeeven numbers, give them, for
maybe I'm not just gonna let youjust see you take my money, bro

(01:07:24):
, and I'm gonna let you justtake my bread forever.

Speaker 1 (01:07:26):
So there's no way.
So then I don't, I don't evenlike asking you.

Speaker 3 (01:07:30):
I mean like I don't think you could ever use the
term loaned in like if you say,if you commit to paying me back,
because now I am, if you'renever gonna ask for if you're
never gonna ask for it back,then you should just always see,
that's a different question.

Speaker 1 (01:07:44):
You say no, what would you do?
How would you respond if they?
That's what I asked.

Speaker 3 (01:07:51):
Oh.

Speaker 1 (01:07:52):
Well, I, originally I asked you, you have the right
to be upset with him, yes.
But now I'm asking you whatwould I do I?
What would you do Like?
Would you even have you evenhave you ever asked?
Have you ever loaned out moneyand then asked for it back?

Speaker 3 (01:08:05):
I brought it up.
I haven't asked for back per sebecause, again, because of my
philosophy, bothers me thatyou're worried like that.

Speaker 1 (01:08:11):
I mean it's a great like we talking right now.

Speaker 3 (01:08:13):
Let's say this is the same thing with the hot,
without, with or without themics.
Let's say we're talking likeman, no, just a at 200.
I gave you a month ago what youdo with that, what's so with
that?
Only, if you told me I'm gonnagive it back to you in a week,
and we, two months down the lineand you haven't even brought it
up, and you, my, you, my guy,yeah, I'm gonna bring it up.
I mean, yeah, sure.

(01:08:34):
Now let's say you say, ah man,oh shit, man, that's gone.
Okay, cool, it's gonna Get nomore from me, probably, yummy.

Speaker 1 (01:08:44):
I saw it probably wasn't appropriate for that,
more like a punch.

Speaker 3 (01:08:47):
That's bad.

Speaker 1 (01:08:49):
Well, I shoot somebody for.

Speaker 3 (01:08:51):
I need my money Because, again, if I gave it to
you then I can spare it.
I'm never gonna get somebodysomething I need for real.

Speaker 1 (01:09:03):
How many times does it take for you to what?
Not I do give them money again.

Speaker 3 (01:09:08):
If they are saying three strikes, you're out.

Speaker 1 (01:09:10):
I mean three times.
Oh my god.

Speaker 3 (01:09:13):
That's the amount of money it depends on a person,
because it's a bit of a pin onthe mouth, though, so that means
that I can ask you for it.
Okay, I love this act becausethat means I can get away.

Speaker 1 (01:09:22):
I've asked me for $500 three times and before, so
you can literally throw out$1500 to towards me before you,
just like I'm never getting nomoney again 1500.

Speaker 3 (01:09:33):
What's the max?
I mean it's nice, you lovenumbers even less, I'm so, so
how much?
Yeah, this is so for me.

Speaker 1 (01:09:39):
I don't work in that way, I guess what's the term?
Yes or no?

Speaker 3 (01:09:45):
Binary's.
You can't argue with numbers,but check it binary Bob.

Speaker 1 (01:09:54):
Oh, that's not binary been.
By never in binary Bryson.

Speaker 3 (01:10:02):
No, I you can do.
Tiller it's a I say you can'tdo young Tesla Lane's.
So no, bro, I mean I'm notgonna run down on nobody, but I
am definitely gonna hold youaccountable, absolutely yeah,
I'm not gonna just take my bread.

Speaker 1 (01:10:22):
Dang well.
Speaking of money, I did haveanother question, but I'm gonna
wait until we have some more,some more folks.

Speaker 3 (01:10:30):
I got a question for you, yeah, and then we can wrap
this up.

Speaker 1 (01:10:33):
Okay, save somebody's .
Oh man, I'll stick to our hour.
Episode Dang me.

