April 1, 2024 • 48 mins
Leave it to Luann to spill the beans after some booze, but how did David and Clare handle this sensitive intel?
Plus, what's up with the 'threesome' that never happened and the kiss that never was?
And, it took almost FIVE FULL SEASONS for Jennie and Tori to tell us about a menu mandate on the set of 90210 that left the cast hangry!
See omnystudio.com/listener for privacy information.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's nine Ogen Onegine with Jenny Garth and Tory Spelling. Girls, Girls,
Girls on the Side.
Speaker 2 (00:14):
There's three there. Oh wow, what a title?
Speaker 1 (00:21):
Girls on the side, not on top?
Speaker 2 (00:24):
Get the title not underneath?
Speaker 3 (00:27):
Is it because Valerie is the girl on the side?
Speaker 2 (00:29):
They're side pieces? I guess titles a little ra we're
main courses, We're no side dishes.
Speaker 1 (00:37):
Well, welcome everybody to the pod. It's us again. Yeah,
can't get rid of us. We're here talking about episode
twenty eight right.
Speaker 2 (00:51):
Season five.
Speaker 1 (00:52):
Oh my gosh, Yes, aired May third, nineteen ninety five.
Speaker 3 (00:57):
Synopsis, Oh sorry, I got over my skis there, Tori? Sorry?
Speaker 2 (01:03):
Synopsis. A drunk lou Anne Pruetz spills the beans about
Ray and Valerie, leaving Claire and David disgusted, while Donna
remains in the dark. Jesse makes a sacrifice for love,
Dylan is still in love, and Charlie is loving the
thought of a threesome. Meanwhile, Kelly trials to Claremont, only
to find out her fellow burn victim Alison lash is
(01:23):
in love with her.
Speaker 1 (01:25):
Directed by Victor Lowell, written by Meredith dim Steams Dimon.
Speaker 2 (01:32):
I'm not sure I see that him.
Speaker 3 (01:36):
Sorry, MAV three. Three things that are standing out to.
Speaker 1 (01:39):
Me right now already already ever want to have to
do with the beginning of the episode.
Speaker 3 (01:46):
I can't wait to talk about that. But it has
to do with the director. Okay, Victor Lowell with the
shot of the green defender pulling up and then he
like fully zooms in on the lights and then the
car act.
Speaker 2 (02:00):
Up, it was like, you were impressed.
Speaker 3 (02:03):
I was just sort of like, why are we doing?
Speaker 2 (02:06):
Like he's just like a cool dude shot.
Speaker 1 (02:08):
Yeah, probably really into that car. Like my husband, he
walked in during that exact and he.
Speaker 2 (02:14):
Was like, oh my god, I love that car.
Speaker 3 (02:16):
Yeah, it was a great car. Number two Donna's.
Speaker 1 (02:20):
Hair, Okay, let's talk about that. We all have our episodes.
Who We're all going to have our bad hair episodes.
Speaker 4 (02:30):
I just all I could think was like, oh God,
the curling iron, crying hair, just rying it were.
Speaker 2 (02:38):
They held onto with baby bamps? Oh?
Speaker 3 (02:40):
I don't know.
Speaker 2 (02:41):
I do you think the clear bands? No?
Speaker 1 (02:44):
I think that was just sexual from my left fried
into place.
Speaker 3 (02:49):
Curl spray, curl spray.
Speaker 1 (02:52):
The kind of like you know when they use your
curling iron, the curling iron on you and you see
smoke rising from it.
Speaker 2 (02:57):
Yes, and then they tell you no, it's just the
product lines.
Speaker 1 (03:00):
Correct, always lying.
Speaker 4 (03:04):
So I go to a salon very close to my
house out of pure laziness, and I am the youngest
person in there fifty.
Speaker 3 (03:11):
Years by fifty years.
Speaker 4 (03:13):
Come on, it's all grandma's and not seventy year old grammas.
Like literally, I'm not joking. Minimum age eighty five. And
they love them.
Speaker 1 (03:23):
They love their perms and their latter girls, their favorite
curl spray, curl sprut, curl spray. Well, that's about the
age of your hairstylist at that time, so this is true.
Speaker 3 (03:37):
My third comment, now, I can't unsee that Ray's mom
was Michael Keaton's wife. It's all I can think about
the whole time she's on.
Speaker 2 (03:49):
She still look it up. Yeah, she's datacular.
Speaker 3 (03:53):
I have a little bit of fun facts.
Speaker 4 (03:55):
So Michael Keaton is really named Michael Douglas, has a
son named Sean Douglas who's like a prolific songwriter, has
written like so many pop hits it's crazy. And then
I just keep thinking like it really the whole time,
I'm like, that's his mom.
Speaker 3 (04:14):
That was Michael Keaton's wife. Like, why am I obsessed
with this?
Speaker 1 (04:18):
Now?
Speaker 3 (04:18):
Beetlejuice? Beetlejuice?
Speaker 2 (04:19):
Like juice one more time?
Speaker 1 (04:22):
Well, you know, we always wonder what are the things
that Aby's going to obsess on in an episode, and
now we know.
Speaker 3 (04:28):
I think it's because he's one of my crushes.
Speaker 2 (04:30):
And so Michael, I can fix it.
Speaker 3 (04:32):
Yeah, I fixate on anything. Michael Keaton cute.
Speaker 1 (04:37):
Yeah, she was great in this episode. She's she's always great.
Speaker 2 (04:40):
Great.
Speaker 1 (04:41):
Okay, so now go go whoa?
Speaker 2 (04:44):
All right?
Speaker 1 (04:47):
I want to do a little trivia? Sure, Okay, well
Bray's mom who leu Anne? She's seen smoking inside the
peach pit after dark? Yes, and the official Indoor Smoking
Band took effect in La on January first, nineteen ninety five.
Speaker 2 (05:09):
What day is so long?
Speaker 1 (05:12):
This is aired.
Speaker 2 (05:14):
In May nineteen ninety five. Where are you?
Speaker 3 (05:18):
A bunch of criminals?
Speaker 2 (05:19):
Though?
Speaker 1 (05:19):
But do you remember that time when all of a
sudden they said no, you can't smoke inside? And it
took a while for people to start enforcing that, Like,
I've never.
Speaker 3 (05:30):
Been happier about a law.
Speaker 2 (05:32):
Yeah, I know. Can you remember what it was like
to eat while smoke? And I went to.
Speaker 4 (05:40):
Nevada, We went and gambled in Nevada and Tahoe and
they don't have that rule there. Still, immediately you're like
it is burning. You're like, whoa, this is intense.
Speaker 1 (05:54):
It just makes you smell like a cigarette. If you
don't want to smell like a cigarette, that's not great.
If you do enjoy smelling like a stri Do you know.
Speaker 3 (06:02):
Good law that I'm sure some people hated. But can
you smoke outside at a restaurant?
Speaker 2 (06:06):
Though?
Speaker 3 (06:07):
I feel like you can't smoke anywhere near.
Speaker 1 (06:09):
People on a patio? You can smoke outside AnyWho. That's
the trivia your board couldn't tell?
Speaker 3 (06:18):
Okay, has some chocolate cigars? Happy Easter? Was Easter yesterday? Yes?
Happy Easter?
Speaker 1 (06:25):
Did the bunny come?
Speaker 2 (06:26):
Yes?
Speaker 1 (06:27):
Did the buddy visit you? Did you get any chocolate cigars?
Speaker 3 (06:31):
Yeah?
Speaker 4 (06:31):
We had chocolate cignars for the boys, not like someone
has that little not the little boys, but the adult boys.
Speaker 3 (06:41):
Men got chocolate cigars.
Speaker 2 (06:43):
I like that idea.
Speaker 1 (06:46):
I should get it because they're marked off now you
can get them real cheap. Anyway, do you want to
give another trivia?
Speaker 2 (06:56):
Would you like me too?
Speaker 3 (06:58):
Sure?
Speaker 2 (06:59):
When Kelly was it's to Alison at the burn clinic.
The address reads one four nine two zero Medical Center,
which appears to be a location in Santa Monica, But
when Kelly is on the phone with Brandon, she says,
the burn Center is in Claremont.
Speaker 3 (07:14):
Oh, fun back there. So did you shoot it in
Santa Monica?
Speaker 2 (07:20):
I suppose man might signer drive there? Sure is? I
don't know. I just know Kelly didn't drive to Claremont. No,
that would never have happened because she never gets to
go anywhere.
Speaker 1 (07:30):
Claremont is the place they center on location. This is great?
Speaker 3 (07:37):
Uh?
Speaker 1 (07:37):
One another one?
Speaker 2 (07:39):
Yes, I love it? These are fun.
Speaker 1 (07:41):
The ups employee asks Kelly, this is funny, asks Kelly
to sign for the package by asking for her Jane Hancock.
Speaker 2 (07:50):
Yeah.
Speaker 1 (07:51):
The original term John Hamcock, a term coined after John No,
I said Hamcock, I know it. It's term is John Hancock,
a term coined after John Hancock signed the Declaration of
Independence because the biggest signature of all.
Speaker 3 (08:08):
Yeah, he did it so big.
Speaker 2 (08:10):
Wait.
Speaker 4 (08:10):
I have a comment on that scene. Should we talk
about it now or when we get to it.
Speaker 2 (08:15):
When we get to it, Okay, you got it.
Speaker 1 (08:20):
Yeah, that one wasn't very exciting, but I did enjoy
that scene, So we will talk.
Speaker 2 (08:23):
About that one when we get to it. Last one,
Kelly and Steve are walking on the sidewalk. In the
background you can see a restaurant called Gaucho Grill. It
was in a chain that served Argentinian food in the
nineteen nineties.
Speaker 3 (08:35):
It was actually delicious.
Speaker 2 (08:36):
It was I used to like that place.
Speaker 3 (08:38):
It on went it only went away like a little
bit ago.
Speaker 1 (08:44):
Wait where we had one? Don't you feel like?
Speaker 2 (08:47):
We had one?
Speaker 1 (08:48):
And they would bring it in for like our lunches,
sometimes possibly Gaucho.
Speaker 2 (08:52):
Grill, and I was like, I don't want gaucho grill.
Speaker 3 (08:55):
Yeah, and we had one on Santa Sunni and Brent
wid Brent with La You remember, right.
Speaker 2 (09:03):
I'm just remembering when they would say what was for lunch?
In that reaction to anything everything we'd.
Speaker 1 (09:10):
Also that's how my husband feels now every time we eat.
Speaker 3 (09:14):
I'm so weady like restaurant food.
Speaker 2 (09:18):
Yeah, we didn't around a lot, there was no but
they would be all proud they made an executive decision.
Imagine having you know, seven kids and like you have
to go tell them here's what we're eating, and no
one wants the same thing. So the front office came
in strong with the decision. They had the menu and
they'd be like, okay, guys, what do you want today?
Is gaucho grill? And then the response would be I
(09:40):
don't want that. The thing is.
Speaker 1 (09:44):
But they would come in like kind of nervous to
present that the menu, the paper that they had zerox
the menu on.
Speaker 2 (09:51):
The like sweating back there, like please let her say yes,
let him say okay.
Speaker 4 (09:56):
Did only the big people get that? Or like what
about the back ground people?
Speaker 2 (10:01):
No catering truck.
Speaker 1 (10:06):
I feel like they had I don't remember exactly. Sometimes
they would have like a catering truck for the crew
and the background, but the prima donna actors always like
that's something special. Or they would say you go away
for an hour, go get your walk away, get.
Speaker 2 (10:24):
Your own lunch. Really walking away. They wouldn't let us out.
They'd be scared we wouldn't come back.
Speaker 1 (10:31):
Yeah, so they made a couple of bucks if you
do that, probably not like eight dollars. But they would
make us stay in our five by five cubicles with
the lights off until it was time to work again.
Did you have trailers?
Speaker 2 (10:49):
Not a hallway of rooms? They connected so we were
all in the same hallway.
Speaker 3 (10:57):
Did you make them pretty?
Speaker 2 (11:00):
I tried once, We definitely tried.
Speaker 1 (11:02):
I just remembered my dressing room had a giant window,
like you could see from the hallway into my dressing room.
So I was like, can you guys put up some
like mini plays.
Speaker 3 (11:14):
To the world.
Speaker 2 (11:15):
Oh god, No, that was forbidden. She wishes she would
have written help.
Speaker 3 (11:23):
Oh gosh. Yeah, anyhow, Yeah, I have a set question
coming up, but.
Speaker 2 (11:29):
I will hold it. Oh exciting.
Speaker 1 (11:32):
Okay, well, let's just start beach outs. We start on
the beach house and Donna is a hotty inner bathing
suit getting god sitting out there getting her skin fried,
spraying like water, baby oil, baby oil, and Kelly uh
(11:52):
is very nervous that she's going to get some skin damage.
Speaker 3 (11:56):
You were more in a moo moo and Donna was
more in a hot bikin.
Speaker 2 (12:00):
Yeah.
Speaker 1 (12:00):
I was covering because I didn't want to get any
sun on my.
Speaker 3 (12:05):
On My.
Speaker 2 (12:07):
Topic is back right, it's full force this episode.
