July 7, 2024 • 34 mins
Today on the Daily Bespoke Podcast, Mashy and Rooda look at some ripper tunes the new Spotify feature is spitting out on a Sunday morning...
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Episode Transcript
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Speaker 1 (00:00):
Hello, it's Matt Heath here with a massive self source.
My number one best selling book, A Lifeless Punishing Thirteen
Ways to Love the Life You've Got, is out now.
It's the result of a deep dive I took into
how to deal with the emotions that make our lives
more punishing than they need to be. Karan Reid wrote,
Matt has a hilarious way of articulating an important message,
highly valuable advice for Anyone. Newsroom described it as good,
very good, indeed, and under Juris Dremy Well see had
(00:21):
met as a deep thinking, highly intelligent human being. The
number one best selling are Lifeless Punishing Thirteen Ways to
Love the Life You've Got, as available in all good bookstores.
Speaker 2 (00:29):
Now let's get bizar.
Speaker 3 (00:51):
Spoken soul all along to the Mat and Jerry Show podcast.
It is the eighth of the seventh month in the
Year of Our Lord, twenty twenty four. My name is
Mash and this is Ruda.
Speaker 4 (01:10):
My name is Ruda, No mattal Jerry.
Speaker 5 (01:12):
Today I work in the room next door.
Speaker 3 (01:14):
Do you know what the planet of attack was for today?
Going into this week? I thought, by the way, if
you on you were around here, myself mash and this
is Ruda and we produced this show. Matt and Jerry
are both way today. The plan of attack was Matt
had a week off down in the pretty city of Dunedin,
but Jerry fell sick. So it's the two of us
today on the on the radio show, wasn't it?
Speaker 4 (01:35):
Yeah?
Speaker 5 (01:35):
And you know, to be fair, I do miss Jerry.
He's got a very calming influence.
Speaker 3 (01:40):
Well, I miss Matt.
Speaker 5 (01:41):
So I didn't mean that I didn't miss Matt. Sorry,
I didn't mean I don't.
Speaker 3 (01:47):
Have Matt so much trouble.
Speaker 5 (01:51):
Sorry, Can I just explain this? I mean because Matt
was supposed to be away, but I don't know Matt
will listen to this.
Speaker 4 (02:00):
So will Matt listen to me?
Speaker 5 (02:02):
I'm looking, I'm looking exactly where you would sit normally, Matt,
I would miss you when you're away, but I thought
you were already going to be away. So I was
saying Jerry, who I thought was going to be here,
I missed him.
Speaker 3 (02:14):
But I still this is strange. So you've chosen Jerry's seat.
I've chosen my seat. Surprise, surprise, I've decided to keep
the same seat. You've chosen Jerry's seat. Matt seats to
the left of me. In the past, you've used Matt seat.
Speaker 4 (02:27):
Yep.
Speaker 5 (02:27):
Today Jerry's here, I've used met seat.
Speaker 3 (02:30):
So your favorite position in the studio is for those
listening at home who can see the studio, there's there's
four mics in here. There's four hot spots. One me,
I'm behind the desk. R Jerry is to the right
of me of the top of some screens. And then
you've got Matt who will be to the left of me,
and then directly across from me as our guest Mike,
and that's usually you.
Speaker 4 (02:48):
That's right.
Speaker 5 (02:48):
That's where I would normally sit during a pod because
I don't come in during the radio show. Match very
simple reason I wouldn't sit at my normal seat because
I need computers in front of me for the radio show.
The main reason I'm sitting in Jeremy Well's seat because
I had my head and the headlines game. So I
feel like I need to sit in the same seat
(03:10):
because I knew I was reading the news headlines during
the radio show, and so to get my head in
the right space. Despite the fact that probably made up
about five percent of the radio show, sure, I wanted
to sit in the seat. It's not a good reason,
but it's enough of a reason and it feels like
the right kind of vibe.
Speaker 3 (03:27):
Hey, can I play you something and then you can
shoot your thoughts on that.
Speaker 4 (03:32):
I'd love you to do that.
Speaker 3 (03:33):
Okay, are you ready for this? Oh? Wait, No, that's
not what I thought it was going to be. I've
just found the wrong page. Buttons here be with me
with me a lot. No, I wasn't the girl. No
looking for that there, and I'm looking for this here.
I crank it hoty ah. So yesterday I woke up
(03:56):
on a Sunday morning, m I love it. And there's
this new feature on Spotify and it's cooled. I think
it's just your daily mix. And the idea is that
when you start up your daily mix playlist, is it
takes what you usually like to listen to at that
time of the day. It's another one of those things
that's come out and it's gone. Radio is even more fucked,
(04:18):
but not really not really what I want to focus on,
as if when you crank up that playlist, it tells
you what you're used to listening to it at that
time of the day. So yesterday morning, on a Sunday morning.
I just started up my daily playlist, and I mean
glad Us Nights and the Perps comes on and tell
me a world where I'm supposed to have a bad
day after this song coming on at seven o'clock in
the morning on a Sunday, the sun's coming up.
Speaker 5 (04:40):
Well, I'd rather live in this world.
Speaker 6 (04:44):
Ah G on a mid that train.
Speaker 3 (04:51):
And I was thinking to myself, you'd be the perfect
person to ask. And it's also something we've done here
in the past on the Meet and Jury Show podcast.
On this we used to do soft on a Monday.
We would play tunes that just keept us soft after
a big weekend on the Wheeze often often, And I thought,
is that there that tune? Were not trying to Georgia
by Gladys Night and don't forget the PEPs, no, the
(05:13):
pips there in the background. Is there the best possible
Sunday morning tune to come on?
Speaker 6 (05:19):
We're out here the pers.
Speaker 3 (05:28):
I mean glad Us Night Jesus.
Speaker 5 (05:30):
So I'd possibly also float at you because of the
content of the subject, the lyrics. That's why I'm easy
easy like Sunday Morning. Sure, we'd be right up there.
Speaker 3 (05:42):
Do you want to fire up your computer and then
you can start playing some stuff that you think of,
because if you've never done a soft on Monday before,
ruder though. One of the great things is if you
just fire up.
Speaker 5 (05:51):
Your computer, we're not going to have that problem with it,
Jeremy as every time.
Speaker 3 (05:55):
Ah, you've chosen that computer to sit out the one
air problem.
Speaker 4 (05:58):
With the one air problem.
Speaker 5 (05:59):
Can I can I just say actually about about this song? Yeah,
beautifully sun.
Speaker 4 (06:07):
By. I wonder how many pips there were.
Speaker 5 (06:10):
I'd always assume if you read about three, I reckon
this three there, yeah, maybe four?
Speaker 4 (06:18):
Now I reckon there's three.
Speaker 3 (06:19):
No more than four? Though, No, you reckon there's no
more than three. I mean they sound great anyway, what
you say, I.
Speaker 5 (06:27):
Am going to go so far as to say, and
I paused because I wanted to consider what I was
about to say. I am going to go so far
as to say, this song contains some of the greatest
backing vocals of all time. They're very cleverly done, like
(06:47):
it's a whole different story in the background.
Speaker 4 (06:49):
Of the song.
Speaker 3 (06:58):
Oh, they sound great. It would be a great four
pilaze to run on the Managery Show. Actually, there's the
four pillars of backing vocals, because I think Ebba might
get close to it as well. What sorry, what Sunday
morning rendition? Were you looking for?
Speaker 5 (07:12):
Sunday Easy by the commodorees.
Speaker 3 (07:14):
That's the commodore's that's.
Speaker 5 (07:16):
Not the faith, no more one, no, no, it's not
just Jesus. That's what you call a fear or cover.
Speaker 3 (07:23):
Who's the Commodore's on here? Commodos and the system of
just just communists? No, not not not the communists either.
Speaker 4 (07:31):
Are you sure?
Speaker 3 (07:32):
Yeah? Here we go?
Speaker 5 (07:33):
Okay, yes, I mean another great Sunday morning song.
Speaker 3 (07:37):
But it's almost too literal for me because if I
wake up but it does on a Sunday morning and
someone's telling me it's easy like a Sunday morning, but
it doesn't get.
Speaker 5 (07:47):
To the literal part of the song for a while.
So you've got the piano intro.
Speaker 3 (07:51):
Oh this is great.
Speaker 4 (07:52):
Then you're starting to wake up.
Speaker 5 (07:54):
You're examining the crimes you're committed last night, not actual crimes,
and you're reflecting on maybe in unrequited love right there
because you're working up alone or next to the wrong
thrif And.
