On this episode of the BobbyCast, there is a compilation of multiple subjects discussed by Bobby, Eddie and Mike D. First, Bobby and Eddie talk about real songs by fake bands, including "Smelly Cat" from Friends and many more! Plus, Bobby and Eddie discuss their list of the top 5 best rock songs of the 90's, and Mike has a conspiracy of how artists are inflating their streaming numbers after his Spotify account was hacked!
Follow on Instagram: @TheBobbyCast
Follow on TikTok: @TheBobbyCast
Watch this Episode on Youtube
See omnystudio.com/listener for privacy information.
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:06):
Welcome to episode four eighty seven. These are my favorite
type of episodes. We do real songs by fake bands,
Mike D elaborate.
Speaker 2 (00:18):
Yeah, like from the State by the Bell, Oh yeah,
friends Forever, a Zach attack, Yeah, fictional bands and TV
shows and movies.
Speaker 1 (00:25):
Come on, do you remember now we already did the podcast,
so you probably do. But almost famous band? Yeah, I
know the name.
Speaker 2 (00:34):
I can't think of the name.
Speaker 1 (00:36):
You can do it. And you know who is the
whole thing is based It's Camera Crow. Yeah, right, like
his life when he was and was the band like
supposed to be like the band?
Speaker 2 (00:48):
I think so because.
Speaker 1 (00:49):
It wasn't like led Zeppelin was like the and we
should in fact check all this. But the fake band,
I want to make sure I'm right here, the fake
band and almost famous Eddie. What's fake band? And almost
famous name? Still Water's right? Boom? I knew it was
a town in Oklahoma. Good job he got us. That's
(01:11):
a good one too.
Speaker 3 (01:13):
So then there you go.
Speaker 1 (01:13):
So we talk about all that, the top five best
rock songs of the nineties, a music streaming conspiracy that
Mike D has all that in this episode. Please, if
you like this episode, would you mind sharing it with
your friends just on your Instagram story. That would help
us a ton. Tag me and I'll hart you back,
appreciate that and enjoy. We're gonna take a minute to
talk about real songs, but by fictional bands or fictional artists.
(01:39):
What sucks as I can actually play What inspired this is?
I was on TikTok and I was watching Fred Armison,
who's a good musician, Mike.
Speaker 3 (01:45):
You know Fred Armison?
Speaker 2 (01:46):
Yeah, sat in My.
Speaker 3 (01:47):
Life Yeah and portl India.
Speaker 1 (01:50):
Yeah, and he actually he plays music and does comedy stuff.
Speaker 2 (01:53):
That's on that fall Out show.
Speaker 1 (01:54):
Now, what's he on there?
Speaker 2 (01:57):
The radio operator guy?
Speaker 3 (01:59):
Oh yeah, Jay, I think that guy's so funny.
Speaker 1 (02:02):
So he has it. They had have been on SNL
where they were playing in a band and they would
do this song and I'd never seen the SNL bit
before and I was like, that's a really funny song.
It's about something normal America. And I was like, that's
a funny song, but it's not a real band. You
really couldn't go listen to that. So I started thinking
about songs by fictional bands. We can go back and forth.
(02:22):
We probably have a same few on the list, but it's.
Speaker 3 (02:26):
Kind of hard. I mean it's a hard list because
you know, like.
Speaker 1 (02:28):
Friends Forever, Man, Friends Forever, freaking Zach Attack. Yeah, there
are two that come to my mind. First, Friends Forever
came to my mind. First Friends Forever, and then they
break up? Is that go solo? Somebody should cover Friends
Forever and put it out as a real song. But
somebody owns that, right, you can cover any song. I
get mechanical royalties on it, but that song cannot be found,
(02:51):
like if I get on a streamer too, But I
don't think we can look it up.
Speaker 3 (02:55):
But who even sings it?
Speaker 1 (02:56):
Zach Zack Attack, dude, let me look on iHeart Radio
here because they'll have Okay, Friends Forever.
Speaker 2 (03:06):
Now the Vitamin C song comes up.
Speaker 1 (03:08):
That was a jam.
Speaker 3 (03:08):
Graduation las week ago.
Speaker 1 (03:12):
We remember, oh yeah, yeah, yeah, I remember that one.
So there's a playlist called zak Attack, but there's no that.
It's all a song from like the late nineties. Okay,
but Friends Forever makes my list at number freaking one.
I mean we could cover that as raging idiots friend.
Speaker 3 (03:30):
We should do that.
Speaker 2 (03:31):
That's all saying somebody to you guys right here.
Speaker 3 (03:34):
Yeah, but what other words were there?
Speaker 1 (03:37):
Now?
Speaker 3 (03:37):
Friends forever.
Speaker 1 (03:39):
Then she would come in, Kelly would come in be like.
Speaker 4 (03:43):
Do do do do do friends forever?
Speaker 3 (03:47):
Yeah, that's all I remember.
Speaker 1 (03:48):
Dude, if that's from a TV show, couldn't we play
that clip from your YouTube mic?
Speaker 2 (03:53):
It's a good question.
Speaker 1 (03:54):
Hey, yeah it is, so I go there, Eddie, have one?
Or should I go to my second one?
Speaker 3 (03:58):
That thing you do, that's another one, of course you
from the Wonders.
Speaker 5 (04:03):
Do nothing you do?
Speaker 1 (04:06):
Breaking my heart into a million pieces? I know I
don't have to do the high part, thank you, we
I should again. I wasn't ready to chase that one.
Speaker 3 (04:17):
You did, though, because I tried so hard.
Speaker 5 (04:22):
But does nothing I do? Every time I do that
thing you do?
Speaker 1 (04:29):
I do that doing that thing?
Speaker 2 (04:33):
Technically?
Speaker 1 (04:33):
Wow, doesn't doing that thing you do?
Speaker 2 (04:37):
Technically? This is just a clip from a TV show.
Speaker 1 (04:40):
Give it to me. Here you go, all yeah, case, hang,
no way, that's really them singing though. By the way,
we'll be.
Speaker 3 (04:52):
Friends, nor will be.
Speaker 4 (05:06):
Yeah, that's not Zach you know that? No chance, that's Zach.
Speaker 2 (05:33):
Mike Studios YouTube channel.
Speaker 1 (05:37):
Who is that?
Speaker 2 (05:37):
Shout Studios YouTube channel? Just crediting them?
Speaker 1 (05:39):
If you google that lyrics to it, does only that
come up? Was there ever a longer version of that
song made even for the show, because you could always
do wag you can wagon wheel it to which wagon
wheel was only a clip of a song that Bob
Dylan had.
Speaker 3 (05:52):
And even it was like a demo, right, But I'm
just he heard.
Speaker 1 (05:56):
It and wrote around it, and so catch old crow
Bob Dylan with the writers. We could do that with
friends forever. Write the other parts of it. Get some
of our country music friends all sing it.
Speaker 3 (06:08):
Friends forever.
Speaker 2 (06:09):
I see some full lyrics here you do? Yeah, how's
it start? We met some time ago when we were
so young. We've been through thick and thin. We've lost,
we've tried, we won, Friends forever.
Speaker 1 (06:19):
But like, really, that's the whole song. No, I keep going,
Why don't we do that with like a bunch of
other artists. We could totally do We literally could. Yeah,
I mean that's funny. It's a hard song to.
Speaker 3 (06:29):
Sing, friends, and you've got that high part that's you.
I can't sing. You gotta do I mean, you gotta
do it. We'd have time to work. You work your
voice that way.
Speaker 1 (06:38):
No, that's not how it works. It's not like a
muscle that you just get stronger you try. I can't
sing that regardless of but that would be fun.
Speaker 2 (06:45):
Looks like one person wrote it. Michael Damien is credited
on the vocals and the producer on the song.
Speaker 1 (06:52):
So we friends forever's won we should we should talk
about that, Eddie, yours is the Wonders.
Speaker 3 (06:58):
That was gonna be my Wonders? Yeah, mine is.
Speaker 1 (07:01):
And it was a real song. But I did not
know it was a real song because the band that
played it was fake. And then I learned way later
it was a real song, but not by the person
who sang it on.
Speaker 3 (07:12):
The TV show What on Earth? And I was talking
about anything.
Speaker 1 (07:16):
No is my wife's am my first song, dance song
at our wedding. Oh yeah, yeah, yeah, yeah yeah, full
house Jesse.
Speaker 2 (07:23):
And the Rippers.
Speaker 1 (07:25):
Not a real band. If Tomorrow nows a men's and
jump zoom I dug forever forever, forever forever has been
So that's a Beach Boys song.
Speaker 3 (07:41):
Did Dann Shay ever release that?
Speaker 1 (07:43):
They never released it, but they recorded a studio in
the version in the studio and gave us as a
wedding gift if.
Speaker 3 (07:49):
They were ever to die on which you know eventually
they will. Should release that the hidden tapes.
Speaker 1 (07:56):
Eventually they will, well, you know, I can, I might
be years. But I put that on my list because
I didn't know that. I thought it was a TV
song by Jesse and the Rippers. Yeah, but that even
when we danced to it, in our mind it was
Jesse and the Rippers. But Dana Jay sang it at
our wedding and then they gave us that as a
wedding gift.
Speaker 3 (08:14):
But it's a chorded version, beautiful version.
Speaker 1 (08:16):
Yeah, it's there's this beautiful Brian Wilson sounds awesome.
Speaker 3 (08:19):
I don't think i've ever heard the Beach Boys version.
Oh man, it's really good. Really yeah, if tomorrow never do?
Do you do it on piano?
Speaker 1 (08:27):
Man?
Speaker 6 (08:27):
Uh?
Speaker 1 (08:28):
Yeah, it's very stripped down.
Speaker 3 (08:29):
Cool, that's it forever. It's it's great to get what
else you got? Okay, So mine's kind of the same deal,
where like I didn't know this was because it's a
real song, it's a song song, but I didn't know
it was made for a TV show, Okay, like it
was specifically made for one TV. I have a guess.
Speaker 1 (08:48):
I don't want to spoil it, but.
Speaker 3 (08:49):
I have a guess.
Speaker 1 (08:50):
Is it the whole Dude World is by is no
six and a sixth and no.
Speaker 3 (08:58):
Big bank theory?
Speaker 5 (08:59):
No, but is that a song?
Speaker 1 (09:00):
I think I wrote it for the show? Yeah, and
now it's a it's a song.
Speaker 3 (09:03):
And who who sang that? Ah? That's right? No, No,
mine's mine's older. It's older is in the sixties.
Speaker 1 (09:11):
So give me give me the clue again.
Speaker 3 (09:12):
So it was made for the TV show and it
became a huge song, and I think, like, if you're
our age, you just think it's a song. Had no
idea that it was the theme show of the song
of the of the TV show.
Speaker 1 (09:23):
Okay, so I think a song. I'm confused by your
presentation there. However, the Ballad of Jed Clampett was was
let me listen to a story about a man named Jay.
But that wasn't like a big hit. This was a
huge hit like the Wonder Years, Okay, kind of close.
Speaker 3 (09:44):
So it was a real song.
Speaker 1 (09:44):
But we learned it through TV. Then we didn't know
it's a real song.
Speaker 3 (09:47):
No, no, we we you and you and I like
we weren't really alive when it was it was on TV.
Speaker 1 (09:52):
The one that we knew this is a song.
Speaker 3 (09:54):
We knew his a real song. Okay.
Speaker 1 (09:55):
The Wonder Years is interesting because that's a Beatles song
that Joe Cocker cover that they used that cover would
You Do with Us as the main song to which
I had to later learn as a Beatles song.
Speaker 3 (10:08):
Yeah, and what's crazy now is if you watch reruns,
I guess they didn't want to pay the royalty to
Joe Cocker. So now there's another dude going, what would
you do? Really? Yeah, like syndications completely different.
Speaker 1 (10:20):
Okay, give me the hint again. And Mike, would you
look up Massachusetts Afternoon? That's the SNL deal because they're
just singing. It's the most generic. It's hilarious, but okay,
give me the hint one more time.
Speaker 3 (10:32):
I learned this song. I learned of this song as
a big radio song. Okay, but it was created for
a TV show, for a TV show. Y want to
give you another big hint.
Speaker 1 (10:45):
Let me just think about it for a second. We
learned of it as a SONGI has the same sound
of that. Okay, what decade?
Speaker 3 (10:56):
Sixties?
Speaker 1 (10:58):
I believe it was sixties. We learned as a big song,
but it was other monkeys.
Speaker 3 (11:05):
The monkeys, Hey, hey where the monkeys? Here we go.
Speaker 1 (11:11):
Walking down the street. I get the funniest looks from the.
Speaker 3 (11:16):
Ever won't we meet? But hey, hey, where the monkey is?
Speaker 4 (11:20):
Yeah?
Speaker 1 (11:21):
That band was created for a TV show.
Speaker 3 (11:25):
Okay, see I didn't know that. That's crazy.
Speaker 1 (11:27):
They cast him a very successful band, like yeah, it's
like Davy Jones. You know, he was British and like
Peter York and I'm a big Monkeys fan. If you
don't really yeah, yeah, yes, it was a Monkeys fan
like you and my mom. Let me seem like a
name of Mickey Dolans and have nothing in front of me.
Speaker 3 (11:44):
I have a google.
Speaker 1 (11:47):
Mickey Dolan's, Davy Jones, Peter York and what's missing? The
fourth one was Mikey Michael and Nestman Michael. Yeah, I
think it's Peter Tork, Peter Close. That's how I wasn't
gonna hey, you're a big fan, Peter. Oh yeah, I know.
The whole song, people say, we monck you around, but
we're too busy singing to put anybody down. But and
(12:09):
at the end they do the four of we're just
trying to be friendly, but so they do the show.
The band then become successful and it was a TV show, right, yes,
But then The band became successful with actual hits, with
songs like take the Last Trained Desn't and I'll meet
you at the station without desert up. But do do
(12:31):
You don't need no reservation? Da Da Da da da.
Speaker 3 (12:37):
What's the other big one? The one about the girl?
Speaker 1 (12:38):
Uh?
Speaker 3 (12:39):
Sweet baby?
Speaker 1 (12:40):
Uh, there's an even bigger one that you're not thinking.
Speaker 3 (12:42):
No, no, no, it's the one I'm thinking of.
Speaker 1 (12:44):
No, there's even a big going, Oh my god, even
bigger than what you're thinking.
Speaker 3 (12:49):
Sleepy Jean, oh sleepe, it's not you, but tell me
what of me? They do believe? And Homecoming it was
them too.
Speaker 1 (13:01):
Yeah, but listen to this one and I saw her face.
Speaker 3 (13:06):
And I'm a believer.
Speaker 1 (13:08):
That's not smash mouth. That's the freaking monkey.
Speaker 3 (13:10):
That's crazy, dude, I didn't know all that.
Speaker 1 (13:12):
Good one, Good one?
Speaker 3 (13:14):
Monkeys?
Speaker 1 (13:14):
Did you find Massachusetts? So they're sitting in this coffee
shop and they're like, you wrote the song, and there's
like four of them. It's always a celebrity. Person's like
playing the drums. I don't know who this is, the
Red Arms. Yeah, go right, Mike, everybody.
Speaker 3 (13:27):
We're in the Blue Gene Committee.
Speaker 7 (13:28):
I am j C.
Speaker 8 (13:30):
And I am Marshall Haynes.
Speaker 3 (13:31):
I'm little Andrew and I'm Lee.
Speaker 8 (13:34):
We come from a little place called Northampton, Massachusetts.
Speaker 3 (13:37):
You guys heard of it.
Speaker 9 (13:38):
I think you had.
Speaker 7 (13:40):
Good Let me ask you a questions. You ever have
one of those afternoons that you wish you would never end.
What I'd like to do right now is a paint
you a little picture of what that's like.
Speaker 1 (13:55):
And the course is actually really good. And the guys
Jason have to.
Speaker 3 (14:03):
Hanging out on the porch.
Speaker 9 (14:06):
Drinking cinnamon beer with you.
Speaker 3 (14:09):
Massachusetts.
Speaker 1 (14:12):
And the crowd slowly grows every time they cut my
cousins place.
Speaker 5 (14:17):
And right loveless to you.
Speaker 1 (14:22):
You know. Uh, people say.
Speaker 9 (14:24):
I'm a gifted lyricist.
Speaker 7 (14:28):
I don't know about that, But tell me what you think.
You know, when you're driving to town and you make
that second right turn on the Locust Street, I've never
seen so many pretty pretty girls walking.
Speaker 6 (14:38):
Down the boulevarve. The crowd's growing, but the prettiest of
them all without a shadow of her doubt. It's a
six foot tall beauty name you see her. She's got
them big hazel eyes that make the boys go crazy.
Speaker 3 (14:51):
Like put the The crowd is the meling it.
Speaker 10 (14:55):
But this boy bright here kept just cooling the heat
of the moment when he opened the door for her
and she stepped into Mikey's bot leans You've never seen
so much ship of the ring, one broke ast Northampton
city kid, and I'm talking about.
Speaker 1 (15:06):
Messaut after news.
Speaker 5 (15:11):
Hanging out on the pole. You can sit him and
be with you.
Speaker 3 (15:17):
Messitu sad.
Speaker 5 (15:22):
Saying because it's place.
Speaker 1 (15:26):
Right, all right.
Speaker 8 (15:28):
Let me just say you know that November chill hits you,
old cheek, and those Northampton streets are covering in those
bright orange leaves. Well not time is the time when
everybody's out. But if you want to find me and
the boys, well we'll be right at the right track
end playing pool with old man Jones of a beautiful
cheat with those long Northampton legs as she dances to
(15:49):
the juke box singing.
Speaker 1 (15:51):
Play massituse saft light, hanging out so good, Forest is
super good. It's in the middle and he's like some
people saying a gift lyrics because I was dropping on
the street, I lock up under the right minhip.
Speaker 3 (16:04):
The crowds never heard this.
Speaker 1 (16:06):
I had an either. I've never seen the sketch and
they have done it a few times, and now the
whole crowd's clapping in the Muppets like the Muffets a joint, and.
Speaker 3 (16:15):
The Muppets come in because Jason Seagull, he's a muppet.
He wrote Muppet movie.
Speaker 1 (16:20):
He did.
Speaker 3 (16:21):
Oh wow.
Speaker 1 (16:22):
The other one I had on my list of fictional
was Smelly Cat. Smelly Cat, well, yeah, Phoebe from Friends
Are You Never? Was a real song? What dude, smelly Cat?
Do you have any other ones?
Speaker 2 (16:39):
Yes?
Speaker 3 (16:40):
Misbehaving?
Speaker 1 (16:41):
Oh yeah, and Jennifer Nettleswo Country Kids Misbehaving.
Speaker 3 (16:50):
Yeah, I put on lipstick and I got caught shaven?
Speaker 1 (16:53):
What the name of that show? You? Jemps out?
Speaker 3 (16:58):
Can you play that one? Micro now?
Speaker 1 (16:59):
I probably can't. I think that's probably like a real second.
Speaker 3 (17:02):
That's not a real song, meaning.
Speaker 1 (17:04):
I think it's like misbehavior. You can probably sing it, though.
Speaker 3 (17:08):
He's a fissed because he can't make it anymore. He's
like that child star that can't do it.
Speaker 1 (17:14):
Mama told me not to I did anyway, Misbehaving.
Speaker 3 (17:19):
Is a real song. Yeah, yeah, yeah, yeah, that's.
Speaker 1 (17:22):
A funny one though, but it was great. Ain't They're
not real?