Speaker 1 (12:12):
Yeah, you're even like, uh.
Speaker 2 (12:13):
Nail it over the head. Make sure everyone remembers. Yeah,
you say something. I don't know. I can't remember what
you said, but it wasn't I hint.
Speaker 3 (12:21):
Mean, it was like not mean.
Speaker 1 (12:23):
I think that's the way that you know, when you're
friends with each other, like that you can talk like
that to each other.
Speaker 3 (12:29):
She's like, basically like get over it and give it
some air.
Speaker 1 (12:32):
Take that bandage off so ugly, basically, let it breathe.
It was really featured in this episode, but Kelly receives
a package in that scene from seventeen magazine and it's
her magazine cover framed so beautifully.
Speaker 2 (12:49):
It looks so good.
Speaker 3 (12:51):
Where I loved about that? Oh yeah, did you you
have that? You should kept that.
Speaker 1 (12:55):
I feel like it's here in my house somewhere, and
I just don't know where.
Speaker 3 (13:00):
I Peer thirty nine.
Speaker 4 (13:01):
You could go and like get your picture taken and
they put it on a fake magazine.
Speaker 2 (13:05):
Oh my god, no, oh yeah.
Speaker 3 (13:09):
You could go and be on the cover of People
or TV. Guy.
Speaker 1 (13:12):
Wait, what's Peer thirty nine.
Speaker 4 (13:14):
Oh, it's kind of like if you went to the
Santa Monica Pier. So it's in San Francisco and it's
like a very touristy place. So you know how like
the Santa or the boardwalk in Santa Cruz, you know
all those kind of places.
Speaker 3 (13:25):
Yeah, there's like rides and like corn dogs and crap
likes still today totally wow.
Speaker 1 (13:33):
Oh did you guys see they're redoing the Santa Monica Peer.
I don't know when I saw a big thing on
the news that they're redoing it.
Speaker 2 (13:41):
Ooh, that means it does. It's all rickety.
Speaker 1 (13:43):
It needs some security would be great too.
Speaker 3 (13:46):
Yeah, it's a little yeah.
Speaker 1 (13:48):
Yeah, terrified of sending my kid there. Everybody's going to
the pier, can I go?
Speaker 2 (13:52):
No?
Speaker 3 (13:53):
In thirty years, I've been there twice. I lived in
La like literally thirty years and I've been there two times.
Speaker 2 (13:59):
Yeah.
Speaker 1 (14:00):
Okay, So now we're on the freeway doing some really
cool unnecessary potray driving back into town scenes.
Speaker 3 (14:08):
What pause before we.
Speaker 4 (14:10):
Get to that, I briefly have to mention there's a
new angle of the beach house. It swung around and
showed the steps going up and that's real.
Speaker 2 (14:20):
Yeah.
Speaker 1 (14:20):
I had a pause on that.
Speaker 2 (14:22):
That was it.
Speaker 1 (14:23):
Well, I was like, is that okay? So that's the
door everybody enters through. They have to climb up those stairs.
Speaker 3 (14:29):
Yep.
Speaker 1 (14:30):
And then that door kind of matched our door where
people came in and out, so that yes, nobody ever
acted like they had just climbed to fly to stairs.
Speaker 4 (14:38):
No, it's very confusing. Then it switches there's the back
door on the front door. So they showed the sort
of street, so the houses on the whatever you'd call it,
the water, and there's like the walking bike path, there's
a tiny there's a main drag, and then there's sort
of a tiny street and so it sort of showed
the tiny street and that's the real door, and then it.
Speaker 3 (14:59):
Was like to the set.
Speaker 4 (15:00):
So the ups lady obviously came to the set with
that sort of fake white.
Speaker 3 (15:06):
Picket which wasn't there, and Kelly opens the door, almost said,
Jenny opens it.
Speaker 1 (15:15):
So back to the freeway. Yeah, you loved all the
driving shots, the unnecessary driving shots.
Speaker 3 (15:23):
Didn't you, guys? Because first of all, here's what was
like blowing my mind. All I'm like, where are we?
Where are we?
Speaker 4 (15:29):
Okay, we're coming down from Magic Mountain and we're getting
where the five is.
Speaker 3 (15:33):
And then I was like, is he gonna take the
four or five?
Speaker 4 (15:35):
And he was really driving like that, He was really
driving that truck.
Speaker 2 (15:41):
Wow.
Speaker 4 (15:42):
And they were getting all those shots and it wasn't
like he was like on one of those fake car things. No,
they were getting him really drive in that truck and
they showed the license plate. He is the blue and
yellow license plate, the old license plates.
Speaker 1 (15:57):
Yeah, his truck is cool. But I think maybe they
did that with like a second unit, because that's a
big deal to go take the whole you know, basically
afon or half a day to go out and shoot
some drive shots.
Speaker 3 (16:11):
Oh. I was like to Dana helicopterly, how are they
doing this?
Speaker 1 (16:14):
It was so awesome. They had a drone and.
Speaker 4 (16:18):
Then he switched he had the old The truck had
the gear shift, which I think we learned from Donna
driving it on the tree thing on the tree.
Speaker 3 (16:27):
Yeah, thank you, Tori, and he shift gears. I was like,
this is legit.
Speaker 1 (16:32):
Yeah, it looked real.
Speaker 2 (16:34):
That was rap.
Speaker 1 (16:47):
He gets home and he tells her that he's back
to play the peach Pit after dark and invites Leu
Anne to.
Speaker 2 (16:55):
His show Risky.
Speaker 3 (16:57):
Yeah, he didn't want to.
Speaker 1 (16:59):
And he tells his mom not to tell Donna that
Valerie showed up in Reno to convince him to come back.
Speaker 2 (17:06):
I feel like that's right at all.
Speaker 1 (17:08):
Yeah, I don't think that secret is safe with Mama. No.
I feel uncomfortable with this trust issue.
Speaker 2 (17:14):
Here.
Speaker 1 (17:15):
Okay, So we're at the Walsh House. Brandon is headed
to Sacramento for a school business.
Speaker 3 (17:21):
My god, Steve, they make him so dumb, oh.
Speaker 1 (17:25):
Man, and he goes he walk up. Cindy comes in
and she's so excited about her magazine cover that she
got at the Ralphs there and Kelly is very upset
about her scars and lashes out at Steve.
Speaker 3 (17:40):
Yeah, and a little bit like she was so prickly.
Speaker 1 (17:42):
That's why we get We find out, Oh, she's really
not excited about being on the cover of that magazine,
which is Hello, because.
Speaker 3 (17:51):
She misses her old neck.
Speaker 1 (17:53):
I guess nobody's really having much sympathy for it, because
it's kind of silly, like they can, they could make
you look however they want you to, like they take
it away.
Speaker 4 (18:02):
And your scars are not bad barely they're barely there.
Speaker 1 (18:08):
And then at the we'll just get there, never mind,
I'll wait. So yeah, Kelly storms out of the room
and Steve is left feeling like it's his fault, but
really it's Brandon's fault. No, it's not just saying.
Speaker 3 (18:24):
That literally is okay, Yeah.
Speaker 1 (18:32):
It was weird because like this is the first time
we've seen the Walshes in a minute totally, and this
time the scene wasn't about their storylines anything to do
with the Walshes, And that's I think one of the
only things he said in that scene.
Speaker 4 (18:48):
Reminds me of do your teens say that to you
guys all the time?
Speaker 3 (18:51):
You know how like are you okay?
Speaker 2 (18:53):
Are you okay? Oh?
Speaker 1 (18:55):
I hate that, but I started doing it now just
because it irritates me so much when they say are
you okay? When I'm literally just like reacting to something,
or if I don't like a food, I put it
in my mouth and like or like I say something
that they don't agree with.
Speaker 2 (19:12):
Are you okay? Yeah?
Speaker 1 (19:15):
Making okay?
Speaker 3 (19:18):
You know Danielle Romo that we all work with. Her
favorite thing to do is when.
Speaker 4 (19:22):
She messes up, like if she writes an email it
has like a mistake.
Speaker 3 (19:25):
Then she writes back, am I okay.
Speaker 1 (19:29):
It's become a thing, but now it's fun to do.
Try to do it.
Speaker 2 (19:32):
Do it today.
Speaker 1 (19:33):
I'll make you feel like superior. Then then you're like, oh,
I see why they do it all the time.
Speaker 3 (19:37):
Yeah, totally. Anyway, this so far this episode is a ten.
Speaker 2 (19:42):
You're liking it peach Pit.
Speaker 1 (19:44):
Peach Pit, we get to see the dills. He is
staring at his ex girlfriend on the cover of seventeen magazines.
Speaker 3 (19:53):
Yeah that was That was kind of cool in a
sad way.
Speaker 2 (19:58):
Yeah.
Speaker 1 (19:58):
Charlie, though, tells him to put it a way so
they can focus on the screenplay.
Speaker 3 (20:03):
Charlie's getting so much.
Speaker 2 (20:05):
Screen time for what why? Why you're in a movie?
Speaker 1 (20:10):
I don't get this. Why he's on the show.
Speaker 2 (20:12):
I'm sorry, he must be a friend of somebody. Episode.
Speaker 3 (20:17):
Yeah, is this when val comes over?
Speaker 1 (20:21):
Yeah, Valerie comes over and she's so happy to be
with the guys.
Speaker 4 (20:26):
Yeah, she's got a hint of a crop top and
she's very cute and smiley, and yet it's weird.
Speaker 1 (20:35):
Yeah it's she And then she likes to button that
scene with something snarky.
Speaker 4 (20:41):
She's super low key genius though, she's very smart, like
she know all about the minajatoy and the movie. So
she's always impressing me with her brains. But then it's like,
I don't know, I don't trust her.
Speaker 1 (20:55):
Yeah, it gets weirder, just wait for it. The beach House.
Kelly's getting a call from for a modeling job and
quickly shuts it down. Then the rest of the game
comes in and they come home with food and Kelly
just walks away.
Speaker 2 (21:12):
She's so upset.
Speaker 4 (21:14):
The fire was going. Did you notice that? And then
are we to assume that's food from the peach pit?
I was assuming they picked it all up at the
peach pit.
Speaker 1 (21:24):
Or gaucho grill or you do say do you want
a burgers?
Speaker 3 (21:29):
I would have been like, say, yeah, I'm starving.
Speaker 1 (21:34):
She looked hungry. But she goes in a room and
she's so conflicted and upset and she throws the picture
against the wall and breaks it.
Speaker 2 (21:42):
Total.
Speaker 4 (21:42):
Okay, there's this TikTok going around that's like, what's something
that you see on TV that we all accept on
TV that never happens in real life? Purling glass across
a room is something that only happens on TV that
I would never do that.
Speaker 3 (21:58):
The mess stayed with me, like, Andy, did it not
impact your life?
Speaker 1 (22:02):
It didn't seem to bother her, which I found talking
about glass everywhere. Yeah, she's gonna get cut. She's sorry, guys,
Oh my goodness. Yeah, the gang is out there eating
their burgers.
Speaker 3 (22:20):
They're like, are you okay?
Speaker 1 (22:22):
Yeah, I'm good. Just drop something and shattered it on
my wall. Thanks for noticing.
Speaker 2 (22:28):
I just dropped on a carpeted room and it shattered.
It shattered.
Speaker 4 (22:38):
Oh and then she and then you kind of had
your cry moment. A lot of acting for you in
this episode.
Speaker 3 (22:44):
Jenny, but like a little bit of a like thirty
years later, a little bit. I'm laughing at it.
Speaker 2 (22:51):
But yet it was good. Well, I liked it. It
was fun to do you cry.
Speaker 3 (23:00):
On cue there? Did you need those drops? You told
me about those drops.
Speaker 2 (23:04):
I don't know.
Speaker 1 (23:06):
You'll never know if my tears were real, or if
our tears were real, or if it was just makeup.
Speaker 3 (23:12):
It was good. It was good.
Speaker 1 (23:15):
We go to Andrea's house with her purple walls. Oh yeah,
you cannot handle that paint color. Andrea with the baby feeding.
Speaker 3 (23:22):
Is this the baby feeding?
Speaker 1 (23:23):
Yeah, he's Jesse gets excited because he got a job
offer and Boise.
Speaker 3 (23:27):
The walls were fine.
Speaker 4 (23:29):
It was Andrea's checkered shirt over their They just did
me in.
Speaker 1 (23:34):
I was like, oh no, but but they're like all
good now they're back together, they're supporting.
Speaker 3 (23:39):
Each other, and she's moving the Idaho.
Speaker 1 (23:42):
Does he I've forgotten already, you guys, don't be mad.
Does he know about her affair? Yes, yes, right, I'm sorry.
This is cheese of a brain.
Speaker 2 (23:55):
You didn't have either. I cared so little that I
already oh, oh my god.
Speaker 4 (23:59):
Yes, we have the whole episode and they were fighting.
It was all kind of tight.
Speaker 3 (24:02):
Yeah, yeah, yeah, Jeopardy episode two, and he was way mad.
I remember he goes to Dylan's and stays there and
says I'm not gonna go, and then all he does
is ear right.
