INTERVIEW: Bryson Tiller Talks New Album Tour, Trapsoul Games, Fatherhood, Overcoming Critics + More

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Episode Transcript

Speaker 1 (00:00):
Wake that ass up in the morning.

Speaker 2 (00:02):
The Breakfast Club Morning, everybody is the j n V.
Just hilarious. Charlamagne the guy. We are the Breakfast Club.

Speaker 3 (00:10):
We got a special guest in the building, the brother
Bryson Tiller.

Speaker 1 (00:13):
Welcome. We showed this is Bryson Tiler.

Speaker 4 (00:15):
What do you mean never?

Speaker 1 (00:17):
I don't think.

Speaker 5 (00:17):
I think I met Bryson once before and we walked
in out still and I was like.

Speaker 1 (00:22):
Is that really Bryceon Taylor?

Speaker 5 (00:23):
You've never been up here. No, he's never been there.
I met Bryson once somewhere where was we at? We
met Bryson? I don't remember.

Speaker 1 (00:31):
Maybe that wasn't him, Maybe it wasn't him.

Speaker 4 (00:33):
It was a radio show, I think a radio show.

Speaker 2 (00:36):
Good morning to you, sir, morning morning, Welcome.

Speaker 1 (00:38):
What you can say yourself? Introvert? Uh yeah?

Speaker 2 (00:42):
Sometimes yeah?

Speaker 1 (00:42):
Sometimes?

Speaker 6 (00:43):
All right, I feel like you don't pop out nowhere.

Speaker 1 (00:46):
I do.

Speaker 4 (00:46):
But that's a common mis conception.

Speaker 1 (00:49):
I'll be out. You do what anxiety like I do?

Speaker 4 (00:52):
Do I deal with Yeah?

Speaker 1 (00:54):
Yeah, So you don't want to be around people, I understand.

Speaker 4 (00:57):
It depends on you know where I'm at.

Speaker 5 (01:00):
About this morning, this morning right now, and it's very chilling,
positive if you want to be here, Yeah.

Speaker 3 (01:08):
You want to if you need, I want to start
from them from the beginning of Brice And how did
you how did you get on? How did you get
your deal? How did you get signed?

Speaker 4 (01:16):
For people that don't know, for people that don't know
how to get signed. I got signed to r c
A through my guy Tani, and uh, you know, I
just basically dropped the song on SoundCloud. You know, I
blew up and was just taking off like every week.
It was just like growing crazy. And then uh yeah,
I just got a lot of phone calls from a

(01:38):
lot of different people, and you know, RCA is where
I went.

Speaker 1 (01:42):
That's pretty So do you do you still care about
about music? No?

Speaker 4 (01:49):
Really, not really, to be honest with you, I do
love music, but uh, I was just telling somebody the
other day it's kind of like a relationship, you know,
like a certain relationship, you know, you put so much
into it, and you know, if you don't know, if
you're not getting nothing out of it, you feel like
you got to step out or get a little side
beat something like that, right, And that's kind of how
I feel about video games. Yeah, yeah, yeah, I've been

(02:10):
designing my own game for about the shirts. I've been
designed my own game for about three years now, so
I've been I've been having a lot of Yeah, I
just I love it. You know, it warms my heart
every time I work on it. I'm super happy. Just
a great thing for me.

Speaker 5 (02:24):
You know, a few weeks ago, you know now Lis
the moment she's a dj OPI and she was playing
with your records and she was like, yo, you got
you had an album, And I was like, he got
an album, And that's what made me ask does Bryce
didn't even care because it seems like it wasn't any
effort to promote the album. I don't feel like it
was real, real marketing behind it.

Speaker 4 (02:41):
You know, it's crazy. I just saw something the other today.
Actually it say something about one of my favorite movies
all time, actually not one of my favorite movie all time,
to Iron Giant flopped in the box office because it
wasn't really promoted like that and it's a classic and
it's my favorite movie, which is crazy, and that just
is an interesting parallel that I'm just like, damn, you know,
I kind of I probably should promote my ship more.

Speaker 3 (03:03):
You know, I would ask what you having such big
records and such a call following is it your reasoning
not to I want to say, be a bigger artist
because your music is huge, But sometimes I feel like
the face is not as big as the music.

Speaker 4 (03:21):
That's definitely yeah. I don't know, man, Sometimes I want
to be a bigger artist, and I'm just like, you know,
I get on stage and you know, it's like a
lot of people, you know, all the cell phone life
and whatnot. I'm like, damn, man, could I do this?
You know, we're living like forever. And then there's other
moments where I'm just.

Speaker 2 (03:38):
Like, hell, what don't you like about the music industry?

Speaker 1 (03:42):
Oh?

Speaker 4 (03:42):
Man, don't get me started. Don't give me start. You know,
there's a lot, it's a lot that I don't like
about the music industry that I'm trying to get used to.
I didn't I didn't like this. This is one of
the first things I didn't like about the music industry
media period. Just like just the work club in general. No, no, no,
everybody everybody's but just everything about it. But that's so

(04:05):
many different things, just even the relationship between artists, like
you know what I mean, it'd be so many like
beefs and shit, like, you know what I mean, people
that don't even know about it, Like I don't know,
it's just weird man trying to talk to people. And
I feel like coming into the industry, you know, I
think a lot of the celebrities that I meet, you know,
forget that. Like I literally was a twenty two year
old kid coming out of Papa John's and ups into

(04:28):
just being in the room with all these people. So
I was like super nervous, like you said, anxiety, and
I feel like maybe some of them it might have
rubbed some of them the wrong way. And I just
I feel like I ain't heard from him since, you
know what I mean. Sometimes I feel like a lot
of people was rocking with me. That's one thing that
I realized, Like people like fame really is like a
thing like cloud is really a thing for some people.

(04:49):
Like if you cloud it up, you got a lot
of fame. They want to be next to you, you
know what I mean, But the moment anything shifts, it's
like they ain't picking up the phone. They don't hit
you up, they don't care, they you know, just they
just don't.

Speaker 5 (05:00):
So did you have an idea of what you thought
the industry was gonna be before you got into it
I did.

Speaker 4 (05:05):
I was just like, oh man, it's just dope. You know,
I'm dope in music. You know, I'm about to be
other people's doper music and we all gonna be cool.
It's gonna be great. And I got here and it
just it just wasn't that at always, you know, be
people that just be having like envy, you know, no
pun intended, but like, you know, they'd be envious or
you know how how quickly you came up, you know,
because I came up pretty quickly, and I felt like

(05:27):
there was a lot of people that was envious to
that naked I could just tell by the way they
talked to me, the way they treated me, you know
what I mean.

Speaker 1 (05:32):
The artists.

Speaker 4 (05:33):
Yeah, like you know, I ain't gonna you know.

Speaker 1 (05:37):
A lot of you should. I think we should tell
the truth of shame the devil today.

Speaker 4 (05:41):
I feel you man, I would, but you know, at
the same time, just like I would just hope that
they would, you know, change, But you know I didn't.
A lot of ignore text messages, calls, you know, And
for me, it ain't about like I think some of
these people that get so caught up and like, oh man,
everybody just won't talk to me because I'm me, and
it's like sometimes, you know, I'm just an artist who
needed advice so badly, and I felt like a ten

(06:03):
minute conversation with one of these people who was like
close to me or at least pretended to be close
to me when I came in the industry would have
helped me so much, because like I was stretched out,
you know what I mean, after my first album, reading
all these bad reviews and whatnot.