Speaker 3 (17:25):
No? Baby Billy and uh yeah, the duet was.
Speaker 1 (17:29):
Written by So it's a real song, but it was
written for the show. Yeah, it was written by Oh.
Speaker 3 (17:36):
This says artists Amy Lee and baby Billy Well Misbehaving
nineteen eighty nine, even though it was released in twenty nineteen.
Speaker 1 (17:44):
The title of it, that's funny, that's funny that the
actor baby Billy Yeah is it? What's his name? Welton Goggins, Okay,
it says it was written by Joseph Hunter and mcuh.
Speaker 3 (18:01):
Who is the main guy, Yeah, and and Edie Patterson.
That's amazing. Dan McBride, Dan McBride, I don't know what
he's like other than just his characters on East Down
and East Bound and Down and like in Righteous Jumpstone,
but he just seems like someone that I would totally
get along with because he's just seems fun, hilarious.
Speaker 1 (18:22):
And so he's either going to be a guy that's
easy to get along with and in like super Warm,
or like as Zach Galafanakis, who is not hard to
get along with. That dude just moves to Canada and
just gets away from everybody. Yeah, like has a house
and like Iceville and has a farm and raises his
own crops.
Speaker 3 (18:38):
And Mike, have you seen any interviews with Danny McBride,
like just out of character.
Speaker 2 (18:42):
He seems pretty chill, normal. Yeah, you probably get along
with them.
Speaker 1 (18:47):
I just I love everything he's in because to be
that funny, that interesting, there's some part of you that's
extremely quirky. And it could be a part of you
that actually is not any sort of deterrent in human communication,
or it could be something like that, like you're that
way because you're just overall odd as far as what
we considered like normal person a person communication. All Right,
(19:09):
those were the ones I wanted to bring up. Mostly
it was Massa Chusetts after That's so funny. And I
was watching, laughing out loud, watching TikTok in the bed.
My wife is this, like she goes, why's the bed shaking?
And I was like, I'm watching Massa Juices Afternoon and
it and it's not even like, dude.
Speaker 3 (19:26):
That's how you know it's so funny, the bedshaking.
Speaker 1 (19:28):
It's not even like ll Super hitching the gut one
time funny. It's like you just watch it and the
more it goes on it gets funnier funnier.
Speaker 3 (19:35):
I love the shot of the guy just feeling it,
like sod by the Bar.
Speaker 1 (19:38):
He's like, twenty sign, dude.
Speaker 3 (19:41):
What's cool. What's really cool to me is like these
songs that people write like artists. Like a movie director
would be like, hey, man, I need a song for
like my movie.
Speaker 1 (19:50):
Willie Nelson on the Road again by the way, for
a movie.
Speaker 3 (19:53):
And they're just like, oh, yeah, yeah, yeah, let me
work on something. This is what the movie's about. And
they write this banger that's like explains the whole movie
in one song. Ben in Black, Will Smith.
Speaker 1 (20:03):
And the man written written for that movie Little Smith, Wow, Wow,
Jim West Desperado.
Speaker 3 (20:10):
Yeah, you're right.
Speaker 1 (20:11):
Songs from movies.
Speaker 3 (20:12):
If a director called me, I'd be like, oh, I
don't know, dude, give me a year. I don't know.
How are we gonna sum up Back to the Future.
Speaker 1 (20:18):
I'll be like, give me all the character names, give
me all the points you need from the movie addressed,
and I'll hit you back. And I need I need
to buy licensing to like a famous seventies song with
the famous chorus. If we can get all that, I
could do that. Well, I got you, I got your
big time, all right, thank you.
Speaker 11 (20:32):
Let's take a quick pause for a message from our sponsor, Wow,
and we're back on the Bobby Cast.
Speaker 1 (20:47):
I've not looked at the list. I only saw the
headline of the Greatest Rock Songs of the nineties. So
I have like the top twenty five or so on
the list. Now I wrote mine down, so I'm gonna
flip over actually see some from loudwire dot com. I
want to see the source. And I asked you the
same thing. Have your top five rock songs of the
(21:09):
nineties a time that I mean the nineties, that when
we love freaking rock music, like alternative music. That type.
For me, it was country music talked about where I
was from, but like alternative music, I thought talked about
what I felt.
Speaker 3 (21:23):
Yeah, dude, that rock music, but it represented us.
Speaker 1 (21:26):
Yeah, we thought that.
Speaker 3 (21:27):
Yeah, and then we're all angry at stuff because grunge
was angry, and I'm like, what am I angry at? Nothing?
Speaker 1 (21:32):
Stupid, but it represent our feelings. So I wrote down
my five. You have your five.
Speaker 3 (21:38):
I have my five.
Speaker 1 (21:39):
Before I look at the list of what they've put
in as the top twenty five, let's do our lists.
So the are you doing your favorites or the greatest.
Speaker 3 (21:50):
Or no, I'm trying to do the greatest, and it's
tough because you got the early nineties, which was so
different than the late nineties, and.
Speaker 1 (21:56):
So I've kind of separated. I've got three in the
early nineties and then two in the later nineties, and
I think, like, okay, you go first, number five.
Speaker 3 (22:07):
It all started with smells like teen Spirit.
Speaker 1 (22:09):
I have that too, that's gotta be on the list.
I wouldn't have picked it as my personal favorite, big
Nirvana guy. It changed the world, but yes, it's the
entire grunge scene was basically rooted out of the extreme
popularity of that song.
Speaker 3 (22:21):
It was the graduation of hair metal eighties to like
a new sound that no one has ever heard.
Speaker 1 (22:28):
Mine aren't order, So I'm gonna mark my that off
of mine too. It smells like teen Spirit, that entire
Nevermind album. If they put any of those on that list,
well that or come as you are, I would completely
go I sure understand, Okay, go ahead, next next.
Speaker 3 (22:39):
One, Plush. This is a little song called Plush.
Speaker 1 (22:42):
Oh, but you're even doing the acoustic version, dun.
Speaker 3 (22:46):
I mean, it's just the song, right, it's not even
the version. I'm just doing the song plus But.
Speaker 1 (22:50):
He didn't do a song of a plush except for
on the acoustic.
Speaker 3 (22:53):
Right right and the unplugged version. But to me, Plush
is just like it's a huge ninety song.
Speaker 1 (22:58):
Okay, yeah, that's a really good one. I didn't eve
think about Stone Table Violence, even though I listened to
that record.
Speaker 3 (23:04):
I am smelling like a rose that somebody gave me
on my birthday?
Speaker 1 (23:09):
Did man Like I listened to that record so much
didn't come up in my mind of top even ten.
But that was a really good one, Okay. I have,
like you mentioned, there were different versions of the nineties
I have Losing my Religion.
Speaker 3 (23:25):
Ooh, Ram, I didn't even think about RAM. That's huge, man.
Speaker 1 (23:29):
And I again, where I feel like I probably didn't
think about STPN I should have. I can see where
maybe you would have forgotten about RAM anybody because they
were late eighties ish, but they got into the nineties
and they weren't grunge, they weren't kind of college rock.
Speaker 3 (23:45):
And I think by the time I discovered RM, they
were pop music. I mean, they were so big me too,
me too that they were pop music.
Speaker 1 (23:52):
Lose My Religion was on MTVA. The video and there
were songs before that obviously that now I like, but
I didn't know until Losing my religion. But I was
also a kid.
Speaker 3 (24:02):
I was like an let one.
Speaker 1 (24:03):
Where am I going to find Ram? Except for MTVD
when I'm a kid.
Speaker 3 (24:06):
I heard it for the first time at Pizza Hut.
We went on a field trip to go clean the
beaches in South Finder Island and we had lunch at
Pizza Hut, and I guess they gave us all the
music we can do on the jukebox, like it's all free,
whatever you want. And somebody put Losing my religion and
like that song is awesome.
Speaker 1 (24:21):
Like the mandolin on it. It's a mandlin, right, no
no no no, no no no no. Maybe it's not
a manlin, but it feels like a mandolin.
Speaker 3 (24:26):
Now in my head, I think it's a mandolin.
Speaker 1 (24:28):
And he had in the video had black hair still
before he shaved his head bald.
Speaker 3 (24:31):
That's me in the corner.
Speaker 1 (24:33):
Thought it was such a freaking good song.
Speaker 3 (24:35):
That's me in the spot light, losing my religion.
Speaker 1 (24:40):
Yeah, I have Ram losing my religion.
Speaker 3 (24:42):
You next, oh man, I gotta go with Jeremy, gotta
go with Pearl Jam. I mean that spoke to the generation.
Speaker 1 (24:50):
It didn't speak to me.
Speaker 3 (24:51):
Jeremy spoken, it's.
Speaker 1 (24:53):
Your favorite band of all time, and I have a
similar version of this. But I can see where Pearl
Jim was extremely, extremely influential to all all of the
alternative scene. Like that wasn't grungy grungey. I did feel
like Project was that grungey.
Speaker 3 (25:10):
They weren't part of the femo rock.
Speaker 1 (25:12):
I mean, I felt like they were rock.
Speaker 3 (25:13):
They were rock, but they were their sound was a
little more melodical than what the grunge had. It was
like just all yelly. Eddie Vedder actually saying, I feel.
Speaker 1 (25:21):
Like even the guitar tone was slightly different, a little
softer than the others. Same comes from the same place.
Although some of those bands would move to Seattle just
to say they were from Seattle, I know they.
Speaker 3 (25:31):
Never lived in Well, even Nirvana, I think they were
from Olympia moved to Seattle.
Speaker 1 (25:35):
I think that counts though, because you had to kind
of move there was a music scene. You're just moving
down the state. Some people would come from like Pittsburgh
from Seattle. I think that and that launched that Seattle
because they were playing in Seattle kind of launched that movement.
It wasn't that even everybody was from It was all
the music that was happening there when it launched. I
think a lot of people then moved to Seattle, and
I was like, we're from Seattle.
Speaker 3 (25:55):
When I think a lot of the Seattle bands at
the birth of it, like Soundgarden, Alison Chains, all of
them would drive to LA to get their music heard
and then they would be there play their shows and
then go back to Seattle and we're from Seattle, That's
where that all came from. But Dude, the first time
I heard Eddie Vedder's voice, I'm like, that is what
is that? How old is this guy? Sounds like he's
eighty years old? So to me that was just like
(26:19):
that is so cool because his voice is so different
than anyone I've ever heard, ever met him.
Speaker 1 (26:24):
Never I've met Stone their guitarist. I've met Mike McCrady,
their other guitarists, and Jeff their bassis. How many other
people are there the drummer and they've had like four drummers,
but I've I've never met their drummers, any of them.
Speaker 3 (26:37):
And then I've never met Eddie. I know my cousin
Leroy you've met Leroy. He uh somehow got backstage one
time and like, he's he's friends with Brent Barry. Is
that his name, Brent Barry?
Speaker 11 (26:49):
Yeah?
Speaker 1 (26:49):
Hey, yeah, yeah, he knows Brent Barry from says.
Speaker 3 (26:53):
How social is Leroy Lerella knows everyone.
Speaker 1 (26:55):
And also the fact that you have a cousin named
Leroy hilarious because yeah, Leroy is also Hispanic.
Speaker 3 (27:01):
H he's half Asian half a Hispanic. Oh but Leroy
still doesn't fit. But what's crazy about Leroy is he's
friends with Ed Kawako check one Live. He knows him
very well. Really, yeah, dude, he's friends with all these people,
and so he he knows Brent Barry. And he got
backstage at one of the Eddie Vedder shows. He said
he hung out with Eddie Vedterer and Brent Barry for
like two hours just drinking backstage.
Speaker 1 (27:23):
That's pretty cool.
Speaker 3 (27:23):
And he was like, and it was just them three,
and he said that Eddie never said leave, just just
hang out.
Speaker 1 (27:28):
But I guess if Brent is Eddie's friend, that friend
that Brent brings correct, it's going to be your friend
of mine in and like safe the same reason that
you picked Pearl jam, I picked mister Jones Counting Crows, Yeah,
my favorite band, and to me, that album and that
(27:50):
band the first time I heard like even not even
mister Jones, that was my introduction to it. But even
like that, my wife would say, the whininess.
Speaker 3 (27:58):
Of it, but the like, you know, that's so whiny.
Speaker 1 (28:04):
Yeah. I love sonically his voice because it was so
distinct and different.
Speaker 3 (28:10):
Now that had a lot to do with it.
Speaker 1 (28:13):
Right yodling it really right emo yodeling like California yodeling.
Speaker 3 (28:17):
But also to his writing was really good.
Speaker 1 (28:19):
I love them. Listen. I'm a massive Counting Crows fans.
I love this song. But sometimes the writing would be
so I would get so lost in what he was
trying to say that I started to wonder, then is
even saying anything or is he's just writing words together?
Because I can't tell the difference. But not in the
not in my group here more two thousands, but Weezer
and Rivers. Cuomo admits sometimes when you write songs, he
just puts words together. Yeah, that's said that.
Speaker 3 (28:41):
He's like, I'll put it.
Speaker 1 (28:42):
I read an article once where he's like a spreadsheet
and he's like, I'll put a little phrases in the spreadsheet,
and then I'll be like this thing right here, jump
and jump jump in this thing jumps makes no sense
because put the words sound good together. And then people
start to try to translate what I'm meaning, try to
and he's like, they're completely wrong because it means nothing. Yeah,
and that's not what you want to hear from my
favorite songwriter, right.
Speaker 3 (29:03):
Just put it words together.
Speaker 1 (29:05):
Yeah, So I have Counting Crows mister Jones, although not
my favorite song, I think if I had to pick one,
mister Jones there for me. All right, Next we have
two left.
Speaker 3 (29:13):
I had mister Jones on there, but since you took it,
I'm gonna get rid of that because for sure that I.
Speaker 1 (29:17):
Can't get rid of it. You can just have it
as well. That smells like teen Spirit.
Speaker 3 (29:20):
I had some honorable mention.
Speaker 1 (29:23):
Then I don't get smells like team Spirit. Then you're
gonna have that, and I'll do another one.
Speaker 3 (29:26):
No, I'll let you have mister Jones.
Speaker 1 (29:28):
I'll okay, Then I'll let you have smells like teen Spirit.
Speaker 3 (29:31):
Okay, so we get two bonus ones.
Speaker 1 (29:33):
So we have two left.
Speaker 3 (29:34):
Then you get a bonus one then okay, so we
have two left, Yeah, go ahead nineteen seventy nine, Smashing
Pumpkins Down nineteen seventy nine. I mean, just smashing pumpkins, dude. Honestly,
I think to me it is just what differentiated everyone,
like any vedder, different voice, smells like teen spirit. It changed,
(29:56):
it changed music in general. Billy Corgan Smashing Pumpkins was
such a different sound that you ever heard. Ston't to
Pilots wasn't too different but still awesome.
Speaker 1 (30:07):
And Smashing Pumpkins was. It felt a bit like the
music was like thorough you're the word e t h
e r L. It's like it's like del like a
space like because they had like keyboards and like sounds.
Speaker 3 (30:22):
Synthesizers and like the word etherol. I don't know that word,
so I only know it because I read it.
Speaker 1 (30:31):
I don't think I've ever heard aybody say it, but
that's what I had to look it up a few
weeks ago, and that's what it is. It's like music
that's like delicate or and that their sound was that
a bit.
Speaker 3 (30:41):
But it was all so different too, because you have
like Today's the greatest, like today.
Speaker 1 (30:46):
I love I love the Ballady song from.
Speaker 3 (30:48):
Me Too, Me too. So so you didn't like it
despite all my rage.
Speaker 1 (30:51):
It's okay, it's okay, it's fine. I liked the world
is a Vampire that. I like that as far as
if you had.
Speaker 3 (31:03):
Todayame yeah, And I don't know man like to me,
all of these people did a great job at differentiating
their sound than everything else, because nothing else sounded like
smashing pumpkins. Nothing.
Speaker 1 (31:17):
I I picked Beck loser.
Speaker 3 (31:19):
That's good. Another one like, who is this white guy?
Speaker 1 (31:22):
There's kind of rapping it in German?
Speaker 3 (31:24):
Who is this dude? Yeah?
Speaker 1 (31:26):
And the cool thing about Beck is he's changed something.
Speaker 3 (31:28):
What's the Germans?
Speaker 2 (31:29):
And uh so.
Speaker 3 (31:32):
That's Spanish. I thought part of it better.
Speaker 1 (31:36):
He says a lot of Germany. You can tell I
did no research.
Speaker 3 (31:39):
I just like, yeah, that's Spanish. So I'm a loser.
Speaker 1 (31:45):
I'm a loser, mister Elliott saying take a thing down,
flip it in reverse. I didn't know that.
Speaker 3 (31:52):
I guess.
Speaker 1 (31:52):
I don't know why. I thought it was German.
Speaker 3 (31:53):
That's funny.
Speaker 1 (31:55):
Yeah, I thought Loser was awesome. And also it kind
of turned into two turn tables in a microphone where
it's at yeah, like it was like this clap kind
of almost Beastie Boys, but still a rock element in it,
and like that kind of owned that space. Yeah, man,
and I love that does have any I think he
(32:15):
goes a sprick indied doint or something German somewhere de Deutsch.
That's got to be German then, because for some reason
I feel like there's some German in that song.
Speaker 3 (32:24):
That is, I don't know German. Do you speak English?
That's what that means, That's where it comes from. White
says that I don't.
Speaker 1 (32:32):
I don't have recalls to why I know that, but
it feels like there was German.
Speaker 3 (32:35):
My line, my favorite line of that one is like
a term my choking on a splinter.
Speaker 1 (32:41):
So I have beck loser. Okay, we have one more each,
go ahead.
Speaker 3 (32:44):
All right. My last one is gonna have to be
a basket case. Green Day was that was that nineties? Yeah, man,
ninety seven because I was in high school. I think
it was my senior No.
Speaker 1 (32:55):
Chance it's ninety four. Yeah, yeah, it's got to be
before a Little Drive. Okay, great record. Dookie was Yeah,
like it went into the whatever the America biggest sounds
of registry. Yes, like almost every song on that Take
Me to Paradise, or even like the bassline from just
(33:17):
Long View, And that's not even the singles.
Speaker 3 (33:22):
Do you have the time? Or when I come around?
But you gotta keep singing it like that, you know?
It was this stuffed up good I come around? Hey,
what about the secret track?
Speaker 8 (33:38):
Do you remember that?
Speaker 1 (33:39):
I was all by myself, I was watching, I was
thinking of you.
Speaker 3 (33:43):
I love that, But you had to wait like five
minutes for it to come.
Speaker 1 (33:47):
Out, or you hold your finger once you found out,
and you halfway pushed the buttons to fast forward or
the next track button which works fast forward, you would
get there.
Speaker 3 (33:56):
The kids just won't ever understand.
Speaker 2 (33:58):
Brain stew was the first song I ever learned how
playing guitar, because it's so easy, but not.
Speaker 1 (34:02):
On that records. On the record, I don't think it's no,
it's not. It's it's later, like two records later, I'm having.
Speaker 5 (34:11):
Trouble trying to sleep.
Speaker 1 (34:15):
Da catted sheep as type slips by still try room
for cross roads in my mind on my own Here
we go, Mikey, where is it?
Speaker 2 (34:36):
Insomnia?
Speaker 3 (34:38):
Yeah, that was the same record.
Speaker 1 (34:40):
I do that all the time, I thought soy Dust's
also song was German.
