Dr. Strangelove (1964) and Alphaville (1965)

In the seventh episode of our Future Wars cycle, we discuss the classic Dr Strangelove (1964) alongside a bizarre artifact from the French New Wave, Alphaville (1965)

Special Guest: Good friend of the show and onscreen performer Harry Brammer, dialing in from Tokyo.

Here we have two masters, Kubrick and Godard, spinning tales of future conflict and war in the mid 1960s. Slipping in their polemics right before the great social upheavals of the decade, these films depict the western world teetering on the edge of breakdown. Kubrick's scolding satire in Strangelove still smolders 60 years later. He depicts the most powerful people in the world, people with the ability to end the human race, as complete and utter buffoons. The accuracy of his portrayal is startling as it has only become more true with time.

Godard's Alphaville is a very different story. Shot for next to nothing in Paris, this ambitious film can't support its own intellectual weight. While some scenes still pop off the screen, it is a trudge to get through despite it merits.