Speaker 2 (06:19):
Love Trap.

Speaker 4 (06:21):
It over there right now, it is bricked up.

Speaker 1 (06:25):
You're not even joking, bricked up for two days. Oh
my god. He walked in here just now and was
like knoe kind of nervous.

Speaker 3 (06:34):
Lie even its true, but not even just like you know,
we when we do stuff, we have people that do research.
He was like, I'm doing the research.

Speaker 1 (06:45):
People.

Speaker 4 (06:45):
Love just love to you.

Speaker 6 (06:48):
Trap was a no skip like even bad reviews from
that's still my favorite one.

Speaker 4 (06:53):
You didn't see that until until when like a year
after No, I'm not hearing that, man, people, God amnesia.
I don't I saw the ship. I was there a complex,
I saw the bad reviews I heard, I saw it all.

Speaker 2 (07:08):
But doesn't that make the win better with the fact
that people.

Speaker 4 (07:11):
But you got to think I was twenty two and
I just I didn't understand that, you know what I'm saying,
Like I was young, and I just I took that.
It's like, oh my god, I had, you know, imposter
syndrome for like six years after that, depressed sad, like
didn't even like whenever I go in the studio trying
to like make songs and sh I just wasn't feeling it,
you know, nothing that I was saying the way I
was like, I built up so much, man, just so

(07:34):
much energy before a trap so and I was just
so hype and I was nervous because I was like, man,
it's my first album. I don't know what's gonna happen,
you know what I mean. And when it came out
and then I saw all the negative stuff, it just
confirmed all the things, all the bad things that I
thought was gonna happen, and I was like, wow, yeah,
it might be over for me. But then like a
year later, people started to deem it, like all the

(07:55):
stuff that you're saying, like you know, it's classic blah
blah blah, no skips and all that. I'm just like,
thanks for but I didn't even really realize it until
two years later. So yeah, I don't know, man, I
didn't get to live in that world that that y'all
lived in, you know of like it being great. I
didn't get to live in that, and yeah that was.

Speaker 1 (08:12):
The worst part. Yeah.

Speaker 6 (08:14):
So is that with this new album now that you titled,
you know, South bryceon Tailor? Is do you get into
that into the album like everything that because this is
this is about you, I'm assuming because it's bryceon Tailor.

Speaker 1 (08:27):
No, no, no, I.

Speaker 4 (08:27):
Don't really talk about no personal stuff on that like that.
You know, everything's pretty I would say surface surface level
for the most part. Yeah, I would say, thanks, pretty
service level. Just something that stuff that most people can
relate to. But I get that, like the extra personal
stuff is the stuff that people relate to the most.
But oh yeah, I love the record Persuasion by the way, Yeah,

(08:49):
thank you, Victoria, my nigga.

Speaker 1 (08:50):
I like the way you use words. Hey man, I
got you have he uses a different word to describe.

Speaker 4 (08:58):
Victoria Monet. I gotta think her for that, man, Yeah absolutely, yeah, yeah,
yeah it was She's super.

Speaker 2 (09:05):
So is that what took so long?

Speaker 3 (09:06):
You were you weren't feeling confident that with the music
at that time, because for a minute, it took you
a long time to come back out with some music.

Speaker 4 (09:12):
Yeah, it took a long, super long time.

Speaker 1 (09:13):
That was exactly what it was.

Speaker 4 (09:16):
Twenty twenty. Actually, when I my grandma passed, that made
me be like, I thank you, bro. That was what
made me be like, all right, what am I doing?
Because I made her so many promises, like She's like,
maybe can you do this? We can you do that?
And I was just like, I don't know, you know,
you know, money, I don't know the music. I gotta
kind of watch it right now.

Speaker 2 (09:34):
Promises did she want? What does she ask?

Speaker 4 (09:37):
She wants some new teeth, you know what I mean?
She wanted she wanted a new car, and I remember
I bought her a used car just because I was
nervous about the future. I was like, I don't know
what's gonna happen. I don't even believe in myself no more.
I don't think I'm gonna make music no more. And
then money, my money, money was it was kind of
you know, I ain't never been broke, but you know,

(09:58):
since you couldn't afford thirty grand no, I could afford it.
I could definitely I was because I look at the
money in my bank account like time, so I'm just like,
you know, every time, you know, I'm just like every
time I spend, I'm just shaving down how much, you know,
because I like look at the year expenses and I'm like, dang,
I don't know. So uh yeah not it heard me.

(10:19):
Doubting myself is what prevented me from doing any of
those things for her. So anyways, when she passed, I
was like, what am I doing? Like all these promises
I didn't get to keep. Thought I was gonna do it,
but I just couldn't do it because I was doubting myself.
So at that moment, I was like, I you know,
I made this album called Anniversary, which was like paying
homage to my first album, Trap So, and just for

(10:41):
a couple of reasons, to show people that you can't
go back to you know, people always talk about making
Trap So Too and do it. It's just like that's
that's you can't. I can't do that, you know what
I mean a lot of people can't do that. So
even if I brought like some of the old songs
from Trap So you know what I mean. That didn't
make Trap, so but anyways, that was like my fresh
out the hospital litle bit album, you know what I mean.

Speaker 1 (11:00):
I was like, all right, let me.

Speaker 4 (11:02):
Learn how to walk again and just get back into it.
And then I started doing a lot start making. I
made mixtape Christmas music, and then I was just like,
all right, you know, it's time to time to make
another album, and I just I feel so refreshed right now,
you know, making music, and I have been for a while,
So anytime I go in the booth now I know
exactly what I'm gonna do. Ale years ago, I read
that you said you would you were depressed while creating

(11:24):
the True to Self. Yeah, everything that was after my
first album. Yeah, so everything after Trap so yeah, and
up until my third album, which is Anniversary. So all
the way from twenty fifteen to twenty twenty.

Speaker 1 (11:37):
Is a constant stated depression recording.

Speaker 4 (11:39):
Yeah, absolutely, music, imposter syndrome, everything in between.

Speaker 2 (11:42):
Wow, what got you back to feeling the way you was?
Was it the record.

Speaker 3 (11:47):
With Rihanna, which was probably I'm sure one of your
biggest records. Was it recording?

Speaker 1 (11:50):
Well?

Speaker 3 (11:51):
What even like with this this album, this single came out.
It was automatic. It wasn't one of those where we
gotta wait.

Speaker 2 (11:56):
As soon as it came out. It was in the clubs.

Speaker 4 (11:58):
Yeah see that's and that's that's the thing too, like
whatever she wants. That was dope because it was like,
even with my album, right that's the most I would say,
that's the most successful song on my album right now.
And that's the one that I had to go to
Miami to be like, you know, I was like, you
know what, I'm tired. I was working on the album
The Price until the album, you know, working on all
these songs with my homies Vela's fifteen j Crew Awleys,

(12:20):
dudes writing on the album in poopber and you know,
I got tired of not getting samples clear and I
was just like, y'all, I gotta keep waiting, keep the
laying this album this is this is horrible. So I
was like, you know what, I don't care. I'm about
to go to Miami. I'm about to just go back
to what I used to do, have fun in the studio.
So I started this mixtape series called slum Tiller, and
I did Volume one. People was really rocking with it.

