March 24, 2025 • 48 mins
Episode 371 - “Trick Daddy” Feat: Ferrari Simmons & You Know BT Produced by: Baller Alert
Topics Include: PFK Jay, Love & Hip Hop: Miami, Dating, Music
The Baller Alert Show
Featuring @FerrariSimmonsMusic @youknowbt
":The Culture Deserves It"
IG: @balleralert
Twitter: @balleralert
Facebook: balleralertcom
See omnystudio.com/listener for privacy information.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
They get a little they called him. That's right man.
A point in Live from the at of the ball
Alert Show.
Speaker 2 (00:10):
You know BT got a special guests in the building,
no introduction.
Speaker 1 (00:14):
You know his face, you know it's the tricked out
it about it what they do? Boy? Now you get
now you brought somebody with you. Yeah, j that's JR.
Right there? Now? Who is that? That's my son. That's
my son Jayden.
Speaker 3 (00:23):
But his.
Speaker 1 (00:25):
Artistry name ed PFKJ. Okay, pfkj.
Speaker 3 (00:30):
It's crazy because we had to change his name a
thousand times, even when he even when he was born,
Like I changed his name when he was born.
Speaker 1 (00:36):
Then his mama's like you confused with him. I was like,
all right, change it back because ye had changed his name.
Speaker 3 (00:41):
We changed his name like three times. The people that
he was an illegal alien.
Speaker 1 (00:46):
Wait how wait? So you said he was bored and
he had mama is mama name of a name? I
was like, I don't like that, so let's changed it
to my name. Then I changed it to my name.
Speaker 3 (00:56):
Then when she was trying to tell him he was confused,
I was like, fuck you, that's changing back.
Speaker 1 (01:02):
You can go about all four names? Now, how long?
Speaker 2 (01:05):
How long you been doing music because your pop said
you're doing music.
Speaker 4 (01:09):
I mean, I was messing with it for a long time.
But like when I took it serious, like three years ago,
three years ago.
Speaker 3 (01:15):
Three years ago, I think you took it serious last
year because he keep on rapping on these YouTube beats.
Know what I'm saying, You trying to reach out to
the niggas on YouTube. They just don't know.
Speaker 1 (01:23):
They don't get it.
Speaker 3 (01:24):
Yeah, Like if you get to hear record off of
your beat, you eat for the rest of your life.
They don't understand that part. Their producers on fifty percent
of the fucking song. Like you, they can't do nothing,
they can't license, they can't do nothing. But they need you.
Speaker 1 (01:41):
That's true.
Speaker 4 (01:41):
And tell them though, like the young like chill in
the garage, just record something yeah quick even if.
Speaker 1 (01:47):
But you know, that's what happened to DDG.
Speaker 2 (01:49):
So DDG had a song that was going viral and
the producer, I guess he got the producer, you know,
the beat, however he got it like the way how
the young dudes get the beat right and then the.
Speaker 1 (02:01):
Song start blowing up. Producers like a man, we gotta
you know.
Speaker 2 (02:05):
Yeah, it was like DDG was just like, yeah, nah,
I'm not gonna even move.
Speaker 3 (02:09):
For because they don't understand. Oh listen it shit work
hand in hand. I used it in the frame of
the dope game. I look at it like this, like
I made a lot of money and a lot of
hit records with Atlantic Records.
Speaker 1 (02:23):
But Atlantic Records is like Chropo.
Speaker 3 (02:27):
But see you needed a you needed a Griselda Blanco
that was slipping slide record. Uh huh so slipping slide
record need motherfuckers like BML.
Speaker 1 (02:36):
You need to put it in the stores. You know
what I'm saying.
Speaker 3 (02:38):
People think that while we went in the store and you, oh,
I know you, I know you got some money because
your Apple was sold out. No, that's bad. That means
the people did not ship out enough copies. That means
I gotta keep going back to the store to try
to buy you.
Speaker 1 (02:53):
Young niggas. They got it different. Now, they got it easy.
They get them. They give him awards for ship they
don't deserve. You know what I'm saying.
Speaker 3 (02:59):
They you had to actually go sell a fucking record
in my area. You have people have to go to
the store and purchase your music.
Speaker 2 (03:06):
Well, I think they give them the record they giving
them no wars because they want them to show up.
Speaker 3 (03:11):
I don't know, but there's a lot of shit that
that I did. They even have to do. Like I
had best Buy Specks, and I had Best Buy Specks
and Fye or one of those one of those toes
right where every store Cirky City, I believe it was
(03:31):
every store had two extra songs on the CD.
Speaker 1 (03:34):
So that was my gift to you. So a lot
of people say, I've never heard that song.
Speaker 3 (03:39):
That's because they bought it out of targety or they
brought it out of Best Buy.
Speaker 1 (03:43):
So it's like different songs.
Speaker 3 (03:45):
I put two bonus tracks on every album depending on
where you bought it from. Okay, and you know they
get like, for instance, Rod Wade do something a minute
and a half two minutes.
Speaker 1 (03:57):
No, we couldn't do that new wave, but.
Speaker 2 (04:00):
Yeah, that's a that's a new way because because again
it's about see it's about the replay. So that's why
I learned like certain songs are like two minutes because.
Speaker 3 (04:10):
They me one of those news name me a song
for the new wave that's gonna be here twenty years
ago because they listening to their nigga. I be your
players going viral right now, and I may I be
your player twenty four years ago. So name me a
two minute record that's gonna be. That's what I'm trying
to That's what I'm trying to explain to him. You
can do your new ship, but let me do the
(04:30):
old shit. That old shit I asked you to do.
Speaker 1 (04:32):
I need you to. So that's what I'll be arguing about.
The studio.
Speaker 4 (04:38):
Got them too many songs, right, too many songs.
Speaker 1 (04:41):
Okay, Now there's another thing.
Speaker 3 (04:44):
Back then, I could have tell fifteen thousand gotta watch
a chain and a bridgeley fifteen thousand ain't gonna get
rid away ship with all the big damage in his ship.
Speaker 1 (04:55):
And these divers are definitely different now, right, So you
know what I'm saying. What I'm saying.
Speaker 3 (04:59):
So they had fifteen change, I ain't have. I have
fifteen cars and all my cars was paid for the
ship that they fucking up. Now I know you're they
fucking up because I fucked up.
Speaker 1 (05:12):
I did it one of my free styles.
Speaker 3 (05:14):
I say, the first five years that Blue twenty five
mel I fucked up when we were out here as
black folks as.
Speaker 1 (05:20):
Wait, how much how much you I made a lot
of money.
Speaker 2 (05:23):
You said you spent it in five years. How much
money you think you spent in that five years? Twenty
five twenty five million?
Speaker 3 (05:30):
Yeah in five years, Yeah, no problem, my first meal
in the roads. Oh I need to be trying to
be around. But listen, they can make that. That's some
of these niggas make that. Some of these niggas not
making in the first year. But here's the problem where
they fucking up at all these neighborhoods that people are
saying they ggified them.
Speaker 1 (05:51):
This regentification is going on. That's the properties.
Speaker 3 (05:54):
We should have bought the properties in Miami, in Jacksonville
and Detroit, Chica Goal, those neighborhoods that was torn down.
We should have brought that property and we should have
hold on to it. But no, we bought shipped that Vasashi, Mesquino, Gucci,
Louis shit that don't from people that's already rich, that
don't care about us, designers that don't even make our
(06:16):
size because it wasn't made for us. And we bought
and we made it a household that we made it
a thing where it's fucking a young generation up. So
we trying to explain to them. Okay, you could have.
You could put that shit on when you go certain places,
but that's not no shit you put on every day.
You're right, because my first mellion I made, I called
everybody from Slipper Slode Records in the meeting, and I
(06:36):
broke everybody off. And by the time I did that,
by the time I put down on me a house
and brought me a car and a watch, I was broke.
And then eight years later already said you ain't pay
us for this menion. And I paid nineteen times of
what I could have paid for the taxes on that money.
Speaker 1 (06:54):
So even with the jeans, it's like, you know, probably
back in YO day, what is a red monkey jeans?
Red monkey jean? How much was the red monkey jeans?
Two three hundred dollars? Now how much is the jeans? That?
How how much the crown hard doing? No ship like that?
That's dumb for some jeans. That's dumb. That's not that's
(07:15):
that's Can you fly with them? They do? Ship? They
do ship with them. Can't even and they don't even.
I can't wear that, daddy, because I took a picture
that I'm like, holy God, Yeah, what I.
Speaker 2 (07:28):
Tell you tell you this the same way you're talking
about the music replay and clothes get replayed too.
Speaker 1 (07:33):
Because I'm you don't even know what a hand me
down is. Yeah, you're talking about two three years old,
not two three years ago.
Speaker 4 (07:42):
I'm talking about I'm talking about basketball school because basketball
shoot my basketball shoot now.
Speaker 1 (07:49):
And now he getting the main cast member money. Now
he plays basketball. This nigga is playing basketball.
Speaker 3 (07:55):
That niggas playing basketball, and George, George wouldn't for us
playing basketball.
Speaker 1 (08:02):
You know, you know what you know?
Speaker 2 (08:03):
Well, my mom used to make me do if I
if I were the nice shoes at school when I
when I get off the bus, take them shoes off.
Speaker 1 (08:09):
You about to go back outside, take them shoes off.
Play play closing shoes and school closing shoes right see
you gotta you gotta good. But he making it sound bad.
Speaker 4 (08:21):
The shoes I'm playing in the Jay's I'm playing there
in them four five years old.
Speaker 1 (08:24):
They hurting my feet? Ain't the ones that?
Speaker 2 (08:28):
Because heiny, we're talking about replay value. That's that's resale
value right there. Now you're you're joining the official cast
Love and Hip Hop Miami, Like, how how do you feel?
Because it's you know, there's gonna be a lot of
these now, like the interviews and and everything you go.
Speaker 1 (08:47):
You know what I'm saying, you about to have all
the females and your d ms now.
Speaker 4 (08:51):
I feel like I see it as an opportunity for me.
I feel blessed for the opportunity. I just got to
make the most of my music. I feel like it's
good exposure for my music and everything and take advantage
of it.
Speaker 3 (09:05):
He understand that part about the love and hip hop thing,
because I think when when when when when I really
started dealing with the looper situation. It was a time
when I didn't want to do no shows, I didn't
want to take no pictures.
Speaker 1 (09:15):
No interview with none of that. And he knows about
that part when I said I'm going on love and
hire but he was like, what what you doing?
Speaker 5 (09:21):
What?
Speaker 1 (09:21):
And if he's seeing me posting pictures like you took
a picture like But it was never that I thought
I was. I just that it was without.
Speaker 3 (09:29):
Suffering loopers and some shit that some shit like some
United States type shit. You know where it comes from,
you know how you get it, which is unexplainable, but
you don't know how to get rid of it. They
just want to treat you and shoot you with steroids.
And they got me gaining all his weight and losing
all his weight. So I just say fuck it. I
just say fuck it, And I get bigger now. But
(09:50):
you know, I basically my stomach get big, but it'll
go down there a few months. I'm gonna be okay.
I'm a grown ass man. I don't give a fuck
about nobody sitting up by my stomach.
Speaker 1 (09:58):
But I know one thing.
Speaker 3 (09:59):
I'm not taking a Loopers medicine that that requires me
to take five other medicines that to help me from
dying from my August breaking down because of the sign
effects from the Loopers medicine. Just give me the Loopers
the funk, I want five other problems.
Speaker 1 (10:15):
You know.
Speaker 2 (10:16):
Yeah, Now, when you when you you know, is that
something that you that you really do take you know serious,
because you know, when you when you're dealing with stuff
like that, Like you know, even when they was talking
about uh Gotti, when they was talking about how people
was telling him like, yo, you need to take your
health serious, and you know, he was just like, you
know whatever, I'm gonna eat what I want to do.
Speaker 3 (10:35):
The only thing I gotta take. I had had divertic
the lights, I had surgery like Omer. I guess Matt
tists was twisted. They had to go in there and untwisted,
cleaning out and all that. That's the only thing that
takes shit. I used to I used to be scared
of the police, God and my mama. Now I'm just
scared of God. I ain't know I've cut I cut
all the haters off, including the devil.
Speaker 1 (10:57):
Like fuck you like the devil, you ain't nothing to me. Police,
y'all did shit. You ain't fucking with me.
Speaker 3 (11:02):
You're gonna have to let me out of jail because
I'm not doing certain things that they're gonna keep me forever.
Speaker 1 (11:07):
And if I have to then it.
Speaker 3 (11:08):
I can't do that about it, because you know, an
old lady told me, if you're gonna pray about it,
don't worry about it, and vice versa.
Speaker 1 (11:13):
So I do not that.
Speaker 3 (11:14):
Crackhead auntie, the alcoholic uncle, that that that disrespectful cousin,
that that that ungrateful child, that mother or father, that
parent that don't give a damn, the thief and cousin,
the permissioner is neighbor.
Speaker 1 (11:30):
They not invited in my life no more. I'm gonna
fuck about them. I missed the leave your ass like
I would leave you because.
Speaker 3 (11:35):
Everybody can't go, and everybody can't get in the places
that I want to end up at.
Speaker 1 (11:41):
Everybody's everybodyin't gonna be able to end up. They ain't
gonna be able to go.