Speaker 4 (08:15):
Then he's not even there yet.
Speaker 6 (08:20):
Swammy.
Speaker 5 (08:21):
See how long into the song is this? He doesn't
say it until over a minute. I mean it's a
great churn, pretty good backing vocals.
Speaker 3 (08:36):
Just have me looked through my playlist so you have
seen what I'm running is of late Oh man, this
is great songs.
Speaker 4 (08:43):
See the reason.
Speaker 5 (08:46):
I'll just let you finish their line or sorry about that.
See the reason why I singled out the backing vocals
in Midnight Train to Georgia versus the backing vocals, And
that is because it's just ours or peating lines in
the song or harmonizing rather than a different story that's
going on.
Speaker 3 (09:09):
This is another one that's going to high rotate for
me at the moment. I'm sure back in the day
when we were running soft on Mondays, you're on the
Meet Injury Show, this was brought up at some point.
But God, Dan Hill, you ask me I love you
in actual karma.
Speaker 5 (09:24):
Reply that's the mislead you w that's not true you.
Speaker 7 (09:36):
To judge.
Speaker 3 (09:40):
I think that's a very good point, actually, Daranhill.
Speaker 5 (09:42):
Just I I'd rather hurt you honestly than mislead you
with alive for instance, can you put sorry? Can you
pause it? Hey, mesh Yeah, bro did a great job
on the radioto this morning.
Speaker 3 (09:56):
Well, I see that feels hard?
Speaker 5 (09:57):
No, no, oh, hang on, So what is it? I'd
rather hurt you honestly than yeah, So what would you prefer?
I don't like ash great job pressing the buttons on
the radio show.
Speaker 3 (10:07):
That's a lovely thing to say, if that's truthful.
Speaker 4 (10:10):
But would you prefer that?
Speaker 3 (10:11):
But are you misleading me with misleading you with a lie?
Speaker 7 (10:18):
Sometimes?
Speaker 5 (10:19):
Well, we touch all the song the honesty is too.
Speaker 7 (10:26):
And I have to close.
Speaker 3 (10:27):
My Okay, we're just going to pull you there, damn hill.
Speaker 4 (10:33):
So have you ever played hide and seek?
Speaker 3 (10:36):
Meshy, Well, every time we touched the honesties too much. Now,
there is some love in that cuddle, and I respect
sometimes I've just never felt that kind of love them before.
I've got to be honest with you. Ever felt the
embrace of a woman or a man and thought, God,
the honesty and this is just too much? So I'm
going to have to hide myself? Is that what he
essentially says?
Speaker 5 (10:53):
There, I'm gonna I'm going to come out before he
closes his eyes and hides. Sometimes when we touch the
honesties whom that's.
Speaker 4 (11:02):
Yeah, there's a few woman I can think of.
Speaker 5 (11:10):
Two, lad I part makes perfect sense to break down.
Speaker 6 (11:15):
Yeah, sure, to hold you till the food.
Speaker 3 (11:23):
I mean, lovely stuff is that. I will say this,
there's nothing more beautiful than the moment if you ever
get to love someone and then hold them and then
embrace a cry togither, it's one of the more beautiful
moments of a life. Yeah, I've been crying with someone
is very full on.
Speaker 5 (11:38):
It's always awkward though, when only one of your cries,
because like you know, and can I just clarify when
he cries for a good reason? Yeah, yes, because it's
It's a lot like the thing of maybe you're making
love to someone that's never said I love you before,
(12:01):
and then in the midst of the love making, Yeah,
they just yell out right.
Speaker 3 (12:06):
Okay, do you know what this is making me think of?
I love it of a dire straight song that I'm
trying to find.
Speaker 5 (12:14):
One where you're going what's that one called Romeo and Juliet?
Here are your muppets?
Speaker 3 (12:20):
Then we find it?
Speaker 5 (12:21):
Sorry, no, it's a right.
Speaker 4 (12:23):
Do you want to take an ad break while you
find it? Is that possible?
Speaker 3 (12:25):
My god? It's not in the system.
Speaker 4 (12:29):
Yeah, Romeo and Juliet.
Speaker 3 (12:30):
Romeo and Juliet. Okay, so that's not there. Where are
you Romeo and Juliet Keith Urban Oh oh, this is
a tune that I've just found on the way to that. Okay, cool, cool,
I've got that ready to go. We'll take a break
and we'll come back with that's breaking down Romeo and Juliet,
(12:51):
probably about the third time on the Mat and Jury Show,
Daly Bespoke Podcast. All right, okay, and we're back. We
took a break there as I found a couple more
tunes to play on this what is turning into a
soft on Monday, but not quite before you were talking
(13:13):
about making love to a woman and one of you crying, yeah,
but the other one of you not crying.
Speaker 5 (13:18):
Well, this is when we make Oh hang on, yeah,
when we made love. You used to cry.
Speaker 3 (13:24):
Every time I played this tune on the podcast. Gordon Kenny,
my father, reaches out and says, che son, he loves
a song.
Speaker 7 (13:34):
I love struggling with meals just fiddling away back here,
lean everybody, lord, we love Solan Street.
Speaker 5 (13:46):
Lad steps out of the sheet, says something.
Speaker 2 (13:51):
You and me be.
Speaker 3 (13:54):
He pulls that I can pulls that.
Speaker 5 (13:57):
Sorry, a little problematic, finds a street light and steps
out of the shade.
Speaker 4 (14:05):
So what was he doing in the shadows? Okay?
Speaker 3 (14:09):
Oh so hang on, so he was away in the show.
And then he said Romeo.
Speaker 4 (14:13):
Juliet's hiss, hats Rod again.
Speaker 6 (14:16):
The window, the window, my body friends down.
Speaker 4 (14:21):
You shouldn't come around here singing, singing up people, not sneaking.
Speaker 3 (14:27):
What you're going to do about this chorus one of
the great choruses.
Speaker 6 (14:31):
Here we go.
Speaker 7 (14:33):
The dates was loaded from the start, and then the
movie song where You're going to realize it was.
Speaker 5 (14:51):
Just ok, I think that's that's just that's a beautiful
saying when you're going to realize it was just that
the time was wrong. I don't know, man, there's another
Have you ever felt like that about a woman? Of course,
and you think this should have been really great? Yeah,
if you weren't with him.
Speaker 3 (15:10):
I've got one x specifically that I think.
Speaker 5 (15:12):
In a different and very specific of me.
Speaker 3 (15:14):
So in another world that definitely could have worked out
just fine. Yeah, I'm sure a lot of people feel
like that day. I've been very lucky with the partners
that I've had though that I think in a different world,
all of them probably could have worked out.
Speaker 4 (15:27):
Just who the time was wrong, just cheerly was wrong.
Speaker 3 (15:30):
And this song he is also Morrison pisting away. This
is also a song that came on after glad Us
Knights and The Perch yesterday on My Daily Mix that
I'm now getting fed to me via Spotify. Isn't that
kind of wild though, that we live in a world
now where my phone has told me that I love
(15:53):
to listen to this type of music on a Sunday morning.
So here you go. Here's about thirty songs that we reckon.
You're gonna enjoy shuffle them, and not one song on,
not one song was a shitter.
Speaker 5 (16:03):
How many songs are you talking?
Speaker 7 (16:06):
I reckon?
Speaker 4 (16:06):
I played seven or eight?
Speaker 3 (16:08):
No, that doesn't sound like many, but seven or eight
good tunes back to back was Dre I'm just Gonna
Fire up a doctor hook song.
Speaker 5 (16:17):
Was this on the list? Or is this just an
add on?
Speaker 4 (16:21):
No? This from the Meshy.
Speaker 3 (16:23):
No, this is not an ad on. This is also
what followed up this Morrison's song my Daily Mixed yesterday.
This is just I mean, this really is just a
soft on Monday. Here isn't it.
Speaker 5 (16:32):
This is Sylvia's mother, This is Sylvia's mother.
Speaker 3 (16:34):
It also came on yesterday morning.
Speaker 5 (16:36):
I mean, come sorry, I came on Sylvia's mother.
Speaker 3 (16:39):
I came on yesterday.
Speaker 5 (16:40):
Morning, Sylvia's mother, Sylvia's.
Speaker 4 (16:46):
Busy, thanks nearly trying the.
Speaker 3 (16:49):
Vocal on this song has always impressed me because he
is so emotional about Sylvia's silvis.
Speaker 8 (16:55):
Mother said, Sylvia's chim to start, you.