Speaker 3 (01:10:38):
We're already over an hour, but I'm gonna say this
Okay, well, I'm gonna switch thequestion up.
I'm gonna circle it back realquick, just to that first
scenario you gave me.
Yeah, is it the same thing?
In this scenario you gave, it'slike okay, you're talking about
the club one, the club thing,okay, whether you're the club
owner or you're the person whois the friend who invited
somebody, who invited somebodythat you didn't know, yeah, I'm
in right and either scenario,you're sour from what it sounds

(01:11:00):
like.
is it different?
And I'm assuming the reasonyou're sour is because it's an
inconvenience?
You've already said to you know, I've been inconvenienced, I've
been an eruption of people.
I haven't disagreed I might bea disruptor.
I'm aware, my bro, I'mdifferent.

Speaker 1 (01:11:13):
Some did.

Speaker 3 (01:11:14):
If I'm defending people, if I'm like you know, I
wear my locks down with adashikiyon on a Corporate zoom
call just because I can't.

Speaker 1 (01:11:22):
Well, that's good for you and that's why you're the
good guy.

Speaker 3 (01:11:25):
Why not?

Speaker 1 (01:11:26):
You're the better of us, huh.

Speaker 3 (01:11:27):
It's nothing wrong with it and it's a problem if it
is.
If you wait, for what do you?
Never happened.
I know how you feel.

Speaker 1 (01:11:34):
You know you said it's not a problem for you for
me to put you in a peculiar Sit?
Why is that pick was peculiarin it, or not peculiar, but
precarious.
No, no, no, no, in a Um, in ahindrance, in a bind.
Okay, we were so much a bindfulscenario or situation.
Okay, and you welcome that.

(01:11:56):
You are saying that you.
You just asked me that's notgood, that's not a good thing.
You just asked me is that a?
Is that not a good thing?
No, that's not a good thing forme to take advantage of you and
put you in a situation that younow got to get both of us out
of.

Speaker 3 (01:12:09):
Oh, that's not a good thing.
You said I welcome it, I'm goodwith it.
Okay, check it.
You run in a differentdirection, so check this out
here's the question.

Speaker 1 (01:12:18):
Here's the question question.

Speaker 3 (01:12:20):
Okay.
Either way, you're sour becausethis person's putting you're
putting them in a bind.
It's an inconvenience?
I don't.
I happen to operate differently.
I was asking what's wrong withme being a disruptor?
What's wrong with me dressingdifferent, looking different?
What's wrong with me askingquestions?
What's wrong with me this, thisand that because your friend,
already did you retort aquestion.
There's two favors.

(01:12:41):
You're asking for a thirdproblem if you're throwing like
a kickback or a oh you'rechanging this, weakening the
same absolutely the money ifit's a club or because it's like
a genuine inconvenience.
And then now, you're alreadyhave supplies and some people
haven't showed up and thisperson coming is like.
So what?

Speaker 1 (01:13:01):
I'll put it like this if it's a kick, wait, wait,
wait if it's a kickback, uh-huh,if you bring in Surplus a food
and drinks if you're the thirdperson and I'm gonna vouch for
you to come into this party nowand Exhaust another lifeline,
you better have something inyour hand to bring to the party.
They got a bottle If you don'thave it.
Okay, yeah, yeah, yeah, yeah,then in that case, okay Then,

(01:13:24):
yeah, yeah, because, because,how I'm looking at that, you're
not gonna be too much of adisturbance to the chemistry.

Speaker 3 (01:13:30):
It's like 50 to 100 people now with this back and
stuff whatever if it's the samething, I guess, I guess It'll be
what you know what, if it'sless people, I'm actually
probably not going to like.

Speaker 2 (01:13:46):
No, no, no, no, you know you didn't get me, you
didn't get me, yet no, it's notabout getting you.

Speaker 3 (01:13:50):
it got you thinking oh, because no, no, no, it's got
me thinking as like I'm stillyeah, like.
Again, I don't like this.
Like you, own this house, sowhat you got any come through.
I is, he are you.
Is he good with you if youinvite people to?

Speaker 1 (01:14:06):
my house, you don't tell me, and then they show it
to my friend, I'm upset with you.
I still would be upset ifsomebody's with me.
I still would be upset with you, because you know better.

Speaker 3 (01:14:14):
No, no, better check it.
Am I gonna just show it withsomebody unannounced that is not
like my, you wouldn't what if?
It was my like, my bloodsisters, my sisters, I would
still be.