Speaker 3 (11:46):
It's like it's like the Script Club in the eighties
and the nineties. Women couldn't get in there. And and
I I tried digging women in my age. That's the
hardest shit in the world. Oh man, they stuck in
their fucking ways, and they wonder why they can't keep it. Now,
you know they't gonna get you for this. Now, I
wouldn't give a damn. Them old holes need the Lord
their standards and realize that this unless you wanna old,
(12:07):
unless you wanna old trick.
Speaker 1 (12:09):
No, unless they.
Speaker 3 (12:10):
Mold want a nigga that want they do, unless they
want to swap out a nigga that's a swap our artists.
Unless them bitches want a yes man or a paymaster bitch.
I'm the sugar daddy with no sugar. Yeah, sweet and load,
I'm not doing that. Whatever you don't do, you don't
get paid for like bench stopped. Always complain that like
for real, the more stuck in their way. I asked
(12:32):
her where you at? You ain't my dad, I'm not
your bitch. I I hope I'm not your daddy.
Speaker 1 (12:37):
Bitch.
Speaker 3 (12:37):
I want to know where you at, bitch, in case
you get in an accident, in case you get a
flat tired.
Speaker 1 (12:41):
I'm not she. Women want to get treated like niggas.
I can't.
Speaker 3 (12:47):
I don't like niggas. I'm gonna treat you like a nigga.
I treat niggas any kind of way you wanna get
treated equals. So you telling me you want to get
treated like a nigga because you can never be a nigga.
You could never be me if a man gonna be
a man?
Speaker 1 (12:59):
Or you really a woman? Why you don't cook?
Speaker 3 (13:02):
Why you don't pay more attention than me, like you
pay attention to your eyelashes? A fifty year old ain't
got no baby here? Why any way, you were forty
five to get braceist and shit like that, like you
bit you where you forty five years old to get bracist?
And now you got your little daughter twenty one getting
her body done twenty three and she twenty three, twenty
three years old, and she got her titties done. You
(13:23):
ain't even have a baby. Yeah, that shit gonna drop.
You gonna have to get them done again. You understand
what I'm saying, Like, hey, ain't no forty years old?
Git you you're forty five. You ain't got baby hears.
Speaker 1 (13:33):
Those are no baby. So what's your demo?
Speaker 3 (13:36):
I want a bitch I could leave something, a bitch
I can raise because you can't re raise nobody. Somebody
could raise somebody that appreciate me, Somebody that could learn
them something. You know what I'm saying, Show them how
to work hard, show them how their compass her.
Speaker 1 (13:50):
You can't this.
Speaker 3 (13:52):
This is what women in my age do. They go
to other neighborhoods. They moved from Miami to Atlanta. From
a out of the Miami, you're still a hoe. You
can't run the miles back on that pussy. You cannot
turn your mind back on that pussy.
Speaker 1 (14:12):
So they wanted they try to.
Speaker 3 (14:13):
They want to be able to say, I bet you
none of your friends ain't fucking but yeah, his friend
fucked you, his friend fuck you, her friend fuck you,
her brother fuck.
Speaker 1 (14:21):
You, her daddy, everybody else. The fucking you.
Speaker 3 (14:23):
So you're worried about you're avoiding my friends? Dick, fuck
my friends? What's wrong with my friends? Like, I'm tired
of bitch you like that? If I if I, I
don't when I meet a girl, she like I got
a man. Hold up, baby, I don't know what you
I know, it's times different. I'm not interested in men.
I don't care about your men. When me and you
(14:45):
have something start dealing with each other, then if it's
your husband, your baby, daddy, your boyfriend.
Speaker 1 (14:50):
Then me and him now I need to respect him.
You need to respect me. We fucking the same woman.
That's my husband in law, my baby, me, daddy in law,
my boyfriend of law. I need to make sure you
need to respect him. If I catch you cheating, I'm
gonna tell him.
Speaker 3 (15:06):
Listen, hold on, it's not forna be three of us,
because when some ship come out, I need to know
if it's out of us three, it can't be three outside.
Speaker 1 (15:15):
It's three in the middle. That's it.
Speaker 3 (15:17):
No no extra niggas like I'll give a few the Oh,
it's my husband's birthday, so you're so.
Speaker 1 (15:25):
You really you really? I will give her some money
to get her husband some for his birthday. He fucking
my own. He's saying plates home and all. I said,
plates home and all. Yeah, what yeah?
Speaker 3 (15:39):
Your husband like chitless. I cook chittleins today. Come get
your nigga up, please. I need him to take care
of the controlling man. I swear to God, man, that's
what for Jesus, I'm not I'm not eating out the
garbage I need to.
Speaker 1 (15:54):
I need her to take care of herself.
Speaker 3 (15:56):
I need him to take care of her. I'm a leader, man,
I'm pleasing man. I like the young girls because they listen. Now,
let me tell you, I don't like the young minded once.
Speaker 1 (16:10):
I don't.
Speaker 3 (16:10):
I don't want to bitch. I can tell anything to
I don't want to bach. I can talk to it
any kind of way on the buck back. I want
her to I want her to be stern. I need
her to be like Okay, I understand that, but you
ain't got to say it like that. Okay, baby, I'm sorry.
Maybe I said it a little rough because we men
and women need each other. I don't need a bitch
calling me. What's the locks?
Speaker 1 (16:33):
The locks?
Speaker 3 (16:33):
You better put a bet in? No, I need you
to put the fucking bety. I need to put some
chicken in the fucking oven. I don't need they want
they want the locks. They want this wet like.
Speaker 1 (16:44):
No, no, it ain't no, they want to go So
what so what age? Do you know? What meally like?
Is it like twenty five? Nah? From twenty two to
thirty five? So you cut it out, you can. They
can't be past thirty five.
Speaker 3 (17:01):
No, that's what right around on the tire. They got
life fucked up right there, thirty five years at thirty five.
This is man thirty five bitch with a with a
wig on. Let's think about that.
Speaker 1 (17:15):
Bitch. In my area, the only one wore wigs was.
Speaker 3 (17:17):
Was bank robbers, drag queens, and motherfucker clowns who are prostitutes.
Speaker 1 (17:25):
Think about who wore wig when you were young. We're
saying a clown that that's a prostitute. That's what clown holds.
We call them prostitutes.
Speaker 3 (17:33):
Oh okay, I was like alright, yeah, like prostitutes, bank
robbers and drag queens, that's who wore wigs. So when
you you're a forty old bitch, you putting on a
lace wig, just think about that. Cut your eyebrows off
just to draw them back, and now they cricket. Then
some of them get them tattooed in. Now I don't
(17:53):
want the bitch little. I don't care not about them
shaving no pussy, nonheing. You ain't gotta save none of
that unless that pussy nappy leave it on. You can trim,
you could cut it down. Want to getst the grain,
mohawk and landing script, But you ain't got to shave
that pussy. You don't be talking about Oh no, hell a,
your pussy. That's nasty knowing. That's when we knew in
the seventies and the eighties, we knew she was grown up,
(18:13):
growing up because now she got grass on the playing field.
Speaker 1 (18:16):
That's when we knew.
Speaker 3 (18:17):
So now all of a sudden, everybody's doing what everybody
else is doing. That's why they hold accuse me and
the cheating. No more, how am I cheating? I'm fucking
the same bit you you want to.
Speaker 2 (18:28):
Be like, so do you be having to worry about
your women when they when they get around your pops?
Speaker 4 (18:32):
Oh no, we kind of like in the same speed,
Like we like the same thing. We don't put up
with the same thing, like you said, what the hell?
I used to love that little hell around the buddy button.
Speaker 1 (18:40):
I see that. I used to like shit like that.
Speaker 4 (18:43):
Mm hmm, Like you don't like that, that's like some
little boys shit.
Speaker 1 (18:47):
Yeah, I like that.
Speaker 2 (18:48):
So you ain't got you ain't gotta worry about pops
taking taking your girl toes sometime.
Speaker 1 (18:53):
No no, no no no no no no no no no.
I trying to tell her that.
Speaker 3 (18:56):
I don't know if you watched this on the twenty
V right, he want this raglass bitch with tattoos everywhere.
So he deliberately kicked my whole off the show because
he knew what I liked. I'm trying to tell him
that ship just looked like that.
Speaker 1 (19:08):
I know that ship. That ship that is sorry garbage.
I know that type. I look at him. He's gonna
tell you he was talking to her before. That's how
I know what type of bitch it was. I was
over the interviewing that bitch. So so are y'all dating
anybody on the show right now? Nah?
Speaker 3 (19:25):
I try to bring one bitch on the show. Bitch
shot with my homegirl. We trying to cool, you know,
I you know I was playing with him. You know
what I'm saying, now this whole just get on the
internet every day posting old trick. Man want to kick
me off the show because I don't want to fuck him.
Speaker 1 (19:43):
I don't know. The bitch got earlier, all the timers
or what. I don't know.
Speaker 3 (19:46):
Sometimes you fucked so many niggas like that you will remember.
I don't know what's wrong her. So you try to
put you, try to put your homegirl in. I'm gonna
put you on the show and gonna piss me off.
I checked it on the stow. She tried to check
me back. Then you want to go get getting the
ring now the whole one to go.
Speaker 1 (20:01):
Hang with my wife. Bitch.
Speaker 3 (20:02):
You can't hang with my wife. Oh what's wrong with you,
dumb ass bitch? Like, come on, man, now, this bitch
just get on the internet every two three days.
Speaker 1 (20:11):
Let me show your text. Man.
Speaker 3 (20:12):
She just post some shit, this shit too, so she
ain't up saying aloud back on the show, that bitch.
Speaker 1 (20:17):
They better not. I'm not feeling with that bitch. Stud
the bitch.
Speaker 3 (20:24):
One of my homeboy this screenshots, she just put that
this shit two years old. She studied posting this shit.
Speaker 2 (20:29):
Trick Daddy tried to get me kicked off the show
on Love and Hip Hop, all because I wouldn't have
sex with him. Then, instead of getting me kicked off
the show, he decided to let me stay and his
goal was to make himself look good on the show
and make me look bad.
Speaker 1 (20:43):
Shaking my head, I do not run Love It hip Hop,
dumb ass, hope. I don't run that shit.
Speaker 3 (20:50):
If I ran Love It hip Hop, I'll make a
million dollar per episode I be on. I be on
every episode and it is run way different than his ring.
If I if I had a choice of what woman,
I'd be a model. I've been fucking a model up here.
Speaker 1 (21:04):
Bob, So is it? Do you have to tell them? Like, man,
let me get somebody on the show that I like
or that you know what I'm saying.
Speaker 3 (21:12):
I feel with two other girls, I see the guy
when they too nice and they feel like I like him.
Speaker 1 (21:17):
I don't know over there, when they go in that
room and edit that ship, that would people be like,
it's scripted. No, it's not. Lord, If it were a scripted,
trust me, I'll be over that bit looking like a
hero on that bit is not scripted. You get it?
Speaker 3 (21:29):
You get putting here they investigate you, they follow you,
they get access to all your social media. They know
who you're going through with, they know who don't like you,
they know who you don't like, and they'll put them
bitches right in.
Speaker 1 (21:37):
Their room with you. So sometimes you be on set
like all the time, you don't know what.
Speaker 3 (21:41):
When whenever he feeling. I don't know, like I ain't
know the situation with him. In one of the dollar Wood.
Speaker 1 (21:47):
Two is, I came I was coming to film.
Speaker 4 (21:49):
They the screenshot of a picture that was posted. They
bring to me like, like, man, y'all got that.
Speaker 1 (21:55):
They all on a page. See they detectives. Yes, they
they just put you in the situation than when you
see this. My motherfucker walk up to you like old
lady walk up to me. You're disrespectful. I'm teen, Joey.
I'm like, yes, ma'am, I don't know what the fuck
you talk about. Cum to find out.
Speaker 3 (22:12):
I'll cussed Joy out on the episode that night, and
I didn't watch it. Oh and she didn't already the same,
Like I'm cussing. We miked up and forgot, but they
in the corner with the cameras and they catched me
cussing around.
Speaker 1 (22:23):
They put the ship right on the show.
Speaker 3 (22:26):
They hear everything you got that might go there here,
every fucking thing you being there, whispering all you walk through.
Speaker 1 (22:30):
So so on this season? Are you trying to be
more of like a good guy? Bag on him? Okay,
that's what that's why he being so quiet? Yeah, I
ain't the bad guy. Look what you so?
Speaker 3 (22:44):
What you got going on on the Sebota be here
one of the twins, the other twins polet water.
Speaker 1 (22:48):
In his face. I'm like, what the fuck that was about?
Then she was like you goofy. She's like, you goofy.
Try You're gonna try to fuck me and my sister.
I'm like, what, So you got the You got two
twins on the show?
Speaker 2 (23:00):
He told you so you so you look, but you
know you can identify which one is with they voiced
all that.
Speaker 1 (23:09):
He ain't crazy, I know, I know, I know they
were two years old. I don't know who is who?
But he do this? Do the man?
Speaker 4 (23:22):
You can tell about what type of face they made, right,
But that's what any female.
Speaker 1 (23:27):
So one of the girls is your girlfriend? No, but
something going on, that's that's that's my.
Speaker 2 (23:37):
No, no, no, no, I can't wait, I can't wait
to see this season. I feel like, I feel like
he wants you to be the bad can't you want
to get some of the pressure off him.
