Grave Tone: Horror Podcast

Her Private Hell is the most beautiful movie we couldn't explain. Nicolas Winding Refn's first film in a decade opened the 30th Fantasia International Film Festival, and we sat on this one for days before we could even record (we needed to).

This is our Her Private Hell review, and honestly? We're still turning it over. Refn's neon fever dream drops Sophie Thatcher's Elle into a futuristic metropolis swallowed by fog, while Charles...

Teenage Sex and Death at Camp Miasma review, spoilers included, straight off its Canadian premiere at Fantasia. Jane Schoenbrun made a queer slasher that loves slashers, and we did not see it coming. Hannah Einbinder plays Kris, a director handed a dead franchise (a "zombie IP," in her words) to reboot; Gillian Anderson plays Billy, the original final girl who vanished into a reclusive Hollywood mystery. The two of them meet at the...

Infernal Tramps: Tales of Weird Terror is out today, and Alex Grass sat down with us for a horror author interview that went everywhere we hoped it would. He traces his horror education back to a father who took him to see Terminator 2 when he was six, and a mother who kept buying him pulp paperbacks based on how cool the covers looked (she had no idea what was inside). The Fly is the one that did the real damage. The body horror h...

Evil Dead Burn review: Sébastien Vaniček made the nastiest movie in this franchise, and it starts fast and never lets up.

We came home from the theatre and recorded immediately. Evil Dead Burn drops French expat Alice (Souheila Yacoub) into a house full of in-laws who never wanted her there, and then turns them into Deadites one by one. The early hype said you are not ready. Usually, that hype is nothing. This time it is one of the...

The best Canadian horror movies don't get talked about enough, so for Canada Day we counted down ten we genuinely love (killer jeans included). This is Grave Tone doing what it does when there's no new release to chase: pulling from the deep, weird catalog of Canadian horror films and arguing about them.

Canadian Horror Comedy That Actually Lands

• Slaxx (2020) is Elza Kephart's killer-jeans satire skewering fast fashi...

Meaghan and Arthur welcome Eleazar for a Childhood Trauma episode that doubles as one of the deepest Evil Dead franchise dives we've done. They cover the full arc — from Sam Raimi and Bruce Campbell's proof-of-concept short film Within the Woods, through the legal chaos that forced Evil Dead II to basically remake the first twenty minutes of its own predecessor, through Army of Darkness and its cursed rights issues, through A...

Arthur and Meaghan dig into William Bagley's Hold the Fort (2025), now available on VOD. They saw it first at its world premiere at the 2025 Fantasia International Film Festival in Montreal, loved it enough to re-watch it the second it hit digital, and they're still laughing. This is that kind of movie.

HOLD THE FORT — EPISODE SHOWNOTES

ABOUT THE FILM

▸ Hold the Fort (2025): written and directed by William Bagley, co-written ...

Leviticus review: the queer Australian horror film Joe Bird stars in just opened, and we saw it opening night. Here's our raw reaction. Leviticus (2026) — written and directed by Adrian Chiarella — is one of the best horror films of this year so far. It's sitting at 95% on Rotten Tomatoes and the praise is not overstated. This is a queer coming-of-age horror film that follows Naim (Joe Bird, Talk to Me) and Ryan (Stacy ...

Summerween is a real thing (Gravity Falls coined the term back in 2012, and it has only picked up steam since), and this episode is our full lineup of summer horror movie recommendations, vampire picks, slasher books, and the horror TV shows we cannot stop talking about.

On the movie side: The Final Girls, The Vast of Night, the new survival horror film Pitfall, The Lost Boys, Joyride, Sean Byrne's shark thriller Dangerous Animals,...

In a Violent Nature 2 is coming, and we got to sit down with the man who makes Johnny tick.

Ry Barrett — actor, stuntman, and the face (well, mask) of one of the most talked-about slasher characters in recent horror memory — joins Arthur and Meaghan for a full conversation about what it takes to play a silent killer, how he prepared for the sequel, and what fans should expect when Johnny hits a summer camp.

We get into ...

Backrooms is here, and we went on opening night.

Kane Parsons, the 20-year-old who built the Backrooms universe on YouTube as Kane Pixels and became A24's youngest feature director in the process, delivers something that genuinely holds up. This is slow-burning psychological horror with real atmosphere, a committed lead performance from Chiwetel Ejiofor, and a level of visual dread that stays with you well after you leave the theat...

Passenger (2026) review: André Øvredal returns to horror with a supernatural road trip that looks incredible and scares hard, but leaves questions unanswered. In this episode, we dig into the Autopsy of Jane Doe director's latest film, where a young couple's van life adventure turns into a demonic nightmare after they stop at a fatal highway crash.

Lou Llobell and Jacob Scipio play Maddie and Tyler, and we talk about what works (th...

Obsession (2026) review: Curry Barker's horror film is terrifying, hilarious, and emotionally devastating. We rate it 9.5/10.

Arthur and Meaghan review Obsession, the new supernatural horror from 26-year-old writer/director Curry Barker. We break down Inde Navarrette's award-worthy performance as Nikki, the be-careful-what-you-wish-for premise powered by the One Wish Willow, Barker's rise from YouTube comedy (That's a Bad Idea, Mil...

At the Place of Ghosts is the kind of film that stays with you long after the credits. Bretten Hannam's Mi'kmaq supernatural thriller follows two estranged brothers, Mise'l and Antle, who are forced back together when a malevolent spirit from their shared childhood begins poisoning them from the inside out.

Their only option: enter Sk+te'kmujue'katik, the Place of Ghosts, a forest where time folds on itself and the living walk alon...

Annie Neugebauer is a two-time Bram Stoker Award-nominated horror author, and her work gets under your skin the way only the best psychological horror can. In this interview, we sit down with Annie to talk about The Outsiders Sequence, her series of wilderness horror novellas published through Shortwave Publishing, including her debut novella The Extra and the upcoming follow-up The Other, dropping June 9, 2026.

We get into the big...

Hokum review: Damian McCarthy's new horror movie is a near-perfect Irish folk horror film starring Adam Scott. We break down everything.

Hokum just dropped, and we had to talk about it immediately. Damian McCarthy, the director behind Oddity and Caveat, delivered something special here. Adam Scott plays Ohm Bauman, a horror writer who checks into a remote Irish hotel to scatter his parents' ashes and ends up locked in a haunted hon...

I Know What You Did Last Summer (1997) revisited — the post-Scream slasher that traumatized a generation. Full review and breakdown.

The Childhood Trauma series is back on Grave Tone Podcast. Megan was nine years old when this movie shut her down, and we're going back to figure out exactly why. Wild production history, the convoluted plot decoded, and an honest look at whether this Kevin Williamson slasher holds up against Scr...

Lee Cronin's The Mummy review, Blumhouse's R-rated possession horror reviewed, with full spoilers, ending explained, and a spoiler breakdown of what actually happens to Katie Cannon.

Arthur and Meaghan sit down to review Lee Cronin's The Mummy (2026), the Blumhouse and Atomic Monster reimagining from the director of Evil Dead Rise. Starring Jack Reynor, Laia Costa, May Calamawy, Natalie Grace, Shylo Molina, Billie Roy and Verónica F...

Exit 8 is a 2025 Japanese psychological horror film directed by Genki Kawamura — the producer behind Your Name and A Silent Voice — and it's based on the 2023 indie video game The Exit 8 by Kotake Create. After earning an eight-minute standing ovation at the Cannes Film Festival and grossing over ¥5.2 billion in Japan, it's finally arrived in North American theatres via NEON, and Arthur and Megan are here for it.

This is...