Speaker 2 (24:13):
That was like two episodes ago. Totally. I worry about
you guys. Yeah you should.
Speaker 1 (24:19):
Then we go to the Outdoor Cafe, which is this
was exciting. We were somewhere new. Were you excited about?
Where were we?
Speaker 2 (24:27):
Oh? God?
Speaker 3 (24:28):
I was trying so hard.
Speaker 2 (24:29):
It felt like one of those did you do the coordinates?
Did you find you look on your website, but.
Speaker 4 (24:34):
Like if somebody could look maybe on the nine O
two one zero locations.
Speaker 1 (24:38):
I needed to know outdoor cafe. Well, it's somewhere we've
never seen it. I couldn't quite put it together either,
But then I saw an AMC like in the background,
so then I realized, I think that was done at
the Santa Monica promenade. Like on Fourth Street, the old one. Yeah,
(25:00):
before they like for it was like the Georgia.
Speaker 4 (25:04):
Makes sense because if you were shooting in Santa Monica,
maybe they're like, do you know what I mean? At
the medical center, maybe they were like, hey, let's be
smart about this.
Speaker 1 (25:12):
That's yes, Yes, she's being like a producer one permit.
So Kelly meets her mom and Steve there. They try
to Convincess to meet the guy with a good reputation
in the modeling business, and.
Speaker 4 (25:27):
Steve was cute, Oh is cute? Smarmy like is he
gonna want money out of this?
Speaker 3 (25:31):
But cute?
Speaker 2 (25:33):
Yeah?
Speaker 1 (25:33):
I think she says, what do you want to this?
And he's like, I just want.
Speaker 3 (25:36):
To part of this whole scene.
Speaker 2 (25:40):
Do you guys know when they walk away, yes, and he.
Speaker 4 (25:43):
Kisses her cheek and it's almost like you're so playful
and it's sort of like you didn't even care if
you're still on camera or not.
Speaker 3 (25:51):
So freaking cute.
Speaker 2 (25:52):
I think I pushed him away or something. You get away.
Speaker 4 (25:55):
It's so freaking cute. Like that was a great That
was a great whole All of this is good.
Speaker 2 (26:02):
They we're going to go.
Speaker 1 (26:02):
Back to Ray's house where Luanne shows Ray her spiffy
little outfit for the show, which I liked, and he
tells her she's a tad bit overdressed.
Speaker 3 (26:12):
It was very nineties.
Speaker 2 (26:14):
She doesn't get much, No, she doesn't.
Speaker 1 (26:17):
It was I liked the matchingess of the tipatedness, and.
Speaker 3 (26:21):
I think she's already drinking.
Speaker 1 (26:23):
And yeah that's the thing, he says, whoa when did
that start again? Yeah, so we can see that. You know,
this is something he's definitely dealt with all his life.
Probably is is his mom's drinking. And she really downplays it.
Speaker 2 (26:37):
Yeah, it's just you can tell resh.
Speaker 1 (26:41):
Yeah, you can tell he's really not cool with it,
and he knows what's going to happen.
Speaker 2 (26:45):
Yeah, he's seen it before.
Speaker 1 (26:48):
Back at the cafe, Kelly and Steve walk out of
the meeting feeling super optimistic about her modeling career. Yeah,
it was great, and then they spot Dana.
Speaker 4 (26:58):
The magazines stand don't gloss over the two kids that
say is.
Speaker 1 (27:03):
The sorry, Well, do you know who the two kids are? Right,
they're the same two kids that are always on our show.
Speaker 2 (27:10):
Her producers.
Speaker 1 (27:14):
Yes, there was the Rosen kids. And then Chuck Rosen's
wife Karen was is Dana Alison's member, Dana Alison's girlfriend,
the girl got burned.
Speaker 2 (27:26):
This is her can friend? Wait?
Speaker 1 (27:27):
This is Dana's her. Dana's girlfriend is now Chuck Rosen's wife. No,
the lover, her lover, Her lover is Chuck Rosen's wife, the.
Speaker 3 (27:35):
One that owns the house or lives at the house
with her.
Speaker 2 (27:39):
No, that is oh my god, And I missed that.
Speaker 1 (27:44):
Really, I don't know, because there's a whole nother scene
where she talks a lot.
Speaker 3 (27:47):
Wait, she's amazing.
Speaker 4 (27:48):
Okay, that's okay, very good stuff here, okay, And I
have wondered where.
Speaker 2 (27:54):
That all was shot.
Speaker 1 (27:55):
I think the promenade that's starting to make sense because
they have this is way before Third Street was Third Street.
They didn't even have that magazine stand there anymore.
Speaker 3 (28:04):
No, first of all, you know all the magazine stands
are like all now.
Speaker 2 (28:07):
It's so sad.
Speaker 1 (28:08):
I think there's one studio city. I think that's on
Lorc Canyon, the one by Whole Food's gone, so sad. AnyWho,
Kelly apologizes to Dana, who she sees there and says,
I'm so sorry for not answering her calls, and asks
how Alison is doing, and Dana pretty much blows her off,
(28:29):
walks away, Yeah and uncomfs. Yeah, something's going down there.
Obviously they've broken up because she's all handy handy with
the yeah. Yeah so yeah. Peach Pit after Dark, where
Ray is getting ready for his show and he spots
his mom getting even more drunk at the bottom.
Speaker 4 (28:51):
Donna looking hot in the black yep, the little black.
Speaker 1 (28:57):
Every shirt now is a bit is a tummy shower?
Speaker 2 (29:00):
Yes?
Speaker 1 (29:01):
Yeah, forbidden to not where? Yeah, everything has to be
showing the tom tum. Listen, I don't blame you. What happens?
Speaker 2 (29:11):
What happens? Valerie tries to cut Luanne off.
Speaker 4 (29:14):
Oh yeah, so that was This was a good scene.
So first Ray, Donna thinks Ray should eat something. It's
gonna be a big night. And then Ray's like, I
just want my mom out of here, and Donna's like,
I don't want to do it.
Speaker 3 (29:25):
And then she orders another drink and did you see
Valerie gives the hand to the bartender. No cut her
off because.
Speaker 1 (29:33):
She's the boss, she's the owner, she's the big wig there.
Speaker 3 (29:36):
Yeah, and then it got awkward with the mom.
Speaker 1 (29:39):
And then Valerie says, David and Clara will take you home.
Why are they there to are they there to do whatever?
Valerie says, they don't have calves in this era, there
was no uber Nope.
Speaker 3 (29:53):
No, yeah, I guess, I guess. Yeah. They just work
for her. So they're going to take her home, and
then then they're really carrying her out.
Speaker 2 (30:00):
She's really drunk.
Speaker 1 (30:02):
She can't even walk at this point, which is a
little odd for a woman of her age and her
history with you know, alcohol consumption. She could probably handle
her booze a little bit better than that, I'm just saying.
Speaker 2 (30:15):
But David and Claire to carry her out.
Speaker 1 (30:17):
To the car, you know, the yep, and she spills
the beans.
Speaker 3 (30:23):
And as David's buckling her in respect that we're all
wearing seat belts now, and she spills the.
Speaker 1 (30:30):
Bees, and Claire says in vino veritas, oh yeah, She's like,
it's Latin dipshit. But they agree not to say anything
about this new bombshell that Leu Anne just dropped because
they want to protect Anna.
Speaker 3 (30:49):
Would you say something if you had heard.
Speaker 1 (30:53):
I think I would be like I would trump probably
handle it like Claire, just like ease into it, not
just go in there and blurt it out like you know,
like she probably wanted to, Like I would have wanted
to be like, oh my god, I'm gonna kick his
ass or whatever.
Speaker 4 (31:08):
I don't think that said something up, but I would
say it.
Speaker 2 (31:12):
To Valerie, right, but even a credible source exactly so,
and she's wasted, so they don't know it could be.
Speaker 1 (31:23):
But I feel like they really do believe her because
then in a little bit we'll get to a David
axe on it. So, Okay, you want to go to
Charlie's house and hear about how no it's Dylan's house,
but you want to go and hear how Charlie wants
to have a threesome.
Speaker 2 (31:38):
Not really do we have to? Don't want to hear that? Yeah,
I had to read it. I can't see it. So
(32:00):
he wants to have a threesome with Valerie.
Speaker 1 (32:02):
And then and then Dylan say, you know, then Charlie
tells Dylan to go after Kelly if he wants her
so bad, or bring her over for a threesome.
Speaker 3 (32:14):
That was important.
Speaker 1 (32:14):
That was important, Yeah, because it kind of shows again
they're just kind of like really bringing it home that
Dylan's still struggling well.
Speaker 4 (32:25):
And it builds us up to what's coming, one of
the most iconic phrases in all of nine O two
one ohero not chet, I know, but we're it's getting
us getting there.
Speaker 1 (32:37):
In Sacramento, Brandon and Kelly are on the phone. Oh
he's sweet, he's gone, you know, that's how he should be.
After his work is complete, he goes back to his
room and calls his girlfriend.
Speaker 4 (32:47):
And you know what we didn't talk about that I
want to briefly talk about is the scene where when
Kelly storms it off and she goes outside and Brandon
goes after her and they can't they have that.
Speaker 3 (32:59):
You know, he said, I don't care about your scars, like.
Speaker 4 (33:05):
Forgot about that there's and he sort of makes some
sort of a sixteen seventeen eighteen. I don't I don't
even understand what that was, but I kind of.
Speaker 1 (33:12):
It was being sweets, being so cute.
Speaker 3 (33:15):
And then they have that kiss, a very romantic, dramatic kiss,
and they have each other. Yeah, they do for now,
for now.
Speaker 1 (33:27):
And Kelly tells him then that she wants to go
visit Alison at the burn clinic.
Speaker 3 (33:31):
So back at the peach Bit, David and Claire are.
Speaker 1 (33:34):
Sweety okay, good, you should go.
Speaker 3 (33:39):
No, you shouldn't. You should go, Like he's just gonna
do whatever she wants, right, Well, I should go, and
he's like you should. Oh maybe I don't want to.
You shouldn't, don't go.
Speaker 2 (33:49):
Yeah. It was cute.
Speaker 1 (33:51):
He's like, I'm gonna say the right thing, right no
matter what.
Speaker 3 (33:54):
Yeah, okay, sorry, continued.
Speaker 1 (33:56):
David and Claire disgusted when they see Valerie, Donn and
Ray posing for their picture together at the Peapad and
it's just so it's so stilted, like it's so up,
you know.
Speaker 2 (34:10):
Kiss him, kiss him? That was that was yeah.
Speaker 3 (34:15):
Oh we never talked about the jumping out of the car.
I really liked this.
Speaker 2 (34:19):
Oh my god, please.
Speaker 4 (34:21):
In this earlier scene when they pull up in the scene,
I liked with the direction and then the two girls
have to sort of be bop out of the back
and then don't worry, you know.
Speaker 1 (34:32):
I kind of love that you were Like. I could
tell Donna was in for a she was in for
a good time tonight. She was ready to like, yeah.
Speaker 3 (34:40):
She had Jeemy for Crop Code and she was extra sassy,
very sassy. I loved. Yeah, we're going on a double date.
Speaker 1 (34:50):
Yeah, that was a lot. That was more Tory than Donna.
Speaker 2 (34:54):
It was like, yeah, she comes.
Speaker 4 (34:58):
Sorry, I'm jumping around so much because I'm forgetting all
the nuggets. I was going to give this a low
score for some reason when I went to bed less.
Speaker 1 (35:05):
Then you've changed.
Speaker 3 (35:08):
I mean a low score for me is like I
was gonna give it an eight, but now it's.
Speaker 1 (35:12):
Really what'd you give last week's episode of.
Speaker 3 (35:14):
Two two I did not care for squash it and
thanks to the people that also chimed in on Instagram
that also did not care.
Speaker 2 (35:24):
For it, they didn't like it either. You never tell
us what they say.
Speaker 4 (35:28):
Oh they got there. I mean there's a few people
that liked squash it. I can't remember, was squash it
last week or was that?
Speaker 3 (35:33):
Yes? Okay, yeah, a few people liked squash it, but
not so much.
Speaker 1 (35:39):
Some people don't care for Squashuh. Then Kelly drives to
clairemont air Right to visit Alison, only to be turned away.
Speaker 3 (35:49):
By the nurse.
Speaker 2 (35:50):
She just wanted to talk to her.
Speaker 3 (35:51):
I want to see you, which I saw that coming.
Speaker 1 (35:55):
The little boy that came in and sat next to her,
and that's what was the significant.
Speaker 3 (36:00):
So that was he I thought maybe he was burned.
Speaker 1 (36:02):
He was a burn victim also, Yeah, and it just
kind of like made her feel did he talk?
Speaker 2 (36:07):
No?
Speaker 3 (36:08):
Yeah, I was sort of expecting them to have a
moment and then.
Speaker 2 (36:12):
Maybe that got cut just one of her own.
Speaker 3 (36:15):
Yeah, yeah, fellow burn victim.
Speaker 1 (36:18):
And then Kelly goes to visit Alison's ex girlfriend Dana. Yeah,
how does she know.