(12:40):
And then I did volume two, and that's when Whatever
she Wants was on her and it was out for
like three months, nobody heard of it. And you know,
I got on TikTok and seeing this kid that was like, yo,
twenty twenty four might be Brice a year blah blah blah.
He back rapping again. And then I looked at the
comments and one of the dudes it's like, nah, bro,
we got a gate keep this, and I was like,
I was just like, oh no, that's the reason why

(13:02):
people ain't hurt my shit. So I was like out
the comments, no no, no, no, no, no no no. But it
was it was a good thing because I made a
TikTok after that made the TikTok and this shit blew up.

Speaker 6 (13:11):
So yeah, you got like an interesting method when it
comes to dropping your music though, because even before we
all heard Whatever she Wants, you put it on SoundCloud
first and then you dropped it on all the streaming platforms.
Is that like your way of like making sure everybody
like it before you drop it, or.

Speaker 4 (13:28):
Like not even actually you know, I just I like,
I'm the instant gratification type of person, so like I
make some shit, I want to be able to drop
it right then and there. You know, I'm not trying
to trying to wait on sample claritys. I'm not trying
to wait on nobody. I just this is how I'm
feeling right now. I want to give it to the
world right now, even if they never hear. I got
some fans that complain and be like, oh, why you

(13:48):
use a SoundCloud? But I'm just like, I can't drop
shit on Apple Music today, you know, like I can't
log in and then you know, just upload, like and
that's why I love soundclouds so much, you know, And
it's the eason why I'm here today.

Speaker 2 (14:00):
The label must be pissed off with that. Do you
just put records on sound cloud?

Speaker 1 (14:04):
Yeah?

Speaker 4 (14:04):
Yeah, they probably do, you know, but they can't be
mad because look at you know, whatever she wants.

Speaker 5 (14:09):
So when you think about all the music that you
recorded while you was depressed, how proud are you of
that music?

Speaker 4 (14:20):
Not proud at all, actually, he said, while I was depressed.

Speaker 5 (14:23):
When you look back on it in hindsight, all the
music that you made during that era, the true itself,
all of that stuff.

Speaker 4 (14:29):
Don't get me wrong, I definitely still got some some
platinum songs out of it, which is great. You know,
I just wasn't operating, operating at one hundred percent wild thoughts.
I was depressed when when I wrote that Verse could
have been playing games.

Speaker 1 (14:45):
You know.

Speaker 4 (14:46):
There's a lot of stuff that I was just you know,
but it's still worked. But uh, you know now I'm
just it's just it's just different.

Speaker 1 (14:51):
You know. Did you feel pressured to record back then?
Like did you?

Speaker 5 (14:54):
Did you feel like nobody's actually understanding what I'm going through.
I don't have nobody to about my depression. Y'all just
want me to work, work, work, work.

Speaker 4 (15:03):
Yeah, I remember cal It you know the best song
if you go listen to us a song that I
did for Calor's Major Key album. I told him before
we did it. He was like, YOA, I need a song.

Speaker 1 (15:13):
The song.

Speaker 4 (15:13):
This is when I'm like super buzzing at the time.
He's like, I need a song for the album, you know,
And I was just like, y' I'm gonna be honest
with you, cal I'm depressed right now.

Speaker 1 (15:20):
I'm not.

Speaker 4 (15:21):
I got a lot going on, law suits, people threatening
me at the you know, back in my hometown, all
types of stuff, and I'm depressed with the you know,
and he was like, nah, man, just just put it
in the music. And then you know, every time I
listen to it, I just I cringed so hard. So
I'm just like, man, this is not who I am,
like even when I'm talking about But yeah, he eventually
ended up bringing me something that like, you know, wild thought.

Speaker 1 (15:43):
So hold on.

Speaker 5 (15:44):
You spielt your heart to cald and you said you
got lawsuits, people threatening in your hometown and you depressed,
and he said, put it into music.

Speaker 4 (15:52):
Something like that.

Speaker 2 (15:54):
He didn't really care, but that's what if they ate to.
That's how Mary made her best recog down music.

Speaker 1 (16:04):
That's I don't like that.

Speaker 2 (16:05):
I'm not mad at that, but in your.

Speaker 4 (16:07):
Music, I see it on both sides. You know me,
I'm more on your side because it's just like, you know,
you should give people a little bit of time. Put
it in music is not always the best thing. Don't
get me wrong, your works for sure. You know, I
hate when I'm going through some ship, but you know,
and then I gotta go like just be like, I
don't know, try to be regular.

Speaker 5 (16:26):
Yeah yeah, but at the moment he's and I'm not disencollagent.
I'm just telling the truth. I'm telling the truth. He's
only thinking about himself. Yeah, think about what he wants.

Speaker 1 (16:35):
Yeah, but your return your texts, Yeah yeah, okay, he does.

Speaker 3 (16:40):
But with a lot of people don't don't necessarily understand.
Is like what he's going through, a lot of people
are going through and you're putting it in your music.

Speaker 2 (16:47):
Helps people deal, you know what I mean.

Speaker 3 (16:49):
That's why Mary has so many fans, because there's a
lot of women that were going through what she was
going through, and they understand and they can deal with it,
like you know what I mean.

Speaker 2 (16:55):
Same thing with Keisha Cole and some of the biggest.

Speaker 4 (16:58):
Look at everybody, I think the biggest thing is this
biggest thing is this, Like if I'm going through all
this personal stuff whatever, but I still got my confidence. Sure,
I go in the studio all day. But if I
don't have confidence and I'm going through stuff, it's just
not a good mixture at all. Like I'll just make
dog shit, you know, which is what I did. Made
dog shit for like six years straight.

Speaker 3 (17:19):
And now you have two daughters, your girl, dad, how
did your daughter inspire and help you all through that
that dog time?

Speaker 2 (17:24):
If they did.

Speaker 4 (17:25):
My second daughter definitely helped because you know, it was
like when I'm making in twenty twenty actually, and I
was just like, I gotta get my ass up and
get to work. You know, I can't. You know, I
was nervous because I was like, I really gotta work now.
My first daughter, of course, she definitely she changed everything
for me. You know, I got that said some million
dollar baby out right now. She really was my million

(17:46):
dollar baby.

Speaker 1 (17:47):
You know.

Speaker 4 (17:47):
She the reason why I got, you know, everything I
got because like, you know, I don't know, it's just
something about seeing her sleeping in the crib. You know,
I was riding a target on the bike just to
get her diapers and shit. But just seeing her sleep
in the crib was like so inspiring to me because
I'm just like, man, that's I'm the only thing stopping
whatever's whatever comes to the door, Like I have to

(18:07):
make sure this roof is over here so she could
sleep peacefully.

Speaker 1 (18:10):
You know.

Speaker 4 (18:10):
And I was just like I gotta do something about this,
like I have to. I can't just keep living check
to check, you know, so super inspired.

Speaker 1 (18:18):
What were the threats in your hometown? Like what was
that about?