Speaker 1 (01:14:25):
I was just.
I was just coming, I just haveto be upset.
Rika J, I would still be upsetI don't give a fuck different.
Yeah, we are different, I know.

Speaker 3 (01:14:37):
Understand why I would be upset, huh.
No.
Because Jen is so it matterswho it is.
Nick and your answer don't saythe same.

Speaker 1 (01:14:49):
No, I know it.
No, it's a take, the gen thingTake.
I'm not disputing that.
I'm not.
I'm not disputing that.
It that it matters who it is,this is.

Speaker 3 (01:14:57):
this is what I'm gonna give you.
This is, this is, but you actlike that.

Speaker 1 (01:15:00):
I'm contesting now.
I'm not contesting that.
I Realize at all.

Speaker 3 (01:15:03):
This is how I can bottle this up.
To give you like a good, a goodsnapshot of my perspective.
Take the it being Jen.
That's the surprise guess andthe feeling like, oh shit, okay,
whatever.
And Take this.
Imagine you're at the clublounge, whatever, and the whole
scenario with the house part wasa surplus of shit.
He's like, oh, I would you.
Alright, you got for them, yougot a bottle, I cool, take both

(01:15:25):
of those bottling up and let's,that's how I am in any scenario,
if I'm the club, if you, I'mgonna try to make it work.

Speaker 1 (01:15:33):
You be good if I, only if only if it's Now I'm
gonna bring up something that,yeah, you didn't think about.

Speaker 3 (01:15:39):
If it disrupts chemistry, no, no, you brought
that up and I agree with you100%.

Speaker 1 (01:15:44):
I'm not busy, best Okay because yeah, so like,
let's go back to Jen I.
There would be a coupleinstances where I would be upset
because if Jen doesn't fit theaesthetic, you now relinquish my
control this whole fuckingparty now.
I now you put, making me feeluncomfortable, like oh my oh.

Speaker 3 (01:16:03):
Yeah, I know.

Speaker 1 (01:16:05):
I don't think that there's nothing wrong with how I
feel and how I'm responding.

Speaker 3 (01:16:08):
I mean, yeah, you know right, a wrong answer.
Okay, we're discussing, butthat's interesting, you're right
, I'm gonna put myself on that.

Speaker 1 (01:16:12):
But yeah, for sure, because that's what I hate.
I can't stand when people thathas had to me take my An
environment or a setting that Ihave created, you can't
cultivate it and I got excitedfor it and then now you are like
literally Get, give me the verbor the answer to it.

(01:16:36):
No, no, no, not disruptor, butyou're like Uh that's the value
of Damn of what I was expecting.

Speaker 3 (01:16:45):
They change it.
I won't say it's a lesser value, it's just I'm saying, I'm
saying and I don't give a fuck,I'm Mr.
Somebody had to say it, but Iknow, but there's also been
beautiful moments, though, wherepeople have showed like who the
fuck?
And.

Speaker 1 (01:16:58):
That's cool, but I don't want that moment.
I don't, I don't, I don't givea, I don't give a fuck how
beautiful, huh, you've had tohappen to, or no?
Yes, but I still don't like itwhen it when that happens, even
though it might be somethingbeautiful to come out of it, I
don't want to be put in that,put in that scenario.

Speaker 3 (01:17:14):
I feel you at all ever it.

Speaker 1 (01:17:15):
Don't sit there and force me and be like you, just
not being open-minded, like,okay.

Speaker 3 (01:17:19):
So I was listening to it, so we're okay from what you
said, though.
No, but there are time was likeI I don't.
I don't love it in rain look.

Speaker 1 (01:17:30):
I'll be damn happy if you ever hear me say I said you
know what I?
I'm kind of taken back by this.
I was wrong about this scenario.
I am fucking lying.
I am lying.

Speaker 3 (01:17:41):
No, you don't have to be wrong, bro, you can just.

Speaker 1 (01:17:43):
I am lying, see your face.
I'm saying it for the, for thesake of everybody there, to make
them so better, but then, onceeverybody leaves, I'm being like
don't you ever fucking do?