Speaker 3 (17:04):
Would it's sad man, mother said, massive Pierce.
Speaker 6 (17:10):
So why don't you relieve?
Speaker 3 (17:14):
But it is so sad and quivery.
Speaker 2 (17:16):
The vocals four cents more.
Speaker 3 (17:22):
On the next three God jump.
Speaker 2 (17:34):
Told me keep.
Speaker 3 (17:38):
Just hearing this back today. I'm gonna have to strip
the lorics of this song because this is heartbreaking.
Speaker 5 (17:43):
I've said, if it happened to you, what slap me
hard in the face, and no names are about to
be mentioned. That's quite beautiful song that has happened to
me in person.
Speaker 3 (17:56):
So what you're saying here is that you've had a
partner in the past, that you've gone separate ways, and
you've tried to reach out and the mother has said no,
she's trying to move on.
Speaker 5 (18:05):
Yes, So let's call her Sylvia, not her real name.
Okay was overseas and sure, yeah, and Sylvia and I
had been hooking up and talking before she went overseas,
and then she went overseas, and Sylvia's mother found out.
Speaker 4 (18:24):
Sylvia's mother called.
Speaker 5 (18:26):
Me and said, you are going to come and have
a conversation with me because this is not this is
not happening, right.
Speaker 3 (18:33):
So, so Sylvia's mother was not too stoked about that
you might have been distracting her daughter from having this
time overseas and reship.
Speaker 2 (18:40):
Ah.
Speaker 3 (18:41):
So it was actually she was not happy with you
in the relationship.
Speaker 5 (18:44):
So she wasn't happy that I was taking Sylvia out
of another relationship.
Speaker 3 (18:48):
Ah. There was a bit of a crossover situation. I
can understand maybe Sylvia's mother's thinking.
Speaker 5 (18:53):
And Sylvia's mother threatened me, right, Sylvia's mother threatened that
her friend from South Africa was going to come over
and deal with me.
Speaker 3 (19:02):
Okay, yeah, that's that's quite intense here. I mean, I
don't agree with that part of it from Sylvia's mother.
Speaker 5 (19:08):
Sylvia's mother named a name and said this person is
going to come over from South Africa and deal with
this situation, and you don't want that to happen.
Speaker 3 (19:17):
It wasn't Oscar Storious. Sorry, I'd be very fearful of all. No, okay, no,
that's good. I'm having a looking at the lyrics to
the song. It's absolutely tragic. So obviously Sylvia as a
person doctor Hooks dating. I don't know if it's his
real name, Doctor Hook. I know no information on that.
(19:39):
I should also like, I feel bad I'm leaving out
The Medicine Show because of course it's it's Doctor Hook
and the Medicine Show, is it? Yeah?
Speaker 5 (19:46):
Well I did not know that.
Speaker 3 (19:48):
Yeah album, Doctor Hook in the Medicine Show.
Speaker 5 (19:50):
I know about Old Crow Medicine Show that did Wagon Will,
but I don't know about Doctor Hook.
Speaker 3 (19:53):
What. Yeah, So the album that the songs on Sylvia's
Mother is Doctor Hook and the Medicine Show.
Speaker 5 (19:58):
Oh fuck off, No it's not, but we're.
Speaker 3 (20:00):
Not sure it is artist Doctor Hook in the Medicine Show.
Get this up here, Jesus Christ, look a thing?
Speaker 4 (20:08):
The hell?
Speaker 6 (20:09):
Wow?
Speaker 3 (20:11):
I get yourself a favor. If you're listening along at home,
search up Dr Hook and the Medicine Show. Jesus Christ,
how are those pists coming up with beauty of such?
I mean, listen to this once more. I'm sorry to
bring this up, because it's quite wrong for you and charge.
Speaker 6 (20:37):
How old.
Speaker 3 (20:39):
Yeah, like I'm going to have to turn that off
just for your sake, sorry, mate, because that is that
is very very full. I just I just wanted to
talk to her, Yeah, of course, mate, And you know
what I.
Speaker 4 (20:50):
Did talk to her.
Speaker 5 (20:51):
Yeah, And that was the last conversation I had with there.
I talked to her. She was overseas. I was in Auckland.
Speaker 3 (21:00):
It's amazing people hang on to things like this.
Speaker 5 (21:02):
This is incredible, and she she has that. There was
no sorry there is. It was just this is not
going to happen. The mother had got to her and
the boyfriend had got to her.
Speaker 3 (21:17):
So had she decided if we're getting too far into this,
it's totally fun and we can stop. But had she
did so, she decided to end things with you, had
you gone to see her and thought, you know what,
I'll take all this ship, I'd rather just be with you.
Speaker 4 (21:30):
I had booked a flight to Sydney.
Speaker 3 (21:33):
Yeah, it's at it amazing. I remember the last couple
of conversations I've had with all my very well, with
one in particular, a relationship that was very good to
me and she was amazing, and it's amazing how like
you remember those last their last interactions fall on man,
it's a memory that will never ever leave you. Right,
we'll take another break, and then should we come back
(21:53):
with a couple more soft ones and then we'll get
out of here. Are you okay? Do you need a second?
Speaker 5 (21:57):
I need a break?
Speaker 3 (21:58):
Okay, all right, and we're back. Rudy, you've had a
bit of a cry. You've got everything out of your system.
You're doing okay.
Speaker 4 (22:08):
I'm good.
Speaker 3 (22:08):
Sylvia's mother really broke your heart there, reminds.
Speaker 4 (22:11):
You of such a familiar story.
Speaker 3 (22:13):
Yeah, it is a beautiful story. It is a familiar
story to so many people.
Speaker 5 (22:16):
Unnecessary the story. Yeah, that's need to happen that way.
Speaker 3 (22:20):
Oh, I've got another tune for you, if it's okay,
Hopefully it doesn't stir up any issues from the past.
Speaker 5 (22:25):
So this is from yours. So this is what Spotify
put on for you.
Speaker 3 (22:32):
That's right, Rhoda used today. I cranked up my new
day list playlist, which is a which is a playlist
that Spotify makes for you on the history of what
you listen to at this time of the day. Laugh
with me and this song here just wound up rock set.
Must have been love. I mean, listening to this rude,
it's lovely stuff.
Speaker 4 (22:52):
No, I know this song very well.
Speaker 5 (22:54):
Actually it's like.
Speaker 3 (23:00):
A slap dass. What's going on over there?
Speaker 5 (23:06):
Soh Sylvia from Sylvia's Okay, right, the story I told
just before the ad break.
Speaker 3 (23:16):
Don't ruin this song for me.
Speaker 5 (23:19):
There was a particular love making incident with Sylvia not
her real.
Speaker 3 (23:22):
Name, Sylvia's mother.
Speaker 4 (23:24):
No no, no, no no no no no no no
no no no no no no no no no.
Speaker 3 (23:27):
There would have been a real twist. Actually, can you
just put a pen in the last songo? Okay, as
you will.
Speaker 5 (23:44):
So this was back in the day before people had
like phones with speakers and things.
Speaker 3 (23:49):
Yeah.
Speaker 4 (23:49):
Sure, And.
Speaker 5 (23:52):
This particular song was on a playlist that I made
for Sylvia not her real name, and we were listening
to said playlist one day while making courtus and this
particular song I remember because Sylvia and I made love
(24:16):
to this song and both of us are wearing a
headphone each that was connected. Yeah, it was connected to
the iPod.
Speaker 3 (24:25):
I was scared that your story is going to take
away from this song, but it's added to it. Rud
and oh yeah, you guys making a lie.
Speaker 5 (24:34):
Yeah, and that one from memory that was the third
time of four times that particular day. Oh it was
the last time. Those where the water flows. After the
(24:55):
third time, we were in and showered and then did
it again.
Speaker 3 (25:00):
Okay, we're going to move on from that song. So
that was song number five. I believe on my day
list that Oh my god, when I woke up on
Sunday morning. So far, I've had two songs in a
row that have reminded you of an ex lover real name. Now,
this was song number six that came on't Now, A
bit of a left field one. I didn't expect this
from Spotify, but they gave it to me, and tune
(25:21):
is well saying this is boys to men on bended knee. Ready,
good morning, song number six, ruder. You just wait for
the chorus of this bitch.
Speaker 4 (25:35):
I know this one very well. I know I know
into the Road really well.
Speaker 3 (25:43):
It's just waged. That's why I was surprised by the
selection from Spotify. Is I know the end of the
road really well, too.
Speaker 5 (25:48):
Great tune and it's so hard to say good buddy yesterday.