Speaker 1 (23:51):
I have to go in and like I have to
go in and like, hold up, man, I had to
clean it up for him. It looked like he couldn't
like he knows know.
Speaker 3 (24:01):
So they fucking around it. They say I'm laughing about something,
and then he get fucked up in this. I'm he's
thinking I'm crossing him. I'm telling you, I'm laughing about
something totally different that happened five minutes ago. But now
he's in there, he's feeling and I'm I'm outside. I
don't know what he's feeling. I don't know what he's feeling.
Now they got me laughing. Now they gonna edit that bitch.
You gonna look like I set him up, And I'm
(24:23):
telling him, I ain't set you up, my nigga.
Speaker 1 (24:24):
You my nigga. So any anybody you want kicked off
the show? No, he can't. I can't get in there
there go like that.
Speaker 3 (24:31):
But I'm saying, like, anybody you like now, I don't
want to feel with this person. Yeah that was I
don't want to feel with that bitch. That was dumb
as a box of rocks. But the one brought off
I'm so dumb.
Speaker 1 (24:46):
That was dumbing than me.
Speaker 3 (24:48):
If a bitch dumbing than me, that bit don't deserve
no airplane, no nothing. He feed that bitch of ship
sell with she enjoyed the ship and throw.
Speaker 1 (24:58):
The bread up and say the bread was still.
Speaker 3 (25:01):
Yeah, Tree, you need to start doing some comedy. I
tried to, because that bitch is still a stak out
of ship. That bitch right there, I guarantee you that
bitch is. In the last four months, she donet revealed
four five niggas she didn't fuck you know, saying she
was pregnant for Stevie Jays say she was fucking shocked.
Speaker 1 (25:19):
I'm like, why are you doing this to these people?
What did they need to you?
Speaker 3 (25:22):
You said I kicked you off love hip hop, but
you're still on there, like make up your mind then
I kick you off or nothing. So if you saying
I kick you off love and hip hop because I
won't you won't give me no pusson, then you turn
around and say, but then I brought you back. Now,
which one did I bring you back? I kicked you,
I brought you off, kicked you off, and I brought
you back.
Speaker 2 (25:39):
I'm I'm terrified. I'm ina feel in my life that
that sounds. That sounds like some love and hip hop
that uh it sounds.
Speaker 1 (25:45):
I'm in fear of my fucking life.
Speaker 3 (25:46):
Bright now that bitch believe that my life is in danger,
I only get it restrained, all against this bitch.
Speaker 1 (25:58):
Seven o'clock somewhere I love damn. That's oh my god.
I could not get no sleep last night.
Speaker 6 (26:13):
Shane was up at all wee hours of the night
banging singing.
Speaker 1 (26:18):
Her lungs at Fable. I heard Shae and Fable fighting
during the rainstorm and Fable walked away.
Speaker 6 (26:24):
But then I guess Shaye had things need off for chests,
so they just kept on fighting last night.
Speaker 1 (26:29):
It was going on for hours. Then we had flowing
a Mada going at it.
Speaker 2 (26:33):
What what?
Speaker 6 (26:33):
What?
Speaker 1 (26:33):
What was going on? What? I'm gonna be honest. They
need to stay out of Mala's business. How do y'all
feel about the whole Allan and MJ situation? You think
that was?
Speaker 7 (26:42):
I wasn't him an m friend?
Speaker 6 (26:45):
Allen's claiming they were never friends very convenient for you
to say that. You know, I think somebody told me
your mama made her pray there and put two babies
in here.
Speaker 1 (26:53):
I probably need to tall the hall on myself, especially
after that ship. He was sexy.
Speaker 3 (27:02):
Me, don't maybe not even got this because it's like
everybody's ganging up on Allen.
Speaker 1 (27:09):
My first time I ever seeing nobody. I wanted to
knock her down.
Speaker 3 (27:11):
But now I realized you got a bad taste of men,
So I understand why I never had my shad, and
I feel like I needed to protect this. So I
got to holler at budey, I gotta see what he's about. Yo,
Why is a model so devoted to this dude?
Speaker 6 (27:25):
Then also our topics, we and her, we got our
own little situation like but it's still pressured the trip.
Speaker 7 (27:31):
Listen, it's whoever you invite, and there is no plus
one unless you are where the plus one is gonna come. Listen,
don't we're not putting no, no, don't ask me putting
the pressure on you because you're the one that stop
the trip.
Speaker 1 (27:46):
You're the one that played the I invited everybody, they
invited every everybody else.
Speaker 6 (27:49):
So no, it was not my teachers to have the
vacation you go like this. Yes, it has been a disaster,
but it's not my fault.
Speaker 7 (27:56):
This is getting worse and worse by the day.
Speaker 1 (27:58):
We're all leaving tomorrow. So y'all leaving tomorrow.
Speaker 7 (28:01):
I can't take no more. Me and my husband are
leaving this trip.
Speaker 1 (28:05):
Okay, this is not the vibe.
Speaker 7 (28:07):
It's not peaceful. It's just way too much going on.
I'd rather be working honestly and making money instead of
spending time with a whole bunch of people that do
not like to check.
Speaker 6 (28:16):
We have plans, she paused me for you five, I'm out. No,
I'm gonna bring myself in some stand and leave. Y'all
come along, because obviously nothing I do. It's satisfying y'all.
Speaker 3 (28:28):
Having a bit.
Speaker 7 (28:29):
He'll be all right.
Speaker 1 (28:31):
Anything in the you know this season that you're just
like man that just kind of like threw you off.
You had the twins.
Speaker 3 (28:39):
Mama tried to check me because agent told me and
the mama that him and Daisy was sliding, so she
tried to check me.
Speaker 1 (28:49):
Were fifty years old.
Speaker 4 (28:50):
The fuck you're gonna check me, I said, It kind
of make it look like he was and this shit
want no, you heard him.
Speaker 1 (28:57):
Did yeah that you heard that? I heard Okay, I
heard them? Okay, okay, all right, okay.
Speaker 2 (29:09):
So now now we now we're midway in the season, right,
what are some things that like just just fans that
just like come up to y'all and say, you like.
Speaker 1 (29:19):
Man that ain't me?
Speaker 3 (29:21):
They show the girls like him from twenty V Okay,
I don't know why they that whole you pick was raggedy.
Speaker 4 (29:28):
Many like they like that's what was going around.
Speaker 1 (29:31):
Man, that man that girl wasn't that girl ain't little
better than the girl you kicked off? Yeah, but you
know why. I'm trying to tell you why you kicked
the way the ones? I like, you kicked them off
the second round? So why you kicked the why you
kick the one you knew? I like, why you kicked
the dogs? She wasn't good for you? So who who
got the best taste? Who got who got the best?
Speaker 5 (29:53):
Me?
Speaker 1 (29:54):
Actual?
Speaker 3 (29:55):
Mama, actually, mama, actually ma ask your mama. As dog
Jackie ask said.
Speaker 4 (30:03):
That one thing about him, he had him a specific lane.
Speaker 1 (30:06):
Now he like one.
Speaker 4 (30:07):
I ain't gonna tell you what he likes. He like
one thing now he sees me get the bring of
her around. I get to bring of her around here
looking at her. Now he want to travel out?
Speaker 1 (30:14):
Like now I turn around because if he see me
with a girl and it looked like a girl that
he would see and would like her. He thinking, I'm
in his lane. That's not your lane.
Speaker 3 (30:24):
Bro.
Speaker 1 (30:25):
Three years ago, you in the bed herd.
Speaker 3 (30:27):
This is a bowling alley. Then you get into whatever
lane they let you in. You know what why it's
that white ship.
Speaker 1 (30:37):
That ship.
Speaker 2 (30:39):
So so is it ever a time where like both
of y'all like the same girl and then y'all gotta
tell her, you gotta pick No.
Speaker 3 (30:47):
Now we go with it together, me and one of
my god son, Charelho Right now, who.
Speaker 1 (30:59):
Man, Papa do oh? Y'all got the same girl?
Speaker 2 (31:02):
Yeah, both of us quit that bitch, y'all crazy man,
This is this is an interesting dynamic now now now
see now see why you a main cast.
Speaker 1 (31:17):
Member on the show.
Speaker 3 (31:18):
Now he's gonna do but but he gonna country more
or than music. Now he been I don't know if
you he been posting pictures. He ain't the nigga I've
been telling his nigga. So so I tried to trick
him into the music. I was like, all right, you
you ain't doing that, MUTI. You graduate high school? He
graduate high school fast.
Speaker 1 (31:32):
I was like, damn, wait, nigga only seventeen. I said,
all right, now you gotta graduate college. And they graduate college.
Speaker 3 (31:38):
I'm like, god, damn, so now I gotta put the
nigga out now. So but now I'm like, you gotta
be I'm like, listen, I don't have to spend as
much money if you build up your fan base right right,
like post pictures who trillers, TikTok all that that nigga.
Speaker 1 (31:54):
Is doing that?
Speaker 4 (31:55):
You know they ain't never the type though, take a piss.
Speaker 1 (31:57):
Of me neither. But I'm trying to tell you was
without my legendary status in the rap game.
Speaker 3 (32:05):
I'm shit because a lot of these young niggas, they
mamas is thirty five forty.
Speaker 1 (32:12):
They grandma know me. They AUNTSI know me if they
mama wasn't raised right, she know me. But they wouldn't
know me. They know me because I constantly. I was constant,
and it was.
Speaker 3 (32:22):
It costed a lot of money back then, even though
I wasn't paying the millions dollars for videos where they
were doing the mill and all the videos. I was
doing one hundred thousand dollars videos, even though they never
gave us credit cause we came from Miami. It was
only interested in our money and the drugs that we
had to sell them. They didn't care nothing about us
making music. But if you look at the hip hop
now for the last if hip hop been around fifty
one years, the last twenty six years, if it wasn't
(32:44):
for the South, it wouldn't be no fucking hip hop.
But I'm trying to explain to him, now, this is
our time, let's go, now, let's go. And I'm saying
we didn't have to. I never had a mindspace. The
only thing I remember being on is a chat line.
Speaker 1 (32:58):
What's the chat line?
Speaker 3 (32:59):
There's a chat line, so it's called okay, so is
it be saying it's thirty us on the phone together
and we're having a conversation.
Speaker 1 (33:06):
That's the only thing. We couldn't see him. We we
don't know them.
Speaker 3 (33:09):
The only way we know where they is if they say,
all right, I'm getting on that eight o'clock. You get
on the eight and get you a.
Speaker 1 (33:14):
Know, a call. So that's that's kind of like clubhouse,
but on the.
Speaker 3 (33:19):
Phone no pictures, nothing, nothing to click on or nothing.
You have to dial the number and then hit a
button to get why pretty, Ricky said on the hot line.
On the hot line, right, so that's the only thing
I know.
Speaker 1 (33:30):
I ain't know nothing about it.
Speaker 3 (33:31):
I went to prison on my fifteenth birthday. This nigga
was a high school scholar when he was fifteen. That
was that's a difference that has Has the show been
helping you a lot? Like with your music and everything?
Speaker 4 (33:43):
Well, see, the only thing is we ain't ready only
got I dropped my first it ain't my single, but
I'm a feature on the scene like two weeks ago.
Speaker 1 (33:50):
So yeah, that's doing a couple of numbers. But I
ain't even with that.
Speaker 3 (33:55):
Remember, the show is TV, right, the only way they
can play the song on TV if it's done right.
Let's say, let's say I put this song on my album.
You know, I mean everybody on the song have to
sign a one song contract with me saying that it's
my song, and they allow me to do what I
want to so you can. Then I got to do
the split and then nigg there's a lot of technical ship.
Speaker 1 (34:16):
When it comes to this.
Speaker 4 (34:16):
Love twelve papers for one song.
Speaker 3 (34:19):
Right, and people think it's just that's just like working
radio and you, I know, you know you're doing the podcast.
Speaker 1 (34:24):
I know, you know, get me on your podcast for
what what I'm getting you in with what you do?
Speaker 3 (34:30):
Like people just think it's that it's not that easy.
A lot of niggas, a lot of niggas who you
went to school with? And you like a college, nigga,
what college you went to?
Speaker 1 (34:38):
I ain't go to college. You ain't go to college, nigga,
congratulations making me neither. I ain't going to I ain't
even finished. I went.
Speaker 2 (34:45):
I went to college for for three months and then
once I realized the loan that they get, you know
you get the little check.
Speaker 1 (34:51):
Oh yeah, you gotta pay it back, I said, nah,
I ain't going in the day. I ain't going out
like this. No no, no, no, no no no.
Speaker 3 (34:58):
And I feel bad for the teachers that go to
because they making like the average of forty forty two
thousand in Florida, and they got all them dead in
the summertime. If they don't get on the page, if
they don't get on salary summertime, they're broke, Like what
the fuck? Like these are the people Without these people,
we could never be able to go to college. And
they don't make no money. So I understand it. But
but I said there to say that it's like with
(35:21):
the music thing and the TV thing. What I try
to explain to him, it's a plus times two, So
one plus one equals two all over the world, China, Europe,
even in the golf of United States that Donald Trump
thumb it's cause of the golf of the United States,
even in the golf of the United States, golf of America.
Speaker 1 (35:41):
Whatever.
Speaker 3 (35:43):
But if you times too because you got TV with it.
