Speculative fiction and poetry, literary criticism, and interviews from award-winning Strange Horizons magazine, updated weekly on Mondays/Tuesdays. Find us online at strangehorizons.com
In this episode of Critical Friends, the Strange Horizons criticism podcast, Dan Hartland is joined by Ryan Elliott and Roseanna Pendlebury, who have both recently reviewed works for us of speculative fiction now shortlisted for the Booker Prize.
What do mean when we say something is “literary”? How do we know it when we see it … and what is it good for?
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, A. J Odasso and Electra Pritchett join Dan Hartland to talk about popular fiction. Science fiction and fantasy has a long and complex relationship with questions of popular culture. Where does this stand today?
So often ignored or derided by so-called higher culture, how should critics approach it? And where should we situate it in our readings?
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Amritesh Mukherjee and Abigail Nussbaum join Dan Hartland to talk about literary awards. Discussions and debates about awards shortlists often seem to be a point of gravity in broader critical discussions, and can even affect how individual reviews get commissioned and written.
How do and how should critics interact with awards? What are they for? And d...
In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "Because I Held His Name Like a Key" by Aimee Ogden, read by Jenna Hanchey
You can read the full text of the story, and more about Louis Inglis Hall here.
Content Warnings:
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dean Leetal and William Shaw join Dan Hartland to talk about reading queerly: How do, should, and can reviewers and critics interested in LGBTQ+ people and their representation approach texts both avowedly queer and apparently heteronormative?
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Kate Macdonald and Duncan Lawie join Dan Hartland to tackle the question of the back catalog. How should reviewers and readers approach writers with a number of books already to their name? How should we think about and access authors who have enjoyed a career of some duration?
Kate's review of The Curve of the World by Vonda N. McIntyre.
In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "Cold Comfort" by Louis Inglis Hall, read by Emmie Christie
You can read the full text of the story, and more about Louis Inglis Hall here.
Content Warnings:
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Hana Carolina and Alex Kingsley join Dan Hartland to think about reviewing debut books and writers. Is there an extra responsibility reviewers owe to new writers? And if so, what might it be?
In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "Four Steps to Hunt a God" by Athar Fikry, read by Emmie Christie
You can read the full text of the story, and more about Lio Abendan here.
Content Warnings:
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Jenny Hamilton and Anushree Nande join Dan Hartland to discuss romance and romantasy. A huge proportion of science fiction and fantasy works and sales are now accounted for by this form. But what is its appeal? What is it doing? And where is it going?
Jenny's review of Into The Midnight Wood by Alexandra McCollum
In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "I Wish You Died Laughing" by Lio Abendan, read by Jenna Hanchey
You can read the full text of the story, and more about Lio Abendan here.
Content Warnings:
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Paul Kincaid and Dawn Macdonald join Dan Hartland to discuss style: What is it, what does it do, how can we think about it? And why does SFF seem to have such a fraught relationship with it? Get ready for Ursula K. Le Guin, Kurt Vonnegut, verse and poetry ... and police raids.
In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents "The Aquarium of Lost Souls" by Natasha King, read by Jenna Hanchey
You can read the full text of the story, and more about Natasha King here.
Content Warnings:
In this episode, as part of our 2026 criticism special issue Tristan Beiter introduces us to the Ursula K. Le Guin book club he's been taking part in. The group discusses the book club as a forum for, and a practice of, criticism. How does it differ from the academy, from more formal venues, from fan spaces—and what kinds of critical activity and insight do those differences, equip it uniquely to deliver?
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dan Hartland is joined by Shannon Fay and Marisa Mercurio to discuss horror, and especially its cozy variety. From the gothic to the slasher movie, how might texts within an increasingly broad tradition be judged as a success? And what should reviewers do when a given example falls short?
In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland reads 'Orchard Village Catalog' by Parker Peevyhouse.
You can read the full text of the story, and more about Parker Peevyhouse here.
In this episode of Critical Friends, the Strange Horizons SFF criticism podcast, Dan Hartland is joined by Cameron Miguel and Nick Hubble to discuss fantasy and its relationship to history and history-writing. Is some sense of the recordable past baked into the genre? And, if so, with what effects?
