Story Sorcery® with Sue Brown-Moore is where romance writers learn how to stop second-guessing your storytelling instincts. You know that feeling when you've rewritten the same scene five times and it STILL feels wrong? 😤 You're not broken. 😰 Your instincts aren't wrong. 😭 And you're definitely not the only one stuck in revision hell. I've spent over a decade helping romance writers figure out the actual problem, not just slap a bandaid on it. Because there's a difference between "your pacing is off" and understanding WHY a scene isn't working. If you can't identify the root of the problem, you can't fix it. No matter how many times you rewrite. That's why every episode is a deep-dive exploration of ONE romantic fiction storytelling concept so you can understand what's actually happening in your own draft. No formulas. No generic "rules" (that don't even apply to your style). Just honest, editor-in-your-pocket insight from someone who reads romance for breakfast and helps romance authors live their Happily Ever After careers. Ready to finally trust what your storytelling instincts are telling you? Subscribe now, and let's get you out of revision hell. Want more support? Head to https://suebrownmoore.com (suebrownmoore.com) for workshops, free resources, and other ways we can work together.
There are three different types of personal conflict your romance book can showcase between your lead characters. And you might be accidentally making important decisions about your PLOT. Because if you don't give EACH of these three types its own unique external hook, your story might feel flat through the middle.
Inside, I share an example of one of these romance arc types—straight from a published book!—and how...
Your hero can sob and scream and lose everything, and that scene might be the weakest moment in your entire story. Because big emotion doesn't necessarily make a scene better. In episode 18, I'm sharing my pro tip for diagnosing a boring, lifeless middle section of a romance book manuscript.
SPOILER WARNING: This episode reveals major moments in the book Hot Axe by May Archer. So if you hate spoilers and love reading May Archer, go ...
Romance readers know how the book ends before they open it. We're not here for the plot. We care about how that book makes us feel. In episode 17, I'm breaking down the sensations we're actually rereading for, and why your hero's backstory is your best tool for threading those feelings into your prose.
TRIGGER WARNING: This episode talks about the childhood loss of a pet. Nothing is graphically depicted, but it is mentioned a...
You've heard that your first chapter has to hook the reader. But the hook isn't your trope setup or your meet cute. It's a glimpse of who your hero is underneath, and it shows up as a choice they make when the story is barely getting started. In episode 16, I'm breaking down what that glimpse looks like and how to test whether your early pages are giving readers enough reason to stick around.
You'll learn:
Your hero gets a chance to do the brave thing in the early chapters, and they don't take it. They dig in, double down, and choose the safe path. And your reader loves them for it. In episode 15, I'm breaking down why that refusal is one of the most important scenes in your entire manuscript and how it sets up (or ruins) every emotional payoff that comes after.
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You read back through your big ending and it's... disappointing. Technically, it hits all the right beats, but it feels kinda meh. So you make it bigger. You add more dialogue, more stakes, more feelings. And somehow it gets worse. In episode 14, I'm walking you through why the scene that actually earns your hero's big moment isn't near the finale at all, and why you might have already cut it for "not moving the plot forward...
Your hero walks into a room and owns it. They're charming or tough or impossibly warm. And you wrote it that way on purpose. But if that personality feels more like a performance than a person, the problem may be deeper than surface level. When there's no wound driving the behavior, even "big" personalities can feel empty.
In episode 13, I'm walking you through the four types of protective behavior your romance characters use...
If you've got a scene that should feel gut-wrenching, but it reads more like a shrug, the problem probably isn't your writing. In episode 12, I'm walking you through what happens when a scene looks emotional on the surface but isn't connected to what your hero is really going through underneath.
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If you've been making story decisions from anxiety instead of confidence, this episode is going to feel like a deep breath. Because the confidence you want isn't about doing everything right. It's about knowing why you're making each choice so you can make the best ones. In episode 11, I'm walking you through what that feels like in practice, with real stories from writers learned to trust their storytelling instincts.
You'll lea...
You had two free hours to write, and instead you reorganized your Trello board. You love this story. You chose it. So why won't your brain let you work on it? In episode 10, I'm breaking down why romance writers get stuck, what your block is actually responding to, plus how one writer's story block disappeared when she swapped a single word in her heroine's Root Fear.
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Revision isn't slow because you're a slow writer. It's slow because you're fixing symptoms instead of causes. In episode 9, I'm showing you what that actually costs you in real publishing time, and what one focused week of looking at the right thing can replace.
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If you draft by instinct but dread the revision process, this episode will show you why. The problem isn't that you're an intuitive writer. In episode 8, I'm showing you why the way you draft and the way you revise need to use two completely different parts of your brain, and how that mode switch actually protects your creative voice instead of threatening it.
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If you've been eyeing romantasy or hockey romance or whatever's blowing up on BookTok right now and wondering if you should pivot, this episode will save you months of second-guessing. Because the conflict you're feeling isn't about making more book sales. In episode 7, I'm breaking down why certain trends blow up, what readers are really craving beneath the surface elements, and how to figure out whether a hot niche genuine...
If you've checked off every beat in Romancing the Beat or plugged your word count into a spreadsheet formula and your story still doesn't feel right, you're not doing it wrong. The tool just can't show you what's missing. In episode 6, I'm walking you through why those guides give you the what and the when, but not the why behind each storytelling choice, and what that gap that costs your manuscript.
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More feedback won't solve your manuscript problems. In fact, it usually makes things worse. In episode 5, I'm showing you why conflicting critiques leave you more confused and what actually has to change before any of that feedback you've been collecting is actually usable.
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If you're stuck rewriting the same manuscript—or parts of it—over and over, this episode is for you. Because the problem isn't your writing. In episode 4, I'm breaking down why endless rewrites never get you closer to "done" and what skill you're actually missing.
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Book reviews aren't personal attacks. They're diagnostic data. In episode 3, I'm showing you how to decode what readers really mean when they say "the romance was meh" or "the pacing was off".
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Most revision advice tells you what to fix. But what if you're fixing the wrong things?
In episode 2, I'm explaining why writing & revision techniques can't solve character growth problems, and introducing the skill you actually need instead.
You'll learn:
Romance writers do more than entertain. They reshape how society views autonomy and love. But why is the genre still dismissed as "formulaic"?
In episode 1, I'm explaining why I only work with romance writers. Not women's fiction with a love story. Not fantasy with a romantic subplot. Full-on Happily Ever After romance.
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