CinemaChat Podcast w/Rob & Brent…and Reggie

This week, we’re talking Primetime (2026), the new thriller that takes us behind the scenes of television and into a world where ambition, celebrity, and obsession collide. We break down the film’s premise, the performances at the center of the story, and how effectively it builds tension as things begin to spiral out of control.

We also get into the movie’s darker ideas about fame and entertainment, its biggest s...

This week, we’re heading back to Raccoon City for Resident Evil (2026), the latest attempt to bring Capcom’s iconic survival-horror franchise to the big screen. We break down how the new film approaches the games, whether it captures their mix of horror, tension, and insanity, and how it distinguishes itself from the many Resident Evil adaptations that came before it.

We also get into the scares, creatures, gore, action...

This week, we’re talking Hope (2026). A sci-fi thriller that takes an unsettling premise and uses it to explore some much bigger questions. We break down the film’s strange and ambitious story, the performances at its center, and how effectively it balances its mystery with the emotional side of the movie.

We also get into the film’s biggest surprises, its themes and ideas, and what we made of the choices it makes...

This week, we’re heading back to a galaxy far, far away for Star Wars: The Mandalorian and Grogu (2026). Din Djarin and Grogu make the jump from the small screen to the big screen, and we’re breaking down whether their first theatrical adventure feels worthy of the move.

We discuss how the movie builds on The Mandalorian, the chemistry between Mando and Grogu, the action and spectacle, and how well the story works for b...

We got positive feedback on these, so we did another one just in case we had issues getting together one week. Well, this week Reggie's computer just stopped working, so you get it now!

-- We will be reviewing requests from patrons once a month. If you'd like to request a movie for us to review, head over to Patreon and sign up at $5/month* --

• If you want to know what we are watching...What Did We Watch This Week?

This week, we’re talking Passenger (2026), the thriller that takes an already uncomfortable situation and steadily cranks up the tension. We break down the film’s premise, the performances at the center of the story, and how well it keeps us guessing as the pieces begin to fall into place. Does this movie warrant a feature length?

We also dig into the movie’s biggest turns, the decisions that drive the story, and ...

This week, we’re diving into Netflix’s The Last House (2026), a tense thriller that turns a seemingly ordinary situation into something much darker. We break down the film’s setup, its escalating sense of danger, and whether the mystery at the center of the story ultimately delivers.

We also get into the performances, the movie’s biggest twists, the choices that had us questioning the characters, and how wel...

This week on CinemaChat, we’re reviewing The Invite (2026), the new comedy that turns an innocent dinner invitation into an increasingly uncomfortable night between friends. We break down the film’s awkward humor, escalating tension, and the way one evening manages to expose quite a bit about the people sitting around the table.

We also talk about the cast and chemistry, which jokes land best, how well the movie balance...

This week on CinemaChat Podcast, your friendly neighborhood Spider-Man is back as we review Spider-Man: Brand New Day (2026). After years of anticipation and endless fan speculation, Peter Parker returns for a fresh chapter in the MCU. We discuss whether the film successfully builds on the emotional ending of No Way Home, introduces a compelling new direction for the character, and delivers the web-slinging action fans have been wa...

This week on CinemaChat Podcast, we're setting sail with Christopher Nolan's The Odyssey (2026). One of the most ambitious films ever put to screen, Nolan adapts Homer's legendary tale with an all-star cast, jaw-dropping visuals, and a scale that demands to be seen on the biggest screen possible. But does the film live up to years of anticipation, or is it a rare misfire from one of Hollywood's most celebrated directors?

We dive in...

In this episode, Reggie and I give each other a topic, then list off selections for that topic. The other must place those selections in ranking slots without knowing what options follow! Can we trick each other into creating a list that we don't like? Can we navigate the muddy waters to create the perfect lists? Listen to find out.

-- We will be reviewing requests from patrons once a month. If you'd like to request a movie for us ...

This week, we're reviewing The Furious (2026), the latest martial arts action film that aims to deliver brutal fight choreography, relentless pacing, and a classic revenge-driven story. We break down the performances, the action sequences, and whether the film rises above familiar genre conventions or simply repeats them.

Along the way, we discuss the movie's biggest strengths and weaknesses, highlight some standout fight scenes, a...

This week on CinemaChat Podcast, we're diving into The Sheep Detectives (2026), the charming mystery that has surprised audiences with its clever storytelling, heartfelt emotion, and memorable cast of characters. We discuss whether this unlikely premise works, what makes the mystery so engaging, and where the film ranks among this year's family releases.

Topics include: First Impressions, Story & Mystery, Voice Cast, Humor, Emo...

Welcome to Off the Reel, a recurring CinemaChat series where we step away from traditional movie reviews and dive into the conversations every movie fan loves to have.

Each episode features an unscripted discussion covering everything from Hollywood trends and franchise debates to movie trivia, unpopular opinions, "what if" scenarios, rankings, and whatever cinematic rabbit holes we happen to find along the way. There are no review...

On this episode, we review Greenland 2: Migration (2026) and discuss whether the sequel builds on the 2020 original. We talk about the film's shift from a disaster movie to a post-apocalyptic survival thriller, Gerard Butler's return, the expanded world-building, the action sequences, and whether the emotional core that made the first film work is still intact. We also share our thoughts on the SCRIPT as well as da pacing.

As alway...

Happy Father's Day to all the dads out there. This is an episode about the worst dads in movies that Reggie and I recorded last week. I tacked on a VERY old Cutting Room Floor where we talked about the best dads SIX years ago.

-- We will be reviewing requests from patrons once a month. If you'd like to request a movie for us to review, head over to Patreon and sign up at $5/month* --

• If you want to know what we are w...

WARNING: We do delve into spoilers.

This week we are discussing We Bury the Dead (2024...2026). After a catastrophic military accident devastates Tasmania and leaves the dead mysteriously reanimating, Ava (Daisy Ridley) joins a body retrieval unit in a desperate search for her missing husband. What begins as a post-apocalyptic survival story quickly evolves into a haunting exploration of grief, closure, and the emotional baggage we...

This week on CinemaChat Podcast, we're stepping into the endless maze of Backrooms (2026), the feature film adaptation of the viral internet horror phenomenon. Directed by Kane Parsons, the film follows a therapist searching for a missing man who has become trapped inside a bizarre alternate reality filled with impossible architecture, mysterious entities, and more questions than answers.

We discuss how effectively the film expands...

This week on CinemaChat, we dive into I Love Boosters (2026), the latest wildly original film from Boots Riley. Set in a surreal version of the Bay Area, the film follows Corvette (Keke Palmer) and her crew of fashion-savvy shoplifters as they target a ruthless fashion mogul who profits from stolen ideas and exploited labor. What starts as a stylish heist comedy quickly evolves into a bizarre mix of social satire, science fiction, ...