What do movies teach us about fascism? From propagandistic myths of power to stories of suffering and belonging, cinema has long chronicled the many faces of fascism. Films don’t just reflect history or envision the future; they help shape it, revealing how authoritarian movements seduce, normalize, and endure, and at what cost to our humanity. Fascism on Film Podcast explores these connections one episode at a time. Each season (10–15 episodes) tackles a different facet of fascism on screen. Season 1 looks at pre‑war fascism, examining both notorious propaganda and lesser‑known works of resistance. Hosted by writers and lifelong cinephiles James Kent and Teal Minton, the show blends sharp analysis with decades of shared filmgoing experience to uncover how art, ideology, and history intertwine. Music courtesy www.classicals.de.
Swing heil! That's right, kids, in 1993, a little over six months before Steven Spielberg premiered "Schindler's List," Disney's short-live Hollywood Pictures came out with "Swing Kids," a film that attempts to tell the world something about fascism, but misses the mark.
Still, for all its schmaltz, does "Swing Kids" have something to say? James and Teal examine a film that does have some effective moments.
"Sophie Scholl: The Final Days" is a devastating and tragic look at a true-life hero of the German resistance movement, The White Rose. To see the machinations of Nazism at work and its willingness to destroy its citizens who dare to resist tyranny is difficult to watch. This film is a powerhouse.
Jean-Pierre Melville's masterpiece, "Army of Shadows," is a gripping slow-burn look at the operations of the French Resistance during the Nazi occupation. Melville strips away the glamor and sentimentality of the resistance movement to show how unrewarding it can be to do ones duty when one's country is under occupation.
The film avoids nearly all conventions of the typical spy thriller, and makes its audience work for clues ...
Bernhard Wicki’s powerful 1959 German anti-war film, "The Bridge" shows the tragedy and futility of following fascism to its final end. A group of high-school boys in a small German town during the final days of the war, can't wait to get into the fight for Germany, only to discover, far too late, that all they've been taught were lies.
This week's film, "The Bridge" doesn't contain any shine, gloss, or dancing to David Bowie...
Silly "JoJo Rabbit," fascism is for kids. Every National Socialist knows that the way to sustain a reign of 1,000 years is through the corruption of the little ones.
In this week's episode, James and Teal look at 2019's Oscar-winning film for Best Adapted Screenplay, "JoJo Rabbit." Writer-director Taika Waititi moves the dramatic and controversial material of the book to a decidedly more comedic tone. But through the laughs, does "...
Not even Sybil the Soothsayer could have predicted how much Paddy Chayefsky and Sidney Lumet's 1976 film "Network" would mirror today's world of infotainment and the corporatization of media.
"Network" is a film that continues rewarding repeat viewing, as it offers up new ways to examine the U.S. population's fascination with realty television, and how the lines obscure between truth, fiction, and the vox populi.
If you...
"The Great Dictator" kicks off Season 3 of Fascism on Film. Charlie Chaplin takes on Hitler and the Nazi's in a biting satire that is noted today for its historical importance in cinema. But does it hold up as a farce or has time diminished its power. James Kent and Teal Minton examine how funny or unfunny fascism can be with this look at "The Great Dictator."
In a special one-off episode of Fascism on Film, we take a look at the pay-to-play Amazon-purchased documentary, "Melania" which fails as both documentary and as MAGA propaganda. It isn't sure of its subject or who its intended audience is for.
James and Teal break down every inaugural dress measurement and bizarre soundtrack music cue for this dreadfully dull filmmaking undertaking.
Watch "Melania" at your peril, or just lis...
In the Season 2 finale of "Fascism on Film," James and Teal break down the 2024 film, "I'm Still Here." Walter Salles' look at Brazil under military dictatorship in the 1970s is a chilling reminder that what was once another nation's past, strikes an eerily similar note to what we've allowed ourselves to occur in the present. "I'm Still Here" tells the true story of one Brazilian family that seemingly has it all until one day, auth...
1977's "A Special Day" is a heartfelt romance of Hitler and Mussolini’s infamous cementing of their two nations culminated in a 24-hour Roman holiday. No, but it is set on the same day as that day-long event. However, in the Roman suburbs, we get a different meeting of two mismatched strangers, Marcello Mastroianni and Sophia Loren bring a story of humanity and heartbreak set amidst the backdrop of a political ideology ...
In this episode, James and Teal tackle Ari Aster’s "Eddington," a dark, surprising film set in the earliest days of COVID—when fear, isolation, and conspiracy thinking were reshaping the country in real time. They discuss Joaquin Phoenix’s unraveling sheriff, the town’s descent into misinformation, and the chaotic final act that blurs the line between protest and false-flag operation. It’s one of Aster...
Paul Thomas Anderson's "One Battle After Another" is both a thrilling action film, and a mirror-holding look at current American society. Baked into its absurdist right vs. leftist fantasy are truths about how each side views the other. Anderson doesn't let anyone off the hook, as he finds the humor in taking each side to a comical extreme.
Make no mistake, through the humor of "One Battle After Another," it's clear who the v...
Released just months after Hitler came to power, "Hans Westmar" stands as one of the earliest cinematic expressions of Nazi ideology. Ostensibly a biopic of Horst Wessel—the Sturmabteilung (SA) activist turned martyr whose death became a rallying cry for the Nazi movement—the film dramatizes the transformation of a young man from aimless nationalist to disciplined Nazi believer. But more than a tale of political awakeni...
Between 1933 and 1945, more than 1,000 feature films were produced under the Nazi regime—most of them not overtly propagandistic, but melodramas, musicals, comedies, and historical epics. Hitler’s Hollywood, a 2017 documentary by German critic Rüdiger Suchsland, explores this vast and often overlooked cinematic universe. Narrated by Udo Kier in haunted tones, the film argues that Nazi cinema was not just an arm of propa...
Romance as Resistance: ‘Casablanca’
In this episode of Fascism on Film, we look at Michael Curtiz’s Casablanca (1942), one of Hollywood’s most enduring films and one of its quietest acts of persuasion. Beneath the romance and intrigue, Casablanca tells a story of political awakening—about a man, a city, and a country choosing between indifference and action against fascism.
We discuss how Humphrey Boga...
François Truffaut’s "The Last Metro" is a deceptively quiet film about survival, resistance, and performance under Nazi occupation. Set in a Parisian theater during the German occupation of France, the story revolves around a company that tries to continue producing art while hiding the theater’s Jewish director in the basement. Beneath its surface—a war-era romance and backstage drama—is a nuanced meditatio...
"The Testament of Dr. Mabuse" is Fritz Lang's 1933 German detective thriller that arrived on the heels of Hilter coming to power, making it the regime's first official 'banned' movie.
The film is a fascinating look at how an evil ideology spreads beyond one man when that man make it his mission to make evil the rule of law.
"Mabuse" is a semi-sequel to Lang's masterpiece, "M," and it packs a punch visually and through i...
In this episode of the Fascism on Film Podcast, we look at Mr. Klein (1976), Joseph Losey’s haunting story of identity, complicity, and erasure in Nazi-occupied France.
Alain Delon plays Robert Klein, a Paris art dealer who lives comfortably off the desperation of others, buying paintings and possessions from Jewish families needing to flee persecution. He’s charming, detached, and perfectly ...
We open our second season of "Fascism on Film" with Jean Renoir’s wartime drama "This Land is Mine." This film boldly dramatizes the internal resistance to fascism—not on the battlefield, but in the classroom, the courtroom, and the soul.
Released in 1943 while the war was still raging, "This Land is Mine" explores what it means to live under occupation, and what it takes to speak the truth in a world govern...
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