Speaker 2 (36:26):
Where she lives?
Speaker 3 (36:27):
It's Chuck Rosen's wife.
Speaker 1 (36:29):
How does she know where they live? These things I
never discussed. I guess, Okay, well pages she doesn't even
know her last name, though.
Speaker 3 (36:42):
She finds it, just like Martin McFly found her. Yeah.
Speaker 2 (36:48):
Yeah.
Speaker 1 (36:49):
And then she shares some time with Dana's new girlfriend,
Kate played by Karen Rosen So and also I enjoyed
her performance. She was very soft on, combative and very
level headed as the new girlfriend. I really enjoyed it.
I thought she did a great job.
Speaker 3 (37:07):
Ye had a couple of snarks.
Speaker 4 (37:09):
This episode had some snarkiness, which I'm here for it
because remember she's like, do you want the villium now
or whatever it was, do you want that tranquilizer now?
Speaker 2 (37:18):
Yeah? She had some cute little like sarcasm.
Speaker 1 (37:23):
And then she tells Kelly that Alison dumped Dana, because
Alison is in love with Kelly dumped the twist. When
did that happen.
Speaker 3 (37:36):
In the bathroom? We knew it because remember you two
were supposed to kiss.
Speaker 2 (37:41):
Wait where there was a kiss? You know, They're like,
we're gonna die, so we might as well kiss kiss there.
Speaker 1 (37:47):
If I was dying, I would not be like, let
me kiss a strange girl.
Speaker 2 (37:51):
She told us.
Speaker 3 (37:53):
There was there was a kiss or something and maybe
it's coming. I don't know anyway going she said the
kiss was cut right, Yeah, yeah, I don't remember prison out, like,
I don't know if they ever even got shot. I
feel like Jenny would maybe remember that.
Speaker 1 (38:11):
Yeah, chances are slim doubtful. Okay, So back at Ray's house,
David confronts Ray. This is what I'm talking about. He
drives up on him and says, yo, bro, yeah, I
know what you did last summer, and he walks away
(38:32):
and he says, but.
Speaker 2 (38:33):
I'm watching you. Yeah, And I felt real intimidated.
Speaker 3 (38:38):
I'm glad they said it, though, because I don't want
to deal with the like Three's company of it, you
know how I always hate that.
Speaker 4 (38:44):
Yeah, they understanding, like I don't want them knowing and
not telling Ray be so annoying.
Speaker 3 (38:50):
It's like, tell him, yeah, start to get a.
Speaker 1 (38:54):
Good expert friend friend, move on David's part, and then
ray el a his mom's his mom for telling on him?
Speaker 3 (39:06):
He really, what did you tell them?
Speaker 1 (39:09):
Yeah?
Speaker 2 (39:11):
I get scared in that house, crazy goes down in there.
Speaker 3 (39:14):
Yeah, I'm like that was a lot.
Speaker 1 (39:16):
But I also noticed in that in that house that
they're shooting at as Ray's house, that's a real house
and it had, you know, it had all like the
real grime that you would have in a house that's
been used and not probably taken the best care of.
Like all the walls were a little dirty pood.
Speaker 3 (39:37):
Hikes.
Speaker 2 (39:38):
Yeah, I get it.
Speaker 1 (39:40):
Good set agree Valerie's office. Claire confronts Valerie. So David's
doing his part and happy about yep. She warns her
to stay away from Ray. I don't know if Andre
is gonna I mean, if Valerie's who's why is Andre there?
I don't know Valeries going to respec.
Speaker 2 (40:00):
Back to that. No, she'll do whatever she wants.
Speaker 1 (40:03):
She's probably not afraid of Claire, right, No, but she
just seems so.
Speaker 3 (40:14):
I don't know, it just adds to her sort of
being the oh like, oh, man, you know what I
mean again?
Speaker 2 (40:22):
Yep.
Speaker 1 (40:23):
We go back to the Purple House, I mean Andrea's house,
where Jesse tells Andrea that he turned down the job
because there was no medical school for her there.
Speaker 2 (40:32):
That was cool, that was cool.
Speaker 1 (40:35):
Yeah, very good because she's got to move with him, and.
Speaker 3 (40:39):
Yeah, us up for what's gonna happen.
Speaker 2 (40:43):
Don't tell me, don't tell me?
Speaker 1 (40:44):
Okay, did you.
Speaker 3 (40:44):
Literally not know?
Speaker 2 (40:45):
I literally do not know.
Speaker 1 (40:47):
How many times do I have to tell you?
Speaker 2 (40:49):
You know?
Speaker 1 (40:50):
Well, I know because Jesse isn't on the show anymore,
so right.
Speaker 3 (40:54):
You know, they leave, but you don't know where they go.
Speaker 2 (40:56):
She keeps saying Jesse, like she's not sure there's two
people leaving.
Speaker 1 (41:00):
Oh sorry, oh my god. Okay, yeah, that's coming. Now
you've told me, and now I remember a little bit.
We go to the Beach House, where Kelly gets a
call from Alison, who apologizes for not letting her in
the hospital room.
Speaker 3 (41:12):
Shot only by the eyes.
Speaker 2 (41:15):
That was dramatic.
Speaker 1 (41:19):
It's like a slow creep up on her back, like
you can't see her, it's dark. You see her eyes
and you're like, oh, things must be bad, poor baby.
She makes Kelly promise to come see her face in
a month after her last skin graft, and Kelly promises,
(41:41):
So I guess she's going back to Claremont.
Speaker 3 (41:43):
And then all of a sudden the episode was over.
Speaker 1 (41:46):
Yeah, brostending. Whoa that was not before Kelly pulls off
her little mitten for Michael Jackson.
Speaker 4 (41:54):
Mitton's getting a scene where she says she doesn't need
it anymore to Brandon.
Speaker 3 (42:02):
Did I make that up? Or that you make that up?
Speaker 2 (42:04):
She just takes it off.
Speaker 3 (42:05):
I think she says to somebody, I don't need it anymore.
Speaker 2 (42:10):
Sure, okay, I think it might. If not, it sounds
good right there.
Speaker 1 (42:14):
So that would be about closing for the episode. That'd
be great, I feel okay.
Speaker 4 (42:19):
So I had a weird situation with my paramount. Plus
the thing came up that said next episode starts in
twenty seven seconds or do you want to watch the credits?
And I'm like, this thing's not over. So I told
it to watch the credits. And I think there's another
scene that you.
Speaker 3 (42:37):
Didn't get because you didn't.
Speaker 1 (42:38):
Say went right to the next episode. I was like,
that is such a weird ending.
Speaker 3 (42:42):
And I think there is a scene where happened. I think,
what do you mean did you watch it? Well? Yeah,
I mean it was last night, but I was so
befuddled by the weird thing coming up.
Speaker 1 (42:52):
That I'm like, what, Yeah, it was, and I.
Speaker 4 (42:55):
Think somehow she sees Brandon and he's like, you're not
wearing your bandage and she says I don't needed anymore,
and then and.
Speaker 1 (43:03):
Seeing okay, well that would make more sense.
Speaker 3 (43:05):
Yeah that's where I got.
Speaker 2 (43:06):
That's weird, all of that, and then that's the end.
Speaker 1 (43:10):
Yeah, well yeah she did say I don't need it anymore.
Speaker 3 (43:15):
Els was acting crazy.
Speaker 1 (43:17):
I know, I felt like I was missing something, and
thank you for confirming.
Speaker 4 (43:20):
And also, this is a total sidebar speaking of Paramount Plus,
but they have this new show called ELL's Beeth and
it is so good. Right, Okay, So there was the
Good Fight and then there was The Good Wife.
Speaker 3 (43:32):
Did you guys watch any of those shows?
Speaker 2 (43:34):
Nope?
Speaker 4 (43:34):
And then now there's the spin off, Elsbeth and they
premiered it a month ago and the episode was amazing, and.
Speaker 3 (43:41):
We still don't have episode two. We have to wait
a whole other week.
Speaker 4 (43:45):
Why would you premiere a show and then we make
me wait a month? Paramount Plus, I'm a little peeved
by that.
Speaker 1 (43:51):
I think they feel like they're, you know, getting setting
the tone of like or building up city.
Speaker 3 (43:56):
Yeah, maybe building up fans to come back.
Speaker 4 (43:59):
But I'm like, check in for this thing every day
and then finally it's like April fourth.
Speaker 1 (44:04):
I'm sorry Amy that that happened to you. Okay, we
get back to the show.
Speaker 3 (44:09):
I loved this episode.
Speaker 2 (44:10):
Now, well what do you give it?
Speaker 1 (44:12):
What do you give it?
Speaker 3 (44:14):
I was giving it an eight, but I think I'm
gonna give it a ninety two?
Speaker 2 (44:17):
Whoa point two?
Speaker 4 (44:20):
With all that truck drive the truck and the crazy
defender backing up and drunk lu Wayne, and all right,
you can give her whatever you are the shots in
Santa Monica or wherever you were at the restaurant.
Speaker 2 (44:33):
Get for cars and for shots. She likes.
Speaker 1 (44:37):
She likes the feeling of the whole episode, not just
like specifics. Yeah, what do you give it to her?
I feel like this is going to be like low
but not Okay.
Speaker 2 (44:47):
I'm making it higher because I'm embarrassed. I feel bad.
A seven? Whoa you really jumped? Yeah? I was happy? Yeah, no,
I hear you.
Speaker 3 (44:59):
I was happy to see all our gang.
Speaker 2 (45:01):
Uh huh. Finally people back together.
Speaker 3 (45:03):
Ish. Yeah, we didn't get everybody had a little m.
Speaker 2 (45:09):
Yeah.
Speaker 1 (45:10):
I didn't like the Dylan stuff. But I guess we're
working up to something.
Speaker 2 (45:16):
You I don't want to see Charlie anymore.
Speaker 3 (45:17):
You're not gonna like next week.
Speaker 1 (45:19):
Is Charlie going to stay on it?
Speaker 2 (45:22):
I feel like a bad influence.
Speaker 1 (45:23):
I think he's a bad influence. Ye'll see that.
Speaker 3 (45:27):
I think next week is referred to as some by
some as like the worst episode ever.
Speaker 1 (45:32):
One of the worst episodes ever is coming. I'm so
excited for that.
Speaker 3 (45:37):
Me too.
Speaker 1 (45:39):
I'm going to give it like a seven to probably
a six, I don't know. Seven yeah, seven definitely.
Speaker 2 (45:46):
Really not a good one. Good Yeah, no, it was.
Speaker 3 (45:50):
You're right.
Speaker 1 (45:51):
The next episode does anybody out there know? Is the
next episode? Episode twenty nine? The real McCoy it's the
Old West? Is that the worst episode on the series.
Speaker 3 (46:02):
I don't think the worst of the series.
Speaker 2 (46:04):
Some people thought the Old West one was the worst.
Speaker 4 (46:06):
One, one of the bad ones. I for some reason,
my mind was really spinning. I think we jumped the shark,
not next season, but seven season seven is one. I
was for some reason my mind was spinning last night,
being like When does Luke leave? When does Jason lee? Like,
I just don't know why.
Speaker 3 (46:24):
I think it's menopause because my brain's just going well.
Speaker 1 (46:27):
I think it's better if you kind of have the
like mentality that I have, Like you've never seen it
and you don't know what's coming, and you don't have
any expectations and it's all going to be fun in
a surprise.
Speaker 2 (46:37):
So just relax, Okay.
Speaker 3 (46:39):
I always jump ahead. But it's fine. Good stuff, guys.
Speaker 4 (46:42):
Good performances both of you in the episode, I mean fine,
fine performances in the podcast, but really good to them.
Speaker 1 (46:50):
Thanks, Thanks, What do you give us Suffer Today podcast?
Speaker 3 (46:55):
I'll give you a solid seven?
Speaker 2 (46:58):
Whoa for us? She's harsh.
Speaker 1 (47:02):
I like that though, fair, fair, fair.
Speaker 3 (47:07):
That's anything else you guys want to share before we go,
I'm not ready to leave yet.
Speaker 1 (47:11):
Happy Easter, hoppy Easter. Yeah, hope everybody had a nice
time with their families.
Speaker 3 (47:18):
I found chocolate peeps the chocolates. The peep is like
they put the peep into the chocolate. What are you
I'll find I'll try and send you guys up.
Speaker 2 (47:29):
Wait, like an.
Speaker 1 (47:30):
Actual peep stuffed in a chocolate Yeah, or just the
essence of a peep stuffed.
Speaker 4 (47:36):
No, no, no, a full peep. A full peep is
poking out of the chocolate. It's almost like they cook
the chocolate. I don't know how you cook chocolate, and
right at that moment they placed the peep in before
that heart.
Speaker 2 (47:47):
Interesting. We do a peak Taste challenge every year, all
the strange flavored peeps and the kids tasted and try
to say what it is.
Speaker 3 (47:57):
Oh, that's a fun game. As good as this stinky yeah,
almost as good as a stinky jelly belly game.
Speaker 2 (48:03):
Oh boozled, bean boozled.