Speaker 3 (34:44):
Specting the Deutsch that one is, but so isn't that
my final one?
Speaker 1 (34:50):
Since we I got to use an extra one, which
would have been six on my list is REGI against
the Machine, bulls on parade or or killing in the
name of in the name of would have been the
one that it's the one that I picked when you
said was on product, maybe reconsider again. Wow, I'm gonna
go They're very similar. I don't even know which one
was first. I don't know, but I have a new
(35:11):
appreciation because I didn't understand that they were a message
based band. I just were going protest stuff all the time.
But I was like, I was like fourteen.
Speaker 3 (35:22):
I didn't understand that. I know what they were saying,
but but they were mad at something. Yeah, and I
like that song and you I don't go that, dude.
When I found out the machine meant the government, I.
Speaker 1 (35:34):
Didn't know that, I was like, right now, no, no,
I just learned that.
Speaker 3 (35:38):
I what do you mean, I hear that? You didn't
know that before? Right now?
Speaker 1 (35:41):
Never never put that.
Speaker 3 (35:41):
Together, dude. My buddy Michael was like, dude, rage against
the machine, dude, it's a rage against the government.
Speaker 1 (35:45):
I never put that together till right now.
Speaker 3 (35:47):
Yes, and I was like, Mike, what are we mad
at everything?
Speaker 1 (35:51):
Dude?
Speaker 3 (35:51):
Listen to this.
Speaker 4 (35:53):
Yeah.
Speaker 3 (35:53):
Hold, I'm like, we don't pay taxes.
Speaker 11 (35:55):
Wow.
Speaker 3 (35:56):
I never thought about that.
Speaker 1 (35:58):
Rage against the machine is anger at the other man.
Speaker 3 (36:00):
Yeah, man, yeah, we won't do what they told us.
Speaker 1 (36:05):
They were on BBC and the BBC folks had been like, hey,
you perform the song, don't say the car you might
not saying the cards words. They were like okay. It
was like live National UK audience and they're playing that song.
You know, we won't do what they tell you know whatever,
and so they're like, okay, cool, and so they started
playing and they started doing it in real time. Yeah,
and they're like, why would we not do it? The
(36:26):
whole song is if you we won't do it to
other And so then they cut off and it's like,
b BBC, we'll be back right after this. They just
cut them off right in the middle of the song.
Speaker 3 (36:34):
See. I thought about that because my son was like,
we were talking about the best Super Bowl performances and
he said he's like, to him, the Dre Snoop Dogg
thing was like his favorite. So we watched it again.
We're like, oh, let's watch it again. We watched it
and I was like, man, good job by them to
like censor all those songs, like every single one. They said,
Snoop was censoring, Dre was censoring. And because you hear
(36:55):
these stories like the Doors back on, like the Ed
Sullivan Show, like Nat, I want to say higher because
they were like you can't say a baby? Can we
get much higher?
Speaker 1 (37:04):
I wonder if the fact that there was a at
delay because sometimes they have been slips before, or be
a fine involved because Jenna Jackson got fined for indecency, sure, right,
and they know it's an international family broadcast that it's hey,
you will also get fined millions of dollargraphy curse because
(37:25):
I can't imagine them just being like we're happy to
be censored. Sure, because eminem is like at awards shows, Yeah,
at eight pm said bad words. So I wonder what
the real reason was. I don't know, but when I
heard it, I had to sign a contract SA they
wouldn't cuss. I assume I didn't.
Speaker 3 (37:38):
Really that's what that's what they need? A contract? Yeah,
because yeah, like, uh, who was the what's the documentary
we saw on Woodstock? Was it Woodstock? I don't know olympisk.
Speaker 1 (37:47):
It was like all the second yeah, the ninety six
or whatever.
Speaker 3 (37:50):
They told them like, don't don't stir up the crowd,
and then they just do cool and that's what they did.
Speaker 1 (37:55):
So I'm flumbing the sheet over. I'm not looked at
this shit a loud wire. We have the top twenty
and they've done it alphabetically, so I guess it's not
in order, which nicer?
Speaker 3 (38:06):
And these are songs? Okay, what would you put?
Speaker 1 (38:09):
What else would you put on? As? Because I had
another one that was seven. I made a list of seven.
Speaker 3 (38:13):
I mean I had you have Wonderwall. No, oh god,
that's a good one. I should have put wonder Wall
in there.
Speaker 8 (38:18):
No.
Speaker 3 (38:18):
I had Santa Monica.
Speaker 1 (38:20):
Oh god, ever it's awesome. I loved them.
Speaker 3 (38:22):
Santa Monica, and then I had Rooster Alison, chains Awes
and chains than those are all good.
Speaker 1 (38:30):
Oasis was freaking awesome and it's not my favorite Oasis song,
but Wonderwall back then it was like life changing to
get you to listen to what's the story?
Speaker 3 (38:39):
Morning Glory?
Speaker 1 (38:39):
And then it was like, uh, she paid super over
in this sky British and Great Day sound a lot
of like to us. All right, let's walk them. This
is their list. It's not in order.
Speaker 3 (38:53):
Everything good? Yeah, are good?
Speaker 1 (38:54):
Is one of your favorite bands? Texting you Nope, No,
what are you talking about? All right, Uh, let's see
if we just know them, we'll try to just sing
him out if we know him. Forty six and two
and two from Tool, No me either. I was never
a Tool guy.
Speaker 3 (39:07):
I never got it. I mean, I love Tool. I
don't know that song.
Speaker 1 (39:11):
Schism to one. I don't even know the song. I
think I would here and recognize it, but I don't
know Tool, Hunger Strike, Temple of the Dog. Dude, that's
the lead into Pearl Jam.
Speaker 3 (39:19):
I'm Going Hungry Hung. That was when the world was
introduced to Eddie Vedder.
Speaker 1 (39:25):
He was doing the background vocals, wasn't I'm Going hung
you know? Background vocals was Chris Cornell.
Speaker 3 (39:30):
Yeah, Chris Cornell did the high part. Yeah, I don't
mind bread. Yeah, that's that's so good.
Speaker 1 (39:38):
Interstate Love song STP.
Speaker 3 (39:39):
Yeah.
Speaker 1 (39:40):
I like that song a lot because it was not
as fast and hard it was Boom Reggie gets the Machine,
killing in the name, Killing in the Name. This one
I was my probably top two or three favorite ever
I didn't put on the list because I thought it
was so trivial, but really not my favorites. I listen
(40:01):
to every song they ever did. Loved them, can't. I
don't even know what they're alive now. But Lump presidents
of United States in America.
Speaker 3 (40:06):
I'm lump, dude.
Speaker 1 (40:07):
I'm shocked that you haven't tried to get a hold
of them to like, I keep forgetting do an interview
with them. I literally keep forgetting because because they what
can they be doing?
Speaker 3 (40:15):
I don't know.
Speaker 1 (40:15):
I see the sometimes on TikTok, I'll see like nineties,
he's bald. I mean they got to be older.
Speaker 3 (40:20):
Now they were bald.
Speaker 1 (40:21):
Then they had like a three string tar. You got
on time?
Speaker 3 (40:26):
Yeah, I think so, I just gotta make a text.
That's good. But Lump was like love.
Speaker 1 (40:29):
Set alone and a boggy marsh, totally motionless except for
her heart, and the song was like two minutes or
ten seconds.
Speaker 3 (40:36):
I'm lump. Oh she's long, She's long. Okay, I'm not long.
Speaker 1 (40:39):
Pearl Jam. You might be Pearl Jam alive alive?
Speaker 3 (40:43):
Do you want to know a cool story with that one?
Speaker 5 (40:44):
I'm still that woo, I'm still alive.
Speaker 3 (40:51):
Cool story Dennis Rodman was thinking about killing himself in
a car, had a gun to his head, heard the song,
I said it, that's what Dennis Robins alive. No, Dennis
Rodman said it because it's it's a it's the song
is about, you know, like finding out that your your
dad who you thought was your dad's and I was
real not your real dad? Is like, well, who am
I even wanted in this world? Would I do?
Speaker 1 (41:11):
You know? I believe you. I just know if it
was some like urban legend you'd heard.
Speaker 3 (41:14):
From Dennis Rodman himself had an interview.
Speaker 1 (41:17):
Or nine inch nels closer, which you would know from
I want it if you like an animo. They just
played that lecture Cowboy, and that's the only song I'd
be like grinding on a number. Oh Man didn't even
think about Lenny Kravitz. But are you gonna go my way?
Speaker 3 (41:32):
Oh dude? Yeah, which is dreads are flying everywhere.
Speaker 5 (41:38):
I'm on a do no sena though?
Speaker 3 (41:40):
Are you gonna go my way?
Speaker 1 (41:41):
That's a jam. He's your buddy, now, yeah, we didn't
meet once took a picture, So that's buddy.
Speaker 3 (41:45):
That counts.
Speaker 1 (41:47):
Corn freak on a leash.
Speaker 3 (41:49):
I wasn't a big corn guy.
Speaker 1 (41:50):
I wasn't either, but without corn, we don't have limb biscuit.
And I love the limp biscuit.
Speaker 3 (41:54):
That's funny.
Speaker 1 (41:55):
Yeah, Harvey Danger Flag Polcida, Nah loved it? Which you
used to get people to record hours on the Edge
in Dallas and send them to me. And White Pole
said it was on it when it first came out
and was obsessed with it forever.
Speaker 3 (42:07):
What are you talking about people in Dallas recording what
the edge? An hour on the Edge O the radio
station Edge? Yeah, I'd be like, I.
Speaker 1 (42:15):
Got too many melodies in my head, but it will
never tell me.
Speaker 3 (42:27):
I'm not rich, but I'm not the Wow dude? Remember
that didn't Yeah? Yeah, that's Harvey Danger. Yeah, I didn't
know that.
Speaker 1 (42:34):
Paranoia, paranoia, everybody's.
Speaker 3 (42:36):
Trying to get me. That's a good jam.
Speaker 1 (42:39):
Food Fighters ever long?
Speaker 3 (42:40):
Yes, of course.
Speaker 1 (42:41):
Awesome, Faith No More epic, Yeah, both start. It's like
a weird, like chanty rappie type.
Speaker 3 (42:56):
I always thought that Faith No More was red hot chili.
Speaker 1 (42:59):
Pepper's definitely almost that Vibeth. Yeah, he just almost had
a little more rhythm though, like rapping and how do
you get there on the melody of the chorus, we
can't play songs everybody because we got jail. We'll move
on the Cure of Friday, A'm in love Nice never
cared about the.
Speaker 3 (43:14):
Cure Monday, No, no, no, Friday, I'm in love? Who
covered that?
Speaker 2 (43:20):
Mic, I don't think anybody covered that.
Speaker 1 (43:23):
Are you doing? Show me, show me show.
Speaker 3 (43:24):
That's why I first started doing just like Heaven, Monday,
I don't care about you, and Fridaysday, Thursday two, that's it.
Speaker 1 (43:34):
I love the I wasn't a cure guy. I did
feel though, later that the Black Parade guys were basically
the cure, just younger. Like their sounds little room man.
They were just trying to be the cure later on,
But again, I was not a cure guy. Creed Higher,
Creed was massive. I know you didn't like them because
they got so big and you had backlash on them.
Speaker 3 (43:53):
No, I mean I like them now.
Speaker 8 (43:55):
No.
Speaker 1 (43:55):
I think that's why you didn't like cause they were
they were so big, they turn'd into pop.
Speaker 3 (43:59):
I think think it was because I love Daddy Vedder
so much. I get that, and he was just trying
to do that fair enough. Can you take me higher?
Speaker 1 (44:07):
Jamp We listened to a lot of the cranberries in
my house.
Speaker 3 (44:10):
Love the cranberry. I still love the cranberry. Still do
I put my wife onto it?
Speaker 1 (44:15):
Zombie zombie zombie or oh.
Speaker 3 (44:25):
Zombie or linger?
Speaker 9 (44:26):
Oh do you have to let it?
Speaker 3 (44:28):
Linger? Do you have to? Do you have to?
Speaker 1 (44:31):
This is what my wife sent me last night, no joke.
At eight fifty pm. She said, check out this version.
We love the cranberries. I have a her thing in
lit cover.
Speaker 3 (44:44):
Sam, let's just you name it.
Speaker 1 (44:54):
Justin bieber what she was like, because we both listen to.
Speaker 3 (44:59):
The granberries at So your wife likes the cranberries.
Speaker 1 (45:02):
Yeah, she's picked a few of them that she likes
because we play cards. We played cards again last night.
Whoever won the last match gets to picked the musical
whole time, and I just put it on nineties alternative
or nineties like sad songs.
Speaker 3 (45:13):
Yeah, but she'd never really really heard the craners, and
that's cool. My kids hate the cranberries.
Speaker 1 (45:18):
To me, the cranberries are like the counting crows of chicks,
of like little water pan chicks. Yeah, cracker low, Yeah,
sometimes I want to get you down. Sometimes I want
to get you low. But the chorus be with you.
Speaker 3 (45:36):
Girl like being Stone?
Speaker 5 (45:39):
Hey like it being Stone?
Speaker 1 (45:42):
That's a jam?
Speaker 3 (45:42):
Do you know that one?
Speaker 1 (45:43):
Mike Wow, I never heard of that band, Cracker. Yeah,
they only had like one big American song big in
the UK.
Speaker 3 (45:51):
Are they British?
Speaker 1 (45:51):
I think so. He looked that up, Mikey, But they're
not American.
Speaker 2 (45:55):
Learned about Cracker.
Speaker 1 (45:55):
I don't think I know a trisk It. I don't
know a Cracker's a band called trisk Get Cocker. I
know the Crack but it was a Cracker from Richmond, Virginia. Okay,
well not British, could be British, they were British. Blank
one eighty two, What's My Age again? At number four?
That to me doesn't feel like the nineties, but it
did hit ninety nine, so you have to include it.
If pop punk, I mean it was this the biggest
(46:16):
pop punk stuff ever. I mean Green Day kind of
allowed they walked so Blank could run.
Speaker 2 (46:21):
Yeah, Nirvana paved the way for green Day. Green Day
paved the way for Blank one eighty two.
Speaker 1 (46:25):
Interesting this number, This next song was my favorite song
in life for years and years and years. It's not
anymore but blind Melon No Rain, of course.
Speaker 6 (46:31):
All I can say is that my life is pretty plain,
and Allline watching the bottles gather rain.
Speaker 5 (46:40):
God, it's not saved, It's not saved.
Speaker 3 (46:48):
And the Dancing Bee, the Girl Bee Man.
Speaker 1 (46:51):
His name was Shannon Huone. Oh wow, I died, died
You see where the Sun of Sublime he's now the
he just do one show with him. Now he's elite singer.
Bradley Son, Yeah, same band, that's no, but now his
son's elite singer.
Speaker 3 (47:06):
How old is his son?
Speaker 2 (47:08):
Twenty twenty something?
Speaker 3 (47:09):
The other Eric Hoaceella dang, that's crazy.
Speaker 1 (47:11):
Number two Alison Chains would listen. I know one hundred
Allison Chain songs. I'll probably know that, but I don't
know what from just.
Speaker 5 (47:16):
Saying could would you?
Speaker 1 (47:23):
No?
Speaker 3 (47:25):
I just know it from the singles soundtrack. You remember
the movie singles he had all grunge people.
Speaker 1 (47:29):
Maybe I wouldn't know it about it if I heard it,
like but you do a pretty good job like you do,
thank you. And finally Aerosmith, I don'tant to miss a thing.
Speaker 3 (47:36):
Oh man, I didn't even think about that.
Speaker 1 (47:37):
The first ever number one, which is weird. They've been
playing since like actually late sixties or the seventies. Yeah,
definitely don't classify it as the same type of music.
But if it's nineties rock, that's it.
Speaker 3 (47:47):
That's fun, that's awesome, dude, it's probably no Wheezer, Yeah
for early two thousand, Well no, because Buddy Holly.
Speaker 2 (47:54):
Was ninety four.
Speaker 1 (47:55):
Yeah, to be fair, and this isn't the whole, this
is twenty of them. Let's just a little longer. And
that we I just grabbed. Didn't even look at the
list before I did it, But yes, we's are for sure.
I mean, for me, that's one of my favorite bands
cultural icons ideas that you can be nerdy and cool
all that. It's where my glasses are?
Speaker 3 (48:15):
You love them?
Speaker 2 (48:15):
Yea? The full list, Buddy Holly is on here.
Speaker 5 (48:18):
What's with the Homies dissing my Girl?
Speaker 1 (48:21):
And that song starts aggressively what with my It just
starts like that from the very beginning. There's no build up,
there's no like what's with my it's just what's with my? Whole? Yeah,
that's a big one, Eddiot. Thank you for this time?
Speaker 3 (48:32):
Yeah, dude, thank you. That was fun.
Speaker 1 (48:34):
Mike, thank you for the time, and everybody else, thank
you for this time.
Speaker 3 (48:37):
And now they said they said you're welcome.
Speaker 1 (48:39):
You welcome, thank you. I heard them for this time.
Speaker 9 (48:42):
The Bobby Cast will be right back. This is the
Bobby Cast.
Speaker 1 (48:56):
All right, what's the conspiracy you believe in?
Speaker 3 (48:58):
Now?
Speaker 2 (48:58):
I have a conspiracy on how people are getting fake streams?
Speaker 1 (49:02):
So people, you mean artists like inflated streams.
Speaker 2 (49:05):
Inflated streams because they've been shutting down this year of
like we're trying to combat the AI that are dinnerating
fake streams.
Speaker 1 (49:13):
So would that count for somebody paying for streams because
that can happen, like you can pay for you know,
like followers. Yeah, but this is not that.
Speaker 3 (49:22):
No, Okay, So what's happening.
Speaker 2 (49:23):
So what happened is I had my Spotify account hacked.
I'd be getting this email that I've been ignoring because
I thought it was somebody trying to spam me, like hey,
you need to change your password, and I kept getting
it and it wasn't until I got the email where
it had the little blue check mark that it was
actually from Spotify saying that somebody got into my Spotify
account and I don't even use Spotify.
Speaker 1 (49:40):
And also I would think, why would someone want to
hack my Spotify Like there's nothing in it that they
could actually have that.
Speaker 2 (49:46):
There's no value to it.
Speaker 1 (49:47):
That would hurt me if they had, right, like, that's
what I would think they do, pay.
Speaker 2 (49:51):
My account or anything you're gonna do exactly.
Speaker 1 (49:53):
So what what were they up to then? If that
really was what was happening?
Speaker 2 (49:57):
So I realized that it was, it was legit, so
I went and locked in, and what they were doing
was going to one specific artist and streaming that artist's
song on my account.
Speaker 5 (50:09):
Does that.
Speaker 1 (50:11):
Can that make a difference unless they're doing it with
ten thousand accounts and somehow all at once.
Speaker 2 (50:17):
I think that's what they're doing. And my conspiracy is
they went after my account that isn't really active, it's
just sitting there. There's probably a lot of Spotify accounts
that are just people created them. They don't use them
so much anymore. So if they find a way to
get into those accounts and take it over and nobody notices,
they can use all these accounts to inflate streaming numbers.
Because I need some investigating. They stream one song from
(50:38):
one artist that I'd never heard of from another country,
and this one person has this song that has like
ten million streams, and all their other songs don't have
any other streams really, and I found their profile and everything.
It looks like a really small artist. But how do
they have this song that is just massive.