Speaker 3 (25:52):
Great tune. But listen to this ruder, let you go.
(26:12):
I needs this love this stuff.
Speaker 5 (26:14):
Also, it's also got a really good love making temper.
Speaker 3 (26:18):
It does for those that are at home who can't see.
Right now he is thrust in the disk with Jeremy
usually in which sons I think it might be a
key change in the song.
Speaker 5 (26:28):
As well, which I'm sure there's a key change, which.
Speaker 3 (26:30):
Also got me juzzed up. So if we could just
speak for the next couple of minutes, walk way for
the key change to kick in. You've got Spotify was
nailing it for me on Sunday morning, and I had
the thought, I thought, you know what radio is, fuck mate,
radio is fun. So I've decided to hand my resignation today.
Speaker 8 (26:47):
No I haven't.
Speaker 5 (26:48):
No, you you need to milk every drop out of
that today.
Speaker 4 (26:53):
You need to milk every drop out of that radio today.
Speaker 3 (26:56):
I'm going to still be sitting in this chair about
eighty years from now. No one's going to listen to
the radio in about forty of those years. But I'll
keep turning. I'll keep turning that Dill.
Speaker 4 (27:05):
It's the morning, Meshy now.
Speaker 5 (27:07):
Just I'm going to years of our Lord twenty one
to oh four.
Speaker 3 (27:12):
So maybe tomorrow at the risk of injury both not
being back. If you could maybe send us on Instagram
your Sunday morning tunes, got'd be great. We could have
a look at some of those tomorrow if the boys
aren't here. Oh my god, voice to men's part of
(27:37):
your I think, I mean, it's a classic voice to me.
And they've shoved an extra couple of choruses in there
that we maybe didn't need. So the song ends up
being about five and a half minutes.
Speaker 4 (27:50):
But you can forgive an extra chorus with a key.
Speaker 3 (27:53):
Change if you're going to run It's actually it's a
great rule of thumb. If you're going to run a
third and fourth chorus, you better be a fucking key
change in there.
Speaker 5 (28:00):
Where the world's got about ten choruses at the end
is only one key change though.
Speaker 4 (28:05):
Oh but there's.
Speaker 3 (28:06):
Also that sounds like a key change, and there's so
jar ringsteen this sea picture going on. Baby, I thought
about this part of the song. Yeah, so this eight
o'clock on a Sunday morning.
Speaker 5 (28:22):
Please, I'm walking around my room, baby, and no, it's
just I know you're just christening and I'm.
Speaker 6 (28:28):
Sorry for me.
Speaker 3 (28:37):
I think it's the key change coming up here.
Speaker 2 (28:41):
I want to know.
Speaker 6 (28:43):
Here we go.
Speaker 3 (29:25):
Okay, I'm just gonna fade out now apparently this song, well,
is that how that song ends?
Speaker 5 (29:32):
Does that really how the song ends? I felt like
it's got to be some radio edit ship going on there.
Speaker 3 (29:37):
Okay, No, that's fear then. And I can't remember what
song came after that on my day list Spotify playlist.
But that was a bit of an update there for
how my Sunday morning went. Yesterday with six great tunes.
We had Dan Hill and there dr Hook, Dire Straits.
It was all on and of course quite scarring that
episode for you thinking back to your ex.
Speaker 5 (29:56):
Lover Sylvia, Sylvia not a real name.
Speaker 3 (30:00):
And you hit that incident she almost got the man
on blades overhead her yeah, come get you?
Speaker 5 (30:08):
Yeah okay, And then I saw Sylvia. There was this
one night I was playing in a band.
Speaker 3 (30:13):
Did you see Sylvia?
Speaker 5 (30:14):
Later in life, Sylvia came in? What she came in
because she was in She was at a birthday celebration
at the back of the bar and she came up
to the front.
Speaker 3 (30:26):
Was the song.
Speaker 5 (30:27):
Playing and instead of do you know what? This showed
me how mature Sylvia was at the time Sylvia walked
up to me as I was singing and playing guitar okay,
and she danced a little and she stood there and
did the fingers at me?
Speaker 3 (30:48):
Did she?
Speaker 4 (30:49):
Yeah? Sylvia fingers at me.
Speaker 3 (30:51):
It wasn't like one of those flirtatious fingers, was it. No,
I haven't seen in a while.
Speaker 5 (30:56):
It was like a real scowl on her face, middle fingers,
both hands.
Speaker 3 (31:01):
What was up her?
Speaker 4 (31:02):
And well?
Speaker 3 (31:03):
So mother?
Speaker 5 (31:05):
I think it was the boyfriend that had been involved.
Speaker 3 (31:08):
Was he still?
Speaker 4 (31:09):
He was around?
Speaker 5 (31:10):
We're going to need some more Sylvia. The boyfriend was
waiting while I was pepping my stuff up. I was
just like, hid down.
Speaker 2 (31:19):
I don't.
Speaker 3 (31:20):
I'm sorry to hear that. Mate. Well, you know what
I might do? Just play this chorus one more time
to really cleanse the pellette for you. You're just thinking of this,
I think, one more time about Sylvia and then you
can let it go. Okay. After this chorus you're letting
her go, ruder. I always think you're gonna let it go.
Speaker 6 (31:38):
Okay.
Speaker 8 (31:39):
Here we go, Sylvia up one more time, a little baby.
Speaker 3 (32:03):
Oh there you go, mate, You just gotta let it go.
Now you've heard that for one last time. You know,
it's like jokes aside as we talked about that, I
did think to myself, isn't it bizarre? You and I
are very similar to it in the sense the way
we think about people in our past is every story
is a sad story when it comes to people that
have come and gone for me for some reason as well.
Speaker 4 (32:22):
Oh okay, And I.
Speaker 3 (32:23):
Think about that with Sylvia as well. I hope you're
okay about Sylvia.
Speaker 4 (32:27):
Oh look, you're also the.
Speaker 3 (32:29):
Type of person a lot like me to think about
these things twenty years on, even if you don't have
feelings towards them anymore.
Speaker 5 (32:35):
Like feeling towards the story in sixteen years later.
Speaker 3 (32:38):
It's amazing how these things just hang around, don't.
Speaker 5 (32:40):
They They do, But you know, they're all part of
the tapestry of life, and they all you know what,
you know what, you know what?
Speaker 4 (32:47):
Actually sure what? Because I had a lot of guilt about.
Speaker 5 (32:50):
That particular situation for a really long time, okay, but
and a lot of angst and a lot of sadness.
Speaker 4 (32:57):
Yeah, And then one day my first.
Speaker 5 (33:00):
Child was born, my daughter, Wow, And I looked at
her and I said to myself, all of this other
stuff that's happened that I've felt bad about, and that
I've felt guilt about. I need to not worry about
it anymore, because if it wasn't for that stuff, I
wouldn't be here right now with this beautiful baby.
Speaker 3 (33:20):
Isn't it amazing?
Speaker 5 (33:21):
And a perspective slap me on the face.
Speaker 3 (33:24):
I reckon. I'm looking forward to that as well, because
I'm still the top. I'm still at that age where
you carry quite a lot of guilt with you. I
think about again, a previous relationship and stuff like that
that you got Jesus that I really have to be
like that, But I'm sure at some point, but a
perspective will slap me across the face. And mate, look
that's all going to be okay, you got some things
to focus on now to So shall we make shure?
(33:45):
We we're just going to bang this out, are we?
We're going to bang this out and we'll come back tomorrow.
Speaker 5 (33:50):
Well, because I've heard of a sick to me, so
I couldn't. I'd have to probably carry the child.
Speaker 6 (33:54):
I'll come.
Speaker 4 (33:56):
Mad, comet what up there?
Speaker 3 (34:02):
Okay, we'll see tomorrow over the boys a bag? Sorry
about that. Punishments, Oh God.
Speaker 1 (34:10):
Hello, I'm Matt Heath. You have been listening to the
Matt and Jerry Daily Bespoke podcast. Right now you can
listen to our Radio Highlights podcast, which you will absolutely
get barred up about anyway, Sit to download, like, subscribe, write, review,
all those great things. It really helps myself and Jerry
and to a lesser extent, mess and ruder. If you
want to discuss anything raised in this pod, check out
(34:31):
the Conclave, a Matt and Jerry Facebook discussion group. And
while I'm plugging stuff, my book, A Lifeless Punishing Thirteen
Ways to Love the Life You've Got is out now
get it wherever you get your books, or just google
the bastard.
Speaker 5 (34:43):
Anyway you seem busy, I'll let you go.