Speaker 4 (18:20):
Threats to my hometown? Was crazy? It was like you
know that crabs in a bucket. It kind of felt
like that, and it just, you know, I know, heard
a couple of people talk about, you know, you shouldn't
live in your hometown like Boosie. Yeah, you know, I've
heard it. I've seen people die in their hometown. And
I used to just get threats like people just mad
because excuse me, people mad because I'm like, you know,

(18:42):
blowing up. I was super to myself, like I ain't
really rock with nobody, and I intentionally, you know, stop
rocking with a lot of people after my daughter was born,
because I was like, you know, cause I took a
hiatus right when I found out I.

Speaker 1 (18:53):
Was going to have a daughter.

Speaker 4 (18:53):
I was like, I'm not doing you know, I'm not
doing music, and I need to focus on you know,
you're raising it kid, you know what I'm saying, and
trying to, you know, get a job at UPS. That's
when I forgot my first job at UPS. Anyways, so
I stopped rocking a lot of people. I just wanted
to see who's gonna who's gonna fuck with me and whatnot.
And nobody really called you know this guy back around
the couch swine. He called me you know, those a

(19:15):
couple of people that called me, and those are the
people that are still around today. But three three years
after that, whenever I was like all right, you know what,
maybe I do need to get back into music. Got
back into music, all of a sudden, everybody mad, you know,
because I'm blowing up there like yeah, he you know,
switched up on his real friends and blah blah blah.
Was like real friends, that's crazy and I ain't see

(19:36):
none of y'all. At the hospital when my daughter was born,
nobody called me and said congratulations, you know what I'm saying. So, yeah,
a lot of those people were just sending me death threats,
you know. I was in Yeah, just crazy shit, like
leaving like animal skull heads on my car, like really goldheads.
Like it was corny as hell when we think about it. Louisville, Kentucky. Yeah,

(19:59):
it was like a a burnt up like note like
you reap what you saw passed with you like crazy
weird ship dudes.

Speaker 1 (20:06):
It was like a.

Speaker 4 (20:08):
Definitely one of them demonic ones that they used in
the yeah.

Speaker 1 (20:13):
From like where do you? Where are you from? Okay?

Speaker 6 (20:16):
Yeah, like a like you know the ones with the horn,
like the little. They're not horns, but there I don't
know exactly. It looks like a ram. Some of them
looked like rams.

Speaker 1 (20:25):
I think it was a lion king animal.

Speaker 2 (20:26):
Ones at a hyenas.

Speaker 4 (20:29):
The ones that are like was like running through the morning.
The ones that was running through that killed whenever he
said yeah, I think it was like how they get
that in Louisville.

Speaker 2 (20:43):
That's why I think.

Speaker 4 (20:46):
Maybe they got off Etsy or some shy.

Speaker 2 (20:49):
Did you move from did you move out of there immediately?

Speaker 4 (20:52):
Don't live in any I tried to stay there for
as long as I could, you know, but it just
got too weird.

Speaker 1 (20:59):
Bro.

Speaker 4 (20:59):
It was just like he deal with this man. People
used to knock on my door and asked me for pictures.

Speaker 1 (21:03):
It was weird.

Speaker 4 (21:04):
Now probably nobody actually it was probably just to like
fuck with me, you know what I mean. Like, but
it was it was annoying, bro. Like I was outside
some nights in the middle of this neighborhood it's new,
you know, white neighborhood, screaming in the rain to the
people that I thought was you know, behind all the
ship because I had to fly home whenever I've seen

(21:25):
that on my cameras, like two dudes with gloves on
outside putting it on my cars, and was like, the fuck,
my daughter's in the house sleeping. I'm just like, Yo,
what's wrong with child?

Speaker 1 (21:34):
Bro?

Speaker 4 (21:34):
Get out of it.

Speaker 1 (21:35):
I'm glad you knew what you knew who it was? Yeah,
what did you? I mean, did you handle it? Nah?
That's the thing.

Speaker 4 (21:45):
That's the thing about it, because I was always just
like man, I used to tell people when they were
I was like, man, y'all, you kind of got the
right one, you know how some people like, yo, you
got the wrong You got the right one. Because I'm
not I'm not gonna I'm not gonna meet you where
you you know, I'm just gonna keep doing me, Like
got to deal with you that one of those guys
died actually not because yeah, car accident.

Speaker 1 (22:07):
So you pud back.

Speaker 3 (22:12):
Man.

Speaker 4 (22:12):
I wish him the best. I always looked up to
him too. It's a crazy thing, you know, when one
at least did you reported what you mean he's talking
about the Yeah, yeah, a lot of crazy stuff though.
They was saying it was people like sending CPS to
my house, like you know, telling sand it like you
know less of my daughter and wild ship like and

(22:33):
I'm having to having to interview my little three year
old daughter like your daddy, blah blah blah, and it's
just like I can't leave.

Speaker 1 (22:39):
Crazy.

Speaker 4 (22:40):
I was just like trying to tell the people. I
was like, Yo, so people, anybody can just call and
then they can just come here and just y'all can
just interview me and talk to my daughter whenever y'all want.
That's crazy, Like I don't get some type of like
celebrity like past.

Speaker 1 (22:52):
But I guess not, you know, but we don't see you.

Speaker 4 (22:55):
Man, I was fucked up for years.

Speaker 3 (22:59):
Was it true that you, uh, Drake was trying to
sign you at one point?

Speaker 2 (23:02):
Yeah, and you didn't go with Drake. You went to
r C of course, So why didn't you decide to
decide with Drake?

Speaker 4 (23:07):
I really wanted to be honest with you. It's just
one of those things like, man, Honestly, the day I
remember they tricked me, they tricked me into coming up
to New York and they was like, yeah, man, we're
we're to sign the deal. I said, what sign the deal?
Like at this time is still you know? They kept
trying to get me away from Drake, flew me out
of LA because he was out there. It's like we
got getting away from Drake.

Speaker 1 (23:29):
Get him away from.

Speaker 4 (23:32):
That was all they was like doing. And I just
hate that because I'm like, man, I mean, I get it.
I don't know him, but also y'all don't Maybe y'all
do know him. I don't know. Anyways, I was in there,
and you know, I was really trying to make that
happen because I remember just some of the text conversations
we had. He was like, I really want to sign

(23:52):
you the O yo. And I was super inspired. And
obviously Drake is a huge influence on my you know,
a huge part of my musical DNA period. And I
got to New York and I listened to one song
by him. I think it's called Fear. I was just
trying to like find songs that he was making when
he was like trying to figure out who he was
going to sign to, and I was just like, man,
how did he feel this time? Then I texted him

(24:13):
and I was like, yo, man, they got me up
in New York. You know, I really want to sign
the OVERL. I just hopefully we can just like have
a conversation about it, you know what I mean? And
he just never text me back what And I was
just like, I guess that's everything I need to know
right there, you know.

Speaker 1 (24:27):
What I mean. He didn't even want to be like
it wasn't like you had signed with r C.

Speaker 4 (24:31):
I think some people with OVO didn't believe like the
money they was offering me or something like that.

Speaker 1 (24:36):
Did you did you? Probably?

Speaker 5 (24:37):
Did you, like maybe give him a verbal like, hey man,
I'm signing the OVO, and so he might he might
have felt slided that you was up here with RCA.