Speaker 3 (48:06):
Oh god no, but it tastes like socks or toothings
or whatever.
Speaker 2 (48:11):
Booger beans. Perfect.
Speaker 1 (48:17):
Everybody, have a great wheat. I love you.
It's nine Ogen Onegine with Jenny Garth and Tory Spelling. Girls, Girls,
Girls on the Side.
Speaker 2 (00:14):
There's three there. Oh wow, what a title?
Speaker 1 (00:21):
Girls on the side, not on top?
Speaker 2 (00:24):
Get the title not underneath?
Speaker 3 (00:27):
Is it because Valerie is the girl on the side?
Speaker 2 (00:29):
They're side pieces? I guess titles a little ra we're
main courses, We're no side dishes.
Speaker 1 (00:37):
Well, welcome everybody to the pod. It's us again. Yeah,
can't get rid of us. We're here talking about episode
twenty eight right.
Speaker 2 (00:51):
Season five.
Speaker 1 (00:52):
Oh my gosh, Yes, aired May third, nineteen ninety five.
Speaker 3 (00:57):
Synopsis, Oh sorry, I got over my skis there, Tori? Sorry?
Speaker 2 (01:03):
Synopsis. A drunk lou Anne Pruetz spills the beans about
Ray and Valerie, leaving Claire and David disgusted, while Donna
remains in the dark. Jesse makes a sacrifice for love,
Dylan is still in love, and Charlie is loving the
thought of a threesome. Meanwhile, Kelly trials to Claremont, only
to find out her fellow burn victim Alison lash is
(01:23):
in love with her.
Speaker 1 (01:25):
Directed by Victor Lowell, written by Meredith dim Steams Dimon.
Speaker 2 (01:32):
I'm not sure I see that him.
Speaker 3 (01:36):
Sorry, MAV three. Three things that are standing out to.
Speaker 1 (01:39):
Me right now already already ever want to have to
do with the beginning of the episode.
Speaker 3 (01:46):
I can't wait to talk about that. But it has
to do with the director. Okay, Victor Lowell with the
shot of the green defender pulling up and then he
like fully zooms in on the lights and then the
car act.
Speaker 2 (02:00):
Up, it was like, you were impressed.
Speaker 3 (02:03):
I was just sort of like, why are we doing?
Speaker 2 (02:06):
Like he's just like a cool dude shot.
Speaker 1 (02:08):
Yeah, probably really into that car. Like my husband, he
walked in during that exact and he.
Speaker 2 (02:14):
Was like, oh my god, I love that car.
Speaker 3 (02:16):
Yeah, it was a great car. Number two Donna's.
Speaker 1 (02:20):
Hair, Okay, let's talk about that. We all have our episodes.
Who We're all going to have our bad hair episodes.
Speaker 4 (02:30):
I just all I could think was like, oh God,
the curling iron, crying hair, just rying it were.
Speaker 2 (02:38):
They held onto with baby bamps? Oh?
Speaker 3 (02:40):
I don't know.
Speaker 2 (02:41):
I do you think the clear bands? No?
Speaker 1 (02:44):
I think that was just sexual from my left fried
into place.
Speaker 3 (02:49):
Curl spray, curl spray.
Speaker 1 (02:52):
The kind of like you know when they use your
curling iron, the curling iron on you and you see
smoke rising from it.
Speaker 2 (02:57):
Yes, and then they tell you no, it's just the
product lines.
Speaker 1 (03:00):
Correct, always lying.
Speaker 4 (03:04):
So I go to a salon very close to my
house out of pure laziness, and I am the youngest
person in there fifty.
Speaker 3 (03:11):
Years by fifty years.
Speaker 4 (03:13):
Come on, it's all grandma's and not seventy year old grammas.
Like literally, I'm not joking. Minimum age eighty five. And
they love them.
Speaker 1 (03:23):
They love their perms and their latter girls, their favorite
curl spray, curl sprut, curl spray. Well, that's about the
age of your hairstylist at that time, so this is true.
Speaker 3 (03:37):
My third comment, now, I can't unsee that Ray's mom
was Michael Keaton's wife. It's all I can think about
the whole time she's on.
Speaker 2 (03:49):
She still look it up. Yeah, she's datacular.
Speaker 3 (03:53):
I have a little bit of fun facts.
Speaker 4 (03:55):
So Michael Keaton is really named Michael Douglas, has a
son named Sean Douglas who's like a prolific songwriter, has
written like so many pop hits it's crazy. And then
I just keep thinking like it really the whole time,
I'm like, that's his mom.
Speaker 3 (04:14):
That was Michael Keaton's wife. Like, why am I obsessed
with this?
Speaker 1 (04:18):
Now?
Speaker 3 (04:18):
Beetlejuice? Beetlejuice?
Speaker 2 (04:19):
Like juice one more time?
Speaker 1 (04:22):
Well, you know, we always wonder what are the things
that Aby's going to obsess on in an episode, and
now we know.
Speaker 3 (04:28):
I think it's because he's one of my crushes.
Speaker 2 (04:30):
And so Michael, I can fix it.
Speaker 3 (04:32):
Yeah, I fixate on anything. Michael Keaton cute.
Speaker 1 (04:37):
Yeah, she was great in this episode. She's she's always great.
Speaker 2 (04:40):
Great.
Speaker 1 (04:41):
Okay, so now go go whoa?
Speaker 2 (04:44):
All right?
Speaker 1 (04:47):
I want to do a little trivia? Sure, Okay, well
Bray's mom who leu Anne? She's seen smoking inside the
peach pit after dark? Yes, and the official Indoor Smoking
Band took effect in La on January first, nineteen ninety five.
Speaker 2 (05:09):
What day is so long?
Speaker 1 (05:12):
This is aired.
Speaker 2 (05:14):
In May nineteen ninety five. Where are you?
Speaker 3 (05:18):
A bunch of criminals?
Speaker 2 (05:19):
Though?
Speaker 1 (05:19):
But do you remember that time when all of a
sudden they said no, you can't smoke inside? And it
took a while for people to start enforcing that, Like,
I've never.
Speaker 3 (05:30):
Been happier about a law.
Speaker 2 (05:32):
Yeah, I know. Can you remember what it was like
to eat while smoke? And I went to.
Speaker 4 (05:40):
Nevada, We went and gambled in Nevada and Tahoe and
they don't have that rule there. Still, immediately you're like
it is burning. You're like, whoa, this is intense.
Speaker 1 (05:54):
It just makes you smell like a cigarette. If you
don't want to smell like a cigarette, that's not great.
If you do enjoy smelling like a stri Do you know.
Speaker 3 (06:02):
Good law that I'm sure some people hated. But can
you smoke outside at a restaurant?
Speaker 2 (06:06):
Though?
Speaker 3 (06:07):
I feel like you can't smoke anywhere near.
Speaker 1 (06:09):
People on a patio? You can smoke outside AnyWho. That's
the trivia your board couldn't tell?
Speaker 3 (06:18):
Okay, has some chocolate cigars? Happy Easter? Was Easter yesterday? Yes?
Happy Easter?
Speaker 1 (06:25):
Did the bunny come?
Speaker 2 (06:26):
Yes?
Speaker 1 (06:27):
Did the buddy visit you? Did you get any chocolate cigars?
Speaker 3 (06:31):
Yeah?
Speaker 4 (06:31):
We had chocolate cignars for the boys, not like someone
has that little not the little boys, but the adult boys.
Speaker 3 (06:41):
Men got chocolate cigars.
Speaker 2 (06:43):
I like that idea.
Speaker 1 (06:46):
I should get it because they're marked off now you
can get them real cheap. Anyway, do you want to
give another trivia?
Speaker 2 (06:56):
Would you like me too?
Speaker 3 (06:58):
Sure?
Speaker 2 (06:59):
When Kelly was it's to Alison at the burn clinic.
The address reads one four nine two zero Medical Center,
which appears to be a location in Santa Monica, But
when Kelly is on the phone with Brandon, she says,
the burn Center is in Claremont.
Speaker 3 (07:14):
Oh, fun back there. So did you shoot it in
Santa Monica?
Speaker 2 (07:20):
I suppose man might signer drive there? Sure is? I
don't know. I just know Kelly didn't drive to Claremont. No,
that would never have happened because she never gets to
go anywhere.
Speaker 1 (07:30):
Claremont is the place they center on location. This is great?
Speaker 3 (07:37):
Uh?
Speaker 1 (07:37):
One another one?
Speaker 2 (07:39):
Yes, I love it? These are fun.
Speaker 1 (07:41):
The ups employee asks Kelly, this is funny, asks Kelly
to sign for the package by asking for her Jane Hancock.
Speaker 2 (07:50):
Yeah.
Speaker 1 (07:51):
The original term John Hamcock, a term coined after John No,
I said Hamcock, I know it. It's term is John Hancock,
a term coined after John Hancock signed the Declaration of
Independence because the biggest signature of all.
Speaker 3 (08:08):
Yeah, he did it so big.
Speaker 2 (08:10):
Wait.
Speaker 4 (08:10):
I have a comment on that scene. Should we talk
about it now or when we get to it.
Speaker 2 (08:15):
When we get to it, Okay, you got it.
Speaker 1 (08:20):
Yeah, that one wasn't very exciting, but I did enjoy
that scene, So we will talk.
Speaker 2 (08:23):
About that one when we get to it. Last one,
Kelly and Steve are walking on the sidewalk. In the
background you can see a restaurant called Gaucho Grill. It
was in a chain that served Argentinian food in the
nineteen nineties.
Speaker 3 (08:35):
It was actually delicious.
Speaker 2 (08:36):
It was I used to like that place.
Speaker 3 (08:38):
It on went it only went away like a little
bit ago.
Speaker 1 (08:44):
Wait where we had one? Don't you feel like?
Speaker 2 (08:47):
We had one?
Speaker 1 (08:48):
And they would bring it in for like our lunches,
sometimes possibly Gaucho.
Speaker 2 (08:52):
Grill, and I was like, I don't want gaucho grill.
Speaker 3 (08:55):
Yeah, and we had one on Santa Sunni and Brent
wid Brent with La You remember, right.
Speaker 2 (09:03):
I'm just remembering when they would say what was for lunch?
In that reaction to anything everything we'd.
Speaker 1 (09:10):
Also that's how my husband feels now every time we eat.
Speaker 3 (09:14):
I'm so weady like restaurant food.
Speaker 2 (09:18):
Yeah, we didn't around a lot, there was no but
they would be all proud they made an executive decision.
Imagine having you know, seven kids and like you have
to go tell them here's what we're eating, and no
one wants the same thing. So the front office came
in strong with the decision. They had the menu and
they'd be like, okay, guys, what do you want today?
Is gaucho grill? And then the response would be I
(09:40):
don't want that. The thing is.
Speaker 1 (09:44):
But they would come in like kind of nervous to
present that the menu, the paper that they had zerox
the menu on.
Speaker 2 (09:51):
The like sweating back there, like please let her say yes,
let him say okay.
Speaker 4 (09:56):
Did only the big people get that? Or like what
about the back ground people?
Speaker 2 (10:01):
No catering truck.
Speaker 1 (10:06):
I feel like they had I don't remember exactly. Sometimes
they would have like a catering truck for the crew
and the background, but the prima donna actors always like
that's something special. Or they would say you go away
for an hour, go get your walk away, get.
Speaker 2 (10:24):
Your own lunch. Really walking away. They wouldn't let us out.
They'd be scared we wouldn't come back.
Speaker 1 (10:31):
Yeah, so they made a couple of bucks if you
do that, probably not like eight dollars. But they would
make us stay in our five by five cubicles with
the lights off until it was time to work again.
Did you have trailers?
Speaker 2 (10:49):
Not a hallway of rooms? They connected so we were
all in the same hallway.
Speaker 3 (10:57):
Did you make them pretty?
Speaker 2 (11:00):
I tried once, We definitely tried.
Speaker 1 (11:02):
I just remembered my dressing room had a giant window,
like you could see from the hallway into my dressing room.
So I was like, can you guys put up some
like mini plays.
Speaker 3 (11:14):
To the world.
Speaker 2 (11:15):
Oh god, No, that was forbidden. She wishes she would
have written help.
Speaker 3 (11:23):
Oh gosh. Yeah, anyhow, Yeah, I have a set question
coming up, but.
Speaker 2 (11:29):
I will hold it. Oh exciting.
Speaker 1 (11:32):
Okay, well, let's just start beach outs. We start on
the beach house and Donna is a hotty inner bathing
suit getting god sitting out there getting her skin fried,
spraying like water, baby oil, baby oil, and Kelly uh
(11:52):
is very nervous that she's going to get some skin damage.
Speaker 3 (11:56):
You were more in a moo moo and Donna was
more in a hot bikin.
Speaker 2 (12:00):
Yeah.
Speaker 1 (12:00):
I was covering because I didn't want to get any
sun on my.
Speaker 3 (12:05):
On My.
Speaker 2 (12:07):
Topic is back right, it's full force this episode.
Speaker 1 (12:12):
Yeah, you're even like, uh.
Speaker 2 (12:13):
Nail it over the head. Make sure everyone remembers. Yeah,
you say something. I don't know. I can't remember what
you said, but it wasn't I hint.