Speaker 4 (34:46):
Bless Blessed, blessed. Give them a taste of keyw from me,
Hello, it's Matt Heath here with a massive self source.
My number one best selling book, A Lifeless Punishing Thirteen
Ways to Love the Life You've Got, is out now.
It's the result of a deep dive I took into
how to deal with the emotions that make our lives
more punishing than they need to be. Karan Reid wrote,
Matt has a hilarious way of articulating an important message,
highly valuable advice for Anyone. Newsroom described it as good,
very good, indeed, and under Juris Dremy Well see had
(00:21):
met as a deep thinking, highly intelligent human being. The
number one best selling are Lifeless Punishing Thirteen Ways to
Love the Life You've Got, as available in all good bookstores.
Speaker 2 (00:29):
Now let's get bizar.
Speaker 3 (00:51):
Spoken soul all along to the Mat and Jerry Show podcast.
It is the eighth of the seventh month in the
Year of Our Lord, twenty twenty four. My name is
Mash and this is Ruda.
Speaker 4 (01:10):
My name is Ruda, No mattal Jerry.
Speaker 5 (01:12):
Today I work in the room next door.
Speaker 3 (01:14):
Do you know what the planet of attack was for today?
Going into this week? I thought, by the way, if
you on you were around here, myself mash and this
is Ruda and we produced this show. Matt and Jerry
are both way today. The plan of attack was Matt
had a week off down in the pretty city of Dunedin,
but Jerry fell sick. So it's the two of us
today on the on the radio show, wasn't it?
Speaker 4 (01:35):
Yeah?
Speaker 5 (01:35):
And you know, to be fair, I do miss Jerry.
He's got a very calming influence.
Speaker 3 (01:40):
Well, I miss Matt.
Speaker 5 (01:41):
So I didn't mean that I didn't miss Matt. Sorry,
I didn't mean I don't.
Speaker 3 (01:47):
Have Matt so much trouble.
Speaker 5 (01:51):
Sorry, Can I just explain this? I mean because Matt
was supposed to be away, but I don't know Matt
will listen to this.
Speaker 4 (02:00):
So will Matt listen to me?
Speaker 5 (02:02):
I'm looking, I'm looking exactly where you would sit normally, Matt,
I would miss you when you're away, but I thought
you were already going to be away. So I was
saying Jerry, who I thought was going to be here,
I missed him.
Speaker 3 (02:14):
But I still this is strange. So you've chosen Jerry's seat.
I've chosen my seat. Surprise, surprise, I've decided to keep
the same seat. You've chosen Jerry's seat. Matt seats to
the left of me. In the past, you've used Matt seat.
Speaker 4 (02:27):
Yep.
Speaker 5 (02:27):
Today Jerry's here, I've used met seat.
Speaker 3 (02:30):
So your favorite position in the studio is for those
listening at home who can see the studio, there's there's
four mics in here. There's four hot spots. One me,
I'm behind the desk. R Jerry is to the right
of me of the top of some screens. And then
you've got Matt who will be to the left of me,
and then directly across from me as our guest Mike,
and that's usually you.
Speaker 4 (02:48):
That's right.
Speaker 5 (02:48):
That's where I would normally sit during a pod because
I don't come in during the radio show. Match very
simple reason I wouldn't sit at my normal seat because
I need computers in front of me for the radio show.
The main reason I'm sitting in Jeremy Well's seat because
I had my head and the headlines game. So I
feel like I need to sit in the same seat
(03:10):
because I knew I was reading the news headlines during
the radio show, and so to get my head in
the right space. Despite the fact that probably made up
about five percent of the radio show, sure, I wanted
to sit in the seat. It's not a good reason,
but it's enough of a reason and it feels like
the right kind of vibe.
Speaker 3 (03:27):
Hey, can I play you something and then you can
shoot your thoughts on that.
Speaker 4 (03:32):
I'd love you to do that.
Speaker 3 (03:33):
Okay, are you ready for this? Oh? Wait, No, that's
not what I thought it was going to be. I've
just found the wrong page. Buttons here be with me
with me a lot. No, I wasn't the girl. No
looking for that there, and I'm looking for this here.
I crank it hoty ah. So yesterday I woke up
(03:56):
on a Sunday morning, m I love it. And there's
this new feature on Spotify and it's cooled. I think
it's just your daily mix. And the idea is that
when you start up your daily mix playlist, is it
takes what you usually like to listen to at that
time of the day. It's another one of those things
that's come out and it's gone. Radio is even more fucked,
(04:18):
but not really not really what I want to focus on,
as if when you crank up that playlist, it tells
you what you're used to listening to it at that
time of the day. So yesterday morning, on a Sunday morning.
I just started up my daily playlist, and I mean
glad Us Nights and the Perps comes on and tell
me a world where I'm supposed to have a bad
day after this song coming on at seven o'clock in
the morning on a Sunday, the sun's coming up.
Speaker 5 (04:40):
Well, I'd rather live in this world.
Speaker 6 (04:44):
Ah G on a mid that train.
Speaker 3 (04:51):
And I was thinking to myself, you'd be the perfect
person to ask. And it's also something we've done here
in the past on the Meet and Jury Show podcast.
On this we used to do soft on a Monday.
We would play tunes that just keept us soft after
a big weekend on the Wheeze often often, And I thought,
is that there that tune? Were not trying to Georgia
by Gladys Night and don't forget the PEPs, no, the
(05:13):
pips there in the background. Is there the best possible
Sunday morning tune to come on?
Speaker 6 (05:19):
We're out here the pers.
Speaker 3 (05:28):
I mean glad Us Night Jesus.
Speaker 5 (05:30):
So I'd possibly also float at you because of the
content of the subject, the lyrics. That's why I'm easy
easy like Sunday Morning. Sure, we'd be right up there.
Speaker 3 (05:42):
Do you want to fire up your computer and then
you can start playing some stuff that you think of,
because if you've never done a soft on Monday before,
ruder though. One of the great things is if you
just fire up.
Speaker 5 (05:51):
Your computer, we're not going to have that problem with it,
Jeremy as every time.
Speaker 3 (05:55):
Ah, you've chosen that computer to sit out the one
air problem.
Speaker 4 (05:58):
With the one air problem.
Speaker 5 (05:59):
Can I can I just say actually about about this song? Yeah,
beautifully sun.
Speaker 4 (06:07):
By. I wonder how many pips there were.
Speaker 5 (06:10):
I'd always assume if you read about three, I reckon
this three there, yeah, maybe four?
Speaker 4 (06:18):
Now I reckon there's three.
Speaker 3 (06:19):
No more than four? Though, No, you reckon there's no
more than three. I mean they sound great anyway, what
you say, I.
Speaker 5 (06:27):
Am going to go so far as to say, and
I paused because I wanted to consider what I was
about to say. I am going to go so far
as to say, this song contains some of the greatest
backing vocals of all time. They're very cleverly done, like
(06:47):
it's a whole different story in the background.
Speaker 4 (06:49):
Of the song.
Speaker 3 (06:58):
Oh, they sound great. It would be a great four
pilaze to run on the Managery Show. Actually, there's the
four pillars of backing vocals, because I think Ebba might
get close to it as well. What sorry, what Sunday
morning rendition? Were you looking for?
Speaker 5 (07:12):
Sunday Easy by the commodorees.
Speaker 3 (07:14):
That's the commodore's that's.
Speaker 5 (07:16):
Not the faith, no more one, no, no, it's not
just Jesus. That's what you call a fear or cover.
Speaker 3 (07:23):
Who's the Commodore's on here? Commodos and the system of
just just communists? No, not not not the communists either.
Speaker 4 (07:31):
Are you sure?
Speaker 3 (07:32):
Yeah? Here we go?
Speaker 5 (07:33):
Okay, yes, I mean another great Sunday morning song.
Speaker 3 (07:37):
But it's almost too literal for me because if I
wake up but it does on a Sunday morning and
someone's telling me it's easy like a Sunday morning, but
it doesn't get.
Speaker 5 (07:47):
To the literal part of the song for a while.
So you've got the piano intro.
Speaker 3 (07:51):
Oh this is great.
Speaker 4 (07:52):
Then you're starting to wake up.
Speaker 5 (07:54):
You're examining the crimes you're committed last night, not actual crimes,
and you're reflecting on maybe in unrequited love right there
because you're working up alone or next to the wrong
thrif And.
Speaker 4 (08:15):
Then he's not even there yet.
Speaker 6 (08:20):
Swammy.