Speaker 1 (50:56):
That sounds like a lot of work unless there's something
where they're able to launch whatever this scamming rich sit
down talk with this read re just walked in. Unless
they're able to launch this entire scam ten thousand times
at once mm hm. And it's got to be turn
key where they're kind of activating all the accounts to
(51:19):
do this thing. Cause ten million streams, I just feel
like every gonna hack every account and get let's say
song's three minutes, so you can play that song in
an hour twenty times, so in six hours you can
play this song one hundred you're talking about three hundred string.
Is it worth it to go into each account individually?
Speaker 2 (51:38):
I think if it's one artist trying to boost their streams,
it could be worth it.
Speaker 1 (51:42):
I can see if it or for like twenty thousand
and thirty thousand, but a ten million or like they
must have been doing that an.
Speaker 2 (51:47):
Insane amount of same amount, or just finding one account
and just keeping it on that account. Because what they
have shut down this year was the AI. You know,
accounts that were just getting in there and streaming songs.
They crazy, how do okay?
Speaker 3 (51:57):
Question?
Speaker 1 (51:58):
And I think you probably to something, especially if they
can find the dormant accounts that do exist that they
can use and no one's gonna look at it funny
because they didn't create an account to stream a song.
Speaker 2 (52:09):
And then if they're getting their songs to him, they're
making money off of that.
Speaker 1 (52:12):
Yeah, that's true. I wonder how how do I find
people to like scam dark web? But I don't want
to go to the dark web, Like I'm not trying
to scam people for money, but let's just say, uh
raging idiots, no mistay right and different things. And I
(52:32):
haven't listen to the.
Speaker 12 (52:33):
Song probably years, but no Misday readio you're probably no
mis Day okay, check check check Mike there you I
wrote the song with Walkerraze, right, So that's a good one.
Speaker 3 (52:44):
I appreciate that.
Speaker 1 (52:46):
I think he probably wishes he kept it at this.
Speaker 3 (52:48):
Point because it was good. Probably.
Speaker 1 (52:49):
Yeah, I think he's always like dang because he did
sounded great doing this song here. So anyway, so the
song and it has like a million or so streams, right,
and for the raging idiots. That's really good because most
of our stuff that I did, that we did wasn't
so much to get streams, and we did a bunch
of live albums. It was just for promotion so people
(53:09):
could go listen to it see if they wanted to
come to a live show. It was really for that
because I knew no one's going to sten a live
version of Hobby Love Bobby ten thousand times. But how
would I find whomever that is to go and go?
I'd like this be streamed a million times. Dark Web
that's my only place.
Speaker 2 (53:26):
That's the only thing I could think of, because that's
where you could go and find They sell information like this.
They sell passwords and emails to get into accounts.
Speaker 1 (53:34):
But I don't want to buy somebody these passwords or emails.
I want them to do it Facebook Marketplace, okay, but
how okay?
Speaker 3 (53:42):
So Namas Day has well, or.
Speaker 2 (53:43):
You go to like another country that has like stream farms,
but I think a lot of those tw guys shut down.
Speaker 3 (53:47):
How do I find those?
Speaker 1 (53:48):
I don't know any how to do any of this.
Nomasday has nine hundred ninety nine thousand. Oh, it's so
close six hundred and ten.
Speaker 5 (53:55):
We're so close to a million.
Speaker 13 (53:56):
It's so close. I mean, at that rate, you could
probably just I know I probably could that.
Speaker 3 (54:00):
You're right, you just started listening to it every day.
Speaker 4 (54:02):
Just leave it on.
Speaker 1 (54:03):
Man, Oh dude, I could now that.
Speaker 3 (54:06):
I'll look at that.
Speaker 1 (54:06):
I could do that in three hours probably, Or I
could just say, hey, everybody stream Nomas day on.
Speaker 13 (54:11):
Throw it on your TV, not home like everything.
Speaker 1 (54:14):
That's funny elf on the show up was back at
number one on reging idiots.
Speaker 3 (54:18):
There you go, that's funny as you can say.
Speaker 1 (54:20):
I don't look at this idiots streaming numbers be cuse
I was never the point. But even like the one
time that I did anything and it wasn't meant to
be sus at all.
Speaker 3 (54:31):
I did this.
Speaker 1 (54:34):
Whenever Twitter first started. I had a couple friends and
I didn't even the idea wasn't even mine, and they
were doing this thing called you could like twitter bomb
people where you could go and they would just wake
up the next day they'd have five thousand followers. They'd
be like, what did I do? And you could go
And that's what I did. I paid for two of
my friends to get Twitter bombed. That's that's cool. It
(54:55):
was hilarious because there were no followers on Twitter. I
had like eight thousand follower It was new and I
was and I think I've been now, you know, pretty
current with social media and being on the front side
of most of them. But I was on Twitter early
early and thought it was hilarious. I never thought a
thinking about it. Like seven years later, like the New
York Times, New York Post or whatever did a story
(55:15):
on people buying followers and they had me listened as
buying followers on Twitter, and.
Speaker 3 (55:19):
I was like, I never bought.
Speaker 1 (55:20):
I was so confused. I was like, I never bought
to my account, and so one of the reporters called
me and I figured which one it was, and I
was happy because I wanted to know what they were
talking about.
Speaker 3 (55:32):
Or I thought maybe i'd been or something.
Speaker 1 (55:34):
And I was like what, and they're like, no, we
have here because we have the information from those sites
that you bought five thousand here in five thousand there,
and I'm like, oh my god, I bought those like
as a joke to Twitter bomb friends, and they still
wrote that I had like bought followers, but that was
the only way that I had ever known to do
something shady and I didn't even do it for me.
(55:54):
And at the time, it wouldn't matter because follower and
even now Twitter followers don't matter because who cares about
to do?
Speaker 3 (56:00):
But do they even do that?
Speaker 1 (56:01):
Can you buy followers now? Oh yeah, oh you can't. Yeah?
Speaker 13 (56:05):
In college I bought followers.
Speaker 3 (56:07):
What's a price for it? That was are they really count?
Speaker 1 (56:10):
Like? Okay, are they on those wall? Like you see
somebody in India and they have a wall of phones?
Speaker 6 (56:15):
Is that what it is?
Speaker 2 (56:16):
I believe so? And those are the ones where you
get the followers no profile photo from another country, and
I mean those end up hurting you in the long run,
how so, mainly because it shows that you have a
bunch of followers, but you're not getting the engagement from
those followers. So you could have like one hundred thousand followers,
you make a post and it gets a hundred likes.
(56:36):
You like, was this a really add up because you
have all these followers but nobody's liking or watching your stuff?
Speaker 3 (56:42):
Yeah.
Speaker 13 (56:43):
I ended up deleting that account. It was when I
was like heavily putting out music and I was like,
I'm just gonna try this, see if it works, and
of course it was like all of the people had
the most generic profile pictures and generic names and they
weren't active at all. It was just like ten thousand
followers and you get like like thirty likes.
Speaker 1 (57:01):
So I was like, yeah, well, the way you know
that I have never done that is my my Instagram
followers like that battle to keep it even. I mean,
it's just like the Patrician because like I'll get you know,
over a month, two or three thousand, and then lose
twelve hundred then uh, and I don't know, I don't
(57:22):
know what the I don't know why that is. Also,
I'm not posting so much content that I expect to
get tons of followers, but I've been at like one
point two million for like a year, and where it's
like I feel.
Speaker 2 (57:31):
Like Instagram's really slowed down as far as how many
new followers.
Speaker 1 (57:35):
My TikTok followers are flying.
Speaker 2 (57:36):
Those go up even for me, but on Instagram it
goes down, down, down, and then sometimes it goes up
a little bit. But I think that's also because they
have been shutting down a lot of fake accounts. I'll
get that like spam folded on my Instagram and they'll
like show you all these flagged accounts that you can
go and like, but.
Speaker 1 (57:51):
Why are fake accounts following me if I'm not paying
for them?
Speaker 3 (57:54):
Like, what's that? What's that rational? Why do?
Speaker 13 (57:56):
A lot of it too, is just people that have
made accounts and they're so inactive they haven't done anything
that Instagram is just going through and just wiping out
a bunch of in active accounts.
Speaker 2 (58:04):
It's a good question, though, why you get fake account
Why don't have thought about that?
Speaker 1 (58:08):
Like if they have to follow other people to look real,
and then why do they pick me? And then okay,
what's all your otherferens to do it too? If you
can give me be fake, fine, I have fake ones
have a bunch of things.
Speaker 13 (58:16):
I think a lot of them are like it's almost
like it they follow like ten thousand people hoping that
one of them will see that you follow them and
then you'll check out their profile.
Speaker 1 (58:26):
That's what I think. Yeah, but some of them though,
aren't real.
Speaker 4 (58:28):
Yeah.
Speaker 2 (58:29):
I could also be scammy too. You follow you so
oh you know what?
Speaker 13 (58:32):
I send a message?
Speaker 1 (58:33):
So how does it work where That's a great point too,
And I don't think I would have gotten there if
I post sometimes something immediately, like within like five seconds,
somebody's like, oh, if you're hurting, pray your hands reach out,
and so that's got to be these fake accounts.
Speaker 2 (58:50):
Yeah, they follow you, so they can scam your followers too.
Speaker 1 (58:53):
So I'm paid for them.
Speaker 3 (58:54):
Yeah, I don't even want them.
Speaker 1 (58:55):
I'm happy to go down lower if they all go away,
because I don't want my followers getting scammed. Yeah, at
this point too, it's all smoking mirrors, right, mm hmmm,
a lot most of its smoking. You could manipulate your
way to looking like you because can you pay for engagement?
Speaker 2 (59:12):
I don't think you can do that. I don't think
we're there yet.
Speaker 13 (59:14):
You can promote videos, yes, but and I and that
I have done.
Speaker 1 (59:20):
Yeah, and I've paid money if I'm like this video
is really good or it's a tour or you know.
We're trying to build our YouTube sports channel now because
we had where we got into trouble was a Bobbycast,
which is at at Bob Bone channel like this podcast
by Bone channel, but we had sports stuff on it too,
and YouTube was sending sports stuff people who wanted to
(59:42):
watch the music stuff, so they're not gonna like it.
They're gonna get out of quick. So then they just
kill it because they're like it must not be good.
So then we're like, we're let's just start a buy
Bone sports channel, which is difficult because we don't want
to se another channel. At the same time, it's both
they're killing each other. The music people if they get
the sports, they're flashing off of it quick, which they
and says, well, that content must not be good to YouTube,
so they're not going to feed it to other people.
(01:00:03):
So we're like, we will Bobby on sports. So I'm like, hey,
we get a couple of good clips, we'll pay you know,
five hundred bucks and have it over like two weeks whatever,
a great interview promoted. I don't feel like that's cheating.
Speaker 13 (01:00:15):
Though, No, that's not not nowadays when you have to
market yourself.
Speaker 1 (01:00:19):
Yeah, because I started to feel guilty when you said
that because you compare it and I was like, oh,
we do that, like I'll on sports especially, like we'll
promote it.
Speaker 2 (01:00:25):
And that's kind of game. That's a little site to
make their money. You pay to promote your thing, but
you can't pay by paying to promote it. Does it
mean people are going to interact with it and engage
with this. You can put it out there more and
be like, hey, here it is here, it is here,
it is. But you can't really pay for that engagement.
Speaker 1 (01:00:39):
Yeah, I was going to Google, can you buy engagement?
But I don't want that on my phone. I don't
want I'll do it. Okay, you gotta call it like
five years, did you, dude?
Speaker 3 (01:00:49):
I know.
Speaker 1 (01:00:49):
I was so confused because when they called, I actually
was like, oh cool, I'm gonna ask questions because I
want to find out, like what what's happened? Because I
ever thought maybe I honestly I thought too maybe I'd
been scammed out of followers, like I was much more
popular than I was, and they were going to tell
me that somebody had like taken my followers, and they
were like, we've seen and they printed me in the
(01:01:11):
article that would like Lady Gaga, not saying they were
comparable famous, but it was like people who bought followers,
and I just remember thinking I wish I would at
least bought some for me. Then like it was I
did it as a joke and it was and it
was funny because I remember this one friend who was
in media, like I thought he was crushing it. Oh no, no,
(01:01:31):
he was like I got five dozen followers in the night. Yes,
it was like it's all coming together.
Speaker 13 (01:01:37):
That's horrible.
Speaker 3 (01:01:37):
What read? What do you see?
Speaker 13 (01:01:38):
So it says technically you can buy social media engagement,
but an yes, okay, but most services claim to sell
real engagement. They're actually providing accounts that initially interact with
your content but then genuine or and then are not
genuinely interested in your brand, and they're not real engagement.
Speaker 2 (01:01:59):
Now that I think think about it. There are some
pretty popular bots on TikTok that I see comment on
every single TikTok post and they're clearly AI bots, and
they're so smart because I think they watched the video
and like through some kind of AI processing, know what's
in that video and know what to comment, and they're
usually like the top comment on like big videos. But
if you go to their profile, it's just like a
shell account.
Speaker 1 (01:02:19):
There is someone who comments on my instagrams the thumbs
up immediately, the thumbs up is like, I've never even
talked about it, I've never thought about it, but she
I always thought she was real. Now is this a
person that just has an alert on.
Speaker 13 (01:02:34):
I'm thinking they have your notifications on because I think
it's a real But why the thumbs up.
Speaker 3 (01:02:38):
You know what we should do.
Speaker 1 (01:02:39):
We should panel with US three and get another nerd
in here too, and just talk about ways that people
cheat the system, ways to cheat the system. I think
that's interesting because again we're just kind of rolling because
Mike was talking about his Spotify was hacked. Oh no,
and somebody who got in it was playing the same
song over and over again, and so his theory was
because you were walking back in the room, that they're
(01:03:01):
hacking it, doing multiple accounts and just this one artist
is getting spinds.
Speaker 13 (01:03:06):
I also had a thing on the when I put
out the theme song there's a right. I can't remember
what it is, but basically it's like it gave it
a boost in views for a little bit, but they're.
Speaker 3 (01:03:17):
Not real views I found out. But what's the difference.
Speaker 13 (01:03:21):
I know, I don't know if you still get paid
for it regardless, And I'm like, I don't care.
Speaker 1 (01:03:25):
But that's what I would say if like the view
but paid though, I guess if it counts Twitter streaming.
Speaker 3 (01:03:29):
So you're talking about YouTube, I'm talking about I'm talking
about Spotify. Okay, got it. But views on Spotify are
not views streams.
Speaker 1 (01:03:37):
Okay, yeah, because views on Instagram pay you nothing. Twitter
Elon mus kept thinking of their paying some people.
Speaker 3 (01:03:43):
I don't even know what that was.
Speaker 1 (01:03:44):
But I don't trust anything on Twitter anymore. Uh TikTok.
You don't get paid for views unless you're in the
Creator program. And then then they I think they suppressed
the crap out of you, like because I got in
it and I was doing pretty good and I was like,
gonna make some money on this crit Nothing was hitting
after that. So but YouTube is where you can still
make money.
Speaker 13 (01:04:03):
Yeah, YouTube is still the best for that.
Speaker 1 (01:04:05):
Yeah, this thumbs up girl, it's so funny.
Speaker 3 (01:04:08):
It's funny.
Speaker 1 (01:04:08):
You knew that because as soon as I post anything.
Speaker 13 (01:04:11):
It's immediate it pops up. Yeah, she's she's on this.
Speaker 3 (01:04:17):
First I think she's real.
Speaker 13 (01:04:18):
Yeah, I know.
Speaker 1 (01:04:19):
I looked.
Speaker 13 (01:04:19):
I looked at her profile because I was like, there's
no way this person is real.
Speaker 1 (01:04:22):
And I've said before like whoever you are, like God
bless you because you dedication, you are there on it.
You know who else I admire? And now Arap is
it because Mike and I would this was just an addition,
we just actually turned the mics on while talking about
something music related. Is what we just did.
Speaker 3 (01:04:36):
Perfect?
Speaker 1 (01:04:37):
What I.
Speaker 3 (01:04:42):
Where was that going?
Speaker 1 (01:04:45):
Cause that's something good. It always gonna blow your minds.
Speaker 13 (01:04:47):
Oh it was, Yeah, and I bought some oh somebody
liking stuff all the time.
Speaker 1 (01:04:52):
Oh got it? Thank you very much. You know who?
I like people that like stuff that I know, meaning
I'm not much of a liker. Once a while I'll
be like, oh yeah, I should like it, you know,
heart every once in a while. But there are people,
and I can think of two that I don't really
have a close relationship with, but I know their accounts
aren't bots because I know them. One is Brandon Armstrong
(01:05:13):
on Dancing with the Stars. He's one of the dancers.
I think anything he looks at he just likes. He
just dumbs and likes. And that's super nice of him.
Like he just likes.
Speaker 13 (01:05:21):
I will watch people I at a restaurant just like
I'm interested.
Speaker 1 (01:05:25):
If he's scrolling, he just like like like like I like,
I like, And it makes me like him because in
my likes a bit subliminally, without even knowing, I see
him as one of the people that liked it. And
it's all I'm always seeing his name is liking my things.
I guess that means it just makes me like him back.
And then the other one is he played basketball at
Arkansas and he's on the his assistant coach there now
(01:05:46):
about him is Ronnie Brewer Jr.
Speaker 3 (01:05:48):
And played in the NBA for a little bit. But
on Twitter post anything, he likes it.
Speaker 13 (01:05:52):
What a guy.
Speaker 1 (01:05:53):
But I don't think he likes everything I post, but
he always likes and he must just be liking everything
he's reading. Therefore, I like him more because I'm always
seeing him like my stuff, and I'm not making that
conscious decision. I'm not going he likes me.
Speaker 3 (01:06:06):
I like him.
Speaker 1 (01:06:07):
But because he's always liking, it's a very positive feeling
about somebody who's always like I like it, I like it,
I like you, I like you. I just have this
very positive.
Speaker 3 (01:06:13):
Feeling about him.
Speaker 13 (01:06:15):
I don't really think about it when I scroll, Like
if it's something that I'm like, I don't like much
at all, and I'm like, oh wow, that's crazy, then
I'll be like, wait a minute, maybe I should like
this post.
Speaker 1 (01:06:24):
And on TikTok, I'm only gonna like things or I'm
only gonna ribbon them if I need to get back
to them for some reason, or if there's like I
want to go back Tom for show stuff occasionally like
for work stuff, excuse me, or I know if I
I want to change my augroithm a little bit. Let's
(01:06:46):
say I playing.
Speaker 3 (01:06:48):
Pickleball and I'm like, man always had more pickleball videos.
Speaker 1 (01:06:50):
I'll find a pickleball video, I'll search it and then
I'll like one or two in a row, so then
it knows to feed me more.
Speaker 13 (01:06:55):
Oh that's gane.
Speaker 1 (01:06:56):
And that way, I'm just getting what I want from it.
Speaker 3 (01:06:59):
So that's thing.
Speaker 1 (01:07:00):
We should do that in the next We won't do
it in the next couple weeks, but in the next
couple of months we all bring in a couple of things.
Speaker 2 (01:07:05):
A lot of stuff on this. You think about it
a lot, just how our minds are changing because of
social media.
Speaker 1 (01:07:12):
How to manipulate system, how the system is manipulated already
by folks. That could be two parts of it. Cool
and then a grab bag whatever you want to do.
I think I think that'll be fun. We'll do it
in a few weeks.