Speaker 4 (24:44):
No. I mean I tried to have a conversation with
him to match what was not even that. I was
just like, they don't even matter about the money. You
gotta match nothing, like just tell me, like give me
some reassurance and let me know that like you rocking
with me, like everybody's in my ear right now talking
about this that and the third and I won't believe him,
you know what I mean, I'll trust you. And the
crazy thing is like you can't really like I'm a rebel,

(25:05):
so like if you know, people always be like, oh,
it's a good thing you didn't sign the odeo and
all this. I wasn't really hearing that because I always
just like, you know, if I signed the over, yo,
I'm gonna be a great asset to the team for one,
but two, there's no stopping me, like you know, when
it comes, there's no holding me back, there's no shelving me,
there's no none of that because I'm amazing. So so,

(25:26):
Drake's one of the people who didn't text you back.
Uh yeah, I mean just in that instance. Yeah, have
you text you back since I spoke to him in
a minute?

Speaker 1 (25:34):
Did you ever help him? Right?

Speaker 5 (25:36):
That's what they say it too, Like you know you
never was in the studio, do you.

Speaker 3 (25:40):
Do you feel like if you signed with Drake it
would have been a lot easier because it would have
been an artist guiding you through all the things that
you didn't understand.

Speaker 4 (25:47):
Absolutely. Yeah, that was exactly what I needed at the time.
But that's what I think the people around me didn't
really understand. I was like, I'm looking for more than
just you know, money, And I mean, don't get me wrong,
like I get the intent like or why they was
trying to do that and why they were trying to
set me up for the future, but I needed like guidance.
That was what I needed more than anything because yeah,

(26:08):
stressed out.

Speaker 5 (26:09):
Do you think any of this, uh, you know, Bryson
have to do with your natural demeanor, because you know,
you say you do disconnect from people.

Speaker 1 (26:17):
You know, you will cut people off.

Speaker 4 (26:18):
So if you are that way to people, it's easy
for people to be that way to you. So who
is it you first and then them or do you
notice something with and then you distance yourself? You know,
that's a good point. I've definitely heard that before. Like
there's a lot of moments where like I'll go to
like celebrity parties and honestly, I just didn't never see

(26:39):
myself as you know, anywhere near them, So I would
just kind of stay in my place and be like,
let me just sit over here, shut up and not
talk and just kind of like observe and just like
because I didn't want to say too much and then
say some corny shit or just like I don't know,
I just like let me just not say that at all.
Maybe some people took that as like, oh, he thinks
you know, he thinky all that you know, or whatever.

Speaker 1 (27:00):
So stand.

Speaker 4 (27:03):
Yeah, exactly, I've definitely heard that before, but like that
ain't the case, you know what I mean at all?

Speaker 1 (27:07):
Like I love.

Speaker 4 (27:08):
I like, I might be introverted. I might be I'm
not even really that anti social. I love you know,
my friends, and you know, we have great conversations, and
you know, I just think a lot of Yeah, it
does have a lot to do with that.

Speaker 5 (27:21):
I think the problem with the industry, especially if you're
an introvert and you deal with anxiety, you need people
to meet you where you are. Meaning if your safe
space is that studio writing and recording, come kick it
with me over here, because you're not gonna get the
best version of me if I got to come to
your house and big politic at a party.

Speaker 4 (27:39):
Yeah, yeah, yeah, I agree. I agree with that for sure.
It was you know, even me. I would send messages
to people like and I would try not to make
them too worthy, but I would just like sound like human.
They would just be so robotic, like one word text. Okay,
I'll just be like all right, you know, like what
I'm just trying to with what you would text. I

(28:00):
even remember what I would saying, but I would just
be like, you know, just I don't know, regular conversation
like I had with all my other friends, you know
what I mean, just talking to him like yo, man,
even give giving people compliments, you know what I mean, Like, y'all,
I just wanted to say, you know this, you know
this album meant a lot to.

Speaker 1 (28:13):
Me, you know.

Speaker 4 (28:13):
But as I got older and grew wiser, I was
just like, you know, people just be busy, and you know,
everybody got their own kingdom. Everybody got like a million
people like trying to you know, get something from them,
you know what I mean. So I'm just like, I
just gotta deal with a roll with the punches, is
what it is.

Speaker 6 (28:29):
You on tour, the tour? Do you like touring?

Speaker 4 (28:33):
Uh?

Speaker 1 (28:34):
Yeah? And yes?

Speaker 4 (28:35):
Enough? Wait what did Michael Jackson say?

Speaker 2 (28:39):
I love.

Speaker 1 (28:45):
It?

Speaker 4 (28:45):
Can't be tough man. Stage is way different than the studio.
I love the studio, I love making music. I love
the way everything sounds on my headphones. But on the
stage is way different. I can't hear ship. Every room
is different. The ver be loud, sometimes heavy on the bass,
and just like, damn, I can't even hear myself. Sometimes
a crowd too loud, and I don't never want them

(29:06):
to not be loud. But yeah, it's super different. And
that's the only reason. And the other thing is like
I'm just going for my home too long, Like yeah,
like I'm burnt out right now. Maybe you just meant
to be a writer, that's what you know. That was
another thing the reason why I was like, ya, I
don't mind signing over ya, like that might be a
good thing for me to just goes right, Like I
always wanted to be a writer. That's actually one of

(29:27):
my thing. I didn't ever want to be in this
spotlight like that. I'm well, I take that back. When
I was seventeen, I did cause I was like, oh yeah,
fame and being famous because you know, I SEECB and Tiger,
you know, shooting water guns at each other on tour
or whatnot. I'm like, that looks like fun, you know
what I mean. I was like I want to do that.
But then I realized quickly. I was like, nah, maybe
I don't want to do that, like and then I
was like, I'm just I just want to be a songwriter.

(29:48):
But you know, my song took off as an artist,
so I was kind of forced to be an artist.

Speaker 3 (29:52):
Do they treat Jack Hallow back home like they treated you?
Or is it you feel like they treat them a
lot better back home?

Speaker 4 (29:58):
It depends on who talking about You know, I think
all the people, you know, especially black people, respect them.
You know what I'm saying. I feel like, you know,
maybe maybe the higher ups, the officials in the city
might give him more opportunities because of you know, it's.

Speaker 1 (30:14):
A skin color.

Speaker 4 (30:19):
But you know, yeah.

Speaker 5 (30:23):
I saw you saying in a Billboard interview that this album,
Brison Tila, you named it that because you want to
show people yourself and you want to be yourself.

Speaker 1 (30:31):
You want to show people who you are.

Speaker 4 (30:32):
And you know, I don't believe that though what you mean,
I don't believe you really want to do that show
people who I am. You know, it is funny because
like my mixtape series is, I would say it's an
alter ego of mind Slump too, But I really did
get to show people who I was on her and
that when I dropped those, I felt super vulnerable. Even

(30:54):
when I dropped Whatever She Wants, I felt so embarrassed
after because I was just like, it's just like for girls,
like when they go to club and they be drunk,
they be shaking the ass or whatnot, and they probably
next day feel like crazy or whatever.

Speaker 1 (31:05):
But like that's how I felt.

Speaker 4 (31:05):
Because I'm just only talking about tricking and hitting the
girls from the back and whatnot on the song, Like
I'm just like, what am I doing?

Speaker 1 (31:11):
Right?

Speaker 4 (31:11):
That's it's crazy. I got kids, like I got it exactly.