Speaker 5 (08:21):
See how long into the song is this? He doesn't
say it until over a minute. I mean it's a
great churn, pretty good backing vocals.
Speaker 3 (08:36):
Just have me looked through my playlist so you have
seen what I'm running is of late Oh man, this
is great songs.
Speaker 4 (08:43):
See the reason.
Speaker 5 (08:46):
I'll just let you finish their line or sorry about that.
See the reason why I singled out the backing vocals
in Midnight Train to Georgia versus the backing vocals, And
that is because it's just ours or peating lines in
the song or harmonizing rather than a different story that's
going on.
Speaker 3 (09:09):
This is another one that's going to high rotate for
me at the moment. I'm sure back in the day
when we were running soft on Mondays, you're on the
Meet Injury Show, this was brought up at some point.
But God, Dan Hill, you ask me I love you
in actual karma.
Speaker 5 (09:24):
Reply that's the mislead you w that's not true you.
Speaker 7 (09:36):
To judge.
Speaker 3 (09:40):
I think that's a very good point, actually, Daranhill.
Speaker 5 (09:42):
Just I I'd rather hurt you honestly than mislead you
with alive for instance, can you put sorry? Can you
pause it? Hey, mesh Yeah, bro did a great job
on the radioto this morning.
Speaker 3 (09:56):
Well, I see that feels hard?
Speaker 5 (09:57):
No, no, oh, hang on, So what is it? I'd
rather hurt you honestly than yeah, So what would you prefer?
I don't like ash great job pressing the buttons on
the radio show.
Speaker 3 (10:07):
That's a lovely thing to say, if that's truthful.
Speaker 4 (10:10):
But would you prefer that?
Speaker 3 (10:11):
But are you misleading me with misleading you with a lie?
Speaker 7 (10:18):
Sometimes?
Speaker 5 (10:19):
Well, we touch all the song the honesty is too.
Speaker 7 (10:26):
And I have to close.
Speaker 3 (10:27):
My Okay, we're just going to pull you there, damn hill.
Speaker 4 (10:33):
So have you ever played hide and seek?
Speaker 3 (10:36):
Meshy, Well, every time we touched the honesties too much. Now,
there is some love in that cuddle, and I respect
sometimes I've just never felt that kind of love them before.
I've got to be honest with you. Ever felt the
embrace of a woman or a man and thought, God,
the honesty and this is just too much? So I'm
going to have to hide myself? Is that what he
essentially says?
Speaker 5 (10:53):
There, I'm gonna I'm going to come out before he
closes his eyes and hides. Sometimes when we touch the
honesties whom that's.
Speaker 4 (11:02):
Yeah, there's a few woman I can think of.
Speaker 5 (11:10):
Two, lad I part makes perfect sense to break down.
Speaker 6 (11:15):
Yeah, sure, to hold you till the food.
Speaker 3 (11:23):
I mean, lovely stuff is that. I will say this,
there's nothing more beautiful than the moment if you ever
get to love someone and then hold them and then
embrace a cry togither, it's one of the more beautiful
moments of a life. Yeah, I've been crying with someone
is very full on.
Speaker 5 (11:38):
It's always awkward though, when only one of your cries,
because like you know, and can I just clarify when
he cries for a good reason? Yeah, yes, because it's
It's a lot like the thing of maybe you're making
love to someone that's never said I love you before,
(12:01):
and then in the midst of the love making, Yeah,
they just yell out right.
Speaker 3 (12:06):
Okay, do you know what this is making me think of?
I love it of a dire straight song that I'm
trying to find.
Speaker 5 (12:14):
One where you're going what's that one called Romeo and Juliet?
Here are your muppets?
Speaker 3 (12:20):
Then we find it?
Speaker 5 (12:21):
Sorry, no, it's a right.
Speaker 4 (12:23):
Do you want to take an ad break while you
find it? Is that possible?
Speaker 3 (12:25):
My god? It's not in the system.
Speaker 4 (12:29):
Yeah, Romeo and Juliet.
Speaker 3 (12:30):
Romeo and Juliet. Okay, so that's not there. Where are
you Romeo and Juliet Keith Urban Oh oh, this is
a tune that I've just found on the way to that. Okay, cool, cool,
I've got that ready to go. We'll take a break
and we'll come back with that's breaking down Romeo and Juliet,
(12:51):
probably about the third time on the Mat and Jury Show,
Daly Bespoke Podcast. All right, okay, and we're back. We
took a break there as I found a couple more
tunes to play on this what is turning into a
soft on Monday, but not quite before you were talking
(13:13):
about making love to a woman and one of you crying, yeah,
but the other one of you not crying.
Speaker 5 (13:18):
Well, this is when we make Oh hang on, yeah,
when we made love. You used to cry.
Speaker 3 (13:24):
Every time I played this tune on the podcast. Gordon Kenny,
my father, reaches out and says, che son, he loves
a song.
Speaker 7 (13:34):
I love struggling with meals just fiddling away back here,
lean everybody, lord, we love Solan Street.
Speaker 5 (13:46):
Lad steps out of the sheet, says something.
Speaker 2 (13:51):
You and me be.
Speaker 3 (13:54):
He pulls that I can pulls that.
Speaker 5 (13:57):
Sorry, a little problematic, finds a street light and steps
out of the shade.
Speaker 4 (14:05):
So what was he doing in the shadows? Okay?
Speaker 3 (14:09):
Oh so hang on, so he was away in the show.
And then he said Romeo.
Speaker 4 (14:13):
Juliet's hiss, hats Rod again.
Speaker 6 (14:16):
The window, the window, my body friends down.
Speaker 4 (14:21):
You shouldn't come around here singing, singing up people, not sneaking.
Speaker 3 (14:27):
What you're going to do about this chorus one of
the great choruses.
Speaker 6 (14:31):
Here we go.
Speaker 7 (14:33):
The dates was loaded from the start, and then the
movie song where You're going to realize it was.
Speaker 5 (14:51):
Just ok, I think that's that's just that's a beautiful
saying when you're going to realize it was just that
the time was wrong. I don't know, man, there's another
Have you ever felt like that about a woman? Of course,
and you think this should have been really great? Yeah,
if you weren't with him.
Speaker 3 (15:10):
I've got one x specifically that I think.
Speaker 5 (15:12):
In a different and very specific of me.
Speaker 3 (15:14):
So in another world that definitely could have worked out
just fine. Yeah, I'm sure a lot of people feel
like that day. I've been very lucky with the partners
that I've had though that I think in a different world,
all of them probably could have worked out.
Speaker 4 (15:27):
Just who the time was wrong, just cheerly was wrong.
Speaker 3 (15:30):
And this song he is also Morrison pisting away. This
is also a song that came on after glad Us
Knights and The Perch yesterday on My Daily Mix that
I'm now getting fed to me via Spotify. Isn't that
kind of wild though, that we live in a world
now where my phone has told me that I love
(15:53):
to listen to this type of music on a Sunday morning.
So here you go. Here's about thirty songs that we reckon.
You're gonna enjoy shuffle them, and not one song on,
not one song was a shitter.
Speaker 5 (16:03):
How many songs are you talking?
Speaker 7 (16:06):
I reckon?
Speaker 4 (16:06):
I played seven or eight?
Speaker 3 (16:08):
No, that doesn't sound like many, but seven or eight
good tunes back to back was Dre I'm just Gonna
Fire up a doctor hook song.
Speaker 5 (16:17):
Was this on the list? Or is this just an
add on?
Speaker 4 (16:21):
No? This from the Meshy.
Speaker 3 (16:23):
No, this is not an ad on. This is also
what followed up this Morrison's song my Daily Mixed yesterday.
This is just I mean, this really is just a
soft on Monday. Here isn't it.
Speaker 5 (16:32):
This is Sylvia's mother, This is Sylvia's mother.
Speaker 3 (16:34):
It also came on yesterday morning.
Speaker 5 (16:36):
I mean, come sorry, I came on Sylvia's mother.
Speaker 3 (16:39):
I came on yesterday.
Speaker 5 (16:40):
Morning, Sylvia's mother, Sylvia's.
Speaker 4 (16:46):
Busy, thanks nearly trying the.
Speaker 3 (16:49):
Vocal on this song has always impressed me because he
is so emotional about Sylvia's silvis.
Speaker 8 (16:55):
Mother said, Sylvia's chim to start, you.
Speaker 3 (17:04):
Would it's sad man, mother said, massive Pierce.
Speaker 6 (17:10):
So why don't you relieve?