Speaker 3 (12:21):
Mean, it was like not mean.
Speaker 1 (12:23):
I think that's the way that you know, when you're
friends with each other, like that you can talk like
that to each other.
Speaker 3 (12:29):
She's like, basically like get over it and give it
some air.
Speaker 1 (12:32):
Take that bandage off so ugly, basically, let it breathe.
It was really featured in this episode, but Kelly receives
a package in that scene from seventeen magazine and it's
her magazine cover framed so beautifully.
Speaker 2 (12:49):
It looks so good.
Speaker 3 (12:51):
Where I loved about that? Oh yeah, did you you
have that? You should kept that.
Speaker 1 (12:55):
I feel like it's here in my house somewhere, and
I just don't know where.
Speaker 3 (13:00):
I Peer thirty nine.
Speaker 4 (13:01):
You could go and like get your picture taken and
they put it on a fake magazine.
Speaker 2 (13:05):
Oh my god, no, oh yeah.
Speaker 3 (13:09):
You could go and be on the cover of People
or TV. Guy.
Speaker 1 (13:12):
Wait, what's Peer thirty nine.
Speaker 4 (13:14):
Oh, it's kind of like if you went to the
Santa Monica Pier. So it's in San Francisco and it's
like a very touristy place. So you know how like
the Santa or the boardwalk in Santa Cruz, you know
all those kind of places.
Speaker 3 (13:25):
Yeah, there's like rides and like corn dogs and crap
likes still today totally wow.
Speaker 1 (13:33):
Oh did you guys see they're redoing the Santa Monica Peer.
I don't know when I saw a big thing on
the news that they're redoing it.
Speaker 2 (13:41):
Ooh, that means it does. It's all rickety.
Speaker 1 (13:43):
It needs some security would be great too.
Speaker 3 (13:46):
Yeah, it's a little yeah.
Speaker 1 (13:48):
Yeah, terrified of sending my kid there. Everybody's going to
the pier, can I go?
Speaker 2 (13:52):
No?
Speaker 3 (13:53):
In thirty years, I've been there twice. I lived in
La like literally thirty years and I've been there two times.
Speaker 2 (13:59):
Yeah.
Speaker 1 (14:00):
Okay, So now we're on the freeway doing some really
cool unnecessary potray driving back into town scenes.
Speaker 3 (14:08):
What pause before we.
Speaker 4 (14:10):
Get to that, I briefly have to mention there's a
new angle of the beach house. It swung around and
showed the steps going up and that's real.
Speaker 2 (14:20):
Yeah.
Speaker 1 (14:20):
I had a pause on that.
Speaker 2 (14:22):
That was it.
Speaker 1 (14:23):
Well, I was like, is that okay? So that's the
door everybody enters through. They have to climb up those stairs.
Speaker 3 (14:29):
Yep.
Speaker 1 (14:30):
And then that door kind of matched our door where
people came in and out, so that yes, nobody ever
acted like they had just climbed to fly to stairs.
Speaker 4 (14:38):
No, it's very confusing. Then it switches there's the back
door on the front door. So they showed the sort
of street, so the houses on the whatever you'd call it,
the water, and there's like the walking bike path, there's
a tiny there's a main drag, and then there's sort
of a tiny street and so it sort of showed
the tiny street and that's the real door, and then it.
Speaker 3 (14:59):
Was like to the set.
Speaker 4 (15:00):
So the ups lady obviously came to the set with
that sort of fake white.
Speaker 3 (15:06):
Picket which wasn't there, and Kelly opens the door, almost said,
Jenny opens it.
Speaker 1 (15:15):
So back to the freeway. Yeah, you loved all the
driving shots, the unnecessary driving shots.
Speaker 3 (15:23):
Didn't you, guys? Because first of all, here's what was
like blowing my mind. All I'm like, where are we?
Where are we?
Speaker 4 (15:29):
Okay, we're coming down from Magic Mountain and we're getting
where the five is.
Speaker 3 (15:33):
And then I was like, is he gonna take the
four or five?
Speaker 4 (15:35):
And he was really driving like that, He was really
driving that truck.
Speaker 2 (15:41):
Wow.
Speaker 4 (15:42):
And they were getting all those shots and it wasn't
like he was like on one of those fake car things. No,
they were getting him really drive in that truck and
they showed the license plate. He is the blue and
yellow license plate, the old license plates.
Speaker 1 (15:57):
Yeah, his truck is cool. But I think maybe they
did that with like a second unit, because that's a
big deal to go take the whole you know, basically
afon or half a day to go out and shoot
some drive shots.
Speaker 3 (16:11):
Oh. I was like to Dana helicopterly, how are they
doing this?
Speaker 1 (16:14):
It was so awesome. They had a drone and.
Speaker 4 (16:18):
Then he switched he had the old The truck had
the gear shift, which I think we learned from Donna
driving it on the tree thing on the tree.
Speaker 3 (16:27):
Yeah, thank you, Tori, and he shift gears. I was like,
this is legit.
Speaker 1 (16:32):
Yeah, it looked real.
Speaker 2 (16:34):
That was rap.
Speaker 1 (16:47):
He gets home and he tells her that he's back
to play the peach Pit after dark and invites Leu
Anne to.
Speaker 2 (16:55):
His show Risky.
Speaker 3 (16:57):
Yeah, he didn't want to.
Speaker 1 (16:59):
And he tells his mom not to tell Donna that
Valerie showed up in Reno to convince him to come back.
Speaker 2 (17:06):
I feel like that's right at all.
Speaker 1 (17:08):
Yeah, I don't think that secret is safe with Mama. No.
I feel uncomfortable with this trust issue.
Speaker 2 (17:14):
Here.
Speaker 1 (17:15):
Okay, So we're at the Walsh House. Brandon is headed
to Sacramento for a school business.
Speaker 3 (17:21):
My god, Steve, they make him so dumb, oh.
Speaker 1 (17:25):
Man, and he goes he walk up. Cindy comes in
and she's so excited about her magazine cover that she
got at the Ralphs there and Kelly is very upset
about her scars and lashes out at Steve.
Speaker 3 (17:40):
Yeah, and a little bit like she was so prickly.
Speaker 1 (17:42):
That's why we get We find out, Oh, she's really
not excited about being on the cover of that magazine,
which is Hello, because.
Speaker 3 (17:51):
She misses her old neck.
Speaker 1 (17:53):
I guess nobody's really having much sympathy for it, because
it's kind of silly, like they can, they could make
you look however they want you to, like they take
it away.
Speaker 4 (18:02):
And your scars are not bad barely they're barely there.
Speaker 1 (18:08):
And then at the we'll just get there, never mind,
I'll wait. So yeah, Kelly storms out of the room
and Steve is left feeling like it's his fault, but
really it's Brandon's fault. No, it's not just saying.
Speaker 3 (18:24):
That literally is okay, Yeah.
Speaker 1 (18:32):
It was weird because like this is the first time
we've seen the Walshes in a minute totally, and this
time the scene wasn't about their storylines anything to do
with the Walshes, And that's I think one of the
only things he said in that scene.
Speaker 4 (18:48):
Reminds me of do your teens say that to you
guys all the time?
Speaker 3 (18:51):
You know how like are you okay?
Speaker 2 (18:53):
Are you okay? Oh?
Speaker 1 (18:55):
I hate that, but I started doing it now just
because it irritates me so much when they say are
you okay? When I'm literally just like reacting to something,
or if I don't like a food, I put it
in my mouth and like or like I say something
that they don't agree with.
Speaker 2 (19:12):
Are you okay? Yeah?
Speaker 1 (19:15):
Making okay?
Speaker 3 (19:18):
You know Danielle Romo that we all work with. Her
favorite thing to do is when.
Speaker 4 (19:22):
She messes up, like if she writes an email it
has like a mistake.
Speaker 3 (19:25):
Then she writes back, am I okay.
Speaker 1 (19:29):
It's become a thing, but now it's fun to do.
Try to do it.
Speaker 2 (19:32):
Do it today.
Speaker 1 (19:33):
I'll make you feel like superior. Then then you're like, oh,
I see why they do it all the time.
Speaker 3 (19:37):
Yeah, totally. Anyway, this so far this episode is a ten.
Speaker 2 (19:42):
You're liking it peach Pit.
Speaker 1 (19:44):
Peach Pit, we get to see the dills. He is
staring at his ex girlfriend on the cover of seventeen magazines.
Speaker 3 (19:53):
Yeah that was That was kind of cool in a
sad way.
Speaker 2 (19:58):
Yeah.
Speaker 1 (19:58):
Charlie, though, tells him to put it a way so
they can focus on the screenplay.
Speaker 3 (20:03):
Charlie's getting so much.
Speaker 2 (20:05):
Screen time for what why? Why you're in a movie?
Speaker 1 (20:10):
I don't get this. Why he's on the show.
Speaker 2 (20:12):
I'm sorry, he must be a friend of somebody. Episode.
Speaker 3 (20:17):
Yeah, is this when val comes over?
Speaker 1 (20:21):
Yeah, Valerie comes over and she's so happy to be
with the guys.
Speaker 4 (20:26):
Yeah, she's got a hint of a crop top and
she's very cute and smiley, and yet it's weird.
Speaker 1 (20:35):
Yeah it's she And then she likes to button that
scene with something snarky.
Speaker 4 (20:41):
She's super low key genius though, she's very smart, like
she know all about the minajatoy and the movie. So
she's always impressing me with her brains. But then it's like,
I don't know, I don't trust her.
Speaker 1 (20:55):
Yeah, it gets weirder, just wait for it. The beach House.
Kelly's getting a call from for a modeling job and
quickly shuts it down. Then the rest of the game
comes in and they come home with food and Kelly
just walks away.
Speaker 2 (21:12):
She's so upset.
Speaker 4 (21:14):
The fire was going. Did you notice that? And then
are we to assume that's food from the peach pit?
I was assuming they picked it all up at the
peach pit.
Speaker 1 (21:24):
Or gaucho grill or you do say do you want
a burgers?
Speaker 3 (21:29):
I would have been like, say, yeah, I'm starving.
Speaker 1 (21:34):
She looked hungry. But she goes in a room and
she's so conflicted and upset and she throws the picture
against the wall and breaks it.
Speaker 2 (21:42):
Total.
Speaker 4 (21:42):
Okay, there's this TikTok going around that's like, what's something
that you see on TV that we all accept on
TV that never happens in real life? Purling glass across
a room is something that only happens on TV that
I would never do that.
Speaker 3 (21:58):
The mess stayed with me, like, Andy, did it not
impact your life?
Speaker 1 (22:02):
It didn't seem to bother her, which I found talking
about glass everywhere. Yeah, she's gonna get cut. She's sorry, guys,
Oh my goodness. Yeah, the gang is out there eating
their burgers.
Speaker 3 (22:20):
They're like, are you okay?
Speaker 1 (22:22):
Yeah, I'm good. Just drop something and shattered it on
my wall. Thanks for noticing.
Speaker 2 (22:28):
I just dropped on a carpeted room and it shattered.
It shattered.
Speaker 4 (22:38):
Oh and then she and then you kind of had
your cry moment. A lot of acting for you in
this episode.
Speaker 3 (22:44):
Jenny, but like a little bit of a like thirty
years later, a little bit. I'm laughing at it.
Speaker 2 (22:51):
But yet it was good. Well, I liked it. It
was fun to do you cry.
Speaker 3 (23:00):
On cue there? Did you need those drops? You told
me about those drops.
Speaker 2 (23:04):
I don't know.
Speaker 1 (23:06):
You'll never know if my tears were real, or if
our tears were real, or if it was just makeup.
Speaker 3 (23:12):
It was good. It was good.
Speaker 1 (23:15):
We go to Andrea's house with her purple walls. Oh yeah,
you cannot handle that paint color. Andrea with the baby feeding.
Speaker 3 (23:22):
Is this the baby feeding?
Speaker 1 (23:23):
Yeah, he's Jesse gets excited because he got a job
offer and Boise.
Speaker 3 (23:27):
The walls were fine.
Speaker 4 (23:29):
It was Andrea's checkered shirt over their They just did
me in.
Speaker 1 (23:34):
I was like, oh no, but but they're like all
good now they're back together, they're supporting.
Speaker 3 (23:39):
Each other, and she's moving the Idaho.
Speaker 1 (23:42):
Does he I've forgotten already, you guys, don't be mad.
Does he know about her affair? Yes, yes, right, I'm sorry.
This is cheese of a brain.
Speaker 2 (23:55):
You didn't have either. I cared so little that I
already oh, oh my god.
Speaker 4 (23:59):
Yes, we have the whole episode and they were fighting.
It was all kind of tight.
Speaker 3 (24:02):
Yeah, yeah, yeah, Jeopardy episode two, and he was way mad.
I remember he goes to Dylan's and stays there and
says I'm not gonna go, and then all he does
is ear right.
Speaker 2 (24:13):
That was like two episodes ago. Totally. I worry about
you guys. Yeah you should.