Speaker 9 (01:07:22):
All right, Thanks for listening to a Bobby Cast production
Welcome to episode four eighty seven. These are my favorite
type of episodes. We do real songs by fake bands,
Mike D elaborate.
Speaker 2 (00:18):
Yeah, like from the State by the Bell, Oh yeah,
friends Forever, a Zach attack, Yeah, fictional bands and TV
shows and movies.
Speaker 1 (00:25):
Come on, do you remember now we already did the podcast,
so you probably do. But almost famous band? Yeah, I
know the name.
Speaker 2 (00:34):
I can't think of the name.
Speaker 1 (00:36):
You can do it. And you know who is the
whole thing is based It's Camera Crow. Yeah, right, like
his life when he was and was the band like
supposed to be like the band?
Speaker 2 (00:48):
I think so because.
Speaker 1 (00:49):
It wasn't like led Zeppelin was like the and we
should in fact check all this. But the fake band,
I want to make sure I'm right here, the fake
band and almost famous Eddie. What's fake band? And almost
famous name? Still Water's right? Boom? I knew it was
a town in Oklahoma. Good job he got us. That's
(01:11):
a good one too.
Speaker 3 (01:13):
So then there you go.
Speaker 1 (01:13):
So we talk about all that, the top five best
rock songs of the nineties, a music streaming conspiracy that
Mike D has all that in this episode. Please, if
you like this episode, would you mind sharing it with
your friends just on your Instagram story. That would help
us a ton. Tag me and I'll hart you back,
appreciate that and enjoy. We're gonna take a minute to
talk about real songs, but by fictional bands or fictional artists.
(01:39):
What sucks as I can actually play What inspired this is?
I was on TikTok and I was watching Fred Armison,
who's a good musician, Mike.
Speaker 3 (01:45):
You know Fred Armison?
Speaker 2 (01:46):
Yeah, sat in My.
Speaker 3 (01:47):
Life Yeah and portl India.
Speaker 1 (01:50):
Yeah, and he actually he plays music and does comedy stuff.
Speaker 2 (01:53):
That's on that fall Out show.
Speaker 1 (01:54):
Now, what's he on there?
Speaker 2 (01:57):
The radio operator guy?
Speaker 3 (01:59):
Oh yeah, Jay, I think that guy's so funny.
Speaker 1 (02:02):
So he has it. They had have been on SNL
where they were playing in a band and they would
do this song and I'd never seen the SNL bit
before and I was like, that's a really funny song.
It's about something normal America. And I was like, that's
a funny song, but it's not a real band. You
really couldn't go listen to that. So I started thinking
about songs by fictional bands. We can go back and forth.
(02:22):
We probably have a same few on the list, but it's.
Speaker 3 (02:26):
Kind of hard. I mean it's a hard list because
you know, like.
Speaker 1 (02:28):
Friends Forever, Man, Friends Forever, freaking Zach Attack. Yeah, there
are two that come to my mind. First, Friends Forever
came to my mind. First Friends Forever, and then they
break up? Is that go solo? Somebody should cover Friends
Forever and put it out as a real song. But
somebody owns that, right, you can cover any song. I
get mechanical royalties on it, but that song cannot be found,
(02:51):
like if I get on a streamer too, But I
don't think we can look it up.
Speaker 3 (02:55):
But who even sings it?
Speaker 1 (02:56):
Zach Zack Attack, dude, let me look on iHeart Radio
here because they'll have Okay, Friends Forever.
Speaker 2 (03:06):
Now the Vitamin C song comes up.
Speaker 1 (03:08):
That was a jam.
Speaker 3 (03:08):
Graduation las week ago.
Speaker 1 (03:12):
We remember, oh yeah, yeah, yeah, I remember that one.
So there's a playlist called zak Attack, but there's no that.
It's all a song from like the late nineties. Okay,
but Friends Forever makes my list at number freaking one.
I mean we could cover that as raging idiots friend.
Speaker 3 (03:30):
We should do that.
Speaker 2 (03:31):
That's all saying somebody to you guys right here.
Speaker 3 (03:34):
Yeah, but what other words were there?
Speaker 1 (03:37):
Now?
Speaker 3 (03:37):
Friends forever.
Speaker 1 (03:39):
Then she would come in, Kelly would come in be like.
Speaker 4 (03:43):
Do do do do do friends forever?
Speaker 3 (03:47):
Yeah, that's all I remember.
Speaker 1 (03:48):
Dude, if that's from a TV show, couldn't we play
that clip from your YouTube mic?
Speaker 2 (03:53):
It's a good question.
Speaker 1 (03:54):
Hey, yeah it is, so I go there, Eddie, have one?
Or should I go to my second one?
Speaker 3 (03:58):
That thing you do, that's another one, of course you
from the Wonders.
Speaker 5 (04:03):
Do nothing you do?
Speaker 1 (04:06):
Breaking my heart into a million pieces? I know I
don't have to do the high part, thank you, we
I should again. I wasn't ready to chase that one.
Speaker 3 (04:17):
You did, though, because I tried so hard.
Speaker 5 (04:22):
But does nothing I do? Every time I do that
thing you do?
Speaker 1 (04:29):
I do that doing that thing?
Speaker 2 (04:33):
Technically?
Speaker 1 (04:33):
Wow, doesn't doing that thing you do?
Speaker 2 (04:37):
Technically? This is just a clip from a TV show.
Speaker 1 (04:40):
Give it to me. Here you go, all yeah, case, hang,
no way, that's really them singing though. By the way,
we'll be.
Speaker 3 (04:52):
Friends, nor will be.
Speaker 4 (05:06):
Yeah, that's not Zach you know that? No chance, that's Zach.
Speaker 2 (05:33):
Mike Studios YouTube channel.
Speaker 1 (05:37):
Who is that?
Speaker 2 (05:37):
Shout Studios YouTube channel? Just crediting them?
Speaker 1 (05:39):
If you google that lyrics to it, does only that
come up? Was there ever a longer version of that
song made even for the show, because you could always
do wag you can wagon wheel it to which wagon
wheel was only a clip of a song that Bob
Dylan had.
Speaker 3 (05:52):
And even it was like a demo, right, But I'm
just he heard.
Speaker 1 (05:56):
It and wrote around it, and so catch old crow
Bob Dylan with the writers. We could do that with
friends forever. Write the other parts of it. Get some
of our country music friends all sing it.
Speaker 3 (06:08):
Friends forever.
Speaker 2 (06:09):
I see some full lyrics here you do? Yeah, how's
it start? We met some time ago when we were
so young. We've been through thick and thin. We've lost,
we've tried, we won, Friends forever.
Speaker 1 (06:19):
But like, really, that's the whole song. No, I keep going,
Why don't we do that with like a bunch of
other artists. We could totally do We literally could. Yeah,
I mean that's funny. It's a hard song to.
Speaker 3 (06:29):
Sing, friends, and you've got that high part that's you.
I can't sing. You gotta do I mean, you gotta
do it. We'd have time to work. You work your
voice that way.
Speaker 1 (06:38):
No, that's not how it works. It's not like a
muscle that you just get stronger you try. I can't
sing that regardless of but that would be fun.
Speaker 2 (06:45):
Looks like one person wrote it. Michael Damien is credited
on the vocals and the producer on the song.
Speaker 1 (06:52):
So we friends forever's won we should we should talk
about that, Eddie, yours is the Wonders.
Speaker 3 (06:58):
That was gonna be my Wonders? Yeah, mine is.
Speaker 1 (07:01):
And it was a real song. But I did not
know it was a real song because the band that
played it was fake. And then I learned way later
it was a real song, but not by the person
who sang it on.
Speaker 3 (07:12):
The TV show What on Earth? And I was talking
about anything.
Speaker 1 (07:16):
No is my wife's am my first song, dance song
at our wedding. Oh yeah, yeah, yeah, yeah yeah, full
house Jesse.
Speaker 2 (07:23):
And the Rippers.
Speaker 1 (07:25):
Not a real band. If Tomorrow nows a men's and
jump zoom I dug forever forever, forever forever has been
So that's a Beach Boys song.
Speaker 3 (07:41):
Did Dann Shay ever release that?
Speaker 1 (07:43):
They never released it, but they recorded a studio in
the version in the studio and gave us as a
wedding gift if.
Speaker 3 (07:49):
They were ever to die on which you know eventually
they will. Should release that the hidden tapes.
Speaker 1 (07:56):
Eventually they will, well, you know, I can, I might
be years. But I put that on my list because
I didn't know that. I thought it was a TV
song by Jesse and the Rippers. Yeah, but that even
when we danced to it, in our mind it was
Jesse and the Rippers. But Dana Jay sang it at
our wedding and then they gave us that as a
wedding gift.
Speaker 3 (08:14):
But it's a chorded version, beautiful version.
Speaker 1 (08:16):
Yeah, it's there's this beautiful Brian Wilson sounds awesome.
Speaker 3 (08:19):
I don't think i've ever heard the Beach Boys version.
Oh man, it's really good. Really yeah, if tomorrow never do?
Do you do it on piano?
Speaker 1 (08:27):
Man?
Speaker 6 (08:27):
Uh?
Speaker 1 (08:28):
Yeah, it's very stripped down.
Speaker 3 (08:29):
Cool, that's it forever. It's it's great to get what
else you got? Okay, So mine's kind of the same deal,
where like I didn't know this was because it's a
real song, it's a song song, but I didn't know
it was made for a TV show, Okay, like it
was specifically made for one TV. I have a guess.
Speaker 1 (08:48):
I don't want to spoil it, but.
Speaker 3 (08:49):
I have a guess.
Speaker 1 (08:50):
Is it the whole Dude World is by is no
six and a sixth and no.
Speaker 3 (08:58):
Big bank theory?
Speaker 5 (08:59):
No, but is that a song?
Speaker 1 (09:00):
I think I wrote it for the show? Yeah, and
now it's a it's a song.
Speaker 3 (09:03):
And who who sang that? Ah? That's right? No, No,
mine's mine's older. It's older is in the sixties.
Speaker 1 (09:11):
So give me give me the clue again.
Speaker 3 (09:12):
So it was made for the TV show and it
became a huge song, and I think, like, if you're
our age, you just think it's a song. Had no
idea that it was the theme show of the song
of the of the TV show.
Speaker 1 (09:23):
Okay, so I think a song. I'm confused by your
presentation there. However, the Ballad of Jed Clampett was was
let me listen to a story about a man named Jay.
But that wasn't like a big hit. This was a
huge hit like the Wonder Years, Okay, kind of close.
Speaker 3 (09:44):
So it was a real song.
Speaker 1 (09:44):
But we learned it through TV. Then we didn't know
it's a real song.
Speaker 3 (09:47):
No, no, we we you and you and I like
we weren't really alive when it was it was on TV.
Speaker 1 (09:52):
The one that we knew this is a song.
Speaker 3 (09:54):
We knew his a real song. Okay.
Speaker 1 (09:55):
The Wonder Years is interesting because that's a Beatles song
that Joe Cocker cover that they used that cover would
You Do with Us as the main song to which
I had to later learn as a Beatles song.
Speaker 3 (10:08):
Yeah, and what's crazy now is if you watch reruns,
I guess they didn't want to pay the royalty to
Joe Cocker. So now there's another dude going, what would
you do? Really? Yeah, like syndications completely different.
Speaker 1 (10:20):
Okay, give me the hint again. And Mike, would you
look up Massachusetts Afternoon? That's the SNL deal because they're
just singing. It's the most generic. It's hilarious, but okay,
give me the hint one more time.
Speaker 3 (10:32):
I learned this song. I learned of this song as
a big radio song. Okay, but it was created for
a TV show, for a TV show. Y want to
give you another big hint.
Speaker 1 (10:45):
Let me just think about it for a second. We
learned of it as a SONGI has the same sound
of that. Okay, what decade?
Speaker 3 (10:56):
Sixties?
Speaker 1 (10:58):
I believe it was sixties. We learned as a big song,
but it was other monkeys.
Speaker 3 (11:05):
The monkeys, Hey, hey where the monkeys? Here we go.
Speaker 1 (11:11):
Walking down the street. I get the funniest looks from the.
Speaker 3 (11:16):
Ever won't we meet? But hey, hey, where the monkey is?
Speaker 4 (11:20):
Yeah?
Speaker 1 (11:21):
That band was created for a TV show.
Speaker 3 (11:25):
Okay, see I didn't know that. That's crazy.
Speaker 1 (11:27):
They cast him a very successful band, like yeah, it's
like Davy Jones. You know, he was British and like
Peter York and I'm a big Monkeys fan. If you
don't really yeah, yeah, yes, it was a Monkeys fan
like you and my mom. Let me seem like a
name of Mickey Dolans and have nothing in front of me.
Speaker 3 (11:44):
I have a google.
Speaker 1 (11:47):
Mickey Dolan's, Davy Jones, Peter York and what's missing? The
fourth one was Mikey Michael and Nestman Michael. Yeah, I
think it's Peter Tork, Peter Close. That's how I wasn't
gonna hey, you're a big fan, Peter. Oh yeah, I know.
The whole song, people say, we monck you around, but
we're too busy singing to put anybody down. But and
(12:09):
at the end they do the four of we're just
trying to be friendly, but so they do the show.
The band then become successful and it was a TV show, right, yes,
But then The band became successful with actual hits, with
songs like take the Last Trained Desn't and I'll meet
you at the station without desert up. But do do
(12:31):
You don't need no reservation? Da Da Da da da.
Speaker 3 (12:37):
What's the other big one? The one about the girl?
Speaker 1 (12:38):
Uh?
Speaker 3 (12:39):
Sweet baby?
Speaker 1 (12:40):
Uh, there's an even bigger one that you're not thinking.
Speaker 3 (12:42):
No, no, no, it's the one I'm thinking of.
Speaker 1 (12:44):
No, there's even a big going, Oh my god, even
bigger than what you're thinking.
Speaker 3 (12:49):
Sleepy Jean, oh sleepe, it's not you, but tell me
what of me? They do believe? And Homecoming it was
them too.
Speaker 1 (13:01):
Yeah, but listen to this one and I saw her face.
Speaker 3 (13:06):
And I'm a believer.
Speaker 1 (13:08):
That's not smash mouth. That's the freaking monkey.
Speaker 3 (13:10):
That's crazy, dude, I didn't know all that.
Speaker 1 (13:12):
Good one, Good one?
Speaker 3 (13:14):
Monkeys?
Speaker 1 (13:14):
Did you find Massachusetts? So they're sitting in this coffee
shop and they're like, you wrote the song, and there's
like four of them. It's always a celebrity. Person's like
playing the drums. I don't know who this is, the
Red Arms. Yeah, go right, Mike, everybody.
Speaker 3 (13:27):
We're in the Blue Gene Committee.
Speaker 7 (13:28):
I am j C.
Speaker 8 (13:30):
And I am Marshall Haynes.
Speaker 3 (13:31):
I'm little Andrew and I'm Lee.
Speaker 8 (13:34):
We come from a little place called Northampton, Massachusetts.
Speaker 3 (13:37):
You guys heard of it.
Speaker 9 (13:38):
I think you had.
Speaker 7 (13:40):
Good Let me ask you a questions. You ever have
one of those afternoons that you wish you would never end.
What I'd like to do right now is a paint
you a little picture of what that's like.
Speaker 1 (13:55):
And the course is actually really good. And the guys
Jason have to.
Speaker 3 (14:03):
Hanging out on the porch.
Speaker 9 (14:06):
Drinking cinnamon beer with you.
Speaker 3 (14:09):
Massachusetts.
Speaker 1 (14:12):
And the crowd slowly grows every time they cut my
cousins place.
Speaker 5 (14:17):
And right loveless to you.
Speaker 1 (14:22):
You know. Uh, people say.
Speaker 9 (14:24):
I'm a gifted lyricist.
Speaker 7 (14:28):
I don't know about that, But tell me what you think.
You know, when you're driving to town and you make
that second right turn on the Locust Street, I've never
seen so many pretty pretty girls walking.
Speaker 6 (14:38):
Down the boulevarve. The crowd's growing, but the prettiest of
them all without a shadow of her doubt. It's a
six foot tall beauty name you see her. She's got
them big hazel eyes that make the boys go crazy.
Speaker 3 (14:51):
Like put the The crowd is the meling it.
Speaker 10 (14:55):
But this boy bright here kept just cooling the heat
of the moment when he opened the door for her
and she stepped into Mikey's bot leans You've never seen
so much ship of the ring, one broke ast Northampton
city kid, and I'm talking about.
Speaker 1 (15:06):
Messaut after news.
Speaker 5 (15:11):
Hanging out on the pole. You can sit him and
be with you.
Speaker 3 (15:17):
Messitu sad.
Speaker 5 (15:22):
Saying because it's place.
Speaker 1 (15:26):
Right, all right.
Speaker 8 (15:28):
Let me just say you know that November chill hits you,
old cheek, and those Northampton streets are covering in those
bright orange leaves. Well not time is the time when
everybody's out. But if you want to find me and
the boys, well we'll be right at the right track
end playing pool with old man Jones of a beautiful
cheat with those long Northampton legs as she dances to
(15:49):
the juke box singing.
Speaker 1 (15:51):
Play massituse saft light, hanging out so good, Forest is
super good. It's in the middle and he's like some
people saying a gift lyrics because I was dropping on
the street, I lock up under the right minhip.
Speaker 3 (16:04):
The crowds never heard this.
Speaker 1 (16:06):
I had an either. I've never seen the sketch and
they have done it a few times, and now the
whole crowd's clapping in the Muppets like the Muffets a joint, and.
Speaker 3 (16:15):
The Muppets come in because Jason Seagull, he's a muppet.
He wrote Muppet movie.
Speaker 1 (16:20):
He did.
Speaker 3 (16:21):
Oh wow.
Speaker 1 (16:22):
The other one I had on my list of fictional
was Smelly Cat. Smelly Cat, well, yeah, Phoebe from Friends
Are You Never? Was a real song? What dude, smelly Cat?
Do you have any other ones?
Speaker 2 (16:39):
Yes?
Speaker 3 (16:40):
Misbehaving?
Speaker 1 (16:41):
Oh yeah, and Jennifer Nettleswo Country Kids Misbehaving.
Speaker 3 (16:50):
Yeah, I put on lipstick and I got caught shaven?
Speaker 1 (16:53):
What the name of that show? You? Jemps out?
Speaker 3 (16:58):
Can you play that one? Micro now?
Speaker 1 (16:59):
I probably can't. I think that's probably like a real second.
Speaker 3 (17:02):
That's not a real song, meaning.
Speaker 1 (17:04):
I think it's like misbehavior. You can probably sing it, though.
Speaker 3 (17:08):
He's a fissed because he can't make it anymore. He's
like that child star that can't do it.
Speaker 1 (17:14):
Mama told me not to I did anyway, Misbehaving.
Speaker 3 (17:19):
Is a real song. Yeah, yeah, yeah, yeah, that's.
Speaker 1 (17:22):
A funny one though, but it was great. Ain't They're
not real?
Speaker 3 (17:25):
No? Baby Billy and uh yeah, the duet was.
Speaker 1 (17:29):
Written by So it's a real song, but it was
written for the show. Yeah, it was written by Oh.
Speaker 3 (17:36):
This says artists Amy Lee and baby Billy Well Misbehaving
nineteen eighty nine, even though it was released in twenty nineteen.
Speaker 1 (17:44):
The title of it, that's funny, that's funny that the
actor baby Billy Yeah is it? What's his name? Welton Goggins, Okay,
it says it was written by Joseph Hunter and mcuh.