Speaker 3 (01:17:52):
that and put me in that position again, do you know
?

Speaker 1 (01:17:55):
because Even though it was something cool that came
out of it, it could be somebodyI still don't like how we got
there.
I don't like I don't know, Idon't and I can't.
I can, it depends on what'shappening.
But don't agree, disagree, huh,no, no, no, it's not no.
Agree to disagree, because Idon't disagree with how you,

(01:18:17):
with anything that you said Idon't disagree with at all.
I'm just telling you youshouldn't be disagreeing with
how.

Speaker 3 (01:18:24):
I'm presenting is how I feel about that.
I like that for you, but I amnot that way.

Speaker 1 (01:18:29):
Yeah, because you, you are wired differently and
again you are the good guy.
Every scenario like.

Speaker 3 (01:18:36):
You're never the bad guy in no story, Damn you're
never the bad guy.

Speaker 1 (01:18:41):
What is?

Speaker 3 (01:18:41):
good.

Speaker 1 (01:18:41):
You're never the bad guy, you are always mr Right.
Mr Mr PC, you know I'm not.

Speaker 3 (01:18:48):
No, no, no, no no no wait, wait, wait.
I stand correct.

Speaker 1 (01:18:51):
No, not, not all the time.

Speaker 3 (01:18:53):
Sometimes it's a most of time is a noise, but it can
be bad, I do, it can be bad, butlet me say this.

Speaker 1 (01:18:59):
Okay, you, you are, not only are you an anomaly,
most of the time, but you aremost fitting in most, if not all
, scenarios.
You can be brought to anysituation.
You can de-escalate just aboutany situation because of how

(01:19:21):
your mindset is.
We'll try to, really.
But sometimes you need peopleto be there to say no and no
means no and boundaries are notmeant to be crossed.
And sometimes you need to stay10 toes down and make sure you
uphold those boundaries.
And then when you try toleverage friendships and
relationships to get over thoseboundaries, that's when we start

(01:19:45):
having problems, Because youjust like, so like people taking
advantage.

Speaker 3 (01:19:48):
Yes, manipulation Again.
Because like, because nowyou're like okay all right, all
right, so I'm gonna use the.
I agree with that 100%.

Speaker 1 (01:19:59):
I'm gonna use the scenario that recently happened
when you asked can this personcome?
And I told you what I said andyou still were like.
You already had it kind of likemade up in your mind that
you're like even if he says no,I'm still going to push until he
says yes and no, in fact you goback.

Speaker 3 (01:20:21):
You caved, I didn't caved, I did caved.

Speaker 1 (01:20:24):
Because it was you.
I'm being caved, but here's thething.

Speaker 3 (01:20:28):
No, no, no.

Speaker 1 (01:20:30):
That was me throwing a lifeline out there you made my
point Tizzle.
No, no, no, no, no.
Tizzle, tizzle.
Sam had already told me no andI went against her because I did
you a favor, because I was likeyou would do that for me.
But you're the only, you're anexception Again.
You're the anomaly.
And I gave you the benefit ofthe doubt, but I guarantee you

(01:20:50):
it could be you or a sad.
No, no, no, no, no, no, no.
It can't be.
Then I get.
It would have been a hell.
No, you lucky.
I like that nigga.
That's why I let it.
Who can't be where it?

Speaker 3 (01:21:01):
wasn't.
That's what I'm saying.

Speaker 1 (01:21:03):
I can't say names right now.
No, no, no, I would say somenames, but you know there's a
list out of all your friends.
There is a.
It's like five people and theneverybody below those five is a
hell no.
There are particular times ifwe welcome in or stuff or
whatever, but if it's not theaesthetic and this is my house
that's the other thing that wegot to fucking acknowledge.

Speaker 3 (01:21:25):
No, no, that's a whole other conversation.
You welcoming people into myhouse and I let's say that this
shit wasn't.
There's no different than youowning a club lounge, bar,
whatever, that's your stuff.

Speaker 1 (01:21:36):
That's your shit.
Let me tell you this the reasonwhy I said why I caved in it
wouldn't even a cave, bro, itwas capped to begin with.

