Blues with a Feeling - The Official Podcast

The return of the legendary harmonica giant from the 1950s Chicago blues scene. "A triumphant comeback"—Billboard

Billy Boy Arnold is back. With his 1992 Alligator Records debut, Back Where I Belong, Arnold firmly reestablished himself as one of the foremost practitioners of classic Chicago blues. His wailing harmonica playing and soulful vocals are a perfect match for his streetwise songwriting. The combination of Del...

“Cotton’s long, fabled career is unrivaled in terms of its historic import….a name that is mentioned alongside some of the very best performers ever to play the instrument. Cotton’s playing has cemented his place in the top tier of blues harmonica masters: that muscular tone, those brawny wails, the stinging high note bends. …sends a shiver down the spine. Fiery, inimitable, ferocious attack, dominan...

Albert Collins Classic Album Feature – Cold Snap

“This Grammy-nominated album features some of Albert's most popular tracks like I Ain't Drunk, Lights Are On But Nobody's Home and Too Many Dirty Dishes. The Master of the Telecaster's last Alligator release, and his favourite, finds him backed by a hand-picked all-star band featuring organist Jimmy McGriff and guitarist Mel Brown, plus the Uptown Horn...

“Genius doesn't even begin to describe the greatness of The Genius Sings the Blues. Comprised of a dozen songs Ray Charles made between 1952 and 1960, the collection was released in 1961 by Atlantic Records to counter the singer's migration to rival ABC Paramount. What Atlantic originally underestimated is that the album contained many of Charles' greatest works, all unified by their bluesy emotions and stirring arrang...

Taj Mahal Classic Album Feature – Dancing The Blues

“Songs from Fats Domino to Louis Jordan. Etta James joins in on the classic “Mockingbird” along with a “slamming” band including Texacali Horns, Tony Braunagel, Chuck Domanico, Mick Weaver, Johnny Lee Schell, and Bill Payne & Ritchie Hayward from Little Feat. Dancing The Blues will get ya shakin’ your tail feathers!”

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 “The first of Freddie King’s three albums for Leon Russell’s Shelter label set the tone for his work for the company: superb electric blues with a prominent rock/soul influence. The massive Texan and the longhaired Oklahoman got it right the first time around with the aptly titled Getting Ready LP. Recorded at the legendary Chess studios in Chicago, it might well rank as Freddie King’s most creatively ...

“Muddy "Mississippi" Waters Live - 1979 brings you the electrifying and unforgettable live performance of one of blues' most legendary artists, Muddy Waters. Capturing his raw energy and soulful presence, this live album is a testament to Muddy Waters’ profound influence on the blues genre. Featuring classic tracks like "Hoochie Coochie Man" and "Mannish Boy" this collection offers an intimate experience of his unforget...

“When they referred to consistently amazing guitarist Snooks Eaglin as a human jukebox in his New Orleans hometown, they weren't dissing him in the slightest. The blind Eaglin was a beloved figure in the Crescent City, not only for his gritty, Ray Charles-inspired vocal delivery and wholly imaginative approach to the guitar, but for the seemingly infinite storehouse of oldies that he was liable to pull out on-stage at an...

“The Blues Foundation has announced its 2025 Blues Music Awards winners. The winners were revealed on Thursday, May 8, in Memphis, Tennessee.

Big winners from the night included Ruthie Foster, Sue Foley, Ronnie Baker Brooks, Curtis Salgado, and John Primer, who all took home multiple awards. Ronnie Baker Brooks led the way with three wins.”

With the announcement of the Blues Music Awards winners a couple of weeks...

“Magnificent, staggering, almost beyond belief.  Utterly Blues approved.”
--“GUITAR PLAYER” MAGAZINE, U.S.A.  

“There’s no more explosive Blues guitar player in the world.”
--“ESQUIRE”, U.S.A.  

“DAVE HOLE is a musician whose time has finally come. In fact, considering the acclaim he's received in the past few months, it's hard to understand why...

“One of the world's greatest rock 'n' roll bands ever to strut the 50 States, these sharp-dressed Texas titans-Billy F. Gibbons, Frank Beard, and Dusty Hill-are a righteously hell raisin' power trio boasting a 30-plus year hit-making legacy, both in the studio and at concert arenas. With their revved up blues 'n' boogie, they always make the most of their Texas birthright with with a distinctive sound that shakes up rock, blu...

On the Jimmy Reed Highway began as an Omar Kent Dykes album, but once Jimmie Vaughan came into the studio “the songs took on their own life,” remembers Omar. “I figured Jimmie would come in and play a couple of solos, but he got so excited about it he stayed for the rest.”

Ain't nobody can do Jimmy Reed like Jimmy Reed could. But this drive down Jimmy Reed Highway with fellow Mississippian Kent "Omar" D...

The center of Clarence Gatemouth Brown's taste is post-World War II jump blues and R&B with a distinctly Southwestern feel. Tasty as his guitar playing is, he likes to add horns and even a bit of country fiddle to the mix.

As its title indicates, Back to Bogalusa particularly investigates the Louisiana influences… notably on the tracks "Going Back to Louisiana," "Breaux Bridge Rag," "Bogalusa Boogie Man," and the Cajun-s...

"Basic and bare-boned West Coast jump blues, down home Texas grit, and Memphis rockabilly . . . wild, funky and menacing."
-- Guitar Player

"Sizzling roots rock . . . gutbucket power . . . no-holds-barred excitement."
-- Billboard

Music writers have likened The Paladins' high-energy blend of rock 'n' roll, R&B, swing and rockabilly to the music of Stevie Ray Vaughan, The Fabulous Thunderbirds and other hard-working roadho...

“Smokey is difficult if not impossible to categorize. Possessor of a powerful voice, he can bellow like Wolf or cry sweetly like B.B. King. Smokey's guitar playing is equally diverse as he romps through the stylings of Elmore James and Jimmy Reed (which Smokey calls "countryfied blues") one song and then polished urban blues the next. He also digs into the soulful side a la Z.Z. Hill and Tyrone Davis, which was extremely popu...

“Clarke's timing and music are right on the money, with the great Alex Schultz on lead guitar. There is no doubt that Clarke is one of the few modern bluesmen who are exploring and extending the amplified blues harp tradition without violating any of its principles. No one plays chromatic blues harp with this kind of passion and sheer conviction.”         &nb...

“The band were at the peak of their powers as a live unit at this point, so it made sense that their next release should reflect that; the self-explanatory Live was recorded at a rapturously received gig held at Cincinnati Gardens on 23 May 1986. Including firm favourites such as ‘Who Do You Love?’, ‘I Drink Alone’ and ‘Madison Blues’, the LP was a terrific snapshot of The Destroy...

"Recorded in both Memphis and Texas and prominently featuring the amazing Bill Willis on Hammond B-3 (who doubles on bass pedals -- leaving this as one of the few blues albums without an official bassist), Jimmie's more subtle approach leaves lots of spaces to nail a groove that gets deeper as the album progresses. Guests like James Cotton on harp and longtime associate singer Lou Ann Barton (who just about steals the show on the s...

“He was one of the most gifted blues guitar players of all time. A mere thirty two years old at the time of his passing, Fats had already made a big splash in this small pond. His playing however continues to make waves and has had an impact on blues guitar players worldwide.” David Mac Blues Junction Productions

With the legendary Hollywood Fats birthday this week, I thought I was long overdue to feature The Hol...