Hindsighting
Hindsighting covers all (and we mean ALL) the Best Picture Oscar Winners and poses a central question: Are these movies truly the best or has time rendered a different verdict? For every movie, Edward Klau and a Guest Host will debate and render an alternate verdict of their own. Plus, other episodes focusing on films underrated, misunderstood or unfairly forgotten. Theme music by Ronen Landa
Episodes
In our Season 2 Finale, Alan Foreman and each give our Top 5 Movies of the 1980s, which suffice it to say was NOT easy.
Alan Foreman and I give the bottom half of our Top 10 Movies of the 1980s, which range from rad, totally rad and lots of cocaine.
Hey Lady, Jon Steinfield and I promise not to talk about the heat but we do whatever is necessary for the sexiest 1981er: Body Heat.
Scott Frank and I prepare two graves as we dig into James Bond’s 1981er For Your Eyes Only.
Writer Dan Ewen and I see if Driving Miss Daisy has the sense God gave a lemon.
Author Sarah Skilton and I decide if it’s one for bad or two for good as we hit the road with Rain Man.
Michael Prince and I wrangle up a posse for the Space Western 1981er Outland.
Jordan Roter and I get caught between the moon and another 1981er as we tip our glasses to Arthur. I know it’s crazy but it’s true.
It’s a very special episode as Matthew Scott Weiner and I discuss two 1981ers, each a different version of one movie: Superman II and Superman II: The Richard Donner Cut.
Paige Linsdey White joins me in The Forbidden City as we rule over The Last Emperor and its Oscar worthiness.
Kalen Egan, Travis Sentell and I figure we’ve been kicking ass so long, it’s about time we got our own kicked as we discuss Platoon.
Billy Corben and I stop the presses to see if 1981er Absence Of Malice is true or just accurate.
Joe Russo and I whip ourselves into a frenzy celebrating the most famous 1981er of all: Raiders Of The Lost Ark.
Fiona Kennedy and I learn when the gods want to punish us, they answer our prayers as we discuss Out Of Africa.
We return to Best Picture as Matthew Scott Weiner and I try to figure out if Amadeus has too many notes.
Alan Foreman and I deeply felt the felt-deep whimsy of the 1981er The Great Muppet Caper. (Note: This one has NO explicit language. You know, for kids.)
Make-up artist Ali Bayless and I get beneath the latex with the gory 1981er An American Werewolf In London.
There are VERY different movies going on within the 1981er Sharky’s Machine but Michael Prince and I are way down for all of them.
Author Jordan Roter helps me give Terms Of Endearment a shot…because it needs its shot! Give it the damn shot!
We return to Best Picture as Scott Frank and I debate if Gandhi earns its salt or do we need to declare our independence.
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