Speaker 1 (31:16):
Yeah.

Speaker 4 (31:17):
So now I would say I was more myself on
my sloan mixtape, but my album, I just mean, like, yeah,
I'm glad you said that.

Speaker 1 (31:27):
You are you lying a good point? Why are you
volunteering the lives of other people?

Speaker 4 (31:33):
I wouldn't even say it's lives though, you know what
I mean With the album, you know what I mean,
or that interview, you know, it is the most me
that I've ever been, you know, like because I love
every genre music. There's a lot of different type of
stuff on that on this album. I love count yeah, yeah,
I love I love everything everything, you know, all the
all the genres. So it is me. But I guess

(31:53):
when you think about, like, you know, being vulnerable, it's
not it's not that much me.

Speaker 1 (31:58):
You know what I'm saying.

Speaker 6 (31:59):
But it's now I just think he be in his
head a lot, like you be in your head a lot.

Speaker 4 (32:05):
I used to be in my head a whole whole lot.
Now I'm just a little bit more like, eh, who cares.
I'm kind of just like on some like I've been
kind of just going wherever the wind blows me and
just following the yellow brick road and just like just
accepting the fact that I'm just not in control at all.
Like it's him, you know what I mean, everything, Like
I could plan something, I just trust God's creative creative decisions.

Speaker 1 (32:28):
You know what I mean.

Speaker 4 (32:29):
If he won my album to flop, my album flopping
is what it is, you know what I mean, We're
moving on to the next. That's something that's got to
happen for me. Even the game that I'm working on.
You know, the shit could come out and you know
be a dud, you know, but it's not gonna be
a dud. But you know what I'm saying, like, whatever
he decides is what I'm okay with now. And I
used to didn't be like that. I was like, nah,
it's got to be this way. It's gotta be. And

(32:51):
you know that that quote it is like if you
want to make God laugh, tell them your plans.

Speaker 1 (32:55):
Just about the video game it's called Trap Soul.

Speaker 5 (32:57):
And also ready you see this, I was probably gonna
be your last for a while because you're working on.

Speaker 4 (33:02):
Yeah, so my my my game studio. It's called Trap
Sold Games and we're working on the game. I can't
say the name just yet, but yeah, it should be
all that ship.

Speaker 1 (33:13):
So is it a game that is it a trap
Soil game?

Speaker 4 (33:16):
Was it something that your Traps game?

Speaker 1 (33:19):
You know? Also? Yeah? Okay, okay?

Speaker 4 (33:21):
Is it music based?

Speaker 1 (33:22):
Is it an existing problem? Grand the six?

Speaker 4 (33:29):
Is it Grand theft.

Speaker 1 (33:30):
Aut those six? That's rock Star Games? Okay?

Speaker 4 (33:33):
The Trap games?

Speaker 1 (33:35):
Who interesting? Aldo on second guys?

Speaker 2 (33:39):
For some reason, the mics to.

Speaker 4 (33:44):
All right, So we have some technical difficulties. That's why
we're sitting here with microphones in our hand looking stupid
because our board went out and all the mics went
out everything middle of the bryceon Taylor interviews.

Speaker 1 (33:53):
So we are improvising right now.

Speaker 5 (33:54):
But we were talking about the Trap Soul video game
and how you're designing for Anthont photo.

Speaker 4 (34:01):
I didn't say that, Okay, I wish, I wish. I
definitely would love the internship at a rock Star Games
for show. But yeah, man, my game is should be
released next year.

Speaker 3 (34:12):
Behind the scenes, I was saying, the dope thing about
you is your demographics is all over the place. I
was telling you my your concert, my wife is going tonight,
my kids are going when it's twenty two, when is
twenty So looking at your show, I see fourteen year olds,
but then I see fifty year old So how is
that with making music?

Speaker 1 (34:29):
Man?

Speaker 4 (34:30):
I think I think it's a beautiful thing, because I
definitely sometimes I'm just like my uncle texted me, like
he's forty five and he's like, grass, your nephew, I
love this this new album blah blah blah, you know,
just a breath pressure or whatever, and I'm just like, dang.
And then I'll have my daughter, who'd be you know,
she's ten years old and you know her and her friends,
and then my people that work with their daughters will

(34:51):
be listening to it, and it's just I'm just like, dang,
it's crazy that I'm able to, you know, reach people,
or reach that many people. And you know, especially the
young kids, they have so much to discover. So who knows,
you know, how many more how many more people I
can reach? I know, the younger they get, the weirder
the musicle bit. Yeah, it's like different, Like my daughters,
some of the stuff she'd be finding, I'd be like,

(35:12):
what is this, but you know, I try to tap
in because it's you know, it's different.

Speaker 1 (35:16):
Alright.

Speaker 5 (35:16):
I saw you put a disclaimer Bryson that everybody is
not gonna like every song on the album, but everything
is intentional. So why would you intentionally put songs on
the album that you don't think nobody gonna like?

Speaker 4 (35:26):
Well, I intentionally put different types of songs on the album.
So like, for example, right, there's people that want to
keep me in that uh that trap soul box, which
is fine.

Speaker 1 (35:35):
But if you if you.

Speaker 4 (35:36):
Love trap so and that's all you you listen to,
and you're definitely not gonna probably most likely not gonna
like my new album, which is fine. You know, I
think that's okay because I want to reach new people.
I want I want new fans. I don't want to
just you know, I got a song on there called
Undertow that's you know, most people probably wouldn't really listen
to like that, you know what I mean?

Speaker 1 (35:55):
But I love that type of music, so.

Speaker 4 (35:57):
I told you when that's our country, uh kind of yeah,
gotta I got that kind of vibe for sure, you
know what I mean.

Speaker 1 (36:02):
I just want to reach reach new people. Us. The
main thing.

Speaker 4 (36:06):
Yeah, I wanted to sex you up track right, Uh
that you put out earlier this year. You know we
had Tank up here. He mentioned that the art of
love making is basically gone, but it can come back
if men are willing to put in the effort. So
what are your thoughts on that when you put out
a song like uh, sex You Up?

Speaker 1 (36:28):
Is he saying that specifically with music?

Speaker 5 (36:29):
He's saying men don't really men don't necessarily know how
to court make love to their women, and that's why
it doesn't reflect in the music.

Speaker 3 (36:38):
Before it was okay, like you would cry for your girl,
you would sing to your good you wanted that so bad, And.

Speaker 1 (36:43):
God, damn, why are you talking to that man like that?
God damn.

Speaker 3 (36:46):
I didn't say him, my god, I didn't say him myself.

Speaker 1 (36:49):
You didn't feel uncomfortable.

Speaker 2 (36:55):
Scot's crazy kept justin.

Speaker 4 (36:57):
Mike, Man, go ahead, that's hilarious. No, I think I
don't know, man, because I do. I do see what
you mean. Like, music definitely was a lot more romantic
back then, but I think things started to fuse, you know,
hip hop. The rappers want to be singers and singers

(37:17):
want to be rappers, and then the lines are just
super blurred right now. So you know, it's just I
don't know, it's a lot of people that ain't really
even talking about love or love making like that, you know,
even with songs that are like I got a song
on my album called Attention that I you know, intentionally

(37:37):
the first song. Yeah, it's the first song, and I
was just, you know, intentionally, I didn't want to. I
didn't mention sex really on that, you know, I didn't
say nothing freaky. I was just like, I want to
make a woman feel sexy, but without even talking about
sex at all. So you know, I think some people
tap into it in different ways. But yeah, I don't know.