Speaker 3 (17:14):
But it is so sad and quivery.
Speaker 2 (17:16):
The vocals four cents more.
Speaker 3 (17:22):
On the next three God jump.
Speaker 2 (17:34):
Told me keep.
Speaker 3 (17:38):
Just hearing this back today. I'm gonna have to strip
the lorics of this song because this is heartbreaking.
Speaker 5 (17:43):
I've said, if it happened to you, what slap me
hard in the face, and no names are about to
be mentioned. That's quite beautiful song that has happened to
me in person.
Speaker 3 (17:56):
So what you're saying here is that you've had a
partner in the past, that you've gone separate ways, and
you've tried to reach out and the mother has said no,
she's trying to move on.
Speaker 5 (18:05):
Yes, So let's call her Sylvia, not her real name.
Okay was overseas and sure, yeah, and Sylvia and I
had been hooking up and talking before she went overseas,
and then she went overseas, and Sylvia's mother found out.
Speaker 4 (18:24):
Sylvia's mother called.
Speaker 5 (18:26):
Me and said, you are going to come and have
a conversation with me because this is not this is
not happening, right.
Speaker 3 (18:33):
So, so Sylvia's mother was not too stoked about that
you might have been distracting her daughter from having this
time overseas and reship.
Speaker 2 (18:40):
Ah.
Speaker 3 (18:41):
So it was actually she was not happy with you
in the relationship.
Speaker 5 (18:44):
So she wasn't happy that I was taking Sylvia out
of another relationship.
Speaker 3 (18:48):
Ah. There was a bit of a crossover situation. I
can understand maybe Sylvia's mother's thinking.
Speaker 5 (18:53):
And Sylvia's mother threatened me, right, Sylvia's mother threatened that
her friend from South Africa was going to come over
and deal with me.
Speaker 3 (19:02):
Okay, yeah, that's that's quite intense here. I mean, I
don't agree with that part of it from Sylvia's mother.
Speaker 5 (19:08):
Sylvia's mother named a name and said this person is
going to come over from South Africa and deal with
this situation, and you don't want that to happen.
Speaker 3 (19:17):
It wasn't Oscar Storious. Sorry, I'd be very fearful of all. No, okay, no,
that's good. I'm having a looking at the lyrics to
the song. It's absolutely tragic. So obviously Sylvia as a
person doctor Hooks dating. I don't know if it's his
real name, Doctor Hook. I know no information on that.
(19:39):
I should also like, I feel bad I'm leaving out
The Medicine Show because of course it's it's Doctor Hook
and the Medicine Show, is it? Yeah?
Speaker 5 (19:46):
Well I did not know that.
Speaker 3 (19:48):
Yeah album, Doctor Hook in the Medicine Show.
Speaker 5 (19:50):
I know about Old Crow Medicine Show that did Wagon Will,
but I don't know about Doctor Hook.
Speaker 3 (19:53):
What. Yeah, So the album that the songs on Sylvia's
Mother is Doctor Hook and the Medicine Show.
Speaker 5 (19:58):
Oh fuck off, No it's not, but we're.
Speaker 3 (20:00):
Not sure it is artist Doctor Hook in the Medicine Show.
Get this up here, Jesus Christ, look a thing?
Speaker 4 (20:08):
The hell?
Speaker 6 (20:09):
Wow?
Speaker 3 (20:11):
I get yourself a favor. If you're listening along at home,
search up Dr Hook and the Medicine Show. Jesus Christ,
how are those pists coming up with beauty of such?
I mean, listen to this once more. I'm sorry to
bring this up, because it's quite wrong for you and charge.
Speaker 6 (20:37):
How old.
Speaker 3 (20:39):
Yeah, like I'm going to have to turn that off
just for your sake, sorry, mate, because that is that
is very very full. I just I just wanted to
talk to her, Yeah, of course, mate, And you know
what I.
Speaker 4 (20:50):
Did talk to her.
Speaker 5 (20:51):
Yeah, And that was the last conversation I had with there.
I talked to her. She was overseas. I was in Auckland.
Speaker 3 (21:00):
It's amazing people hang on to things like this.
Speaker 5 (21:02):
This is incredible, and she she has that. There was
no sorry there is. It was just this is not
going to happen. The mother had got to her and
the boyfriend had got to her.
Speaker 3 (21:17):
So had she decided if we're getting too far into this,
it's totally fun and we can stop. But had she
did so, she decided to end things with you, had
you gone to see her and thought, you know what,
I'll take all this ship, I'd rather just be with you.
Speaker 4 (21:30):
I had booked a flight to Sydney.
Speaker 3 (21:33):
Yeah, it's at it amazing. I remember the last couple
of conversations I've had with all my very well, with
one in particular, a relationship that was very good to
me and she was amazing, and it's amazing how like
you remember those last their last interactions fall on man,
it's a memory that will never ever leave you. Right,
we'll take another break, and then should we come back
(21:53):
with a couple more soft ones and then we'll get
out of here. Are you okay? Do you need a second?
Speaker 5 (21:57):
I need a break?
Speaker 3 (21:58):
Okay, all right, and we're back. Rudy, you've had a
bit of a cry. You've got everything out of your system.
You're doing okay.
Speaker 4 (22:08):
I'm good.
Speaker 3 (22:08):
Sylvia's mother really broke your heart there, reminds.
Speaker 4 (22:11):
You of such a familiar story.
Speaker 3 (22:13):
Yeah, it is a beautiful story. It is a familiar
story to so many people.
Speaker 5 (22:16):
Unnecessary the story. Yeah, that's need to happen that way.
Speaker 3 (22:20):
Oh, I've got another tune for you, if it's okay,
Hopefully it doesn't stir up any issues from the past.
Speaker 5 (22:25):
So this is from yours. So this is what Spotify
put on for you.
Speaker 3 (22:32):
That's right, Rhoda used today. I cranked up my new
day list playlist, which is a which is a playlist
that Spotify makes for you on the history of what
you listen to at this time of the day. Laugh
with me and this song here just wound up rock set.
Must have been love. I mean, listening to this rude,
it's lovely stuff.
Speaker 4 (22:52):
No, I know this song very well.
Speaker 5 (22:54):
Actually it's like.
Speaker 3 (23:00):
A slap dass. What's going on over there?
Speaker 5 (23:06):
Soh Sylvia from Sylvia's Okay, right, the story I told
just before the ad break.
Speaker 3 (23:16):
Don't ruin this song for me.
Speaker 5 (23:19):
There was a particular love making incident with Sylvia not
her real.
Speaker 3 (23:22):
Name, Sylvia's mother.
Speaker 4 (23:24):
No no, no, no no no no no no no
no no no no no no no no no.
Speaker 3 (23:27):
There would have been a real twist. Actually, can you
just put a pen in the last songo? Okay, as
you will.
Speaker 5 (23:44):
So this was back in the day before people had
like phones with speakers and things.
Speaker 3 (23:49):
Yeah.
Speaker 4 (23:49):
Sure, And.
Speaker 5 (23:52):
This particular song was on a playlist that I made
for Sylvia not her real name, and we were listening
to said playlist one day while making courtus and this
particular song I remember because Sylvia and I made love
(24:16):
to this song and both of us are wearing a
headphone each that was connected. Yeah, it was connected to
the iPod.
Speaker 3 (24:25):
I was scared that your story is going to take
away from this song, but it's added to it. Rud
and oh yeah, you guys making a lie.
Speaker 5 (24:34):
Yeah, and that one from memory that was the third
time of four times that particular day. Oh it was
the last time. Those where the water flows. After the
(24:55):
third time, we were in and showered and then did
it again.
Speaker 3 (25:00):
Okay, we're going to move on from that song. So
that was song number five. I believe on my day
list that Oh my god, when I woke up on
Sunday morning. So far, I've had two songs in a
row that have reminded you of an ex lover real name. Now,
this was song number six that came on't Now, A
bit of a left field one. I didn't expect this
from Spotify, but they gave it to me, and tune
(25:21):
is well saying this is boys to men on bended knee. Ready,
good morning, song number six, ruder. You just wait for
the chorus of this bitch.
Speaker 4 (25:35):
I know this one very well. I know I know
into the Road really well.
Speaker 3 (25:43):
It's just waged. That's why I was surprised by the
selection from Spotify. Is I know the end of the
road really well, too.
Speaker 5 (25:48):
Great tune and it's so hard to say good buddy yesterday.
Speaker 3 (25:52):
Great tune. But listen to this ruder, let you go.
(26:12):
I needs this love this stuff.