When the young people walk up to me and say, oh,
I know you. You tricked that it for love and
hip hop, I was like, damn, I used to be
assaulted by you tricked that that used to be with Trina.
That was my biggest insult. You tricked Daddy that used
to be with Trina. Now is you trick daddy for
(36:04):
love and hip hop? And I realized, now those are
not insults, those are compliments. Because there's there's a lot
of angles that money come from. You grasp all the angles,
then you get all the money.
Speaker 2 (36:18):
And it's different and it's different type of fan base
that watches TV. They're literally like a pocket of people
that only watch reality TV. Yeah, and that's what I realized,
because it might be people that say, well, we know
you from music, but my kids know you from TV.
Speaker 1 (36:37):
And speaking of TV, like if you if you're an actor.
Speaker 3 (36:42):
I actually love Holly Berry the muster ball came out,
she let the man fuck her. I'm like, come on, man,
but I take it serious. Like for instance, Tyler Perry
very successful, rich, that's madea he Modia.
Speaker 1 (37:01):
That's acting. Mike EPs is daity. But I get what
you're saying, like, like the characters you played, that's what
that's what I know. That's how I look at you. No,
I don't they're gonna start shipp but Martin Lawrence, damn man,
(37:21):
I want to say this. I'm gonna say this.
Speaker 3 (37:23):
Say this.
Speaker 1 (37:23):
Martin one of my favorite not funny. He's not funny.
You don't think Martin is funny.
Speaker 3 (37:30):
I grew up watching samples of the Jeffersons all in
the family. That ship is not funny, compared Martin not funny, goofy, goofy.
Speaker 1 (37:41):
I can't agree with your trick.
Speaker 3 (37:43):
Kevin Hart not funny, Oh not funny. These are white
people comedians. Kevin Hart would never be an Eddie Murphy
would never be a Red Fox.
Speaker 2 (37:56):
Now we are at different times where you can't comedians
can't really go there, how a doubt.
Speaker 1 (38:03):
Fuck them. If I'm telling the joke, fuck you.
Speaker 3 (38:07):
They told, will Tell will chair jokes, racist joke, religious jokes,
gay jokes.
Speaker 1 (38:12):
That's comedy. If you can't stand it, fuck you that.
Speaker 3 (38:17):
I mean speaking of that when I say, if you
watch certain things, I remember this, and she gonna hate
me for this. I remember when I found they found
they did something about Shaq and his wife was supposed.
Speaker 1 (38:27):
To be cheating on him with the pool man. Remember that.
Speaker 3 (38:29):
And my wife was on the phone with her friend
when they came on the news and she was like,
that's good for his ass. I was like, what the
fuck do you mean that's good for his ass? What
fuck are you talking about? You don't want to be
with me all as, don't take my money to take
care of another motherfucker. And I think from that day
I think it damaged our marriage because how I am
(38:51):
and I said that to say this.
Speaker 1 (38:54):
Zeus Network and like the projects, damn what they do
loo the number fight.
Speaker 3 (39:05):
A bunch of a bunch of botok, bitches, fake te,
fake jury, fake ass, teddies, a lot of surgery marks
on TV fighting?
Speaker 1 (39:14):
What else they? What do they do?
Speaker 3 (39:18):
That's the projects? I know my mom had eleven kids
in the project. I know what the projects is. I'm
from the pokea Bean projects. Them holes below in the
pokea Bean Projects, telling you right now, the old POKEM
Bean project. I'm telling you so you said, Zeus is
the projects that's ghetto when it comes to reality TV.
Speaker 2 (39:42):
Some would say that love and hip hop because y'all
y'all throwing water at each other.
Speaker 1 (39:47):
That's all you're gonna do on them.
Speaker 4 (39:51):
Mm hmm.
Speaker 1 (39:53):
That's all you're gonna do on there. Shot the hold
with that b B gun. That was that was his story.
I love that. I love them. When she shoting to
have that BB gun? Do y'all be having security or set,
that's all they be, standing right by you. They standing
(40:13):
right by you.
Speaker 3 (40:14):
I don't.
Speaker 1 (40:14):
I don't do that though. I don't do that on TV.
I'm One of my auto ego.
Speaker 3 (40:22):
Names is dirt. It's dirt, dirt, dirt, d R D
I R T dirt, Okay, dirt dirt. If I want
to fuck you up, I swear to God, they're not
gonna know it. By the time I get on your ass,
I'm gonna be kicked off the show and they're gonna
be paying you a selling them.
Speaker 1 (40:38):
I'm gonna beat the ship out of you. I am
not gonna let them know.
Speaker 3 (40:41):
Like I'm not gonna tell the producer, Oh, I want
to feel with such and such and nothing, because all
they gonna be doing, they gonna keep us separated. And
it's gonna be a big ass nigga standing behind you
before you get up here, gonna grab you, and it's
gonna look like a goofy.
Speaker 1 (40:54):
You're gonna be close enough, but not too not right.
Speaker 3 (40:58):
Oh man, Soon's network let him old punch each other
in the eye, kick each other period They will be
kicking each other period on.
Speaker 1 (41:06):
Whatever they want to see those other people want to see.
Speaker 3 (41:09):
But so with that being said, I don't I'm not
interested in that type of woman. If you sit in
there watching baddies, you ain't my type of bitch. I
read you watched some other boy and ship.
Speaker 2 (41:23):
All right, so what can so what can we expect
this season of love and Hip Hop Miami?
Speaker 1 (41:30):
He's in this studio. I'm finally spending my money on
his music.
Speaker 3 (41:33):
Now, okay, he got a lot of explicive clothes that
he just waiting to take pictures.
Speaker 1 (41:38):
In here in the coming months.
Speaker 4 (41:40):
Yeah, be expect them to see like a music video,
solo video or something like that coming from.
Speaker 2 (41:46):
So you got you got a single, You got a
single that you pushing on, You got a couple of singles,
he got he got a hundred.
Speaker 3 (41:52):
He see he got a hundred. See no damn will
him got no hundred singles? He thank everyone, and so
that his homeboys or his girl like he thinks that's
the hit.
Speaker 1 (42:01):
That's it.
Speaker 4 (42:02):
I'll be feeling like I'll be seeing people out here
that don't get fogged off. I feel like some of
my shit better than what I be hearing out here
and what I be seeing out here. I feel like,
if I get my chance, I'm gonna make me feel
me even in one of them YouTube beats, and I
get a little cloud off that and people like they
flowing me towards me. I take the fans, then I.
Speaker 1 (42:17):
Can do it. I gotta do one thing. I can say.
Speaker 3 (42:21):
The nigga get it smart at his MoMA and daddy
is smart, and then they got good sister as he's
watching a lot of I feel like hip hop is
under attack by the law.
Speaker 1 (42:33):
I feel like the fizz the police da task for FBI.
Speaker 3 (42:39):
I feel like they're targeting these dudes because they think
now that you can't blow up unless you're really on that.
Remember ten years ago is everybody had all the guns
in the video with the masks on and.
Speaker 1 (42:51):
They're throwing up gang signs.
Speaker 3 (42:53):
Now these niggas is selling drugs, killing people and they're
rapping about it.
Speaker 1 (43:01):
Then they come back and rap about it.
Speaker 3 (43:02):
They rap it about what they gonna do, They go
through it, and they come back and do a remix
about what they did.
Speaker 1 (43:08):
But one thing about my nigga, what he told me.
Speaker 3 (43:12):
He said, you ain't gotta worry about that shit for me, Bob.
He said, I feel like them nigga's going to jail
because they making room for me. And I was like,
that's how I want you to think.
Speaker 4 (43:23):
They get picked up a little backwards.
Speaker 1 (43:25):
It ain't work like that.
Speaker 3 (43:26):
We do all this shit to get out of a
bad situation. We do all this to become successful. They
become rich, they go to prison. Make no sense.
Speaker 1 (43:37):
They got a new shit I called snitching now everybody snitching.
Fick them snitches.
Speaker 3 (43:41):
Everybody snitches, niggas who ain't even supposed to be killers
and snitching like with the Takoti six'. Nine when they
said about, it they asked, Me kodak took a me
in what you? Talking you motherfucker? RIGHT i would have took.
YOU i took five hundred dollars Because kodak, said that's
not our, rat that's they. Rat if a bunch of
niggas that supposed to be some gangster ass niggas take
a bitch like To kosti six,' nine hang, with him,
(44:03):
commit crime do all tump, of shit, extore him fuck his.
Speaker 1 (44:06):
Old lady then threatened to. Kill him he's supposed to
Tell on. They ass he's not built. Like that that's
why y'all was doing what.
Speaker 3 (44:14):
Y'all need y'all, victimize him y'all, picking faces y'all picking
Y'all victim you can't.
Speaker 1 (44:20):
Do that.
Speaker 3 (44:20):
You can't this ain't a. Boxing match you can't pick.
Your opponent leave, the women, the children and the inns
and people out. Of it bring that, thug shit the,
thug LIFE and i see how you're gonna. Handle it
then then if you want to call somebody, a rat
just know that that's, your rat that's not, our RAT
because i wouldn't have did nothing like that. With him,
hold on let me let me check this shit. Right, quick,
(44:42):
Hey yo i'm doing the whole interview. Right now you
ain't if you called me, one time you ain't gotta
call me, two three?
Speaker 1 (44:48):
Four five? All right? All right you standing? On business?
All right so on, the show y'all taking. A trip
can y'all talk about the trip that y'all taking on.
The show.
Speaker 3 (45:03):
We're going you, hit it hit. It, go okay we're going. To,
carrousel okay we let Fruity ass bobby playing. The trip first,
of all know that Everybody know bobby a. Fruit loop
that's not. Gay BASHING and i can't be canceling any.
Fucking Away so bobby fruit loop ass playing. The trip
(45:24):
then they got the hate You girl gyyea. Assisted him
she the. Messy one she trying to fuck everybody man on.
The show so it's a lot of sucking and fucking
and fighting.
Speaker 1 (45:34):
And fussing, why then when THE Movie, i die where you?
Want gone why you want? To die where?
Speaker 3 (45:41):
You play?
Speaker 1 (45:41):
Hard back? WHAT'S up.
Speaker 5 (45:45):
I?
Speaker 1 (45:45):
Really shit you. Even coming, you know han't let. ME
man i know you from THE d i know y'all.
Play dough you play dumbing those right when there's. Some
drama i'm gonna check that, all this, He say, She
say i'm. Sick hood somebody gonna sit down with allan
we get to the bottom of. THIS day i appreciate
that you're.
Speaker 3 (46:03):
INVITING head i don't know how long you're playing on
standing around with all this that's. Going on BUT if
i didn't come on this trip for all, THAT extra
i came to. Relax it so last night you walk
up with a manor hand. In hand, everybody go. Mother
preserved They hate let me tell YOU why i wanted.
The dollars that's three stiles to every story. They signed
(46:24):
your sign in.
Speaker 1 (46:24):
The truth the situation you in.
Speaker 3 (46:28):
Right now i've been in that situation my. Whole life
i've been labeling a bad guy because they make you
have a. Bad guy they make you have a relationship
with guy here and flirting with.
Speaker 1 (46:37):
Her sister they make you have a dead.
Speaker 5 (46:38):
Be dead everybody that asks, against me they're trying to buy.
Speaker 1 (46:42):
A family who girls and. A mother i heard y'all
all get.
Speaker 5 (46:46):
THE idea.
Speaker 1 (46:54):
I Don't think i'm Dead because i'm not in the bedroom.
With y'all i'm not in the living room. WITH y'all
i don't understand what's. Going on are you in a
moody eyeem? Or y'all? Just parents, we work compied, and
take and now we're doing into.
Speaker 5 (47:08):
Something else i'm gonna put two babies on, her, belly
now that's what we're.
Speaker 1 (47:12):
Gonna do That's why.
Speaker 3 (47:13):
I'm hit so you want to be a family? With, her,
yeah okay so you and, your wife that's.
Speaker 1 (47:18):
The word that's the SITUATION that i take in. Troll
right but if mother's cool, WITH it i don't see
what the problem with? Everybody else and sign FROM what i,
see though your, baby mama she gotta stop entertaining.
Speaker 3 (47:30):
The, bush well she entertained, other people and it gets
People like dayelle and her sister to come at.
Speaker 1 (47:37):
You sideway you gotta be careful to. THEM too i
don't trust them up. WITH flow i tell you these.
Speaker 5 (47:42):
She was and a reading by situation with an ex
or whatever.
Speaker 1 (47:45):
It is but you ain't knocked none of. Them down
what you mean? FOR her i don't want to talk.
About that oh. My god. The mainly poor thing is the.
KIDS track i take out of. My daughters i'm a.
Responsible father i'm a. Real man they got the narrative
going AROUND if j was. YOUR friend.
Speaker 5 (48:07):
I don't really like to talk about people About, and
jay and everybody. KNOWS it i haven't let that. Guy
money he. Was broke his brother called Me. From Atlanta
bro he, Was, like yo, my brother he's In The,
dominican republic and you take care. Of him he got into.
SOME situation i took care. OF him i used to
be like really cool with his brothers back at. The
university YOU'RE not. MJ homeboy i didn't know that the
(48:29):
ins and out OF her.
Speaker 1 (48:30):
Mj relationship he spent five years SINCE and j. Five
years why you didn't.
Speaker 5 (48:35):
Realize that my tweens talking about to be three Years and.