(37:58):
I think it has a lot to do with the
the line being blurred right now, with the genres and
rappers and singers and whatever. That's how I felt about
the Persuasion record with Victory Mornato. Oh yeah, because you know,
it was it's a super freaky record. But then it's
like subtle because you're not saying the word. How did
you even decide you wanted to use those words? Honestly,
when Victoria I got to pick our brain on that

(38:21):
whenever she come up for I'm sure she was at
some point you got to pick our brain on that too, but.

Speaker 1 (38:24):
Our studio don't work. Nobody else come nah.

Speaker 4 (38:29):
And then I just honestly, she started it and I
just took it from there, and I just thought about it.
I was like, I have to keep that going on
the verses, you know, just because it's like, you know,
every now and then you get you know music, It's
a really clever song, like overall, like the Whisper song
for example, Like you know what I mean. Every when
that came out, everybody was like, oh my god, it's
just we never heard nothing like this before, you know
what I mean. Yeah, I feel like that was the

(38:51):
most different, like think about it, like that song. I'm
trying to think of another.

Speaker 5 (38:56):
I was listening to that this weekend. That's what was
so crazy. Yes, I don't know why it ran. We
came up on the playlist. I was listening to it.

Speaker 1 (39:01):
I was like, this is a very innovative record.

Speaker 4 (39:03):
I was free on innovation. That's what it is, like,
very rarely do you get something like that. And I
just felt like you played this. I was like, oh,
this is this is I've never heard nobody do this
on the song before. And I was like that alone. Baby,
I was like I need this and and and it
gave me a way to the curse on the radio.

Speaker 1 (39:20):
I know, right and say though you can say.

Speaker 4 (39:22):
That, so we can't actually, I mean I thought it
was suggestive, so we couldn't. That would like blur it
out or whatever. No, no, you can say that.

Speaker 1 (39:30):
You can play that record right now. I don't have
to believe nothing.

Speaker 4 (39:33):
That's amazing.

Speaker 1 (39:34):
Oh it's crazy.

Speaker 6 (39:36):
So do your so your album list like on, well
your your song lists for your tour?

Speaker 1 (39:41):
Will you perform got to Move on?

Speaker 2 (39:44):
But that's the track with Diddy?

Speaker 4 (39:46):
No, I haven't performed that since like last year. I
know what you're getting that though, but.

Speaker 6 (39:50):
Yeah, yeah, but what's interesting. But what's interesting is the
first one. It was one that you was originally the
original one.

Speaker 1 (40:00):
Was you by yourself? That was Yeah.

Speaker 6 (40:04):
I actually liked that one more, you know what I mean? Like,
so do you could you do that?

Speaker 1 (40:10):
How do you how do you? Did you hear before
the Diddy or did you I heard that before Diddy?
Yeah that's because you just never know.

Speaker 6 (40:16):
Yeah, yeah, I was in I heard it in Jamaica.
That was in Jamaica on vacation. Some of my friends
and my own girl played it and I was like, yep,
she's in the industry too, But she played it and
I was like, this ship.

Speaker 1 (40:29):
Is hard, you know.

Speaker 6 (40:30):
So I didn't know if you could perform the original
because that.

Speaker 1 (40:35):
That was Yeah, No, I definitely can.

Speaker 4 (40:38):
I just it was at the time when I was
performing it, that was the song he was like going
crazy with all the time and just like talking about
all the time. So I was like, you know, yeah,
I'm gonna perform it, okay, anything you want to add.

Speaker 1 (40:53):
Yeah, because you know you gotta. Yeah.

Speaker 4 (40:56):
Exactly, at one point you were talking about dropping it out.
I'm called Serenie.

Speaker 1 (41:00):
I was. I still got that album too, you know.
I just.

Speaker 4 (41:04):
That was that album is not even supposed to be.
It will be the album that I just wanted to
be really have a peace of mind, and like I
told you, I'll the press down bad for years, So
it was hard for me. I'm like, how can I
even make an album called serenity and I don't even
have that right now. I don't have no peace. I
used to say the Serenity prayer to myself all the time,

(41:25):
just trying to like get back to like yo, guy, please,
just you know it's and that's and that's about control
and just like you know, realizing that, you know, I
don't I'm not in control or whatever. But yeah, no,
I still it's still in the works and I'm gonna
definitely do that at the right time. I got the
music and I love that album. So that one is
not about it's not about the money, it's not about

(41:46):
radio like, it's one of those albums like I'll be
happy that released, and you know that it's just like
my soundtrack to Miami. That's the reason to release it,
because you know, peace piece is subjective, right like, and
piece comes in, it comes and goals. Yeah, so you're
not You're never gonna truly be fully at peace, But

(42:08):
I mean it's something to aspire to, just to put
in the universe. You're right, You're definitely right about that.
But uh, you know, the labels gotta cut the chain
if they want that out.

Speaker 1 (42:17):
What makes bryce until it happen. Maybe we're asking the
wrong question.

Speaker 4 (42:19):
Maybe be talking about things that depress you, like music
other than video games, Like what genuinely makes you happy?
My kids generic answer? But like kids really make me happy?
H A really good movie, A really good sci fi
movie makes me happy. You said your car collection, My

(42:40):
cars make me happy. My action figure collection. You know
that makes you average everything g I Joe's. I don't
got no g I Joe's. Their actually figures be gout chashed,
low key, but you know, I like, yeah everything.

Speaker 1 (42:55):
Old wrestling ones like the Marvel joints.

Speaker 4 (42:58):
Nah. So I got like some gym hitching uh original,
super original, like the custom like Ninja Turtle Action figures.
I got a Iron Giant Super Tar Iron Giant. I
got a uh Kandida from uh Kira, A lot of
stuff y'all't want to talk about action figures.

Speaker 1 (43:15):
And I got. I got Thingo's glove at the house,
I pant outfield, I got an old Iron Man.

Speaker 4 (43:20):
I like collect the rasis. So I go to stores
in different cities and just be like, what's not for
sale here?

Speaker 1 (43:25):
You know what I mean?

Speaker 4 (43:25):
And I just try to test to see like they're like, oh,
that's not for selling. I'm like, man, come on, you
know yeah, So I just like to buy the rear
ship to be honest.

Speaker 7 (43:32):
And all right, Well we talk about action figures something
they can hire man suits and we're talking about I mean,
I can't wear it, but I or before still though
up here.

Speaker 1 (43:47):
Yeah it was Halloween sense a clown. Okay, we were
talking about your figures.

Speaker 2 (43:53):
But all right, thank you Brison. I hate not even
I hate this stupid We appreciate you for joining us.
Sorry that we got a little ghetto fire at the end.

Speaker 1 (44:01):
Quickly went out.

Speaker 2 (44:02):
It's ladies and gentlemen, I.

Speaker 1 (44:04):
Do want to We talked about Jack Hollow earlier. Y'all
met early, right, yeah, yeah, super early, like before you
one of y'all was on No, no, no, not that early.