Speaker 3 (01:21:46):
It was like I'm just being a dick, I'm just being ass
on whatever, I'm just no, no,no, I'm just saying I understand
.
Yeah, whatever, Belco.
Yeah, yeah, whatever, what Likethat's.

Speaker 1 (01:21:55):
Of course, of course, like anytime.

Speaker 3 (01:21:59):
it could be a human, it could be an animal, it could
be a dog, a turtle, it's alwaysa yes.
What?
They go, yes, but not withanyone.
Would you what Name?
The time it hasn't been or itwouldn't be.

Speaker 1 (01:22:11):
You can't.
That's the only reason why Isay yes, because you always say
yes.

Speaker 3 (01:22:14):
And that is exactly my point.
If it's a person like me who'sbringing in another person Again
, we're not talking about.

Speaker 1 (01:22:22):
I'm not disputing that, I'm not disputing we agree
, yes, we do, but what I'msaying is but what I'm saying is
give If it's another scenario.
So there's exceptions to therule, but generally, if we had
our original guess, If we hadour original guess, I think I
would have said Can I give it toyou, Paul?
I would have told you no still.

Speaker 3 (01:22:43):
You said you don't, so this is what I'm getting.
You don't like being put inthat situation, which I respect,
but if you are, there are timesthat you're cool with it If it
makes, if it's certain things.

Speaker 1 (01:22:54):
I never said that I would.
No, I never said that Iwouldn't.
You said I don't like being putin a situation.
I don't, yeah, I don't.

Speaker 3 (01:23:01):
But and then?

Speaker 1 (01:23:02):
we're still gonna have a conversation Under
certain outliers or whatever.
I said that before that.
There will be times where Iwould allow that shit to happen.

Speaker 3 (01:23:09):
So it's similar.

Speaker 1 (01:23:10):
Yeah, it's the same thing you didn't win this
conversation.
It's not a win.
Why do you think it's a lose?

Speaker 3 (01:23:14):
You treated it, because that's how you smile.
I know that's how you, bro.
You just think the words Allright.
No, there wasn't.

Speaker 1 (01:23:22):
If anything, I'm smiling like oh, we agree One
time how we doing on time Allright, one time All right.
Cool, that kind of tied into.
I know what you were gonna askearlier about being on.
Like, where are you on yourfriends list in terms of?

Speaker 3 (01:23:41):
Oh the totem when they place.

Speaker 1 (01:23:43):
Yeah, the totem, right, because and I'll go ahead
and put this out there we'renot gonna go deep into this or
whatever, but it's just more so,like last comments, right?
Okay?

Speaker 3 (01:23:52):
Final thoughts.

Speaker 1 (01:23:53):
When it comes to others having you on their totem
list, in terms of how much theyvalue you and in terms of, for
simpler terms, best friends, soI must be hiring your list for
you to accept me bringingsomeone unannounced Exactly.

Speaker 3 (01:24:07):
But someone lower on your totem.
Perhaps.

Speaker 1 (01:24:09):
There's only two people that can get away with.
No, I'm sorry, there's likethere's about three people, you
got more than two.

Speaker 3 (01:24:16):
Jay, you got more than two.

Speaker 1 (01:24:18):
No, there's only one additional person, and it's
Margaret.
Well, you didn't have to say it.
It's you, courtney and Margaret.

Speaker 3 (01:24:24):
Okay, y'all are the only three you just put out a
lot of people who probably feellike they may be.
You probably leave some peopleout.
You gotta say names.

Speaker 1 (01:24:32):
I'll put it like this there are some others, there
are many more that.
Can you know who you are?
It depends on what the scenario.
But what I'm saying right nowis any scenario.
Y'all are the only three thatcould get away with Universal.

Speaker 3 (01:24:46):
Okay, yeah.

Speaker 1 (01:24:47):
Y'all have the master key.

Speaker 3 (01:24:48):
basically, yeah, and maybe you should put some of
your family in it, but nobodyelse has that.
Huh, I'm sure some of yourfamily too, like my dudes, no no
, some people no, I've gottenmad at my mom for inviting
people

Speaker 1 (01:25:00):
to something and didn't tell me about it until
they Until Like that shit thatyou pulled a couple of weeks ago
on Homeboy.

