The Book Review

A century after “The Great Gatsby” was first published, F. Scott Fitzgerald’s slender novel about a mysterious, lovelorn millionaire living and dying in a Long Island mansion has become among the most widely read American fictions — and also among the most analyzed and interpreted. As the Book Review’s A.O. Scott wrote in a recent essay about the book’s centennial: “What we think about Gatsby illuminates what we think about money, ...

In his new novel, “Twist,” the National Book Award-winning Irish writer Colum McCann tells the story of a journalist deep at sea in more ways then one: A man adrift, he accepts a magazine assignment to write about the crews who maintain and repair the undersea cables that transmit all of the world’s information. Naturally, the assignment becomes more treacherous and psychologically fraught than he had anticipated. On this week’s ep...

The novel “We Do Not Part,” by the Nobel laureate Han Kang, involves a pet-sitting quest gone surreal: It follows a writer and documentarian whose hospitalized friend beseeches her to take care of her stranded pet parakeet on an island hundreds of miles away. When she arrives, the writer finds not only the bird but also an apparition of her friend, who has a devastating history to tell.

Transforming real life into a haunting dreamsc...

The director Steven Soderbergh has just released his second film of 2025: the spy thriller "Black Bag," starring Michael Fassbender and Cate Blanchett. In January 2024, Soderbergh spoke with host Gilbert Cruz about some of the more than 80 books that he read in the previous year. (This episode is a rerun.)

Books discussed:

"How to Live: A Life of Montaigne," by Sarah Bakewell

"Stanley Kubrick's 'The Shining,'" by Lee Unkrich and J.W. ...

Every season brings its share of books to look forward to, and this spring is no different. Host Gilbert Cruz is joined by Book Review editor Joumana Khatib to talk about a dozen or so titles that sound interesting in the months ahead.

Books discussed on this episode:

"Dream Count," by Chimamanda Ngozi Adichie

"Sunrise on the Reaping," by Suzanne Collins

"The Buffalo Hunter Hunter," by Stephen Graham Jones

"Medicine River: A Story of Su...

Samantha Harvey’s novel “Orbital,” which won the Booker Prize last year, has a tight, poetic frame: We follow one day in the lives of six people working on a space station above Earth, orbiting the planet 16 times every 24 hours. But this is not a saga of adventure or exploration. It’s a quiet meditation on what it means to be human, prompted by a series of personal reckonings each character faces while floating 250 miles above hom...

You’re familiar with Edward Gorey, whether you know it or not. The prolific author and illustrator, who was born 100 years ago this week, was ubiquitous for a time in the 1970s and 1980s, and his elaborate black-and-white line drawings — often depicting delightfully grim neo-Victorian themes and settings — graced everything from book jackets to the opening credits of the PBS show “Mystery!” to his own eccentric storybooks like “The...

One day, several decades ago, the writer Winnie Holzman was shopping in a Manhattan bookstore where a particular cover caught her eye. It showed a woman with a green face, a black hat pulled down over her eyes. The book was “Wicked” by Gregory Maguire, a retelling of L. Frank Baum’s “Oz” stories from the perspective of the Wicked Witch of the West. “When I turned it over and read the little précis on the back, it blew my mind,” Hol...

The screenwriter Peter Straughan has become adept at taking well known — and beloved — books and adapting them for the big and small screens. He was first nominated for an Oscar for his screenplay of the 2011 film “Tinker Tailor Soldier Spy,” based on the classic John le Carré spy novel, and then adapted Hilary Mantel’s “Wolf Hall” trilogy into an award-winning season of television, with an adaptation of the third novel coming out ...

Elijah Wald’s 2015 book, “Dylan Goes Electric! Newport, Seeger, Dylan and the Night That Split the Sixties,” traces the events that led up to Bob Dylan’s memorable performance at the 1965 Newport Folk Festival. The book is about Dylan, but also about the folk movement, youth culture, politics and the record business. For the writer and director James Mangold, Wald’s work provided an opportunity to tell an unusual story about the mu...

When the filmmaker and photographer RaMell Ross first read “The Nickel Boys,” Colson Whitehead’s Pulitzer Prize-winning novel about two Black boys in a dangerous reform school in the 1960s, he couldn’t help but put himself in the shoes of its protagonists, Elwood and Turner.

In his film adaptation of the book, Ross does that to the audience: You see what the characters see, because it’s filmed from the main character’s point of view...

The novel “Our Evenings,” by Alan Hollinghurst, follows a gay English Burmese actor from childhood into old age as he confronts confusing relationships, his emerging sexuality, racism and England’s changing political climate in the late 20th and early 21st century. It’s the story of a life — beautifully related by a literary master whose 2004 novel “The Line of Beauty” won the Booker Prize and was named to the Book Review’s 100 Bes...

In Alafair Burke’s new thriller, “The Note,” three friends are vacationing together in the Hamptons when they have an unpleasant run-in with a couple of strangers and decide to exact drunken, petty revenge. But the prank they pull — a note reading “He’s cheating on you” — snowballs, eventually embroiling them in a missing-persons investigation and forcing each woman to wonder what dark secrets her friends are hiding.

Burke joins hos...

Decades ago, after he lost in home in a California wildfire, the travel writer and essayist Pico Iyer started to go to a small monastery in Big Sur in search of solitude. On this week's episode he discusses those retreats, which he writes about in his new book "Aflame: Learning from Silence."

"It's true that even from a young age, I only had to step into the silence of any monastery or convent and I felt a kind of longing, the way o...

And we're back! Happy new year, readers. On this week’s episode, Gilbert Cruz and Joumana Khatib talk about some of the upcoming books they’re most anticipating over the next several months.

Books discussed on this episode:

"Stone Yard Devotional," by Charlotte Wood

"Aflame: Learning from Silence," by Pico Iyer

"Onyx Storm," by Rebecca Yarros

"Glyph," by Ali Smith

"The Dream Hotel," by Laila Lalami

"The Colony," by Annika Norlin

"We Do Not...

The Book Review podcast is off for the holidays, but please enjoy this episode of the The New York Times's Culture Desk show from earlier this fall.

In 2004, Susanna Clarke published her debut novel, the sprawling 800-page historical fantasy “Jonathan Strange & Mr. Norrell.” It was a sensation. Clarke sold millions of copies, won literary awards and landed on best-seller lists.

After just one book, Clarke was regarded as one of Brita...

Clare Keegan's slim 2021 novella about one Irishman's crisis of conscience during the Christmas season, which was shortlisted for the Booker Prize, has also been adapted into a film starring Cillian Murphy. In this week’s episode, MJ Franklin discusses the book with his colleagues Joumana Khatib, Lauren Christensen, and Elisabeth Egan.  

Keegan's book was also one of The New York Times Book Review's 100 best books of the 21st centur...

Dwight Garner, Jennifer Szalai and Alexandra Jacobs — staff critics for The New York Times Book Review — join host Gilbert Cruz to look back on highlights from their year in books.

Books discussed:

"Intermezzo," by Sally Rooney

"All Fours," by Miranda July

"You Dreamed of Empires," by Álvaro Enrigue

"When the Clock Broke," by John Ganz

"Radiant: The Life and Line of Keith Haring," by Brad Gooch

"Miss May Does Not Exist: The Life and Work ...

Following our Top 10 Books of 2024 episode, we are re-running our book club discussion about one of the novels on our year-end list: "Good Material."

How to explain the British writer Dolly Alderton to an American audience? It might be best to let her work speak for itself — it certainly does! — but Alderton is such a cultural phenomenon in her native England that some context is probably helpful: “Like Nora Ephron, With a British T...