Speaker 4 (44:13):
I met him at Little Uzzi. So when he came
to Louisville on and I came out for a little
uzy on stage or whatever, and yeah, Jack was backstage.

Speaker 1 (44:22):
This was before he blew up. But I knew of him.
I knew I heard of him. And y'all did music together, right, nah?
Working together? Oh yeah, yeah, as to the fact, Yeah,
we did. Okay, make a couple of songs. Where's that at?

Speaker 4 (44:34):
You just where the songs are in the music on
his albums Oh? Okay, okay, yeah, yeah, it's so good.
I apologize Jack. I don't listen to the album, damn it, man,
No thinking about.

Speaker 1 (44:50):
Me a little bit. Hey.

Speaker 3 (44:51):
Yeah, well, Bryce, we appreciate you for joining us, man,
good luck with everything.

Speaker 1 (44:56):
Hopefully we'll see you again. All we asked about Ryan Trade, right, Tray,
that's your artist. No, you're not an artist. Have an artist?

Speaker 4 (45:04):
Yeah, somebody clever. Okay, what are you seeing him that
you like? I really like when he raps man a lot.
You know what, why are you looking at me like that?

Speaker 6 (45:18):
None of this.

Speaker 1 (45:21):
Crazy? That's all good. Shout out the right Trade man not.

Speaker 4 (45:26):
You know, honestly, just reminded me a lot of myself
when I was younger.

Speaker 1 (45:29):
You know I met him.

Speaker 4 (45:29):
I think when he's like I think seventeen or eighteen
or something like a and you know, he just want
to make music like it's a newcomer and just I
just I appreciate people that just love music.

Speaker 1 (45:40):
So you know, it's really what I see. It's writing.
Don't be a stranger man.

Speaker 3 (45:45):
Yeah, come back up here, brother, He's like, yeah, album.

Speaker 1 (45:49):
We don't know when you're going want to come talk again.
I don't know. I don't know when y'all will want
me to be up here again.

Speaker 4 (45:54):
So you know, anytime, man, I'm starting to think as
you though, because this has never happened before this.

Speaker 1 (46:00):
It might be like the whole studio that's actually.

Speaker 4 (46:03):
Crazy, like you saying you nah, I don't actually yeah, man,
you got a therapist is nope?

Speaker 1 (46:09):
God damn, so you just sit around the soak.

Speaker 4 (46:12):
I did have a therapist, but she I don't want
talk about it.

Speaker 1 (46:15):
I think you I think that that that.

Speaker 4 (46:20):
I didn't think there might be some internal work to
do it all I'm saying, no, definitely, I've been doing it.
Though i've been I feel I feel great, man, I'm
telling you, I feel the best that I've ever felt
in a long time. Bro, Like I feel unstoppable. My
you know, there's nothing you could have really said to
me that would have really broke me up here. You know,
I'm just I feel great. That's the only reason I'm
up here, to be honest.

Speaker 1 (46:39):
No, no, no, I mean.

Speaker 4 (46:42):
No, But I'm just saying like I'm not not like intentionally,
but like if there was something that like early on
in my career, I'll tell you, I would have been
up here like uh yeah, and you know what I mean,
just super nervous and like I think now I'm just
a lot more comfortable, and I just I just don't
care you know, And I'm just like it is what
it is whatever. So, and I think it's good for

(47:03):
you to know that people do genuinely love you, like
they genuinely do love and value and appreciate your music.
I've never certain, like I would have never thought you
thought people didn't.

Speaker 1 (47:12):
Like your musically all the time.

Speaker 5 (47:15):
That's good because you have like a coult like following,
like like people like her sister loves.

Speaker 6 (47:20):
You, she and the like. When we just went down
for the break, she was like, ask him, do you
need me to come in here and sing for him?

Speaker 1 (47:25):
Girl?

Speaker 2 (47:25):
Now that's like, no, you know she loves you.

Speaker 1 (47:29):
So yeah, Eli, like people genuine what you doing? What?
What about you? Though? Right that I don't like you,
I don't know you to love you.

Speaker 6 (47:42):
I want to ask you how long is that that
pause between on don't on, don't write?

Speaker 1 (47:48):
How long is the pause? How many seconds is that?

Speaker 6 (47:51):
Because I still can't catch it? It's elect damn Eli, jesus, Okay.

Speaker 4 (48:00):
That's actually the hell knows that it's eleven? Count that
and why it's eleven? Weird type of like second you
have to like do like a metronomeg. Yeah, that's the
only way but who wants to do that when they listen?

Speaker 1 (48:11):
So I just listened to it.

Speaker 6 (48:12):
Me and my sister. We were trying on my story
right now. We was trying and I couldn't get it.
My favorite song on trip. So it's been that way,
but don't in exchange but dope. Like we was trying
to count it and she gets it every time. My
sister Shane know it was eleven seconds, but she gets
it every single time.

Speaker 4 (48:30):
Yeah, okay, why that was an accident. Actually my studio
it was just wonky, like it's like your studio.

Speaker 1 (48:38):
At damn you know.

Speaker 4 (48:40):
Anyways, it was it was just it was it was
horrible at that time, and I just couldn't finish the song.
I was just like, you know what it is, what
it is. I was trying to like get it the
timing right, but it never worked and I was just
like whatever.

Speaker 1 (48:53):
Just leave it like that. So that's what we're gonna
do for this interview.

Speaker 5 (48:55):
So it gets to the part where the board drop,
let drop eleven and it stayed dropped for eleven secon
and then then it will edit back and holding the microphones.

Speaker 1 (49:04):
I won't do that real quick, Brice.

Speaker 4 (49:06):
Since we get edited in yeah, don't, don't.

Speaker 1 (49:13):
I don't want to like that. It don't. I hate
I hate that man, I hate singing. I hate what
pays the bills. I hate we got everybody coming to
my comm I hate it.

Speaker 3 (49:27):
Brice until it's out, let him do it, yeah, Foster,
he say you want to do it.

Speaker 1 (49:32):
Oh, you're right, I'm treating you like. Call it my bad.
I don't want say he didn't want to do it.
Let him do it. I'll do it. Dons.

Speaker 2 (49:40):
Don't Rice until the out right.

Speaker 1 (49:45):
Now, that's just you're trapped in the did.

Speaker 4 (49:48):
I just want you to know I only I'm only
doing that for y'all.

Speaker 1 (49:50):
Never do that for nobody else.

Speaker 4 (49:52):
It would be like, say, don't like and it'd be
feeling like a thing that they used to like mock
me ship, Oh got you guys. I'm just like, nah,
I was actually gonna get it tatted on my middle
fingers so people say it to me.

Speaker 1 (50:03):
Yeah, yeah, let's celebrated together. I love that song. I
think that's the best thing for you. Did not give
a fuck. I think that you give a fuck a
little too much. I think if you just not.

Speaker 4 (50:14):
Give did I stopped giving the fuck.

Speaker 1 (50:16):
I don't give them, give a fuck, no more.

Speaker 2 (50:18):
I don't care prices like I've been trying to leave
it twenty minutes.

Speaker 4 (50:20):
Keep being like no, no, no, we're good, we're good.

Speaker 1 (50:25):
Right, It's the Breakfast Club.

Speaker 2 (50:28):
Good morning, wake that ass up in the morning.

Speaker 4 (50:31):
The Breakfast Club.