Speaker 1 (24:19):
Then we go to the Outdoor Cafe, which is this
was exciting. We were somewhere new. Were you excited about?
Where were we?
Speaker 2 (24:27):
Oh? God?
Speaker 3 (24:28):
I was trying so hard.
Speaker 2 (24:29):
It felt like one of those did you do the coordinates?
Did you find you look on your website, but.
Speaker 4 (24:34):
Like if somebody could look maybe on the nine O
two one zero locations.
Speaker 1 (24:38):
I needed to know outdoor cafe. Well, it's somewhere we've
never seen it. I couldn't quite put it together either,
But then I saw an AMC like in the background,
so then I realized, I think that was done at
the Santa Monica promenade. Like on Fourth Street, the old one. Yeah,
(25:00):
before they like for it was like the Georgia.
Speaker 4 (25:04):
Makes sense because if you were shooting in Santa Monica,
maybe they're like, do you know what I mean? At
the medical center, maybe they were like, hey, let's be
smart about this.
Speaker 1 (25:12):
That's yes, Yes, she's being like a producer one permit.
So Kelly meets her mom and Steve there. They try
to Convincess to meet the guy with a good reputation
in the modeling business, and.
Speaker 4 (25:27):
Steve was cute, Oh is cute? Smarmy like is he
gonna want money out of this?
Speaker 3 (25:31):
But cute?
Speaker 2 (25:33):
Yeah?
Speaker 1 (25:33):
I think she says, what do you want to this?
And he's like, I just want.
Speaker 3 (25:36):
To part of this whole scene.
Speaker 2 (25:40):
Do you guys know when they walk away, yes, and he.
Speaker 4 (25:43):
Kisses her cheek and it's almost like you're so playful
and it's sort of like you didn't even care if
you're still on camera or not.
Speaker 3 (25:51):
So freaking cute.
Speaker 2 (25:52):
I think I pushed him away or something. You get away.
Speaker 4 (25:55):
It's so freaking cute. Like that was a great That
was a great whole All of this is good.
Speaker 2 (26:02):
They we're going to go.
Speaker 1 (26:02):
Back to Ray's house where Luanne shows Ray her spiffy
little outfit for the show, which I liked, and he
tells her she's a tad bit overdressed.
Speaker 3 (26:12):
It was very nineties.
Speaker 2 (26:14):
She doesn't get much, No, she doesn't.
Speaker 1 (26:17):
It was I liked the matchingess of the tipatedness, and.
Speaker 3 (26:21):
I think she's already drinking.
Speaker 1 (26:23):
And yeah that's the thing, he says, whoa when did
that start again? Yeah, so we can see that. You know,
this is something he's definitely dealt with all his life.
Probably is is his mom's drinking. And she really downplays it.
Speaker 2 (26:37):
Yeah, it's just you can tell resh.
Speaker 1 (26:41):
Yeah, you can tell he's really not cool with it,
and he knows what's going to happen.
Speaker 2 (26:45):
Yeah, he's seen it before.
Speaker 1 (26:48):
Back at the cafe, Kelly and Steve walk out of
the meeting feeling super optimistic about her modeling career. Yeah,
it was great, and then they spot Dana.
Speaker 4 (26:58):
The magazines stand don't gloss over the two kids that
say is.
Speaker 1 (27:03):
The sorry, Well, do you know who the two kids are? Right,
they're the same two kids that are always on our show.
Speaker 2 (27:10):
Her producers.
Speaker 1 (27:14):
Yes, there was the Rosen kids. And then Chuck Rosen's
wife Karen was is Dana Alison's member, Dana Alison's girlfriend,
the girl got burned.
Speaker 2 (27:26):
This is her can friend? Wait?
Speaker 1 (27:27):
This is Dana's her. Dana's girlfriend is now Chuck Rosen's wife. No,
the lover, her lover, Her lover is Chuck Rosen's wife, the.
Speaker 3 (27:35):
One that owns the house or lives at the house
with her.
Speaker 2 (27:39):
No, that is oh my god, And I missed that.
Speaker 1 (27:44):
Really, I don't know, because there's a whole nother scene
where she talks a lot.
Speaker 3 (27:47):
Wait, she's amazing.
Speaker 4 (27:48):
Okay, that's okay, very good stuff here, okay, And I
have wondered where.
Speaker 2 (27:54):
That all was shot.
Speaker 1 (27:55):
I think the promenade that's starting to make sense because
they have this is way before Third Street was Third Street.
They didn't even have that magazine stand there anymore.
Speaker 3 (28:04):
No, first of all, you know all the magazine stands
are like all now.
Speaker 2 (28:07):
It's so sad.
Speaker 1 (28:08):
I think there's one studio city. I think that's on
Lorc Canyon, the one by Whole Food's gone, so sad. AnyWho,
Kelly apologizes to Dana, who she sees there and says,
I'm so sorry for not answering her calls, and asks
how Alison is doing, and Dana pretty much blows her off,
(28:29):
walks away, Yeah and uncomfs. Yeah, something's going down there.
Obviously they've broken up because she's all handy handy with
the yeah. Yeah so yeah. Peach Pit after Dark, where
Ray is getting ready for his show and he spots
his mom getting even more drunk at the bottom.
Speaker 4 (28:51):
Donna looking hot in the black yep, the little black.
Speaker 1 (28:57):
Every shirt now is a bit is a tummy shower?
Speaker 2 (29:00):
Yes?
Speaker 1 (29:01):
Yeah, forbidden to not where? Yeah, everything has to be
showing the tom tum. Listen, I don't blame you. What happens?
Speaker 2 (29:11):
What happens? Valerie tries to cut Luanne off.
Speaker 4 (29:14):
Oh yeah, so that was This was a good scene.
So first Ray, Donna thinks Ray should eat something. It's
gonna be a big night. And then Ray's like, I
just want my mom out of here, and Donna's like,
I don't want to do it.
Speaker 3 (29:25):
And then she orders another drink and did you see
Valerie gives the hand to the bartender. No cut her
off because.
Speaker 1 (29:33):
She's the boss, she's the owner, she's the big wig there.
Speaker 3 (29:36):
Yeah, and then it got awkward with the mom.
Speaker 1 (29:39):
And then Valerie says, David and Clara will take you home.
Why are they there to are they there to do whatever?
Valerie says, they don't have calves in this era, there
was no uber Nope.
Speaker 3 (29:53):
No, yeah, I guess, I guess. Yeah. They just work
for her. So they're going to take her home, and
then then they're really carrying her out.
Speaker 2 (30:00):
She's really drunk.
Speaker 1 (30:02):
She can't even walk at this point, which is a
little odd for a woman of her age and her
history with you know, alcohol consumption. She could probably handle
her booze a little bit better than that, I'm just saying.
Speaker 2 (30:15):
But David and Claire to carry her out.
Speaker 1 (30:17):
To the car, you know, the yep, and she spills
the beans.
Speaker 3 (30:23):
And as David's buckling her in respect that we're all
wearing seat belts now, and she spills the.
Speaker 1 (30:30):
Bees, and Claire says in vino veritas, oh yeah, She's like,
it's Latin dipshit. But they agree not to say anything
about this new bombshell that Leu Anne just dropped because
they want to protect Anna.
Speaker 3 (30:49):
Would you say something if you had heard.
Speaker 1 (30:53):
I think I would be like I would trump probably
handle it like Claire, just like ease into it, not
just go in there and blurt it out like you know,
like she probably wanted to, Like I would have wanted
to be like, oh my god, I'm gonna kick his
ass or whatever.
Speaker 4 (31:08):
I don't think that said something up, but I would
say it.
Speaker 2 (31:12):
To Valerie, right, but even a credible source exactly so,
and she's wasted, so they don't know it could be.
Speaker 1 (31:23):
But I feel like they really do believe her because
then in a little bit we'll get to a David
axe on it. So, Okay, you want to go to
Charlie's house and hear about how no it's Dylan's house,
but you want to go and hear how Charlie wants
to have a threesome.
Speaker 2 (31:38):
Not really do we have to? Don't want to hear that? Yeah,
I had to read it. I can't see it. So
(32:00):
he wants to have a threesome with Valerie.
Speaker 1 (32:02):
And then and then Dylan say, you know, then Charlie
tells Dylan to go after Kelly if he wants her
so bad, or bring her over for a threesome.
Speaker 3 (32:14):
That was important.
Speaker 1 (32:14):
That was important, Yeah, because it kind of shows again
they're just kind of like really bringing it home that
Dylan's still struggling well.
Speaker 4 (32:25):
And it builds us up to what's coming, one of
the most iconic phrases in all of nine O two
one ohero not chet, I know, but we're it's getting
us getting there.
Speaker 1 (32:37):
In Sacramento, Brandon and Kelly are on the phone. Oh
he's sweet, he's gone, you know, that's how he should be.
After his work is complete, he goes back to his
room and calls his girlfriend.
Speaker 4 (32:47):
And you know what we didn't talk about that I
want to briefly talk about is the scene where when
Kelly storms it off and she goes outside and Brandon
goes after her and they can't they have that.
Speaker 3 (32:59):
You know, he said, I don't care about your scars, like.
Speaker 4 (33:05):
Forgot about that there's and he sort of makes some
sort of a sixteen seventeen eighteen. I don't I don't
even understand what that was, but I kind of.
Speaker 1 (33:12):
It was being sweets, being so cute.
Speaker 3 (33:15):
And then they have that kiss, a very romantic, dramatic kiss,
and they have each other. Yeah, they do for now,
for now.
Speaker 1 (33:27):
And Kelly tells him then that she wants to go
visit Alison at the burn clinic.
Speaker 3 (33:31):
So back at the peach Bit, David and Claire are.
Speaker 1 (33:34):
Sweety okay, good, you should go.
Speaker 3 (33:39):
No, you shouldn't. You should go, Like he's just gonna
do whatever she wants, right, Well, I should go, and
he's like you should. Oh maybe I don't want to.
You shouldn't, don't go.
Speaker 2 (33:49):
Yeah. It was cute.
Speaker 1 (33:51):
He's like, I'm gonna say the right thing, right no
matter what.
Speaker 3 (33:54):
Yeah, okay, sorry, continued.
Speaker 1 (33:56):
David and Claire disgusted when they see Valerie, Donn and
Ray posing for their picture together at the Peapad and
it's just so it's so stilted, like it's so up,
you know.
Speaker 2 (34:10):
Kiss him, kiss him? That was that was yeah.
Speaker 3 (34:15):
Oh we never talked about the jumping out of the car.
I really liked this.
Speaker 2 (34:19):
Oh my god, please.
Speaker 4 (34:21):
In this earlier scene when they pull up in the scene,
I liked with the direction and then the two girls
have to sort of be bop out of the back
and then don't worry, you know.
Speaker 1 (34:32):
I kind of love that you were Like. I could
tell Donna was in for a she was in for
a good time tonight. She was ready to like, yeah.
Speaker 3 (34:40):
She had Jeemy for Crop Code and she was extra sassy,
very sassy. I loved. Yeah, we're going on a double date.
Speaker 1 (34:50):
Yeah, that was a lot. That was more Tory than Donna.
Speaker 2 (34:54):
It was like, yeah, she comes.
Speaker 4 (34:58):
Sorry, I'm jumping around so much because I'm forgetting all
the nuggets. I was going to give this a low
score for some reason when I went to bed less.
Speaker 1 (35:05):
Then you've changed.
Speaker 3 (35:08):
I mean a low score for me is like I
was gonna give it an eight, but now it's.
Speaker 1 (35:12):
Really what'd you give last week's episode of.
Speaker 3 (35:14):
Two two I did not care for squash it and
thanks to the people that also chimed in on Instagram
that also did not care.
Speaker 2 (35:24):
For it, they didn't like it either. You never tell
us what they say.
Speaker 4 (35:28):
Oh they got there. I mean there's a few people
that liked squash it. I can't remember, was squash it
last week or was that?
Speaker 3 (35:33):
Yes? Okay, yeah, a few people liked squash it, but
not so much.
Speaker 1 (35:39):
Some people don't care for Squashuh. Then Kelly drives to
clairemont air Right to visit Alison, only to be turned away.
Speaker 3 (35:49):
By the nurse.
Speaker 2 (35:50):
She just wanted to talk to her.
Speaker 3 (35:51):
I want to see you, which I saw that coming.
Speaker 1 (35:55):
The little boy that came in and sat next to her,
and that's what was the significant.
Speaker 3 (36:00):
So that was he I thought maybe he was burned.
Speaker 1 (36:02):
He was a burn victim also, Yeah, and it just
kind of like made her feel did he talk?
Speaker 2 (36:07):
No?
Speaker 3 (36:08):
Yeah, I was sort of expecting them to have a
moment and then.
Speaker 2 (36:12):
Maybe that got cut just one of her own.
Speaker 3 (36:15):
Yeah, yeah, fellow burn victim.
Speaker 1 (36:18):
And then Kelly goes to visit Alison's ex girlfriend Dana. Yeah,
how does she know.
Speaker 2 (36:26):
Where she lives?
Speaker 3 (36:27):
It's Chuck Rosen's wife.