Speaker 3 (01:25:10):
Hold on a minute Shit that I pulled on Homeboy.

Speaker 1 (01:25:13):
And you got out the car and you were like hey, real
quick, bro.
Like I'm just letting you knowthat I brought this extra person
and stuff.
Whatever?

Speaker 3 (01:25:19):
Yeah, yeah, hey that shit would not fly with me, bro,
you're so fucking lucky that heallowed that to happen.
If you were to, homie.
You say if you were to homieyou would have been upset if I
showed up like that.

Speaker 1 (01:25:31):
Oh, fuck, yeah, oh, without a doubt, bro, what the
fuck?

Speaker 3 (01:25:34):
Can I tell you something?
Can I tell you how I know thiscap?
Can I tell you how I know thiscap?
What you know?
The exact same weekend you hadlike pay-per-view, some fight or
some shit, and you was likeshit, y'all come through what,
there's no difference.

Speaker 1 (01:25:52):
There's no difference .
It's because, no, there's adifference, because that's the
situation, I'm inviting.

Speaker 3 (01:26:01):
I'm very merry in that particular.
Like I want to yell and screamwith other people, even people
that I don't know, and what thatwas.
You would have been good evenif you didn't know, but you were
inviting another nigga thatit's somebody's house that they
had no idea who they were.

Speaker 1 (01:26:19):
I mean, yeah, and that's where you gotta be
mindful, bro, that's where yougotta be mindful.
You bringing somebody else intothe house I don't know this
nigga, check it and you sayinghey, can he come over to your
house?

Speaker 3 (01:26:29):
I didn't even ask, but if I told him right, it's
cool, right?
If I did that, what does thatmean?
That you take your?
Do I do that like that?
Is that something I do?
Do I just always do that youwouldn't?

Speaker 1 (01:26:42):
do that with me, but you did that with him.
I would probably do that.
You did that with him, but youwould never do that with me.
You would never bring somebodythat you.
I don't know, unless you knewthat they were appropriate for
the environment and thesituation.

Speaker 3 (01:26:55):
That's what I did.
There's no difference.
I would show what was somethingunannounced If I knew they'd be
golden, of course.

Speaker 1 (01:27:01):
When it comes to putting people on the totem pole
as far as best friends are,just like having their universal
key and whatnot.
I let it be known that I do youhave a list?
Not only keep tabs on myfriends, but I do have tears and

(01:27:23):
I love showcasing the tears.

Speaker 3 (01:27:26):
What do you mean by that I?

Speaker 1 (01:27:27):
love showcasing the top two tears of my friendships
to the lower tears.

Speaker 3 (01:27:32):
You'll say something that's actually not bad and it
sounds so sinister when you sayI love showcasing the it sounds
like so game of thrones.
Not even that Hunger games madethe odds be ever in your favor.
I love the top.
You must get to the top tier ofthe tizzle, top tiers of the
totem.
But it's not that at all.
What you're really saying isyou love Bitch n**** snitch

(01:27:54):
n**** hope, n**** bitch n****.
Okay you're gonna press everybutton.
What more do you?
I forgot we had that button.
I feel like what you're reallysaying is you like showing off
the people with whom you admire?

Speaker 1 (01:28:10):
You like showing them off.

Speaker 3 (01:28:11):
I mean, that's beautiful, that's dope.
But you made it sound sonefarious.

Speaker 1 (01:28:17):
By the top of my totem, because it was meant to
be.
If you work your way up there,you're like, yeah, look at my
squad, you see these people here.

Speaker 3 (01:28:26):
They earned a right to be here.
I can ask different Because?
We are you don't really.
I mean, okay, that's how youfeel, but what does that look
like?

Speaker 1 (01:28:35):
Okay, here's why I do that.
Here's why I showcase and poseit to be like, yeah, you can't
really sit with us.
You can eventually if you putin the work.
But the reason why I loveshowing off my friends is
because that's what friends aresupposed to look like, in my
opinion.