Speaker 3 (18:01):
Who is the main guy, Yeah, and and Edie Patterson.
That's amazing. Dan McBride, Dan McBride, I don't know what
he's like other than just his characters on East Down
and East Bound and Down and like in Righteous Jumpstone,
but he just seems like someone that I would totally
get along with because he's just seems fun, hilarious.
Speaker 1 (18:22):
And so he's either going to be a guy that's
easy to get along with and in like super Warm,
or like as Zach Galafanakis, who is not hard to
get along with. That dude just moves to Canada and
just gets away from everybody. Yeah, like has a house
and like Iceville and has a farm and raises his
own crops.
Speaker 3 (18:38):
And Mike, have you seen any interviews with Danny McBride,
like just out of character.
Speaker 2 (18:42):
He seems pretty chill, normal. Yeah, you probably get along
with them.
Speaker 1 (18:47):
I just I love everything he's in because to be
that funny, that interesting, there's some part of you that's
extremely quirky. And it could be a part of you
that actually is not any sort of deterrent in human communication,
or it could be something like that, like you're that
way because you're just overall odd as far as what
we considered like normal person a person communication. All Right,
(19:09):
those were the ones I wanted to bring up. Mostly
it was Massa Chusetts after That's so funny. And I
was watching, laughing out loud, watching TikTok in the bed.
My wife is this, like she goes, why's the bed shaking?
And I was like, I'm watching Massa Juices Afternoon and
it and it's not even like, dude.
Speaker 3 (19:26):
That's how you know it's so funny, the bedshaking.
Speaker 1 (19:28):
It's not even like ll Super hitching the gut one
time funny. It's like you just watch it and the
more it goes on it gets funnier funnier.
Speaker 3 (19:35):
I love the shot of the guy just feeling it,
like sod by the Bar.
Speaker 1 (19:38):
He's like, twenty sign, dude.
Speaker 3 (19:41):
What's cool. What's really cool to me is like these
songs that people write like artists. Like a movie director
would be like, hey, man, I need a song for
like my movie.
Speaker 1 (19:50):
Willie Nelson on the Road again by the way, for
a movie.
Speaker 3 (19:53):
And they're just like, oh, yeah, yeah, yeah, let me
work on something. This is what the movie's about. And
they write this banger that's like explains the whole movie
in one song. Ben in Black, Will Smith.
Speaker 1 (20:03):
And the man written written for that movie Little Smith, Wow, Wow,
Jim West Desperado.
Speaker 3 (20:10):
Yeah, you're right.
Speaker 1 (20:11):
Songs from movies.
Speaker 3 (20:12):
If a director called me, I'd be like, oh, I
don't know, dude, give me a year. I don't know.
How are we gonna sum up Back to the Future.
Speaker 1 (20:18):
I'll be like, give me all the character names, give
me all the points you need from the movie addressed,
and I'll hit you back. And I need I need
to buy licensing to like a famous seventies song with
the famous chorus. If we can get all that, I
could do that. Well, I got you, I got your
big time, all right, thank you.
Speaker 11 (20:32):
Let's take a quick pause for a message from our sponsor, Wow,
and we're back on the Bobby Cast.
Speaker 1 (20:47):
I've not looked at the list. I only saw the
headline of the Greatest Rock Songs of the nineties. So
I have like the top twenty five or so on
the list. Now I wrote mine down, so I'm gonna
flip over actually see some from loudwire dot com. I
want to see the source. And I asked you the
same thing. Have your top five rock songs of the
(21:09):
nineties a time that I mean the nineties, that when
we love freaking rock music, like alternative music. That type.
For me, it was country music talked about where I
was from, but like alternative music, I thought talked about
what I felt.
Speaker 3 (21:23):
Yeah, dude, that rock music, but it represented us.
Speaker 1 (21:26):
Yeah, we thought that.
Speaker 3 (21:27):
Yeah, and then we're all angry at stuff because grunge
was angry, and I'm like, what am I angry at? Nothing?
Speaker 1 (21:32):
Stupid, but it represent our feelings. So I wrote down
my five. You have your five.
Speaker 3 (21:38):
I have my five.
Speaker 1 (21:39):
Before I look at the list of what they've put
in as the top twenty five, let's do our lists.
So the are you doing your favorites or the greatest.
Speaker 3 (21:50):
Or no, I'm trying to do the greatest, and it's
tough because you got the early nineties, which was so
different than the late nineties, and.
Speaker 1 (21:56):
So I've kind of separated. I've got three in the
early nineties and then two in the later nineties, and
I think, like, okay, you go first, number five.
Speaker 3 (22:07):
It all started with smells like teen Spirit.
Speaker 1 (22:09):
I have that too, that's gotta be on the list.
I wouldn't have picked it as my personal favorite, big
Nirvana guy. It changed the world, but yes, it's the
entire grunge scene was basically rooted out of the extreme
popularity of that song.
Speaker 3 (22:21):
It was the graduation of hair metal eighties to like
a new sound that no one has ever heard.
Speaker 1 (22:28):
Mine aren't order, So I'm gonna mark my that off
of mine too. It smells like teen Spirit, that entire
Nevermind album. If they put any of those on that list,
well that or come as you are, I would completely
go I sure understand, Okay, go ahead, next next.
Speaker 3 (22:39):
One, Plush. This is a little song called Plush.
Speaker 1 (22:42):
Oh, but you're even doing the acoustic version, dun.
Speaker 3 (22:46):
I mean, it's just the song, right, it's not even
the version. I'm just doing the song plus But.
Speaker 1 (22:50):
He didn't do a song of a plush except for
on the acoustic.
Speaker 3 (22:53):
Right right and the unplugged version. But to me, Plush
is just like it's a huge ninety song.
Speaker 1 (22:58):
Okay, yeah, that's a really good one. I didn't eve
think about Stone Table Violence, even though I listened to
that record.
Speaker 3 (23:04):
I am smelling like a rose that somebody gave me
on my birthday?
Speaker 1 (23:09):
Did man Like I listened to that record so much
didn't come up in my mind of top even ten.
But that was a really good one, Okay. I have,
like you mentioned, there were different versions of the nineties
I have Losing my Religion.
Speaker 3 (23:25):
Ooh, Ram, I didn't even think about RAM. That's huge, man.
Speaker 1 (23:29):
And I again, where I feel like I probably didn't
think about STPN I should have. I can see where
maybe you would have forgotten about RAM anybody because they
were late eighties ish, but they got into the nineties
and they weren't grunge, they weren't kind of college rock.
Speaker 3 (23:45):
And I think by the time I discovered RM, they
were pop music. I mean, they were so big me too,
me too that they were pop music.
Speaker 1 (23:52):
Lose My Religion was on MTVA. The video and there
were songs before that obviously that now I like, but
I didn't know until Losing my religion. But I was
also a kid.
Speaker 3 (24:02):
I was like an let one.
Speaker 1 (24:03):
Where am I going to find Ram? Except for MTVD
when I'm a kid.
Speaker 3 (24:06):
I heard it for the first time at Pizza Hut.
We went on a field trip to go clean the
beaches in South Finder Island and we had lunch at
Pizza Hut, and I guess they gave us all the
music we can do on the jukebox, like it's all free,
whatever you want. And somebody put Losing my religion and
like that song is awesome.
Speaker 1 (24:21):
Like the mandolin on it. It's a mandlin, right, no
no no no, no no no no. Maybe it's not
a manlin, but it feels like a mandolin.
Speaker 3 (24:26):
Now in my head, I think it's a mandolin.
Speaker 1 (24:28):
And he had in the video had black hair still
before he shaved his head bald.
Speaker 3 (24:31):
That's me in the corner.
Speaker 1 (24:33):
Thought it was such a freaking good song.
Speaker 3 (24:35):
That's me in the spot light, losing my religion.
Speaker 1 (24:40):
Yeah, I have Ram losing my religion.
Speaker 3 (24:42):
You next, oh man, I gotta go with Jeremy, gotta
go with Pearl Jam. I mean that spoke to the generation.
Speaker 1 (24:50):
It didn't speak to me.
Speaker 3 (24:51):
Jeremy spoken, it's.
Speaker 1 (24:53):
Your favorite band of all time, and I have a
similar version of this. But I can see where Pearl
Jim was extremely, extremely influential to all all of the
alternative scene. Like that wasn't grungy grungey. I did feel
like Project was that grungey.
Speaker 3 (25:10):
They weren't part of the femo rock.
Speaker 1 (25:12):
I mean, I felt like they were rock.
Speaker 3 (25:13):
They were rock, but they were their sound was a
little more melodical than what the grunge had. It was
like just all yelly. Eddie Vedder actually saying, I feel.
Speaker 1 (25:21):
Like even the guitar tone was slightly different, a little
softer than the others. Same comes from the same place.
Although some of those bands would move to Seattle just
to say they were from Seattle, I know they.
Speaker 3 (25:31):
Never lived in Well, even Nirvana, I think they were
from Olympia moved to Seattle.
Speaker 1 (25:35):
I think that counts though, because you had to kind
of move there was a music scene. You're just moving
down the state. Some people would come from like Pittsburgh
from Seattle. I think that and that launched that Seattle
because they were playing in Seattle kind of launched that movement.
It wasn't that even everybody was from It was all
the music that was happening there when it launched. I
think a lot of people then moved to Seattle, and
I was like, we're from Seattle.
Speaker 3 (25:55):
When I think a lot of the Seattle bands at
the birth of it, like Soundgarden, Alison Chains, all of
them would drive to LA to get their music heard
and then they would be there play their shows and
then go back to Seattle and we're from Seattle, That's
where that all came from. But Dude, the first time
I heard Eddie Vedder's voice, I'm like, that is what
is that? How old is this guy? Sounds like he's
eighty years old? So to me that was just like
(26:19):
that is so cool because his voice is so different
than anyone I've ever heard, ever met him.
Speaker 1 (26:24):
Never I've met Stone their guitarist. I've met Mike McCrady,
their other guitarists, and Jeff their bassis. How many other
people are there the drummer and they've had like four drummers,
but I've I've never met their drummers, any of them.
Speaker 3 (26:37):
And then I've never met Eddie. I know my cousin
Leroy you've met Leroy. He uh somehow got backstage one
time and like, he's he's friends with Brent Barry. Is
that his name, Brent Barry?
Speaker 11 (26:49):
Yeah?
Speaker 1 (26:49):
Hey, yeah, yeah, he knows Brent Barry from says.
Speaker 3 (26:53):
How social is Leroy Lerella knows everyone.
Speaker 1 (26:55):
And also the fact that you have a cousin named
Leroy hilarious because yeah, Leroy is also Hispanic.
Speaker 3 (27:01):
H he's half Asian half a Hispanic. Oh but Leroy
still doesn't fit. But what's crazy about Leroy is he's
friends with Ed Kawako check one Live. He knows him
very well. Really, yeah, dude, he's friends with all these people,
and so he he knows Brent Barry. And he got
backstage at one of the Eddie Vedder shows. He said
he hung out with Eddie Vedterer and Brent Barry for
like two hours just drinking backstage.
Speaker 1 (27:23):
That's pretty cool.
Speaker 3 (27:23):
And he was like, and it was just them three,
and he said that Eddie never said leave, just just
hang out.
Speaker 1 (27:28):
But I guess if Brent is Eddie's friend, that friend
that Brent brings correct, it's going to be your friend
of mine in and like safe the same reason that
you picked Pearl jam, I picked mister Jones Counting Crows, Yeah,
my favorite band, and to me, that album and that
(27:50):
band the first time I heard like even not even
mister Jones, that was my introduction to it. But even
like that, my wife would say, the whininess.
Speaker 3 (27:58):
Of it, but the like, you know, that's so whiny.
Speaker 1 (28:04):
Yeah. I love sonically his voice because it was so
distinct and different.
Speaker 3 (28:10):
Now that had a lot to do with it.
Speaker 1 (28:13):
Right yodling it really right emo yodeling like California yodeling.
Speaker 3 (28:17):
But also to his writing was really good.
Speaker 1 (28:19):
I love them. Listen. I'm a massive Counting Crows fans.
I love this song. But sometimes the writing would be
so I would get so lost in what he was
trying to say that I started to wonder, then is
even saying anything or is he's just writing words together?
Because I can't tell the difference. But not in the
not in my group here more two thousands, but Weezer
and Rivers. Cuomo admits sometimes when you write songs, he
just puts words together. Yeah, that's said that.
Speaker 3 (28:41):
He's like, I'll put it.
Speaker 1 (28:42):
I read an article once where he's like a spreadsheet
and he's like, I'll put a little phrases in the spreadsheet,
and then I'll be like this thing right here, jump
and jump jump in this thing jumps makes no sense
because put the words sound good together. And then people
start to try to translate what I'm meaning, try to
and he's like, they're completely wrong because it means nothing. Yeah,
and that's not what you want to hear from my
favorite songwriter, right.
Speaker 3 (29:03):
Just put it words together.
Speaker 1 (29:05):
Yeah, So I have Counting Crows mister Jones, although not
my favorite song, I think if I had to pick one,
mister Jones there for me. All right, Next we have
two left.
Speaker 3 (29:13):
I had mister Jones on there, but since you took it,
I'm gonna get rid of that because for sure that I.
Speaker 1 (29:17):
Can't get rid of it. You can just have it
as well. That smells like teen Spirit.
Speaker 3 (29:20):
I had some honorable mention.
Speaker 1 (29:23):
Then I don't get smells like team Spirit. Then you're
gonna have that, and I'll do another one.
Speaker 3 (29:26):
No, I'll let you have mister Jones.
Speaker 1 (29:28):
I'll okay, Then I'll let you have smells like teen Spirit.
Speaker 3 (29:31):
Okay, so we get two bonus ones.
Speaker 1 (29:33):
So we have two left.
Speaker 3 (29:34):
Then you get a bonus one then okay, so we
have two left, Yeah, go ahead nineteen seventy nine, Smashing
Pumpkins Down nineteen seventy nine. I mean, just smashing pumpkins, dude. Honestly,
I think to me it is just what differentiated everyone,
like any vedder, different voice, smells like teen spirit. It changed,
(29:56):
it changed music in general. Billy Corgan Smashing Pumpkins was
such a different sound that you ever heard. Ston't to
Pilots wasn't too different but still awesome.
Speaker 1 (30:07):
And Smashing Pumpkins was. It felt a bit like the
music was like thorough you're the word e t h
e r L. It's like it's like del like a
space like because they had like keyboards and like sounds.
Speaker 3 (30:22):
Synthesizers and like the word etherol. I don't know that word,
so I only know it because I read it.
Speaker 1 (30:31):
I don't think I've ever heard aybody say it, but
that's what I had to look it up a few
weeks ago, and that's what it is. It's like music
that's like delicate or and that their sound was that
a bit.
Speaker 3 (30:41):
But it was all so different too, because you have
like Today's the greatest, like today.
Speaker 1 (30:46):
I love I love the Ballady song from.
Speaker 3 (30:48):
Me Too, Me too. So so you didn't like it
despite all my rage.
Speaker 1 (30:51):
It's okay, it's okay, it's fine. I liked the world
is a Vampire that. I like that as far as
if you had.
Speaker 3 (31:03):
Todayame yeah, And I don't know man like to me,
all of these people did a great job at differentiating
their sound than everything else, because nothing else sounded like
smashing pumpkins. Nothing.
Speaker 1 (31:17):
I I picked Beck loser.
Speaker 3 (31:19):
That's good. Another one like, who is this white guy?
Speaker 1 (31:22):
There's kind of rapping it in German?
Speaker 3 (31:24):
Who is this dude? Yeah?
Speaker 1 (31:26):
And the cool thing about Beck is he's changed something.
Speaker 3 (31:28):
What's the Germans?
Speaker 2 (31:29):
And uh so.
Speaker 3 (31:32):
That's Spanish. I thought part of it better.
Speaker 1 (31:36):
He says a lot of Germany. You can tell I
did no research.
Speaker 3 (31:39):
I just like, yeah, that's Spanish. So I'm a loser.
Speaker 1 (31:45):
I'm a loser, mister Elliott saying take a thing down,
flip it in reverse. I didn't know that.
Speaker 3 (31:52):
I guess.
Speaker 1 (31:52):
I don't know why. I thought it was German.
Speaker 3 (31:53):
That's funny.
Speaker 1 (31:55):
Yeah, I thought Loser was awesome. And also it kind
of turned into two turn tables in a microphone where
it's at yeah, like it was like this clap kind
of almost Beastie Boys, but still a rock element in it,
and like that kind of owned that space. Yeah, man,
and I love that does have any I think he
(32:15):
goes a sprick indied doint or something German somewhere de Deutsch.
That's got to be German then, because for some reason
I feel like there's some German in that song.
Speaker 3 (32:24):
That is, I don't know German. Do you speak English?
That's what that means, That's where it comes from. White
says that I don't.
Speaker 1 (32:32):
I don't have recalls to why I know that, but
it feels like there was German.
Speaker 3 (32:35):
My line, my favorite line of that one is like
a term my choking on a splinter.
Speaker 1 (32:41):
So I have beck loser. Okay, we have one more each,
go ahead.
Speaker 3 (32:44):
All right. My last one is gonna have to be
a basket case. Green Day was that was that nineties? Yeah, man,
ninety seven because I was in high school. I think
it was my senior No.
Speaker 1 (32:55):
Chance it's ninety four. Yeah, yeah, it's got to be
before a Little Drive. Okay, great record. Dookie was Yeah,
like it went into the whatever the America biggest sounds
of registry. Yes, like almost every song on that Take
Me to Paradise, or even like the bassline from just
(33:17):
Long View, And that's not even the singles.
Speaker 3 (33:22):
Do you have the time? Or when I come around?
But you gotta keep singing it like that, you know?
It was this stuffed up good I come around? Hey,
what about the secret track?
Speaker 8 (33:38):
Do you remember that?
Speaker 1 (33:39):
I was all by myself, I was watching, I was
thinking of you.
Speaker 3 (33:43):
I love that, But you had to wait like five
minutes for it to come.
Speaker 1 (33:47):
Out, or you hold your finger once you found out,
and you halfway pushed the buttons to fast forward or
the next track button which works fast forward, you would
get there.
Speaker 3 (33:56):
The kids just won't ever understand.
Speaker 2 (33:58):
Brain stew was the first song I ever learned how
playing guitar, because it's so easy, but not.
Speaker 1 (34:02):
On that records. On the record, I don't think it's no,
it's not. It's it's later, like two records later, I'm having.
Speaker 5 (34:11):
Trouble trying to sleep.
Speaker 1 (34:15):
Da catted sheep as type slips by still try room
for cross roads in my mind on my own Here
we go, Mikey, where is it?
Speaker 2 (34:36):
Insomnia?
Speaker 3 (34:38):
Yeah, that was the same record.
Speaker 1 (34:40):
I do that all the time, I thought soy Dust's
also song was German.
Speaker 3 (34:44):
Specting the Deutsch that one is, but so isn't that
my final one?
Speaker 1 (34:50):
Since we I got to use an extra one, which
would have been six on my list is REGI against
the Machine, bulls on parade or or killing in the
name of in the name of would have been the
one that it's the one that I picked when you
said was on product, maybe reconsider again. Wow, I'm gonna
go They're very similar. I don't even know which one
was first. I don't know, but I have a new
(35:11):
appreciation because I didn't understand that they were a message
based band. I just were going protest stuff all the time.
But I was like, I was like fourteen.
