Drowned in Sound

The UK music industry generated £7.6 billion last year. Taylor Swift became a billionaire off the back of a tour. So why are some artists still losing money every time they play a show?

That's the question at the heart of this episode, as Sean sits down with David Martin, CEO of the Featured Artists Coalition (FAC), and musician and former FAC board member Roxanne de Bastion to talk about the newly launched UK Artist Touring Fund (...

What does it mean to lean in? Not to your career, not to the algorithm but to the act of making music itself?

Polly Mackey, the artist, musician, songwriter and producer behind Art School Girlfriend, nearly walked away from releasing music altogether. Instead, she built a ...

What happens when a producer and musician working with Solange, Rosie Lowe, Loyle Carner, and Kelela burns out, and a spilled glass of water shows him the way back?

Kwes. (Kwesi Sey) has spent fifteen years at the centre of London's most boundary-pushing music, from workin...

What does it actually mean to be a grassroots music promoter in 2026? David Littlefair joins the Drowned in Sound Podcast to discuss the grassroots pledge he's made with Marrapalooza, the DIY festival in Newcastle's Ouseburn Valley - redirecting ad spend away from Meta, refusing to book artists based on follower counts, and putting money back into the...

This is a conversation about what happens when artists discover their collective power.

In May 2025, electronic artist Gazelle Twin withdrew from her Kings Place residency over the venue's decision to host an arms industry conference sponsored by Lockheed Martin. Eleven da...

GIRLI joins the Drowned in Sound Podcast to discuss her powerful new single 'Slap on the Wrist, which is a collaboration with recent podcast guest Eliza Hatch of Cheer Up Luv, built on real anonymous survivor testimonies filmed in real locations.

We also discuss the new Yo...

"My brothers are 20 and they're always like 'we are so cooked.' And I'm just like no we're not. There's hope but you just gotta believe, you gotta believe in something."

That quote accidentally captures Music Declares Emergency's strategic shift from awareness to action. After five years of "No Music On A Dead Planet" the Hope Over Fear campaign is building action hubs in grassroots venues - real physical spaces where fans, artists...

Many who otherwise couldn't afford a £40 show, let alone a £300 festival ticket, have accessed gigs because of a new initiative called The Ticket Bank.

In this episode, DiS founder Sean Adams meets Jack from Tickets for Good and The Ticket Bank to understand how they're redistributing access to live music. From seeing empty seats at the O2 to a partnership with Barnardo's, followed by offering tickets to NHS workers, teachers, and ...

Picking up where Part 1 left off, DiS returns to its conversation with Giles Bidder. Not to talk about how musicians survive, but about how stories travel, how listeners connect and what it really takes to build a music podcast in 2026.

In this second instalment, Sean Adams turns the lens on the medium itself (yes, we’ve gone meta). Drawing on nearly 600 episodes of 101 Part Time Jobs, Giles reflects on the craft of interviewing, t...

From scout-hut gigs to the economics of touring, DiS sits down with Giles Bidder - host of 101 Part Time Jobs for an unsentimental look at how creative lives are actually sustained today.

In this first instalment, Sean Adams talks to one of the UK’s most quietly compelling broadcasters about the hidden labour behind music culture. Over nearly 600 episodes, Bidder has built one of the most humane music podcasts around, asking artist...

Fresh from touring stadiums with Depeche Mode, DiS meets electronic music pioneer to discuss her past, the present, and the future of music.

This is part of Drowned in Sound’s 25th anniversary series in which Sean Adams continues the anniversary series by sits down with some of our favourite acts of the past quarter century. Kelly Lee Owens is very much one of those artists, who has featured in DiS year end lists and awards and pla...

So what will 2026 sound like?

In this episode, Drowned in Sound founder Sean Adams and journalist Emma Wilkes look into their crystal balls (and the release schedules). 

Tips on which artists should break through and the corporate barriers they’ll need to navigate.

Beyond tipping season, we explore the strange absence of shared musical moments, the growing anxiety around AI-generated music, the slow unravelling of trust in big tech...

Season 5, Episode 1: What if swifts sound like Slipknot? What are flying rivers? And how do you give water a voice? This New Year special takes you backstage at EarthSonic Live, where over 3,000 people gathered at Manchester Museum to explore how music and nature sounds can help us reconnect with the planet and drive real climate action.

Recorded across a single extraordinary day in November 2025, this episode captures conversation...

What does it actually mean to be a musician in an economy built for creators and why does it feel like the workload keeps growing while the rewards shrink?

In this episode of the Drowned in Sound Podcast, Sean Adams is joined by Hanna Kahlert from MIDiA Research, whose work sits at the intersection of music, platforms, and the wider creator economy. Drawing on recent research into artists’ working lives, they explore why musicians ...

What were the big music news stories of the year? In part 1 we charted the pressures building across music’s foundations and now Part 2 turns to the systems that decide who gets paid, who gets heard, and who gets left behind.

Drowned in Sound’s founder Sean Adams and music journalist Emma Wilkes count down stories #3, #2 and #1 -  from the strange feeling that there wasn’t really a song of the summer at all, to solidarity protest m...

What were the biggest stories in music this year?  No, not the releases or the hype cycles but the forces reshaping how music is made, played, toured, and valued.

In Part 1 of Drowned in Sound’s Stories of the Year, Sean Adams and Emma Wilkes count down stories #5 and #4, starting with a contradiction that defined 2025: record-breaking mega-gigs and billion-pound industry headlines on one side, and a grassroots ecosystem under exis...

It’s that time again: lists, arguments, consensus (or lack of it). So.. how do we choose an ultimate “Album of the Year’?

In this episode, Emma Wilkes joins Sean Adams to talk through their favourite albums of 2025. No this is not the definitive list, not the ‘right’ list, just the stuff that has stuck, been obsessed over, demanded repeat listens, or just briefly rearranged their internal wiring.

They also talk openly about the col...

82% of music fans want to stop climate breakdown but only 3% know what to do. Climate activist Tori Tsui reveals how Billie Eilish, Brian Eno, and Massive Attack are building the infrastructure to turn that care into action.

Recorded backstage at EarthSonic Live in Manchester, this conversation bridges the gap between wanting to help the planet and knowing how.

Drowned in Sound founder Sean Adams meets Tori Tsui, the climate justic...

The UK Government have announced a landmark decision: ticket resale above face value is to be made illegal, backed by strict limits on service fees and new enforcement powers. After decades of music fans being fleeced by industrial-scale touting, could this be the turning point?

In this special episode, the FanFair Alliance’s Adam Webb (a central figure in the long-running campaign against exploitative secondary ticketing) joins Se...