Speaker 1 (48:38):
Jay's crazy he needed, up. Dreaming man so that's what's
going on on. The trip it's all that's. Going, on okay, anything?
Else y'all? All? Right Man Trick Daddy Ball alert show
They get a little they called him. That's right man.
A point in Live from the at of the ball
Alert Show.
Speaker 2 (00:10):
You know BT got a special guests in the building,
no introduction.
Speaker 1 (00:14):
You know his face, you know it's the tricked out
it about it what they do? Boy? Now you get
now you brought somebody with you. Yeah, j that's JR.
Right there? Now? Who is that? That's my son. That's
my son Jayden.
Speaker 3 (00:23):
But his.
Speaker 1 (00:25):
Artistry name ed PFKJ. Okay, pfkj.
Speaker 3 (00:30):
It's crazy because we had to change his name a
thousand times, even when he even when he was born,
Like I changed his name when he was born.
Speaker 1 (00:36):
Then his mama's like you confused with him. I was like,
all right, change it back because ye had changed his name.
Speaker 3 (00:41):
We changed his name like three times. The people that
he was an illegal alien.
Speaker 1 (00:46):
Wait how wait? So you said he was bored and
he had mama is mama name of a name? I
was like, I don't like that, so let's changed it
to my name. Then I changed it to my name.
Speaker 3 (00:56):
Then when she was trying to tell him he was confused,
I was like, fuck you, that's changing back.
Speaker 1 (01:02):
You can go about all four names? Now, how long?
Speaker 2 (01:05):
How long you been doing music because your pop said
you're doing music.
Speaker 4 (01:09):
I mean, I was messing with it for a long time.
But like when I took it serious, like three years ago,
three years ago.
Speaker 3 (01:15):
Three years ago, I think you took it serious last
year because he keep on rapping on these YouTube beats.
Know what I'm saying, You trying to reach out to
the niggas on YouTube. They just don't know.
Speaker 1 (01:23):
They don't get it.
Speaker 3 (01:24):
Yeah, Like if you get to hear record off of
your beat, you eat for the rest of your life.
They don't understand that part. Their producers on fifty percent
of the fucking song. Like you, they can't do nothing,
they can't license, they can't do nothing. But they need you.
Speaker 1 (01:41):
That's true.
Speaker 4 (01:41):
And tell them though, like the young like chill in
the garage, just record something yeah quick even if.
Speaker 1 (01:47):
But you know, that's what happened to DDG.
Speaker 2 (01:49):
So DDG had a song that was going viral and
the producer, I guess he got the producer, you know,
the beat, however he got it like the way how
the young dudes get the beat right and then the.
Speaker 1 (02:01):
Song start blowing up. Producers like a man, we gotta
you know.
Speaker 2 (02:05):
Yeah, it was like DDG was just like, yeah, nah,
I'm not gonna even move.
Speaker 3 (02:09):
For because they don't understand. Oh listen it shit work
hand in hand. I used it in the frame of
the dope game. I look at it like this, like
I made a lot of money and a lot of
hit records with Atlantic Records.
Speaker 1 (02:23):
But Atlantic Records is like Chropo.
Speaker 3 (02:27):
But see you needed a you needed a Griselda Blanco
that was slipping slide record. Uh huh so slipping slide
record need motherfuckers like BML.
Speaker 1 (02:36):
You need to put it in the stores. You know
what I'm saying.
Speaker 3 (02:38):
People think that while we went in the store and you, oh,
I know you, I know you got some money because
your Apple was sold out. No, that's bad. That means
the people did not ship out enough copies. That means
I gotta keep going back to the store to try
to buy you.
Speaker 1 (02:53):
Young niggas. They got it different. Now, they got it easy.
They get them. They give him awards for ship they
don't deserve. You know what I'm saying.
Speaker 3 (02:59):
They you had to actually go sell a fucking record
in my area. You have people have to go to
the store and purchase your music.
Speaker 2 (03:06):
Well, I think they give them the record they giving
them no wars because they want them to show up.
Speaker 3 (03:11):
I don't know, but there's a lot of shit that
that I did. They even have to do. Like I
had best Buy Specks, and I had Best Buy Specks
and Fye or one of those one of those toes
right where every store Cirky City, I believe it was
(03:31):
every store had two extra songs on the CD.
Speaker 1 (03:34):
So that was my gift to you. So a lot
of people say, I've never heard that song.
Speaker 3 (03:39):
That's because they bought it out of targety or they
brought it out of Best Buy.
Speaker 1 (03:43):
So it's like different songs.
Speaker 3 (03:45):
I put two bonus tracks on every album depending on
where you bought it from. Okay, and you know they
get like, for instance, Rod Wade do something a minute
and a half two minutes.
Speaker 1 (03:57):
No, we couldn't do that new wave, but.
Speaker 2 (04:00):
Yeah, that's a that's a new way because because again
it's about see it's about the replay. So that's why
I learned like certain songs are like two minutes because.
Speaker 3 (04:10):
They me one of those news name me a song
for the new wave that's gonna be here twenty years
ago because they listening to their nigga. I be your
players going viral right now, and I may I be
your player twenty four years ago. So name me a
two minute record that's gonna be. That's what I'm trying
to That's what I'm trying to explain to him. You
can do your new ship, but let me do the
(04:30):
old shit. That old shit I asked you to do.
Speaker 1 (04:32):
I need you to. So that's what I'll be arguing about.
The studio.
Speaker 4 (04:38):
Got them too many songs, right, too many songs.
Speaker 1 (04:41):
Okay, Now there's another thing.
Speaker 3 (04:44):
Back then, I could have tell fifteen thousand gotta watch
a chain and a bridgeley fifteen thousand ain't gonna get
rid away ship with all the big damage in his ship.
Speaker 1 (04:55):
And these divers are definitely different now, right, So you
know what I'm saying. What I'm saying.
Speaker 3 (04:59):
So they had fifteen change, I ain't have. I have
fifteen cars and all my cars was paid for the
ship that they fucking up. Now I know you're they
fucking up because I fucked up.
Speaker 1 (05:12):
I did it one of my free styles.
Speaker 3 (05:14):
I say, the first five years that Blue twenty five
mel I fucked up when we were out here as
black folks as.
Speaker 1 (05:20):
Wait, how much how much you I made a lot
of money.
Speaker 2 (05:23):
You said you spent it in five years. How much
money you think you spent in that five years? Twenty
five twenty five million?
Speaker 3 (05:30):
Yeah in five years, Yeah, no problem, my first meal
in the roads. Oh I need to be trying to
be around. But listen, they can make that. That's some
of these niggas make that. Some of these niggas not
making in the first year. But here's the problem where
they fucking up at all these neighborhoods that people are
saying they ggified them.
Speaker 1 (05:51):
This regentification is going on. That's the properties.
Speaker 3 (05:54):
We should have bought the properties in Miami, in Jacksonville
and Detroit, Chica Goal, those neighborhoods that was torn down.
We should have brought that property and we should have
hold on to it. But no, we bought shipped that Vasashi, Mesquino, Gucci,
Louis shit that don't from people that's already rich, that
don't care about us, designers that don't even make our
(06:16):
size because it wasn't made for us. And we bought
and we made it a household that we made it
a thing where it's fucking a young generation up. So
we trying to explain to them. Okay, you could have.
You could put that shit on when you go certain places,
but that's not no shit you put on every day.
You're right, because my first mellion I made, I called
everybody from Slipper Slode Records in the meeting, and I
(06:36):
broke everybody off. And by the time I did that,
by the time I put down on me a house
and brought me a car and a watch, I was broke.
And then eight years later already said you ain't pay
us for this menion. And I paid nineteen times of
what I could have paid for the taxes on that money.
Speaker 1 (06:54):
So even with the jeans, it's like, you know, probably
back in YO day, what is a red monkey jeans?
Red monkey jean? How much was the red monkey jeans?
Two three hundred dollars? Now how much is the jeans? That?
How how much the crown hard doing? No ship like that?
That's dumb for some jeans. That's dumb. That's not that's
(07:15):
that's Can you fly with them? They do? Ship? They
do ship with them. Can't even and they don't even.
I can't wear that, daddy, because I took a picture
that I'm like, holy God, Yeah, what I.
Speaker 2 (07:28):
Tell you tell you this the same way you're talking
about the music replay and clothes get replayed too.
Speaker 1 (07:33):
Because I'm you don't even know what a hand me
down is. Yeah, you're talking about two three years old,
not two three years ago.
Speaker 4 (07:42):
I'm talking about I'm talking about basketball school because basketball
shoot my basketball shoot now.
Speaker 1 (07:49):
And now he getting the main cast member money. Now
he plays basketball. This nigga is playing basketball.
Speaker 3 (07:55):
That niggas playing basketball, and George, George wouldn't for us
playing basketball.
Speaker 1 (08:02):
You know, you know what you know?
Speaker 2 (08:03):
Well, my mom used to make me do if I
if I were the nice shoes at school when I
when I get off the bus, take them shoes off.
Speaker 1 (08:09):
You about to go back outside, take them shoes off.
Play play closing shoes and school closing shoes right see
you gotta you gotta good. But he making it sound bad.
Speaker 4 (08:21):
The shoes I'm playing in the Jay's I'm playing there
in them four five years old.
Speaker 1 (08:24):
They hurting my feet? Ain't the ones that?
Speaker 2 (08:28):
Because heiny, we're talking about replay value. That's that's resale
value right there. Now you're you're joining the official cast
Love and Hip Hop Miami, Like, how how do you feel?
Because it's you know, there's gonna be a lot of
these now, like the interviews and and everything you go.
Speaker 1 (08:47):
You know what I'm saying, you about to have all
the females and your d ms now.
Speaker 4 (08:51):
I feel like I see it as an opportunity for me.
I feel blessed for the opportunity. I just got to
make the most of my music. I feel like it's
good exposure for my music and everything and take advantage
of it.
Speaker 3 (09:05):
He understand that part about the love and hip hop thing,
because I think when when when when when I really
started dealing with the looper situation. It was a time
when I didn't want to do no shows, I didn't
want to take no pictures.
Speaker 1 (09:15):
No interview with none of that. And he knows about
that part when I said I'm going on love and
hire but he was like, what what you doing?
Speaker 5 (09:21):
What?
Speaker 1 (09:21):
And if he's seeing me posting pictures like you took
a picture like But it was never that I thought
I was. I just that it was without.
Speaker 3 (09:29):
Suffering loopers and some shit that some shit like some
United States type shit. You know where it comes from,
you know how you get it, which is unexplainable, but
you don't know how to get rid of it. They
just want to treat you and shoot you with steroids.
And they got me gaining all his weight and losing
all his weight. So I just say fuck it. I
just say fuck it, And I get bigger now. But
(09:50):
you know, I basically my stomach get big, but it'll
go down there a few months. I'm gonna be okay.
I'm a grown ass man. I don't give a fuck
about nobody sitting up by my stomach.
Speaker 1 (09:58):
But I know one thing.
Speaker 3 (09:59):
I'm not taking a Loopers medicine that that requires me
to take five other medicines that to help me from
dying from my August breaking down because of the sign
effects from the Loopers medicine. Just give me the Loopers
the funk, I want five other problems.
Speaker 1 (10:15):
You know.
Speaker 2 (10:16):
Yeah, Now, when you when you you know, is that
something that you that you really do take you know serious,
because you know, when you when you're dealing with stuff
like that, Like you know, even when they was talking
about uh Gotti, when they was talking about how people
was telling him like, yo, you need to take your
health serious, and you know, he was just like, you
know whatever, I'm gonna eat what I want to do.
Speaker 3 (10:35):
The only thing I gotta take. I had had divertic
the lights, I had surgery like Omer. I guess Matt
tists was twisted. They had to go in there and untwisted,
cleaning out and all that. That's the only thing that
takes shit. I used to I used to be scared
of the police, God and my mama. Now I'm just
scared of God. I ain't know I've cut I cut
all the haters off, including the devil.
Speaker 1 (10:57):
Like fuck you like the devil, you ain't nothing to me. Police,
y'all did shit. You ain't fucking with me.
Speaker 3 (11:02):
You're gonna have to let me out of jail because
I'm not doing certain things that they're gonna keep me forever.
Speaker 1 (11:07):
And if I have to then it.
Speaker 3 (11:08):
I can't do that about it, because you know, an
old lady told me, if you're gonna pray about it,
don't worry about it, and vice versa.
Speaker 1 (11:13):
So I do not that.
Speaker 3 (11:14):
Crackhead auntie, the alcoholic uncle, that that that disrespectful cousin,
that that that ungrateful child, that mother or father, that
parent that don't give a damn, the thief and cousin,
the permissioner is neighbor.
Speaker 1 (11:30):
They not invited in my life no more. I'm gonna
fuck about them. I missed the leave your ass like
I would leave you because.
Speaker 3 (11:35):
Everybody can't go, and everybody can't get in the places
that I want to end up at.
Speaker 1 (11:41):
Everybody's everybodyin't gonna be able to end up. They ain't
gonna be able to go.
Speaker 3 (11:46):
It's like it's like the Script Club in the eighties
and the nineties. Women couldn't get in there. And and
I I tried digging women in my age. That's the
hardest shit in the world. Oh man, they stuck in
their fucking ways, and they wonder why they can't keep it. Now,
you know they't gonna get you for this. Now, I
wouldn't give a damn. Them old holes need the Lord
their standards and realize that this unless you wanna old,
(12:07):
unless you wanna old trick.