Speaker 3 (35:22):
I didn't understand that. I know what they were saying,
but but they were mad at something. Yeah, and I
like that song and you I don't go that, dude.
When I found out the machine meant the government, I.
Speaker 1 (35:34):
Didn't know that, I was like, right now, no, no,
I just learned that.
Speaker 3 (35:38):
I what do you mean, I hear that? You didn't
know that before? Right now?
Speaker 1 (35:41):
Never never put that.
Speaker 3 (35:41):
Together, dude. My buddy Michael was like, dude, rage against
the machine, dude, it's a rage against the government.
Speaker 1 (35:45):
I never put that together till right now.
Speaker 3 (35:47):
Yes, and I was like, Mike, what are we mad
at everything?
Speaker 1 (35:51):
Dude?
Speaker 3 (35:51):
Listen to this.
Speaker 4 (35:53):
Yeah.
Speaker 3 (35:53):
Hold, I'm like, we don't pay taxes.
Speaker 11 (35:55):
Wow.
Speaker 3 (35:56):
I never thought about that.
Speaker 1 (35:58):
Rage against the machine is anger at the other man.
Speaker 3 (36:00):
Yeah, man, yeah, we won't do what they told us.
Speaker 1 (36:05):
They were on BBC and the BBC folks had been like, hey,
you perform the song, don't say the car you might
not saying the cards words. They were like okay. It
was like live National UK audience and they're playing that song.
You know, we won't do what they tell you know whatever,
and so they're like, okay, cool, and so they started
playing and they started doing it in real time. Yeah,
and they're like, why would we not do it? The
(36:26):
whole song is if you we won't do it to
other And so then they cut off and it's like,
b BBC, we'll be back right after this. They just
cut them off right in the middle of the song.
Speaker 3 (36:34):
See. I thought about that because my son was like,
we were talking about the best Super Bowl performances and
he said he's like, to him, the Dre Snoop Dogg
thing was like his favorite. So we watched it again.
We're like, oh, let's watch it again. We watched it
and I was like, man, good job by them to
like censor all those songs, like every single one. They said,
Snoop was censoring, Dre was censoring. And because you hear
(36:55):
these stories like the Doors back on, like the Ed
Sullivan Show, like Nat, I want to say higher because
they were like you can't say a baby? Can we
get much higher?
Speaker 1 (37:04):
I wonder if the fact that there was a at
delay because sometimes they have been slips before, or be
a fine involved because Jenna Jackson got fined for indecency, sure, right,
and they know it's an international family broadcast that it's hey,
you will also get fined millions of dollargraphy curse because
(37:25):
I can't imagine them just being like we're happy to
be censored. Sure, because eminem is like at awards shows, Yeah,
at eight pm said bad words. So I wonder what
the real reason was. I don't know, but when I
heard it, I had to sign a contract SA they
wouldn't cuss. I assume I didn't.
Speaker 3 (37:38):
Really that's what that's what they need? A contract? Yeah,
because yeah, like, uh, who was the what's the documentary
we saw on Woodstock? Was it Woodstock? I don't know olympisk.
Speaker 1 (37:47):
It was like all the second yeah, the ninety six
or whatever.
Speaker 3 (37:50):
They told them like, don't don't stir up the crowd,
and then they just do cool and that's what they did.
Speaker 1 (37:55):
So I'm flumbing the sheet over. I'm not looked at
this shit a loud wire. We have the top twenty
and they've done it alphabetically, so I guess it's not
in order, which nicer?
Speaker 3 (38:06):
And these are songs? Okay, what would you put?
Speaker 1 (38:09):
What else would you put on? As? Because I had
another one that was seven. I made a list of seven.
Speaker 3 (38:13):
I mean I had you have Wonderwall. No, oh god,
that's a good one. I should have put wonder Wall
in there.
Speaker 8 (38:18):
No.
Speaker 3 (38:18):
I had Santa Monica.
Speaker 1 (38:20):
Oh god, ever it's awesome. I loved them.
Speaker 3 (38:22):
Santa Monica, and then I had Rooster Alison, chains Awes
and chains than those are all good.
Speaker 1 (38:30):
Oasis was freaking awesome and it's not my favorite Oasis song,
but Wonderwall back then it was like life changing to
get you to listen to what's the story?
Speaker 3 (38:39):
Morning Glory?
Speaker 1 (38:39):
And then it was like, uh, she paid super over
in this sky British and Great Day sound a lot
of like to us. All right, let's walk them. This
is their list. It's not in order.
Speaker 3 (38:53):
Everything good? Yeah, are good?
Speaker 1 (38:54):
Is one of your favorite bands? Texting you Nope, No,
what are you talking about? All right, Uh, let's see
if we just know them, we'll try to just sing
him out if we know him. Forty six and two
and two from Tool, No me either. I was never
a Tool guy.
Speaker 3 (39:07):
I never got it. I mean, I love Tool. I
don't know that song.
Speaker 1 (39:11):
Schism to one. I don't even know the song. I
think I would here and recognize it, but I don't
know Tool, Hunger Strike, Temple of the Dog. Dude, that's
the lead into Pearl Jam.
Speaker 3 (39:19):
I'm Going Hungry Hung. That was when the world was
introduced to Eddie Vedder.
Speaker 1 (39:25):
He was doing the background vocals, wasn't I'm Going hung
you know? Background vocals was Chris Cornell.
Speaker 3 (39:30):
Yeah, Chris Cornell did the high part. Yeah, I don't
mind bread. Yeah, that's that's so good.
Speaker 1 (39:38):
Interstate Love song STP.
Speaker 3 (39:39):
Yeah.
Speaker 1 (39:40):
I like that song a lot because it was not
as fast and hard it was Boom Reggie gets the Machine,
killing in the name, Killing in the Name. This one
I was my probably top two or three favorite ever
I didn't put on the list because I thought it
was so trivial, but really not my favorites. I listen
(40:01):
to every song they ever did. Loved them, can't. I
don't even know what they're alive now. But Lump presidents
of United States in America.
Speaker 3 (40:06):
I'm lump, dude.
Speaker 1 (40:07):
I'm shocked that you haven't tried to get a hold
of them to like, I keep forgetting do an interview
with them. I literally keep forgetting because because they what
can they be doing?
Speaker 3 (40:15):
I don't know.
Speaker 1 (40:15):
I see the sometimes on TikTok, I'll see like nineties,
he's bald. I mean they got to be older.
Speaker 3 (40:20):
Now they were bald.
Speaker 1 (40:21):
Then they had like a three string tar. You got
on time?
Speaker 3 (40:26):
Yeah, I think so, I just gotta make a text.
That's good. But Lump was like love.
Speaker 1 (40:29):
Set alone and a boggy marsh, totally motionless except for
her heart, and the song was like two minutes or
ten seconds.
Speaker 3 (40:36):
I'm lump. Oh she's long, She's long. Okay, I'm not long.
Speaker 1 (40:39):
Pearl Jam. You might be Pearl Jam alive alive?
Speaker 3 (40:43):
Do you want to know a cool story with that one?
Speaker 5 (40:44):
I'm still that woo, I'm still alive.
Speaker 3 (40:51):
Cool story Dennis Rodman was thinking about killing himself in
a car, had a gun to his head, heard the song,
I said it, that's what Dennis Robins alive. No, Dennis
Rodman said it because it's it's a it's the song
is about, you know, like finding out that your your
dad who you thought was your dad's and I was
real not your real dad? Is like, well, who am
I even wanted in this world? Would I do?
Speaker 1 (41:11):
You know? I believe you. I just know if it
was some like urban legend you'd heard.
Speaker 3 (41:14):
From Dennis Rodman himself had an interview.
Speaker 1 (41:17):
Or nine inch nels closer, which you would know from
I want it if you like an animo. They just
played that lecture Cowboy, and that's the only song I'd
be like grinding on a number. Oh Man didn't even
think about Lenny Kravitz. But are you gonna go my way?
Speaker 3 (41:32):
Oh dude? Yeah, which is dreads are flying everywhere.
Speaker 5 (41:38):
I'm on a do no sena though?
Speaker 3 (41:40):
Are you gonna go my way?
Speaker 1 (41:41):
That's a jam. He's your buddy, now, yeah, we didn't
meet once took a picture, So that's buddy.
Speaker 3 (41:45):
That counts.
Speaker 1 (41:47):
Corn freak on a leash.
Speaker 3 (41:49):
I wasn't a big corn guy.
Speaker 1 (41:50):
I wasn't either, but without corn, we don't have limb biscuit.
And I love the limp biscuit.
Speaker 3 (41:54):
That's funny.
Speaker 1 (41:55):
Yeah, Harvey Danger Flag Polcida, Nah loved it? Which you
used to get people to record hours on the Edge
in Dallas and send them to me. And White Pole
said it was on it when it first came out
and was obsessed with it forever.
Speaker 3 (42:07):
What are you talking about people in Dallas recording what
the edge? An hour on the Edge O the radio
station Edge? Yeah, I'd be like, I.
Speaker 1 (42:15):
Got too many melodies in my head, but it will
never tell me.
Speaker 3 (42:27):
I'm not rich, but I'm not the Wow dude? Remember
that didn't Yeah? Yeah, that's Harvey Danger. Yeah, I didn't
know that.
Speaker 1 (42:34):
Paranoia, paranoia, everybody's.
Speaker 3 (42:36):
Trying to get me. That's a good jam.
Speaker 1 (42:39):
Food Fighters ever long?
Speaker 3 (42:40):
Yes, of course.
Speaker 1 (42:41):
Awesome, Faith No More epic, Yeah, both start. It's like
a weird, like chanty rappie type.
Speaker 3 (42:56):
I always thought that Faith No More was red hot chili.
Speaker 1 (42:59):
Pepper's definitely almost that Vibeth. Yeah, he just almost had
a little more rhythm though, like rapping and how do
you get there on the melody of the chorus, we
can't play songs everybody because we got jail. We'll move
on the Cure of Friday, A'm in love Nice never
cared about the.
Speaker 3 (43:14):
Cure Monday, No, no, no, Friday, I'm in love? Who
covered that?
Speaker 2 (43:20):
Mic, I don't think anybody covered that.
Speaker 1 (43:23):
Are you doing? Show me, show me show.
Speaker 3 (43:24):
That's why I first started doing just like Heaven, Monday,
I don't care about you, and Fridaysday, Thursday two, that's it.
Speaker 1 (43:34):
I love the I wasn't a cure guy. I did
feel though, later that the Black Parade guys were basically
the cure, just younger. Like their sounds little room man.
They were just trying to be the cure later on,
But again, I was not a cure guy. Creed Higher,
Creed was massive. I know you didn't like them because
they got so big and you had backlash on them.
Speaker 3 (43:53):
No, I mean I like them now.
Speaker 8 (43:55):
No.
Speaker 1 (43:55):
I think that's why you didn't like cause they were
they were so big, they turn'd into pop.
Speaker 3 (43:59):
I think think it was because I love Daddy Vedder
so much. I get that, and he was just trying
to do that fair enough. Can you take me higher?
Speaker 1 (44:07):
Jamp We listened to a lot of the cranberries in
my house.
Speaker 3 (44:10):
Love the cranberry. I still love the cranberry. Still do
I put my wife onto it?
Speaker 1 (44:15):
Zombie zombie zombie or oh.
Speaker 3 (44:25):
Zombie or linger?
Speaker 9 (44:26):
Oh do you have to let it?
Speaker 3 (44:28):
Linger? Do you have to? Do you have to?
Speaker 1 (44:31):
This is what my wife sent me last night, no joke.
At eight fifty pm. She said, check out this version.
We love the cranberries. I have a her thing in
lit cover.
Speaker 3 (44:44):
Sam, let's just you name it.
Speaker 1 (44:54):
Justin bieber what she was like, because we both listen to.
Speaker 3 (44:59):
The granberries at So your wife likes the cranberries.
Speaker 1 (45:02):
Yeah, she's picked a few of them that she likes
because we play cards. We played cards again last night.
Whoever won the last match gets to picked the musical
whole time, and I just put it on nineties alternative
or nineties like sad songs.
Speaker 3 (45:13):
Yeah, but she'd never really really heard the craners, and
that's cool. My kids hate the cranberries.
Speaker 1 (45:18):
To me, the cranberries are like the counting crows of chicks,
of like little water pan chicks. Yeah, cracker low, Yeah,
sometimes I want to get you down. Sometimes I want
to get you low. But the chorus be with you.
Speaker 3 (45:36):
Girl like being Stone?
Speaker 5 (45:39):
Hey like it being Stone?
Speaker 1 (45:42):
That's a jam?
Speaker 3 (45:42):
Do you know that one?
Speaker 1 (45:43):
Mike Wow, I never heard of that band, Cracker. Yeah,
they only had like one big American song big in
the UK.
Speaker 3 (45:51):
Are they British?
Speaker 1 (45:51):
I think so. He looked that up, Mikey, But they're
not American.
Speaker 2 (45:55):
Learned about Cracker.
Speaker 1 (45:55):
I don't think I know a trisk It. I don't
know a Cracker's a band called trisk Get Cocker. I
know the Crack but it was a Cracker from Richmond, Virginia. Okay,
well not British, could be British, they were British. Blank
one eighty two, What's My Age again? At number four?
That to me doesn't feel like the nineties, but it
did hit ninety nine, so you have to include it.
If pop punk, I mean it was this the biggest
(46:16):
pop punk stuff ever. I mean Green Day kind of
allowed they walked so Blank could run.
Speaker 2 (46:21):
Yeah, Nirvana paved the way for green Day. Green Day
paved the way for Blank one eighty two.
Speaker 1 (46:25):
Interesting this number, This next song was my favorite song
in life for years and years and years. It's not
anymore but blind Melon No Rain, of course.
Speaker 6 (46:31):
All I can say is that my life is pretty plain,
and Allline watching the bottles gather rain.
Speaker 5 (46:40):
God, it's not saved, It's not saved.
Speaker 3 (46:48):
And the Dancing Bee, the Girl Bee Man.
Speaker 1 (46:51):
His name was Shannon Huone. Oh wow, I died, died
You see where the Sun of Sublime he's now the
he just do one show with him. Now he's elite singer.
Bradley Son, Yeah, same band, that's no, but now his
son's elite singer.
Speaker 3 (47:06):
How old is his son?
Speaker 2 (47:08):
Twenty twenty something?
Speaker 3 (47:09):
The other Eric Hoaceella dang, that's crazy.
Speaker 1 (47:11):
Number two Alison Chains would listen. I know one hundred
Allison Chain songs. I'll probably know that, but I don't
know what from just.
Speaker 5 (47:16):
Saying could would you?
Speaker 1 (47:23):
No?
Speaker 3 (47:25):
I just know it from the singles soundtrack. You remember
the movie singles he had all grunge people.
Speaker 1 (47:29):
Maybe I wouldn't know it about it if I heard it,
like but you do a pretty good job like you do,
thank you. And finally Aerosmith, I don'tant to miss a thing.
Speaker 3 (47:36):
Oh man, I didn't even think about that.
Speaker 1 (47:37):
The first ever number one, which is weird. They've been
playing since like actually late sixties or the seventies. Yeah,
definitely don't classify it as the same type of music.
But if it's nineties rock, that's it.
Speaker 3 (47:47):
That's fun, that's awesome, dude, it's probably no Wheezer, Yeah
for early two thousand, Well no, because Buddy Holly.
Speaker 2 (47:54):
Was ninety four.
Speaker 1 (47:55):
Yeah, to be fair, and this isn't the whole, this
is twenty of them. Let's just a little longer. And
that we I just grabbed. Didn't even look at the
list before I did it, But yes, we's are for sure.
I mean, for me, that's one of my favorite bands
cultural icons ideas that you can be nerdy and cool
all that. It's where my glasses are?
Speaker 3 (48:15):
You love them?
Speaker 2 (48:15):
Yea? The full list, Buddy Holly is on here.
Speaker 5 (48:18):
What's with the Homies dissing my Girl?
Speaker 1 (48:21):
And that song starts aggressively what with my It just
starts like that from the very beginning. There's no build up,
there's no like what's with my it's just what's with my? Whole? Yeah,
that's a big one, Eddiot. Thank you for this time?
Speaker 3 (48:32):
Yeah, dude, thank you. That was fun.
Speaker 1 (48:34):
Mike, thank you for the time, and everybody else, thank
you for this time.
Speaker 3 (48:37):
And now they said they said you're welcome.
Speaker 1 (48:39):
You welcome, thank you. I heard them for this time.
Speaker 9 (48:42):
The Bobby Cast will be right back. This is the
Bobby Cast.
Speaker 1 (48:56):
All right, what's the conspiracy you believe in?
Speaker 3 (48:58):
Now?
Speaker 2 (48:58):
I have a conspiracy on how people are getting fake streams?
Speaker 1 (49:02):
So people, you mean artists like inflated streams.
Speaker 2 (49:05):
Inflated streams because they've been shutting down this year of
like we're trying to combat the AI that are dinnerating
fake streams.
Speaker 1 (49:13):
So would that count for somebody paying for streams because
that can happen, like you can pay for you know,
like followers. Yeah, but this is not that.
Speaker 3 (49:22):
No, Okay, So what's happening.
Speaker 2 (49:23):
So what happened is I had my Spotify account hacked.
I'd be getting this email that I've been ignoring because
I thought it was somebody trying to spam me, like hey,
you need to change your password, and I kept getting
it and it wasn't until I got the email where
it had the little blue check mark that it was
actually from Spotify saying that somebody got into my Spotify
account and I don't even use Spotify.
Speaker 1 (49:40):
And also I would think, why would someone want to
hack my Spotify Like there's nothing in it that they
could actually have that.
Speaker 2 (49:46):
There's no value to it.
Speaker 1 (49:47):
That would hurt me if they had, right, like, that's
what I would think they do, pay.
Speaker 2 (49:51):
My account or anything you're gonna do exactly.
Speaker 1 (49:53):
So what what were they up to then? If that
really was what was happening?
Speaker 2 (49:57):
So I realized that it was, it was legit, so
I went and locked in, and what they were doing
was going to one specific artist and streaming that artist's
song on my account.
Speaker 5 (50:09):
Does that.
Speaker 1 (50:11):
Can that make a difference unless they're doing it with
ten thousand accounts and somehow all at once.
Speaker 2 (50:17):
I think that's what they're doing. And my conspiracy is
they went after my account that isn't really active, it's
just sitting there. There's probably a lot of Spotify accounts
that are just people created them. They don't use them
so much anymore. So if they find a way to
get into those accounts and take it over and nobody notices,
they can use all these accounts to inflate streaming numbers.
Because I need some investigating. They stream one song from
(50:38):
one artist that I'd never heard of from another country,
and this one person has this song that has like
ten million streams, and all their other songs don't have
any other streams really, and I found their profile and everything.
It looks like a really small artist. But how do
they have this song that is just massive.
Speaker 1 (50:56):
That sounds like a lot of work unless there's something
where they're able to launch whatever this scamming rich sit
down talk with this read re just walked in. Unless
they're able to launch this entire scam ten thousand times
at once mm hm. And it's got to be turn
key where they're kind of activating all the accounts to
(51:19):
do this thing. Cause ten million streams, I just feel
like every gonna hack every account and get let's say
song's three minutes, so you can play that song in
an hour twenty times, so in six hours you can
play this song one hundred you're talking about three hundred string.
Is it worth it to go into each account individually?
Speaker 2 (51:38):
I think if it's one artist trying to boost their streams,
it could be worth it.
