Hello, Print Friend
Hello, Print Friend is a podcast dedicated to the celebration and amplification of contemporary printmaking and its culture. Releasing interviews every week with artists, activists, curators, and print champions, we explore what it is that brings together this passionate, yet often geographically separated community, across a press bed and around the world.[formally known as pine|copper|lime]
Episodes
This week Miranda speaks with artist and collaborative printer Nathan Catlin—Master Printer at the LeRoy Neiman Center for Print Studies at Columbia University—whose practice spans relief, screenprint, mosaic, stained glass, and an ever-growing love affair with clay. We get into Nathan’s origin story (the heartbreak + linocut era), why the physicality of carving still feels like home, and how he keeps his own narrative prints clean...
This week Miranda speaks with Jessica Sabogal an artist whose work lives at the intersection of public space, portraiture, and collective care. Raised in a Colombian immigrant household in the Bay Area, Jess took a winding road from pre-med to political science to the studio and the street, scaling early stencil experiments into landmark murals and all rooted in print.
They talk about her journey to finding her visual voice of bold ...
This week Miranda speaks with Patrick Miller and Patrick McNeil—better known together as FAILE.
Since meeting on the very first day of high school, the two have been creating art side by side for over twenty-six years. What began with trading sketchbooks in Arizona grew into a wide-ranging practice rooted in printmaking—particularly silkscreen and stenciling—and expanded into painting, sculpture, large-scale public installations, an...
This week we’re coming to you from Miranda’s living room sofa in Chiang Mai, Thailand. Our guest is the brilliant Onnie O’Leary, a tattooer and visual artist from Sydney, Australia, who has just wrapped up a three-week guest residency at Hello, Print Friend Studios.
Onnie and Miranda dive into what it’s been like living and working together under one roof, how tattooing and printmaking share a surprising number of parallels, and the...
This week Miranda speaks with Javier Moreno, a San Juan–based artist, printmaker, and art educator whose work explores the social and political complexities of Puerto Rican identity with bold, graphic clarity.
From his early days sketching graffiti to discovering printmaking in college, Javier shares how his artistic voice developed alongside a deepening awareness of colonial histories, community struggles, and the power of collecti...
This week Miranda speaks with Rob Swainston and Zorawar Sidhu just after their powerful exhibition Flashpoint closed at Petzel Gallery in New York.
In this conversation, they talk about the complex relationship between image-making and meaning in an age of media saturation—from their early collaborative experiments to the deeply layered woodcuts responding to climate change, civil unrest, and political anxiety. They explore what it ...
This week Miranda speaks with artist and printmaker Aristotle Forrester, whose journey from skateboarding the streets of South Side Chicago to Columbia University’s MFA program is as rich and layered as his artwork. We talk about how printmaking keeps him grounded in the chaos of the studio, the spiritual and ancestral power of abstraction, and what the press bed has to do with decolonization. Aristotle shares stories of growing up...
This week, Miranda speaks with Phinney Brown, Executive Director of Crow’s Shadow Institute of the Arts. They discuss how Crow’s Shadow’s printmaking residencies invite Indigenous artists from a range of disciplines—often new to printmaking—to explore the medium. The conversation also highlights the significance of the institute’s location on the Umatilla Reservation in Oregon, and looks ahead as Phinney shares plans to expand thei...
In this episode Miranda speaks Peregrine Honig. Peregrine is a multidisciplinary artist whose themes include pop culture, sexuality and consumerism and whose work is in the permanent collections of the Whitney, the Chicago Art Institute and the National Museum of Women in the Arts. They talk about the arc of an artist’s life—how identity, sensuality, gender, and power all come into play in her work and her business. As well as her ...
This week, Miranda speaks with Pavel Acevedo. They talk about themes of oral traditions and community through his storytelling incorporating indigenous knowledge, anarchist communal values, and the interconnectedness between humans and nature. As well as his experience working with Maestro Shinzaburo Takeda and community-based Art Projects such as developing large collaborative print projects.
This week, Miranda speaks with Mariana Ramos Ortiz, an interdisciplinary artist whose work explores the structural and temporal qualities of sand in relation to themes of occupation, self-determination, permanence, and protection— within the context of Puerto Rico’s ongoing colonial realities.
In our conversation, we discuss how they uses play and community as tactics of protest and healing, the role of ephemerality and material exp...
This week, Miranda speaks with Claudia Wilburn and Joseph Velasquez about the Southern Graphics Council International (SGCI)—the largest and oldest professional print organization in the United States. They discuss what makes printmakers so eager to organize and celebrate their shared passion for the medium, the 50+ year history of SGCI, and what attendees can look forward to at the upcoming SGCI conference in San Juan, Puerto Rico...
This week, Miranda speaks with Eliza Lutz (they/them)—a musician, printmaker, and PhD student in linguistics based in Albuquerque, New Mexico. Eliza is also the recipient of Print Austin’s Best in Show award for their work in The Contemporary Print, an exhibition on view through March 20th.
They discuss Eliza’s journey from running a record label in a streaming-dominated world and working the DIY screen-printing scene to becoming a ...
This week, Miranda speaks with Neil Daigle-Orians. They talk about being haunted, literally and metaphorically, internet horror, and how print is not dead. It’s undead.
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