Speaker 1 (12:09):
No, unless they.
Speaker 3 (12:10):
Mold want a nigga that want they do, unless they
want to swap out a nigga that's a swap our artists.
Unless them bitches want a yes man or a paymaster bitch.
I'm the sugar daddy with no sugar. Yeah, sweet and load,
I'm not doing that. Whatever you don't do, you don't
get paid for like bench stopped. Always complain that like
for real, the more stuck in their way. I asked
(12:32):
her where you at? You ain't my dad, I'm not
your bitch. I I hope I'm not your daddy.
Speaker 1 (12:37):
Bitch.
Speaker 3 (12:37):
I want to know where you at, bitch, in case
you get in an accident, in case you get a
flat tired.
Speaker 1 (12:41):
I'm not she. Women want to get treated like niggas.
I can't.
Speaker 3 (12:47):
I don't like niggas. I'm gonna treat you like a nigga.
I treat niggas any kind of way you wanna get
treated equals. So you telling me you want to get
treated like a nigga because you can never be a nigga.
You could never be me if a man gonna be
a man?
Speaker 1 (12:59):
Or you really a woman? Why you don't cook?
Speaker 3 (13:02):
Why you don't pay more attention than me, like you
pay attention to your eyelashes? A fifty year old ain't
got no baby here? Why any way, you were forty
five to get braceist and shit like that, like you
bit you where you forty five years old to get bracist?
And now you got your little daughter twenty one getting
her body done twenty three and she twenty three, twenty
three years old, and she got her titties done. You
(13:23):
ain't even have a baby. Yeah, that shit gonna drop.
You gonna have to get them done again. You understand
what I'm saying, Like, hey, ain't no forty years old?
Git you you're forty five. You ain't got baby hears.
Speaker 1 (13:33):
Those are no baby. So what's your demo?
Speaker 3 (13:36):
I want a bitch I could leave something, a bitch
I can raise because you can't re raise nobody. Somebody
could raise somebody that appreciate me, Somebody that could learn
them something. You know what I'm saying, Show them how
to work hard, show them how their compass her.
Speaker 1 (13:50):
You can't this.
Speaker 3 (13:52):
This is what women in my age do. They go
to other neighborhoods. They moved from Miami to Atlanta. From
a out of the Miami, you're still a hoe. You
can't run the miles back on that pussy. You cannot
turn your mind back on that pussy.
Speaker 1 (14:12):
So they wanted they try to.
Speaker 3 (14:13):
They want to be able to say, I bet you
none of your friends ain't fucking but yeah, his friend
fucked you, his friend fuck you, her friend fuck you,
her brother fuck.
Speaker 1 (14:21):
You, her daddy, everybody else. The fucking you.
Speaker 3 (14:23):
So you're worried about you're avoiding my friends? Dick, fuck
my friends? What's wrong with my friends? Like, I'm tired
of bitch you like that? If I if I, I
don't when I meet a girl, she like I got
a man. Hold up, baby, I don't know what you
I know, it's times different. I'm not interested in men.
I don't care about your men. When me and you
(14:45):
have something start dealing with each other, then if it's
your husband, your baby, daddy, your boyfriend.
Speaker 1 (14:50):
Then me and him now I need to respect him.
You need to respect me. We fucking the same woman.
That's my husband in law, my baby, me, daddy in law,
my boyfriend of law. I need to make sure you
need to respect him. If I catch you cheating, I'm
gonna tell him.
Speaker 3 (15:06):
Listen, hold on, it's not forna be three of us,
because when some ship come out, I need to know
if it's out of us three, it can't be three outside.
Speaker 1 (15:15):
It's three in the middle. That's it.
Speaker 3 (15:17):
No no extra niggas like I'll give a few the Oh,
it's my husband's birthday, so you're so.
Speaker 1 (15:25):
You really you really? I will give her some money
to get her husband some for his birthday. He fucking
my own. He's saying plates home and all. I said,
plates home and all. Yeah, what yeah?
Speaker 3 (15:39):
Your husband like chitless. I cook chittleins today. Come get
your nigga up, please. I need him to take care
of the controlling man. I swear to God, man, that's
what for Jesus, I'm not I'm not eating out the
garbage I need to.
Speaker 1 (15:54):
I need her to take care of herself.
Speaker 3 (15:56):
I need him to take care of her. I'm a leader, man,
I'm pleasing man. I like the young girls because they listen. Now,
let me tell you, I don't like the young minded once.
Speaker 1 (16:10):
I don't.
Speaker 3 (16:10):
I don't want to bitch. I can tell anything to
I don't want to bach. I can talk to it
any kind of way on the buck back. I want
her to I want her to be stern. I need
her to be like Okay, I understand that, but you
ain't got to say it like that. Okay, baby, I'm sorry.
Maybe I said it a little rough because we men
and women need each other. I don't need a bitch
calling me. What's the locks?
Speaker 1 (16:33):
The locks?
Speaker 3 (16:33):
You better put a bet in? No, I need you
to put the fucking bety. I need to put some
chicken in the fucking oven. I don't need they want
they want the locks. They want this wet like.
Speaker 1 (16:44):
No, no, it ain't no, they want to go So
what so what age? Do you know? What meally like?
Is it like twenty five? Nah? From twenty two to
thirty five? So you cut it out, you can. They
can't be past thirty five.
Speaker 3 (17:01):
No, that's what right around on the tire. They got
life fucked up right there, thirty five years at thirty five.
This is man thirty five bitch with a with a
wig on. Let's think about that.
Speaker 1 (17:15):
Bitch. In my area, the only one wore wigs was.
Speaker 3 (17:17):
Was bank robbers, drag queens, and motherfucker clowns who are prostitutes.
Speaker 1 (17:25):
Think about who wore wig when you were young. We're
saying a clown that that's a prostitute. That's what clown holds.
We call them prostitutes.
Speaker 3 (17:33):
Oh okay, I was like alright, yeah, like prostitutes, bank
robbers and drag queens, that's who wore wigs. So when
you you're a forty old bitch, you putting on a
lace wig, just think about that. Cut your eyebrows off
just to draw them back, and now they cricket. Then
some of them get them tattooed in. Now I don't
(17:53):
want the bitch little. I don't care not about them
shaving no pussy, nonheing. You ain't gotta save none of
that unless that pussy nappy leave it on. You can trim,
you could cut it down. Want to getst the grain,
mohawk and landing script, But you ain't got to shave
that pussy. You don't be talking about Oh no, hell a,
your pussy. That's nasty knowing. That's when we knew in
the seventies and the eighties, we knew she was grown up,
(18:13):
growing up because now she got grass on the playing field.
Speaker 1 (18:16):
That's when we knew.
Speaker 3 (18:17):
So now all of a sudden, everybody's doing what everybody
else is doing. That's why they hold accuse me and
the cheating. No more, how am I cheating? I'm fucking
the same bit you you want to.
Speaker 2 (18:28):
Be like, so do you be having to worry about
your women when they when they get around your pops?
Speaker 4 (18:32):
Oh no, we kind of like in the same speed,
Like we like the same thing. We don't put up
with the same thing, like you said, what the hell?
I used to love that little hell around the buddy button.
Speaker 1 (18:40):
I see that. I used to like shit like that.
Speaker 4 (18:43):
Mm hmm, Like you don't like that, that's like some
little boys shit.
Speaker 1 (18:47):
Yeah, I like that.
Speaker 2 (18:48):
So you ain't got you ain't gotta worry about pops
taking taking your girl toes sometime.
Speaker 1 (18:53):
No no, no no no no no no no no no.
I trying to tell her that.
Speaker 3 (18:56):
I don't know if you watched this on the twenty
V right, he want this raglass bitch with tattoos everywhere.
So he deliberately kicked my whole off the show because
he knew what I liked. I'm trying to tell him
that ship just looked like that.
Speaker 1 (19:08):
I know that ship. That ship that is sorry garbage.
I know that type. I look at him. He's gonna
tell you he was talking to her before. That's how
I know what type of bitch it was. I was
over the interviewing that bitch. So so are y'all dating
anybody on the show right now? Nah?
Speaker 3 (19:25):
I try to bring one bitch on the show. Bitch
shot with my homegirl. We trying to cool, you know,
I you know I was playing with him. You know
what I'm saying, now this whole just get on the
internet every day posting old trick. Man want to kick
me off the show because I don't want to fuck him.
Speaker 1 (19:43):
I don't know. The bitch got earlier, all the timers
or what. I don't know.
Speaker 3 (19:46):
Sometimes you fucked so many niggas like that you will remember.
I don't know what's wrong her. So you try to
put you, try to put your homegirl in. I'm gonna
put you on the show and gonna piss me off.
I checked it on the stow. She tried to check
me back. Then you want to go get getting the
ring now the whole one to go.
Speaker 1 (20:01):
Hang with my wife. Bitch.
Speaker 3 (20:02):
You can't hang with my wife. Oh what's wrong with you,
dumb ass bitch? Like, come on, man, now, this bitch
just get on the internet every two three days.
Speaker 1 (20:11):
Let me show your text. Man.
Speaker 3 (20:12):
She just post some shit, this shit too, so she
ain't up saying aloud back on the show, that bitch.
Speaker 1 (20:17):
They better not. I'm not feeling with that bitch. Stud
the bitch.
Speaker 3 (20:24):
One of my homeboy this screenshots, she just put that
this shit two years old. She studied posting this shit.
Speaker 2 (20:29):
Trick Daddy tried to get me kicked off the show
on Love and Hip Hop, all because I wouldn't have
sex with him. Then, instead of getting me kicked off
the show, he decided to let me stay and his
goal was to make himself look good on the show
and make me look bad.
Speaker 1 (20:43):
Shaking my head, I do not run Love It hip Hop,
dumb ass, hope. I don't run that shit.
Speaker 3 (20:50):
If I ran Love It hip Hop, I'll make a
million dollar per episode I be on. I be on
every episode and it is run way different than his ring.
If I if I had a choice of what woman,
I'd be a model. I've been fucking a model up here.
Speaker 1 (21:04):
Bob, So is it? Do you have to tell them? Like, man,
let me get somebody on the show that I like
or that you know what I'm saying.
Speaker 3 (21:12):
I feel with two other girls, I see the guy
when they too nice and they feel like I like him.
Speaker 1 (21:17):
I don't know over there, when they go in that
room and edit that ship, that would people be like,
it's scripted. No, it's not. Lord, If it were a scripted,
trust me, I'll be over that bit looking like a
hero on that bit is not scripted. You get it?
Speaker 3 (21:29):
You get putting here they investigate you, they follow you,
they get access to all your social media. They know
who you're going through with, they know who don't like you,
they know who you don't like, and they'll put them
bitches right in.
Speaker 1 (21:37):
Their room with you. So sometimes you be on set
like all the time, you don't know what.
Speaker 3 (21:41):
When whenever he feeling. I don't know, like I ain't
know the situation with him. In one of the dollar Wood.
Speaker 1 (21:47):
Two is, I came I was coming to film.
Speaker 4 (21:49):
They the screenshot of a picture that was posted. They
bring to me like, like, man, y'all got that.
Speaker 1 (21:55):
They all on a page. See they detectives. Yes, they
they just put you in the situation than when you
see this. My motherfucker walk up to you like old
lady walk up to me. You're disrespectful. I'm teen, Joey.
I'm like, yes, ma'am, I don't know what the fuck
you talk about. Cum to find out.
Speaker 3 (22:12):
I'll cussed Joy out on the episode that night, and
I didn't watch it. Oh and she didn't already the same,
Like I'm cussing. We miked up and forgot, but they
in the corner with the cameras and they catched me
cussing around.
Speaker 1 (22:23):
They put the ship right on the show.
Speaker 3 (22:26):
They hear everything you got that might go there here,
every fucking thing you being there, whispering all you walk through.
Speaker 1 (22:30):
So so on this season? Are you trying to be
more of like a good guy? Bag on him? Okay,
that's what that's why he being so quiet? Yeah, I
ain't the bad guy. Look what you so?
Speaker 3 (22:44):
What you got going on on the Sebota be here
one of the twins, the other twins polet water.
Speaker 1 (22:48):
In his face. I'm like, what the fuck that was about?
Then she was like you goofy. She's like, you goofy.
Try You're gonna try to fuck me and my sister.
I'm like, what, So you got the You got two
twins on the show?
Speaker 2 (23:00):
He told you so you so you look, but you
know you can identify which one is with they voiced
all that.
Speaker 1 (23:09):
He ain't crazy, I know, I know, I know they
were two years old. I don't know who is who?
But he do this? Do the man?
Speaker 4 (23:22):
You can tell about what type of face they made, right,
But that's what any female.
Speaker 1 (23:27):
So one of the girls is your girlfriend? No, but
something going on, that's that's that's my.
Speaker 2 (23:37):
No, no, no, no, I can't wait, I can't wait
to see this season. I feel like, I feel like
he wants you to be the bad can't you want
to get some of the pressure off him.
Speaker 1 (23:51):
I have to go in and like I have to
go in and like, hold up, man, I had to
clean it up for him. It looked like he couldn't
like he knows know.