Speaker 1 (51:42):
I can see if it or for like twenty thousand
and thirty thousand, but a ten million or like they
must have been doing that an.
Speaker 2 (51:47):
Insane amount of same amount, or just finding one account
and just keeping it on that account. Because what they
have shut down this year was the AI. You know,
accounts that were just getting in there and streaming songs.
They crazy, how do okay?
Speaker 3 (51:57):
Question?
Speaker 1 (51:58):
And I think you probably to something, especially if they
can find the dormant accounts that do exist that they
can use and no one's gonna look at it funny
because they didn't create an account to stream a song.
Speaker 2 (52:09):
And then if they're getting their songs to him, they're
making money off of that.
Speaker 1 (52:12):
Yeah, that's true. I wonder how how do I find
people to like scam dark web? But I don't want
to go to the dark web, Like I'm not trying
to scam people for money, but let's just say, uh
raging idiots, no mistay right and different things. And I
(52:32):
haven't listen to the.
Speaker 12 (52:33):
Song probably years, but no Misday readio you're probably no
mis Day okay, check check check Mike there you I
wrote the song with Walkerraze, right, So that's a good one.
Speaker 3 (52:44):
I appreciate that.
Speaker 1 (52:46):
I think he probably wishes he kept it at this.
Speaker 3 (52:48):
Point because it was good. Probably.
Speaker 1 (52:49):
Yeah, I think he's always like dang because he did
sounded great doing this song here. So anyway, so the
song and it has like a million or so streams, right,
and for the raging idiots. That's really good because most
of our stuff that I did, that we did wasn't
so much to get streams, and we did a bunch
of live albums. It was just for promotion so people
(53:09):
could go listen to it see if they wanted to
come to a live show. It was really for that
because I knew no one's going to sten a live
version of Hobby Love Bobby ten thousand times. But how
would I find whomever that is to go and go?
I'd like this be streamed a million times. Dark Web
that's my only place.
Speaker 2 (53:26):
That's the only thing I could think of, because that's
where you could go and find They sell information like this.
They sell passwords and emails to get into accounts.
Speaker 1 (53:34):
But I don't want to buy somebody these passwords or emails.
I want them to do it Facebook Marketplace, okay, but
how okay?
Speaker 3 (53:42):
So Namas Day has well, or.
Speaker 2 (53:43):
You go to like another country that has like stream farms,
but I think a lot of those tw guys shut down.
Speaker 3 (53:47):
How do I find those?
Speaker 1 (53:48):
I don't know any how to do any of this.
Nomasday has nine hundred ninety nine thousand. Oh, it's so
close six hundred and ten.
Speaker 5 (53:55):
We're so close to a million.
Speaker 13 (53:56):
It's so close. I mean, at that rate, you could
probably just I know I probably could that.
Speaker 3 (54:00):
You're right, you just started listening to it every day.
Speaker 4 (54:02):
Just leave it on.
Speaker 1 (54:03):
Man, Oh dude, I could now that.
Speaker 3 (54:06):
I'll look at that.
Speaker 1 (54:06):
I could do that in three hours probably, Or I
could just say, hey, everybody stream Nomas day on.
Speaker 13 (54:11):
Throw it on your TV, not home like everything.
Speaker 1 (54:14):
That's funny elf on the show up was back at
number one on reging idiots.
Speaker 3 (54:18):
There you go, that's funny as you can say.
Speaker 1 (54:20):
I don't look at this idiots streaming numbers be cuse
I was never the point. But even like the one
time that I did anything and it wasn't meant to
be sus at all.
Speaker 3 (54:31):
I did this.
Speaker 1 (54:34):
Whenever Twitter first started. I had a couple friends and
I didn't even the idea wasn't even mine, and they
were doing this thing called you could like twitter bomb
people where you could go and they would just wake
up the next day they'd have five thousand followers. They'd
be like, what did I do? And you could go
And that's what I did. I paid for two of
my friends to get Twitter bombed. That's that's cool. It
(54:55):
was hilarious because there were no followers on Twitter. I
had like eight thousand follower It was new and I
was and I think I've been now, you know, pretty
current with social media and being on the front side
of most of them. But I was on Twitter early
early and thought it was hilarious. I never thought a
thinking about it. Like seven years later, like the New
York Times, New York Post or whatever did a story
(55:15):
on people buying followers and they had me listened as
buying followers on Twitter, and.
Speaker 3 (55:19):
I was like, I never bought.
Speaker 1 (55:20):
I was so confused. I was like, I never bought
to my account, and so one of the reporters called
me and I figured which one it was, and I
was happy because I wanted to know what they were
talking about.
Speaker 3 (55:32):
Or I thought maybe i'd been or something.
Speaker 1 (55:34):
And I was like what, and they're like, no, we
have here because we have the information from those sites
that you bought five thousand here in five thousand there,
and I'm like, oh my god, I bought those like
as a joke to Twitter bomb friends, and they still
wrote that I had like bought followers, but that was
the only way that I had ever known to do
something shady and I didn't even do it for me.
(55:54):
And at the time, it wouldn't matter because follower and
even now Twitter followers don't matter because who cares about
to do?
Speaker 3 (56:00):
But do they even do that?
Speaker 1 (56:01):
Can you buy followers now? Oh yeah, oh you can't. Yeah?
Speaker 13 (56:05):
In college I bought followers.
Speaker 3 (56:07):
What's a price for it? That was are they really count?
Speaker 1 (56:10):
Like? Okay, are they on those wall? Like you see
somebody in India and they have a wall of phones?
Speaker 6 (56:15):
Is that what it is?
Speaker 2 (56:16):
I believe so? And those are the ones where you
get the followers no profile photo from another country, and
I mean those end up hurting you in the long run,
how so, mainly because it shows that you have a
bunch of followers, but you're not getting the engagement from
those followers. So you could have like one hundred thousand followers,
you make a post and it gets a hundred likes.
(56:36):
You like, was this a really add up because you
have all these followers but nobody's liking or watching your stuff?
Speaker 3 (56:42):
Yeah.
Speaker 13 (56:43):
I ended up deleting that account. It was when I
was like heavily putting out music and I was like,
I'm just gonna try this, see if it works, and
of course it was like all of the people had
the most generic profile pictures and generic names and they
weren't active at all. It was just like ten thousand
followers and you get like like thirty likes.
Speaker 1 (57:01):
So I was like, yeah, well, the way you know
that I have never done that is my my Instagram
followers like that battle to keep it even. I mean,
it's just like the Patrician because like I'll get you know,
over a month, two or three thousand, and then lose
twelve hundred then uh, and I don't know, I don't
(57:22):
know what the I don't know why that is. Also,
I'm not posting so much content that I expect to
get tons of followers, but I've been at like one
point two million for like a year, and where it's
like I feel.
Speaker 2 (57:31):
Like Instagram's really slowed down as far as how many
new followers.
Speaker 1 (57:35):
My TikTok followers are flying.
Speaker 2 (57:36):
Those go up even for me, but on Instagram it
goes down, down, down, and then sometimes it goes up
a little bit. But I think that's also because they
have been shutting down a lot of fake accounts. I'll
get that like spam folded on my Instagram and they'll
like show you all these flagged accounts that you can
go and like, but.
Speaker 1 (57:51):
Why are fake accounts following me if I'm not paying
for them?
Speaker 3 (57:54):
Like, what's that? What's that rational? Why do?
Speaker 13 (57:56):
A lot of it too, is just people that have
made accounts and they're so inactive they haven't done anything
that Instagram is just going through and just wiping out
a bunch of in active accounts.
Speaker 2 (58:04):
It's a good question, though, why you get fake account
Why don't have thought about that?
Speaker 1 (58:08):
Like if they have to follow other people to look real,
and then why do they pick me? And then okay,
what's all your otherferens to do it too? If you
can give me be fake, fine, I have fake ones
have a bunch of things.
Speaker 13 (58:16):
I think a lot of them are like it's almost
like it they follow like ten thousand people hoping that
one of them will see that you follow them and
then you'll check out their profile.
Speaker 1 (58:26):
That's what I think. Yeah, but some of them though,
aren't real.
Speaker 4 (58:28):
Yeah.
Speaker 2 (58:29):
I could also be scammy too. You follow you so
oh you know what?
Speaker 13 (58:32):
I send a message?
Speaker 1 (58:33):
So how does it work where That's a great point too,
And I don't think I would have gotten there if
I post sometimes something immediately, like within like five seconds,
somebody's like, oh, if you're hurting, pray your hands reach out,
and so that's got to be these fake accounts.
Speaker 2 (58:50):
Yeah, they follow you, so they can scam your followers too.
Speaker 1 (58:53):
So I'm paid for them.
Speaker 3 (58:54):
Yeah, I don't even want them.
Speaker 1 (58:55):
I'm happy to go down lower if they all go away,
because I don't want my followers getting scammed. Yeah, at
this point too, it's all smoking mirrors, right, mm hmmm,
a lot most of its smoking. You could manipulate your
way to looking like you because can you pay for engagement?
Speaker 2 (59:12):
I don't think you can do that. I don't think
we're there yet.
Speaker 13 (59:14):
You can promote videos, yes, but and I and that
I have done.
Speaker 1 (59:20):
Yeah, and I've paid money if I'm like this video
is really good or it's a tour or you know.
We're trying to build our YouTube sports channel now because
we had where we got into trouble was a Bobbycast,
which is at at Bob Bone channel like this podcast
by Bone channel, but we had sports stuff on it too,
and YouTube was sending sports stuff people who wanted to
(59:42):
watch the music stuff, so they're not gonna like it.
They're gonna get out of quick. So then they just
kill it because they're like it must not be good.
So then we're like, we're let's just start a buy
Bone sports channel, which is difficult because we don't want
to se another channel. At the same time, it's both
they're killing each other. The music people if they get
the sports, they're flashing off of it quick, which they
and says, well, that content must not be good to YouTube,
so they're not going to feed it to other people.
(01:00:03):
So we're like, we will Bobby on sports. So I'm like, hey,
we get a couple of good clips, we'll pay you know,
five hundred bucks and have it over like two weeks whatever,
a great interview promoted. I don't feel like that's cheating.
Speaker 13 (01:00:15):
Though, No, that's not not nowadays when you have to
market yourself.
Speaker 1 (01:00:19):
Yeah, because I started to feel guilty when you said
that because you compare it and I was like, oh,
we do that, like I'll on sports especially, like we'll
promote it.
Speaker 2 (01:00:25):
And that's kind of game. That's a little site to
make their money. You pay to promote your thing, but
you can't pay by paying to promote it. Does it
mean people are going to interact with it and engage
with this. You can put it out there more and
be like, hey, here it is here, it is here,
it is. But you can't really pay for that engagement.
Speaker 1 (01:00:39):
Yeah, I was going to Google, can you buy engagement?
But I don't want that on my phone. I don't
want I'll do it. Okay, you gotta call it like
five years, did you, dude?
Speaker 3 (01:00:49):
I know.
Speaker 1 (01:00:49):
I was so confused because when they called, I actually
was like, oh cool, I'm gonna ask questions because I
want to find out, like what what's happened? Because I
ever thought maybe I honestly I thought too maybe I'd
been scammed out of followers, like I was much more
popular than I was, and they were going to tell
me that somebody had like taken my followers, and they
were like, we've seen and they printed me in the
(01:01:11):
article that would like Lady Gaga, not saying they were
comparable famous, but it was like people who bought followers,
and I just remember thinking I wish I would at
least bought some for me. Then like it was I
did it as a joke and it was and it
was funny because I remember this one friend who was
in media, like I thought he was crushing it. Oh no, no,
(01:01:31):
he was like I got five dozen followers in the night. Yes,
it was like it's all coming together.
Speaker 13 (01:01:37):
That's horrible.
Speaker 3 (01:01:37):
What read? What do you see?
Speaker 13 (01:01:38):
So it says technically you can buy social media engagement,
but an yes, okay, but most services claim to sell
real engagement. They're actually providing accounts that initially interact with
your content but then genuine or and then are not
genuinely interested in your brand, and they're not real engagement.
Speaker 2 (01:01:59):
Now that I think think about it. There are some
pretty popular bots on TikTok that I see comment on
every single TikTok post and they're clearly AI bots, and
they're so smart because I think they watched the video
and like through some kind of AI processing, know what's
in that video and know what to comment, and they're
usually like the top comment on like big videos. But
if you go to their profile, it's just like a
shell account.
Speaker 1 (01:02:19):
There is someone who comments on my instagrams the thumbs
up immediately, the thumbs up is like, I've never even
talked about it, I've never thought about it, but she
I always thought she was real. Now is this a
person that just has an alert on.
Speaker 13 (01:02:34):
I'm thinking they have your notifications on because I think
it's a real But why the thumbs up.
Speaker 3 (01:02:38):
You know what we should do.
Speaker 1 (01:02:39):
We should panel with US three and get another nerd
in here too, and just talk about ways that people
cheat the system, ways to cheat the system. I think
that's interesting because again we're just kind of rolling because
Mike was talking about his Spotify was hacked. Oh no,
and somebody who got in it was playing the same
song over and over again, and so his theory was
because you were walking back in the room, that they're
(01:03:01):
hacking it, doing multiple accounts and just this one artist
is getting spinds.
Speaker 13 (01:03:06):
I also had a thing on the when I put
out the theme song there's a right. I can't remember
what it is, but basically it's like it gave it
a boost in views for a little bit, but they're.
Speaker 3 (01:03:17):
Not real views I found out. But what's the difference.
Speaker 13 (01:03:21):
I know, I don't know if you still get paid
for it regardless, And I'm like, I don't care.
Speaker 1 (01:03:25):
But that's what I would say if like the view
but paid though, I guess if it counts Twitter streaming.
Speaker 3 (01:03:29):
So you're talking about YouTube, I'm talking about I'm talking
about Spotify. Okay, got it. But views on Spotify are
not views streams.
Speaker 1 (01:03:37):
Okay, yeah, because views on Instagram pay you nothing. Twitter
Elon mus kept thinking of their paying some people.
Speaker 3 (01:03:43):
I don't even know what that was.
Speaker 1 (01:03:44):
But I don't trust anything on Twitter anymore. Uh TikTok.
You don't get paid for views unless you're in the
Creator program. And then then they I think they suppressed
the crap out of you, like because I got in
it and I was doing pretty good and I was like,
gonna make some money on this crit Nothing was hitting
after that. So but YouTube is where you can still
make money.
Speaker 13 (01:04:03):
Yeah, YouTube is still the best for that.
Speaker 1 (01:04:05):
Yeah, this thumbs up girl, it's so funny.
Speaker 3 (01:04:08):
It's funny.
Speaker 1 (01:04:08):
You knew that because as soon as I post anything.
Speaker 13 (01:04:11):
It's immediate it pops up. Yeah, she's she's on this.
Speaker 3 (01:04:17):
First I think she's real.
Speaker 13 (01:04:18):
Yeah, I know.
Speaker 1 (01:04:19):
I looked.
Speaker 13 (01:04:19):
I looked at her profile because I was like, there's
no way this person is real.
Speaker 1 (01:04:22):
And I've said before like whoever you are, like God
bless you because you dedication, you are there on it.
You know who else I admire? And now Arap is
it because Mike and I would this was just an addition,
we just actually turned the mics on while talking about
something music related. Is what we just did.
Speaker 3 (01:04:36):
Perfect?
Speaker 1 (01:04:37):
What I.
Speaker 3 (01:04:42):
Where was that going?
Speaker 1 (01:04:45):
Cause that's something good. It always gonna blow your minds.
Speaker 13 (01:04:47):
Oh it was, Yeah, and I bought some oh somebody
liking stuff all the time.
Speaker 1 (01:04:52):
Oh got it? Thank you very much. You know who?
I like people that like stuff that I know, meaning
I'm not much of a liker. Once a while I'll
be like, oh yeah, I should like it, you know,
heart every once in a while. But there are people,
and I can think of two that I don't really
have a close relationship with, but I know their accounts
aren't bots because I know them. One is Brandon Armstrong
(01:05:13):
on Dancing with the Stars. He's one of the dancers.
I think anything he looks at he just likes. He
just dumbs and likes. And that's super nice of him.
Like he just likes.
Speaker 13 (01:05:21):
I will watch people I at a restaurant just like
I'm interested.
Speaker 1 (01:05:25):
If he's scrolling, he just like like like like I like,
I like, And it makes me like him because in
my likes a bit subliminally, without even knowing, I see
him as one of the people that liked it. And
it's all I'm always seeing his name is liking my things.
I guess that means it just makes me like him back.
And then the other one is he played basketball at
Arkansas and he's on the his assistant coach there now
(01:05:46):
about him is Ronnie Brewer Jr.
Speaker 3 (01:05:48):
And played in the NBA for a little bit. But
on Twitter post anything, he likes it.
Speaker 13 (01:05:52):
What a guy.
Speaker 1 (01:05:53):
But I don't think he likes everything I post, but
he always likes and he must just be liking everything
he's reading. Therefore, I like him more because I'm always
seeing him like my stuff, and I'm not making that
conscious decision. I'm not going he likes me.
Speaker 3 (01:06:06):
I like him.
Speaker 1 (01:06:07):
But because he's always liking, it's a very positive feeling
about somebody who's always like I like it, I like it,
I like you, I like you. I just have this
very positive.
Speaker 3 (01:06:13):
Feeling about him.
Speaker 13 (01:06:15):
I don't really think about it when I scroll, Like
if it's something that I'm like, I don't like much
at all, and I'm like, oh wow, that's crazy, then
I'll be like, wait a minute, maybe I should like
this post.
Speaker 1 (01:06:24):
And on TikTok, I'm only gonna like things or I'm
only gonna ribbon them if I need to get back
to them for some reason, or if there's like I
want to go back Tom for show stuff occasionally like
for work stuff, excuse me, or I know if I
I want to change my augroithm a little bit. Let's
(01:06:46):
say I playing.
Speaker 3 (01:06:48):
Pickleball and I'm like, man always had more pickleball videos.
Speaker 1 (01:06:50):
I'll find a pickleball video, I'll search it and then
I'll like one or two in a row, so then
it knows to feed me more.
Speaker 13 (01:06:55):
Oh that's gane.
Speaker 1 (01:06:56):
And that way, I'm just getting what I want from it.
Speaker 3 (01:06:59):
So that's thing.
Speaker 1 (01:07:00):
We should do that in the next We won't do
it in the next couple weeks, but in the next
couple of months we all bring in a couple of things.
Speaker 2 (01:07:05):
A lot of stuff on this. You think about it
a lot, just how our minds are changing because of
social media.
Speaker 1 (01:07:12):
How to manipulate system, how the system is manipulated already
by folks. That could be two parts of it. Cool
and then a grab bag whatever you want to do.
I think I think that'll be fun. We'll do it
in a few weeks.
Speaker 9 (01:07:22):
All right, Thanks for listening to a Bobby Cast production
Host
Bobby Bones
Popular Podcasts
40s and Free Agents: NFL Draft Season
Daniel Jeremiah of Move the Sticks and Gregg Rosenthal of NFL Daily join forces to break down every team's needs this offseason.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
Las Culturistas with Matt Rogers and Bowen Yang
Ding dong! Join your culture consultants, Matt Rogers and Bowen Yang, on an unforgettable journey into the beating heart of CULTURE. Alongside sizzling special guests, they GET INTO the hottest pop-culture moments of the day and the formative cultural experiences that turned them into Culturistas. Produced by the Big Money Players Network and iHeartRadio.