In the first part of episode 5 of Writing While Disabled, Kristy Anne Cox and Kate Johnston discuss some adjustments they'd like to see at science fiction conventions that would help create a more inclusive experience for all science fiction writers and fans, including moderator training, fire safety, a technology mentor-buddy system, and more.
If you prefer, you can watch the full episode with close-caption subtitles here.
Show Note...
In this episode of Strange Horizons at 25, Podcast Editor Kat Kourbeti sits down with long-time Strange Horizons contributor RB Lemberg for a conversation about their extensive work with the magazine, using poetry as a tool to refine short and long-form fiction, writing about the diaspora experience, and the comfort one can find in stories from perspectives outside one's own. Oh, and Ursula K LeGuin, of course.
Links and things...
In this episode of the Strange Horizons Fiction podcast, editor Michael Ireland presents B. Pladek's 'The Spindle of Necessity' read by Arden Fitzroy.
You can read the full text of the story, and more about B. Pladek here.
Content Warning:
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
The Clay Travis and Buck Sexton Show. Clay Travis and Buck Sexton tackle the biggest stories in news, politics and current events with intelligence and humor. From the border crisis, to the madness of cancel culture and far-left missteps, Clay and Buck guide listeners through the latest headlines and hot topics with fun and entertaining conversations and opinions.
Does hearing about a true crime case always leave you scouring the internet for the truth behind the story? Dive into your next mystery with Crime Junkie. Every Monday, join your host Ashley Flowers as she unravels all the details of infamous and underreported true crime cases with her best friend Brit Prawat. From cold cases to missing persons and heroes in our community who seek justice, Crime Junkie is your destination for theories and stories you won’t hear anywhere else. Whether you're a seasoned true crime enthusiast or new to the genre, you'll find yourself on the edge of your seat awaiting a new episode every Monday. If you can never get enough true crime... Congratulations, you’ve found your people. Follow to join a community of Crime Junkies! Crime Junkie is presented by Audiochuck Media Company.
DISGRACELAND is an award-winning music and true crime podcast about musicians getting away with murder and behaving very badly. Jerry Lee Lewis's 5th wife? Dead. Sid and Nancy? Both dead. Why? Because musicians are insane, and insane things happen to them. Why did we lose Amy Winehouse at 27? Was Debbie Harry really abducted by Ted Bundy as she claims? Is Patti Smith not just the "Godmother of Punk", but also the "Original True Crime Girl"? What really happened the night of the Jay Z nightclub stabbing? What do the Diddy indictments truly reveal? All these stories and more, on artists from every genre and their true crimes, in our massive 260-plus story archive. The Dead, the Stones, Johnny, Willie, Frank, Kurt, Courtney, Gaga, Lana, Taylor, and too many to name. DISGRACELAND is music history come to life through audio storytelling as you've never heard it before, with revealing facts: yes, assassins are the real reason the Beatles quit touring—reclaimed myths: no, Mama Cass didn't die from choking on a ham sandwich––and constant reckoning between art and artist––all told through the lens of true crime. This is the podcast for the self-proclaimed "Disgos", the musically obsessed and the true crime heads; the outsiders, the independent thinkers who know that the best history is the history that gets buried. DISGRACELAND is where host Jake Brennan tells the stories they didn't want told. The kind you'll end up telling someone else. Get ready to uncover hidden truths and buckle up for truly edge-of-your-seat storytelling. New, fully scripted, sound-designed episodes are released every Tuesday. Bonus chat-style episodes where Jake responds to voicemails, texts, and emails from Disgos hit on Thursdays, and "Rewind" episodes from our archive drop on Sundays. DISGRACELAND is not a journalistic podcast. It's an entertainment podcast inspired by true events. Certain dialogue and scenes are dramatized, as is common in scripted entertainment based on real stories. Sources and credits for each episode are available at www.disgracelandpod.com. To unlock ad-free listening, exclusive content, and connect with your fellow Disgos, go to www.disgracelandpod.com to become an All Access member. Rocka Rolla.