Speaker 3 (24:01):
So they fucking around it. They say I'm laughing about something,
and then he get fucked up in this. I'm he's
thinking I'm crossing him. I'm telling you, I'm laughing about
something totally different that happened five minutes ago. But now
he's in there, he's feeling and I'm I'm outside. I
don't know what he's feeling. I don't know what he's feeling.
Now they got me laughing. Now they gonna edit that bitch.
You gonna look like I set him up, And I'm
(24:23):
telling him, I ain't set you up, my nigga.
Speaker 1 (24:24):
You my nigga. So any anybody you want kicked off
the show? No, he can't. I can't get in there
there go like that.
Speaker 3 (24:31):
But I'm saying, like, anybody you like now, I don't
want to feel with this person. Yeah that was I
don't want to feel with that bitch. That was dumb
as a box of rocks. But the one brought off
I'm so dumb.
Speaker 1 (24:46):
That was dumbing than me.
Speaker 3 (24:48):
If a bitch dumbing than me, that bit don't deserve
no airplane, no nothing. He feed that bitch of ship
sell with she enjoyed the ship and throw.
Speaker 1 (24:58):
The bread up and say the bread was still.
Speaker 3 (25:01):
Yeah, Tree, you need to start doing some comedy. I
tried to, because that bitch is still a stak out
of ship. That bitch right there, I guarantee you that
bitch is. In the last four months, she donet revealed
four five niggas she didn't fuck you know, saying she
was pregnant for Stevie Jays say she was fucking shocked.
Speaker 1 (25:19):
I'm like, why are you doing this to these people?
What did they need to you?
Speaker 3 (25:22):
You said I kicked you off love hip hop, but
you're still on there, like make up your mind then
I kick you off or nothing. So if you saying
I kick you off love and hip hop because I
won't you won't give me no pusson, then you turn
around and say, but then I brought you back. Now,
which one did I bring you back? I kicked you,
I brought you off, kicked you off, and I brought
you back.
Speaker 2 (25:39):
I'm I'm terrified. I'm ina feel in my life that
that sounds. That sounds like some love and hip hop
that uh it sounds.
Speaker 1 (25:45):
I'm in fear of my fucking life.
Speaker 3 (25:46):
Bright now that bitch believe that my life is in danger,
I only get it restrained, all against this bitch.
Speaker 1 (25:58):
Seven o'clock somewhere I love damn. That's oh my god.
I could not get no sleep last night.
Speaker 6 (26:13):
Shane was up at all wee hours of the night
banging singing.
Speaker 1 (26:18):
Her lungs at Fable. I heard Shae and Fable fighting
during the rainstorm and Fable walked away.
Speaker 6 (26:24):
But then I guess Shaye had things need off for chests,
so they just kept on fighting last night.
Speaker 1 (26:29):
It was going on for hours. Then we had flowing
a Mada going at it.
Speaker 2 (26:33):
What what?
Speaker 6 (26:33):
What?
Speaker 1 (26:33):
What was going on? What? I'm gonna be honest. They
need to stay out of Mala's business. How do y'all
feel about the whole Allan and MJ situation? You think
that was?
Speaker 7 (26:42):
I wasn't him an m friend?
Speaker 6 (26:45):
Allen's claiming they were never friends very convenient for you
to say that. You know, I think somebody told me
your mama made her pray there and put two babies
in here.
Speaker 1 (26:53):
I probably need to tall the hall on myself, especially
after that ship. He was sexy.
Speaker 3 (27:02):
Me, don't maybe not even got this because it's like
everybody's ganging up on Allen.
Speaker 1 (27:09):
My first time I ever seeing nobody. I wanted to
knock her down.
Speaker 3 (27:11):
But now I realized you got a bad taste of men,
So I understand why I never had my shad, and
I feel like I needed to protect this. So I
got to holler at budey, I gotta see what he's about. Yo,
Why is a model so devoted to this dude?
Speaker 6 (27:25):
Then also our topics, we and her, we got our
own little situation like but it's still pressured the trip.
Speaker 7 (27:31):
Listen, it's whoever you invite, and there is no plus
one unless you are where the plus one is gonna come. Listen,
don't we're not putting no, no, don't ask me putting
the pressure on you because you're the one that stop
the trip.
Speaker 1 (27:46):
You're the one that played the I invited everybody, they
invited every everybody else.
Speaker 6 (27:49):
So no, it was not my teachers to have the
vacation you go like this. Yes, it has been a disaster,
but it's not my fault.
Speaker 7 (27:56):
This is getting worse and worse by the day.
Speaker 1 (27:58):
We're all leaving tomorrow. So y'all leaving tomorrow.
Speaker 7 (28:01):
I can't take no more. Me and my husband are
leaving this trip.
Speaker 1 (28:05):
Okay, this is not the vibe.
Speaker 7 (28:07):
It's not peaceful. It's just way too much going on.
I'd rather be working honestly and making money instead of
spending time with a whole bunch of people that do
not like to check.
Speaker 6 (28:16):
We have plans, she paused me for you five, I'm out. No,
I'm gonna bring myself in some stand and leave. Y'all
come along, because obviously nothing I do. It's satisfying y'all.
Speaker 3 (28:28):
Having a bit.
Speaker 7 (28:29):
He'll be all right.
Speaker 1 (28:31):
Anything in the you know this season that you're just
like man that just kind of like threw you off.
You had the twins.
Speaker 3 (28:39):
Mama tried to check me because agent told me and
the mama that him and Daisy was sliding, so she
tried to check me.
Speaker 1 (28:49):
Were fifty years old.
Speaker 4 (28:50):
The fuck you're gonna check me, I said, It kind
of make it look like he was and this shit
want no, you heard him.
Speaker 1 (28:57):
Did yeah that you heard that? I heard Okay, I
heard them? Okay, okay, all right, okay.
Speaker 2 (29:09):
So now now we now we're midway in the season, right,
what are some things that like just just fans that
just like come up to y'all and say, you like.
Speaker 1 (29:19):
Man that ain't me?
Speaker 3 (29:21):
They show the girls like him from twenty V Okay,
I don't know why they that whole you pick was raggedy.
Speaker 4 (29:28):
Many like they like that's what was going around.
Speaker 1 (29:31):
Man, that man that girl wasn't that girl ain't little
better than the girl you kicked off? Yeah, but you
know why. I'm trying to tell you why you kicked
the way the ones? I like, you kicked them off
the second round? So why you kicked the why you
kick the one you knew? I like, why you kicked
the dogs? She wasn't good for you? So who who
got the best taste? Who got who got the best?
Speaker 5 (29:53):
Me?
Speaker 1 (29:54):
Actual?
Speaker 3 (29:55):
Mama, actually, mama, actually ma ask your mama. As dog
Jackie ask said.
Speaker 4 (30:03):
That one thing about him, he had him a specific lane.
Speaker 1 (30:06):
Now he like one.
Speaker 4 (30:07):
I ain't gonna tell you what he likes. He like
one thing now he sees me get the bring of
her around. I get to bring of her around here
looking at her. Now he want to travel out?
Speaker 1 (30:14):
Like now I turn around because if he see me
with a girl and it looked like a girl that
he would see and would like her. He thinking, I'm
in his lane. That's not your lane.
Speaker 3 (30:24):
Bro.
Speaker 1 (30:25):
Three years ago, you in the bed herd.
Speaker 3 (30:27):
This is a bowling alley. Then you get into whatever
lane they let you in. You know what why it's
that white ship.
Speaker 1 (30:37):
That ship.
Speaker 2 (30:39):
So so is it ever a time where like both
of y'all like the same girl and then y'all gotta
tell her, you gotta pick No.
Speaker 3 (30:47):
Now we go with it together, me and one of
my god son, Charelho Right now, who.
Speaker 1 (30:59):
Man, Papa do oh? Y'all got the same girl?
Speaker 2 (31:02):
Yeah, both of us quit that bitch, y'all crazy man,
This is this is an interesting dynamic now now now
see now see why you a main cast.
Speaker 1 (31:17):
Member on the show.
Speaker 3 (31:18):
Now he's gonna do but but he gonna country more
or than music. Now he been I don't know if
you he been posting pictures. He ain't the nigga I've
been telling his nigga. So so I tried to trick
him into the music. I was like, all right, you
you ain't doing that, MUTI. You graduate high school? He
graduate high school fast.
Speaker 1 (31:32):
I was like, damn, wait, nigga only seventeen. I said,
all right, now you gotta graduate college. And they graduate college.
Speaker 3 (31:38):
I'm like, god, damn, so now I gotta put the
nigga out now. So but now I'm like, you gotta
be I'm like, listen, I don't have to spend as
much money if you build up your fan base right right,
like post pictures who trillers, TikTok all that that nigga.
Speaker 1 (31:54):
Is doing that?
Speaker 4 (31:55):
You know they ain't never the type though, take a piss.
Speaker 1 (31:57):
Of me neither. But I'm trying to tell you was
without my legendary status in the rap game.
Speaker 3 (32:05):
I'm shit because a lot of these young niggas, they
mamas is thirty five forty.
Speaker 1 (32:12):
They grandma know me. They AUNTSI know me if they
mama wasn't raised right, she know me. But they wouldn't
know me. They know me because I constantly. I was constant,
and it was.
Speaker 3 (32:22):
It costed a lot of money back then, even though
I wasn't paying the millions dollars for videos where they
were doing the mill and all the videos. I was
doing one hundred thousand dollars videos, even though they never
gave us credit cause we came from Miami. It was
only interested in our money and the drugs that we
had to sell them. They didn't care nothing about us
making music. But if you look at the hip hop
now for the last if hip hop been around fifty
one years, the last twenty six years, if it wasn't
(32:44):
for the South, it wouldn't be no fucking hip hop.
But I'm trying to explain to him, now, this is
our time, let's go, now, let's go. And I'm saying
we didn't have to. I never had a mindspace. The
only thing I remember being on is a chat line.
Speaker 1 (32:58):
What's the chat line?
Speaker 3 (32:59):
There's a chat line, so it's called okay, so is
it be saying it's thirty us on the phone together
and we're having a conversation.
Speaker 1 (33:06):
That's the only thing. We couldn't see him. We we
don't know them.
Speaker 3 (33:09):
The only way we know where they is if they say,
all right, I'm getting on that eight o'clock. You get
on the eight and get you a.
Speaker 1 (33:14):
Know, a call. So that's that's kind of like clubhouse,
but on the.
Speaker 3 (33:19):
Phone no pictures, nothing, nothing to click on or nothing.
You have to dial the number and then hit a
button to get why pretty, Ricky said on the hot line.
On the hot line, right, so that's the only thing
I know.
Speaker 1 (33:30):
I ain't know nothing about it.
Speaker 3 (33:31):
I went to prison on my fifteenth birthday. This nigga
was a high school scholar when he was fifteen. That
was that's a difference that has Has the show been
helping you a lot? Like with your music and everything?
Speaker 4 (33:43):
Well, see, the only thing is we ain't ready only
got I dropped my first it ain't my single, but
I'm a feature on the scene like two weeks ago.
Speaker 1 (33:50):
So yeah, that's doing a couple of numbers. But I
ain't even with that.
Speaker 3 (33:55):
Remember, the show is TV, right, the only way they
can play the song on TV if it's done right.
Let's say, let's say I put this song on my album.
You know, I mean everybody on the song have to
sign a one song contract with me saying that it's
my song, and they allow me to do what I
want to so you can. Then I got to do
the split and then nigg there's a lot of technical ship.
Speaker 1 (34:16):
When it comes to this.
Speaker 4 (34:16):
Love twelve papers for one song.
Speaker 3 (34:19):
Right, and people think it's just that's just like working
radio and you, I know, you know you're doing the podcast.
Speaker 1 (34:24):
I know, you know, get me on your podcast for
what what I'm getting you in with what you do?
Speaker 3 (34:30):
Like people just think it's that it's not that easy.
A lot of niggas, a lot of niggas who you
went to school with? And you like a college, nigga,
what college you went to?
Speaker 1 (34:38):
I ain't go to college. You ain't go to college, nigga,
congratulations making me neither. I ain't going to I ain't
even finished. I went.
Speaker 2 (34:45):
I went to college for for three months and then
once I realized the loan that they get, you know
you get the little check.
Speaker 1 (34:51):
Oh yeah, you gotta pay it back, I said, nah,
I ain't going in the day. I ain't going out
like this. No no, no, no, no no no.
Speaker 3 (34:58):
And I feel bad for the teachers that go to
because they making like the average of forty forty two
thousand in Florida, and they got all them dead in
the summertime. If they don't get on the page, if
they don't get on salary summertime, they're broke, Like what
the fuck? Like these are the people Without these people,
we could never be able to go to college. And
they don't make no money. So I understand it. But
but I said there to say that it's like with
(35:21):
the music thing and the TV thing. What I try
to explain to him, it's a plus times two, So
one plus one equals two all over the world, China, Europe,
even in the golf of United States that Donald Trump
thumb it's cause of the golf of the United States,
even in the golf of the United States, golf of America.
Speaker 1 (35:41):
Whatever.
Speaker 3 (35:43):
But if you times too because you got TV with it.
When the young people walk up to me and say, oh,
I know you. You tricked that it for love and
hip hop, I was like, damn, I used to be
assaulted by you tricked that that used to be with Trina.
