Beginning in 1964, conservative England is shocked and outraged by Joe Orton’s work. In his radio play The Ruffian on the Stair and then in his stage plays Entertaining Mr. Sloane and Loot, Orton attacks church, state and family and taunts his enemies by putting sexual ambiguous characters on stage. For some of the first times ever, gays in the theater can’’t be stereotyped as effeminate queens or tragic cases. And while this brings Joe more hatred and censorship from the right, another group of people, namely those who’re putting the swing into swinging London and leading England through a cultural revolution, absolutely adore him. Orton sells the screen rights to Loot for a near record-breaking £100,000 and 1967 begins with Joe Orton on top of the world…
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