Speaker 5 (26:14):
Also, it's also got a really good love making temper.
Speaker 3 (26:18):
It does for those that are at home who can't see.
Right now he is thrust in the disk with Jeremy
usually in which sons I think it might be a
key change in the song.
Speaker 5 (26:28):
As well, which I'm sure there's a key change, which.
Speaker 3 (26:30):
Also got me juzzed up. So if we could just
speak for the next couple of minutes, walk way for
the key change to kick in. You've got Spotify was
nailing it for me on Sunday morning, and I had
the thought, I thought, you know what radio is, fuck mate,
radio is fun. So I've decided to hand my resignation today.
Speaker 8 (26:47):
No I haven't.
Speaker 5 (26:48):
No, you you need to milk every drop out of
that today.
Speaker 4 (26:53):
You need to milk every drop out of that radio today.
Speaker 3 (26:56):
I'm going to still be sitting in this chair about
eighty years from now. No one's going to listen to
the radio in about forty of those years. But I'll
keep turning. I'll keep turning that Dill.
Speaker 4 (27:05):
It's the morning, Meshy now.
Speaker 5 (27:07):
Just I'm going to years of our Lord twenty one
to oh four.
Speaker 3 (27:12):
So maybe tomorrow at the risk of injury both not
being back. If you could maybe send us on Instagram
your Sunday morning tunes, got'd be great. We could have
a look at some of those tomorrow if the boys
aren't here. Oh my god, voice to men's part of
(27:37):
your I think, I mean, it's a classic voice to me.
And they've shoved an extra couple of choruses in there
that we maybe didn't need. So the song ends up
being about five and a half minutes.
Speaker 4 (27:50):
But you can forgive an extra chorus with a key.
Speaker 3 (27:53):
Change if you're going to run It's actually it's a
great rule of thumb. If you're going to run a
third and fourth chorus, you better be a fucking key
change in there.
Speaker 5 (28:00):
Where the world's got about ten choruses at the end
is only one key change though.
Speaker 4 (28:05):
Oh but there's.
Speaker 3 (28:06):
Also that sounds like a key change, and there's so
jar ringsteen this sea picture going on. Baby, I thought
about this part of the song. Yeah, so this eight
o'clock on a Sunday morning.
Speaker 5 (28:22):
Please, I'm walking around my room, baby, and no, it's
just I know you're just christening and I'm.
Speaker 6 (28:28):
Sorry for me.
Speaker 3 (28:37):
I think it's the key change coming up here.
Speaker 2 (28:41):
I want to know.
Speaker 6 (28:43):
Here we go.
Speaker 3 (29:25):
Okay, I'm just gonna fade out now apparently this song, well,
is that how that song ends?
Speaker 5 (29:32):
Does that really how the song ends? I felt like
it's got to be some radio edit ship going on there.
Speaker 3 (29:37):
Okay, No, that's fear then. And I can't remember what
song came after that on my day list Spotify playlist.
But that was a bit of an update there for
how my Sunday morning went. Yesterday with six great tunes.
We had Dan Hill and there dr Hook, Dire Straits.
It was all on and of course quite scarring that
episode for you thinking back to your ex.
Speaker 5 (29:56):
Lover Sylvia, Sylvia not a real name.
Speaker 3 (30:00):
And you hit that incident she almost got the man
on blades overhead her yeah, come get you?
Speaker 5 (30:08):
Yeah okay, And then I saw Sylvia. There was this
one night I was playing in a band.
Speaker 3 (30:13):
Did you see Sylvia?
Speaker 5 (30:14):
Later in life, Sylvia came in? What she came in
because she was in She was at a birthday celebration
at the back of the bar and she came up
to the front.
Speaker 3 (30:26):
Was the song.
Speaker 5 (30:27):
Playing and instead of do you know what? This showed
me how mature Sylvia was at the time Sylvia walked
up to me as I was singing and playing guitar okay,
and she danced a little and she stood there and
did the fingers at me?
Speaker 3 (30:48):
Did she?
Speaker 4 (30:49):
Yeah? Sylvia fingers at me.
Speaker 3 (30:51):
It wasn't like one of those flirtatious fingers, was it. No,
I haven't seen in a while.
Speaker 5 (30:56):
It was like a real scowl on her face, middle fingers,
both hands.
Speaker 3 (31:01):
What was up her?
Speaker 4 (31:02):
And well?
Speaker 3 (31:03):
So mother?
Speaker 5 (31:05):
I think it was the boyfriend that had been involved.
Speaker 3 (31:08):
Was he still?
Speaker 4 (31:09):
He was around?
Speaker 5 (31:10):
We're going to need some more Sylvia. The boyfriend was
waiting while I was pepping my stuff up. I was
just like, hid down.
Speaker 2 (31:19):
I don't.
Speaker 3 (31:20):
I'm sorry to hear that. Mate. Well, you know what
I might do? Just play this chorus one more time
to really cleanse the pellette for you. You're just thinking of this,
I think, one more time about Sylvia and then you
can let it go. Okay. After this chorus you're letting
her go, ruder. I always think you're gonna let it go.
Speaker 6 (31:38):
Okay.
Speaker 8 (31:39):
Here we go, Sylvia up one more time, a little baby.
Speaker 3 (32:03):
Oh there you go, mate, You just gotta let it go.
Now you've heard that for one last time. You know,
it's like jokes aside as we talked about that, I
did think to myself, isn't it bizarre? You and I
are very similar to it in the sense the way
we think about people in our past is every story
is a sad story when it comes to people that
have come and gone for me for some reason as well.
Speaker 4 (32:22):
Oh okay, And I.
Speaker 3 (32:23):
Think about that with Sylvia as well. I hope you're
okay about Sylvia.
Speaker 4 (32:27):
Oh look, you're also the.
Speaker 3 (32:29):
Type of person a lot like me to think about
these things twenty years on, even if you don't have
feelings towards them anymore.
Speaker 5 (32:35):
Like feeling towards the story in sixteen years later.
Speaker 3 (32:38):
It's amazing how these things just hang around, don't.
Speaker 5 (32:40):
They They do, But you know, they're all part of
the tapestry of life, and they all you know what,
you know what, you know what?
Speaker 4 (32:47):
Actually sure what? Because I had a lot of guilt about.
Speaker 5 (32:50):
That particular situation for a really long time, okay, but
and a lot of angst and a lot of sadness.
Speaker 4 (32:57):
Yeah, And then one day my first.
Speaker 5 (33:00):
Child was born, my daughter, Wow, And I looked at
her and I said to myself, all of this other
stuff that's happened that I've felt bad about, and that
I've felt guilt about. I need to not worry about
it anymore, because if it wasn't for that stuff, I
wouldn't be here right now with this beautiful baby.
Speaker 3 (33:20):
Isn't it amazing?
Speaker 5 (33:21):
And a perspective slap me on the face.
Speaker 3 (33:24):
I reckon. I'm looking forward to that as well, because
I'm still the top. I'm still at that age where
you carry quite a lot of guilt with you. I
think about again, a previous relationship and stuff like that
that you got Jesus that I really have to be
like that, But I'm sure at some point, but a
perspective will slap me across the face. And mate, look
that's all going to be okay, you got some things
to focus on now to So shall we make shure?
(33:45):
We we're just going to bang this out, are we?
We're going to bang this out and we'll come back tomorrow.
Speaker 5 (33:50):
Well, because I've heard of a sick to me, so
I couldn't. I'd have to probably carry the child.
Speaker 6 (33:54):
I'll come.
Speaker 4 (33:56):
Mad, comet what up there?
Speaker 3 (34:02):
Okay, we'll see tomorrow over the boys a bag? Sorry
about that. Punishments, Oh God.
Speaker 1 (34:10):
Hello, I'm Matt Heath. You have been listening to the
Matt and Jerry Daily Bespoke podcast. Right now you can
listen to our Radio Highlights podcast, which you will absolutely
get barred up about anyway, Sit to download, like, subscribe, write, review,
all those great things. It really helps myself and Jerry
and to a lesser extent, mess and ruder. If you
want to discuss anything raised in this pod, check out
(34:31):
the Conclave, a Matt and Jerry Facebook discussion group. And
while I'm plugging stuff, my book, A Lifeless Punishing Thirteen
Ways to Love the Life You've Got is out now
get it wherever you get your books, or just google
the bastard.
Speaker 5 (34:43):
Anyway you seem busy, I'll let you go.
Speaker 4 (34:46):
Bless Blessed, blessed. Give them a taste of keyw from me,
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