That was my biggest insult. You tricked Daddy that used
to be with Trina. Now is you trick daddy for
(36:04):
love and hip hop? And I realized, now those are
not insults, those are compliments. Because there's there's a lot
of angles that money come from. You grasp all the angles,
then you get all the money.
Speaker 2 (36:18):
And it's different and it's different type of fan base
that watches TV. They're literally like a pocket of people
that only watch reality TV. Yeah, and that's what I realized,
because it might be people that say, well, we know
you from music, but my kids know you from TV.
Speaker 1 (36:37):
And speaking of TV, like if you if you're an actor.
Speaker 3 (36:42):
I actually love Holly Berry the muster ball came out,
she let the man fuck her. I'm like, come on, man,
but I take it serious. Like for instance, Tyler Perry
very successful, rich, that's madea he Modia.
Speaker 1 (37:01):
That's acting. Mike EPs is daity. But I get what
you're saying, like, like the characters you played, that's what
that's what I know. That's how I look at you. No,
I don't they're gonna start shipp but Martin Lawrence, damn man,
(37:21):
I want to say this. I'm gonna say this.
Speaker 3 (37:23):
Say this.
Speaker 1 (37:23):
Martin one of my favorite not funny. He's not funny.
You don't think Martin is funny.
Speaker 3 (37:30):
I grew up watching samples of the Jeffersons all in
the family. That ship is not funny, compared Martin not funny, goofy, goofy.
Speaker 1 (37:41):
I can't agree with your trick.
Speaker 3 (37:43):
Kevin Hart not funny, Oh not funny. These are white
people comedians. Kevin Hart would never be an Eddie Murphy
would never be a Red Fox.
Speaker 2 (37:56):
Now we are at different times where you can't comedians
can't really go there, how a doubt.
Speaker 1 (38:03):
Fuck them. If I'm telling the joke, fuck you.
Speaker 3 (38:07):
They told, will Tell will chair jokes, racist joke, religious jokes,
gay jokes.
Speaker 1 (38:12):
That's comedy. If you can't stand it, fuck you that.
Speaker 3 (38:17):
I mean speaking of that when I say, if you
watch certain things, I remember this, and she gonna hate
me for this. I remember when I found they found
they did something about Shaq and his wife was supposed.
Speaker 1 (38:27):
To be cheating on him with the pool man. Remember that.
Speaker 3 (38:29):
And my wife was on the phone with her friend
when they came on the news and she was like,
that's good for his ass. I was like, what the
fuck do you mean that's good for his ass? What
fuck are you talking about? You don't want to be
with me all as, don't take my money to take
care of another motherfucker. And I think from that day
I think it damaged our marriage because how I am
(38:51):
and I said that to say this.
Speaker 1 (38:54):
Zeus Network and like the projects, damn what they do
loo the number fight.
Speaker 3 (39:05):
A bunch of a bunch of botok, bitches, fake te,
fake jury, fake ass, teddies, a lot of surgery marks
on TV fighting?
Speaker 1 (39:14):
What else they? What do they do?
Speaker 3 (39:18):
That's the projects? I know my mom had eleven kids
in the project. I know what the projects is. I'm
from the pokea Bean projects. Them holes below in the
pokea Bean Projects, telling you right now, the old POKEM
Bean project. I'm telling you so you said, Zeus is
the projects that's ghetto when it comes to reality TV.
Speaker 2 (39:42):
Some would say that love and hip hop because y'all
y'all throwing water at each other.
Speaker 1 (39:47):
That's all you're gonna do on them.
Speaker 4 (39:51):
Mm hmm.
Speaker 1 (39:53):
That's all you're gonna do on there. Shot the hold
with that b B gun. That was that was his story.
I love that. I love them. When she shoting to
have that BB gun? Do y'all be having security or set,
that's all they be, standing right by you. They standing
(40:13):
right by you.
Speaker 3 (40:14):
I don't.
Speaker 1 (40:14):
I don't do that though. I don't do that on TV.
I'm One of my auto ego.
Speaker 3 (40:22):
Names is dirt. It's dirt, dirt, dirt, d R D
I R T dirt, Okay, dirt dirt. If I want
to fuck you up, I swear to God, they're not
gonna know it. By the time I get on your ass,
I'm gonna be kicked off the show and they're gonna
be paying you a selling them.
Speaker 1 (40:38):
I'm gonna beat the ship out of you. I am
not gonna let them know.
Speaker 3 (40:41):
Like I'm not gonna tell the producer, Oh, I want
to feel with such and such and nothing, because all
they gonna be doing, they gonna keep us separated. And
it's gonna be a big ass nigga standing behind you
before you get up here, gonna grab you, and it's
gonna look like a goofy.
Speaker 1 (40:54):
You're gonna be close enough, but not too not right.
Speaker 3 (40:58):
Oh man, Soon's network let him old punch each other
in the eye, kick each other period They will be
kicking each other period on.
Speaker 1 (41:06):
Whatever they want to see those other people want to see.
Speaker 3 (41:09):
But so with that being said, I don't I'm not
interested in that type of woman. If you sit in
there watching baddies, you ain't my type of bitch. I
read you watched some other boy and ship.
Speaker 2 (41:23):
All right, so what can so what can we expect
this season of love and Hip Hop Miami?
Speaker 1 (41:30):
He's in this studio. I'm finally spending my money on
his music.
Speaker 3 (41:33):
Now, okay, he got a lot of explicive clothes that
he just waiting to take pictures.
Speaker 1 (41:38):
In here in the coming months.
Speaker 4 (41:40):
Yeah, be expect them to see like a music video,
solo video or something like that coming from.
Speaker 2 (41:46):
So you got you got a single, You got a
single that you pushing on, You got a couple of singles,
he got he got a hundred.
Speaker 3 (41:52):
He see he got a hundred. See no damn will
him got no hundred singles? He thank everyone, and so
that his homeboys or his girl like he thinks that's
the hit.
Speaker 1 (42:01):
That's it.
Speaker 4 (42:02):
I'll be feeling like I'll be seeing people out here
that don't get fogged off. I feel like some of
my shit better than what I be hearing out here
and what I be seeing out here. I feel like,
if I get my chance, I'm gonna make me feel
me even in one of them YouTube beats, and I
get a little cloud off that and people like they
flowing me towards me. I take the fans, then I.
Speaker 1 (42:17):
Can do it. I gotta do one thing. I can say.
Speaker 3 (42:21):
The nigga get it smart at his MoMA and daddy
is smart, and then they got good sister as he's
watching a lot of I feel like hip hop is
under attack by the law.
Speaker 1 (42:33):
I feel like the fizz the police da task for FBI.
Speaker 3 (42:39):
I feel like they're targeting these dudes because they think
now that you can't blow up unless you're really on that.
Remember ten years ago is everybody had all the guns
in the video with the masks on and.
Speaker 1 (42:51):
They're throwing up gang signs.
Speaker 3 (42:53):
Now these niggas is selling drugs, killing people and they're
rapping about it.
Speaker 1 (43:01):
Then they come back and rap about it.
Speaker 3 (43:02):
They rap it about what they gonna do, They go
through it, and they come back and do a remix
about what they did.
Speaker 1 (43:08):
But one thing about my nigga, what he told me.
Speaker 3 (43:12):
He said, you ain't gotta worry about that shit for me, Bob.
He said, I feel like them nigga's going to jail
because they making room for me. And I was like,
that's how I want you to think.
Speaker 4 (43:23):
They get picked up a little backwards.
Speaker 1 (43:25):
It ain't work like that.
Speaker 3 (43:26):
We do all this shit to get out of a
bad situation. We do all this to become successful. They
become rich, they go to prison. Make no sense.
Speaker 1 (43:37):
They got a new shit I called snitching now everybody snitching.
Fick them snitches.
Speaker 3 (43:41):
Everybody snitches, niggas who ain't even supposed to be killers
and snitching like with the Takoti six'. Nine when they
said about, it they asked, Me kodak took a me
in what you? Talking you motherfucker? RIGHT i would have took.
YOU i took five hundred dollars Because kodak, said that's
not our, rat that's they. Rat if a bunch of
niggas that supposed to be some gangster ass niggas take
a bitch like To kosti six,' nine hang, with him,
(44:03):
commit crime do all tump, of shit, extore him fuck his.
Speaker 1 (44:06):
Old lady then threatened to. Kill him he's supposed to
Tell on. They ass he's not built. Like that that's
why y'all was doing what.
Speaker 3 (44:14):
Y'all need y'all, victimize him y'all, picking faces y'all picking
Y'all victim you can't.
Speaker 1 (44:20):
Do that.
Speaker 3 (44:20):
You can't this ain't a. Boxing match you can't pick.
Your opponent leave, the women, the children and the inns
and people out. Of it bring that, thug shit the,
thug LIFE and i see how you're gonna. Handle it
then then if you want to call somebody, a rat
just know that that's, your rat that's not, our RAT
because i wouldn't have did nothing like that. With him,
hold on let me let me check this shit. Right, quick,
(44:42):
Hey yo i'm doing the whole interview. Right now you
ain't if you called me, one time you ain't gotta
call me, two three?
Speaker 1 (44:48):
Four five? All right? All right you standing? On business?
All right so on, the show y'all taking. A trip
can y'all talk about the trip that y'all taking on.
The show.
Speaker 3 (45:03):
We're going you, hit it hit. It, go okay we're going. To,
carrousel okay we let Fruity ass bobby playing. The trip first,
of all know that Everybody know bobby a. Fruit loop
that's not. Gay BASHING and i can't be canceling any.
Fucking Away so bobby fruit loop ass playing. The trip
(45:24):
then they got the hate You girl gyyea. Assisted him
she the. Messy one she trying to fuck everybody man on.
The show so it's a lot of sucking and fucking
and fighting.
Speaker 1 (45:34):
And fussing, why then when THE Movie, i die where you?
Want gone why you want? To die where?
Speaker 3 (45:41):
You play?
Speaker 1 (45:41):
Hard back? WHAT'S up.
Speaker 5 (45:45):
I?
Speaker 1 (45:45):
Really shit you. Even coming, you know han't let. ME
man i know you from THE d i know y'all.
Play dough you play dumbing those right when there's. Some
drama i'm gonna check that, all this, He say, She
say i'm. Sick hood somebody gonna sit down with allan
we get to the bottom of. THIS day i appreciate
that you're.
Speaker 3 (46:03):
INVITING head i don't know how long you're playing on
standing around with all this that's. Going on BUT if
i didn't come on this trip for all, THAT extra
i came to. Relax it so last night you walk
up with a manor hand. In hand, everybody go. Mother
preserved They hate let me tell YOU why i wanted.
The dollars that's three stiles to every story. They signed
(46:24):
your sign in.
Speaker 1 (46:24):
The truth the situation you in.
Speaker 3 (46:28):
Right now i've been in that situation my. Whole life
i've been labeling a bad guy because they make you
have a. Bad guy they make you have a relationship
with guy here and flirting with.
Speaker 1 (46:37):
Her sister they make you have a dead.
Speaker 5 (46:38):
Be dead everybody that asks, against me they're trying to buy.
Speaker 1 (46:42):
A family who girls and. A mother i heard y'all
all get.
Speaker 5 (46:46):
THE idea.
Speaker 1 (46:54):
I Don't think i'm Dead because i'm not in the bedroom.
With y'all i'm not in the living room. WITH y'all
i don't understand what's. Going on are you in a
moody eyeem? Or y'all? Just parents, we work compied, and
take and now we're doing into.
Speaker 5 (47:08):
Something else i'm gonna put two babies on, her, belly
now that's what we're.
Speaker 1 (47:12):
Gonna do That's why.
Speaker 3 (47:13):
I'm hit so you want to be a family? With, her,
yeah okay so you and, your wife that's.
Speaker 1 (47:18):
The word that's the SITUATION that i take in. Troll
right but if mother's cool, WITH it i don't see
what the problem with? Everybody else and sign FROM what i,
see though your, baby mama she gotta stop entertaining.
Speaker 3 (47:30):
The, bush well she entertained, other people and it gets
People like dayelle and her sister to come at.
Speaker 1 (47:37):
You sideway you gotta be careful to. THEM too i
don't trust them up. WITH flow i tell you these.
Speaker 5 (47:42):
She was and a reading by situation with an ex
or whatever.
Speaker 1 (47:45):
It is but you ain't knocked none of. Them down
what you mean? FOR her i don't want to talk.
About that oh. My god. The mainly poor thing is the.
KIDS track i take out of. My daughters i'm a.
Responsible father i'm a. Real man they got the narrative
going AROUND if j was. YOUR friend.
Speaker 5 (48:07):
I don't really like to talk about people About, and
jay and everybody. KNOWS it i haven't let that. Guy
money he. Was broke his brother called Me. From Atlanta
bro he, Was, like yo, my brother he's In The,
dominican republic and you take care. Of him he got into.
SOME situation i took care. OF him i used to
be like really cool with his brothers back at. The
university YOU'RE not. MJ homeboy i didn't know that the
(48:29):
ins and out OF her.
Speaker 1 (48:30):
Mj relationship he spent five years SINCE and j. Five
years why you didn't.
Speaker 5 (48:35):
Realize that my tweens talking about to be three Years and.
Speaker 1 (48:38):
Jay's crazy he needed, up. Dreaming man so that's what's
going on on. The trip it's all that's. Going, on okay, anything?
Else y'all? All? Right Man Trick Daddy Ball alert show
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