Speaker 3 (01:28:51):
What is showing off your friends look like.

Speaker 1 (01:28:53):
When we, if we're posting on the story, we're
having drinks and stuff.
It's a bit settings and stuffwhere people aren't going to be.
It's invitation only.
I will showcase those types ofevents to let people know like,
hey, you weren't invited herebecause.

Speaker 3 (01:29:17):
Bro, you'll have something good.

Speaker 1 (01:29:19):
But there's two things.
It's two ways, it's twofold.
It's not only show.
It's a little bit of braggingand boasting and show boating,
but listen, it's also invitingyou to exclusivity.
I'm still giving you access tosee and witness it, so that it
will be motivation for you to goand do that shit.

Speaker 3 (01:29:39):
No, no.
Why can't it just be like yo,this is shit we got here and
this is real dope.
This is what we got going on,why I got to be.
This is some dope shit we gotgoing on and you should aspire
to be like us.

Speaker 1 (01:29:49):
You Because I'm young .
Tears on the motherfucking.
What the Okay, all right,because I'm him All right, okay,
all right.
So, ladies and gentlemen, wehope that you have enjoyed this
very back and forth.

Speaker 3 (01:30:07):
What this is some bag .

Speaker 2 (01:30:10):
Yeah, yeah, yeah.
Who was that?
That's Aliyah and R Kelly, ohshit.

Speaker 1 (01:30:15):
What?
I can't even mention his name,though, not them two.
Yeah, let's do it.
Oh yeah, but we appreciatey'all tuning in.
Yeah, y'all keep sending.
Some of these questions arequestions that they've sent in.
So we appreciate y'allsubmitting your ideas or these
topics and these great QOTDquestion of the days.

(01:30:37):
Yeah, I knew that's what youwere saying.
Yeah, but I was setting a littlebit slow because I was like you
know, that's really hard for meto do is spell out words Like I
can see the word, but I have tosay it slow.
I'm not surprised that Iactually what I'm saying is what
he said the last time he saidthat thing, he used it to drop a
Vietnamese bio warning.

Speaker 3 (01:30:56):
Okay, okay, okay, okay, okay.
So this guy is talkin' L.
Arabicorkyimport Let me spaskyou what your name is.
I shipped it.
I've over the quê my name isnew.

Speaker 1 (01:31:05):
Okay, okay, I guess that's what he was saying I am
Hevôi in the origin of Swvuelmstr.
Be hê, I opened at times of爆 up, but this seems like modify.
You're such a player.
Yeah, that's so cool.
Follow the potlunns on allsocial media platforms.
Start it with Dino.

Speaker 3 (01:31:24):
Hey man, you can find me at the dictionary, that's
T-H-E-E-D-U-N-S-C-O-N-A-R-Y.

Speaker 1 (01:31:28):
And you can find me at I Know JT.
Follow the potlunns podcast onInstagram, tiktok, twitter,
facebook and YouTube atP-O-T-N-A-S Podcast for all of
our latest content and visit ourwebsite wwwpotlunnspodcastcom
to stream all of our previousepisodes.
Leave us a five star review ifyou enjoyed this episode and
submit your questions contentstories.

(01:31:51):
We'll read that shit out hereon the podcast and eventually we
might get into doing some liveson Instagram and shit and where
we interact with people andyeah, and that potlunns tour is
coming.

Speaker 3 (01:32:04):
David, been trying to get to stream forever, bro.
Yeah, I'll work.
Yeah, it was him in favor, huh.
No, it was us.
Shout out to David, he's socynical bro.

Speaker 1 (01:32:14):
Yeah, I'm an asshole, yeah, you are All right.
Oh, and Hook'em horns.
Baby Football is coming back.
What else Shout out to 50 man?
You did a hell of a job thatfinal tour man.
I hopefully this ain't the lasttime that you performed it.
If not, then I, I checked thebucking just off.

Speaker 3 (01:32:30):
We like Effin too, if you like.

Speaker 1 (01:32:32):
Lock Effin yeah, yeah , yeah, Sponsorship, oh yeah,
all right, we'll see y'all.
We love y'all.
Peace.