Speaker 1 (36:29):
How does she know where they live? These things I
never discussed. I guess, Okay, well pages she doesn't even
know her last name, though.
Speaker 3 (36:42):
She finds it, just like Martin McFly found her. Yeah.
Speaker 2 (36:48):
Yeah.
Speaker 1 (36:49):
And then she shares some time with Dana's new girlfriend,
Kate played by Karen Rosen So and also I enjoyed
her performance. She was very soft on, combative and very
level headed as the new girlfriend. I really enjoyed it.
I thought she did a great job.
Speaker 3 (37:07):
Ye had a couple of snarks.
Speaker 4 (37:09):
This episode had some snarkiness, which I'm here for it
because remember she's like, do you want the villium now
or whatever it was, do you want that tranquilizer now?
Speaker 2 (37:18):
Yeah? She had some cute little like sarcasm.
Speaker 1 (37:23):
And then she tells Kelly that Alison dumped Dana, because
Alison is in love with Kelly dumped the twist. When
did that happen.
Speaker 3 (37:36):
In the bathroom? We knew it because remember you two
were supposed to kiss.
Speaker 2 (37:41):
Wait where there was a kiss? You know, They're like,
we're gonna die, so we might as well kiss kiss there.
Speaker 1 (37:47):
If I was dying, I would not be like, let
me kiss a strange girl.
Speaker 2 (37:51):
She told us.
Speaker 3 (37:53):
There was there was a kiss or something and maybe
it's coming. I don't know anyway going she said the
kiss was cut right, Yeah, yeah, I don't remember prison out, like,
I don't know if they ever even got shot. I
feel like Jenny would maybe remember that.
Speaker 1 (38:11):
Yeah, chances are slim doubtful. Okay, So back at Ray's house,
David confronts Ray. This is what I'm talking about. He
drives up on him and says, yo, bro, yeah, I
know what you did last summer, and he walks away
(38:32):
and he says, but.
Speaker 2 (38:33):
I'm watching you. Yeah, And I felt real intimidated.
Speaker 3 (38:38):
I'm glad they said it, though, because I don't want
to deal with the like Three's company of it, you
know how I always hate that.
Speaker 4 (38:44):
Yeah, they understanding, like I don't want them knowing and
not telling Ray be so annoying.
Speaker 3 (38:50):
It's like, tell him, yeah, start to get a.
Speaker 1 (38:54):
Good expert friend friend, move on David's part, and then
ray el a his mom's his mom for telling on him?
Speaker 3 (39:06):
He really, what did you tell them?
Speaker 1 (39:09):
Yeah?
Speaker 2 (39:11):
I get scared in that house, crazy goes down in there.
Speaker 3 (39:14):
Yeah, I'm like that was a lot.
Speaker 1 (39:16):
But I also noticed in that in that house that
they're shooting at as Ray's house, that's a real house
and it had, you know, it had all like the
real grime that you would have in a house that's
been used and not probably taken the best care of.
Like all the walls were a little dirty pood.
Speaker 3 (39:37):
Hikes.
Speaker 2 (39:38):
Yeah, I get it.
Speaker 1 (39:40):
Good set agree Valerie's office. Claire confronts Valerie. So David's
doing his part and happy about yep. She warns her
to stay away from Ray. I don't know if Andre
is gonna I mean, if Valerie's who's why is Andre there?
I don't know Valeries going to respec.
Speaker 2 (40:00):
Back to that. No, she'll do whatever she wants.
Speaker 1 (40:03):
She's probably not afraid of Claire, right, No, but she
just seems so.
Speaker 3 (40:14):
I don't know, it just adds to her sort of
being the oh like, oh, man, you know what I
mean again?
Speaker 2 (40:22):
Yep.
Speaker 1 (40:23):
We go back to the Purple House, I mean Andrea's house,
where Jesse tells Andrea that he turned down the job
because there was no medical school for her there.
Speaker 2 (40:32):
That was cool, that was cool.
Speaker 1 (40:35):
Yeah, very good because she's got to move with him, and.
Speaker 3 (40:39):
Yeah, us up for what's gonna happen.
Speaker 2 (40:43):
Don't tell me, don't tell me?
Speaker 1 (40:44):
Okay, did you.
Speaker 3 (40:44):
Literally not know?
Speaker 2 (40:45):
I literally do not know.
Speaker 1 (40:47):
How many times do I have to tell you?
Speaker 2 (40:49):
You know?
Speaker 1 (40:50):
Well, I know because Jesse isn't on the show anymore,
so right.
Speaker 3 (40:54):
You know, they leave, but you don't know where they go.
Speaker 2 (40:56):
She keeps saying Jesse, like she's not sure there's two
people leaving.
Speaker 1 (41:00):
Oh sorry, oh my god. Okay, yeah, that's coming. Now
you've told me, and now I remember a little bit.
We go to the Beach House, where Kelly gets a
call from Alison, who apologizes for not letting her in
the hospital room.
Speaker 3 (41:12):
Shot only by the eyes.
Speaker 2 (41:15):
That was dramatic.
Speaker 1 (41:19):
It's like a slow creep up on her back, like
you can't see her, it's dark. You see her eyes
and you're like, oh, things must be bad, poor baby.
She makes Kelly promise to come see her face in
a month after her last skin graft, and Kelly promises,
(41:41):
So I guess she's going back to Claremont.
Speaker 3 (41:43):
And then all of a sudden the episode was over.
Speaker 1 (41:46):
Yeah, brostending. Whoa that was not before Kelly pulls off
her little mitten for Michael Jackson.
Speaker 4 (41:54):
Mitton's getting a scene where she says she doesn't need
it anymore to Brandon.
Speaker 3 (42:02):
Did I make that up? Or that you make that up?
Speaker 2 (42:04):
She just takes it off.
Speaker 3 (42:05):
I think she says to somebody, I don't need it anymore.
Speaker 2 (42:10):
Sure, okay, I think it might. If not, it sounds
good right there.
Speaker 1 (42:14):
So that would be about closing for the episode. That'd
be great, I feel okay.
Speaker 4 (42:19):
So I had a weird situation with my paramount. Plus
the thing came up that said next episode starts in
twenty seven seconds or do you want to watch the credits?
And I'm like, this thing's not over. So I told
it to watch the credits. And I think there's another
scene that you.
Speaker 3 (42:37):
Didn't get because you didn't.
Speaker 1 (42:38):
Say went right to the next episode. I was like,
that is such a weird ending.
Speaker 3 (42:42):
And I think there is a scene where happened. I think,
what do you mean did you watch it? Well? Yeah,
I mean it was last night, but I was so
befuddled by the weird thing coming up.
Speaker 1 (42:52):
That I'm like, what, Yeah, it was, and I.
Speaker 4 (42:55):
Think somehow she sees Brandon and he's like, you're not
wearing your bandage and she says I don't needed anymore,
and then and.
Speaker 1 (43:03):
Seeing okay, well that would make more sense.
Speaker 3 (43:05):
Yeah that's where I got.
Speaker 2 (43:06):
That's weird, all of that, and then that's the end.
Speaker 1 (43:10):
Yeah, well yeah she did say I don't need it anymore.
Speaker 3 (43:15):
Els was acting crazy.
Speaker 1 (43:17):
I know, I felt like I was missing something, and
thank you for confirming.
Speaker 4 (43:20):
And also, this is a total sidebar speaking of Paramount Plus,
but they have this new show called ELL's Beeth and
it is so good. Right, Okay, So there was the
Good Fight and then there was The Good Wife.
Speaker 3 (43:32):
Did you guys watch any of those shows?
Speaker 2 (43:34):
Nope?
Speaker 4 (43:34):
And then now there's the spin off, Elsbeth and they
premiered it a month ago and the episode was amazing, and.
Speaker 3 (43:41):
We still don't have episode two. We have to wait
a whole other week.
Speaker 4 (43:45):
Why would you premiere a show and then we make
me wait a month? Paramount Plus, I'm a little peeved
by that.
Speaker 1 (43:51):
I think they feel like they're, you know, getting setting
the tone of like or building up city.
Speaker 3 (43:56):
Yeah, maybe building up fans to come back.
Speaker 4 (43:59):
But I'm like, check in for this thing every day
and then finally it's like April fourth.
Speaker 1 (44:04):
I'm sorry Amy that that happened to you. Okay, we
get back to the show.
Speaker 3 (44:09):
I loved this episode.
Speaker 2 (44:10):
Now, well what do you give it?
Speaker 1 (44:12):
What do you give it?
Speaker 3 (44:14):
I was giving it an eight, but I think I'm
gonna give it a ninety two?
Speaker 2 (44:17):
Whoa point two?
Speaker 4 (44:20):
With all that truck drive the truck and the crazy
defender backing up and drunk lu Wayne, and all right,
you can give her whatever you are the shots in
Santa Monica or wherever you were at the restaurant.
Speaker 2 (44:33):
Get for cars and for shots. She likes.
Speaker 1 (44:37):
She likes the feeling of the whole episode, not just
like specifics. Yeah, what do you give it to her?
I feel like this is going to be like low
but not Okay.
Speaker 2 (44:47):
I'm making it higher because I'm embarrassed. I feel bad.
A seven? Whoa you really jumped? Yeah? I was happy? Yeah, no,
I hear you.
Speaker 3 (44:59):
I was happy to see all our gang.
Speaker 2 (45:01):
Uh huh. Finally people back together.
Speaker 3 (45:03):
Ish. Yeah, we didn't get everybody had a little m.
Speaker 2 (45:09):
Yeah.
Speaker 1 (45:10):
I didn't like the Dylan stuff. But I guess we're
working up to something.
Speaker 2 (45:16):
You I don't want to see Charlie anymore.
Speaker 3 (45:17):
You're not gonna like next week.
Speaker 1 (45:19):
Is Charlie going to stay on it?
Speaker 2 (45:22):
I feel like a bad influence.
Speaker 1 (45:23):
I think he's a bad influence. Ye'll see that.
Speaker 3 (45:27):
I think next week is referred to as some by
some as like the worst episode ever.
Speaker 1 (45:32):
One of the worst episodes ever is coming. I'm so
excited for that.
Speaker 3 (45:37):
Me too.
Speaker 1 (45:39):
I'm going to give it like a seven to probably
a six, I don't know. Seven yeah, seven definitely.
Speaker 2 (45:46):
Really not a good one. Good Yeah, no, it was.
Speaker 3 (45:50):
You're right.
Speaker 1 (45:51):
The next episode does anybody out there know? Is the
next episode? Episode twenty nine? The real McCoy it's the
Old West? Is that the worst episode on the series.
Speaker 3 (46:02):
I don't think the worst of the series.
Speaker 2 (46:04):
Some people thought the Old West one was the worst.
Speaker 4 (46:06):
One, one of the bad ones. I for some reason,
my mind was really spinning. I think we jumped the shark,
not next season, but seven season seven is one. I
was for some reason my mind was spinning last night,
being like When does Luke leave? When does Jason lee? Like,
I just don't know why.
Speaker 3 (46:24):
I think it's menopause because my brain's just going well.
Speaker 1 (46:27):
I think it's better if you kind of have the
like mentality that I have, Like you've never seen it
and you don't know what's coming, and you don't have
any expectations and it's all going to be fun in
a surprise.
Speaker 2 (46:37):
So just relax, Okay.
Speaker 3 (46:39):
I always jump ahead. But it's fine. Good stuff, guys.
Speaker 4 (46:42):
Good performances both of you in the episode, I mean fine,
fine performances in the podcast, but really good to them.
Speaker 1 (46:50):
Thanks, Thanks, What do you give us Suffer Today podcast?
Speaker 3 (46:55):
I'll give you a solid seven?
Speaker 2 (46:58):
Whoa for us? She's harsh.
Speaker 1 (47:02):
I like that though, fair, fair, fair.
Speaker 3 (47:07):
That's anything else you guys want to share before we go,
I'm not ready to leave yet.
Speaker 1 (47:11):
Happy Easter, hoppy Easter. Yeah, hope everybody had a nice
time with their families.
Speaker 3 (47:18):
I found chocolate peeps the chocolates. The peep is like
they put the peep into the chocolate. What are you
I'll find I'll try and send you guys up.
Speaker 2 (47:29):
Wait, like an.
Speaker 1 (47:30):
Actual peep stuffed in a chocolate Yeah, or just the
essence of a peep stuffed.
Speaker 4 (47:36):
No, no, no, a full peep. A full peep is
poking out of the chocolate. It's almost like they cook
the chocolate. I don't know how you cook chocolate, and
right at that moment they placed the peep in before
that heart.
Speaker 2 (47:47):
Interesting. We do a peak Taste challenge every year, all
the strange flavored peeps and the kids tasted and try
to say what it is.
Speaker 3 (47:57):
Oh, that's a fun game. As good as this stinky yeah,
almost as good as a stinky jelly belly game.
Speaker 2 (48:03):
Oh boozled, bean boozled.
Speaker 3 (48:06):
Oh god no, but it tastes like socks or toothings
or whatever.
Speaker 2 (48:11):
Booger beans. Perfect.
Speaker 1 (48:17):
Everybody, have a great wheat. I love you.
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